Span i sh Speaker s F i nd a Home — and a Fam i ly • Page 6
A pril 5–A pril 18, 2018
IN THIS ISSUE: While the Crowd Applauds, Poets Struggle to
Pg. 5 Archaeological Finds Afford a Meal by Mike Dunphy
“
To be a poet is a condition, not a
Pg. 9 Reclaiming The profession,” wrote Robert Frost, and
Vermont poet laureate Chard deNiord
French Block would like to add an addendum. “If you are
dedicated to writing poetry,” he says, “it’s a
little bit like a disease. You’re infected with
Pg. 13 Living Mindfully it, so you have to do it.”
by Writing Poetry And one of the key symptoms of the poetry
“disease” is poverty. While events such as
PoemCity in Montpelier and others big
and small throughout Vermont—not to
CAR-RT SORT
Permit NO. 123
Montpelier, VT
mention Vermonters themselves—do much
PRSRT STD
U.S. Postage
PAID
to celebrate poetry, it’s worth remembering
that there is almost no financial support to
even keep poets fed. “There are thousands
of poets writing in America today,” deNiord
points out, “and only a very select few can
make enough to even go out to dinner.”
Of course, whether poetry and
moneymaking should even be spoken in
the same breath is an open debate, as any
financial or business angle seems to many
a toxin to the essence of the art. The poets
themselves—as with painters, potters,
sculptures, writers, and other artists—
would probably beg to differ.
“There is no way to do it for a living—
Montpelier, VT 05601
be a poet—unless you are in such high
demand that your honorarium is sky high,
which is almost none of us,” explains
P.O. Box 1143
poet Kerrin McCadden—winner of the
The Bridge
Vermont Book Award and a recipient
of a National Endowment for the Arts
Literature Fellowship, a Vermont Studio
We're online! montpelierbridge.com or vtbridge.com
Center Fellowship, and the Sustainable
Arts Foundation Writing Award. “Almost
no journal pays at all, and there is no such
thing as royalties for book sales. Most poets
do their readings for no pay, get no pay for
publication of poems, and no significant
pay for publishing a book of poems. You'd
have to be signed with an agency for a
high level of pay, and the number of poets,
nationwide, who are signed by agencies is
statistically nil.”
In Vermont, despite its arguably greater
appreciation of the arts than many other
places, the ability of poets to support
themselves, or even buy a caffe latte with
their earnings, follows suit, with very few
opportunities to make any money. That’s
not to say there are no opportunities.
Indeed, many poets pay the bills by teaching
it. deNiord, for example, is a professor of
English at Providence College in Rhode
Island, while poet Kerrin McCadden
teaches English and creative writing at
Montpelier High School.
Grants and awards can offer some measure
of support as well, but they are few and far
between and rarely get above $2,000 at
the state level. The Vermont Community
Foundation, for example, gave Kristina
Stykos $2,000 in 2017 to complete a self-
published boxed set of poetry, while the
Vermont Arts Council gave poet Marv
Klassen-Landis $1,500 to support a six-
day residency at Barnard Academy. And
Hunger Mountain, the journal of the
Vermont College of Fine Arts, presents the
Ruth Stone Poetry Prize each year, with
$1,000 for the winner and $100 for the
runner up. The biggest prizes, however,
remain at the national level. With the NEA
award, McCadden earned $25,000, but
she’s quick to point out how rare it is. “I
was one of about 40 or so ‘winners,’ out of
a pool of 1,173 applicants. That represents
about a three percent chance of getting the
funding.”
Readings are another source of income
for poets, usually through an honorarium
paid by the host. PoemCity, which received
$4,000 from the Vermont Humanities
Council, uses some of that amount to pay
$100 or $150 to the attending laureates
and those conducting workshops. More
successful poets like McCadden can earn
up to $600 for readings, particularly on
national tours. And, of course, if you can
actually become poet laureate of Vermont,
the income amounts to $1,000 for the four-
year tenure.
Perhaps most shocking is the fact that even
if a poet can actually ever get published in
a journal, or even an entire book, there’s
even less money, and in most cases, none,
often because the journals themselves are
operating on a shoestring budget. “With
most books,” McCadden points out, “you
are dealing with a university press, and you
don’t get royalties; you get a one-time price.
Continued on Page 11
PAG E 2 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE
T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 3
Twenty-Five Years of Local Journalism
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Nature Watch
by Nona Estrin
Peeking Leeks
D
own in the hardwoods
below the house pale
spears of this year's
wild leeks are already poking
up through the soggy leaf mat.
And in the small meadow
below us melting snow joins
the little brook, languid where
wide, gurgling where flat, and
fairly dancing over the declines.
Watercolor Nona Estrin
T he Bridge turns 25 years old in 2018, and all through the year, in the
lead-up to that anniversary, we will be looking forward and back.
Beginning with this issue, The Bridge is making a few changes.
First of all, we’re changing our printer. In saying that, we want to note that we
have been genuinely lucky to have worked with Upper Valley Press in North
Haverhill, New Hampshire. Upper Valley Press has always been exemplary—
in touch, on time, and of the highest standards of service.
Our new printer is the print shop of the Burlington Free Press. The major
reason for making the change was financial and nets The Bridge substantial
monthly savings. For a free, independent, and local newspaper, this is critical
to improving the quality of the paper, starting with the ability to employ more
writers and other staff.
With the new printer come a few other changes. Although the page size is just
as wide as it has always been, the length of each page is a little shorter. We’ve
also used the opportunity to slightly enlarge the size of the font, hopefully
making articles easier to read. Color photography will also become a more
uniform and regular feature.
As we move forward across this year’s calendar, we invite our readers to
participate with us as we celebrate the paper’s 25th anniversary this fall and
into December.
We have said this before, but it continues to be true. We are grateful to our
readers, our advertisers, our small but talented staff, our printers, and our
many friends, whose financial support of the paper has been indispensable.
Here’s to 25 more years!
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PAG E 4 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE

Ceres Has Left the Building

Photos by Michael Jermyn

Superintendent Brian Ricca

Resigns
J oint Statement on Superintendent by Montpelier Public Schools Board of School
Commissioners and the Montpelier Roxbury Public Schools Board of School Commissioners.
Dr. Brian G. Ricca and the Montpelier Public Schools Board of Commissioners
announced that after seven years of service to the District, Dr. Ricca will be stepping
down as Superintendent on June 30, 2018.
Both the Montpelier Public Schools Board and Dr. Ricca agree that Dr. Ricca has
achieved the progress he can make as superintendent, and that the newly merged district
approved by the voters of Montpelier and Roxbury last year should have new leadership.
The new district, Montpelier-Roxbury Public Schools, begins operating on July 1, 2018.
The Montpelier Public Schools Board thanks Dr. Ricca for his dedicated service to the
district and its students, and wishes him well in his future endeavors.
The Montpelier-Roxbury Public Schools Board of School Commissioners will commence
a thoughtful and inclusive process to hire a superintendent to guide the new district and
build on the excellence of Montpelier's and Roxbury's schools.
Michele Braun, Chair, Montpelier Public Schools Board of School Commissioners
Jim Murphy, Chair, Montpelier-Roxbury Public Schools Board of School Commissioners
T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 5

Digging into Vermont – Three Landmark Finds under the

Green Mountains by Jess Robinson

A
t its most basic, archaeology is the study of the human past through the things people left behind. For archaeologists, the value of artifacts rests in what they reveal about the people
that made or used them. Events in the past are reconstructed by analyzing how and where artifacts were deposited, how they relate to other artifacts at a site, and how a site is
situated on the landscape.
While the individual artifact rarely tells a complete story, they nevertheless provide valuable insight and help us connect the dots. The following three artifacts, found recently in various
locations around Vermont, are remarkable encapsulations of three particular periods in Vermont’s long and rich human history.

Copper Axe: ca. 3,000 Years Old

Paleoindian fluted point: ca. 12,200–11,600 Years Old
This spear point was found by a landowner on his property
in Jericho. He graciously contacted the Division for Historic
Preservation and allowed us to photograph and measure it.
The characteristic shape, the channel running up the center
of the point, and manufacturing techniques reveal that it
was made between approximately 12,200 years ago and
11,600 years ago—a time when Vermont had a tundra-like
environment and the Champlain Valley hosted an arm of
the Atlantic Ocean. The red stone from which the point
was made came from a specific quarry in northern Maine,
approximately 340 miles away. Paleoindians are thought to
have traveled long distances in search of caribou, and the
stone may have been acquired on one of those journeys.
Alternatively, the stone may have been traded between
groups.
Got a news tip?
We want to know!
Send it to us at:
editorial@
montpelierbridge.com
Prior to European contact, Native Americans in the eastern
woodlands did not possess any metal smelting technology.
Nevertheless, sources of chemically pure drift copper in
Nova Scotia and Michigan were widely known to Native
American groups, and the copper from these sources was
highly valued and traded across many areas of North
America. This copper axe was found by a private citizen in
a lake in northern Vermont. Because it was the property of
the state, it was graciously turned it over to the Division for
Historic Preservation and is now permanently curated at
the Vermont Archaeology Heritage Center. Although there
is no way to directly date it, its shape, flaring bit end, and
the way it was made suggests it dates back 3,000 years. Axes
such as these are very rarely discovered in Vermont and
are nearly always degraded and green with verdigris. This
axe, however, was submerged in lake bottom mud, which
preserved its original luster. Evidence of cold hammering
and shaping are likewise still easily visible.
Cody Chevrolet Congratulates The Bridge
Powderhorn or bottle stopper: ca. 300 Years Old
This artifact was recovered by the University of Vermont
Consulting Archaeology Program during their recent
excavations at the Chimney Point State Historic Site in
Addison in advance of the replacement of the Champlain
Bridge. It appears to be a stopper to a powderhorn or
possibly a bottle and is made of stone. Although subject to
interpretation, the etchings on one side appear to depict a
flag raised over a point of land, possibly with the sun rising
behind it. Because it was found in the area of the 1730s
French fort, this artifact might be an early, rough depiction
of the French occupation on the point.
Jess Robinson is a Vermont State Archaeologist with the
Vermont Division for Historic Preservation.
On Over 20 Years of Business!
PAG E 6 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE

Spanish Speakers Find A Home in Montpelier by Irene Racz

T
hey come from 16 Spanish-speaking Nicaragua native Jairo Sequeira, 53, came
countries in the Caribbean, Central to Montpelier in 2000. He works for
America, and South America and Washington County Mental Health Services
range in age from 30 to 70. They live in and plays music in his spare time. He said he
several area communities and are engaged would have loved having a community like
in a variety of occupations, hobbies, and this when he first arrived and is ecstatic that
volunteer activities. But when asked to it has come to life now.
describe themselves, they offer a single Ileana Merriam, 55, a native of El Salvador,
answer: “family.” who has lived in Montpelier since 2009,
Informally known as La Gente De La Zona, maintains a busy schedule working for
or “the locals,” the group has met every Vermont Health Connect, the state’s health
Tuesday evening for a little more than insurance marketplace, and volunteering for
two years. The brainchild of Terisa “Tee” the Vermont Refugee Resettlement Program.
Thomas, the group formed to provide an That didn’t stop her from dancing her heart
outlet for native Spanish speakers who have out at the March dance party.
settled here and others who want to develop “I love it. I love that I can speak Spanish
or maintain their Spanish language skills. and mingle with people from different
The 35-year-old Thomas, originally from backgrounds,” she said. “I really enjoy the
Iowa, came to Montpelier in January of company,” which on any given night can
Photo by John Lazenby
2016 to take a position with the Vermont include anyone from agricultural workers to
Department of Environmental Conservation. those in white-collar jobs.
Her husband, Carlos Reyes, 33, a native of Uruguay, was set to arrive two months later Gilberto Diaz, 55, came from Cuba about three years ago and was joined by his family a
and Thomas wanted to ease his transition to American life, so she arranged a gathering year later. He works for a dean at the University of Vermont and teaches reading and writing
at Bagitos, a bagel and burrito café in downtown Montpelier, and began posting on Front to English language learners at Community College of Vermont. He also volunteers at the
Porch Forum to recruit attendees. Montpelier Senior Activity Center.
The group has grown steadily and evolves as people come and go. About 15 to 20 regulars One of the things that attracted him to Montpelier was that he heard people didn’t have to
show up each Tuesday, and that number can double on special occasions, such as the lock their doors here. Encountering fellow Spanish speakers was a bonus. “I never expected
anniversary parties. to find so many,” he said. “We function as a family, and it’s such a blessing to have kindred
The group recently upped its celebratory game by adding a dance party, dubbed LatiNite, on spirits.”
the fourth Tuesday of the month. The first such event, held March 27, was a spirited affair Steve and Heather Bailey, 67 and 70, are among the U.S. natives in the group. They moved
with participants singing along and dancing to recorded music in such genres as reggaeton, here four years ago after retiring from teaching careers abroad and in New Jersey, where
cumbia, bachata, and salsa. Heather taught Spanish. They also served in the Peace Corps in Panama. For the Baileys,
To a person, participants describe their experience in the group as that of a family. They the group has served the dual purpose of enabling them to continue speaking Spanish and
have celebrated holidays and birthdays together, helped each other move, pitched in to to acclimate to a new community.
babysit, and assisted in emergencies. They know that no matter what they need, someone As for Reyes, he adjusted easily to life in Vermont. He established his own Spanish school
will respond. (info at learnspanishvt.com) and put his equestrian experience to work at Pease Farm Stable
in Middlesex. He also teaches English to Chinese children through an online platform. He
and Thomas served on the screening committee for the recent Green Mountain Film Festival
and could be seen at the Savoy every day checking tickets, introducing films, and cleaning
up.
Thomas has high praise for Bagitos owner Soren Pfeffer for his generosity in allowing the
group to meet at his cafe with no strings attached. Pfeffer is equally as complimentary of
Thomas and her circle.
“They have provided a home for the group and for individuals who might not feel like they
have that many places to go where they feel comfortable and accepted,” he said. “One of my
business visions was having live music, and I’ve carried through with it.”
Irene Racz is a former journalist and communications consultant who is brushing up on her rusty
Spanish through classes taught by Carlos Reyes at the Montpelier Senior Activity Center
T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 7

A huge steel memorial to Che Guevara overlooks

Over 90 percent of ubiquitous vintage 1940s, Havana's Plaza de la Revolución Che is far more
Men playing dominoes on Havana sidewalks are a common sight. '50s, and early '60s U.S. cars in Cuba are taxis. visible in Cuba than either of the Castro brothers.

