Académique Documents
Professionnel Documents
Culture Documents
Sincerely
Jeffrey H. Smulyan
Advertisers- The sales team has contacts of the account manager for each advertiser. In any
crisis that could become public an email describing the situation which is consistent with what
the media is being told, and actions are being taken should be sent to every account manager
that the station is currently doing business with. Emails will be sent to them regularly updating
them with information. Since they generate revenue for the station, having them stand with
the station is important.
Emmis Communications- Emmis is KSHE’s Parent company. If a crisis is bad enough (as decided
between John Beck and Tara Graves) Emmis PR consultant Kate Snedker* will be contacted by
John Beck to join the team. She will be the bridge between Emmis and KSHE at that time.
Employees- Employees are at the heart of KSHE, and at the heart of Emmis. They are automatic
brand ambassadors. In the event of a crisis, all employees will be notified via Constant Contact
with a description of the crisis which is consistent with what the media is being told, and some
key messages to rely if they are asked about the situation. The working environment at KSHE is
very loose and personable, rather than sending out a “script”, explain the situation and ask
them to help support the station in a time of need. Make sure to include current interns to the
station as well, and their academic advisors if applicable.
Listeners- There is no way to personally reach each and every listener in a personal matter.
Informing them will happen via social media (noted in Social Media section) There is also an
email list of people who have signed up for newsletters that can be used to send a more
detailed description of the crisis. The messages in the newsletter should be consistent with
what is on social media, and what is being told to the media.
Radio and Telecommunication Lobbyist and Interest Groups- General Manager John Beck is
active in several special interest groups about the radio industry*. He, and his stations are
influential. In the event of a crisis he should contact members of these groups personally—and
make sure the message he gives them is consistent with everything else. These contacts could
prove very helpful.
Record Labels- Labels are not usually directly affected if there is a crisis, but KSHE has a good
relationship with many of the labels it works with because the station has been influential in
the music industry*. Because of this good relationship, in the event of a crisis the
representatives for these labels should be notified of a crisis IF it will interfere with an artist
interview, new music being featured, or promotions. This communication will happen via email
from the assigned team member and will be consistent with all other communications.
Sister Stations- Emmis St. Louis is also home to 105.7 The Point, KHITS, and 97 The Talk.
Because these stations function out of the same building, and many employees work for
multiple stations they should be notified in the same way KSHE employees will. These other
stations will not need to alert their listeners and separate stakeholders unless directed by John
Beck or Emmis Corporation.
St. Louis Community- KSHE has been a part of the St. Louis Community before it was owned by
Emmis. The reputation that KHSE has in this community is very important. To communicate
with the community, Tara Graves will contact local media outlets as outlined in the media
section.
Media Contact Record
Media Outlet
_________________KSDK________________________________________________________________
Contact Name
______________Heidi_Glaus*____________________________________________________________
Contact Information
___________HGlau@KSDK.com___________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
Contacted by
__________Heidi_contacted_Favazz_______________________________________________________
_______”A_Spin_Through_History”_feature_with_Favass*_____________________________________
_____________________________________________________________________________________
Included a summary of the conversation and include all questions asked and answered
Media Outlet
_____________________________KMOV___________________________________________________
Contact Name
___________Emily_Ratkewitz_____________________________________________________________
Contact Information
_________________314_356_2544________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
Contacted by
___________Lern______________________________________________________________________
______Coats_For_Kids_Drive_____________________________________________________________
_____________________________________________________________________________________
Included a summary of the conversation and include all questions asked and answered
Contact Name
_________________Tyler_Schmied____________________________________________________
Contact Information
__________TSReport@Fox2Now.com_____314_777_9388_____________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
Contacted by
__________Tara_Graves_________________________________________________________________
_____________”Red_Summer”_Featurette__________________________________________________
_____________________________________________________________________________________
Included a summary of the conversation and include all questions asked and answered
Media Outlet
_______________River_Front_Times_______________________________________________________
_____________________________________________________________________________________
Contact Name
______________Blake_Ball_______________________________________________________________
Contact Information
__________________Bball89@RFT.Com____________________________________________________
___________________314_754_5067______________________________________________________
_____________________________________________________________________________________
Contacted by
______Ball_contacted_John_Ulett_________________________________________________________
_____Vintage_Vinyl_Story_______________________________________________________________
____________________________________________________________________________________
Included a summary of the conversation and include all questions asked and answered
Media Outlet
______________PBS____________________________________________________________________
Contact Name
___________Catherine_Fearon___________________________________________________________
Contact Information
_______Fearonfilms@yahoo.com_________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
Contacted by
________Fearon_contacted_Tara_Graves___________________________________________________
_____________KSHE_Cares______________________________________________________________
_____________________________________________________________________________________
Included a summary of the conversation and include all questions asked and answered
During a crisis, updating social media will be the quickest way to reach the most
people. However, if used incorrectly social media could make the crisis worse.
