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[ The Voice of Temples ]

ENGLISH – `≥Å∞QÆ∞ – u“ãty Rs.5/-

Shri Malayappa Swamy N =∞ÅÜ«∞Ѩʙêfiq∞"å~°∞

Vol. 19 JUNE – 2018 No.6
'VAK' is available on www.archakaseva.com
 2

ARCHAKAS AND THEIR RETIREMENT

BEFORE 87 AFTER 1987

The following thoughts of Sri P.V.R.K Prasad recorded in his famous book “Sarva Sambhavam” Pg 110
highlights the above aspects of hereditary archakatvam…” I was standing in front of the Deity when my
thoughts went back to the situation few centuries back… When few devotees used to travel to the Hill the
Archakas used to be there. When only few Kalyanautsavams used to happen they were there. When no
devotee was staying on the Hill few centuries back Archakas used to walk from Tirupathi through the
jungle and perform rituals to the deity and come back. They started to stay at Tirumala for the sake of
devotees only after Tirumala temple became famous and devotees started to come in higher numbers.
That means when few devotees used to come and there was very little income from Hundi also the hereditary
archakas and their ancestors for centuries together have been ensuring daily rituals and all sevas to the
presiding deity…. During the time when there was no income for the deity with what expectation did they
serve Lord Srinivasa?
Our Agama Rishis have cast a great responsibility on the Rulers to protect the Archaka community and
ensure that they are always treated as per the principle of Dharma so as to ensure welfare of the Archakas
and the society. The Agamas casts the duty of archakatvam as the path to salvation right from the birth
of the archaka in the hereditary archaka family, thus there is no retirement age prescription in our scriptures.
It has been the custom, usage and tradition to allow the hereditary archakas to serve the Almighty in our
temples so long as they are physically able to do so. Our ancestors consisting of great Kings of yore
have followed the dictum of the Rishis in letter and spirit. It is only in the recent times starting with the
enactment of the draconian 30/87 AP Endowments Act that our Society has deviated from this path of
Dharma.
The consequence of this deviation came to fore in the year 2001 when Shri Bheemasena Chary Archaka
of Alampur Lakshmi Narasimha Swamy temple sacrificed his life on the bell of the temple in protest
against the unjust retirement order. This sacrifice was an eye opener for the devotees and it triggered a
grass root movement leading to the amendment of the draconian AP 30/87 Endowments Act through Act
33 of 2007.
The Temples Protection Movement in its press note dated 22nd May 2018 which was widely covered in
the press has given a detailed legal explanation as to why the retirement order of the TTD board prescribing
65 years as age of retirement for Tirumala hereditary archakas is illegal and made following suggestion
which hopefully will be followed by the Government of Andhra Pradesh “It is therefore suggested that
the Government take a policy decision on this matter and ask TTD to keep the retirement of hereditary
archakas in abeyance as per G.O.Ms.No. 611 as they are not governed by the same as per the existing
scheme defined under Sec 34(3), Sec 142 and Sec 144. The Government should also take immediate
steps to issue the final notification on the Rules framed through G.O.Ms.No 76” .

CONTENTS Page ÃÊúÁtN˛yÆ ............. 13

Editorial ................... 3 uƒ…mÏÓœÁåÁ™Áƒ¬y TÁsÁ - 207 ............. 14
Anecdotes on Vishnu Sahasranamam-207 ....... 4 ™áÏ∫Á uƒ\ÆΩ - 80 ............. 16
Madhura Vijayam - 80 ................... 6 Ahobilam and Ahobila Mutt - 66 ................. 18
ã¨Oáê^ŒH©Ü«∞O ................ 8 N~å=∂#∞Ax Hõj‡~°∞ âß~°^•Ñ‘~î° Ü«∂„`«-10
.. ............ 19
q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–207 ................ 9 Ramanuja's Journey to Sharada peeth-x ............ 20
=∞^èŒ∞~åq[Ü«∞O 80 .............. 11 News ................. 24
Devotee's Experiences ................. 26
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EDITORIAL... ✍ CAN DEVOTION RETIRE ?!!
Vedas, Agamas such as Pancharatra, Vaikhanasa, Dharmashastras are supreme for worship.
Through them only we know about the existence of Lord, salvation as purpose of life and how to worship
Lord to attain salvation. Archaka is a custodian of the deity and is a bridge between the devotee and the
Deity. He is referred to in the Agamas as Acharya. For people who do Punya or Papa, only by the grace
of Acharya they can surrender before Lord and attain salvation as per Ramanuja Sampradaya.
Archaka needs to be an ardent devotee of the Lord.
The Agamas have prescribed hereditary archakatvam which is a practice in many temples. This
not only creates a sense of belonging to the individual but also to the entire family through generations.
That is how the temple as a place of worship and deities have been protected through various invasions.
Even during invasions when temples were broken, the idols were safe guarded by the hereditary servants
of lord they have been given to us. Binding the entire clan with commitment to protect the deity has
proved to be the best practice as prescribed in the Agama to ensure longevity of the institution rather
than binding a person in his life time.
During the British rule, and earlier Muslim rule the ancestors of Ramana deekshitulu and many
archakas of thousands of temples sacrificed their mite for the sake of the deity and institution. That is
devotion and they need to be protected and hence they need to be enabled to protect the institution for
the future generations. We have no business to decimate the institutions or tweak the practices to suit
our whims and fancies. The entire 30/87 endowments act is draconian to this effect and ill thought of
Archaka has to ensure his right to life by serving the deity and ensure the right to life of devotees by
enabling them to surrender before the Lord and be a bridge spiritually and emotionally to all the devotees.
Since his ordinances are severe, the Archaka should be left to protect the institution. As per
agamas, the deity alone has the right to punish an archaka if he is found to be doing malpractice with
the deity. In any case if he does a crime which is not as per law the ruler has the power to punish him
as per scriptures.
An archaka has to take care of the deity like his child, parents etc. and he is the person who
knows all about the deity. He is supreme in temples. No one should talk ill about an Archaka. This will
anger the deity.
In order to ensure prosperity and well being of the subjects in the state the king should keep
archakas happy and ensure that they perform proper ritualistic poojas to the deities failing which they
will have issues in the state
Archaka, being an Acharya, follows the rules of Acharya. He is Archaka from birth and will be
like that till he expires. He will have no retirement age. He has to serve the deity as much as his body
allows. He can be assisted but cannot be removed or replaced. As far as TTD is concerned the Lord
himself has appointed Vaikhanasas to take care of him in Tirumala. None of the archakas there can be
removed. There are no prescribed posts. All people belonging to the lineage have the eligibility.
An Archaka is a non-remunerative religious person and is servant only to the deity. He is not
subordinate of the above TTD and needs to be treated with respect. The quotation from Shri P.V.R.K.
Prasad's book reproduced in the cover page should be the guiding spirit of the administration. All that is
happening in Tirumala is not good for the administration or the state.
It is against Agamas to treat an Archaka as a remunerative servant. Archaka is not a servant of
the Government and no Government can treat him like that. It is the Dharma of Devotees to protect the
truth against such divisive forces in the Political atmosphere which have made the TTD issue as that of
the hereditary Archakas. It is not the problem of Archakas alone. It is the problem of the innumerable
number of devotees.
It is not the problem of the Political Parties either. No Political party can fish in these troubled
waters. Unfortunately, the seeds of division have been sowed in by outsiders and the Hindu Community
has to now wake up to solve the problems plaguing its Temples. Let us all start by solving the issue of
archakas who have been let down by the Government, the Political class, the Devotees and the last but
not the least, the Supreme Court. The Supreme Court has let down the Temple system.
Jai Jagannath! Jai Jagannath!! Jai Jagannath!!! O
There should be no regional boundaries for temples.
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Anecdotes on Vishnu Sahasranama - 207

