BRAZILIAN MUSIC FOR BANDS SERIES

FOLHAS SECAS
music by
Nelson Antônio da Silva

lyrics by
Guilherme de Brito

arrangement by
Hudson Nogueira
PRESIDENT OF THE FEDERATIVE REPUBLIC OF BRAZIL
Luiz Inácio Lula da Silva

MINISTER OF CULTURE
Juca Ferreira

FUNDAÇÃO NACIONAL DE ARTES / FUNARTE

PRESIDENT
Sérgio Mamberti

EXECUTIVE DIRETOR
Myriam Lewin

DIRECTOR OF THE MUSIC CENTER

Pedro Müller

PROJECT COORDINATION BANDS

Rosana G. Lemos

COMMUNICATION COORDINATION
Oswaldo Carvalho

COORDINATION ISSUES
Maristela Rangel

© FUNARTE, 2008
IMPRESSO NO BRASIL / PRINTED IN BRAZIL
FUNARTE EDITIONS
BRAZILIAN MUSIC FOR BANDS SERIES

FOLHAS SECAS
(Fallen leaves)

music by
Nelson Antônio da Silva

lyrics by
Guilherme de Brito
arrangement by
Hudson Nogueira
SCORES FOR BAND – PUBLISHING PROJECT

G ENERAL DIRECTION
FLAVIO SILVA / MARIA JOSÉ DE QUEIROZ FERREIRA

T ECHNICAL DIRECTION , ADAPTATION, REVISION AND STANDARDIZATION

Marcelo Jardim

MUSIC PUBLISHING
Si Thoca Edições Musicais
www.sithoca.com
Simone dos Santos

P ROGRAM NOTES
Marcos Vinício Nogueira

CONSULTING – TABLE INDICATING T ECHNICAL LEVEL

Dario Sotelo

CONSULTING – FLEXIBLE INSTRUMENTATION /ARRANGEMENTS

Hudson Nogueira

E LECTRONIC EDITING – SCORE AND INSTRUMENTAL P ARTS

Alexandre Castro – Sheila Mara –
Leandro J. Campos – Bruno Alencar

E NGLISH TEXTS
Tom Moore

T EXT E DITING AND REVISION

Maurette Brandt

G RAPHIC P RODUCTION
João Carlos Guimarães

E DITORIAL PRODUCTION
Renata Arouca

COVER AND ILLUSTRATION

Rafael Torres

Fundação Nacional de Artes – Funarte

Music Center (Cemus)
Rua da Imprensa 16, 13th Floor
Rio de Janeiro, RJ − Brasil
CEP 20.030-120
Tel.: (21) 2279-8106 - Fax: (21) 2279-8088
coordenacaobandas@funarte.gov.br
www.funarte.gov.br
 BAND REPERTOIRE OF YESTERDAY, TODAY, AND OF ALL TIMES

T he opportunity of resuming the process of publishing scores for band is a good reason for
rejoicing at Funarte. In 1995 and in 2000, 14 titles from the series “Golden Repertoire
of Brazilian Bands” were released; in 2004, Funarte released the series “Hymns of Brazil”, with
two titles. Presently 20 new titles are being published, ten of which in a new series called “Brazilian
Music for Band”, which includes high level arrangements of popular songs and some of the most
praised classics of Brazilian popular music. The new series also highlights original works written
specifically for bands by composers of various periods, and opens space for transcriptions from the
Brazilian symphonic repertoire.
These editions follow the international norms for publishing and the standardization of music
pieces for symphonic band, diversifying the supply of instrumental parts without losing sight of
the most noteworthy characteristics of our bands, as well as making possible for small groups and
bands, with reduced forces, to perform music using the same material. The process of publishing
scores for band is a search of more dynamic ways to supply a market which is always eager for
novelties and information – and, at the same time, a means of keeping the traditions of our coun-
try’s musical culture alive and in performance. Making this repertoire available and sharing infor-
mation must be an ongoing and continuous task, so that it can produce good results. To this end,
Funarte concentrates its efforts in producing and presenting the band repertoire of yesterday,
today, and of all times.

III Série Música Brasileira para Banda — Palpite Infeliz

 ABOUT THE NEW EDITIONS

W ith these new series of editions, Funarte intends to expand the contemporary literature for bands in
Brazil, so as to quantify it and qualify it, with especial emphasis on the use of the technical and sty-
listic patterns of each piece, with the necessary revisions and annotations in terms of articulations, dynamics,
accents, nomenclature, tempi, rehearsal markings, abbreviations etc.
In order to allow that standards adopted by bands worldwide be applied, it was necessary to
make adaptations to the original material - without, however, altering its melodic, harmonic, and
rhythmic lines. Original orchestrations were maintained, with the addition of new information in
the area of timbre, in order to take the most advantage of present-day instruments.
The standard pattern adopted was: piccolo, flute, oboe, bassoon, Eb clarinet, Bb clarinets (3
parts), Bb bass clarinet, quartet of saxophones (2 Eb altos, 1 or 2 Bb tenors, and Eb baritone), F
horns (2 to 4 parts), Bb trumpets (3 parts), trombones (3 parts), baritone, tuba, contrabass
(strings), timpani, mallets (xylophone/bells or glockenspiel), percussion (snare drum, crash cym-
bals, suspended cymbals, bass drum, agogô, rattle, tambourine, ganzá, triangle, reco-reco, drum,
complete drums). In some works, particular instruments were suppressed, such as tenor sax 2 and
timpani, when they were not part of the original instrumentation. Nevertheless, the director
should note that the whole repertoire has its functionality guaranteed only with 1 flute, 1 Eb clar-
inet, 3 Bb clarinets, 1 Eb alto sax, 1 Bb tenor sax, 3 F horns or Eb saxhorns, 3 Bb trumpets, 3
trombones, 1 baritone, 1 tuba, and percussion (snare, cymbal and bass drum). Extra parts (not
included in the instrumentation) will be printed for Eb saxhorns, Bb baritone in bass clef, as well
as Bb and Eb tubas, in all the editions. .

BRAZILIAN MUSIC FOR BAND SERIES – FLEXIBLE INSTRUMENTATION

F lexible instrumentation in four voices was adopted in this arrangement, in order to make
possible its utilization with various formations, such as clarinet or saxophone quartet, wind
quintet, brass quintet, woodwinds only, brass only, with or without percussion, and even in unu-
sual combinations – as well as in a complete symphonic band, of course. The conductor can choo-
se to maintain all the doublings with the complete band, or even to promote creative situations
with the groups. All the instruments can be optional; it is important, however, to observe the voice
(marked with letters A, B, C e D), since voices are related to the parts performed by each one. The
director has a mass of sound available for performances in the open air, and can also use the arran-
gement in individual recitals performed by the musicians. Pay special attention to the Bb clarinet,
which does not belong to the usual clarinet section (it is not identified as 1, 2, or 3), which should
only be used by the wind quintet formation.
Maestro Marcelo Jardim
Coordenador Técnico

Série Música Brasileira para Banda — Palpite Infeliz IV

 FOLHAS SECAS
Nelson Cavaquinho and Guilherme de Brito
arrangement by Hudson Nogueira

T his remarkable samba is accomplished here with an introduction which is entirely extract-
ed from its thematic material, although this material is not completely revealed, and is per-
formed through an elegant tutti which leads, to the beginning of the theme itself. However, since
the initial portion of the melody (measure 8) does not contrast thematically with the introduction,
it is recommended that the performers work towards the significant reduction of density and
intensity of sound proposed in the arrangement, in order to formally distinguish this section. Part
A is, thus made up of a double binary period (measures 8-39), that is, of a period of two phras-
es which is repeated and it’s only altered in the last motive (semiphrase). Such motive, due to its
characteristics, is what produces the unequivocal cadential effect which is desired. One can per-
ceive that the melodic construction is based on the sequencing of the initial motive (measures 8-
11), which is then varied in order to complete the initial phrase, and varied once more (measures
16-19) to begin the second phrase. This manner of performing the theme led the arranger to the
idea of modifying the instrumental configuration each time the motive is performed, thus mak-
ing up for the thematic redundancy, which is more evident in purely instrumental contexts than
in a vocal performance. This requires special attention, by performers, in maintaining the flowing
character of the melody, which is divided into distinct “voices”, and in avoiding the rupture of
the melodic unity. Part B also begins with a motivic sequencing, and receives a similar - although
even more intense - textural treatment. The extremely contrasting and suspensive features of the
final phrase (measures 52-55) are strongly emphasized by the choice of the low register and also
by the considerable attenuation of the texture’s density. The idea of the introduction is then taken
up once more with special orchestral virtuosity, followed by the incomplete recapitulation of part
A (measure 72) with the same intensity, which creates even greater motivic mobility between the
instrumental parts.

Marcos Nogueira
Professor of Orchestration and Composition
Federal University of Rio de Janeiro’s School of Music

Série Música Brasileira para Banda — Palpite Infeliz VI

 NELSON ANTÔNIO DA SILVA (1911–1986)

T he composer, instrumentalist, and singer Nelson Cavaquinho was born in Rua Mariz e
Barros, in the Tijuca district of Rio de Janeiro. His father, Brás Antônio da Silva, was
assistant director and tuba player at Banda da Polícia Militar (Military Police Band). His mother,
Maria Paula da Silva, was a washerwoman at the Santa Teresa Convent. His uncle, also a musi-
cian, would organize rodas de samba (samba sessions) at his house on Sundays, together with his
father and friends. In 1939 he had his first song, Não faça vontade a ela, recorded by singer
Alcides Gerardi. His partners were so many that it is practically impossible to list them. Some,
however, such as Guilherme de Brito, Cartola, Jair do Cavaquinho, João de Aquino and Paulo
César Pinheiro are among the most important ones. About Nelson Cavaquinho, critic José Ramos
Tinhorão wrote: [...]Take a man and his guitar; let him sing in the streets like an ancient troubadour
of the Middle Ages about the beauty of flowers, the ephemerality of life, and the metaphysical anguish
of death, and this will be the portrait of Nelson Cavaquinho. With his full white hair, his permanent
air of dignity, and his voice roughened by many years of cold beer, what Nelson Cavaquinho sings
(drumming, rather than strumming, on the strings of his guitar) is the saga of a man who lives in a
state of poetry. And whose oeuvre, for this very reason, will never die.

