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Dana Oshiro
Mr. Miles
6 October 2017
In The Picture of Dorian Gray, a recurring theme is the supremacy of youth and beauty,
noting that self-conceit leads to the abandonment of all other things. This idea is present in the
poem “Narcissus and Echo” by Fred Chappell and relates to the novel The Picture of Dorian
Gray by Oscar Wilde. “My only belonging is my beauty” (Chappell 4-5) showcases the pride
Narcissus has in his own beauty such as in Dorian Gray when he says, “If it were I who was to
be always young, and the picture that was to grow old! For that--for that--I would give
anything” (Wilde 26). Throughout both stories, Narcissus and Dorian abandon all other things:
companionship, love, ethics, reasonings, and, in the end, their souls/lives. Furthermore, in the
pursuit of aestheticism, both abandon and leave interested lovers broken hearted. Echo’s quiet
agony of “ache of unbeing” (Chappell 5-7) juxtaposed to Narcissus’s careless flaunts seen in
“teasing playfully the one being” (Chappell 7) creates a shocked and disgusted tone similar to
Dorian’s dismissal of Sybil Vane in “without your art you are nothing” (Wilde 84). By pursuing
beauty and art rather than people, Dorian becomes cruel, and Narcissus wastes away by the
water. In the search for glamour, Narcissus and Dorian are heartless as they turn their face from
love of others and towards artistry and perfection. Both characters ignore the other impalpable
and joyous experiences in an appalling disregard for Echo and Sybil and attention to
aestheticism. Consequently the devotion to such beauty can only end in an exceedingly high
Moreover, society’s superficial nature is apparent in both The Picture of Dorian Gray by
Oscar Wilde and “We Wear the Mask” by Paul Laurence Dunbar. Society prizes appearance;
however this concept is atrocious. In The Picture of Dorian Gray, people are constantly praising
Dorian’s beauty seen in “all the candour of youth was there, as well as all youth’s passionate
purity. One felt that he had kept himself unspotted from the world. No wonder Basil Hallward
worshipped him” (Wilde 17). The society idolizes youth and beauty with a gorgeous exterior,
yet the author’s tone is sarcastic and overdramatic in describing Basil’s affection for Dorian
showing this perception is depthless and small-minded. Society’s adoration for a flawless
appearance is also seen in “We Wear the Mask” when the narrator says, “Nay, let them only see
us, while we wear the mask” (Dunbar 8-9). The afraid tone indicates that the speaker is
frightened by “them”, or otherwise society’s standard in the upkeep of a perfect front. Negative
connotations towards society’s infatuation with an outward appearance present the universal
truth that the surface is not everything. The theme that idolization of beauty and appearance is
ludicrous persists throughout the tales of “Narcissus and Echo” and The Picture of Dorian Gray
and in “We Wear the Mask.” This superficial idea is referred to as negative consistently and
poses the question of whether anything good comes from the reverence of exteriors and beauty.
Oshiro 3
my hand’s slow gesture, tracing above of We wear the mask that grins and lies,
its mirror my half-imaginary airy It hides our cheeks and shades our eyes,—
is my beauty, which I take ache With torn and bleeding hearts we smile,
away and then return as love of And mouth with myriad subtleties.
moves me. I live apart heart In counting all our tears and sighs?
from myself, yet cannot not Nay, let them only see us, while
whispers my name with such slight light: We smile, but, O great Christ, our cries
moment, it seems filament of air, fare To thee from tortured souls arise.
the world become cloudswell. well. We sing, but oh the clay is vile
Works Cited
Wilde, Oscar. The Picture of Dorian Gray. Barnes & Noble, Inc. , 2015.
https://shenandoahliterary.org/blog/2016/03/narcissus-and-echo-by-fred-chappell/.
https://www.poetryfoundation.org/poems/44203/we-wear-the-mask/. Accessed 06
October 2017