Cuba Libre by Nat Winthrop

M
y 37-year-old son Dan—also a Montpelier resident—and I returned from eight U.S. websites are blocked. However, most Havana residents we spoke with expect that to
days in Havana, Cuba just over a month ago. Dan served as my photographer and change very soon.
interpreter. Under President Trump’s travel restrictions, we traveled as journalists, Although the government sees the U.S. as Cuba’s number one enemy, virtually all Cubans we
reporting on art, contemporary culture, and technology. It was an amazing experience, met were very friendly and welcoming to us. Part of this is undoubtedly because we represent
profoundly different from all the various other Caribbean countries we’ve visited. a mysterious and enticing country and vibrant culture less than 100 miles from their shores.
Cuba and Vermont have some things in common: the pace of change is very slow (something But American tourism has plummeted since Trump re-imposed travel restrictions; we are far
most residents value), a majority of people live paycheck to paycheck, and there are a great outnumbered by Canadian and European visitors.
many creative people. Yet in most other ways, Cuba is so different from Vermont that it Most Cubans we met were hesitant when we asked if we could record interviews, and they
seems worlds away. typically clammed up if we asked any political questions. There is a pervasive sense that Big
With its vintage cars, colonial Brother is watching. There are video cameras on many street corners, and a neighbor might
architecture, and communist very well report you if you are heard being critical of the government—especially talking
government, Havana appears stuck with an American. Yet one successful musician we interviewed confided, “We are not happy
in time some 50 years ago. Yet with the way the economic system operates here.” And several people expressed the desire to
there has been significant change move to the U.S. or Canada, where many have relatives.
over the past several years, and, Havana has rich and thriving arts and music scenes. We attended a crowded salsa festival and
with Raul Castro set to relinquish visited the hugely popular Fábrica de Arte Cubano (Art Factory), an avant-garde installation
the presidency later this month, the of galleries, night clubs, and performance spaces to rival anything New York, London, or
pace of change may be poised to Berlin has to offer.
accelerate.
On reentering the U.S. in
The first major change, begun Charlotte, NC, we were waived
around 2010, has been the slow through customs in two
Wi-Fi hot spots in public parks are very popular with introduction of free enterprise. minutes. When I asked if anyone
young Cubans and foreign visitors. This started with Cubans being wanted to see the itinerary we
allowed to own their own taxis, were told we had to keep as
casa particulares (B&Bs), and small journalists, the customs official
restaurants. With the government typically paying doctors, lawyers, professors, other smiled, saying “Oh, you don’t
professionals, and government workers between $25 and $50 a month, these small-time need to worry about that.” Most
entrepreneurs can earn far more, and many doctors, lawyers, and others have quit their jobs U.S. tourists traveling with us
to open restaurants and B&Bs or operate taxi services, car repair shops, and other small checked the box “Support for
businesses. Most other government employees moonlight to break out of their subsistence the Cuban People,” and were
lifestyles. Quality healthcare and education are free, but the majority of Cubans are very also told to keep an itinerary or
poor and live hand-to-mouth. journal, but nobody checked. So
The other dramatic change Cubans are experiencing is through the Internet, which only it turns out virtually anybody Nat & Dan Winthrop pose in one
of the many vintage taxis they hired.
became available to the general public two years ago, in the form of WiFi hotspots in a few (possibly excepting some Cuban
public parks and other locations. At $1–$2 per hour, the web is still out of reach for most Americans) can freely travel to
Cubans, and WiFi in private homes is strictly illegal, as the government still sees opening Cuba for any reason without fear of scrutiny—and the round-trip fare from Burlington is
that world of multifaceted ideas, opinions, and cultural phenomena as a threat, and most under $350.
PAG E 8 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE

Eight Threatened and Endangered Species in Vermont

by Tom Rogers

V
ermont is often on the cutting edge of progress,
and our state’s endangered species law is a prime
example. Vermont lawmakers passed legislation more
than a year before the federal Endangered Species Act.
That legislation has protected Vermont’s endangered species
for nearly half a century. Happily, three species have since
recovered enough to be removed from the list: the peregrine
falcon, the osprey, and the loon. But there is still plenty of
work to be done. Here are eight species that remain protected
under Vermont’s endangered species law and how they affect
your daily life, from cleaning your water, pollinating your
food, and keeping insects and rodents in check to inspiring
awe and connecting children with nature.
Bald Eagle
Let’s start with the good news. Bald eagles, which declined
nationwide in the mid 20th century because of a loss of habitat
and the effects of the pesticide DDT, have largely recovered
thanks in part to a national DDT ban in 1972. Although
bald eagle recovery in Vermont has lagged behind other
states, several strong nesting seasons have conservationists
hopeful that they are on the path toward being removed from
the state’s endangered species list. Bald eagles are America’s
national symbol and invoke a sense of wonder in the natural
world. Their recovery represents what’s possible when people
care deeply about wildlife and actively work together to
protect it.
Little Brown Bat
The disease scientists named “white-nose syndrome” hit
Vermont’s bats hard starting in 2008, causing several species
populations to go into free fall, including little brown
bats—once the state’s most common bat species. Caves that
previously housed tens of thousands of little brown bats
were reduced to only a couple hundred within a few short
years. Recently, welcome signs have appeared that the rate of
decline may be slowing down. People need bats more than
bats need people. These tiny mammals generate an estimated
$3.7 billion a year in benefits to North American agriculture
through insect pest control and crop pollination, according
to the journal Science.
Timber Rattlesnake
Once found throughout the Champlain Valley, timber
rattlesnakes are now located in only two isolated populations
in western Rutland County. Their fate is uncertain. The loss
of critical habitat, collection for the black-market pet trade,
and indiscriminate killing have depressed populations to
state-endangered status. The newly discovered “snake fungal
disease” may worsen these problems. Despite the rattlesnake’s
fearsome reputation, the woods are actually safer with timber
rattlers and other snakes present. Timber rattlesnakes and
other predators help control rodent populations, which
spread disease and cause crop damage when their numbers
aren’t checked by predators.
Rusty-Patched Bumblebee
Like eating food? Thank a pollinator. Bees, butterflies, and
moths aid in the reproduction of everything from apples to
broccoli florets to oaks and other forest trees. These pollinators
are essential to our farms, meadows, and orchards. But
Vermont’s bumble bee species, including the rusty-patched
bumblebee, which was recently listed as endangered in
Vermont, are on the decline because of a parasite infestation,
as well as the widespread use of insecticides referred to as
“neonicotinoids.” Avoiding the use of these pesticides on
lawns and gardens and planting native flowering plants can
help these species thrive.
Dwarf Wedgemussel
If we have pollinators to thank for our food, maybe we should
raise a glass of clean water in gratitude for filter feeders. Clams,
oysters, and mussels are an important resource in removing
nutrients such as nitrogen and phosphorus that contribute
to toxic algal blooms. Freshwater mussels in particular have
been cited for their ability to clean up inland waterways. But
several of Vermont’s 18 species of mussels, including the state
and federally endangered dwarf wedgemussel, are in decline
because of human-induced alterations in their habitat, such
as dams and sedimentation.
Canada Lynx
Vermont has never had a large or stable lynx population.
Records of lynx sightings were extremely rare even
during the time of the earliest colonists, and sightings
have remained infrequent. So when evidence emerged that
lynx started reappearing in Vermont roughly ten years ago,
conservationists cautiously theorized that lynx might have
established a resident population. As animals of the north,
lynx require large tracts of connected forests in which to
roam and deep snows that allow them to out-compete their
close relative, the bobcat. As the climate continues to warm,
these furry creatures may act as a bellwether for Vermont.
And if Vermont’s forests become increasingly fragmented,
lynx may choose to pack up and head north.
Spiny Softshell Turtle
Everyone loves turtles. From a tiny painted turtle in a
backyard pond, to the teenage mutant ninja variety on the
big screen, turtles connect kids to wildlife in a way few other
animals can. Here in Vermont, threatened spiny softshell
turtles give young Vermonters a connection to nature every
fall. On a Saturday in October, scores of wildlife enthusiasts
show up with their trowels and rakes to help clean three
beaches along Lake Champlain in preparation for the turtles’
spring nesting season. They help the turtles out, but perhaps
more importantly for many of the kids, they get an up-close
experience with wildlife that can translate into a lifelong love
of wildlife and support for conservation.
Lake Sturgeon
Lake Champlain has real-life “dinosaurs” swimming beneath
its surface. Not the mythical lake monster “Champ,” but
ancient Triassic-era fish known as lake sturgeon, live in Lake
Champlain. Armored with bony plates on their bodies and
whisker-like barbels next to their pointy snouts, sturgeon
can live 150 years and weigh 300 pounds. Once historically
common in Lake Champlain, sturgeon populations declined
rapidly in the 20th century as a result of overfishing, the loss
of spawning and nursery habitat caused by the construction
of dams, and sea lamprey predation. As fish biologists study
and find more of these unique fish, they are researching
whether lake sturgeon may be slowly recovering thanks to
their protected status and concerted conservation efforts.
Tom Rogers is a biologist who works in outreach for the Vermont
Fish & Wildlife Department.

Bald Eagle Timber Rattlesnake Canada Lynx Lake Sturgeon

Photos courtesy of the Fish and Wildlife Department

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T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 9