Unassailable ultimate
Dr. V.S. Karunakaran B.E.(Mech.), M.A. (Sanskrit), Ph.D

As the Lord, who is known only through the Veda, “Oh king of monkeys! If I wish, I will kill all those
incarnated as Rama - the son of Dasaratha, the devils, demons, supernatural beings and ogres on
Veda itself incarnated as Ramayana-the literary child earth with my nails.”
of Sage Valmeekee (who wrote the life history of This reminds us of His earlier incarnation as Nrusimha
Lord Rama in 24000 Sanskrit verses)” says a familiar in which he killed the demon Hiranyakashipu with
Sanskrit Sloka. The full form of the sloka is His nails only.
Incidentally Rama had used the word “Hari” which
ƒztƒz˘z ú∫z úÏÊuà \Áoz t∆∫sÁn™\z @ could mean lion also. This also goes to support
ƒzt: üÁYzoÃÁtÁÃyoΩ ÃÁqÁoΩ ∫Á™ÁÆmÁn™åÁ @@ the view that Rama had the incarnation of Nrusimha
in His mind.
The great Tamil poet Kamban was a sincere
Kamban defended saying that he had just
student of Valmeekee’s Ramayana. He wanted to
elaborated that indirect reference in Valmeekee’s
write the history of Lord Rama in Tamil. He wrote
Ramayana in his version of Ramayana. However,
his magnum opus “Ramavathaara”. Later people named
the scholars were not ready to accept his explanation.
it as “Kamba Ramayanam” to give credit to the author.
Kamban felt helpless and mentally pleaded to the
Kamban wanted to present his Ramayana on
Lord Nrusimha, seated in front of the mandapam
stage to the scholars at the temple of Sri Ranganatha
as “Mettu Azhagiya Singar” to save him from the
at Sri Rangam and get their approval for his work.
scholars torturing him.
The venue was also an appropriate choice for the
Immediately, there emanated a great noise –
Lord of Sri Rangam, Lord Ranganatha is the family
the “attahasa” from the shrine of Mettazhagia singar
deity of Rama and His ancestors.
It was the Lord laughing loudly as a token of His
After getting due permission from the great preceptor
approval of Kamban’s expansion of the reference
Nathamuni, the Sri Vaishnavite scholars, the priests
to the incarnation of Nrusimha in his Ramayana.
and administration of the temple, Kamban presented
The scholars objecting trembled at this .They had
his Ramayana seated in a four pillar “mandapam”
to accept it. Kamban proceeded to complete his
in front of the shrine of Goddess Ranganayakee in
Ramayana, which was accepted as of good literary
the temple complex of Sri Ranganatha in Hasta
standard by the congregation of Scholars
“nakshatra” in the Tamil month of Panguni. The
After completion of the presentation, Kamban
mandapam in which he presented the Ramayana
went to the shrine of Lord Nrusimha to thank Him.
was also adjacent to the shrine of Lord Nrusimha
He saw a unique picture of a two-headed bird there
called “Mettu Azhagiya Singar” as the shrine is in
and asked the priest about it. The priest said that
an elevated level.
it was the picture of Ganda Berunda Nrusimha, which
Kamban had described the incarnation of the
was also a form of Lord Nrusimha.
Lord Nrusimha in detail in the chapter “Iraniyan Vadhai
“Why did the Lord take the form of Ganda
Patalam”, in the Yuddha kanda. While he was
Berunda?” asked Kamban.
presenting the Ramayana and had reached this
The priest narrated the history of Ganda Berunda:
“Patalam” –Chapter describing the incarnation of
—
Nrusimha, some scholars present there, objected
As the Lord came as Nrusimha and killed
to it saying that the description of Nrusimha avatara
Hiranyakashipu, He was very furious and full of rage.
was irrelevant to the subject of Ramayana.
The Devas could not tolerate the intense heat
Kamban tried to justify his act saying that
emanating from the Lord and were afraid to go near
Valmeekee Ramayana itself has an indirect reference
Him. So they tempted Shiva to somehow subdue
to Nrusimha avatara. When Rama accepts the
Nrusimha and relieve them from the fear.
surrender of Vibheeshana, Sugreeva threatened
Shiva advised them that the Lord took the
saying that he would quit Rama’s association if
Nrusimha incarnation only to slay the enemy of Devas,
he accepted Vibheeshana. At that time Rama says,
Hiranyakashipu. So it would not be right on the part
uú∆ÁYÁåΩ tÁåƒÁåΩ ÆqÁåΩ úwus√ÆÁÊ Y{ƒ ∫ÁqÃÁåΩ @ of Devas to attack the Lord who had come to save
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h q[Ü«∂xfl PtOz#@∞¡ W`«~°∞Å q[Ü«∂xfl PHÍOH˜∆OK«∞.
June '18 w w w w w w w w w w w w w w w w w w 5 wwwwwwwwwwwwwwwwwwwwww VAK
them.
But the Devas tempted Shiva praising his velour
and guts. Shiva, carried away by their praises,
attacked Lord Nrusimha by taking the form of
Veerabhadra Rudra. But he was no match to Lord
Nrusimha.
He then came as Kaala Bhairava and attacked
Nrusimha but still it was not enough.
Finally he took the form of Sharabha, which
was half-bird and half-beast. The Sharabha came
to attack Nrusimha. Nrusimha, who hitherto remained
tolerant to the offences committed by His dear devotee
Shiva, now got enraged and took the form of as
Gandaberunda – a bird with two heads, multiple rows
of teeth, black complexion and wide blazing wings.
Gandaberunda fought with Sharabha for eighteen
days and killed the Sharabha. The great preceptor
Koorathazhwan describes this in his Atimaanusha
stava:
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∆©ßÏß|ƒåΩ u“ ∆∫ß: ∆¬ßÁz §ßÓƒ @@
Yes! Shiva in the form of Sarabha became
Salabha –a moth in the fire of Nrusimha.
Shiva then realized his mistake and sought apology
from Lord Nrusimha. The Lord forgave his offence.
However, the blessed devotee Prahlada was
unable to have adequate darshan of Gandaberunda
form of the Lord. On his request Lord Nrusimha
Showed His Gandaberunda form in an attractive form.
Prahlada, who stands by the side of the Lord
Devadhiraja at Therazhundur, the birth place of
Kamban, made a medal carrying the emblem of
Ganda Berunda and submitted to the Lord. Even
today we can see the Lord Devadhiraja wearing the
medal with the emblem of Ganda Berunda, with the
devotee Prahlada standing by His side.
q[Ü«∞OÖ’ Hõ<åfl qѨ`«∞ÎÖ’<Õ =∞x+≤ Q˘Ñ¨Ê`«#O `≥Å∞ã¨∞ÎOk.
Some devotees of Lord Rajagopala of Mannargudi
prayed to Him, “You are renowned as Yasodai Ilam
Singam – the cub lion of Yasoda. We want to have
darshan of you seated on a lion.”
The Lord replied, “I am the One who incarnated
as Nrusimha, I am the One who came as Ganda
Berunda. To please my devotees, I’ll give darshan
on Ganda Berunda Vahana during my eighteen day
Brahmotsava as I give darshan on Lion Vahana.”
This picture is the image of that Ganda Berunda
form of Lord Nrusimha, the slayer of Sharabha.
—
The priest added, “Lord Nrusimha is called
Durmarshana – the one who does not tolerate the
offences committed towards Him or His devotees
and thus becomes. Just like He incarnated as Ganda
Berunda to finish off Sharabha who committed offence
to Him, He gave a loud laugh to save you, His devotee,
when you were in trouble!”
Kamban shed tears of joy, realizing the mercy
of the Lord.
Thus the Lord Nrusimha, who is intolerant
to the offences committed to Him or His
devotees and immediately comes to the defence
of His devotees, is Unassailable ultimate is
called Durmarshana.
Nirukti puts this crisply as:
tÏ…N˛∫Ê ™ |mÊ ÆÀÆ ú∫{tÏ|™| m: À™wo:
Dear Readers of VAK! Come let us chant
this name of the Lord keeping the frame of
Balaji at Chilkur in our mind and pray to Him
We will also become unconquerable to those
who challenge us Let us Chant
Durmarshanaya Namaha
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Madhura Vijayam - 80 Sri Ranganatha Travel Part – II
Tamil Manuscript : Sree Venugopalan, Chennai
Story so far: The story based on the 14th century
incidents, was written by Sri Venugopalan which is
based on the historic facts elucidated in Madhura
Vijayam composed by Maharani Ganga Devi, Chief
Queen of King Kampana Rayaaya. Two young men
Vallabha and Dutta(son of a great warrior, who lost
his life while saving Lord Ranganatha idol from Muslim
invaders) set out on an expedition to locate the idol
of Lord Ranganatha of Srirangam,. After several
adventures the two boys, found the idol along with
one Kodava who protected them for more than eighteen
years deep inside the forest of Chandragiri. They brought
the idol to Thirupathi. To restore back the idol to
Srirangam, the two boys met Sri Gopanna, commander-
in-chief of the Vijayanagara’s mulvoy province and he
promises Vallabha to restore Lord Ranganatha to Sri
Rangam with the help of Vijayanagara king. Meanwhile,
as a first step the Vijayanagar army mission was
undertaken to conquer Sambuvaraya of Rajagambhira.
Kanchee puram was conquered and Kampana Raya’s
army advanced to Rajagambhira mountain conquered