This guide will help you understand how to use each social media platform
properly.
Twitter
Twitter is today’s go-to place for up-to-the minute news by young people. Short bursts
of information can be shared in real time. On twitter, you are limited to 144 characters- so say
what you need so say and nothing else. Also, Twitter is most popular with a younger crowd,
only a percentage of KSHE’s audience--so don’t ignore other mediums.
DO DON’T
Update as soon as new information as known Go over 144 characters
Post links to other stories and resources Break messages up between different posts
Post important images Post links without using a link shortener
Keep messages short, sweet, and simple Post too many photos that aren’t important
One message-One Tweet Post information that is not confirmed
Facebook
Facebook is an online community, a place to share information in a casual way. Videos
and visual content work well. Most of KSHE’s target audience is active on Facebook, but not all
follow our page. One of the main goals here is to get important posts “shared” so more people
will see them.
Facebook doesn’t limit characters like Twitter does but you should really try to keep
posts short enough so the user doesn’t have to click to read more. If that has to be done, make
sure the information is absolutely necessary and the first line of the post is a headline that
states the post’s importance.
Unlike Twitter, Facebook should not be used for short up-to-the-minuet updates.
Instead, wait until there is a substantial amount of information to give to the public. This is
more of an official statement.
DO DON’T
Post images and videos Engage in the comments section during a crisis
Include details Post the same thing on Facebook as Twitter
Remain Professional Post unrelated content in between crisis posts
YouTube
YouTube is for uploading videos, KSHE uses YouTube mainly for DJ promotions. During a crisis
YouTube will be used to host messages from the Spokesperson. These videos will be posted on
all other KSHE social media, and again no other unrelated content will be posted around the
time of the crisis announcement and spokesperson video. It would look like the station is not
serious about the issue if right after a serious event, a video is posted of DJs racing go-carts.
1
Snedker will only be called in if John Beck or Emmis feels corporate needs to be present. At that point, she will
work closely with Graves, but she will ultimately be in charge.
Spokesperson
In any crisis situation, General Manager John Beck would be best suited to represent the
station to the public during the entirety of the crisis. Beck is well respected and trusted in the
industry, and he has experience both in broadcast and in political speaking. He is the person
that KSHE listeners want to hear from, and the media and industry can take seriously.
Even if Emmis Corporate got involved in the crisis situation Beck would remain
spokesperson. Emmis believes in the community and bringing in an unknown man in a suit
would only distance the audience. If the crisis becomes an Emmis crisis, or a national crisis then
DJs are great ambassadors and would be allowed to talk about certain crises during their
program, if the crisis team allowed it. Issues that are political in nature should be avoided by
DJs because KSHE is a music station; DJs have creditability in music not politics. In 2014 when
St. Louis had a crisis over the shooting death of Michael Brown, DJs were instructed not to talk
about it—letting KSHE be an escape from the news. That went over well, and listeners really
appreciated it. Turning from music to news, even news of your own will turn away listeners.