Seventy-Five Years Later: Reclaiming Montpelier’s French Block

by Nat Frothingham

A
fter lying vacant for 75 years, the two upper floors above Aubuchon Hardware “We knew that Montpelier wanted to do this project,” said Peltier about the
at 32 to 42 Main Street in downtown Montpelier are finally getting their much- determination that she and others summoned to pull together the needed resources and
needed makeover. players. “I pushed it with Housing Vermont. It’s a rough building. That’s why nobody
The first or “abatement phase” of the project, purging the floors of lead paint and other else wanted to do it. People would say, ‘Wow,’ and this ‘wow’ expressed their concern
toxins, is close to being done and renovations are set to begin soon, with the end result about the condition of the building and getting the renovations done.
being 18 new studio and one-bedroom apartments. Construction is scheduled to be Yes, the project was daunting. But there were compelling arguments for biting the
completed by the end of 2018. bullet and moving forward:
According to Eileen Peltier, executive director of Downstreet Housing and Community • Montpelier has a one percent vacancy rate.
Development, the not-for-profit organization that has masterminded the $6-plus • Montpelier has a strong need for affordable housing, really any kind of housing.
million project, the apartments will be available to a mix of clients beginning in 2019.
• The French Block is admirably situated close to jobs and transportation.
Of the 18 new apartments, four will be “market rate” apartments available to anyone
who is interested in renting at current market conditions. Five others are being set • The project has access to all kinds of amenities and services even if you don’t have
aside for homeless people, and the remaining nine for low-income people, described a vehicle.
as persons whose incomes are about 60 percent of the Central Vermont area’s median In addition were these intangibles. The community supported the project. And as
income. Pelter said, “There was so much appreciation that we are doing it, and it’s going to be
When Peltier was asked to describe her exact role with the long-delayed renovation, she gorgeous when it’s done,” Peltier said, noting the wainscoting, sky lights, big windows,
said, “My job is to convince everybody that we should do this project.” and high ceilings.
And of course the major reason the upper floors of the French Block have lain dormant Peltier was unsparing in her praise to the many players who came together to make the
for 75 years is the costs of redevelopment and the project rental income – these numbers project happen. The City of Montpelier Housing Trust Fund contributed $175,000
never added up for a typical commercial developer. toward the cost of the project. “There are only a few communities around the state that
has a trust fund for affordable housing,” Peltier said.
But there’s plenty that makes it worth doing now. The block is right across the street
from City Hall in the heart of Montpelier’s downtown business district, and there’s a She was also high in her praise of former Mayor John Hollar and the Montpelier City
significant need for affordable housing in Montpelier. Council. And she singled out Aubuchon Hardware for special mention. “We purchased
the upper stories from Aubuchon Hardware. Essentially, we created a condominium.
There’s been a pretty long history of community awareness of the need to redevelop Legally, that’s very complicated. We ran into all kinds of challenges.”
the French Block. When the late Margot George, who contributed so much to historic
preservation achievements in Montpelier, died in December 2008, the Vermont Throughout this process, Peltier said that Aubuchon Hardward has been generous and
General Assembly honored George the following year with a resolution taking note of supportive.
her many achievements. The groundbreaking ceremony for the project will be held on May 1 with Senator
One paragraph from that resolution touches on the French Block: Leahy among the honored guests.
“Whereas, as part of Montpelier’s celebration in 1992 of its own centennial, Margot
George and the Montpelier Heritage Group created a parade float titled ‘Cleaning the
Windows of the City’ that was placed on the back of a 1926 restored Model T pickup,
to announce that the Heritage Group was cleaning windows and installing curtains in
vacant rooms on the upper floors of buildings in the city’s downtown.”
Until very recently those curtains have hung in the upper story French Block windows
as a silent reproach to the City of Montpelier and other agency players for not getting
the money to reclaim and renovate the upper floors of the French block building.
In 2010, Downstreet Housing organized a renovation proposal to provide housing in
the upper floors of the French block for people with disabilities. But the project got
stymied. Said Peltier, “We were hoping to do the project and we couldn’t get clearance
from U.S. Department of Housing and Urban Development (HUD)
HUD refused to give clearance to the project because there was a fear that if there
was another big flood in Montpelier, the apartment tenants slated to be people with
disabilities would not be able to get out of their apartments early enough.
PAG E 10 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE
VCFA Announces Second
Annual Free Artist Portfolio
Review
T
he Vermont College of Fine Arts (VCFA) MFA in Visual Art program has
announced its second annual free portfolio review for all artists interested
in applying to the college or looking for critiques on their work.
The submission period will run until April 9, 2018. The MFA in Visual Art
program’s esteemed faculty will review each portfolio and provide feedback in
mid-May.
Critiques are central to residencies in VCFA’s MFA in Visual Art program.
For artists, compiling and receiving feedback on a portfolio is an excellent
exercise, whether they are preparing for graduate school, artist residencies, grant
applications, or an exhibition. This opportunity is designed for emerging artists
who do not have an MFA.
To enter the portfolio review, artists are asked to submit ten images and an artist’s
statement through the MFA in Visual Art program’s application page. Video and
audio submissions must be no longer than two minutes each. Faculty members
will offer a short response, including suggestions, critiques, responses to specific
pieces, or general feedback on each portfolio.
The MFA in Visual Art program was formed in 1991 and bases its educational
success on the principle of individualized learning. The program’s precedent-
setting pedagogy is based on the understanding that art does not exist in a void,
but within a social context. Students emerge from the program with a dynamic
new vision of themselves, their art, and the world around them.
For more information on the portfolio review, contact Thatiana Oliveira at
Thatiana.Oliveira@vcfa.edu or (802) 828-8636.
Tickets on Sale for Sports
Hall of Fame Dinner and
Celebration
T
ickets are now on sale for the 2018 Vermont Sports Hall of Fame Induction
Dinner and Celebration presented by Casella Waste Systems. The sixth
event will be held Saturday, April 21, 2018 at Trader Duke’s Hotel, 1117
Williston Road, South Burlington.
The event starts with a reception at 5:30 pm, with the induction ceremony
following dinner at 6:30 pm. Tickets for the event are $75 per person and tables
for 10 are available. To arrange for tickets, please log on to the hall's official
website at: vermontsportshall.com or e-mail the hall at vermontsportshall@gmail.
com
The sixth class of inductees include four-time Olympic cross-country skier Tim
Caldwell; stock car driver Robbie Crouch; World Cup mogul ski champion
Hilary Engisch Klein; legendary St. Johnsbury Academy track and field coach
Ray Frey; collegiate and high-school basketball standouts Matt Johnson, Larry
Killick, and Jen Niebling; longtime Essex High coach/athletic director Melba
Masse, a pioneer of girls sports in the state; University of Vermont football great
Bobby Mitchell; award-winning sportswriter David Morse; and UVM/NHL
hockey star Martin St. Louis.
A portion of the proceeds raised by the Vermont Sports Hall of Fame will benefit
its designated charity, Prevent Child Abuse Vermont. The event has raised close
to $15,000 for Prevent Child Abuse Vermont since the hall’s inception in 2012.
The 2018 class members will receive from Gov. Phil Scott their Vermont Sports
Hall of Fame granite plaques courtesy of John Pelkey of Memorial Sandblast and
Granite Industries of Vermont. WCAX sports director Mike McCune will be the
master of ceremonies.
For more information, log on to vermontsportshall.com/dinnerinfo.html
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T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 11
While the Crowd Applauds, Poets Struggle to Afford a Meal
My book made me $2,000, and they gave me 100 copies to sell at $15 each. Perhaps
poet Don Marquis explained the situation best: “Publishing a book of poetry is like
dropping a rose petal down the Grand Canyon and waiting for the echo.”
For some, making money at poetry means a trip to the “dark side,” which means
producing schlock for greeting card companies, advertising firms, and the like. It also
means adopting a business-style approach and hustle to marking your work. In New
York City, for example, three poets—Lisa Markuson, Erick Szentmiklosy, and Daniel
Zaltsman—founded the Haiku Guys+Gals, which blends poetry and performance art
by writing personalized haiku poems on typewriters at events at the price of $200 and
$250 per hour. “This is the only way that I’ve ever seen poetry become a viable business
model,” Markuson notes in an article in Fast Company.
Mixing business and poetry doesn’t sit well with every poet, of course. “If a poet places
monetary gain ahead his or her poetic aesthetic, I do think that’s
a problem,” deNiord says, but points out that even Allen Ginsberg
worked for a Madison Avenue advertising agency, adding, “Who
can blame a poet for trying to make a living off his writing?” “Publishing a book of
McCadden is more emphatic in her support for this sort of work.
“More power to ‘em. Everybody needs a money-making day job poetry is like dropping
until the world figures out that poets are worth some money.”
Actually, many other places in the world do seem to value poets
a rose petal down
more, and the proof is often right on the money itself. Tunisia
and Turkey, for example, each count two poets on their currency;
the Grand Canyon and
Ireland has three; Israel and Ukraine have four each, but all are
outdone by Bosnia and Herzegovina, which features a poet on
waiting for the echo.”
every banknote but one, and that one is a novelist. “You can’t
compare what’s going on now in this culture with this hostility toward artists and
the National Endowment for the Arts with South American countries or European
countries,” deNiord reflects, “where there is often an enormous amount of support
for their artists and people think about poetry, say in a country like Brazil, as a vital
source of inspiration.”
That’s quite a contrast with the minuscule governmental support poetry and the
arts get in the United States. As recently as February, President Trump called for the
complete elimination of the National Endowment for the Humanities and the National
Endowment for the Arts, although it’s important to note that Congress actually pushed
back, awarding the NEA and NEH about $153 million each, $3 million more than last
year. However, it’s still a drop in the bucket compared to countries such as Germany,
which supported the arts to the tune of $1.5 billion in 2013, or France, which gave
$4.73 billion in the same year.
It also underscores the lack of integration of poetry into the everyday lives of the
American public, often owing to bad experiences in the education of poetry. For
generations, students in U.S. schools viewed poetry as complex puzzles with a single
solution, underlined by the dreaded teacher’s refrain of “What does this mean?” As
a teacher at Montpelier High School, McCadden knows this issue intimately and is
working hard to change it. “There’s a disconnect between the public and the poetry
community, where the public is distrustful of poets and poetry—just the whole notion
of ‘I don’t understand poetry, I never have.’ I think this comes from the way we are
Thank You PoemCity
PoemCity calls to us once again.
Put down the recorder and pick up your pen.
Write of your climb up Spruce Mountain today
with layers of wool for come what may.
You want to be warm on the way sliding down
to get in your car and drive into town.
Is it up town or down, cross town or mid,
or stop for a pizza at Positive Pie
watching for Pegasus high in the sky?
This time of writing is so much fun
And now I’m pleased that my rhyming is done.
-Jo Chickering, East Montpelier
Continued from Page 1
taught about it . . . that they have to know the answers to it and they’ve never gotten
them right, which is not the point. The point is to be moved and to experience and see
something through someone else’s eyes.”
deNiord sees this disconnect too, particularly on the shelves of bookstores and libraries.
“We are living in a really weird time in which there are so many literary journals and
so many new books almost every day that the Library of Congress can’t keep up with
it, and at the same time you walk into any bookstore. . . and there’s about 12 books
of poetry on the shelf, so there’s this huge disconnect between what’s going on the
Internet, in workshops, in the poetry world, and what you see for sale in bookstores
or in libraries.”
Thankfully, programs such as Poetry Out Loud—a national competition for high-
schoolers created by the National Endowment for the Arts and the Poetry Foundation—
are beginning to change this perception. Contestants recite classical
and contemporary poetry while mastering public speaking skills
as well as building self confidence. It’s particularly popular in
Vermont, according to Karen Mittelman, executive director of the
Vermont Arts Council. “In Vermont, we engage more than 30
schools and 5,000 young people each year, which in a state of this
size is pretty extraordinary. This is an outstanding program . . .
it teaches the art of poetry recitation, it nurtures a love of poetry,
and it exposes students to some of the best writing they are going
to come across in their school careers.”
PoemCity as yet another example of how Vermont is outdoing
its small size when it comes to supporting poetry. “The whole
venture of PoemCity is remarkable,” says McCadden. “I don’t
know of another state where you walk down the streets of the capital and see hundreds
of poems by local folks in the windows. For the size of the state and its resources, it’s
doing remarkably well.”
And, of course, the landscape of Vermont is poetry. “It’s a gorgeous place to
live,” deNiord extols, “There are beautiful vistas, mountains, lakes, and hideaways
throughout the state. There’s also a legacy of fierce independence, self-reliance, and
ingenuity in its residents that epitomizes the practice of writing poetry itself. One
of the qualities that endures as a bittersweet yet alluring theme in much of Vermont
poetry is the ironic double nature of the state's character as both an archetypal paradise
and formidable wilderness. This seeming contradiction provides the perfect recipe for
sublime poetry. For many promising poets, as well as established ones, this call is hard
to resist.”
Robert Frost certainly embraced that spirit and channeled it, along with his view on
poetry as a profession, into the poem, “Two Tramps In Mud Time”:
My object in living is to unite
My avocation and my vocation
As my two eyes make one in sight.
Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done
For Heaven and the future's sakes.
We want to know what you think!
Email us at editorial@montpelierbridge.com
PAG E 12 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE

Otter
Otters eat fish and
frogs,
They find frogs in
ponds and bogs,
Otters are brown
and white,
Sometimes they
swim at night,
Sometimes they
lay on logs.
-Violet Chandler,
Grade 2 UES

For more details

on each event
and a listing
of all locations
where poems are
displayed, visit
poem-city.org

Poems are on display

at these Montpelier
businesses and
locations during
the month of April
in celebration of
PoemCity 2018.

Yvonne’s
Riverside
Salon
37 Elm Street
136 State Street
T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 13

Living Mindfully by Writing Poetry by Suzanne Podhaizer

L
et’s begin with a bad joke: “What do you call it when you sit
on the couch, scratch your nose, doodle, check Facebook, and
play a game of Solitaire?”
“Writing poetry.”
It’s one thing to force yourself to perform a tangible task, like
washing dishes, gassing up the car, or making some spaghetti
and meatballs, but can you actually muscle yourself into artistic
endeavors like writing poetry? And if you do, what’s the likelihood
that your effort will result in something meaningful, much less
beautiful?
Lizzy Fox, an independent poetry teacher who is also a program
assistant at Montpelier’s Vermont College of Fine Arts, believes
that you can. Not only that, she’s developed tools to help her
students—who range from children in school to adults committed
to the practice of poetry—harness creative energy and pour it onto
the page.
After earning an MFA in writing from the Vermont College of Fine
Arts in January of 2017, Fox wondered what to do next. She had a
long history of teaching poetry to youngsters through after-school
programs as well as in-class curricula, but she wanted to broaden
her reach. Through work with a coach, Fox explains, “I got really
clear on the value of poetry to me, and the value that I wanted to
offer other people.”
What is that value? A deeper connection with something that
frequently gets lost in the shuffle of mundane daily activities. In
other words, spirituality. “[Poetry is] one access point for connecting
with your spiritual or mindful life,” Fox says. “I asked myself,
‘What are the components of writing a good poem that are also
components of living mindfully?’”
The result of that exploration is a 12-week-long, online course called
Poetry as Spiritual Practice. On the web, Fox describes the series
thus: “For experienced poets, it’s an opportunity to deepen your
spiritual life while improving your writing. For spiritual seekers,
it offers poetry as an extension and expression of soulfulness. For
everyone, it is a way to lead a richer, more creative, more playful life
with language.” Lizzy Fox’s recommendations
for poets:
Poetry as Spiritual Practice is structured to impart a series of tenets
that Fox refers to as “the five pillars of poetic practice.” They are: • Set aside regular writing time, and
ritual and solitude, the body, play, intellect, and contribution. stick to it. Make sure it’s achievable
Students spend two weeks per pillar. In the first week, they learn (for instance, 20 minutes three times
about Fox’s concept and how it plays out in poems of her choosing. per week, rather than an hour a day)
In the second, they share the work that they have generated and
• Read poetry, preferably aloud. Sign
gently critique each other.
up for the Poem-a-Day newsletter
The first session of the course, which began in March 2018, has from Poets.org. When you find
eight participants, of which I am one. Each Tuesday, we call into a a poem you like, read more of
video chat between 7 and 8:30 pm to read poetry, share the results that poet’s work. Fox particularly
of homework assignments, and ask Fox and classmates for advice recommends Naomi Shihab Nye,
and support. Tomás Q. Morín, Marie Howe and
In these weekly sessions, Fox vacillates between being a supportive Ada Limón.
listener and a strict master. She insists that her students set aside
• Try using forms to spur your own
specific time for writing, even if it means waking up before dawn.
work. The pantoum is a good one for
Why? “There are all kinds of things we come up with to keep
beginning writers. Or, simply begin
ourselves from doing the things we care about, and that’s true across
life. It’s scary to engage with the thing that’s important to us,” she with a line from somebody else’s
work, and go from there (just make
suggests.
sure to credit the original author, if
She also asks students to regularly read poems—both those by other you share your poem).
poets and their own—aloud. Adding voice, Fox points out, deepens
the experience of the poem and allows students to notice wordplay • Write lists of things you see, hear,
smell, taste, and feel (or whichever
and rhythms they might miss when the words stay on the page.
“When we read work aloud, we see how things land,” she says. “For senses you have access to). Challenge
me, that’s part of the life of the poem.” yourself to use two details from each
list in a poem.
When it’s time to write, she requests that her pupils’ pens never stop
moving across the page. Why? “When we’re forced to write quickly, • Go out and listen to poetry at
you don’t have time to listen to that little voice that says, ‘Oh, that slams, readings, and open mics. Get
sounds stupid,’” she explains. Writing quickly “gives you permission inspired.
to just get something down. Part of the demystification is taking
away the expectation that poets pen something whole cloth, and
that it just comes out the way you want it [to be].”