it and killed the Raja Gambhira king. The Madurai
princess was rescued. Vallabha who was on a mission
to safeguard Pandya princess Makaravizhiyaal to pandya
kingdom fell in love with her but promised to marry
her only after completing his mission. Meanwhile, Lord
Ranganatha who was in Thirumala for a while, has
been brought to Chenghee by Gopanna the commander
of Vijayanagar army belonging to Mulvoy province.
Vallabha, Datta and Vallabha’s mother Vasanthika meets
Gopanna to find out about the plans of restoring Lord
Ranganatha to Sri Rangam. It was 10 years since the
Rajagambhira Kingdom became part of Vijayanagar
and still no further advancement action was taken
against Madurai Sultan due to trouble from Bahamani
sultans. Gopanna takes up on him and vows to take
up the expedition now and reaches Kanchi, the capital
of King Kampana Raya. Kampana who was having
fever at that time was feeling guilty that he did not take
any action to restore Lord Ranganatha. In his dream,
he felt that Goddess Parvathi herself comes and blesses
him to continue the mission. Later Vasanthika briefs
her son that she is the one who spoke as Parvathi to
Kampana and she has also left the dagger with Kampana
which was presented by Makaravizhiyal to Vallabha.
Meanwhile Gopanna meets Kampana, and the King
with all others has an extensive meeting with ministers
regarding an attack on Sultan. As per the discussion
they all decided to send Vallabha and Dutta to study
the Mughal army, their strengths and weaknesses.
Vallbha and Dutta set on this expedition and with a
help of locals, weakened Sultan with a disease through
a devadasi and made him move to Madurai. Then
the Vijayanagar army launched a two pronged attack
on Kannanoor fort which surprised the Sultan’s army.
The Sultan’s army outside the fort was defeated with
a sound military strategy. A siege was laid on the fort.
Lord Rangantha was taken inside the temple with pomp
and glory and waited for Swamy Vedanta Deshikan’s
B^•~°ºO QÆŠǨÏ$^ŒÜ«∞"Õ∞ J=¸Åº"≥∞ÿ# ǨÏ$^ŒÜ«∞O.
English Translation : CSL Narasimhan
arrival to break the stone curtain and proceed further
to reinstate the idol in the sanctum sanctorium.
Meanwhile Gopanna’s army left Kannnore and reached
Madurai for the next attack. There they killed Sultan
and captured Madurai easily and restored back worship
in all the temples there. The walls which was built
covering the sanctum sanctorium of Goddess Madurai
Meenakshi temple was removed and restored back.
Over 5000 temples were restored in almost a months
time by the Vijayanagara empire. Gopanna returned
to Sri Rangam to reinstate Lord Ranganatha. Swamy
Desikan arrived, broke the stone curtain, helped in
clearing the confusion regarding the Utsava idol and
enabled the opening of the Sanctum sanctorium of
Sri Rangam temple alongwith the reinstated utsava
idol worship. Goddess Ranganayaki’s idol was also
found from near by champaka tree. There was festive
moment everywhere. The coronation ceremony of
Kampana Raya as the king of southern provinces was
organized in Sri Rangam with pomp and glory. Many
kings and Satraps were invited. Vallabha’s heart throb,
Princess Madhurangini was also invited. When the eager
Vallabha came to know that she has married a royal
family person he was heart broken. He was wondering
what has happened to the love relationship they had.
When Vallabha was quietly lamenting near the Lord’s
sanctum sanctorium, he saw a figure resembling
Pricincess Madhurangini approach him.
Vallabha saw a figure which is getting closer and
closer to him . He felt as if he is having a dream
which he thought will vanish once he opens his eyes.
“Swamy!” he heard a voice . He did not react as
he thought it to be his dream. Then again he heard
somebody calling him” Swamy!”. He then realized
that it is not the dream as he saw the figure in front
of him with tears filled eyes. “Its me Madhura who
lived with your memories.” Thus spoke the figure.
“Please do talk something to me. Otherwise my
heart will break” said Madhura. Then she sat down
in front of him. Vallabha looked at her sorrowfully.
He could not talk. He felt he had a biggest grief
struck in his life . Whatever struggles he underwent
all these days became suddenly meaningless he
felt.
“Swamy! Please look at me! I am a sinner. I have
committed a big crime, because I have stolen your
love. Even after realizing fully that your love is your
life, I took it away from you and threw it away. I
did that with my full consciousness. I know you
will be lifeless after you come to know. But still I
did that. She blabbered continuously and started
hitting her head against a stone.
Vallabha who got shocked by this and shouted
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Madhura! Madhura! In his hearts and felt like going
nearby to touch her. But immediately controlling
himself, he spoke :
“Maharani! What is this? Can you behave like this?
Please stop it!”
He cried. She got up. Her forehead had some blood
stains.
“Swamy! I wanted to come and express all my grief
and cry before you. Then only I can be peaceful.
I saw you in the court itself and I also knew when
you got up and left the court after seeing me with
the person next to me. You must have got the shock
as even I was undergoing the same I understand
your position. After I left the court, I all the while
thought where you would have gone and finally came
to a conclusion that you would be in Ranganatha
temple only. I Some how managed to come here
without anybody’s knowledge. I married him as it
was my duty. My father was on his death bed affected
by the disease. He wanted to hand over me to
somebody as he was afraid that somebody may
abduct me again for the sake of political interests.
I tried to delay it to the maximum possible. How
long can a girl be alone ? There was not a hope
that Tamil speaking states would have good times
again. Even my father was sinking slowly. I had
no other choice except to accept for the marriage.
Swamy! I wanted to kill myself after accepting . I
wept all alone but I thought that you may be happy
if I am alive somewhere rather being dead. This
made me agree for the marriage and I am living
only with that hope that you will console yourself
that I am alive thinking about you. If that is a mistake
then I am ready to kill myself this very moment.
Please tell something”
Cried Madhura. She was in tears.
Vallabha did not speak. His mind was emotionless.
He realized that the women hood is asking for justice
to him in the form of Madhura. The appearance of
Madhura in front of him, her side arguments, her
grief all of this made him feel little better. What
else was possible for her for all these ten years.
When he thought about that he only felt sympathetic
for her. After several moments of silence. He slowly
spoke to her calmly.
“Oh Queen! I cannot call you by name as I lost the
right on you. Please do not cry. That hurts me when
you cry. You said you wept for me all alone for a
day. That is enough for me. I can live with these
memories for ever. I would also like to say that I
am happy that you are alive .What I need is a
permission from you. Please allow me to think about
you. That is enough for my life. I can be alive forgetting
this wound.
“You have the full rights to keep thinking about me.
Our love is pure and so even if I think about you
without spoiling my married life, nobody can blame
me.” Said Madhura. Both of them felt consoled after
this. They got up and prayed to Lord Ranganatha,
came out and went in their own directions.
Vallabha reconciled himself and began to lead a saintly
life after that. His mother Vasanthika was alive only
for a year after she came back to Srirangam. She
slowly came to know from Dutta about Vallabha’s
broken love as he was not at all accepting for marriage.
All because of the promise made to her, he did not
marry Madhura. She felt grief stricken after this thought
that she is the culprit for their separation. She stopped
compelling him to get married. At the time of her
death she blessed him saying ‘May you live in peace”
At the same time, she took a promise from Dutta
that he has to take care of her son like his brother
and should not hurt his feelings anytime in his life.
For that purpose he has to have a family she insisted.
Dutta agreed and he married Manjari after some time.
Dutta was the only person left for Vallabha in the
world and has become everything for him. Both together
did many services to lord Ranganatha. The blessings
of the Lord was with them. Vallabha who got immersed
deeply in devotion with the Lord enjoyed Lord’s love
and blessings and they were merged like honey and
milk for ever.
(to be continued)

