Suzana Milevska

CURRICULUM VITAE

Suzana Milevska, PhD

Address: Franklin Ruzvelt 46 A I-5 Skopje 1000, Macedonia
E-mail: suzanamilevska@gmail.com
Tel. +38976430730

Dr. Suzana Milevska is an art historian and theorist of visual culture. She is Principle Researcher at
Polytechnic University Milan (POLIMI), for EC Horizon 2020 project Transmitting of Contentious
Cultural Heritages through the Arts (TRACES) April 2016-March 2018. Her research, theoretical
and curatorial interests span from postcolonial critique of representational regimes of hegemonic
power in art and visual culture, gender difference and feminist art; construction of visual memory in
photographic imagery and archives; art in postsocialist and transitional societies; collaborative,
participatory and activist art practices in marginalized communities.

From 2013-2015 Milevska was the first Endowed Professor at the Academy of Fine Art in Vienna
and she taught Central and South Eastern European Art Histories. She holds a Ph.D. in Visual
Cultures from Goldsmiths College in London (2006) where she was a Visiting Tutor and taught
Framing Art: Museum and Galleries; Curatorial Knowledge; Techniques and Technologies- History
and Theory of Photography, from 2003 to 2005. In 2013 she was a visiting lecturer at the University
Ss. Cyril and Methodius in Skopje in Visual Culture and Gender at Gender Studies Department.
From 2010-2012 she taught art history and theory of visual art at the Faculty of Fine Arts –
University Ss. Cyril and Methodius in Skopje. From 2008-2010 she taught fine arts and digital art at
BA and MA level at the New-York University in Skopje and from 2008-2010 she taught art history
and analysis of styles at the Accademia Italiana Skopje and was its Dean in 2010. From 2006 to
2008, she initiated and was the Director of the Center for Visual and Cultural Research at the Social
Sciences and Humanities Research Institute “Euro-Balkan” in Skopje and she taught Visual Culture
to M.A. students in Gender Studies.

In 2004, Milevska was a Fulbright Senior Research Scholar in Library of Congress. She lectured
extensively in various renowned universities and art institutions among others at Columbia
University in New York; Library of Congress in Washington DC; Oxford University in Oxford;

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Alvar Aalto University and KUVA in Helsinki; Royal Art Institute in Stockholm, Gothenburg
University; Goldsmiths College, SEES and SOAS in London; SVAC-East Anglia University;
Academy of Fine Art in Frankfurt; Vienna Technical University, University of Applied Arts and the
Academy of Fine Arts in Vienna; Boston University in Boston, MIT, Boston, Akademie der Kunst
in Berlin; Oldenburg University; IUAV in Venice, The School of the Art Institute in Chicago,
TATE Modern in London, Moderna Museet-Stockholm, KIASMA-Helsinki, MUMOK-Vienna,
CAMK-Japan, etc.

Her publishing records range from critical reviews and theoretical texts in art magazines, peer
reviewed academic journals and exhibition catalogues to chapters in academic publications and
editing and publishing individual books. She published the book Gender Difference in the Balkans
(Saarbrucken, Germany: VDM Verlag, 2010) and edited The Renaming Machine (Ljubljana:
P.A.R.A.S.I.T.E. Institute, 2010), and On Productive Shame, Reconciliation, and Agency (Sternberg
Press: Berlin, 2016).

Her long term research and curatorial project The Renaming Machine (2008-2010, in collaboration
with P74 –artist run space in Ljubljana) focused on the politics of renaming and overwriting
memory in art and visual culture. In 2010 and 2011 she curated two exhibitions of contemporary art
by Roma artists, Roma Protocol at the Austrian Parliament (Wiener Festwochen), and Call the
Witness, BAK Utrecht which was basis for the exhibition by the same title at Roma Pavilion - a
collateral event at the 54 Venice Biennale. She was also a researcher for the projects East Art Map
(initiated by IRWIN, 2001-6), Gender Check (curated by Bojana Pejić, MUMOK, Vienna, 2009-10)
and Call the Witness –Roma Pavilion.

Milevska is a member of the Advisory Board of the journals World Art and ArtMargins and a
member of AICA (since 1995) and IKT (since 2005).
Milevska is the recipient of the Igor Zabel Award for Culture and Theory; the ALICE Award for
political curating (2012) and of the grant of the Foundation for Art Initiatives (2013).