PoemCity 2018:

Opinion
Celebrating Aprill,
Shoures Soute, and
Poetry by Tom McKone

O
ne summer afternoon a few years ago, while I was standing in line at the creemee
stand, I heard from behind me: “Whan that Aprill, with his shoures soute/ the
droghte of March hath perced to the roote…” It was a former student of mine who
greeted me by reciting the opening lines of Chaucer’s Canterbury Tales, which she had learned
in one of my classes a decade before. It’s not every day that a 21st century Vermonter is greeted
in Middle English or in verse—and it was even more of a treat than the soft-serve ice cream.
Then a mom in her late twenties, this young woman told me she could still recite all 18 lines
she had memorized in high school. When poetry clicks with us, it tends to stick with us.
April is my favorite month at the library, and poetry is the reason. We put poetry front and
center, offering dozens of readings, workshops, performances, presentations, and discussions,
and posting hundreds of poems by Vermonters throughout downtown and beyond. For 30
days, we become PoemCity.
This is the ninth year that the Kellogg-Hubbard Library has sponsored PoemCity. Much to
my liking, this year one of our first programs is “Chaucer’s Canterbury Tales: Still Funny
After All These Years.” We are the local hosts of the Vermont Humanities Council’s First
Wednesday program, and this is the April program. Dartmouth professor Peter Travis is
going to discuss the genius and enduring humanity of Geoffrey Chaucer, the 14th-century
“father of English poetry.” I can’t attend all 42 events that we sponsor, but this one tops my
list.
PoemCity encourages us to share words and thoughts and emotions; to explore the beautiful,
the mysterious and the troubling, and to try to make sense of them. “A poem,” as Robert
Frost said, “begins in delight and ends in wisdom.” The library and all of our partners and
sponsors wish that you both enjoy this month of poetry and grow in wisdom because of it.
Tom McKone is executive director of the Kellogg-Hubbard Library
PAG E 14 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE

Exaggeration of Olympic Proportions?

by Larry Floersch

A
s a journalist, I’ve been trained to Another headline read “Gisler has horrific crash in men’s halfpipe.” I began to read the
recognize hyperbole, and by that I article but by the end of the first sentence the writer had downgraded the HORRIFIC
mean exaggerated exaggeration, when crash to just “nasty,” dampening my expectations that Gisler had actually ripped off a
it raises its huge, ugly head and looms over leg or popped loose an eyeball. And since Gisler got up and walked away, the crash was
us like one of Daenerys Targaryen’s dragons. not as HORRIFIC as those suffered by several of the ski-cross competitors, who had to
Lately I’ve been alarmed by all the hyperbole be carried from their venue on stretchers.
that is seeping into web news headlines. If “Twitter reacts to Vonn’s tragic finish in final Olympic race,” was another headline
it keeps up, the word impact may lose its that was off the mark. Based on that headline, I assumed Lindsey had gone off course,
impact. crashed into a Twitter account holder and suffered a head injury that left her a vegetable.
Back in February, the Super Bowl had our attention—well, at least the advertising that Instead, I read that Vonn had straddled a gate in the slalom portion of the race and
comes with the Super Bowl had our attention—which is why billions of people watch therefore was out of that event. Like figure skaters falling, slalom racers missing a gate
the Super Bowl in the first place. During the game, which as we all know the Patriots is hardly news. Although I am disappointed that Vonn did not win yet another gold
lost because the Eagles scored more points because Tom Brady is getting old, Dodge medal in her long and storied career of winning medals and world championships, I
paid obscene sums of money to run an ad for its Ram trucks that did not feel this event rose to the level of TRAGIC. I am sure that
used a speech by Martin Luther King, Jr. as a backdrop. even with just her bronze medal from PyeongChang, Lindsey will
Sure enough, a few days later, after the turmoil of the Patriots’ loss “Maybe don't skate continue to eke out a living with endorsements.
because Tom Brady is getting old had simmered down, a headline to the theme from A headline that appeared the morning after the women’s individual
appeared in the web news, “Outrage over Super Bowl ad that uses Schindler's List figure skating performances read “Twitter aghast over German
MLK Jr. speech to sell trucks.” I opened the article and read it, but I skater’s choice of music.” Once again I hate to disagree with Twitter,
could not detect any true OUTRAGE on the part of anyone quoted if you're from whoever he or she may be, but I could not find an AGHAST in the
by the writer. There certainly was criticism of Dodge for using the Germany. It's just a tweets quoted in the article. One tweeter wrote, “Maybe don't skate
speech in its ad, but no genuine red-faced, nostril-flaring, steam- little bit #Awkward.” to the theme from Schindler's List if you're from Germany. It's just
boiling-forth-from-ears OUTRAGE. a little bit #Awkward.” Another tweeted, “As someone who has a
The Winter Olympics in PyeongChang provided hyperbolistic news master's in holocaust studies, I'm unsure how I feel about a German
editors with an even wider stage. One headline read, “American ice dance duo Madison skater using Schindler's List.” Those are pretty tepid AGHASTs.
Chock and Evan Bates suffer shocking fall in long program.” I opened the article I suppose I should be sympathetic to the plight of web headline writers. To get their
expecting to find a description and photos of a fall in which Bates dropped Chock on stories noticed, news editors have to compete not only with each other, but also with
her head and her brain popped out and went skittering across the ice like a hockey puck. some master exaggerators in Washington, D.C. Imagine trying to dream up headlines
Instead, the article said they got their skates tangled, they fell, and they got back up that grab attention when one politician of note, who praised the use of “hyperbole” and
again and finished their program. I’ve watched the winter games long enough to know “exaggeration” in a book he wrote on business, against all evidence made exaggerations
figure skaters fall, a lot. about the size of inauguration crowds. He has also tweeted, “Many are saying I’m the
What was really SHOCKING in the Olympic figure skating was the wardrobe best 140 character writer in the world.” That sets a pretty high bar, some might even
malfunctions suffered by a couple of female skaters, and it was not so much the say a wall, although I’m sure there are web editors who would opine he has a long way
malfunctions themselves that raised my eyebrows, although I watched the slow-mo to go to beat the legendary six-word novel often attributed to Hemingway.
replays over and over again. The assembled media, with their words and video blur On another occasion, this same politician tweeted, “Sorry losers and haters, but my
tools, went to great lengths to protect the modesty of those skaters, who tried to I.Q. is one of the highest—and you all know it! Please don't feel so stupid or insecure,
contain the, uhh, fallout while continuing to do double axels and salchows. That was it's not your fault.”
shockingly uncharacteristic of TV reporters, who more commonly shove a microphone When faced with competition like that from a “very stable genius” who openly admits
into the face of an athlete who has just suffered a defeat and, after telling them “By the he is “like, really smart,” web news editors can be forgiven for sneaking words such as
way, we just heard your mom died while watching in the bleachers,” ask the athlete for “shocking,” “outrageous,” or “horrific” into headlines.
their reaction to the loss.
Or even an occasional “Sad!”
T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 15
C a l e n d a r o f E ve n t s
Community Events
Events happening
April 5–April 21
THURSDAY, APRIL 5
Planning Your Advance-Care. Learn how to
start the conversation about what you want
for end-of-life care, leaving you with time
to focus on what is important. Understand
available options, fill out the Advance
Directive, and get tips for talking to your
family. 5–6 pm. Hunger Mountain Co-op
community room, Montpelier. Free. RSVP:
info@hungermountain.coop
FRIDAY, APRIL 6
MSAC Huge Rummage Sale. April 6–7.
10 am–5 pm. Montpelier Senior Activity
Center, 58 Barre St., Montpelier.
Bethel First Friday Flicks - Free Family
Movie. Free family movie at the Bethel Town
Hall on the first Friday of every month. All
are welcome. 6:30–8:30 pm. 134 S. Main St.,
Bethel. Free; donations accepted. bri-vt.org/
events
SATURDAY, APRIL 7
The 31st Annual Vermont State Scholastic
Chess Championships. All Vermont students
from Kindergarten through Grade 12 are
eligible to compete for State Championships
in nine divisions. All abilities are welcome and
encouraged to participate! Top finishers earn
the right to represent Vermont in national
competitions. Player check-ins 8:30–9:30 am.
Games start 10 am. Rules and registration:
http://vtchess.info
Monthly Day-Long Retreats. Provides
an opportunity to deepen through a more
sustained period of practice. The schedule
includes periods of sitting and walking
meditation and dharma talks. Come for the
morning only for the whole day. Light lunch
is offered. 9 am–4 pm. Wellspring Center,
39 Church St., Hardwick. Free; donations
welcome. wellspringinsight@gmail.com;
917-4364 ext. 1
Turkey Hunting Seminar. A shotgun
patterning clinic. Participants should bring
their own shotgun and ammunition and
keep them in their vehicles until instructed to
bring them to the range. If you do not have
your own firearm, shotguns and ammunition
will be provided. Hosted by the Vermont Fish
& Wildlife Department. 9 am–1 pm. Barre
Fish and Game Club, 31 Gun Club Rd.,
Barre. Register: register-ed.com/programs.
More info.: 793-1894.
MSAC Huge Rummage Sale. 10 am–2 pm.
Montpelier Senior Activity Center, 58 Barre St.,
Montpelier.
Chapters in History: Exploring Several
American Presidencies. Book discussion
group. 2 pm. Jaquith Public Library, School
St., Marshfield. For info: 802-426-3581 or
visit our website: jaquithpubliclibrary.org
Axel’s 2nd Annual ART SWAP. Score an
affordable, second-hand gem to add to or
kick-start your blossoming art collection!
Swap a piece of art you own and have
grown tired of. 10 am–4 pm. Axel’s Gallery
& Frame Shop, 5 Stowe St., Waterbury.
axelsgallery.com
Songs for Spring and Nature: a Free
Song Swap. Teachers, parents, librarians,
grandparent‚ any adults and children who
like to sing are welcome. Bring a song to
share, or just bring your ears, voice, and heart.
10–11:30 am. Unitarian Church, 130 Main
St., Montpelier. RSVP: lizbenjamin64@
gmail.com
Soup A Thon. Many soups to try. Coffee,
punch, cakes, brownies for dessert. Benefits
Worcester’s Meals on Wheels. 4:30–6 pm.
35 Worcester Village Rd., Worcester. By
donation. ruthsicely@aol.com
Grange Baking Contest. Open to All.
Baking contest open to the public. Prizes for
apple muffins judged best by celebrity judges.
5 pm. Capital City Grange, 6612 VT-12,
Berlin. Free. capitalcitygrange.org
SUNDAY, APRIL 8
Shape Note Singing. A capella singing form
that originated in New England 225 years
ago. Anyone is welcome, regardless of singing
experience. Every second Sunday. 2–5 pm
Christ Church, 64 State St., Montpelier.
"An Introduction to Tea" with Ben
Youngbaer. Explore a brief history of Asian
tea and culture, talk about the different types
of tea, and share a few teas as well. 1–3 pm.
Cutler Memorial Library, 151 High St. (Rt.
2), Plainfield. By donation. cutlerlibrary.org.
454-8504
Dance, Sing, and Jump Around! A
family dance for all ages, Circle and line
dances and singing games, all taught and
called. Live traditional music. 3–4:30 pm.
Plainfield Town Hall Opera House, Rt. 2,
Plainfield. Free for children. $5 suggested
donation for adults. No one is turned away.
Performing Arts
THEATER, DANCE,
STORYTELLING, COMEDY
April 5–7: The Sounds of Music. Spaulding High School production of the beloved musical. 7:30
pm. Spaulding High School Auditorium, 155 Ayers St., Barre. Adults $10; students/staff/seniors
$8; childnre $5. shsu61.org
April 5: Extempo. Locals tell short-format, first-person, true stories live on stage without
any notes or reading. 8–10 pm. Bridgeside Books, 29 Stowe St., Waterbury. $5. 244-1441.
storytelling@extempovt.com. extempovt.com
April 7–8: Bread & Puppet: Out of Joint Hamlet. This production will will push our stage to
its limits, filling the venue and your experience with marionettes of epic proportions. April 7, 7 pm;
April 8, 3 pm. Highland Center for the Arts, 2875 Hardwick St., Greensboro. $10 suggested
donation. Reservations: 533-2000. highlandartsvt.org
April 7: FEMCOM. All-female standup comedy. 8:30 pm. Espresso Bueno, 248 N. Main St.,
Barre. Free/by donation. 479-0896. events@espressobueno.com. espressobueno.com.
April 19–May 6: Lost Nation Theater presents “Silent Sky.” Play by Lauren Gunderson
that has us looking to the stars with dreams, determination, desire, and humor as it shares the
incredible true story of boundary-shattering astronomer Henrietta Leavitt in the 1900s. Thurs.–
Sat., 7:30 pm; Sun., 2 pm. Lost Nation Theater, City Hall Arts Center, Main St., Montpelier.
$15–30. Student & senior discount. Lostnationtheater.org. 229-0492.
For more event listings and event details
visit montpelierbridge.com
dancesingandjumparound.weebly.com of a loved one. 6–7:30 pm. CVHHH, 600
Granger Rd., Barre. 223-1878
SCREENAGERS: Growing Up in a Digital
Age. Screening of award-winning film by PoemTown Randolph: Major Jackson and
filmmaker Delaney Ruston, M.D. The film Didi Jackson. They will read from their
reveals how tech time impacts childrens’ work following dinner at the Black Krim
development and offers solutions on how Tavern. Dinner, 6 pm; reading, 7 pm. Black
adults can empower children to best navigate Krim Tavern, 21 Merchants Row, Randolph.
the digital world and find balance. Discussion Dinner reservations required. It is possible
groups follow. 4–6 pm. Unitarian Church, to just come for reading but seating is not
130 Main St., Montpelier. Donations guaranteed. Black Krim Tavern: 728-6776
accepted. screenagersmovie.com
Jewish Literary Series (Hedy's Journey). TUESDAY, APRIL 10
Bike Washington with Green Mountain
With Michelle Bisson, award-winning
journalist and playwright, and author of Club. Easy. 20 miles. Washington Heights to
“Hedy’s Journey,” a children’s book/graphic Chelsea. Meet at the pull off on the left just
below Washington Heights on Rte. 110 at
novel about her mother’s successful flight
from the Nazis. 6–7:30 pm. Beth Jacob 11 am. Contact George Plumb for more info.:
883-2313 or plumb.george@gmail.com.
Synagogue, 10 Harrison Ave., Montpelier.
Free. Northeast Storytellers Host
Making Friends & Finding Community as “Remembering Robert Frost.” A special
an Adult. This free event is a 30 minute talk gathering dedicated to the memory, poetic
and then a chance to get to know others who works, and legacy of the longtime Vermont
are looking for new friends in a casual, relaxed resident and poet laureate. 2–3:30 pm.
environment (no name tags will be issued). St. Johnsbury House, 1207 Main St., St.
7 pm. Three Penny Taproom, 108 Main St., Johnsbury.
Montpelier. R3: Randolph Region Re-Energized Kick-
off. This event will launch a process for
MONDAY, APRIL 9 residents to identify and advance priorities
Grief & Bereavement Support Group. Open that improve economic opportunity and
to anyone who has experienced the death affordability and strengthen the community
 Calendar of Events
PAG E 16 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE

Through April 28: The Front presents SHOW 24. The Through June 28: Tom Merwin, The Effects of Bird Song on