Since Beck is known in St. Louis as the General Manager, many media outlets may
already know to contact him first. However, for everyone else Tara Graves will be in charge of
coordinating media—she will connect them with Beck. Beck will already have extensive media
training, and be briefed with key messages before talking to any press.
Communication Center
When a crisis is called all members of the crisis team should my default meet in the
upstairs digital conference room. The room is normally used for meetings in the digital
department, but it is large, has the most internet and phone connections, and is the one
conference room that isn’t located centrally (employees won’t be walking by constantly). If the
digital department needs a conference room, they can use one of the conference rooms
downstairs.
The room is already equipped with a large round table, wifi, and two conference
phones. During a crisis extra chairs will be removed so there are only enough chairs for the
crisis team. Each crisis member will be provided with a MacBook Air and a company IPhone 5.
The team will be allowed to keep their personal phone, and make personal calls on the
• Snacks (pretzels)
• A large KSHE cotton t-shirt and large drawstring sweatpants for each team member
• A fleece throw blanket for each team member
These items will be stored in plastic tubs marked “CRISIS TEAM” in a storage closet that also
holds more water, food, and first aid kits for other employees.
In the case that the Union Station location is unavailable, Tara Graves will make
arrangements with a local hotel to get a crisis room. She will first go to The Pear Tree Inn (2211
Market St., St Louis, MO 63103, 1-800-997-5149) if that is unavailable she will try The Westin
(811 Spruce St., St. Louis, MO 63102, +1-800-997-5148) She will also charge Patti McMahon
with replacing the items on the above list. If the Union Station location is permanently
All crisis documents are available on Google Docs, including this plan and a list of
employee emails and other contacts. KHSE has a subscription to Skype, so if no physical space
called together, they will be briefed and work together to fill out a Crisis Worksheet. The first
goal of the Crisis team will be to post an initial acknowledgement statement on Twitter and
Once the team is back in the crisis room, more detailed information needs to be found.
Patti will be in charge of getting ahold of employees involved and checking on operations while
the Tara and John will be developing a set of key messages. Once those are set, John will speak
to some press and the sales team while Tara writes press releases, updates social media, and
continues to monitor the situation. The team will all report back to one another every half
the building is compromised Emmis Chicago needs to be notified immediately so they can
switch the station to full automation and connect the team with the automated computer
If there are any injuries or loss of life Tara will need to contact grief and trauma
As more information comes to light the team will have to find out if anyone is at fault.
Emmis is very serious about its commitment to treating their people right, so finger pointing
has to be careful and confidential, send all information to Corporate for approval before
John Beck is ultimately the boss, and has final say—however in a crisis situation once he
has approved the general crisis plan and the key messages he has agreed to let Tara do what
Of course all of this will change if John Beck or Emmis calls in Kate Snedker, she will take
_____________________________________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
Time__________________ Date________________________
Is anyone to blame?
_____________________________________________________________________________________
Is this an emergency? Y/N , If yes have the authorities been called? Y/N (Time they were called ______)
_____________________________________________________________________________________
Is the station running? Y/N Has it been turned to automation? Y/N (What time____________________)
_____________________________________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
_____________________________________________________________________________________
Training, Rehearsals, and Testing
All members of Emmis are briefed on how communicate for the company and receive
media training when they are hired. DJ’s, along with members of the crisis team are trained on
a consistent basis. Once a year, DJs and members of the crisis team meet for alternating team
building and communications training-one year they go on a team building retreat where they
spend time together as well as learn group communications techniques, and the next year they
John Beck gets constant training every 6 months with Emmis including media and
spokesperson training.
DJs are included in the training because they are the everyday face of the organization.