™åσu| åoÁ ÃÁqÁ˘ÁzTy N˛À™ÁëÁ úÓ\Æzo@Ω å NÏ˛ÆÁ|tΩ ƒwu\åÊ åÁÆÁ|: NÏ˛ƒwÊ å À™∫zoΩ uœÁÆ:@@
Every woman is my direct embodiment. One should not commit a wicked deed involving a woman; one should
not (even) think about sinful acts in connection with a woman. (Source : Lakshmi Tantram 43rd Chapter)

=∞`«Î#∞~°fix`å ™êH∆Í`ü Ü≥∂w Hõ™ê‡#fl ѨÓ[ÜÕ∞`üI # ‰õΩ~åº^Œfi$l#O <å~åºó ‰õΩ=$`«ÎO # 㨇ˆ~`ü „ã≤ÎÜ«∞óII
„Ѩu =x`« <å â◊s~°O. 'P_»"åiѨ@¡ Jã¨ÉèíºOQÍ „Ѩ=iÎOK«_»"Õ∞ HÍ^Œ∞. qHÍ~°OQÍ PÖ’zOK«_»O ‰õÄ_® ã¨Ç≤ÏOK«#∞—
JO@∞<åfl~°∞. J=∞‡"å~°∞. (¿ãHõ~°} : ÅH©;`«O„`«O 43= J^蕺ܫ∞O)

Q“~°=O á⁄O^•ÅO>Ë - Q“~°qOK«@O <Õ~°∞ÛHÀ.

