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  • Three Pieces For Three Instruments

    Transféré par

    Nathan Shirley
    232 vues12 pages
    This is a composition in 4 movements (the first movement is repeated at the end, but faster, so 3 different pieces). This music was written to be played by clarinet, cello, and bassoon, however, it can be played by just about any 3 instruments. Also, it is written in a flexible way, so the various parts could be played in different octaves. Or, it could be played by two instruments, omitting ANY one part altogether (with minor alterations in some cases). If there is interest in this music in only two parts, I will upload the sheet music for that. Also, if there is interest in this music written in different clefs, that can be made available as well.

    Titre original

    Three Pieces for Three Instruments

    Copyright

    © Attribution Non-Commercial No-Derivs (BY-NC-ND)

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    This is a composition in 4 movements (the first movement is repeated at the end, but faster, so 3 different pieces). This music was written to be played by clarinet, cello, and bassoon, however, it can be played by just about any 3 instruments. Also, it is written in a flexible way, so the various parts could be played in different octaves. Or, it could be played by two instruments, omitting ANY one part altogether (with minor alterations in some cases). If there is interest in this music in only two parts, I will upload the sheet music for that. Also, if there is interest in this music written in different clefs, that can be made available as well.

    Droits d'auteur :

    Attribution Non-Commercial No-Derivs (BY-NC-ND)
    Téléchargez comme PDF ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    232 vues12 pages

    Three Pieces For Three Instruments

    Transféré par

    Nathan Shirley
    This is a composition in 4 movements (the first movement is repeated at the end, but faster, so 3 different pieces). This music was written to be played by clarinet, cello, and bassoon, however, it can be played by just about any 3 instruments. Also, it is written in a flexible way, so the various parts could be played in different octaves. Or, it could be played by two instruments, omitting ANY one part altogether (with minor alterations in some cases). If there is interest in this music in only two parts, I will upload the sheet music for that. Also, if there is interest in this music written in different clefs, that can be made available as well.

    Droits d'auteur :

    Attribution Non-Commercial No-Derivs (BY-NC-ND)
    Téléchargez comme PDF ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    sur 12

    Three Pieces

    for
    Three Instruments

    Trio for
    Clarinet, Violoncello, & Bassoon
    (playable on a variety of instruments - notated at concert pitch)

    By Nathan Shirley

    Commissioned by Jonathan Dudley for Bill Dudley


    2
    Commissioned by Jonathan Dudley for Bill Dudley

    Three Pieces for Three Instruments


    Time
    mvt.1 & 4
    Nathan Shirley
     
    A                                       
        
    B
     
                 

    
         

    C

                                       


               
             

          
      
    7

                                 



       
      
                



          
    10

                           

       
           
      

                



       
    2009, by Nathan Shirley - www.NathanShirley.org
    3
    13

                                   



       
      
           
     
       

         
          

    16

                                 

          
                 
        

          

    19



                         
       
           
             
            


        

    22

       

                
                       
                 
       
      
          
      
    4
    25

       

                                
       
        
              
      
        
          

    28

                                        


       
               


         

    31

                                 

         
                   


         

    34

                                  



       
                  
       

          
     

    5
    37

                                 

       
        
              


      
        

    40
      
                                

         
      
                   

      
            

    43

                                           

        
                 


        
     

    46

                    
                  
               
          


        

      
    6
    49

                                        


           
                

        
        
     

    52

                           



             
      
                



         

    55

       

             
                     
                
       


        

    58

                   

      
       
                   

      

       
    7
    Wandering
    mvt.2

     
    A         

    B
          

                           


        
    C
     
    66

                      

          
         

                               

    71

            

     
                
      
                 
                      

    76

         


                       


                               

    8
    81

      

                         

       

        
     


                              

    86

     

               
           
    
          

        
        

             
     
           

    90

        

                   
        
                   

                
     
             
    

    94

         

           
             

                              

            
            

    
     

    9
    Intertwined
    mvt.3

           
    A 
            
       
         
    B          
              
            

    C

                              




     
     
         
               
     
                 
            

    9
       
         


               
             

        
                    
       

              
    13

         
      
           
         
     
            
        
                           
     
    10
    17

                

       
           
      
                

                         
       

    21

                    

        
           
                
              
    
              
          

         
    25
      
               


                               
     

        
        

          

    28

          
     

         
            
          
                         
    3 3

              
          
    11
    32

                       



    

          
        
               
            
                        
       
       

    36

                        
          
       
     
     
                     
      
                

         
         
     

    40

          


            
             
    
    

                           
       
      

             
    44

                    




         
              

                        
          
     
    12
    48
      
               
           
         
         
                

       

                  
          
     
    52

                    


          
       
                  

      
                


       
    55

         
                   
     3 3

     
                    
    

                
         
    After movement 3, movement 1 is to be repeated, but now faster

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