GUILHERME DE BRITO (1922–2006)

T he composer, singer, painter, and sculptor Guilherme de Brito was born in Vila Isabel, in
Rio de Janeiro and his grandparents were German. His father, Alfredo Nicolau Bollhorst,
was an employee of the Central do Brasil Railroads and played guitar. Guilherme began to com-
pose in 1938, and was an habitué on the places where samba was cultivated in Praça Tiradentes.
However, he only came to meet Nelson Cavaquinho in the Rio de Janeiro district of Ramos, for
the artist used to play in that district’s many bars. Whenever Guilherme came back from work, in
the late afternoon, he would always find Cavaquinho playing – and so he became to be one of his
fans. Once, Guilherme dared to show him the first part of a samba which he had not yet finished.
His new friend was immediately interested in writing the second part. This was the birth of a leg-
endary partnership which would bring them many great successes. Various important artists of
MPB recorded his compositions with Nelson Cavaquinho or with other partners. Beth Carvalho,
his most frequent interpreter, recorded Folhas secas, along with other songs. His songs were also
recorded by other artists, including Alcione, Nélson Gonçalves, Elis Regina and Clara Nunes.
Nelson Cavaquinho, his most frequent partner, also recorded various songs composed by the duo.

VII Série Música Brasileira para Banda — Palpite Infeliz

 FOLHAS SECAS
music by Nelson Antônio dos Santos (Nelson Cavaquinho)
lyrics by Guilherme de Brito

Quando eu piso em folhas secas When I tread on dry leaves

Caídas de uma mangueira Fallen from a mango tree
Eu penso na minha Escola I think of my school
E nos poetas da minha Estação and of the poets of my First Station1
Primeira
Countless times
Não sei quantas vezes I went up the hill singing
Subi o morro cantando With the sun burning me
Sempre o sol me queimando And so I grow old
E assim vou me acabando
When Time tells me
Quando o tempo avisar That I can no longer samba
Que eu não posso mais sambar I know that I will feel longing,
Sei que vou sentir saudade With my guitar,
Ao lado do meu violão For my lost youth
Da minha mocidade
When I tread on dry leaves
Quando eu piso em folhas secas Fallen from a mango tree
Caídas de uma mangueira I think of my school
Penso na minha Escola and of the poets of my First Station
E nos poetas da minha Estação
Primeira Countless times
I went up the hill singing
Não sei quantas vezes With the sun burning me
Subi o morro cantando
Sempre o sol me queimando And so I grow old
E assim vou me acabando And so I grow old

E assim vou me acabando !

E assim vou me acabando

!
1 Estação Primeira de Mangueira, one of the most traditional and important
escolas de samba (Samba Schools) from Rio de Janeiro’s Carnaval. The name is associated
to the place where the Mangueira Hill is located, next to the First Train Station towards Rio
de Janeiro northern districts

Série Música Brasileira para Banda — Palpite Infeliz VIII

Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 1

Série Música Brasileira para Banda

Partitura Completa
Duração aproximada: 2'11"
Folhas Secas
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Nelson Cavaquinho / Guilherme de Brito
Samba arranjo: Hudson Nogueira
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©©Editora
Editora Musical
Musical Arlequim
Arlequim Ltda.Ltda.
** trompa F 1 (B) quinteto de sopros Funarte,
Funarte,Ministério da da
Ministério Cultura, 20082008
Cultura,
(deve ser tocada na formação da banda) MBB0006 - FolhasSecas
Secas - -Todos
*** trompa F 2 (C) quinteto de metais MBB0006 - Folhas Todososos
direitos reservados
direitos / Impresso
reservados no Brasil
/ Impresso no Brasil
(deve ser tocada na formação da banda) www.funarte.gov.br / projbandas@funarte.gov.br
www.funarte.gov.br / projbandas@funarte.gov.br
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 2

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FUNARTE — Ministério da Cultura
Série Música Brasileira para Banda — Folhas Secas 2
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 3

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$ % % & $
(C) /
" $$ !
) & & &' ) & & &' !
) & & + &'
!
) (& & $ &'
!
) +& &
10
Bdn. $ &' ) $& &'
(D) ! !& ! ! ! ! !
" $$
10

Tb. $ ) $& ) & &' ) & &' ) & ) (& ) +&

&' & & ! !& + &' ! !& $ &' ! !&
(D) &' ! &
! !! !

" $$ !
) & & &' ) & & &' !
) & & + &'
!
) (& & $ &'
!
) +& &
10
Cb.
$ &' ) $& &'
(D) ! !& ! ! ! ! !
" $$
10

$ % % % % % %
Timp.

$
10

!$$ % % % % % %
Tec.
xilo., bells

10
Perc. 1, 2
afoxé, surdo
# &' & & &' & & &' & & &' & & &' & & &' & &
ganzá, tamborim

, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
10
Perc. 3 # &' & & &' & & &' & & &' & & &' & & &' & &
bat. (cx., pt., bumb.)

FUNARTE — Ministério da Cultura

3 Série Música Brasileira para Banda — Folhas Secas
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 4

4
$ % %& %& !% %& %& !% %& %&
16
%& %& & !% !% %
Fl. !$$ ' " ) % ' " ) ' " ) 0 (
(A) ! # ! #
$ !% % %& !% %& !% % %& !%
'&
16

Ob. !$$ ( ( ( ( +
(B) ,
* ) - %&
! %&
16

Cl. B $ !$ ( ( ( ( 0 ' %& % ' "

(C * qto) !
" $$
16

) % ) % ) % %& ) ) %
$ % % % $ %& ) % -%
Fagote
(D) & ! !% %& ! !% %& ! !% ! ! %& ! !% ! !

Cl. E $ % %& %& ) %&

! %& %& !% %& %& !% %& !% % %&
16

! ' " % ' " ) ' " ) 0 (

(A) Req. ! # ! #
!
* ' %& ) %& %&
16

!$ % % ' %& )
%& % "
% '
"
) %& % %& % % %& 0 (
!& ! !
1 (A)
! # ! #
!% % & !% % & ! %
'& '&
16

Cls. B $ 2 (B) !$ -% % % % % $ % % % % % %& %

,
+ & !% % %& ! ! %& ! %& ! !
* !
) - %&
16

!$ ( ( ( ( 0 ' %& % '

%&
*
3 (C) !
16

!$ ) % ) % ) % ) ) % ) % -%
Cl.Baixo
%& ! % %& %& % % $ %&
! ! !% %& ! %
! ! ! %& ! % ! !
(D) !
% %& %& !
) %& % ' %& &% !% %& %& !% %& !% % %&
16

Sxa. E $ 1 ! ' " " ) ' " ) 0 (

(A) ! # ! #
!% % . %& !% % & !% % %& ! !% % & !% !%
'& '& % % %&
16

Sxa. E $ 2 ! + % % %& % $ % %&

, ! + !
(B)
* ! &
) - %& % ' %"
16

Sxt. B $ !$ ( ( ( ( 0 ' %&

(C) !
16

! ) % ) % ) % %& ) ) %
Sax.bar. E $ %& ! !% %& ! !% %& ! !% % % %& ! !% $ %& ) % .%
(D) ! ! ! !
!% % &
16
$ '& !% % - %& !% % & !
!$ + % % % %& % $ ( (
1 (B**)
, !
Tpas. F
$
16

2 (C***) !$ ( ( ( ( ( (

!
* ' %& ) %& %&
16

!$ % % ' %& )
%& % "
% '
"
) %& % %& % % %& 0 (
!& ! !
1 (A)
! # ! #
Tpts. B $ !% % & !% % & !
'& '& %
16

!$ -% % % % % %
!% % %&
+ & ! % %& % $ % %& % % %& !
2 (B)
, ! ! !
" $$ %& - %& !% %&
' "
16
Tbn.
$ ( ( ( ( 0 ' " )
(C) !
" $ $ %& ! !
) % % %& ! !
) % % %& ! !
) % %
!
) % % %& !
) % %
%&
16
Bdn. $ $ %& ) % -%
(D) ! ! ! !
" $$
16

$ % ) % ) % -%
Tb. ) % % %& ) ) % % ) % $ %&
% %
& %& %& ! !% ! !
! ! %& ! !%
! ! ! !
(D)

!% ! $ %&
" $ $ %& ! !
) % % %& ! !
) % % %& ! !
) % % %&
!
) % % %& % ) !% - !%
16
Cb.
$ )
(D) !
" $$
16

$ ( ( ( ( ( (
Timp.

$
16

!$$ ( ( ( ( ( (
Tec.
xilo., bells
ganzá
% % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % %
16
Perc. 1, 2
afoxé, surdo
# %& % % %& % % %& % % %& % % %& % % %& % %
ganzá, tamborim !
/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
16
Perc. 3 # %& % % %& % % %& % % %& % % %& % % %& % %
bat. (cx., pt., bumb.)

FUNARTE — Ministério da Cultura

Série Música Brasileira para Banda — Folhas Secas 4
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 5

&' &" &'

5
&' !& &' !& & &' !& !& ' !& ' !& &
$$$
24
! ) !
22

Fl. ! % ) , ) (
- $ # $
&' !& &'
(A)
22
$ & &'
!& !& !& ' &" &' !& ' !& &
Ob. !$$ , % % ) !
(B) $
&" ' !
) & & ,
!& & !& &' ! &" &' !& ' !& &
( $ &' ) &' &' ) $ &! '
22

Cl. B $ !$ !
( !
(C * qto) - $ # $
" $$ & ' ! & &' !& & '
& ) & & &
22

Fagote $ ' ) & ) & & & &

(D) ! !& -
' ! ! ' &
!
& &' .&
!
& & . &' !&
&' !& ' !& & &' !& &' !& ' &" &' !& ' !& &
Cl. E $ ) &
22

! % ) , ( ! ) !
(A) Req. - $ # $
! ! &" !& ' !& &
) &' &' ) &' &'
22

!$ % & , ) &' & & &' ( & ! !