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I. EDUCATION:
2001-2006 PhD in Visual Culture, Goldsmiths College – University of London, London, Visual Cultures
Department, Gender Difference in the Balkans (Supervisors: Prof. Irit Rogoff and Dr. Jean-Paul
Martinon)
1993-1994 MA Diploma in Art History, History and Philosophy of Art and Architecture, Central European
University Prague, The Rhizomatic Structure of Fragments (Supervisor: Prof. Miroslav Petriček)
1979-1984 BA in Art History, Faculty of Philosophy-University "Cyril and Methodius", Skopje

II. TEACHING POSITIONS (FULL AND PART-TIME EMPLOYMENT AND SUPERVISION):

2016-2018 Principle Researcher, Polytechnic University Milan (POLIMI)
2013-2015 Endowed Professor for Central and South Eastern European Art Histories, Academy
of Fine Arts, Vienna, Appraiser of the PhD in Practice The Queerness of Memory by Ana Hoffner,
defended on 16.10.2014, Academy of Fine Arts, Vienna
2013-2015 Visiting Lecturer, Courses: Radicalities and BAU Capital, Technological University, Vienna
Supervisor of the PhD Grass Without Roots by Dr. Karin Reisinger, TUW. Defended on 17.12.2014
2012-2013 Visiting Lecturer in Visual Culture and Gender, Gender Studies University “Ss. Cyril and Methodius”
2010-2012 Faculty of Fine Arts – University Ss. Cyril and Methodius – Skopje (tenured)
Lecturer in Art History and Theory; (undergraduates)
Lecturer in Aesthetics of 20th c.; and Discourses of Visuality, MA level
2012 Opponent at the defense of Magnus Bärtås’ PhD, Valand Academy, Gothenburg
2009-2010 Visiting Professor in Digital Art, Gender, Art and New Media Art Theory, New York University –
Skopje (MA level)
2009-2010 Visiting Professor in History of Contemporary Art – FON University Skopje
2008-2009 Visiting Professor in Fine Arts, New York University – Skopje (undergraduate)
2008-2010 Dean of Accademia Italiana – Skopje and Professor in Art History and Analysis of Styles,
2006-2008 Lecturer in Visual Culture and Gender, Theories of Culture and Academic Writing, Social Sciences
and Humanities Research Institute “Euro-Balkan, Skopje (MA, Ph.D.)
2003/2005 Visiting Tutor, Goldsmiths College, University of London, Visual Cultures,
(BA/Diploma/MA), Courses: Framing Art: Museum and Galleries; Curatorial
Knowledge; Techniques and Technologies- History and Theory of Photography.