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ã¨Oáê^ŒHÜ
© ∞« O✍ ÉèíH˜ÎH˜ Ѩ^Œg q~°=∞} LO@∞O^•...?!!
"Õ^•Å∞, áêOK«~å„`«=Ú, "≥·MÏ#㨠PQÆ=∂Å∞, ^èŒ~°‡âß„™êÎÅ∞ =O\˜"å\˜x ѨÓ[-P~å^èŒ#ʼnõΩ L`«¯ $+¨ì „QÆO^ä•Å∞QÍ ¿Ñ~˘¯O\Ï~°∞. "å\˜
^•fi~å<Õ =∞#‰õΩ ÉèíQÆ=O`«∞x LxH˜ `≥Å∞ã¨∞ÎOk† rq`«ÅHõ∆ ºO =ÚHÎ̃x ã¨O„áêÑ≤ÎOK«∞HÀ=@=∞x, =ÚHÎ̃x ã¨O„áêÑ≤ÎOK«∞‰õΩ<ÕO^Œ∞‰õΩ ÉèíQÆ=O`«∞x Uq^èŒOQÍ
ѨÓlOz P~åkèOKåÅ#fl q+¨Ü«∂Å *Ï˝#O Åaèã¨∞ÎOk. J~°Û‰õΩÅ∞ ÉèíQÆ=O`«∞x ã¨O~°Hõ∆‰õΩÅ∞QÍ =º=ǨÏiã¨∂Î, Éèí‰õΩÎxH˜ ÉèíQÆ=O`«∞xH˜ =∞^茺
J#∞ã¨O^è•#=∞=Ù`å~°∞. PQÆ=∞ „QÆO^ä•ÅÖ’ "åix 'PKå~°∞ºÅ∞—QÍ =º=ǨÏi™êÎ~°∞. ~å=∂#∞[ ™êO„Ѩ^•Ü«∂#fl#∞ã¨iOz, ѨÙ}Ϻ`«∞‡Å~Ú<å-
áêáê`«∞‡Å~Ú<å, PKå~°∞ºÅ ^•fi~å<Õ ÉèíQÆ=O`«∞x K«~°}ÏÅ=^ŒÌ â◊~°}ÏQÆu KÕã≤, "≥∂H∆Íxfl á⁄O^ŒQÆÅ~°∞.
J~°Û‰õΩʼnõΩ ÉèíQÆ=O`«∞x Ü«∞O^Œ∞ „âı+¨ª"≥∞ÿ# ÉèíH˜Î LO_»@O `«Ñ¨Êxã¨i.
PQÆ=∞ „QÆO^ä•ÅÖ’ J~°ÛHõ`åfixfl =Oâ◊áê~°OѨ~°ºOQÍ =KÕÛ^Œx x~åúiOK«@=∞~ÚOk. D ™êO„Ѩ^•Ü«∂xfl D<å\˜H© Z<Àfl ^Õ"åÅÜ«∂ÅÖ’
H˘#™êyã¨∞Î<åfl~°∞. nx=Å# ˆH=ÅO XHõ =ºH˜ÎH˜ =∂„`«"Õ∞ Ѩiq∞`«OHÍHõ, `«~°`«~åÅ=~°‰õÄ P ^Õ"åÅÜ«∞O, JHõ¯_»∞#fl ÉèíQÆ=O`«∞xѨ@¡ Pf‡Ü«∞`å
ÉèÏ=O H˘#™êQÆ∞`«∞Ok. D ™êO„Ѩ^•Ü«∞O HÍ~°}OQÍ<Õ Ñ¨Ó*Ïã¨÷ÖÏÅ∞QÍ "≥Å∞Q˘O^Õ ^Õ"åÅÜ«∂Å#∞, "å\˜Ö’ H˘Å∞"≥·# ^Õ=`å=¸~°∞ÎÅ#∞, Z<≥fl<Àfl
^ŒO_»Ü«∂„`«Å∞ [iy<å "åˆ~ ~°H˜∆OK«QÆeQÍ~°∞. ^Œ∞~å„Hõ=∞}Å∞, ^ŒO_»Ü«∂„`«Å∞ [~°∞QÆ∞`«∞#fl ã¨=∞Ü«∂ÅÖ’ ^Õ"åÅÜ«∂ÅÖ’x ^Õ=`å=¸~°∞ÎÅ#∞,
ÉèíQÆ=O`«∞x `«~°`«~åÅ ¿ã=‰õΩÅ~Ú# D J~°Û‰õΩÖË ~°H˜∆OKå~°∞† `«=∞ `«~åÅ"åiH˜, =∞#‰õΩ JOkOK«QÆeQÍ~°∞. ˆH=ÅO XHõ =ºHÎ̃x J`«x rq`«HÍÖÏxH˜
=∂„`«"∞Õ Ñ¨iq∞`«O KÕÜ∞« Hõ, PQÆ=∞âß„™êÎÅÖ’ x~åúiOz# „ѨHÍ~°O, J~°Û‰õΩÅ =Oâ◊ã∞¨ Å÷ O^Œi Éè∞í *ÏÅÃÑ#· QÆ∞_ç`Àáê@∞, QÆ∞_çÖ’ H˘Å∞"≥#· ^Õ=`å=¸iÎ
q„QÆǨxfl ~°H˜∆OKÕ ÉèÏ~°O LOK«_»O ^•fi~å ^Õ"åÅÜ«∞ =º=ã¨÷#∞ Ѩi~°H˜∆OK«\ÏxH˜ ÃÇÏK«∞Û P™ê¯~°O ÅaèOzOk.
`«∞~°∞+¨µ¯Å∞, POˆQ¡Ü«ÚÅ∞ áêeOKÕ ~ÀAÖ’¡ ~°=∞}nH˜∆`«∞Ö Ñ¨Ósfi‰õΩÖË HÍHõ Z<Àfl "ÕÅ ^Õ"åÅÜ«∂Å J~°Û‰õΩŠѨÓsfi‰õΩÅ∞ `«=∞-`«=∞
^Õ"åÅÜ«∂Å#∞, "å\˜Ö’x ^Õ=`å=¸~°∞ÎÅ#∞ ~°H˜∆OK«∞‰õΩ<ÕO^Œ∞‰õΩ `«=∞ ã¨~°fi™êfixfl ^è•~°áÈâß~°∞. „áê}ÏÅ#∞ Ãã·`«O `åºQÆO KÕâß~°∞. ã¨=∞~°Ê} ÉèÏ=O