Visual Arts
EXHIBITS
Through April 6: John Miller. Photo collages by Northern
Vermont University-Johnson professor. NVU-Johnson, Dibden
Center for the Arts, Johnson. jsc.edu/Dibden
Through April 10: Alexy J. Lanza, From the Death of One Star/
Por La Muerte De Una Estrella. A series of 20 large woodcut
prints based on ancient Mayan glyphs. Goddard Art Gallery
in the Eliot Pratt Library, Pitkin Rd., Plainfield. 322-1604.
artcommittee@goddard.edu.
Through April 14: Grace DeGennaro/Anne Lilly, Ordinary
Time. Paintings and kinetic sculpture. Helen Day Art Center,
90 Pond St., Stowe. 253-8358. helenday.com
Through April 14: Philip Herbison, The Infinite Shapes of
Water. Large abstract photographs of water. Helen day Art
Center East Gallery, 90 Pond St., Stowe. 253-8358. helenday.com
Through April 15: Robert Chapla, Herding in All the Usual
Places … And Then Some. Urban and rural herding differences
are on display in this show of 18 oil and acrylic paintings. Presented
by Studio Place Arts. Morse Block Deli, 260 N. Main St., Barre.
robertchapla.com.
Through April 27: Nourishment. A juried show of Vermont
artists’ work, and an exhibit from the members of the Central
Vermont Hub of the Vermont Watercolor Society. T.W. Wood Art
Gallery, 46 Barre St., Montpelier. 262-6035. twwoodgallery.org
Through April 27: Vermont Abenaki Artists Association
Exhibit. Although many mediums are represented in the exhibit,
the unifying theme is all of the art is inspired by Abenaki culture. Through June 10: Vermont Landscapes. 38 paintings by 19
Opening reception: April 5, 5–7 pm. T.W. Wood Gallery, 46
Barre St., Montpelier. twwoodgallery.org
latest works of the gallery’s membership of Vermont-based
contemporary artists. In addition, the Front will present work by
guest artist Athena Petra Tasiopoulos. The Front Gallery, 6 Barre
St., Montpelier. thefrontvt.com. info@thefrontvt.com.
Through April 28: Toni Gildone, Depth of Expression. Portraits
of children. Chelsea Public Library. 685-2188
Through April 29: Artist to Watch Part 1. Presented by the
Vermont Arts Council, in partnership with Kasini House.
A survey of contemporary Vermont art. Part 2 opens May 5.
The Vermont Arts Council Spotlight Gallery, 136 State St.,
Montpelier.
Through May 12: Hannah Morris, The Feast of Fools. Painted
collages and soft sculpture installations exploring the intersection
of the sublime, the absurd, and the mundane in recognizable
moments and places. Studio Place Arts, 201 N. Main St., Barre.
Through May 28: Post-Apocalypse for 3/4 Empire. Woodcuts
by Peter Schumann. Artist talk: May 20. Highland Center for the
Arts, 2875 Hardwick Street, Greensboro.
Through May 28: Muse. Three Vermont artists reflect on spirit
guides, journeying, introspection and winter’s quiet. Amanda
Weisenfeld (hand felter), Jess Polanshek (illustrator), and Kristin
Richland (painter/illustrator). Highland Center for the Arts, 2875
Hardwick St., Greensboro.
April 13–May 29: Anecdotes: Paintings by Philip Hagopian.
Rural landscapes. Reception: April 13, 6–8 pm. Furchgott
Sourdiffe Gallery, 86 Falls Rd., Shelburne. fsgallery.com
Through May 31: Kumari Patricia. Acrylic paintings. The HiVE
(next to the Red Hen Baking Co.), 961 Route 2, Middlesex.
thehivevt.com
artists, all of whom paint in Vermont. The Lamoille County
Courthouse, 154 Main St, Hyde Park. bryangallery.org
Shifting Strata. Paintings. Montpelier Art Walk, May 4,
4–7 pm.Vermont Supreme Court Gallery, 111 State St.,
Montpelier.
Through June 28: Carolyn Egeli, For the Love of Vermont.
Paintings. Montpelier Art Walk, May 4, 4–7 pm. Governor’s
Gallery, 109 State St., Montpelier. Photo ID required for entry.
Through Sept. 30: James Peterson, Dreamcatcher. Large-scale
interactive installation that was inspired by the magical ice caves
of Kamchatka in Siberia. The grounds of Spruce Peak Performing
Arts Center, 122 Hourglass Dr., Stowe. helenday.com
SPECIAL EVENTS
April 5: Vermont Abenaki Artists Association Exhibit
Opening Reception. Bryan Blanchette, a 21st-century
Abenaki Singer/Songwriter artist working in a 10,000-year-old
tradition in music and performance, will play and sing at the
reception. Exhibit runs April 3–27. T. W. Wood Gallery, 46
Barre St., Montpelier. 262-6035, info@twwoodgallery.org,
twwoodgallery.org
April 7: Helen Day Art Center's annual Spring Gala. Black-tie
optional, but creativity is encouraged. Cocktail reception, silent
auction, 3-course plated dinner, dance party, casino tables, and
more. 5:30–10:30 pm. Stowe Mountain Lodge, Stowe. Tickets:
helenday.com/gala2018. 253-8358
April 20: Big Arty SPA Happening (BASH) at Studio Place
Arts. Enjoy great art, music & eats – and help raise funds for
SPA art programs. Musical performance by Old Rocket, a
Southern Old-Time String band including Dana and Susan
Robinson, and special guest Tom MacKenzie. Cash bar. 7–9
pm. SPA, 201 N. Main St., Barre. $15 advance; $25 day-of.

in the face of climate change. Forums and
community meal. 3:30–8:30 pm. For more
info: vtrural.org, 225-6393, jon@vtrural.org
Sip & Skill Share: Clothes Mending with Skye
Livingston. Come grab a bite and beverage
from the Hardwick Street Café and head
into the performance studio to learn different
creative and useful skills in a fun and informal
environment. 6–7:30 pm. Highland Center for
the Arts, 2875 Hardwick St., Greensboro. $10-
20 suggested donation. RSVP: https://fs10.
formsite. com. WonderArtsVT.org
Annual Open Poetry Reading. Poets of all
ages and ilk are welcome to come and read
their original work. Five-minute time limit;
sign-ups at the door. Readings will take
place by lottery and will be filmed by ORCA
Media. 7 pm. Bear Pond Books, 77 Main St.,
Montpelier. Free. bearpondbooks.com
WEDNESDAY, APRIL 11
The Trinity Community Thrift Store Annual
Spring Sale. April 11–14. 10 am–4 pm.
Trinity Church, 137 Main St., Montpelier.
229-9155
Music Together: Free Family Music and
Movement Class. Nurture your child’s music
competency in a relaxed, playful setting.
For families with newborns through age 5+.
10:30–11:30 am. Jaquith Public Library,
School St., Marshfield. musictogether.com.
NVU-Johnson Community Meal. Free
community meal for the public served by
faculty and staff. 11:30 am–12:30 pm. United
Church of Johnson.
Mid-Week Movie: Wonder Woman. 6–9 pm.
Highland Center for the Arts, Performance
Studio, 2875 Hardwick St., Greensboro.
highlandartsvt.org
Banish the Burlington Marathon Blues.
Train safely and efficiently to avoid being
sidelined on race day from an injury. Learn top
tips for staying injury free while training for
your marathon. 6–7 pm. Hunger Mountain
Co-op community room, Montpelier. Free.
RSVP: info@hungermountain.coop
PoemTown Randolph: Open Poetry
Reading. Poets of all ages and abilities are
encouraged to bring original poetry to share in
an informal open mic. 7 pm. Kimball Public
Library, 67 N. Main St., Randolph.
Economics of Conservation. Joe Roman
of the UVM Gund Institute and Kim
Royar of Vermont ANR will talk about
how conservation is good for the Vermont
economy. 7 pm. Jaquith Public Library,
School St., Marshfield.
THURSDAY, APRIL 12
The Trinity Community Thrift Store Annual
Spring Sale. April 11–14. 10 am–4 pm.
Trinity Church, 137 Main St., Montpelier.
229-9155
23rd Annual William E. Colby Military
Writers’ Symposium Panel Discussion.
“Won the War, Lost the Peace: The U.S.
Legacy in Iraq.” 1:30–3:30 pm. Norwich
University, Plumley Armory, Northfield.
Colby.Norwich.edu
Planning an Herb Garden. Let’s talk about
how to prepare your area, choose the herbs,
and how to harvest and store them. 6–7:30
pm. Hunger Mountain Co-op community
room, Montpelier. Free. RSVP: info@
hungermountain.coop
Family STEAM Night and Open House. An
evening of Science, Technology, Engineering,
Art, and Math activities for families and kids
ages 3–grade 8. 6–7 pm. St. Monica – St.
Michael School, 79 Summer St., Barre. Free.
stmonica-stmichael.org. 476-5015
Let’s Talk Film: Tashi and the Monk. A
monthly documentary series focusing on
socially relevant themes. 6:30–8:30 pm.
Highland Center for the Arts, 2875 Hardwick
St.,Greensboro. $5 suggested donation.
highlandartsvt.org
Daniel Hecht Book Launch. Launch event
and signing to celebrate the release of Hecht’s
new novel, On Brassard’s Farm. 7 pm. North
Branch Café, 41 State St., Montpelier. Free.
bearpondbooks.com
FRIDAY, APRIL 13
The Trinity Community Thrift Store Annual
Spring Sale. April 11–14. 10 am–4 pm.
Trinity Church, 137 Main St., Montpelier.
229-9155
Vermont Film Series: Nosey Parker. Join
VT Filmmaker John O’Brien for an evening
of film and discussion. 7 pm. Jaquith Public
Library, School St., Marshfield.
SATURDAY, APRIL 14
Hike Stranahan Town Forest with Green
Mountain Club. Moderate. 4 miles. Contact
Phyllis Rubenstein, 793 6313 or Phyllis@
PhyllisRubensteinLaw.comcastbiz.net for
meeting time and place.
Montpelier Memory Café. A social gathering
where people in early to mid-stage memory
loss disorders, and their care partners, can
come together to connect and support
one another in a relaxed, non-judgmental
atmosphere. 10–11:30 am. Montpelier Senior
Activity Center, 58 Barre St., Montpelier.
Liz Dodd: 229-9630
Capital City Winter Farmers Market. Eat local
all winter long. Shop from over 20 farms and
producers. Our producer-only market means
everything is grown or handmade in Central
Vermont. 10 am–2 pm. City Center, 89 Main
St., Montpelier. montpelierfarmersmarket.com.

Share Your Event!

Send your calendar listings to calendar@montpelierbridge.com.
Due date for print in the next issue is April 12