IV. SELECTED RESEARCH PROJECTS AND CONFERENCES

2015 Inside Out Not So White Cube (co-curated with Alenka Gregorič), exhibition and conference, City Art,
Gallery, Ljubljana
2014 On Productive Shame, Reconciliation and Agency, symposium, Academy of Fine Arts
2013 To One’s Name, exnergasse/IG Kultur Vienna
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2012 The Noologists’ Handbook - Warren Neidich and the students of Architecture Faculty, P74, Ljubljana,
Listening to the Audience, participatory art exhibition, AKTO Festival, Bitola, Macedonia
2011 Roma Protocol, Press Room, Austrian Parliament, Wiener Festvochen, Vienna (with Roman Artists)
Roma Pavilion – Call the Witness, Initiator and researcher of the curatorial team for the Venice Biennale’s
Collateral Event, with Romani artists, Call the Witness, BAK, Utrecht, Netherlands, with Romani artists.
2009 Hito Steyerl – solo exhibition of Hito Steyerl and conversation with the artist, P74 Gallery, Ljubljana
‘Internalisation of Institutional Critique’, Evaluating and Formative Goals of Art Criticism in Recent
(De)territorialized Contexts, AICA Seminar (curator), “Mala Stanica”, National Gallery, Skopje
2008-11 The Renaming Machine, series of 3 exhibitions (Ljubljana, Skopje, Vienna) and 4 conferences
(Ljubljana, Skopje, Pristina, Zagreb) in partnership with P.A.R.A.S.I.T.E. Institute, Ljubljana
2007 Translating the Self, International Conference, (curator/moderator of the conference), “Euro-Balkan”
Institute and British Council, Skopje.
Integrating Cultures/Negotiating new Subjectivities, Summer School, Ohrid, “Euro-Balkan” Institute,
Supported by Life Long Learning programme - Jean Monnet, European Commission.
Curatorial Translation, Regional Curatorial Workshop (curator of the programme), “Euro-Balkan”
Ministry of Culture and ECF, Press to exit project space-Skopje, SCCA-Ljubljana, EXIT-Peje.
2006 Naming of the Bridge Rosa Plaveva and Nakie Bajram, Hristina Ivanoska, Art under Construction,
FWA/City University, London
2005 Workers’ Club - International Prague Biennial: co-curatorial project, National Gallery, Prague
2004 Cosmopolis – Microcosmos X Macrocosmos (national representation’s curator), State Museum of
Contemporary Art, Thessaloniki, Greece (catalogue)
Unbalanced Allocation of Space, (co-curated with Julia Schäfer), Galerie für Zeitgenössische Kunst,
Leipzig, Germany (catalogue)
2003 Divided Sky/Re-unified Territories, talk-show programme on TV Leipzig, Galerie für Zeitgenössische
Kunst, Leipzig,Germany (text in Cultural Territories)
2002 The Body Thinks, exhibition and conference, Open Graphic Art Studio, Skopje
2001 Capital & Gender – International Public Project for Art and Theory, City Shopping Mall/Museum of
the City, Skopje (conference, exhibition, book)
Correspondences, IFA Gallery, Berlin, Stuttgart, Bonn, Germany (catalogue)
2000 Words, Objects, Acts, exhibition and series of lectures, The Museum of the City of Skopje, ArtsLink
collaboration with the School of the Art Institute of Chicago (catalogue).

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Bibliography, 2000-2017
Selected authored and edited books, and chapters in readers

Milevska, Suzana. “The Potency and Potentiality of Transindividuality in the Lexicon of Tanja
Ostojić.” In Lexicon of Tanjas Ostojić. Edited by Tanja Ostojić. London: Live Art Development
Agency, and Rijeka: Museum of Modern and Contemporary Art, 2018, p. 141-152. ISBN 978-0-
9935611-3-9; ISBN 978-953-8107-14-6

Milevska, Suzana. “Becoming-Girl: Compossibility, Intersectionality, and Agency.” In Epidemic

Subjects – Radical Ontology, Edited by Elizabeth von Samsonow. Zürich-Berlin: diaphanes, 2017,
p. 13-28. ISBN 978-3-03734-596-2

Milevska, Suzana. “Inside Out: Critical Art Practices That Challenge the Art System and Its
Institutions.” In Inside-Out Critical Discourses Concerning Institutions. Edited by Alenka Gregorič
& Suzana Milevska. City Art Gallery Ljubljana, 2017, pp. 10-27. ISBN 978-961-6969-18-5

Milevska, Suzana. “Signature, Event, Context Speech Act Theory, Institutional Critique and the
Renaming of Tomislav Gotovac to Antonio Gotovac Lauer.” In Crisis Anticipator: Tomislav
Gotovac, Edited by Darko Šimičić and Miško Šuvaković. Rijeka, Croatia: Museum of Modern and
Contemporary Art, 2017, pp. 302-319. ISBN 978-953-8107-13-9

Milevska, Suzana. “Involuntary and Voluntary Participation in Magnus Bärtås’s Artistic Research
Projects.” In Magnus Bärtås The Strangest Stranger and Other Stories. Edited by Magnus Bärtås
and Liv Stoltz, Göteborg, Sweden: Göteborgs Kunsthall, 2017. 1-20. ISBN 978-91-639-0677-0

Milevska, Suzana. “Gedächnisverlust, Trauma und das Erhabene: Die Unsichtbaren Grenzbreiche
das Rassismus in der Vissuelen Kultur”. In Erinnerungsorte in Bewegung. Zur Neugestaltung des
Gedenkens an Orten nationalsozialisticher Verbrechen, edited by Daniela Allmeier, Inga Manka,
Peter Mörtenböck, Rudolf Scheuvenes, 2016, 237-259. Bielefeld, Germany: [transcript]. ISBN 978-
3-8376-3059-6

Milevska, Suzana. “The Renaming Machine in the Balkans as a Strategy of ‘Accumulation by