1 (A)
- $ ! # ! $
! &' !& &' ! *
& &'
22

Cls. B $ 2 (B) !$ & & , % % ) &' &" &' &' & &
$! ! !

* ) *'
22

!$ ( * & ) & & , ) (

&' $& &" &' &' & &
3 (C) $ &' " ' & & & & &
- ! $' ! #' ! $! ! !
22

!$ ) & ) ) & & & & &' &

Cl.Baixo &'
! & &' !& ' ! ! &' !& & &' & & &' /& & & / &' &
(D) ! - ! ! !
&' !& ' !& & &' !& &' !& ' &" &' !& ' !& &
) &
22

Sxa. E $ 1 ! % ) , ( ! ) !
(A) - $ # $
& &' !& &' !& &' !& ! &" &' !& ' !& &
) &! '
22

Sxa. E $ 2 ! , % %
(B) $
&" ' !
) & & ,
!& & !& &' ! &" &' !& ' !& &
( $ &' ) &' &' ) $ &! '
22

Sxt. B $ !$ !
( !
(C) - $ # $
! !& & '
) & & ) &' & & & &'
22

Sax.bar. E $ ! &' ) & & & &

(D)
! !& -
' ! ! ' !& & &' / !& & & / &' &
!
$
24
! &" &' ! !
) &' & , ) &' .&'
22

!$ % % %
!
& &
- !
1 (B**)
$
Tpas. F
$ ( * &" ) $ &* '
22

!$ $ &'
) &' & , % % &" &' &' & &
2 (C***)
# - ! $! ! !
! ! &" !& ' !& &
) &' &' ) &' &'
22

!$ % & , ) &' & & &' ( & ! !

1 (A)
$ ! # ! $
Tpts. B $ -
) &* '
! &' !& &' !
& &'
22

!$ & & , % % &" &' &' & &

$! ! !
2 (B)

&' !& &' !& & &' !& &'

" $$ ! !
) &! ' &" &' . !& ' !& &
22
Tbn.
$ % ) , ) (
(C) - $ #! $
! &' !& &' !& & & &' & &' !& & &' !&
" $$ & ) & & & &' . !& & & . &' !&
22
Bdn. $ ' ) )
(D) ! -
! !& & '
" $$ & ) & & ) &' & & & &'
22

Tb. $ ' ) & & & &

(D) ! !& -
' ! ! ' &
!
& &' .&
!
& & . &' &
!
' ' ! & &' !& & '
" $$ & ) !& !& &' !& & & & !& & &' !& . !& !&
arco
& &' & & . &'
22

) )
pizz.
Cb.
$
(D) -
" $$
22

$ ) & % & , % % % %
Timp. ' !
-
22
$ &' !&
!$$ % ) & & , % % % %
Tec.
xilo., bells
-
* (
break
,
& & & && && & & & &
22
Perc. 1, 2
# &' & & &' & & &' & & &' & & &' & &
afoxé, surdo
) ' , #
ganzá, tamborim - !
+ + + + ,fill & +&' !+ + + + &+ + + &+ + + + &+ + + + &+ + + &+ + + &+ + &+ + &+ + + &+ + + + +
&' & & &
22 break
Perc. 3 # &' & & , &' & & &' & & &' & &
bat. (cx., pt., bumb.)
- #
FUNARTE — Ministério da Cultura
5 Série Música Brasileira para Banda — Folhas Secas
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 6

6 !) ) . )' !) ) ' !) ) )'

$
32
( !)
&'
28

Fl. !$$ % % % %
(A) *
$ )' '
, )
!) -
28

Ob. !$$ % % % % 0 & # & )'

(B) "
!) ) + )' !) ) ' !
&'
28

Cl. B $ !$ ( ) ) ) ) ) )' % %
(C * qto) * ' ! !) $

" $$ )'
28

, ) ) , ) . )' , , )
$ ) + ) !) $ )' . ) !) , ) , ) )
Fagote
! ) )' )'
(D)
!! ! ! ! ! ! ! ! !
!) ) + )' !) ) ' !) ) )' !
Cl. E $ &'
28

! % % % % ( )
(A) Req. *
!) ) . )' !) ) ' !
&'
28

1 (A) !$ % % % %
( ) ) )
' )
* !
! !
, )' ) & )- & - )' , . )' )' - )'
28

Cls. B $ 2 (B) !$ ' )' & #

) &
#
, $ )' ) )' ) ) ) & )' , )
)
&
#
" ! " * ! ! "' ' !
!) ) + )' !) ) ' !
&'
28

!$ ) ) ) % %
3 (C)
*
( ' !) ) )' )
!
$
28

!$ , )' , , , , ,
) !) ) !) + )' + ) !) . )' . ) !) ) !) ) )
Cl.Baixo
) )' )'
(D)
!! ! ! ! ! ! !
!) ) + )' !) ) ' !) ) )' !
&'
28

Sxa. E $ 1 ! % % % % ( )
(A) *
' !) )' ' !) )' ' !) !) )'
, ) & )#' )' , +) , .) )' ) )' )' , )'
!
28

Sxa. E $ 2 ! & # & # & # & # ) & #

(B) " ! " * "
!) ) + )' !) ) ' !
&'
28

Sxt. B $ !$ ( ) ) )
' ) ) )' ) $
% %
(C) * ! !
)'
28

) , , ,
Sax.bar. E $ ! ) , !) ! ) ) + )' + ) !) . )' . ) !) )' , ) ) )' , ) )
(D) ! ! ! ! ! ! ! ! !
)' !) & )' ' )' '
32
$ !) !) !)
)' )' , .) , $) )' ) )'
28

!$ , #
&
#
& # & # 0 %
1 (B**) " ! " * "
Tpas. F
$
28

2 (C***) !$ % % % % % %

!) ) ' !) ) ' !
&'
28

1 (A) !$ % % % %
(
.) ) ) )
' )
* !
Tpts. B $ ! !
, )' ) & )- & - )' , . )' )' & )- , ) )'
28

!$ ' )' & #

) &
#
, $ )' ) )' ) ) )
' ' ) & #
2 (B)
" " * ! ! " ' !
!
!) ) . )' !) ) ' !) ) )' !) !
" $$ &' ( ) )'
28
Tbn.
$ ) $ % %
(C) *
" $$ ) , !) ) )' !
, ) )
!
, +) )
!
, .) ) )' !
, ) ) )' !
, ) )
. )' $ )'
28
Bdn. $
(D) ! ! ! ! ! ! !
" $$
28

Tb. $ ) , ) )' , ) , +) , .) )' , ) )' , )

) ! !) . )' ! !) $ )' ! !) ! !) ! !)
!! !
(D)

" $$ ) !
, ) ) )' !
, ) ) . )'
!
, +) ) $ )'
!
, .) ) )' !
, ) ) )' !
, ) )
28
Cb.
$
(D) ! ! ! ! ! ! !
" $$
28

$ % % % % % %
Timp.

$ ! !
&' ) ) . )' ) ) '
28 bells
!$$ % % % % ) )
Tec.
xilo., bells
*
( ! )' !)
afoxê
) ) ) )) )) ) ) ) ) ) ) )) )) ) ) )
28
Perc. 1, 2
afoxé, surdo
# )' ) ) )' ) ) )' ) ) )' ) ) )' )'
ganzá, tamborim "
/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
28
Perc. 3 # )' ) ) )' ) ) )' ) ) )' ) ) )' ) ) )' ) )
bat. (cx., pt., bumb.)

FUNARTE — Ministério da Cultura

Série Música Brasileira para Banda — Folhas Secas 6
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 7

%& !% % %& 7
$ !% $ !% !% & !% %
!$$ % %&
34

Fl. ' ' (

(A) - /
!% !% %& !% % % %& !% %& !% %
$$ )& % %& $
34

Ob. ! $ ' + , (
(B) - / - /
& & !
) %&. ( %
! !% % %& !
( %& % ) %& %& %& %& ( % 0% %
34

Cl. B $ !$ "
( % % % % ) " % % %& ) "
! # - ! # - # - /
(C * qto)
/
" $$
34

Fagote $ % ( % %& ( % %& ( % ( % % %& ( % 1% $%

& ! !% ! !% ! !% %&
! ! ! !% %
!& 1 % % -& !
- /!
(D)

%& !% % %& !% !% & !

Cl. E $
34

! % %& % $ ' ' ( % %

! - /
(A) Req.
& !
( % % % %&
34

!$ ' ' %
1 (A) % %& % $
! ! !% & % %
- /!
!
)& % % % % % ( %& % %
34

Cls. B $ 2 (B) !$ ' + % % % % %& & % $

-! & ! !
/! - /
!
( %& % ) %& %& .
34

!$ "
( % % % % ) %& ) . ( %
& % % % %& ) . (
%& 0 % %
3 (C)
# - ! # %& ! & % % # %&
! - - /!
34 /!
!$ ( % ( % ( % ( ( %
Cl.Baixo
%& ! % %& ! !% %& %& % % %& % 0 % % 0-%& 1 !%
! ! %
! ! ! ! %
! !&
/!
(D)
-
34
%& !% % %& !% !% & !
Sxa. E $ 1 ! % %& % $ ' ' ( % %
! -
(A) /
%& !% % % %& & !% %
( %
!% % %& !% !% $
)&
34

Sxa. E $ 2 ! ' +
, - /
(B) - /
! . %& !% % %& ! & !
( %& % ) %& %& %& %& ( % 0% %
34

Sxt. B $ !$ "
( % % % % ) %& ) "
( % % %& ) "
(C) ! # - ! # - / # - /
34

Sax.bar. E $ ! ( % %& ( % %& ( % ( % % %& ( % 0% 1%

%& ! !% ! !% ! !% %& ! ! ! !% %
!& 0 !% % -& !
(D)
- /
$ !
( %& 1 % %
34

1 (B**) !$ ' ' ' ' '