JO>Ë W^Õ! "åix ~°H˜∆OKåe, ZO^Œ∞HõO>Ë Éèíq+¨º`«∞Î `«~åʼnõΩ ^Õ"åÅÜ«∂Å#∞ ã¨∞~°H˜∆`«OQÍ LOKÕ ÉèÏ~°O "åik HÍ|\˜ì! D ÉèÏ~°O =Ç≤ÏOKÕ "åix
~°H˜∆OKÕÉèÏ~°O =∞#ÃÑ· LOk. ™êO„Ѩ^•Ü«∂xfl qzÛù#flO QÍx, ÖË^• `«=∞‰õΩ J#∞‰õÄÅOQÍ LO_Õ@@∞¡ ^•xx =∞ÅK«∞HÀ=_®xH˜ =∞#ˆHO ǨωõΩ¯ÖË^Œ∞.
^èŒ~å‡^•Ü«∞ K«@ìѨ٠30/87 "≥Ú`åÎxfl =∞#O q∞OQÆ_®xH˜ <À~°∞ KåK«∞‰õΩ#fl H˘O_»zÅ∞=`À áÈÅÛ=K«∞Û. J~°Û‰õΩʼnõΩ rq`åO`«O ÉèíQÆ=O`«∞x
¿ã=KÕã¨∞HÀQÆeˆQ ǨωõΩ¯`ÀÉÏ@∞ Éèí‰õΩÎÅ r=<åkèHÍ~åxfl ‰õÄ_® ~°H˜∆OK«=Åã≤# P=â◊ºHõ`« ZO`≥·<å LOk. ÉèíQÆ=O`«∞x K«~°}ÏÅ=^ŒÌ Éèí‰õΩÎÅ`À
â◊~°}ÏQÆu KÕ~ÚOz, Éèí‰õΩÎÅ∞-ÉèíQÆ=O`«∞x =∞^茺 ÉèÏ=Ѩ~°"≥∞ÿ#-P^蕺u‡HõѨ~°"≥∞ÿ# "å~°kèQÍ LO_Õ Hõ~°Î=º x~°fiǨÏ} J~°Û‰õΩÅ ^èŒ~°‡O.
J~°Û‰õΩʼnõΩ xˆ~tÌ Oz# xÜ«∞=∂=o ZO`À Hõi#î OQÍ LO@∞Ok. JO^Œ∞Hˆ ^Õ"åÅÜ«∂Å#∞ ã¨O~°HO∆˜ KÕ ÉèÏ~°O "åiˆH q_çzÃÑ\Ïìe. PQÆ=∞âß„™êÎÅ
##∞ã¨iOz Z=Ô~·<å J~°Û‰õΩ_»∞ áêáêxH˜ X_çHõ_ç`Õ, J`«_çx ^ŒO_çOKÕ JkèHÍ~°O ˆH=ÅO ÉèíQÆ=O`«∞xˆH LO@∞Ok. XHõ"Õà◊ K«\ÏìxH˜ ‰õÄ_® q∞Oz#
áêѨѨ٠Ѩxx U J~°Û‰õΩ_»~Ú<å KÕã≤#@¡~Ú`Õ, J`«_çx ^ŒO_çOKÕ JkèHÍ~°O ~åA‰õΩ LO@∞Ok.
^Õ"åÅÜ«∞OÖ’ H˘Å∞"≥·# ^Õ=`å=¸~°∞ÎÅ q„QÆǨÅ#∞ PQÆ∞_ç J~°Û‰õΩ_»∞ `«# Hõ#flã¨O`å#OÖÏ, `«##∞ Hõ#fl`«e¡^ŒO„_»∞ÖÏ¡ HõO\˜H˜ Ô~ѨÊÖÏ
HÍáê_»∞HÀ"åe! J~°Û‰õΩxH˜ =∂„`«"Õ∞ P ^Õ=`å q„QÆǨxfl QÆ∞iOz# ѨÓiÎ J=QÍǨÏ# LO@∞Ok. QÆ∞_çH˜ ã¨O|OkèOz#O`«=~°‰õÄ, QÆ∞_çÖ’ J~°Û‰õΩ_Õ
JO^ŒiHõ#fl q∞#fl. J#∞ºÅ∞ J~°Û‰õΩx QÆ∞iOz K≥_»∞ =∂\Ï¡_»~å^Œ∞. nx=Å# ÉèíQÆ=O`«∞xH˜ „HÀ^èŒO =ã¨∞ÎOk.
`«# ~å[ºOÖ’x „Ѩ[ʼnõΩ ã¨∞Y-âßO`«∞Å#∞ „Ѩ™êk™êÎ#x Ǩg∞ WzÛ# ~åA‰õΩ, `«# ѨikèÖ’#∞#fl Jxfl ^Õ"åÅÜ«∂Å J~°Û‰õΩÅ#∞
ã¨O`À+≤OѨKÕÜ«∞_»O J`«_ç Hõ~°Î=ºO. nx=Å# J~°Û‰õΩÅ∞ =∞Ok~åÅÖ’ ѨÓ[Å∞-J~°Û#Å∞ KÕ¿ã qkèx K«Hõ¯QÍ x~°fiiÎOK«∞HÀQÆÅ∞QÆ∞`å~°∞. ÖËxѨH∆õOÖ’
~å[ºOÖ’ Z<Àfl ~°HÍÅ ã¨=∞㨺Å∞ L`«Ê#fl=∞=Ù`å~Ú.
J~°Û‰õΩ_»∞, PKå~°∞º_»∞ HÍ=@O =Å#, PKå~°∞º_ç xÜ«∞=∂Å<Õ J#∞ã¨i™êÎ_»∞. P`«_»∞ ѨÙ@∞ìHõ#∞O_ç =∞~°}O ^•HÍ J~°Û‰õΩxQÍ<Õ LO\Ï_»∞.