Dispossession’.” In EU, Europe Unfinished Mediating Europe and the Balkans in a Time of Crisis,
edited by Zlatan Krajina and Nebojša Blanuša. London, UK: Rowman & Littlefield International,
2016. Hardback | ISBN 9781783489787, Softback | ISBN 9781783489794, eBook | ISBN
9781783489800

Milevska, Suzana. “Microhistories and Internalisation of Macrohistories-A Case Study: Liljana

Gjuzelova’s Projects Eternal Recurrence and Woman’s Book at the Intersection between
microhistories and macrohistories,” Microhistories. Edited by Magnus Bärtås and Andrej Slavik,
Stockholm: Konstfack University College of Arts, Crafts and Design, 2016, 190-207.

Milevska, Suzana. “On Productive Shame: Triangulations of Shame, Reconciliation, and Agency.”
On Productive Shame, Reconciliation, and Agency. Introduction and edited by Suzana
Milevska, Berlin: Sternberg Press, 2016, 10-41.

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Milevska, Suzana. “Inside Out: Critical art practices that challenge the art system and its
institutions” (with Alenka Gregorič), Inside Out-Not So White Cube. Edited and introduction by
Alenka Gregorič and Suzana Milevska, Ljubljana: City Art Gallery, 2015, 9-27.

Milevska, Suzana. “Left Outside the Fame, or the Impossibility of the Return of the Same.”
Apotheosis, Apocalypse, Apocryphon: Defied Nations, Deified art, Edited by Jiri Priban and
Katarina Rusnakova, (Jiri David, National Pavilion of Czech Republic, 56 International Exhibition
of Art Venice Biennial, National Gallery Prague), Cologne: Verlag der Buchhandlung Walther
Koenig, 2015, 105-116.

Milevska, Suzana. “Feminist Critique-Open and Critical Enquiry-a Conversation between Katy
Deepwell and Suzana Milevska.” Spaces of Criticism: Shifts in Contemporary Art Discourses. Thijs
Lijster, Suzana Milevska, Pascal Gielen and Ruth Sonderegger (eds.), Amsterdam:
Antennae Valiz, 2015, 171-190.

Milevska, Suzana. “Veils/Folds/Events-Production of face in space-time”. Now/Not Now, Edited by

Renate Lorenz,Berlin: Sternberg Press, 2015, 104-127.

Milevska, Suzana. From Institutional Parasitism to Reverse Recuperation, Agency and Solidarity-
The Art of Tadej Pogačar, Berlin: Archive Books, 2014.

Milevska, Suzana. Die Potenz und die Potenzialität der Transindividualität im Lexicon of Tanja
Ostojic, Berlin:UDK, 2014.

Milevska, Suzana. “Agalma: ‘The Objet Petit a’, Alexander the Great, and other excesses of Skopje
2014”, Visualise the Invisible. Edited by Lott Alfreds and Charlotte Aberg, Stockholm: Art Agent
Press, 2014, 43-53.

Milevska, Suzana. “Master-Slave Dialectics in the Feminine”. Performative Gestures, Political

Moves. Edited by Katja Kobolt and Lana Zdravković, Ljubljana: City of Women, Ljubljana and Red
Athena University Press, 2014, 27-46.

Milevska, Suzana. “Dear Dirty Money, or I am Doing ‘It’ for Art and Love”. Dear Money.
Bucharest: Association Salonul de Drojecte, Museum of Contemporary Art, 2014, 45-60.

Milevska, Suzana. “The Editor’s Notebook: The Inner Perspective of the Noologist’s Mind”
Warren Neidich Berlin Works: The Noologist’s Handbook and Other Art
Experiments. Edited and introduction by Suzana Milevska. Berlin: Archive Books,
2014, 10-24.

Milevska, Suzana. “On History and Solidarity: Performative Reading of Women’s Book by Liljana
Gjuzelova”. Performing the Sentence Research and Teaching in Performative Fine Arts. Edited by
Carola Dertnig and Felicitas Thun-Hohenstein, Berlin: Sternberg Press, 2013, 190-200.

Milevska, Suzana. “Becoming-Curator”. The Curatorial-A Philosophy of Curating. Edited By Jean-

Paul Martinon, London: Bloomsbury Academic, 2013, 65-73.