T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 17
Live Music
VENUES
Bagitos. 28 Main St., Montpelier. Other
shows T.B.A. bagitos.com.
Charlie O’s World Famous. 70 Main St.
Montpelier. Free. 223-6820.
Every Tues.: Karaoke with DJ Vociferous,
9 pm–1 am
April 6: Matt Olson (folk punk) 6 pm;
Carrie Nation & the Speakeasy (brass &
grass) 9 pm
April 7: Papa Greybeard & Friends (60s
rock); Hot Damn Scandal (gypsy blues) 9 pm
April 9: Sex Trivia, 9 pm
April 13: Bishop LaVey (acoustic) 6 pm;
Different Strokes/Django Soulo (Strokes
tribute) 9 pm
April 14: Will Hatch & Co. (Americana) 9 pm
April 16: Nerd Trivia 9 pm
April 20: Clever Girls/Kate Lorenz & the
Constellations (rock) 9 pm
April 21: Scott Graves & Chris Martin
(rock) 6 pm; FlpSide (rock) 9 pm
Espresso Bueno. 248 N. Main St., Barre.
479-0896. Free/by donation unless otherwise
noted. events@espressobueno.com.
espressobueno.com.
April 7: Abby Jenne (rock), 7:30 pm
The Trinity Community Thrift Store Annual
Spring Sale. April 11–14. 10 am–4 pm.
Trinity Church, 137 Main St., Montpelier.
229-9155
Second Annual Coffee House. Enjoy an
evening of live entertainment by professional
and local talent while you relax with friends
and neighbors, and support a great cause.
6:30–9:30 pm. United Church of Northfield,
58 S. Main St., Northfield. $10 suggested
donation supports the Howe’s Hall restoration
project.
The Northeast Kingdom’s World of Food:
From Policy to Plate. This panel discussion
focuses on food systems in the NEK through
the lens of five local women who work within
and impact these systems. 7–9 pm. Highland
Center for the Arts, 2875 Hardwick St.,
Greensboro. $5. highlandartsvt.org
SUNDAY, APRIL 15
Rick Winston presents “Alfred Hitchcock
and the Art of Suspense.” Rick will show
twelve film clips and discuss the evolution
of Hitchcock’s craft, an exploration of his
favorite themes and motifs, and his work with
collaborators. 2:30–5 pm. Highland Center for
the Arts, 2875 Hardwick St., Greensboro. $5.
highlandartsvt.org
TUESDAY, APRIL 17
Alison Prine & Bianca Stone: Poetry
Reading. Alison Prine, a finalist for the 2017
Vermont Book Award, and Bianca Stone,
trustee of The Ruth Stone Foundation. A
PoemCity event. 7 pm. Bear Pond Books, 77
Main St., Montpelier. bearpondbooks.com
WEDNESDAY, APRIL 18
Grief & Bereavement Support Group. Open
to anyone who has experienced the death of
a loved one. 10–11:30 am. CVHHH, 600
Granger Rd., Barre. 223-1878
For more event listings and event details
visit montpelierbridge.com
Calendar of Events
April 14: Jazzyaoke (live jazz karaoke), 7:30
pm, $5
Positive Pie. 22 State St., Montpelier.
229-0453. positivepie.com.
April 13: Night Protocol (electronic) 10 pm,
$5.
Whammy Bar. 7 pm; Fri. and Sat.,
7:30 pm. 31 County Rd., Calais. Thurs.,
Free. whammybar1.com.
Every Wed.: Open Mic
April 5: Paul Miller annd Doug Perkins
(acoustic singer-songwriter)
April 6: Red Hot Juba (jump, jazz and
swing)
April 7: Brian Clark andnd Angela Paladino
(original alt-rock)
April 13: Kelly Ravin and Halle Toulis
(original alt-country rock)
April 14: John And Jenn (singer-songwriter,
Americana)
April 20: Marc Delgado (singer-songwriter)
April 21: Birch Hill Trio
SPECIAL EVENTS
April 5: Music Day. Prospective students
will be introduced to music by living
composers, explore improvisation, and work
with performing arts faculty to prepare for a
performance that afternoon. Students should
bring their own instruments. 8:30 am–2
pm. Northern Vermont University-Johnson,
Bike Orange to Plainfield with Green
Mountain Club. Moderate. 20 miles.
Reservoir Rd. to East Hill Rd. to Cameron
Rd. to Plainfield. Leave at 10 am from the
Orange Recreation Area. Helmet required.
Contact George Plumb, 883-2313 or plumb.
george@gmail.com, for more info.
Kid’s Movies. For kids of all ages and their
grown-ups. Come enjoy a short, 30-minute
film before community supper is served.
5:30 pm. Jaquith Public Library, School St.,
Marshfield.
Mid-Week Movie: Coco. 6–8 pm. Highland
Center for the Arts, Performance Studio, 2875
Hardwick St., Greensboro. highlandartsvt.org
“Opioids: The Impact on the Community
and Prevention Efforts.” This forum will
look at the impact of drugs on our community,
including impacts on the health care system,
schools, criminal justice, law enforcement,
and the current community-based prevention
strategies. Part of Gifford Health Care’s Dose
of Reality Series. 6:30 pm. Chandler Music
Hall, Esther Marsh Room, 71-73 Main St.,
Randolph.
Movie Night at the Jaquith Library. Every
third Wednesday. 7 pm. Jaquith Public
Library, School St., Marshfield. Call library for
film title: 426-3581.
THURSDAY, APRIL 19
The Hurricane of 1938. Author Stephen Long
will discuss how this major weather event
impacted New England for decades to come.
Noon. Vermont History Museum, 109 State
St., Montpelier. Free. vermonthistory.org.
479-8500
FRIDAY, APRIL 20
Young Adventurers Club (YAC) Walk.
Marshfield. Easy. 1–2 miles. Stranahan Town
Forest. Enjoy the old logging roads and trails
of this beautiful town forest. Meet at 10 am
Dibden Center for the Arts, Johnson. Pre-
registration required: northernvermont.edu/
contemporary-music-day
April 5: Noontime Concerts at Christ
Church. “My Sweet Enemy” Celebrating the
Spanish Renaissance with the Champlain
Consort. Bring a bag lunch! Noon.
64 State St., Montpelier. Donations welcome.
christchurchvt.org. 223-3631.
April 5: First Thursdays: Christine
Malcolm and Friends. Country, folk, blues.
6–8 pm. Highland Center for the Arts, 2875
Hardwick St., Greensboro. Free. 533-2000.
April 8: Music for and April Afternoon.
Presented by Monteverdi Music School. With
special guest Counterpoint Chorus. 2 pm.
Unitarian Church, 130 Main St., Montpelier.
Adults $20; seniors/students $10; families of 3
or more $30.
April 8: GMYS Spring Concert. Family-
friendly concert featuring three young
orchestras and lots of fun music. The program
includes lots of crowd pleasers with music
from West Side Story, Hamilton, Indiana
Jones, Charlie & the Chocolate Factory. 2 pm.
Barre Opera House, 6 N. Main St., Barre.
Suggested donation: adults $15; seniors $12;
students K-12 $5; children under 5 free.
gmys-vt.org
at the parking lot on Hollister Hill. Contact
Sharon Plumb at sharon.plumb@gmail.com
for more info.
New Café: Cycles of Life. Every third Friday.
Come together to listen, talk, and share about
the things in life’s cycle we are all experiencing
in our own way now for ourselves and the
earth we live on. 11:45 am–1 pm. Twin
Valley Senior Center, Rt. 2, East Montpelier.
223-3322
Aldrich Friends Spring Book Sale. April 20–21.
Books, DVDs, and more. Noon–6 pm. Aldrich
Public Library, Milne Room, 6 Washington St.,
Barre. 476-7550
SATURDAY, APRIL 21
Hunger Mountain Co-op’s Community
Earth Day Celebration. Clothing, Book &
Media Swap, cell phone & battery recycling,
solar-powered bouncy house, local vendor
demos, and 5 percent shopping discount
for member-owners. 8 am–8 pm. Hunger
Mountain Co-op, Montpelier. See full event
schedule: hungermountain.coop
Aldrich Friends Spring Book Sale. Books,
DVDs, and more. 10 am–3 pm. Aldrich
Public Library, Milne Room, 6 Washington
St., Barre. 476-7550
Gardening for Pollinators, Birds, & Beauty.
Learn to use attractive native trees, shrubs, and
April 12: Noontime Concerts at Christ
Church. Mary Fran Stafford, A Celtic
Celebration. Bring a bag lunch! Noon. 64
State St., Montpelier. Donations welcome.
christchurchvt.org. 223-3631.
April 14: The Vermont Fiddle Orchestra
Spring Concert. Under the directorship
of David Kaynor. The guest soloist will
be Gretchen Koehler. The program will
include traditional and contemporary fiddle
tunes as well as tunes composed by David
and Gretchen. 7 pm. Unitarian Church,
130 Main St., Montpelier. By donation.
vermontfiddleorchestra.org
April 19: Noontime Concerts at Christ
Church. The Lilly: Women’s Sacred Choral
Music. Bring a bag lunch! Noon. 64 State
St., Montpelier. Donations welcome.
christchurchvt.org. 223-3631.
April 21: Capital City Concerts: Treasures.
Violinist Laurie Smukler leads six musicians
with ties to Mostly Mozart, the MET, and
Lincoln Center Chamber Music Society in
a program which includes the Brahms Horn
Trio and Schumann Piano Quintet. 7:30 pm.
Unitarian Church, 130 Main St., Montpelier.
$16–26. capitalcityconcerts.org
perennials to provide high quality food and
habitat for our Vermont wildlife. 10:30 am–
noon. Hunger Mountain Co-op community
room, Montpelier. Free. RSVP: info@
hungermountain.coop
Walk Berlin Pond with Green Mountain
Club. Easy. 5 miles. Walk around Berlin Pond.
Meet at Berlin Pond parking spot at
1 pm. Leaders: Mary Garcia, 622-0585
and Mary Smith, 505-0603
Vernal Pool Exploration. Following
slides, videos and discussion on the
fascinating world of vernal pool ecology,
we’ll carpool to Hubbard Park to
observe egg masses of wood frogs and
spotted salamanders, and other vernal
pool creatures. Supervised children are
welcome. 3–5 pm. Hunger Mountain Co-
op community room, Montpelier. Free.
RSVP: info@hungermountain.coop
Thank Your
for Reading
The Bridge!
PAG E 18 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE
Weekly
ARTS & CRAFTS
Beaders’ Group. All levels of beading experience
welcome. Free instruction available. Come with a
project for creativity and community. Sat., 11 am–2 pm
The Bead Hive, Plainfield. 454-1615.
Tuesday Night Knitters. Every week except for the
first Tuesday of each month. All levels encouraged!
A small but dedicated group of knitters invite you to
share your projects, questions, and enthusiasm for
the fiber arts! Cutler Memorial Library,
151 High Street (US Route 2), Plainfield. 454-8504,
cutlerlibrary.org.
Crafters Group. Bring your own projects, or work
together on projects to sell to benefit the Senior
Activity Center. We can all learn from each other!
Every Wed., noon–2 pm. Montpelier Senior Activity
Center, 58 Barre St., Montpelier. 223-2518.
Photography Club. Every Thurs., noon–1 pm. Led
by professional photographer Linda Hogan. Great
chance to get and give some feedback on your work
and see what others are doing. Montpelier Senior
Activity Center, 58 Barre St., Montpelier. 223-2518.
Drop-in River Arts Elder Art Group. Work on art,
share techniques, and get creative with others. Bring
your own art supplies. For elders 60+. Every Fri.,
10 am–noon. River Arts Center, 74 Pleasant St.,
Morrisville. Free. 888-1261. riverartsvt.org.
BICYCLING
Open Shop Nights. Volunteer-run community bike
shop: bike donations and repairs. Wed., 4–6 pm;
other nights. Freeride Montpelier, 89 Barre St.,
Montpelier. 552-3521. freeridemontpelier.org.
BOOKS & WORDS
Lunch in a Foreign Language. Bring lunch and
practice your language skills with neighbors. Noon–
1 pm Mon., American Sign Language; Tues., Italian;
Wed., Spanish; Thurs., French. Kellogg-Hubbard
Library, 135 Main St., Montpelier. 223-3338.
Club de Français Intermédiaire. Lecture (reading).
Conversation. Grammaire. Every Mon.,
12:45–2 pm. Montpelier Senior Activity Center,
58 Barre St., Montpelier. 223-2518.
Italian Group. A fun-loving group meets to converse
in Italian. Every Tues., 1:15–2:45 pm. Montpelier
Senior Activity Center, 58 Barre St., Montpelier.
223-2518.    Lego Club. Use our large Lego collection to create
BUSINESS, FINANCE, COMPUTERS,
EDUCATION
One-on-One Technology Help Sessions. Free
assistance to patrons needing help with their
computers and other personal electronic devices.
30 min. one-on-one sessions every Tues., 10 am–
noon. Waterbury Public Library, 28 N. Main St.,
Waterbury. Free. Registration required: 244-7036.
FOOD & DRINK
Community Meals in Montpelier. All welcome.
Free.
Mon.: Unitarian Church, 130 Main St.,
11 am–12:30 pm
Tues.: Bethany Church, 115 Main St.,
11:30 am–1 pm
Wed.: Christ Church, 64 State St.,
11 am–12:30 pm
Thurs.: Trinity Church, 137 Main St.,
11:30 am–1 pm
Fri.: St. Augustine Church, 18 Barre St.,
11 am–12:30 pm
Sun.: Last Sunday only, Bethany Church, 115
Main St. (hosted by Beth Jacob Synagogue),
4:30–5:30 pm
Lunches for Seniors. Mon., Wed., Fri., Noon.
Twin Valley Senior Center, 4583 U.S. Rt. 2, E.
Montpelier. $4 suggested donation. 223-3322.
twinvalleyseniors.org.
Feast Together or Feast To Go. All proceeds benefit
the Feast Senior Meal program. Tues. and Fri.,
Calendar of Events
noon–1 p.m. Live music every Tues., 10:30–11:45
am. Montpelier Senior Activity Center, 58 Barre
St., Montpelier. Seniors 60+ free with $5 suggested
donation; under 60 $7. Reservations: 262-6288
or FEAST@montpelier-vt.org.
HEALTH & WELLNESS
Bone Building Exercises. Open to all ages.
Every Mon., Wed. and Fri. 7:30 am and 9:15 am.
Twin Valley Senior Center, 4583 U.S. Rte. 2, E.
Montpelier. Free. 223-3322. twinvalleyseniors.org.
Tai Chi for Seniors. Led by trained volunteers.
Advanced class: every Mon. and Fri., 1–2 p.m.
Beginners class: Tues. and Thurs. 10–11 am.
Twin Valley Senior Center, 4583 U.S. Rte. 2, E.
Montpelier. Free. 223-3322. twinvalleyseniors.org.
Living Strong Group. Volunteer-led group. Sing
while exercising. Open to all seniors. Every Mon.,
2:30–3:30 p.m. and every Fri., 2–3 pm. Montpelier
Senior Activity Center, 58 Barre St., Montpelier.
Free. Register: 223-2518. msac@montpelier-vt.org.
Type 2 Diabetes Self-Management Program.
Education and support to help adults at high risk
of developing type 2 diabetes adopt healthier
eating and exercise habits that can lead to weight
loss and reduced risk. Every Tues., 10:30–11:30
am. Kingwood Health Center Conference Room
(lower level), 1422 Rt. 66, Randolph. Free. Register:
728-7714.
Tai Chi for Falls Prevention. With Diane Des Bois.
Beginners and mixed levels welcome. 2:15 pm. Barre
Area Senior Center, 131 S., Main St., #4, Barre. Free.
Register: 479-9512.
Tai Chi Classes for All Ages. Every Tues. and
Thurs., 10–11 am. Twin Valley Senior Center,
Rte. 2, Blueberry Commons, E. Montpelier. Free.
223-3322. twinvalleyseniors@myfairpoint.net
HIV Testing. Vermont CARES offers fast oral
testing. Wed., 2–5 pm. 29 State St., Ste. 14 (above
Rite Aid), Montpelier. Free and anonymous.
371-6224. vtcares.org.
KIDS & TEENS
The Basement Teen Center. Safe drop-in space
to hang out, make music, play pool, ping-pong
and board games and eat free food. All activities
are free. Mon.–Thurs., 2–6 pm., Fridays 3–10 pm.
Basement Teen Center, 39 Main St., Montpelier.
BasementTeenCenter.org
Story Time and Playgroup. With Sylvia Smith for
story time and Cassie Bickford for playgroup. For
ages birth–6 and their grown-ups. We follow the
Twinfield Union School calendar and do not hold
the program the days Twinfield is closed. Wed.,
10–11:30 am. Jaquith Public Library, 122 School St.,
Marshfield. Free. 426-3581. jaquithpubliclibrary.org.
and play. All ages. Thurs., 3–4:30 pm. Kellogg-
Hubbard Library, 135 Main St., Montpelier. Free.
223-3338. kellogghubbard.org.
Dads & Kids Playgroup. Playtime and free dinner.
Every Thurs., 5–7 pm. For dads and their children
ages birth–5. Family Center of Washington County,
383 Sherwood Dr., Montpelier. fcwcvt.org
Drop-in Kinder Arts Program. Innovative
exploratory arts program with artist/instructor
Kelly Holt. Age 3–5. Fri., 10:30 am–noon. River
Arts Center, 74 Pleasant St., Morrisville. 888-1261.
RiverArtsVT.org.
Teen Fridays. Find out about the latest teen books,
use the gym, make art, play games and if you need
to, do your homework. Fri., 3–5 pm Jaquith Public
Library, 122 School St., Marshfield. 426-3581.
Mad River Valley Youth Group. Sun., 7–9 pm.
Meets at various area churches. Call 497-4516 for
location and information.
MUSIC & DANCE
Barre-Tones Women’s Chorus. Open rehearsal. Find
your voice with 50 other women. Mon., 7 pm. Capital
City Grange, Rt. 12, Berlin. BarretonesVT.com.
552-3489.
Dance or Play with the Swinging Over 60 Band.
Danceable tunes from the 1930s to the 1960s.
Recruiting musicians. Tues., 10:30–11:45 am.
Montpelier Senior Activity Center, 58 Barre St.,
Montpelier. 223-2518.
Monteverdi Young Singers Chorus Rehearsal.
New chorus members welcome. Wed., 4–5 pm.
Montpelier. Call 229-9000 for location and more
information.
Ukelele Group. All levels welcome. Thurs., 6–8
pm. Montpelier Senior Activity Center, 58 Barre St.
223-2518.
Barre Rock City Chorus. We sing songs from the
'60s to '80s and beyond. All songs are taught by rote
using word sheets, so ability to read music is not
required. All ages welcome; children under 13 should
come with a parent. Every Thurs., 6:30–8:30 pm.
Church of the Good Shepherd, 39 Washington St.,
Barre.
Gamelan Rehearsals. Sun., 7–9 pm. Pratt Center,
Goddard College. Free. 426-3498. steven.light@jsc.
edu. light.kathy@gmail.com.
OUTDOORS
Walks with Joan. Easy to moderate walks around
Montpelier for healthy exercise and conversation.
Every Tues., 10–11 am. Montpelier Senior Activity
Center, 58 Barre St., Montpelier. 223-2518.  Center, 489 N. Main St., Barre. Louise: 279-6378.
Trash Tramps. Walk around Montpelier collecting
trash to help beautify our city. Bring gloves, other
supplies provided. Every Tues., 2–3 pm. Montpelier
Senior Activity Center, 58 Barre St., Montpelier.
223-2518.
RECYCLING
Additional Recycling. The Additional Recyclables
Collection Center accepts scores of hard-to-recycle
items. Mon., Wed., Fri., noon–6 pm; Third Sat.,
9 am–1 pm ARCC, 540 North Main St., Barre.
$5 per carload. 229-9383 x106. For list of accepted
items, go to cvswmd.org
RESOURCES
Onion River Exchange Tool Library. More than
100 tools both power and manual. Onion River
Exchange is located at 46 Barre Street in Montpelier.
Hours are Wed. and Thurs., 10 am–2 pm. For more
info. or to donate tools: 661-8959 or
info@orexchange.com.
SOLIDARITY/IDENTITY
Rainbow Umbrella of Central VT. Adult LGBTQ
group, meets the third Tuesday evening of the month
at 5:45 pm. for a casual dinner at a local restaurant.
The gathering place is 58 Barre St. in Montpelier.
Info: RUCVTAdmin@PrideCenterVT.org
Friday Night Group. Social gathering of LGBTQ
youth, ages 13–22. 2nd and 4th Fridays of the
month, 6:30–8 pm. Free pizza and soft drinks.
Supervised by LGBT adults trained by Outright
Vermont. Unitarian Church, Montpelier. For more
info, email Nancy: SaddleShoes2@gmail.com
Bowling. Rainbow Umbrella of Central Vermont,
an adult LGBTQ group, bowls at Twin City Lanes
on Sunday afternoons twice a month. For dates and
times, write to RUCVTAdmin@PrideCenterVT.org
SUPPORT
Turning Point Center. Safe, supportive place for
individuals and their families in or seeking recovery.
Daily, 10 am–5 pm. 489 North Main St., Barre.
479-7373.
Sun.: Alchoholics Anonymous, 8:30 am.
Tues.: Making Recovery Easier workshops,
6–7:30 pm.
Wed.: Wit’s End Parent Support Group, 6 pm.
Thurs.: Narcotics Anonymous, 6:30 pm.
Al-Anon. Help for friends and families of Alcoholics.
Sun.: Trinity Church, 137 Main St., Montpelier
(back door) 6:15–7:30 pm.
Tues.: Bethany Church, 115 Main St., Montpelier
(basement) noon–1 pm.
Wed.: Bethany Church,115 Main St., Montpelier
(basement) 7–8 pm.
Thurs.: Bethany Church, 115 Main St.,
Montpelier (basement) noon–1 pm
Sat.: Turning Point, N. Main St., Barre, 5 pm.
(child friendly meeting)
Sex Addicts Anonymous. Mon., 6:30 pm. Bethany
Church, 115 Main St., Montpelier. 552-3483.
Share Your Event!
Send your calendar listings to calendar@montpelierbridge.com.
Due date for print in the next issue is April 12
Overeaters Anonymous. Twelve-step program for
physically, emotionally and spiritually overcoming
overeating. Sat., 8:30–9:30 am at Episcopal Church
of the Good Shepherd, 39 Washington St., Barre.
249-3970.
Mooditude Support Group. A professional and
peer-led support group, not a therapy group. For
people with depression, bipolar disorder, seasonal
affective disorder, dysthymia etc.). Every Wed.,
4–5 pm. Bethany Church,115 Main St., Montpelier.
(downstairs at end of hallway). Free. 223-4111 or
522-0775.
Weight Loss Support Group. Get help and support
on your weight loss journey every Wed., 6–7
pm. Giffords Conference Center, 44 S. Main St.,
Randolph. Free. No registration required. Open to
all regardless of where you are in your weight loss.
Wit’s End. Support group for parents, siblings,
children, spouses and/or relationship partners of
someone suffering with addiction — whether it is
to alcohol, opiates, cocaine, heroin, marijuana or
something else. Every Wed., 6–8 pm. Turning Point
National Alliance on Mental Illness VT Peer
Support Group. For anyone with any type of
mental health condition looking for confidential
peer-led support among others living with mental
health issues. Every 2nd Thurs., 4–5:30 pm in
the Boardroom (basement level near cafeteria) at
Central VT Medical Center on Fisher Rd in Berlin.
Questions: Call Nick Martin at 876-7949 ext. 102 or
info@namivt.org.
SPIRITUALITY
Christian Science Reading Room. You're invited
to visit the Reading Room and see what we have for
your spiritual growth. You can borrow, purchase or
simply enjoy material in a quiet study room. Hours:
Wed.–Sat., 11 am–2 pm; Wed., 5–7:15 pm. 145 State
St., Montpelier. 223-2477.
A Course in Miracles. A study in spiritual
transformation. Group meets each Tues., 7–8 pm
Christ Episcopal Church, 64 State St., Montpelier.
279-1495.
Christian Counseling. Tues. and Thurs. Daniel Dr.,
Barre. Reasonable cost. By appt. only: 479-0302.
Prayer Meeting. Ecumenical and charismatic prayer
meeting. Every 1st and 3rd Thurs., 6:30–8 pm.
8 Daniel Dr., Barre. 479-0302
Rite of Christian Initiation of Adults. For those
interested in learning about the Catholic faith, or
current Catholics who want to learn more. Wed.,
7 pm. St. Monica Church, 79 Summer St., Barre.
Register: 479-3253.
Deepening Our Jewish Roots. Fun, engaging text
study and discussion on Jewish spirituality. Sun.,
4:45–6:15 pm. Yearning for Learning Center,
Montpelier. 223-0583. info@yearning4learning.org.
SPORTS & GAMES
Roller Derby Open Recruitment and Recreational
Practice. Central Vermont’s Wrecking Doll
Society invites quad skaters age 18 and up. No
experience necessary. Equipment provided: first
come, first served. Sat., 5–6:30 pm. Montpelier
Recreation Center, Barre St. First skate free.
centralvermontrollerderby.com.
YOGA & MEDITATION
Christian Meditation Group. People of all faiths
welcome. Mon., noon–1 pm. Christ Church,
Montpelier. 223-6043.
Zen Meditation. With Zen Affiliate of Vermont.
Wed., 6:30–7:30 pm. 174 River St., Montpelier.
Free. Call for orientation: 229-0164.
Montpelier Shambhala Meditation. Group
meditation practice. Sun., 10 am–noon; Wed., 6–7
pm; learn to meditate — free instruction the 1st
Wed. of the month. New location: 5 State Street, 2nd
floor, Montpelier. info@montpeliershambhala.org,
montpelier.shambhala.org
Sunday Sangha: Community Ashtanga Yoga.
Sunday, 7:15–8:15 pm Mantra and Pranayama.
Saturday, 10–11:30 am. Funk N Flow Yoga. Grateful
Yoga, 15 State St., 3F, Montpelier. By donation
T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 19