Once a year, the team will be subject to a test at random times. During these times Tara
will call the other team members and tell them there is a crisis. When they arrive they will be
alerted the crisis is a test and they will work through a prompt crisis to solve a problem. They
Tara Graves Team Building in Cancun/ August Media Training at Emmis HQ/
2013 2012
John Beck Team Building in Cancun/ August Team Building in Vegas/ August
2013 2011
Patti McMahon Team Building in Cancun/ August Media Training at Emmis HQ/
2013 2012
Lauren Colvin Team Building in Cancun/ August Media Training at Emmis HQ/
2013 2012
John Ulett Team Building in Cancun/ August Media Training at Emmis HQ/
2013 2012
Rich Dawson Team Building in Cancun/ August Media Training at Emmis HQ/
2013 2012
Guy Favazz Team Building in Cancun/ August Media Training at Emmis HQ/
2013 2012
Evaluation
At KSHE, a crisis isn’t over until we have regained trust among our audiences
and stakeholders. To measure that, monitoring of the audiences identified in the
Crisis Work Sheet will happen as deemed appropriate by Tara Graves. For
example, listeners will always be a stakeholder to consider and their trust can be
measured by social media monitoring. Ratings can also be compared. If there is a
drop after a crisis, and the drop has recovered, listeners have returned.
After a crisis has ended, an evaluation meeting will be held. The team will look at the
following criteria:
• How well were key messages delivered by the spokesperson and in print and
digital materials?
• Were we covered favorably in the press? Consider the roles of “hero”, “victim”,
and “villain”
These questions will be answered as a team and compiled with the rest of the documents from
the crisis, it will then be uploaded into Google Docs and sent to Emmis Corporate. Anyone from
the team can view it for future purposes. It will come in handy for other crises. Corporate can
also use it for other crises, and to see how the team at KSHE is doing.
• KSHE 95 “Real Rock Radio” was one of the first radio stations to play
rock music in 1967, making it the longest running rock station in the
world.
• St. Louis counts on KSHE for more than just music and personalities.
The biannual KSHE “Rock ‘N Roll Up Your Sleeve Blood Drive”
(Summer and Winter) continues as the largest media sponsored
blood drive in the country. Over 130,000 usable units of blood have
been collected. KSHE also regularly raises money for several
organizations like St. Louis Children’s Hospital through participation
from loyal fans.
prepare for and deal with issues before they turn into a crisis. The goal of issues
first step is Issue Identification; it involves scanning the environment (culture, society,
entertainment, social media, etc.) to figure out what forces are influential to people,
and what people are concerned about. Part of scanning is also dedicated to keeping an
eye on a brand’s name and image. This is easy today with social media, a simple hashtag
search can reveal a lot about how people feel about a company.
impact it could have. Issues have a lifespan; they start in the grassroots with people
speaking up. Once people have made enough chatter it becomes a topic of policy
agenda-and soon after legalization where laws are passed regarding the issue. At that
point, companies are forced to act a certain way. As you might assume, the earlier and
The fourth step is to act, implement a plan. In some cases the right plan can take
an issue that could hurt us and turn it into something that gives us an advantage if
handled correctly. After an action is taken it is important to evaluate the entire process
to make sure the process is productive and that the issues will not reappear.
Possible Crisis Scenarios
1) DJ hijinks or promotion gone wrong- For radio stations, this is the number one cause
for crisis.* Sometimes, while having fun DJs say or do things that can be careless or
ill-conceived. This can bring bad press on the station, but also if bad enough,
lawsuits and FCC fines. There is no way to completely avoid this but Emmis has a
practice of treating their people well and giving them the tools to succeed, and that
will be rewarded.
2) Natural Disaster- Any number of natural disasters could affect the Power House
regularly, and for emergency resources to be stored such as food, water, and first
aid.
3) Industry Issues- The radio and music industry have faced a great deal of challenged
in the last few decades. Digital media may be a threat, but terrestrial radio is still
doing well. Emmis has been making leaps to stay ahead in the industry. NextRadio is
radio without using their data.* However, as the industry has seen, with just a
simple innovation radio could easily be on the chopping block. It is important to stay