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Milevska, Suzana. “Curatorial Agency” and “Kritische Kuratorien.” Handbuch Ausstellungstheorie

und –praxis. Edited by ARGE schnittpunkt, Wien: Böhlau UTB, 2013, 152, 164-165.

Milevska, Suzana. “Pushing the Limits of Institutional Recuperation: Sanja Iveković’s works
challenging post-Nazi context and racism”. Sanja Iveković: Unknown Heroine-Reader, Edited by
Helena Reckitt, London: Calvert 22 Foundation, 2013, 88-110.

Milevska, Suzana. “With Special Thanks to: Balkan Curator, First Person Feminine”. Curating
‘Eastern Europe’ and Beyond: Art Histories through the Exhibition. Edited by Maria Orišková,
Frankfurt/Bratislava: Peter Lang GmbH, 2013, 177-186.

Milevska, Suzana. “With Special Thanks to: Balkan Curator, First Person Feminine”. Women’s
Museum. Edited by Elke Krasny and Frauenmuseum Meran, Löcker Verlag, 2013, 109-121.

Milevska, Suzana. “Gender Difference, or the ‘Silkworm Cocoon’ of Feminist art and Curatorial
Research and Practices in the Balkans”. Politics in a Glass Case Feminism, exhibition cultures and
curatorial transgression. Edited by Angela Dimitrakaki and Lara Perry, Liverpool, UK: Liverpool
University Press, 2013, 227-244.

Milevska, Suzana. “The Eternal Return of Race: Reflections on East European Racism” (with Arun
Saldanha). Deleuze and Race. Edited by Arun Saldanha and Jason Michael Adams, Edinburgh, UK:
Edinburgh University Press, 2013, 225-247.

Milevska, Suzana. “Feminist Research in Visual Arts”. Art as a Thinking Process Visual Forms of
Knowledge Production, edited by Mara Ambrožič and Angela Vettese, Sternberg Press and
Università IUAV di Venezia 2013, 162-176.

Milevska, Suzana. “Kunst jenseits von Gesellschaft. Subversion und Recuperation der
Zeitgenossischen Kunst”, Kunst, Krise, Subversion Zur Politik der Asthetik. Nina Bandi, Michael.
G. Kraft, Sebastian Lasinger (eds.), Biielefeld: Transcript Verlag, 2012, 149-67.

Milevska, Suzana. “The Reciprocal Relationship between Art and Visual Culture in the Balkans”.
Space (Re)solutions Intervention and Research In Visual Culture. Edited by Peter Mörtenböck and
Helge Mooshammer, New Brunswick, USA/London, UK[transcript] 2011,101-14

Milevska, Suzana. The Renaming Machine-the book. Edited by Suzana Milevska (texts by Suzana
Milevska, Gayatri Chakravorty Spivak, Kristine Stiles, Jean-Paul Martinon, Zhivka Valiavicharska,
et. al.), Ljubljana, Slovenia: P.A.R.A.S.I.T.E. Institute, 2010.

Milevska, Suzana. Gender Difference in the Balkans. Saarbrucken: VDM Verlag, 2010 (revised
PhD).

Milevska, Suzana. Art and Globalization. Edited by James Elkins, Zhivka Valiavicharska, and Alice
Kim, Pennsylvania University Park: The Pennsylvania State University Press, 2010, 61,165,176.

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Milevska, Suzana. “Zwischen zwei Visuellen Ideologien. Geschlecht, Feminismus Visuelle Kultur
Unt Kunst Im Osten”. Und jetzt – Kunstlerinnen aus der DDR, 2009, Nurnberg, Germany: Verlag
fur Moderne Kunst, 45-53.

Milevska, Suzana. “Participatory Art Practices and their Hierarchies”. PÖPP 68. participation,
objections, anyhow texts, dialogues and participation, Berlin: NGBK, 2009, 31-43.

Milevska, Suzana. “Femina Sacra: Bipower and Paradoxes of Humanity in the Art of Tanja
Ostojić”. Integration Impossible? The Politics of Migration in the Art Work of Tanja Ostojić, Berlin:
Argo Books, 2009, 223-9

Milevska, Suzana. “Cultural Translation and Agency in SEE Cultural Policy”. New Paradigms, New
Models – Culture in the EU External Relations, Ljubljana, Slovenia: Peace Institute, Slovenian
Academy of Arts and Sciences, 13-14 May, 2008, 21-8

Milevska, Suzana. “The Hope and Potentiality of the Paradigm of Regional Identity”.
ManifestaCompanion. Edited by Adam Budak and Nina Montmann, Milano: Silvana Editoriale,
2008, 330-337.