- /
$ ( %& !% ) %& %& %&
Tpas. F !
( % % % %
34

!$ " ) " + ' ' ( % 0% %

&
2 (C***)
! # - # - /!
& !% %
( %
34

!$ ' ' %& %

1 (A) % %& % $
! ! !% & % %
Tpts. B $
- /!
!
)& % % % % % ( %& % %
34

!$ ' + %&
!% % %& !% ! & % $
/!
2 (B)
- - /
%& %& !% % %& %&
" $$ !% % %& & !
( % 1% %
34
Tbn.
$ ' ' + ) " ( ) "
(C) # - / # - /
" $ $ %& !!
( % %
!% !
( % % %& !
( % %
!
(% %
!% & 1 !% % 1 % $ %
34
Bdn. $ %& ( % %& %&
! ! ! ! &
(D) - / - !
" $$
34

Tb. $ % ( % % ( % ( %& ( % ( %& 1% $%

1 % % -& !
&
!! %& % %& % % ! !% %& % %
! ! ! ! ! ! -
! !
(D)
/
" $ $ %& !! ! ! %& ! ! !% & 1 %& $ !%
( % % ( % % ( % % ( % % (% % 1 !% %
34
Cb.
$ %& %& %&
(D) ! ! ! ! - / -
" $$
34

' ' ' ' ' (

Timp. $ %& 1 !% %
-
$
34

!$$ ' ' ' '

Tec.
% %& % $
xilo., bells
!
& !
break

% % % %% %% % % % % % % %% %% % % % % % % %% %% % % % % % % %% %% % % % % % % %% %% % % % ( %% %% +
34
Perc. 1, 2
# %& %& %& %& %&
afoxé, surdo
( & +
ganzá, tamborim - !
!
% *%& * fill+
crash
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * +fill
34
Perc. 3 # %& % % %& % % %& % % %& % % %& % %
bat. (cx., pt., bumb.)
-
FUNARTE — Ministério da Cultura
7 Série Música Brasileira para Banda — Folhas Secas
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 8

8 40 ( () !( ( () !( () !( ! !( ) (% () () !( ( ()
$ ! '$
Fl. !$$ '
(A) % #
$$
40

Ob. ! $ & & & & & &

(B)
!( ( () ) !( ( () () ) !( (
' () ' ( () ' ( ()
40

Cl. B $ !$ , $ , $ & &

(C * qto) " # % #
" $$ ( ) () () ( () ( .() ( ()
40

Fagote $ ( () ( +() () ( () () ( ( (
(D) " ( () ( (
( () !( ( () !( () !( ! !( ) (% () () !( ( ()
Cl. E $ !
40

! '$ '
(A) Req.
% #
( () !( ( () !( () !( ! ! (% () !( (
' $( ) ' () ()
40

1 (A) !$ !
% #
$( () !(
' ()
40

Cls. B $ 2 (B) !$ & & & ( () ( $!

% ! !
!
' () ( ( () )
' (
!( ( () () -
40

!$ , $ , () ' ( & &

3 (C)
# ) ( ( ()
" % ! #
40

!$ () ( () ( () ( +() ( () (
Cl.Baixo () ( () ( +() ( () () ( () () (
(D) " ( (
( () !( ( () !( () !( ! !( ) (% () () !( ( ()
!
40

Sxa. E $ 1 ! '$ '

(A) % #
40
() !( () ! $( () !(
Sxa. E $ 2 ! & & & ' ( $!
(B) %
!( ( () ) !( ( () () () !( (
' () ' ( () ()
40

Sxt. B $ !$ , $ , $ ' & &

(C) " # % #
) () ( () ( +() ( ()
40

Sax.bar. E $ ! () ( () ( +() ( () ( () ( () ( () ( ( ( (
(D) "
() $( () !(
40
$ !( () !
1 (B**) !$ & & & ' ( $!
Tpas. F
%
$$ - ()
40

! & & , ( , ' () ( ( () & &

$
#) !
2 (C***)
% #
( () !( ( () !( () !( ! ! (% () !( (
' () ' () ()
40

1 (A) !$ ! $
% #
Tpts. B $ !(
' () $( ()
40

!$ & & & ( ()

!(
2 (B) ! $!
%
" $ $ ' ()
40 !( ( () () !( ( ()
Tbn.
$ ' & & & &
(C) "
" $$ ) () ( +() ( () () ( () () ( () () ( () ( .() ( ()
40
Bdn. $ ( ( ( ( ( (
(D) "
" $$
40

Tb. $ () ( () ( +() ( () () ( () () ( () () ( () ( .() ( ()

(D) " ( ( ( (

" $$ ( ) ( () ( +() ( () () ( () () ( () () ( () ( .() ( ()

40
Cb.
$ ( ( ( (
(D) "
" $$
40

$ & & & & & &

Timp.

$ bells
40
( () !( ( () ! () !( !
!$$ ! ( & &
Tec.
%
xilo., bells
40
Perc. 1, 2
# () ( () ( () ( () ( () ( () ( () ( () ( () ( () ( () ( () (
#
afoxé, surdo
ganzá, tamborim

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Ride
40
Perc. 3 # () ( () ( () ( () ( () ( () ( () ( () ( () ( () ( () ( () (
bat. (cx., pt., bumb.)
#
FUNARTE — Ministério da Cultura
Série Música Brasileira para Banda — Folhas Secas 8
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 9

$ '( ' / '( $ !'

9
'( !' ' ' ( !' ' '( !' !' ' '( !' '( !'
$$$ ' $ !' ' '
48
'
46

Fl. ! % + .
(A) , 0
$ 1 '( !'
46

Ob. !$$ % % % % % + .
(B) 0
'( '( ( ! '( '( !'
+ ' + / '(
46

Cl. B $ !$ &
!
& ! ' ' % % & ! & ! .
(C * qto) " , % 0
" $$ ' ( ' '( '( $' '( '
46

' + ' /'

$ ' '( ' '( ' '( ' ' '(
Fagote
'( '( ' /'( ' &( !
(D)
0 !
'( !' ' ' ! ! ( !' $ '( !' ' '( !' '( !' ' / '( $ !'
Cl. E $ ' '( ' ' '
46

! % + ' $' ' .

(A) Req. , 0
$ '( ' ' '( !
'(
!' ' / '( $ !' .
46

!$ % + '( ' ' ' ' $' ' ' '( ' ' '( ' '
1 (A)
, ! ! ! ! ! 0
'( !' # '( !' !
$ + '( ' & ) '(
46

Cls. B $ 2 (B) !$ '

$ '(
) &
'( &
!
% + 1'
(
' .
" 0 !

'( )
46

!$ &
!
& '( +
'(
% % &
'(
) &
'(
) +
'
.
3 (C)
" ' ' % / '( !
, ! 0
46

!$ '( ' '( ' '( ' '( $' '( '
'(
+
' '( ' ' '( '( / '
Cl.Baixo
'( ' '( ' 1'( ' & !
(D)
0 !
( ( !' $ '( !' ' '( '( !' ' / '( $ !'
+ '
!' ' ' ! ! !'
' '( ' ' '
46

Sxa. E $ 1 ! % ' $' ' .

(A) , 0
'( !' '# '( !' $ ( !' '( (
+ ' & $ '( )
!'
'( + 1'
46

Sxa. E $ 2 ! & & ! % .

" ! 0
(B)
'( ( ! '( '( !'
'( + ' + / '(
46

Sxt. B $ !$ &
!
& ! ' ' % % & ! & ! .
(C) " , % 0
'( ' '( '( $' '( ' '(
46

' '( ' +

Sax.bar. E $ ! '( ' ' '( ' '( ' '( ' 1'(
' 1'
&( !
(D) 0 !'
$ '( !' '# '( !' $ ( ! ) '( !
+ ' ' & $ ') + '( / ' .
46 48
!$ (
& '( & ! %
1 (B**) " 0
Tpas. F
$ ) )
46

!$ % % % % & ' & '( + /' ' .

%( ( !
2 (C***)
0
' '( ! !' ' / '( $ !'
$ '( ' '(
46

!$ % + '( ' ' ' ' $' ' ' '( ' ' '( ' ' .
1 (A)
, ! ! ! ! ! 0
Tpts. B $ !' # '( !' !
'( $ + '( ' & ) '(
46

!$ '
$ '(
) &
'(
&
!
% + 1' ' .
(
0 !
2 (B)
"
'( '( '( !' ' !
" $$ & ! + '( / ' .
46
Tbn.
$ ! & + % % %
(C) " , 0
" $$ ' ( '( '( !' '( / !'
' '( ' '( $' '( ' ' ( '( ' '( ' /'(
46
Bdn. $ ' ' '( ' ' +
(D)
0 &
" $$
46

Tb. $ '( + ' /'

' '( ' '( ' '( ' '( $' '( ' ' ' ' ' '( ' '( ' /'( ' &( !
(D) ( ( 0 !

" $$ ' ( '( '( !' arco'( / !'

' '( ' '( $' '( ' ' ( '( ' '( ' /'(
46
Cb.
$ ' ' '( ' ' +
(D)
0 &
" $$
46

$ % % % % % %
Timp.

