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Mrs. Roberts
AP Literature
2/22/18
The first installment to Stephen King’s critically acclaimed epic, The Dark Tower: The
Gunslinger, contains characters and settings that are constructed almost entirely through the
inspiration of classic archetypes. By utilizing the Archetypal Perspective, these can be observed
in several instances throughout the duration of the narrative, although it can be noted that in
many instances King adds a layer of ambiguity to the archetypes included in the story in order to
solidify the vacancy of generic storytelling in his works. In addition to this, he manages to
include an uncanny amount of complex archetypes when considering the comparatively paltry
length of the epic's powerful first book. In this piece, Stephen King puts into practice a unique
kind of writing, in which a multitude of themes collide, and can be applied to the tale’s
progression until its compelling conclusion. King combines the two previously mentioned
methods of writing and clashes his several intricately written archetypes together in order to push
an expansive assortment of interwoven themes. Among many others, the search for knowledge,
and answers to the unknown, can be considered the core theme of The Gunslinger. This is a
theme that heavily reflects who Stephen King is as a person, and as an author.
Stephen Edwin King, now regarded as arguably the most accomplished author of
fictional horror to date, was born on September 21, 1947, in Portland, Maine. His early life
involved dealing with the swift divorce of his parents, Donald and Nellie King, when he was just
a toddler. As a result of the fragmentation of his immediate family, King and his younger brother
David constantly shifted between homes in the Northeast portion of the United States. Rightly
so, it can be observed through King’s writing that many of his stories take place in this area of
the country. He began writing at the young age of 7 after receiving direct inspiration from his
father’s box of horror fiction books as well as science fiction and monster films. King attended
Lisbon High School in 1962, and graduated from the University of Maine at Orono with a degree
in English in 1970. It was during his college years that he took his first step into the pool that
would eventually threaten to drown him. According to Detox To Rehab’s biography profile on
Stephen King, he began practicing excessive drinking and the usage of drugs such as marijuana,
LSD, and Speed while he attended university. He was even arrested a month prior to his
graduation for excessive drinking. Needless to say, this would be the beginning of a downhill
slope for the aspiring author, as drugs and alcohol would later take their mind altering hold of
him. Amongst these hardships, while struggling to find stable employment after his college
years, King married a fellow passionate writer by the name of Tabitha Spruce, and soon found
the beginning of his career in education in 1971, teaching English courses at Hampden Academy
for a discouragingly low income. The two went on to give birth to three children over the course
of their relationship. However, as his life progressed, King’s drug usage intensified significantly.
While this addiction crippled him emotionally, it led to him producing some of his most
reputable early works. The internal chaos that festered within King’s mind during this period of
time was channeled into the pages of his novels, giving birth to some of the most unique and
acclaimed pieces of horror fiction and fantasy in the history of literature. As the author’s fame
grew exponentially, so did his bad habits. His wife eventually took action, and through the help
of friends and family, he was able to triumph over the desires that had steadily picked away at
him for years. Stephen King, after this turning point, continued to write passionately, and
As previously mentioned, King favors a style of writing that convolutes his masterfully
woven archetypes in order to diversify them, therefore making them unique in their own right.
This technique can be observed through King’s implementation of the Battle Between Good and
Evil archetype in The Gunslinger. Although the Battle Between Good and Evil is the generic
basis for an uncountable amount of stories told throughout the ages, Stephen King adds more
depth and believability to the characters of The Dark Tower by blurring the line between the two.
reasonable definition a hero embodied by purity. It is Roland’s purpose, however, to hunt down
and defeat the mysterious man in black, who acts as the definitive antagonist of the story, as
evidenced by its opening line, “The man in black fled across the desert and the gunslinger
followed.” The narrative progresses in a manner that serves to slowly unfold Roland’s backstory
over time, while leaving his connection to the man in black shrouded in uncertainty until the
book’s conclusion. This method of storytelling often leads readers to question the motivation
behind Roland’s quest, and the morality of the actions he performs whilst embarked upon it.
Additionally, the lack of elaboration upon the existence, purpose, and actions of the man in black
for the majority of the narrative leaves equivocality as one of the defining elements of the
character’s malevolence. The Dark Tower: The Gunslinger’s Battle Between Good and Evil
archetype ties into the story’s overall theme of the pursuit of knowledge, as it is revealed that the
man in black possesses knowledge that Roland wishes to acquire in order to answer the
unspoken questions he so desperately wants resolved. Whether or not it is evil for the man in
black to keep this knowledge from Roland is uncertain, much like his own moral compass, or
Another classic archetype that defines The Gunslinger, and arguably the entirety of The
Dark Tower is related to the story’s setting as well as its characters. The Journey is a situational
archetype that reflects the entirety of Roland’s quest, and the hardships that the gunslinger faces
along the perilous way. According to literarydevices.net’s definition of The Journey archetype, it
is an instance within a story in which “the main character takes a journey, which may be physical
or emotional, to understand his or her personality, and the nature of the world.” This aptly
describes the journey that Roland is seemingly forced to embark upon as well, although it is
Roland’s quest to brave a vast desert with lethal inhabitants, and a strong theme of survival
works its way deep into the roots of his campaign. King follows The Journey archetype
religiously through the course of the beginning of Roland’s odyssey, including a point in the
story’s apotheotic conclusion, in which Roland is stripped down to arguably his lowest point in
the tale when the man in black presents to him visions of his own insignificance. In the nature of
the archetype, Roland is then returned to the land of the living, and accepts the personal
responsibility to forge onward with his iconic quest for answers. The usage of this archetype
within the confines of The Gunslinger serves to support the narrative’s overall theme of the
search for knowledge, as Roland undoubtedly takes part in this expedition with the intention of
receiving answers, specifically those regarding the aforementioned nature of the world.
In addition to the previously touched upon archetypes, King applies his own unique twist
to a third. Jake Chambers, the young boy from a foreign world that accompanies Roland for the
majority of his quest, occupies the Loyal Retainer character archetype; one that King alters
heavily in order to create a fresh and original character arc that ends in a fashion that is as
impactful as it is swift. Jake Chambers, however, doesn’t follow the exact guidelines of a generic
Loyal Retainer. King’s knack for adding subtle and obvious complexities and modifications to
his archetypes is shown at full force through the observation of this central character. Although
Jake remains at Roland’s side from the beginning to the end of their journey, with his loyalty
archetype, The Damsel in Distress. King appears to meld the defining factors of these two
archetypes together in order to forge the fictional existence of Jake Chambers. To elaborate, Jake
carries out the tasks that are regularly expected of a story’s Loyal Retainer, while simultaneously
retaining one of the key aspects of the classic Damsel in Distress archetype. Specifically, the fact
that he is used by the antagonist as a method of exposing the hero’s weakness. Jake was
deliberately placed from his home world into the care of Roland by the man in black; a
conspiracy that Roland considers thoughtfully throughout his journey with the boy. Chambers, at
first unaware of this truth, operates nonconsensually as a pawn of the man in black, meant to
become close to Roland in order to weaken him, and consequently ensnare him through the
power of newfound sympathy and care, emotions that Jake unwillingly inflicts upon the
gunslinger. Although Roland ultimately makes the decision to abandon the boy during the
narrative’s rising action, Jake’s character archetype, which borrows from an entirely separate yet
equally effective archetype, serves to enhance the theme of Roland’s search for knowledge by
creating an entirely new lair of trials and tribulations to the gunslinger’s quest, while adding even
more unanswered questions into the chaotic frey of Roland’s relentless, moved on world.