Milevska, Suzana. “Curating as an Agency of Cultural and Geopolitical Change.” Continuing

Dialogues. Edited by Christa Benzer, Christine Bohler, Christiane Erkharter, Vienna: JRP/Ringier,
2008, 183-191.

Milevska, Suzana. “The Phantasm(s) of Belonging: Belonging without Having Something in

Common’. Volksgarten Politics of Belonging. Edited by Adam Budak Petar Pakesh, Katia Schurl.
Kunsthaus Graz am Landes Museum Joanneum, 2008, 110-119.

Milevska, Suzana. Curatorial Translation, Edited by Suzana Milevska and Biljana Tanurovska,
Skopje, Macedonia: Euro-Balkan Press, 2008.

Milevska, Suzana. “Becoming Woman from a Feminist Point of View”. New Feminism: worlds of
feminism, queer and networking conditions. Edited by Marina Gržinić and Rosa Reitsamer. Vienna:
Löcker Verlag, 2007, 41-48.

Milevska, Suzana. “Resistance that Cannot Be Recognised as Such – interview with Gayatri C.
Spivak”. Conversations with Gayatri Chakravorty Spivak, London: Seagull Books, 2007, 57-85;

Milevska, Suzana. “Is Balkan Art History Global”. Is Art History Global? Edited by James Elkins.
New York: Routledge, 2006, 214-222.

Milevska, Suzana. “Macedonian Art Stories.” East Art Map. Edited by IRWIN, London: MIT
Press/Afterall, 2006, 252-260.

Milevska, Suzana. “Hesitations, or About Political and Cultural Territories.” Cultural Territories.
Edited by Barbara Steiner, Julia Schäfer and Ilina Koralova. Köln:Verlag der Buchhandlung
Walther König, 2005, 31-43.

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Milevska, Suzana. “Sozialistische Moderne – was war das? Heimat Moderne”, Leipzig: Jovis
Verlag, 2005, E21-2.

Milevska, Suzana. “Esemeny teljesseg – csaladi archivumok mint esemenyek/retegek/leplezesek”.

Exponalt Emlek –Csaladi Kepek A Magan – Es Kozossegi Emlekezetben, Budapest:
Mukritikusok Nemzetkozy Szovetsege AICA Magyar Tagozata, 2005, 112-21.

Milevska, Suzana. “Curatorial Labyrinths in Macedonia” in Men in Black – Handbook of Curatorial

Practice, Edited by Christoph Tannert/Ute Tischchler, Kűnstlerhaus Bethanien, Berlin, 2004.

Milevska, Suzana. “Curating Women Artists.” CAMK. Kumamoto, Japan: Contemporary Art
Museum, 2003-2004, 661- 671.

Milevska, Suzana. “The portrait of an artist as a young strategic essentialist.‟ Tanja Ostojić -
Strategies of
Success /Curators Series 2001-2003. La Box, Bourges and SKC, Belgrade, 2004, 33-47.

Milevska, Suzana. “The Readymade and the Question of Fabrication of Objects and Subjects.”
Primary
Documents - A Sourcebook for Eastern and Central European Art since the 1950s,
Edited by Laura Hoptman and Tomáš Pospiszyl, New York: The MOMA, 2002, 182-
191.

“Suzana Milevska”, Die Anthologie der Kunst 2001-2002, Köln: DuMont Verlag, 2004, 93-4.

Milevska, Suzana. “Anthologie der Kunst”. Kunst Nach Ground Zero, Herausgegeben von Heinz
Peter
Schwerfel, Köln: DuMont Verlag, 2002.

Milevska, Suzana. „Electronic Art: Fetish or Gift.‟ The Absolute, The Desperate, The Real. Edited
by Marina
Grzinić, Celje, Slovenia: Gallery of Contemporary Art, 2001, 47-54.

Milevska, Suzana. “Cinderella Syndrome”. Future Perspective, Edited by Marina Grzinić, Umag,
Croatia:
Gallery Cettina, 2001, 116-9.