Spotlight on Jobs
To advertise employment opportunities at your business call
249-8666 or 223-5112 ext.11

BARRE SUPERVISORY CASHIER/DELI CLERK THE BRIDGE SEEKS A SALES REPRESENTATIVE

UNION
CURRENTLY HAS MULTIPLE POSITIONS
OPEN FOR IMMEDIATE PLACEMENTS:
• Middle School Math Interventionist,
BCEMS
• Library/Media Para Educator (2),
BCEMS
• Office Manager, BCEMS
• Special Educator Long Term Substitute,
BT
• Para educators for SHS, BCEMS, BT
• VT Certified Librarian, Library Media
Specialist long term sub, BT
CROSSROADS BEVERAGE & DELI IN
WATERBURY is seeking part-time and
full-time cashiers and deli clerks to join our
team for the spring and summer season.
Candidate must be customer focused and
have the ability to multitask. We are looking
for a team player with great communication
skills as this is a fast-paced, hands-on
environment. We are looking for someone
who is willing to get their hands dirty,
but also have fun! Please contact Jeremy
at 802-279-6183 or submit a resume at
crossroadsbev@yahoo.com.
DO YOU HAVE A PASSION FOR FREE, LOCAL AND INDEPENDENT
JOURNALISM IN VERMONT?
The Bridge is seeking the assistance of a sales representative to help cover the Central Vermont
region, including Montpelier, Barre, Plainfield, Calais, Middlesex, Berlin, and Waterbury.
Candidates with sales experience and contacts in the region are preferred, but we are also
open to training someone with enthusiasm, charm, creativity, and old-fashioned moxie.
We offer generous commissions of 18 percent on each sale and opportunity for advancement.
Furthermore, the job is part-time and flexible regarding hours.
For more information, contact Nat Frothingham at nat@montpelierbridge.com
LAND STEWARD/TRAIL LEAD CARPENTER
CREW NEW FRAMEWORKS, A WORKER-

• Clerical Substitute, BSU Central Office

• Music Teacher Long Term Substitute -
April to June, BT
• The following positions for FY18/19 at
BCEMS:
• 3 Grade Teacher
• 2 Grade Teacher Anticipated
• Special Educator
• Intensive Needs Special Educator
Please apply through bsuvt.org -
employment opportunities. Submit resume
and three reference letters and all applicable
information requested.
For more information: Contact Carol
Marold 476-5011 ext. 1001
COMPOST PICKUP
IMMEDIATE JOB OPENING WITH THIS
LOCALLY OWNED CURBSIDE COMPOST
PICKUP BUSINESS. Earthgirl Composting
was established in 2006 and currently serves
households and non-food based businesses
in Chittenden and Washington Counties.
Minimum requirements to be considered
for compost pickup position:
• Good driving record and valid license.
• Friendly disposition.
• Can lift and carry 35#.
• Not adverse to the sight and smell of
composting food waste.
This is a great job for someone who would
like to supplement their income. The
schedule works well for parents; there is
even the possibility of working with a child
in tow.
DEVELOPMENT
MANAGER
CENTER FOR AN AGRICULTURAL
ECONOMY is seeking to hire a Development
Manager to join our team in Hardwick.
This role would be a critical support person
for our Executive Director and Board of
Directors, who set the fundraising goals and
strategies for the organization each year.
Primary duties include:
managing the donor database, working with
Development Committee to implement
specific fundraising activities, supporting
the organization and implementation of
Annual Appeal mailings and summer
fundraiser, and supporting grant research
and writing.
• O.5 FTE: Halftime position with the
potential to grow
• Compensation: Commensurate with
experience, range begins at $22,000
• Reports to: Executive Director
Please send your resume and cover letter to
Sarah Waring, sarah@hardwickagriculture.
org.
Please include 3 references, and please
ensure that your cover letter addresses why
you’d like to work with the CAE, and what
your best fundraising activity or event has
been in a past work experience.
OUR LAND STEWARDS WILL WORK
AT OUR HOME PLACES IN THE
MOUNTAINS OF VERMONT (KNOLL
FARM) and/or on the coast of Maine
(Dickinson's Reach) building foot trails,
putting up firewood, maintaining buildings,
and general land stewardship.
The dates are as follows:
• May 15 - June 30: Knoll Farm,
Waitsfield, VT
• July 1 - Sept. 15: Dickinsons Reach,
Machiasport, ME
• Sept 15 - Oct 15: Knoll Farm
Housing is provided in both locations and
work will be 30-40 hours per week, $14.00
per hour.
Candidates may apply for work in Vermont
only, Maine only, or for the full season in
both locations. Please apply no later than
April 30th.
For a full job description and to apply, go to:
www.knollfarm.org/work-with-us/
OWNED, HIGH PERFORMANCE
NATURAL BUILDING COMPANY
BASED IN BURLINGTON, VT is looking
for a Lead Carpenter to join our team.
Our ideal candidate has 10+ years of
construction experience, with at least 2
years experience leading and supervising
a crew. They are savvy in carpentry,
renovation, building science and high
performance construction techniques,
and are always eager to learn more. This
position requires strong communication
skills and interacts frequently with clients,
subcontractors, vendors, and the whole New
Frameworks team. A full job description
is available at www.newframeworks.com.
To apply, please email a cover letter and
resume to kate@buildhelm.com. New
Frameworks is committed to creating and
nurturing a culture which welcomes and
supports women, transgender and gender
nonconforming people, and those of diverse
racial, ethnic, religious, sexuality or other
marginalized groups, and urges them to
apply.

Tell them
you saw
it in
The Bridge!
PAG E 2 0 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE

These Kids Today by Brian Ricca

Opinion
These kids today are continuing to impress and inspire me more and more.
This week my fifth grade son came home on Tuesday and shared that
he volunteered to be a part of a conversation at his school about safety
issues. I was awed.
I remember fifth grade at Pennington-Grimes Elementary School in
Mount Vernon, NY where I grew up. I remember Mrs. Helen DelVecchio, my fifth
grade teacher. I remember some of my classmates in the 1984–1985 school year. I don't
remember volunteering to be a part of a conversation about school safety.
Granted, at that time, school safety was limited to fire drills. We had a set of loud
bells that would ring twice, with regularity until we all exited the building entirely.
I remember being so “inspired” by fire safety that I actually made my entire family
practice a fire drill from our home.
What is happening today is nothing short of transformative.
Our students are continuing to teach us. They are teaching us about civic responsibility.
They are teaching us about courage. They are teaching us about democracy. They are
teaching us to stand up for what we believe. They are teaching us about
respect. They are teaching us about discomfort. They are teaching us
about the growth mindset.
Yes, they are too attached to their phones and devices. But so are we
as adults.
Yes, they are over scheduled and stretched too thin at times. But so are we as adults.
Yes, they are overwhelmed and struggling with how to make their way in the world.
But so are we as adults.
And they are leading us by their example.
These kids today are to be lauded. These kids today are to be recognized. These kids
today are to be commended.
These kids today need to know we love them. These kids today need to know we are
proud of them. These kids today need to know we have their backs.
Damn kids...