J`«xH˜ Ѩ^Œg q~°=∞} LO_»^Œ∞. ZO`«HÍÅO =~°‰õΩ â◊s~°O ã¨Ç¨ÏHõiã¨∞ÎO^À, JO`«HÍÅ=¸ J`«#∞ ÉèíQÆ=O`«∞x ¿ãqOK«∞HÀ"åe. J=ã¨~°=∞~Ú`Õ
J~°Û‰õΩxH˜ ã¨Ç¨Ü«∞‰õΩx W=fi=K«∞Û#∞ `«Ñ¨Ê, J`«xx ÉèíQÆ=O`«∞x ¿ã= #∞O_ç `˘ÅyOK«@O, ÖË^• J`«x ™ê÷<Õ "Õ~˘Hõix xÜ«∞q∞OK«_»O =O\˜Ñ¨#∞Å∞
KÕÜ«∞‰õÄ_»^Œ∞. WHõ u.u.^Õ. q+¨Ü«∂xH˜=¿ãÎ, ÉèíQÆ=O`«∞_»∞ ã¨fiÜ«∞OQÍ "≥·MÏ#ã¨∞Å#∞ `«# ¿ã=‰õΩ, ã¨O~°Hõ∆}‰õΩ xÜ«∞q∞OK«_»O [iyOk. JHõ¯_ç
J~°Û‰õΩÅÔH=iH© L^•fiã¨# ѨeˆH JkèHÍ~°O Z=iH© ÖË^Œ∞. J~°ÛHõ`åfixfl U^À x~åúiOz# L^ÀºQÆOQÍ ÉèÏqOK«~å^Œ∞. "å~°ã¨`«fiOÖ’ =KÕÛ "å~°O^Œ~°∂
J~°ÛHõ`åfixH˜ Ü≥∂QÆ∞ºÅ<Õ ÉèÏq™êÎ~°∞.
J~°Û‰õΩ_»O>Ë U^À r`«O JO^Œ∞‰õΩ<Õ L^ÀºQÆã∞¨ _Î ∞» HÍ^Œ∞. J`«_˘Hõ ^è•i‡Hõ=ºH˜†Î Ѩ~=° ∂`«‡¿ã=‰õΩ_»∞† \©\_© ç ѨikèH#õ fl ÃÑ<· †Õ r`åÅ∞ JO^Œ∞‰õΩ<Õ XHõ
L^ÀºyÖÏ J~°Û‰õΩÅ`À =º=ǨÏiOK«_O» ^è~Œ ‡° OHÍ^Œ∞. u~°∞=∞ÅÖ’ [~°∞QÆ∞`«∞#fl ã¨OѶ∞¨ @#Å∞ J@∞ ~å„ëêìxH˜ QÍx, W@∞ áêʼnõΩʼnõΩQÍx „âıÜ∞« 㨯~°O HÍ^Œ∞.
J~°Û‰õΩÅ#∞ "Õ`«#Oá⁄O^Õ L^ÀºQÆ∞Å =∂kiQÍ ÉèÏqOK«_»O PQÆ=∞âß„™êÎʼnõΩ q~°∞^ŒúO. J`«_»∞ „ѨÉèí∞`åfixH˜ ¿ã=‰õΩ_»∞ HÍ^Œ∞† „ѨÉèí∞`«fiO ‰õÄ_®
J`«_çx JÖÏ ÉèÏqOK«‰õÄ_»^Œ∞. ~å[H©Ü«∞ "å`å=~°}OÖ’, \©\ ©_çÖ’ ѨÙ@∞ìH˘ã¨∞Î#fl ã¨=∞㨺Å#∞ „ÉÏǨχ} J~°Û‰õΩÅ ã¨=∞㨺Å∞QÍ z„uã¨∞Î#fl ‰õΩuû`«
|∞^Œ∞úÅ"åix Z^Œ∞~˘¯<ÕO^Œ∞‰õΩ, WHõ Éèí‰õΩÎÖË KÕ~Ú-KÕ~Ú HõeÑ≤ ã¨q∞+≤ìQÍ =ÚO^Œ∞‰õΩ ™êQÍe. Wk ˆH=ÅO J~°Û‰õΩÅ ã¨=∞㨺 =∂„`«"Õ∞ HÍ^Œ∞, ÅHõ∆ÖÏk
=∞Ok Éèí‰õΩÎÅk ‰õÄ_®!
Wk ~å[H©Ü«∞ =~åæÅ"åi ã¨=∞㨺 ‰õÄ_® HÍ^Œ∞. U ~å[H©Ü«∞ áêsì ‰õÄ_® W@∞=O\˜ ã¨=∞™êºÑ¨Ói`« "å`å=~°}OÖ’ `«=∞ L^ÕÌâߺÅ#∞
™êkèOK«∞HÀÖË=Ù. ^Œ∞~°^Œ$+¨ì=âß`«∞Î D ~°Hõ"≥∞ÿ# qÉèí[#, q^Õfi+¨c*ÏÅ#∞ [Å∞¡`«∞#flk ɡ·@ â◊‰õΩÎÅ∞. WHõ Ç≤ÏO^Œ∞=ÙÅO^Œ~°∂ UHõ"≥∞ÿ, ^Õ"åÅÜ«∂Ö’¡
x~°O`«~°O `«Öˇ`«∞Î`«∞#fl ã¨=∞㨺ʼnõΩ `«y# Ѩiëê¯~åÅ#∞ ™êkèOK«∞HÀ=Åã≤# ã¨=∞Ü«∞O =zÛOk. =∞#O^Œ~°O Hõeã≤Hõ@∞ìQÍ J~°Û‰õΩÅ ã¨=∞㨺ʼnõΩ
Ѩiëê¯~åÅ#∞ "≥`«HÍe. „ѨÉèí∞`åfiÅ∞, ~å[H©Ü«∞ =~åæÅ∞, Éèí‰õΩÎÖËHÍ^Œ∞ L#fl`« <åºÜ«∞™ê÷#O ‰õÄ_® "åix ^ŒQÍ KÕã≤Ok. L#fl`« <åºÜ«∞™ê÷#"≥∞ÿ`Õ
^Õ"åÅÜ«∂Å =º=ã¨÷ˆH ÉèíÜ«∞OHõ~°"≥∞ÿ# ^≥|ƒ H˘\˜ìOk.
*ˇ· [QÆ<åfl^ä£! *ˇ· [QÆ<åfl^ä£!! *ˇ· [QÆ<åfl^ä£!!! O