'( !' ' ' ( !' ' '( !' $ '( !' ' '( !' '( !' ' / '( $ !'
$ ' $ !' ' '
xilo.
'
46

!$$ % + .
Tec.
xilo., bells
, - 0
46 break
Perc. 1, 2
# '( ' '( ' '( ' '( ' '( ' '( ' '( ' '( ' '( ' '( ' + '( ' .
0 !
afoxé, surdo
ganzá, tamborim

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * fill
' *'( !*' .
46 break
Perc. 3 # '( ' '( ' '( ' '( ' '( ' '( ' '( ' '( ' '( ' .
bat. (cx., pt., bumb.)
0
FUNARTE — Ministério da Cultura
9 Série Música Brasileira para Banda — Folhas Secas
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 10

10 &' !& & & !& & &' !& & &'
!& & ' !& & &' $ !&
$$$
52 56
Fl. ! % * + % * *
(A) ! - . -
&' !& !& & &' &' &'
$$ * & & &'
52

Ob. ! $ % * + % / $ / $ / $ / $
(B) ! - . "
!
/'
52

Cl. B $ !$ % * & & + % & & % %

(C * qto) !' !
.
0

" $$
52

& &' & &' & & & & & & &' ' '
$ & &' & ( & & & !& & & & $& & & & &' & & &
Fagote
&'
(D) ! ! "' ! !
-
! !
. -
!
%
&' !& & & !
& & &' !& & &' !& & ' !& & &' $ !&
Cl. E $
52

! % * + % * *
(A) Req. ! - . -
&' !& !
& & &' !& & &' ! !& & &' $ !&
* & &
52

!$ % * + % * & &'
1 (A) ! - . -
1 1 1
52

Cls. B $ 2 (B) !$ % * & & + % *

& & !& &
/ &' / &' /
&'
1 / &'
!' ! - . "

/'
52

!$ % * + % # % %
3 (C)
& & & &
52
!' ! !
.
!$ ' '
Cl.Baixo & &' & ( & & & !& & & & $& & &' & &' & &' !& & !& & & & ' & & & &' & & &
(D) ! ! "' ! !
-
! . - %
52
&' !& & & !& & &' !& & &'
!& & ' !& & &' $ !&
Sxa. E $ 1 ! % * + % * *
(A) ! - . -
!& ! ' 1 &'
* &' * & & & & / &$ &'
52

Sxa. E $ 2 ! % + % / / &' / $
" $
(B) ! - .
!
/'
52

Sxt. B $ !$ % * & & + % & & % %

(C) !' !
.
0
52

Sax.bar. E $ ! & &' & ) & & & !& & & & (& & &' & &' & &' & & & & & &' &' & &' &' &
& &
(D) ! ! "' ! !
-
! !
. -! %
$ &' &'
# &' &'
56
/'
52

!$ % * (&
&
+ % &! & / $ / $ /
$
/
$
!' "
1 (B**)
! .
Tpas. F !& !
$ * &' /' & &
52

2 (C***) !$ % + % 0 % %
! .
' !& ! &' !& & &' ! !& & &' $ !&
* & * & & & &
52

!$ % + % * & &'
1 (A)
! - . -
Tpts. B $ 1 1
1
52

!$ % * & & + % *
& & !& &
/ &' / &' /
&'
1 / &'
!' ! "
2 (B)
- .
' !& !& &
" $$ * (& /'
52
Tbn.
$ % + % 0 % %
(C) ! .
" $ $ & &' !& ( !& & & !& & & &' $ !& & &' !& &' !& &'
!& & !& &
& &' & &' & &' & &'
52
Bdn. $ &
(D) " - . - %
" $$
52

& &' & &' & & & & & & ' '
& &
&
& &
Tb. $ & &' & ( & & & !& & & & $ !& &' &
&' &'
(D) ! ! "' !
-
! !
. -
!
%

" $ $ & &' !& ( !& & & !& & & &' $ !& & &' !& &' !& &'
!& & !& &
& &' &
& '
& &
' &
&' &
52
pizz.
Cb.
$
(D) " - . - %
" $$ /' #
52

$ % % % & & % %
-!
Timp.

bells' !& &

$ * & & & &' $ !&
52

!$$ % % % % &' & &'

Tec.
xilo., bells
- ! !
afoxê
# & & & && & & & && & & & && & & & &&
/'
52
Perc. 1, 2
# % * &' & + % & & &' &' &' &'
! ! !
afoxé, surdo
ganzá, tamborim - "
crash !
, , , , , , , , , , , , , , , , , ,
& ,&' !,
/'
52

# % & + %
Ride
fill
Perc. 3
& & &' & &' & &' & &' &
bat. (cx., pt., bumb.)
! - 0
"
FUNARTE — Ministério da Cultura
Série Música Brasileira para Banda — Folhas Secas 10
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 11

% % & !% 11
% ' !% % & ' !% % %& %& %& ' %& !% % %& $ %&
$$$ ) %& "
58

! ) " ) " ) ( ( 0
Fl.
" #
. # ! /
%&
(A)
!% %& !% % & !%
$ $ %& ( % %& !%
58

Ob. !$$ ( ) " ( * * * (

(B) ! # ./ /
& !
( % % % %& % % %&
! %& !% % % + %& !% %& !%
58

Cl. B $ !$ * % % %& + % %& % 0

! ! !
(C * qto) / . /
" $$
58

$% % ( %& % % % ( $% % 0
$ %& % %& % '%& % +%
Fagote
/ .! %& %& %& % & !
(D) ! /
% % & ! , %& & !% % %& & !%
Cl. E $ % + % % & + !% % %& %& ( +% ( '%
58

! ) %& ) " ) "

) " 0
(A) Req.
. # ! # /
% % ! !%
, , %& ( ' %& %& ( $ %&
58

!$ %& + % % & + % % )
%&
, ) %& ) %& ) "
% % 0
1 (A) ! .! # ! # /
!% , ( %& !% %
( %&
58

Cls. B $ 2 (B) !$ )
$ %& * * * ( %
&
% ( % %
! # / ! & !
/ .
! %& !% % % + %& !% %& !%
% % %&
58

!$ * ( % % % %& + % %& % 0
3 (C) %& % % /& ! ! !
58
/ .!
!$ $% (
%& % % % % %& %
( 0
%& % % +%& % +% ' %& !%
Cl.Baixo
/ .! %& & % %&
(D) ! /
% % %& + %& %& ' %& !%
%& + !% % & + !% % , %& %&
!% %
58

Sxa. E $ 1 ! ) %& ) ) ) " ( ( 0

# " " #
(A) . ! /
%& !%
& %& !% % & !% %& !%
( %
58

Sxa. E $ 2 ! ( ) $% ( * * * (
! " / . /
(B) #
! ! %& !% % % + %& !% %& !%
( %& % % %& % % %&
58

Sxt. B $ !$ * % % %& + % %& % 0

(C) / . / ! ! !
58

$% ( %& % % % % %& % % ( '% % 0

Sax.bar. E $ ! %& %
/ .! %& & % & % +%& % +% & !
(D) ! /
$ ( %& !% %&
58

!$ ) "
( % % %
&
* * * ( %
& % 0
/ .! !
1 (B**)
! # /
Tpas. F
$
58

!$ * ( % % %
&
* * * ( %
&
% 0
/ .! !
2 (C***)
/
% % ! !%
, , %& ( ' %& %& ( $ %&
58

!$ %& + % % & +% % )
%&
, ) %& ) %& ) "
% % 0
1 (A) ! ! # # /
Tpts. B $ . !
!% !
( %& , ( %& % %
58

!$ )
$%
* * * ( %
&
% ( % %
2 (B)
! #& / ! & !
/ . !%
" $$
58
%& !% % %& !% % %& ' !% %& !% % %& !% %& % % + %& !% %& !%
Tbn.
$ * ( 0
(C) / . /
" $$ %& % %& % %& % %& % +%
58
Bdn. $ %& $% ( %& % % '%& % ( $% % 0
% &
(D) / .! ! / !
" $$
58

$ %& ( ( 0
$% %
Tb.
%& % %& % %& % %& %
%& % % ! '%& % +% $ %& %
/ .!
(D)
/ !
" $$ % & $% % %& % %& % %& % %& % +%
58 arco
( %& % % ( $% % 0
arco
'%&
pizz.
Cb.
$ % &
(D) / .! ! / !
" $$
58

$ * * * * * ( % % 0
&
/ !
Timp.
xilo.%& !%
$
!$$ % % , ) ( % %
58
Tec.
%& 0 * * * 0
'% %
xilo., bells !
/
, , break
% % % %% % % % %% % % ) % 0 % % % %% % % % %% % % % %% % % % %% % % % %% % % % %% % %)% 0
58
Perc. 1, 2
# %& %& % %& %& %& %& %& %& %
afoxé, surdo
( & # ( &
ganzá, tamborim / ! / !
- - - - - - - - % -& !- - - - - - - - - - - - - - - - - - - - - - - - - - break&
Ride

% -% !-
58 crash
Perc. 3 # %& % %& % % % % %& % %& % %& % %& % %& % %& % % 0
bat. (cx., pt., bumb.)
/ # /
FUNARTE — Ministério da Cultura
11 Série Música Brasileira para Banda — Folhas Secas
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 12

12 !& &
&'
64
$
Fl. !$$ % % % + % %
(A) . /
! !& & &!
$ & &' &' &' &' $ &'
' !& & , &' !&
!& &' !& & & & !& &' !& & &'
64

Ob. !$$ ( " +

(B) / #
&' ! &' ! ) !
&' + &' &' &' + &' & & &! &' + , &' &'
64

Cl. B $ !$ ( " (
"
& (
"
(
"
( " ( &' & &
(C * qto) # $ # . / #
" $$
64
&' & &' !
+ &' &
$ &' & &' & &'
& &' & &' & & &'
!&
& &' & & & ,& $&
Fagote
& . /! ! ! ' !
(D) $ .
!
' & &
Cl. E $ + &
64

! % % % % %
(A) Req. . /
!
+ &' & &
64

1 (A) !$ % % % % %
. /
64
' ! )
Cls. B $ 2 (B) !$ &! &' & &' & & & &' & & -&
' & &' & & & & ( &' &! &' + $ &' & & &'
! ! ! ! ! # !
/
!
) &' + &' & ( &' &' )
64

!$ ( &' ( ( ( &' + ( ) +
3 (C)
#
" "
#
" &' !& & &' &! &' , &' & & &'
$ . / # !
64

!$ & & &'

+ & &' & &'
& ' & &' & &' & & ' & & & & & &' !& ! !& & , &' $&
Cl.Baixo
(D) &'
$ . /! .' ! !
' !& &
+ &
64

Sxa. E $ 1 ! % % % % %
(A) . /
&! &' !& ! ' !& & - &' !& &' !& &' !& &
&' &
! &' ' !& &
&' & & + $& &'
64