Milevska, Suzana. “Capital and Gender: Wild Being and Tamed Being” in Capital and Gender.
Edited by
Suzana Milevska, Skopje, 2001, 16-20.

Milevska, Suzana. “From the Bat's Point of View.” Eduardo Kac. Edited by P. T. Dobrila and A.
Kostić, Kibla,
Maribor, 2000, 47-58.

Milevska, Suzana. “Stories about the Selves”. Magnus Bärtås, Kunstcentrum, Gävle, Sweden, 2000,
56-74.

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Milevska, Suzana. “The Image of the Other” (preface) in The Image of the Other (English) Edited
by Suzana
Milevska) Reader of original papers for the HESP/OSI Summer School: The Image of
the Other (1 -21 July 1999), OSI-Macedonia, 2000.

Milevska, Suzana. “Documenting the Aura” in What Memories for the Contemporary Arts, (Reader)
Congress
of AICA, Rennes: University of Rennes, 1996.

Milevska, Suzana. “Documenting the Aura” in EAST V2 (a reader), V2, Rotterdam, 1996.

Milevska, Suzana. “Interactivity: Promiscuity or Gesamtdatenwerk” in Interactivity (Reader),

SCCA, 1996.

Milevska, Suzana. “Postmodernism - Religion Without God”, in Pluralia Tantum, Edited by Suzana
Milevska (A Reader of original and translated texts on the postmodern theory) Fenix, Skopje,
1995.

Žak Derida. Mamuzi - Stilovite na Niče. Tabernakul, Skopje, 1995. (Translation from English
and French into Macedonian), preface by Suzana Milevska for: Jacques Derrida.
Spurs -Nietzsche's Styles. The University of Chicago Press. Chicago London, 1979.

2. Selected texts in periodicals (academic peer reviewed journals and professional art magazines)
Milevska Suzana 53 Wounds in solidarity: Appropriation and 'hostipitality' in the slogan 'we
refugees', 21 January 2017, First published in Springerin 4/2016 (German version); Eurozine,
eurozine.com (https://www.eurozine.com/53-wounds-in-solidarity-appropriation-and-hostipitality-
in-the-slogan-we-refugees/)

Milevska, Suzana. 2016. “‘Infelicitous’ Participatory Acts on the Neoliberal Stage”. oncurating.org
31: 44-45. Accessed January 23, 2016. http://www.on-curating.org/issue-31-reader/propositions-
applying-estrangement-through-art-learning-and-curatorial-frameworks-293.html#.WDcUpfkrI2w

Milevska, Suzana. 2016. “‘Infelicitous’ Participatory Acts on the Neoliberal Stage”. p/art/icipate:
Kultur aktiv gestalten 07 (October). Accessed January 23, 2016. http://www.p-art-
icipate.net/cms/infelicitous-participatory-acts-on-the-neoliberal-stage/

Milevska, Suzana. 2016. “Colourful Revolution as Monumentomachia: A Participatory Institutional

Critique of the Cultural Policy Regarding Cultural Heritage in Macedonia”. TRACES Journal 01
(October). Accessed January 23, 2016. http://www.traces.polimi.it/2016/10/06/colourful-revolution-
as-monumentomachia-a-participatory-institutional-critique-of-the-cultural-policy-regarding-
cultural-heritage-in-macedonia/ISSN2531-7083

Milevska, Suzana. ‘Ágalma: The ‟Objet Petit a,” Alexander the Great, and Other Excesses of
Skopje 2014’, e-flux journal no. 57 (September 2014) 2014.

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Milevska, Suzana. “Voice(s) of One’s Own: Writing a Catalogue Text as a Specific Genre of
Interdisciplinary and Performative Writing”. On Curating. Issue 14, 2012: 31-35.

Milevska, Suzana. ‘World Art in Reverse Perspective’. World Art, Routledge: Taylor & Francis
Group. Vol. I, Nu. 2, 2011, 273-81.

Milevska, Suzana. ‘Women Bear Witness’, n-paradoxa, Vol. 28, 2011: 58-64.