Mud Time in Montpelier

Bald Eagle
Bald eagles see food a mile
away,
They really don’t brag because
they steal prey.
Bald eagles are brown and
white,
At flight they look very light.
Also, they really don’t like to
play.
-Ondina An, Grade 2, UES
(For the Poets of PoemCity) Sleeping Among Trout
All through the capital city these April days, poems: rainbow mirror with mayfly
spoken, sung, slammed, forgotten, remembered. breath
Swollen rivers of words, bright puddles of words. speckled big brother to a
How many letters were littered to leave these distillates? minnow
Frozen into downtown windows, poems. never seen orbiting a fishbowl
Streets eddy in currents of poems,
flashes of undulance in
faces float on the words, bodies lost among the lines,
turbulence
eyes meet eyes in glassy store fronts.
A halo of fog on the Winooski rises to slide among us shimmer underneath moonlight
Children run in mud boots; from brown crowd reflections
yellow-green shoots, chaperoned by pussy willows and forsythia. mouthing little rippling Os
Dog water bowls set out on sidewalks are ringed with crystal teeth. below stillness
Here’s group of flying passers-by, and I’m blocking the sidewalk, I wake at five to visit your
bent over, backside stuck out, reading into the window. stream
Two working guys sharing a pizza wonder what’s wrong
I brought you a gift I dug
with me, as I feel the poems between us.
between clovers
Slipping along to the next poem, I appear to stare into nothing,
or a pale lady lost on a bar stool encased behind glass. -Rick Agran, Worcester
-Alice Christian, Colchester

Dizain Familia Picaflorer Gigante

Comprehension dawns; cold heartache begins A humming bird
A montage of family history bisects the tangle
A catalogue of my most grievous sins of my thoughts
as she charges into
But the why still remains a mystery a fiery red salvia
Parental reasoning pure sophistry gifted by the nectar
Total rejection so unexpected she craves.
How have I become so disconnected? As I charge into
his heart
Kin inflicting such suffering and pain
helplessly and fearlessly
Making me feel so very rejected for the nectar
How have I earned such puissant disdain? I crave.
-Greg Robertson, Northfield -Phyllis Larrabee, Greensboro
T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 21

The Vermont Supreme Court Gallery presents

The Effects of Bird Song on Shifting Strata
Oil paintings by Tom Merwin

K
icking off the spring season at the Vermont Supreme Court Gallery is an exhibit
that explodes with color and light. The oil paintings of Tom Merwin will be
on view there April 3 to June 28, The show title, The Effects of Bird Song on
Shifting Strata, was inspired by visionary painter Charles Burchfield, whom Merwin
greatly admires. This series of over 18 pieces was created from 2015 to the present.
Merwin states, “Running and hiking woodland trails is a main influence in my
painting process of layering memory and landscape. The subconscious plays a big
part in my painting technique and expression.” Initially influenced by the Hudson
River School, Asian influences, and abstract art, Merwin’s large-scale works are deeply
layered with symbolic and intuitive spirit. Merwin incorporates an essence of a natural
environment into his paintings to reflect existential issues.
Vermont State Curator David Schutz says, “This exhibit truly celebrates the rites of
spring and the passions of summer. Those two elements are perfectly integrated in "Cresting Falls and Porcupine" by Tom Merwin
Tom’s fantastic works!”

Do What You Do Best.

Bookkeeping · Payroll · Consulting

802.262.6013 evenkeelvt.com

Recycle
This Paper!
"Sugaring Up High"
by Carolyn Egali

“For the Love of Vermont”

Paintings by Carolyn Egeli at the
Governor’s Gallery

B
raintree painter Carolyn Egeli will exhibit her oil paintings this spring in the
Governor’s Gallery. Her opulent show, “For the Love of Vermont,” celebrates the
artist’s adopted state in the offices of Vermont’s governor from April 3rd until
June 28.
Originally from Maryland’s Chesapeake Bay area, Egeli moved to Braintree in 2012.
She, like so many other artists, fell in love with Vermont during a previous visit and
simply chose to stay. She bought an old farm and has been painting ever since—
creating works that beautifully convey the landscape, people, and farm animals for
which Vermont is famous.
Of additional interest are the portraits she is including in the gallery: a state senator
and a local logger. She says, “I painted the portraits of these two men after I moved to
Vermont. They represent the broad interests and lifestyles of the people who contribute
to Vermont’s communities, which is just one of the many reasons why I’m so grateful
to be living here.”
Location:
Pavilion Office Building
109 State Street, 5th Floor, Montpelier, VT 05609
Photo ID is required for admission
April 3–June 28, 2018
8 am–4:30 pm daily
PAG E 2 2 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE
Letters
The Realities of Trapping
Editor,
I would like to take a moment to address the pro-trapping
propaganda that's routinely promoted by Vermont Fish
& Wildlife, as seen most recently in Commissioner Louis
Porter's interview with your paper from March 16th. It
would benefit all Vermonters to have a transparent and
honest conversation about the realities of trapping with
Fish & Wildlife, but that’s just not possible. Fish &
Wildlife is so deeply entrenched in catering to trapping
interests, that they manipulate facts to justify their
steadfast allegiance to trappers, who directly fund their
Department.
Let's start off by acknowledging that other states have
severely restricted or banned trapping, including Colorado
and Massachusetts, and there's no overpopulation of
foxes, raccoons and other furbearing animals. Fish &
Wildlife would like us to believe that without trapping,
we'd be at the mercy of population explosions. That is
fear mongering rhetoric that's lapped up by the general
public who trusts that the Department is acting in an
unbiased fashion. They are not.
Commissioner Porter talks about the doom and gloom of
beaver problems in areas where trapping is banned. The
Department routinely oversimplifies what happened in
Massachusetts as a way to further promote their position
of support of trapping. Landowners and municipalities
in MA are coached on humane and sustainable options
to mitigate beaver damage, and if the problem persists,
there are still options to use lethal means as a last
resort. The way things are in Vermont is that beavers,
nature’s magnificent engineers, who in most cases cause
no damage, are trapped and killed for "sport."
The most troublesome part of the interview with Porter
is where he tries to convince the public that traps don't
hurt animals, that traps just cause the animals stress.
There is no way that someone in Porter's position can
pretend that they don't know of the immense suffering
animals endure while trapped. It is fact that trapped
animals suffer from: broken teeth and bloodied gums
as they desperately chew at the trap to free themselves;
dislocated joints, broken bones and torn tendons from
fighting against the trap; suffer from predation by other
animals while they are immobilized in the trap and many
self-amputate, which is common if the animal's paw goes
numb from the trap. If the animal is “lucky” enough to
free itself, that luck will soon run out as the animal will
likely perish from blood loss, infection, and the inability
to hunt. The suffering doesn't end when the trapper
checks his/her traps. Trapped animals are bludgeoned,
stomped on, strangled, drowned, or if they're lucky,
they're shot with a .22. All of these details were missed
from Porter's interview. I think we know why.
If we're going to talk about trapping, let's start having
honest conversations led by the Fish & Wildlife
Department. To avoid the harsh realities of trapping
and gloss it over is irresponsible and self-serving. The
gruesome photos and videos of trapped animals (that
trappers themselves share on social media and elsewhere)
don't lie and tell quite a different story from what
Commissioner would like us to believe.
Brenna Galdenzi, President
Protect Our Wildlife POW
A Vermont Non-Profit Organization
The Right to Trap
Editor,
Here it is again, “75 percent of Vermonters oppose leg-
hold and body gripping traps.” Mr. Kelley in his opinion
piece omitted to tell you that out of 2,900 people called
only 509 actually responded, and of these 385 had a
negative response to the two trapping questions in the
poll. Three hundred and eighty-five respondents is a long
way from 75 percent of Vermonters no matter hold you
juggle the numbers.
Public Lands are just that, some donated to the state
or towns, some purchased by our Fish and Wildlife
Department using funds from license fees and some
federal funds. Those lands were obtained without
encumbrances so they could be open to all to enjoy so
long as their actions were legal. Mr. Kelley also mentions
sharing. Land trapping starts the last week of October
and runs through the end of December. In most cases
land trapping stops by mid December due to weather
conditions. This means that those public lands are open
to hikers, bird-watchers, snowshoers, cross country skiers,
and dog walkers for the better part of ten months out of
the year without traps being on the land.
Now, you and your group of “I don’t like your recreation”
want to take away our right to trap public lands. I think
the concept of sharing is one that you may not have a
good grasp of at this time. What is the next “I don’t like”?
Deer hunting because it’s too dangerous to have people
with guns in the woods while other people are hiking
or walking their dogs? Maybe it will be rabbit hunting
because the dogs make too much noise while chasing the
rabbit, and it breaks the tranquility of your walk in the
woods.
I’m willing to share but not willing to be booted off
because you don’t agree with what I can legally do per
the State of Vermont Constitution, which states, “The
inhabitants of this State shall have liberty in seasonable
times, to hunt and fowl on lands they hold and on
other lands not enclosed…under proper regulations, to
be made and provided by the General Assembly”.
Mr. Kelley admits that he knows very little about trapping
but felt that he could make the statement on public TV
that the MB 650 trap was the commonly used trap to
catch fox in Vermont and the Conibear 330 is used to
catch fisher. Having trapped in Vermont for the last forty
years and met with hundreds of trappers over those years,
I have yet to find anyone that uses these traps in that way.
The MB 650 is used to trap coyotes but mostly in the
mid-to-western states. The Conibear 330 was designed
for beaver trapping and would be set in or under water.
Mr. Kelley observed a trapper in Montana; Vermont has
different methods that Mr. Kelley doesn’t seem to be
familiar with. You also state that hunting and trapping
have nothing in common, and that there is no more skill
involved in baiting a trap near where a beaver, bobcat, or
fox is known to live than there is in putting peanut butter
on a mouse trap.
Successful hunters and trappers study and scout the
animals they are pursuing. Many years are spent learning
animal habits and habitat to develop a successful trap
line.
Bill Pickens
Thanks for Voter Support
Editor,
On behalf of the Board of Trustees and staff of the Kellogg-
Hubbard Library, I want to express deep appreciation for
the positive votes of financial support from the voters in
the six communities that the library serves: Berlin, Calais,
East Montpelier, Middlesex, Montpelier, and Worcester.
We are encouraged by and grateful for your support. It
will enable the library to continue to offer its services
both at its home site and in the five towns. In addition
to being open for 55 hours a week, we will continue to
provide extensive programming for children and adults,
access to computers, electronic services for accessing and
renewing materials, and are always working to expand
our services in the five towns. We want to hear from our
patrons and community members. Please let us know
your ideas for how we can improve our services by
contacting Executive Director Tom McKone or any of
the library’s trustees.
Steven M. Gold, President, Kellogg-Hubbard Board
Supporting the Second Amendment and Universal
Background Checks
Editor,
Like most people, I have many traits that make up
my identity: I am a father, a husband, and a worker.
Like many Vermonters, I can also add "hunter" to that
list. Hunting has been a formative part of my life; it
taught me the valuable lessons of hard work, persistence,
resilience, and gratitude. More concretely, it has provided
sustenance for my family. Guns are a crucial tool to
hunting, and they will always be a significant part of my
life.
Like many responsible gun owners and hunters, I am an
avid supporter of the Second Amendment.
Continued on Page 11
T H E B R I D G E A P R I L 5 – A P R I L 18 , 2 018 • PAG E 2 3

And, like many responsible gun owners and hunters, I am also a staunch supporter of Letters to the paper are not fact-checked and do not
universal background checks. necessarily represent the views of The Bridge.
Background checks will not prevent all mass shootings, homicides, or crimes with guns,
but this is not an excuse to sit back and do nothing. It is not a panacea that will abolish all
gun crimes in the future. There is no one single answer. Background checks are but a key
piece—along with other measures such as extreme risk protection orders and removing guns
from domestic violence situations—that will help keep guns away from people who should not
have them.
It is our responsibility to do whatever we can to reduce violence, reduce life lost, protect children,
and improve public safety. Background checks enjoy broad support in Vermont and they work. A
2016 Castleton poll showed that 84 percent of respondents support universal background checks
in Vermont. Studies have shown that in states that require background checks for all handgun
sales, 47 percent fewer women are shot to death by their intimate partners, 53 percent fewer law
enforcement officers are shot to death with handguns, and there are 53 percent fewer suicides
by gun.
How easy does it really need to be to buy a gun? I am unmoved by some gun owners' arguments
that it will add cost or inconvenience to their purchase. I am personally willing to wait just a little
longer or pay a relatively small fee to increase the odds that someone who shouldn't be buying a
gun might be turned away, or, better yet, won't even try to buy one.
Daniel Mulligan, Richmond, VT

Thanks to the Youths of America

Editor,
This past weekend, I watched with tears of hope and pride as the youths of America reclaimed
our government.
As a child of the ’50s and ’60s, I remember our antiwar and reproductive rights marches across
the nation that brought real change. But this teen movement is even more robust. These kids are
more poised, articulate, connected, and diverse than we were; their colors, dialects, and histories
prove that America is, indeed, a melting pot, and that our kids are, indeed, all right.
I thank whatever gods may be that the shameful, good-old-boy white network of people cowering
in Congress for fear of losing their privilege will soon be replaced by these young people. As we
sang decades ago and as Jennifer Hudson so powerfully sang on Saturday, “The times, they are
a’changing.” Yes, it appears they finally are.
To our teenagers: Don’t let the bastards—or the system—beat you down. They will try,
mightily, and for a long time. But my generation stopped a war and brought all American women
birth control (yes, really) and reproductive choice. Now we look to you for common sense gun
laws and economic/gender equality.
If we needed proof that you have the stamina, intelligence, organization, and determination to
justify our trust in you, we got it yesterday. Thank you.
Kathy Hollen, Montpelier

What Do You Think?

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Send your piece to:
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Deadline for the next issue is April 13. Photo by Michael Jermyn

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PAG E 24 • A P R I L 5 – A P R I L 18 , 2 018 THE BRIDGE

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