Sxa. E $ 2 ! & & (

"
(B) / #
' &'
( &" ( &') &!
! ! !
&' + &' &' &' + &' & & &' + , &' &'
64

Sxt. B $ !$ (
"
& (
"
(
"
( " & &
(C) # $ # . / #
64
&' & &' !
& & &' + &' & & &
Sax.bar. E $ ! &' & ' & &' & &' & & . /! .'
&
!
& &' &
! !
& & -&
' $&
!
(D) $
64

!$
$ % % % + &' & & ( ) + &' $ !& & &'
&' &! &'
. /!
1 (B**)
#
&' ' &' &'
Tpas. F !&
$ ( &' + & &'
64

!$ "
( " ( " ( " (
"
+ & & &
'
% %
2 (C***)
# $ # . /!
!
+ &' & &
64

1 (A) !$ % % % % %
Tpts. B $ . /
! )
&'
64

!$ &! &' & &' & &' & & -& & &' & & & ( &' &! &' + $ &'
!& &
&'
! &
2 (B) ! & ! ' ! !
/ #
' &! &' ' !& & &'
" $$ ( "& + ,&
64
Tbn.
$ % % % + &' & &
(C)
. /! #
" $$ & '
64
& &' & &' &' & & &' & &' !
Bdn. $ & &' & + &' & & & & &' & & & ,&
!&
$&
(D) $ . /! .' ! ! ' !
" $$
64
&' & &' !
Tb. $ &' + & & & &' & & & ,& $&
& &' & &' & & &
&' & & &' & & .' ! ! '
(D) $ ' ! !
. /!
&' &' !& &' !& & , &'
&'
" $ $ pizz. & &' & &' ' !& & &' !& $ !&
& & & &
64 arco
Cb.
$ & &' + &' & &
(D) $ . /! .
" $$
64

$ % % % % % %
Timp.

$
64

!$$ % % % % % %
Tec.
xilo., bells

)
& & ( & 0
&' & & &'
& & & & & & && & & & && & & & && & & & && & & & &&
&' & & &'
& & & & & & && & & & && & & & &&
64
Perc. 1, 2
# &' &' &' &' & &' &'
afoxé, surdo
+ '
ganzá, tamborim # . ! #
* * * * * * * * * * * * * * * * * * * * * * * * !
& *& *
' * * * &* * &* * &* * * &* * &* * * &* *
64 Ride crash

#
Ride
Perc. 3
bat. (cx., pt., bumb.)
&' & &' & &' & &' & &' & &' & & & &' & &' & &' & &' &
# . #
FUNARTE — Ministério da Cultura
Série Música Brasileira para Banda — Folhas Secas 12
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 13

!' ' ( !' ' '( !' '( 13

72
( $ !' ' (
( !' '
'
!' ' '( ! (
' ' ' + !' ' + '( !' '( $ !'
$$$ '
70

Fl. ! % - ! & .
# / ! )
'( '( !' '( !'
(A)
'( '" '( '( '" '( '( !' ( !' (
'" $ '( '
$ '" - ! - ! !
70

Ob. !$$ & ! . ! - & .

(B) $ 0 ) 0 )
!' ( '" '( '( !' (
& $ '( '" '( - !
!
- '! (
$ "' '( !' ' 2 '( !'
70

Cl. B $ !$ !
. ' '( ! - '( ' '( ' '(
(C * qto) $" 0 ) 0 !
)
!
0
" $$ '( - '* ( ' ' * !
'( ' ( - '* (
70

Fagote $ ' $ '( ' ' ' '" '( '" '( - '( ' '( ' '( '( '
" ! ! $ ! " ( ! ! ! '
(D) ) 0 ) 0 ) $
( !
( !' '( !' ' ( !' ' ' ' ' ( !' ' ( ! $ !' ' ( !
' 2 ' ' 2 '( !' '(
Cl. E $ -' ' ' '( + !' '
70

! % & .
# !
(A) Req. / )
(
!
- '( ' '
( !
' ' ( !' ' ' !' '( !' ' $ !' ' *
70

!$ % '( ' ' ( '( 2 ' ' 2 '( ' '( + ' ' & .
! ! !
/ )!
1 (A)
#
& '* '" '(
!
- !' ( * !
- '! (
!
- '( ' '( '
! *
70

Cls. B $ 2 (B) !$ (
. '" '( '" '( '( ' ( '" $ ' ' '( & '(
$ 0 ! 0 ( #
) )
* * !' ' 2 '( !'
- *(
70

!$ & * . - '( '" '( '( ' ( $ !'

- '( ' '( ' '(
3 (C) $ '( '" '( ' ( ' ! '" '( ! !
$" 0 )! 0 ) 0
70

!$ ' ' ' - * * - * -

Cl.Baixo
'" $ '( !' ( )! '" '( !'
( '" '( '( !' ( '( '" '( '( !' '( !' '(
'
'( '
$ ) )
0 0! $
(D)
(
( !' '( ' '
! ( !' ' ' !' ' ( !' ' '( ! $ !' ' ( !
-' ' '( ' 2 ' ' 2 '( !' '( + !' '
70

Sxa. E $ 1 ! % ! & .
(A) # / )
(' '" '( " (' !' (
'" '( '( !' ( !' ( "' ( '( !' '( !' '
- ! '( '(
70

Sxa. E $ 2 ! & ! . ' ! - ! $' - & !

(B) $ 0 ) 0 ) #
"' '( !' ( '" '( '( !' ( !' ( !' ' 2 '( !'
( - ! $ "
' ' (
70

Sxt. B $ !$ & $'

!
. ' '( ! - ! - '( ' '( ' '(
(C) $" 0 ) 0 ! )! 0
'( - '* ( ' ' * !
'( ' ( - '* (
70

Sax.bar. E $ ! ' ' ' ' '( - '( ' '( ' '( '( '
'" + '( ! ! $" ! " ( '" '( ! '
(D) ) 0 ) 0 ! )! $
$ & '" ! * !
'( '( $ '" '( '(
72
- '( - '! (
70

!$ !
.
' '( ! '( '" '( ' ( - ' ' ' '
( ! ( ! ' '( &
!
$" ! #
1 (B**)
0 ) 0 )
Tpas. F !' ( !' (
$ " ( ( " (
' *
70

!$ % .
' '( - ! ' ' '
! !' (
- ! $' - ' ' ' '
( ! ( ! ' & .
$"
2 (C***)
0 ) 0 )
! ( (
!' ' ( !' ' ' !' ' ( !' ' !' '
- '( ' ' $ *
70

!$ % '( ' ' ( '( 2 ' ' 2 '( ' '( + ' ' & .
! ! ! )!
1 (A)
# /
Tpts. B $ !' ( * !' ( ! !
* " '( - '( ' '( ' *
70

!$ '( ' & . ' '( - ! '" '( '( ' ( - ! '" $ ' ' '( & '(
$" ! (
2 (B)
0 ) 0 ) #
( " '( (' !' ( ( '" ( !' ( $ !' ( " '( !' ' + '( !'
" $ $ & $ !' ' '" - !
' '
! - !
' '( !' (
' !' '(
70
Tbn.
$ . -
(C) $ 0 ) 0 ) 0
" $$ * * !' ( !' ( '" '( ' '(
'(
70
Bdn. $ ' $ '( ' ' ' ' '( - '( ' ' '( - ! - '( ' '( ' '( '
(D) " ! )! $" 0!
" (
) 0 !
)
! $
" $$ '( - '* ( ' ' * - *(
70

$ ' $ '( ' ' ' ' '( '( ( -

Tb. ' '" '(
" !
)
! $" 0! " (
!
'
0
! '( ' '( '
!
'( $ ' '( '
)!
(D)
)
( !' '( !' ' '" (' !' ( '" '( '( !
" $ $ '" $ ' ! '( - '! (
! '" '( ' '(
70

- ! - '( ' '( ' '( '

pizz.
Cb.
$ ! !
(D) ) $ 0 ) 0 ) $
" $$ - '* ( ' ' *
70

$ % % '( ' ( % % %
Timp. ! " ( !
0
!' ' ( !' ' '( !' ' ( !' ' (
( !' '(
!
' !' ' ( $ ' ' '( + !' '
$ -'
70 xilo.
Tec.
!$$ % 1 1 1 ! & . %
xilo., bells # /
* ( ! ( !
' ' ' '' ' ' ' '' '''''' '' ' ' ' & '. * ' ' ' ' ' ' ' ' - ' ' ' ' ' ' ' '' ' ' ' ''
70
Perc. 1, 2
# '( '( '( ' ' ( ' '( ' ( '( ' ' ' ' ' ' '( '(
afoxé, surdo
- ! " ( ! - ! " ( - (
0! ! ! ( ! $
( ! ( !
ganzá, tamborim
crash! !
, , ', , ', , ', , ", ", ,(
,( ' ,( ,( , ' , , , , , , , , ' , , , ,
'( ' . '
, , , , , , , ,
70

# .
fill
Perc. 3
'( ' '( ' ' ' '( ' ' ' ' ' ' - ' ' ' ' '( ' '( '
!
( ! ( !
bat. (cx., pt., bumb.)
$ 0 $
FUNARTE — Ministério da Cultura
13 Série Música Brasileira para Banda — Folhas Secas
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 14

14 !( ( (& ! !( & !( ( ( (& !( ( (& (& !( (& !( ( (& !(

$ ( ( (& % (& & !
/( ( % !
! $ $ %& '
77

Fl. ! / ,
(A) ) . 2 " $ .
$
77
0 (& !( 1 !( & 0 !( ( ( (& !( (& !( (& !( ( (& !( ,
Ob. !$$ * / * * /
(B) # . $ .
& & ! (& !
/( (
! ! !( !
( % (& 0(& ( ( ( (& ( ,
77

Cl. B $ !$ !
, $( ( * * (
(C * qto) " . $ .
" $$ ( & ( (& & ! & ! !
/( ( ( ( ( (& ( % & '(
77