Milevska, Suzana. ‘Artistic and Theoretical Strategies Challenging Racism’. Red Thread.Archive /
Issue 3 (2011), http://www.red-thread.org/en/article.asp?a=62

Milevska, Suzana. ‘Bellville, or the Return of Racism’. Exploring the Return of Repression.
Bucharest: Pavilion Unicredit, Sept. –Nov., 2009: 23.

Milevska, Suzana. ‘The Eternal Return of Race’. Springerin. Volume XV, Number 4, Autumn,
Vienna, 2009: 25-9.

Milevska, Suzana. ‘Is there Racism on the Moon?’ Frameworks –Finnish Art Review. No. 10, June,
Helsinki, 2009:92-5.

Milevska, Suzana. ‘Macedonian Photo Statements on Different Power Games and Strategies’.
Eikon, 63, Vienna, 2008: 29-33.

Milevska, Suzana. ‘Macedonia: Rogue State or State of Exception’. Evropa in Kapitalisticnem A(rt)
Molu, Maska. Ljubljana, No. 115-116, Summer 2008: 52-9.

Milevska, Suzana. ‘Casting Žižek: Manliness as a Masquerade.’ (with Katerina Kolozova). The
International Journal of the Humanities. Volume 5, Number 8, 2007: 157-163.

Milevska, Suzana. ‘Sodelujoči in žrtve sodelovanja: Documenta 12’, Maska, Does Production
Dance Alone, 2007.

Milevska, Suzana. ‘Balkan Subjectivity as Neither.’ Third Text. THE BALKANS. Guest Editors:
Louisa Avgita and Juliet Steyn. Vol. 21, Issue 2, March 2007: 181-188.

Milevska, Suzana. ‘Not Quite Bare Life: Rules and Exemptions.’ springerin. Documenta 11,
Volume 13, Number 1, Winter, 2007: 37-41.

Milevska, Suzana. ‘Participatory Art: A Paradigm Shift from Objects to Subjects.’ springerin.
Volume 12, Number 2, Spring 2006:18-23.

Milevska, Suzana. ‘Four Patches for the World Game’. PlatformaSCCA,Nu. 4, 2005: 56-65.

Milevska, Suzana. ‘objects and bodies: objectification and over-identification in Tanja Ostojić's art
projects.’ Feminist Review. Volume 81, Number 1, November 2005, 112-118(7).

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 Suzana Milevska

Milevska, Suzana. ‘Postcommunist Translations: Synonym, Homonym, Palindrome.’ springerin,

Vienna, Vol.10 Spring Nu.1 2004:18-21.

Milevska, Suzana. ‘Curating Women Artists‘. CAMK. Kumamoto, Japan: Contemporary Art
Museum, 2003-2004, 661- 671.

Milevska, Suzana. ‘The World as the Home for the Other.’ Springerin. Vienna, Vol. 8. Nu. 3/02,
October November, 2002, 50-53.

Milevska, Suzana. ‘Ready-made or Fabrication of Objects and Subjects’. Afterimage. Rochester,

NY, Jan.-March, 2001

Milevska, Suzana. ‘Curator in Feminine’. Curare. Mexico, Mexico, No. 1, Jan. 2001, 30-39.
REFEREES
Prof. Dr. Elizabeth Von Samsonow, Professor for Philosophical and Historical Anthropology at the
Kunst an der Akademie der bildenden Künste, Vienna, Lehrstuhl für philosophische und historische
Anthropologie der Kunst, Institut für Kunst- und Kulturwissenschaften, Akademie der bildenden
Künste Wien, Schillerplatz 3, A-1010 Wien
Tel.: (+43-1) 588 16 / 8300, e-mail: e.samsonow@akbild.ac.at, Website: samsonow.net

Prof. Dr. Peter Mörtenböck, Professor in Visual Cultures, Vienna University of Technology, and
Research Fellow, Goldsmiths College, University of London, Karlsplatz 13, A-Vienna 1040,
T:+43-1-58801-26417, F+43-1-58801-26491, moertenboeck@tuwien.ae.at,

Prof. Gayatri Chakravorti Spivak, University Professor, Humanities, T: +212-870-2781 Columbia

University Dept of English & Comparative Literature | 602 Philosophy Hall | MC4927 1150
Amsterdam Ave New York, NY 10027 | Phone: 212.854.3215 Fax: 212.854.5398,
Email: gcs4@columbia.edu Address: 602 Philosophy Hall, Mail Code: 4927

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