(
( (&
0(& (
$ 1 ( !( & $( ( 0( ( ( ( (
Fagote
! & ! (& (& !
(D) . # $ . )
!( ( (& !
!( & !( ( ( (& !( ( ! (& (& !( (& !( ( (& !(
Cl. E $ %& ( ( (& % (& / (& ( %
77

! ' ! / ,
! $
(A) Req. ) . 2 " .
!
%& ( ( ( (
!( & !( ( ( (& ! + (&
& ! & !
/( ( ( ( ( (& !( ,
77

!$ ( ( ( (& % (& /( %
1 (A) ' & ! . " & !( ! $ .
) 2
! ! !( ( & !
% (+ , / 0 (& ( 1 ( & % & ( ( 0 (&
77

Cls. B $ 2 (B) !$ 0( ( ( (& ( ( (( (

( ( &
( ( ( ( (& ( ,
& ! ! ! )
' & ! $ ! & ! . !
# . 2
( (&
77

!$ % , * * /( ,
! (& (
(
3 (C) !
" 0(& $( ( ( (& (
! & ( (& (
.! ! $ ! . !
% & (%
77

!$ (& ( (& ( 1(& (& ( (

/( ( (
1 ( !( & 0( ( 0( ( ( ( ( & ! & !( ( (& (
)!
Cl.Baixo
! & ! (& ( & $ !
(D) . # .
!( & !( ( ( (& (& !( (& !( ( (& !(
%&
!( ( (& !
( (
!( (
(& % (& & !( % (!&
77

Sxa. E $ 1 ! ' ! / ( / ,
(A) ) . 2 " $ .
1 (& !( 1 !( & & ! !( ( 1 (& !( ( & !( ( & !( (& !(
(& 0 !( ( ( ( ( %& ( ( ((
& ! ( (& !(
77

Sxa. E $ 2 ! % ! , / ' ,
(B) # . ) 2 $ .
& & !( (& !
/(
! ! !( !
( (& 0(& ( ( ( (&
77

Sxt. B $ !$ %
!
, $( ( * * ( (,
(C) " . $ .
(& ( (& & !( (& ! !
/( ( (& ( % & '(
77

( 1(& ( ( (
Sax.bar. E $ ! 1 ( !( & 0(
!
( 0(
&
( (
! (& ( & & ( ( (
!
(D) . # $ . )
$ % !
!( ( 0 (& ( ( & !( ( & !
(& ( ( %& ( ( ( (& ( (&
77

!$ !
, , 1 !( & 0 !( ( ( & ' ( ( (& ( ,
1 (B**) ! ) ! ! . !
. 2 $
( (& !( ,
Tpas. F ! !
$ / (& (& (
77

!$ * , 0(& $ !( ( ( (& ( * * (
2 (C***) ! ! $ .
.
%&
! !( & !( ( ( (& !( + & /(
& !( (& !( ( (& !( ,
77

!$ ( (( (
' & ! ( ( (& % (& /
(& (
% (
!
1 (A)
) . 2 " ! $ .
Tpts. B $ ! !( ( & !( ( & !
+ / 0 (& ( 1 ( & %&
77

!$ % (& , 0( ( (
( & ( 0( ( (( (
& ! ( &
( ( ( ( ( (& (,
2 (B) ! ! ! )
' ! & ! . !
# . 2 $
" $$ ( (& & !( & !( (& !( ( (& !(
( ( /(
77
Tbn.
$ % ! , 0(& $( ( * * ,
(C) " .
! ! $ .
" $$ ( & ( (& 1( & (& ( (& ( (& ( ( & !( (& ! !
( 0 (& /( ( (& ( % & '(
77
Bdn. $ ( 0(& ( $( ( ( (
(D)
.! ! ! # $ . ! )
" $$ &
77

Tb. $ (& / % %
( (& 1( 0( (& ( (& ( (& ( ( (& ( ( (
( 0(& ( $( ( & ( ( ! & !( ( (& (
!& # !
(D)
! ! $ . ! )
.
" $$ ( & ( (& 1( & 0( (& ( (& ( (& ( & !( (& ! !
/( ( (& ( % & '(
77 arco
Cb.
$ ( 0(& ( $( ( & ( ( ( (
! ! ! # . ! )
. $
(D)

" $$
77

$ * * / ( ( * * / ( ( (& (,
(& ( ( (&
! $& ! !
Timp.
) ! .
(& !( (& !( ( (& !(
$ /( ( ( ( ( ( (,
77

!$$ * * * * *
Tec.
xilo., bells
$ .
& ! & ! & !
/ (,
break

(((( (((( ( ((( (( (( ( ( (( ( ( ( ( (((( ( ((( (((( (((( ( ( (( ( ( (

77
Perc. 1, 2
# (& ( (& ( (& ( (& ( ( ( ( ( (& ( (& ( (& ( ( ( ( ( ( ( (
afoxé, surdo
& ! / & & & ,
ganzá, tamborim
$ ! ! . !
!- & !-
-- - - - - - - ( -& !- - - - - - - - - - - - - - - - - ( -& !- -& !- - -& !-
77 crash break
# , , (,
fill fill
Perc. 3
bat. (cx., pt., bumb.)
(& ( (& ( (& ( ( ( (& ( (& ( (& ( (& ( ( ( ( ( ( (
. # $ .
FUNARTE — Ministério da Cultura
Série Música Brasileira para Banda — Folhas Secas 14
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 15

&' !& &" &' !& &' !& & &' $ !& 15
88
& & '
$$
' !
( & & & &' & , !& & , &' !& &' $ !&
84

Fl. ! $ % (
! * 1
&' , !& & &' !& &' !&
(A)
!& &' . !& &'
$$
84

Ob. ! $ % ( &' & & &' + # + # ( (

(B) ! ! ! * 1 $
! &' !& &' &' !
& &
84

Cl. B $ !$ % ( & & & &' + ,& # + # ( ( &' & &' &
(C * qto) !' ! ! * 1 $ ! !

" $$ & & &

84

$ & & & & ,&' & ( & ( &' & &' &
' &' & ,& & &
Fagote
! ! ' & & ! &' ' ! $ ! !
(D) ! * 1
&' !& &" &' !& &' !& & &' $ !& & & ' !
! & . &' !& &' , !&
Cl. E $ ( &' & & &' & .&
84

! % (
(A) Req.
! * 1
84
&' !& &" &' !& &' !& & &' $ !& & &
!$ % ( & &
& &'
( &' . & & & ,&
& . &'
1 (A)
!' ! * 1! ! ' !
- - ( &' , & &
! !
( &' & &' &
84

Cls. B $ 2 (B) !$ % ( + & &' + .& &'

& !& & &' !! ! * 1! $
84
!'
!$ % ( +
&'
- +
& &'
- ( &
'
(
3 (C)
& & & &' ,& & & &' & &' &
! * 1!
84 !' ! !! $ ! !
!$ & & & ( (
&' & &' !&
' ! &' !& & & & ,&' & ,& &' & &
Cl.Baixo
' & & ! &' & $ !
! * 1!
(D)
&' !& &" &' !& &' !& & &' $ !& & & ' !
! & . &' !& &' , !&
( &' &' & .&
84

Sxa. E $ 1 ! % & & (

(A) ! * 1
84
!& &' . !& &' &' , !& & &' !& &' !&
Sxa. E $ 2 ! % ( & & & &' + # + # ( (
(B) !' ! ! * 1 $
! &' !& &' &' !
& &
84

Sxt. B $ !$ % ( & & & &' + ,& # + # ( ( &' & &' &
(C) !' ! ! * 1 $ ! !
& & &
84

Sax.bar. E $ ! & & & & .&' & ( ( &' & &' &
' ! &' ! ' !& & ! &' & .& &' & & $ ! !
(D) * 1!
$ &' - 88
84

!$ % ( & + & + & &' ( $ &' & & ( & & & &
! &
& &' #
!' !! ! * 1! $' ! ' !
1 (B**)
Tpas. F
$ -
&' ( &' & &
84

!$ % ( & & & &' + & #

+ & &' ( & & & &
!' ! !! ! * 1! $' ! ' !
2 (C***)
84
&' !& &" &' !& &' !& & &' $ !& & &
!$ % ( &
& & &' ( &' . & & . &' !& &' , !&
!' !
1 (A)
! * 1
Tpts. B $ - ! !
- ( &' , & & ( &' & &' &
84

!$ % ( + & &' + .& &'

2 (B) & & & &' !! ! * 1!
!' ! $
' , !& &' !& &' $ &' !& & ' ! ' !
" $$ ( &
!& & &' # # ( & & & &
84
Tbn.
$ % + + (
(C)
! ! * 1 $
" $$ & & & &' !& & ,&' & &' & ,&
' !
( & & &
84
Bdn. $ ' &' & & & ( &' & &' &
(D) ! ! ! * 1 $ ! !
" $$
84

$ & & & & & ,&' & ,& ( (

Tb.
&' & &' ! ' & & &' & &' & & &' & &' &
! ! ! * !
1 $ ! !
(D)

&' !& & & &' ,&' & arco'

& ,&
!& !& !
" $ $ & &' & &' ( & & &
84 pizz.
Cb.
$ ( &' & &' &
(D) ! * 1 $ ! !
" $$
84

$ % ( & & & &' % % (

&' %
! &
&
!' !
Timp.
!& &" &' *
xilo.
&' !& &' !& & &' $ !& & & '
$$ 0 0 & , !& &
84
Tec.
! $ % % ( # + 2
xilo., bells
* 1
- + 2
& & & & & & & & & & & & & & & & & &
84
Perc. 1, 2
# % ( &' & & &' & &' & &' & & & & ( &' & &' &
afoxé, surdo
! ! +' / ( ' $ ! !
ganzá, tamborim ! * !
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) !) )
& )' !) ) )' Ride & )&' & )' !) )&' !)
84
crash

Perc. 3 # % & & & & & &' & &' & & & & & & &
bat. (cx., pt., bumb.) +' /
! * $
FUNARTE — Ministério da Cultura
15 Série Música Brasileira para Banda — Folhas Secas
Foolhas Secas PARTITURA 6.0.qxd 5/7/08 6:10 AM Page 16

16 !' & '" '& '& !' & # ' ' '& !' !' ' '& !' ' &
!' ' '& !' ' !' & !' '#
$$ % ! ! & 2
90

Fl. ! $ 1
(A) ( + ( 3 + 3
$$ % !' & '" '& '& !' & # ' ' '& !' !' ' '& !' ' & !' ' '& !' ' $ !' & - !' '#
! 1& 2
90

Ob. ! $ !
(B) ( + ( 3 + 3
!' ' '& !' ' & ! ! !' & !' '#
!
! $ % '! & '" '& , ' !' &
& # ' ' ,' -' 1& 2 ' ' '& ' '
90

Cl. B $ ! & !
(C * qto) ( + ( 3 + 3
" $$ % ) ! '
- '& ' '& ' '& % '& ' ' &
90

Fagote $ '& ) ' ' -' $' 0 0

'" '& - '& ' & '$ ! ! & 3 ! ! !' #
(! ( !
+!
(D)
!' & '" '& '& !' & # ' ' '& !' !' ' '& !' ' & !
' ' '& !' ' !' & !' '#
Cl. E $ %! ! 1& 2
90

!
(A) Req. ( + ( 3 + 3
!' & '" '& '& !' & # ' ' '& !' !' ' '& !' ' & !
' ' '& !' ' !' & !' '#
1& 2
90

1 (A) !$ %! !
( + ( 3 + 3
! '
) '& ' & 1 & '& '
90

Cls. B $ 2 (B) !$ %' & '" '& !

# ' ' ' '
& '& !' ' & ' ' ' ' $'& -' #
(!
+ ( ! 3! ! '& +! 3
! !
'
1 & '& ' ' ' ' &
90

!$ % ) )
, '& ' & # ' ' ,' -' ' ' ' ' '& ' #
3 (C) ' & '" '& ! & ! ! '& +!
(! +! &
( !
3 3! !
90
'
!$ % ) ) , '& ' '& ' '& ' ' 0 0 %'
& '
Cl.Baixo
'& '" '& , '& ' & '$ ! ! ! , '& - !' 3 ! !' & !' #
(! (
+!
(D)
!' & '" '& '& !' & # ' ' '& !' !' ' '& !' ' & !' ' '& !' ' !' & !' '#
%! ! 1& 2
90

Sxa. E $ 1 !
(A) ( + ( 3 + 3
!
% '& '" '& '& !' & # ' ' '& !' ! !
1 & ' ' '& ' ' &
!' ' '& !' ' $ !' & - !' '#
90

Sxa. E $ 2 ! ! ! 2
(B) ( + ( 3 + 3
! !' ' '& !' ' & !' ' & !' ' !' '#
% '& '" '& , ' !' &
& # ' ' ,' -' 1& 2
!' &
90

Sxt. B $ !$ ! ! & '

(C) ( + ( ! 3 + 3
! '
, '& ' '& ' '& % '& ' ' &
90

Sax.bar. E $ ! % ) ) ' ' ,' -' 0 0

'& '" '& , '& !' & '$ ! &
(!
! ( ! 3 ! ! ! #
'
(D)
+
$ % !' & '" '& & ! ! ! !' ' '& !' ' !& ! '
-' '& - ' 1 & 2' ' '& ' ' &
90

!$ ! !
# ' ' ,'
&
' ' #
1 (B**)
( ( ! + 3
+ 3
Tpas. F
$ ! ! & '
! $ % '! & '" '& - '& ' & ' ,' - !' 1 & !' !
' '& ' ' & ' '
90

# ' ' ' '& ' #

! 2 ! '& +! !
3 !
2 (C***)
( + ( 3
90
!' & '" '& '& !' & # ' ' '& !' & !' ' '& !' ' & !' ' & !' ' !' & !' '#
! $ % ! ! 1 2 '
( 3 3
1 (A)
( + +
Tpts. B $ '
&' !' & 1 & '&
! $ % ') & ' '
90

'" '& # ' ' ' ' '& !' ' & ! '& !' ' $'& -' #
! & !' 3! !
(! 3!
2 (B)
+ ( +
- '& !' & ' '&
!' ' '& !' ' & !' ' & !'
" $ $ % !'! & '" '& # ' $ !'
1& 2 ' ' !' & !' '#
90
Tbn.
$ !
(C) ( + ( 3 + 3
" $ $ % !' & '" '& - '& !' & ' - '& ! '& !' '& !
% & ' '& ' #
'
'
90
Bdn. $ ! ' ' ' -' $' 0 0
! &
(D) ( + $ ( ! 3 !! !
" $$ % ) ! '
- '& ' '& ' '& % '& ' ' &
90

Tb. $ '& ) ' ' -' $' 0 0

'" '& - '& ' & ' ! ! & ' #
! $ ( ! 3 ! !
( +! !
(D)

- '& !' '& !' '& !' ' - '& $ !' '& !' ! & ! '
" $ $ % !' & '" '& - '& !' & ' ' ' #
90
Cb.
$ ! 0 0 %
!
(D)
( + $ ( 3
'
" $$ % ) )
90

$ '& - '& ' & 0 0 0 0 / ' & !' #.

Timp. '" '& ! !
(! 3& & '
!' & '" '& '& !' & # ' ' '& !' '& ' #
$$ % ' & ' ' ' ' ' . .
90

! $ ! . . . 0 0 /
Tec.
!
xilo., bells
( + ( 3
& ! ! ! '
/
break

% ') & ) ''''''

'' & ' ' ' & '
'' ' ' ' ' '' '' '' & '' ##.
90
Perc. 1, 2
# '" '& '& ' & 0 0 &
% & /
! .
! !
afoxé, surdo
ganzá, tamborim ( % ( ! 3 !
!
' *&
"* *& *& !* fill * * * * ** ** ' *'& !*'
crash ! * & !* '*
90 crash break
# '& ' ' ' ' / '& ' '& ' / 0 0 / '& ' #
fill
Perc. 3
bat. (cx., pt., bumb.)
( % .
( 3
FUNARTE — Ministério da Cultura
Série Música Brasileira para Banda — Folhas Secas 16
 EDIÇÕES
FUNARTE FUNARTE
’S EDITIONS PARTITURAS
MUSIC
OFDE SCORESPARA
FOR BANDS
ANDAS

1995
Golden Repertoire of Francisco Manuel da Silva/Joaquim Osório Duque Estrada
Brazilian Bands Hino Nacional do Brasil
Antônio do Espírito Santo
Avante Camaradas / Dobrado 220 2008
Golden Repertoire of
Gilberto Gagliardi Brazilian Bands
Cidade de Diadema (dobrado) Anacleto de Medeiros
Jubileu (dobrado)
Joaquim Naegele
Mão de Luva (dobrado) Francisco Braga
Barão do Rio Branco (dobrado)
Silvestre Pereira de Oliveira
Amor de um Pai (dobrado) Joaquim Naegele
Professor Celso Woltzenlogel (dobrado)
Antônio Pedro Dantas (Tonheca Dantas)
A Desfolhar Saudades (valsa) Joaquim Naegele
Estrela de Friburgo (polka for solo trumpet and band)
2000
Golden Repertoire of Joaquim Naegele
Brazilian Bands Ouro Negro (dobrado)
Antonio do Espírito Santo
Avante Camaradas Anacleto de Medeiros
Dobrado 220 (dobrado) * reissue Os Boêmios (Brazilian tango)

Ceciliano de Carvalho José Genuíno da Rocha

Dever do Mestre (dobrado) Testa de Aço (frevo)

Gilberto Gagliardi Pedro Salgado

Cidade de Diadema (dobrado) * reissue Dois Corações (dobrado)

João Firmino de Moura Hymns of Brazil

Saudades de onde Nasci (valsa) D. Pedro I/ Evaristo da Veiga
Hino da Independência
João Trajano da Silva
Janaina (ciranda) Leopoldo Miguez / Medeiros e Albuquerque
Hino da Proclamação da República
Joaquim Naegele
Mão de Luva (dobrado) * reissue Brazilian Music for Bands
Edu Lobo/Capinam
José Aniceto de Almeida Ponteio (baião; arrangement by Hudson Nogueira)
Cecília Cavalcanti (valsa)
Guinga / Aldir Blanc
José Barbosa de Brito Baião de Lacan (choro; arrangement by Hudson Nogueira)
Bento Barbosa de Brito (dobrado)
Hermeto Paschoal
Levino Ferreira da Silva Bebê (baião; arrangement by Hudson Nogueira)
Lágrimas de Folião (frevo)
Noel Rosa
Luiz Fernando da Costa Palpite Infeliz (samba; arrangement by: Hudson Nogueira)
Archanjo Soares do Nascimento (dobrado)
Hudson Nogueira
Manoel Ferreira Lima Quatro Danças Brasileiras (samba, maxixe, marcha-rancho, choro)
Diana no Frevo (frevo)
Ivan Lins / Vitor Martins
Manoel Rodrigues da Silva Novo Tempo (arrangement by Hudson Nogueira)
Dengoso (choro)
Carlos Alberto Braga (Braguinha) / Alberto Ribeiro
Severino Ramos Copacabana (samba; arrangement by José Carlos Ligiéro)
Tubas de Papelão (dobrado)
José Ursicino da Silva (Mestre Duda)
Silvestre Pereira de Oliveira Suíte Nordestina (baião, serenata, maracatu, frevo)
Amor de um Pai (dobrado) * reissue
José Ursicino da Silva (Mestre Duda)
2004 e 2008 Suíte Pernambucana de Bolso (caboclinhos, serenata, côco, frevo)
Hymns of Brazil
Francisco Braga/Olavo Bilac Nelson Cavaquinho/Guilherme de Brito
Hino à Bandeira Nacional Folhas secas (samba; arrangement by Hudson Nogueira)
Patrocínio Realização