=∞x+≤ =∞#ã¨∞û #∞O_Õ Ü«Ú^•úÅ∞ ѨÙ_»`å~Ú.

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q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o – 207
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"Õ^•Å∞ ã¨fiÜ«∞OQÍ "åb‡H˜ P`«‡[Ü≥ÿ∞# ~å=∂Ü«∞} HÍ=ºOQÍ
J=`« i OKå~Ú—— JO\’Ok. "åb‡H˜ 24000 â’¡ H ÍÅÖ’
~å=∂Ü«∞}Ïxfl ~°zOKå_»∞.
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Hõ O |<£ `« q ∞à◊ Éè Ï +¨ Ö ’ „Ѩ ã ≤ k ú K≥ O k# Hõ q . PÜ« ∞ #
N~å=∞K«i`åxfl `«q∞à◊ ÉèÏ+¨Ö’ „"åÜ«∂Åx ã¨OHõeÊOKå_»∞. `«#
HÍ"åºxfl PÜ«∞# '~å=∂=`å~°O— ¿Ñi@ ~°zOKå_»∞. „Ѩ[Å∞ D
~° K « # #∞ ZO`« Q Í P^Œ i OKå~° O >Ë , "å~° ∞ ^•xx 'Hõ O |
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QÆ∞iÎOѨÙxKåÛ~°∞.
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"åi P"≥∂^ŒO á⁄O^•Åx ÉèÏqOKå_»∞. N~°OQÆ<å^äŒ∞x QÆ∞_çÖ’x
=∞O_»áêxfl "ÕkHõQÍ ZOK«∞HÀ=@O ZO`À ã¨=∞O[ã¨O† ^•xH˜
HÍ~°}O N~å=Úx =Oâ◊ã¨∞÷ʼnõΩ N~°OQÆ<å^äŒ∞_Õ ‰õΩÅ^≥·=O.
`«# =∂~°æ^Œ~°≈‰õΩ_≥·# N=∞<åfl^äŒ=Úx QÍi J#∞=∞u`À
N"≥·+¨‚= ™êO„Ѩ^•Ü«∞Ѩ٠q^•fiOã¨∞Å∞, ѨO_ç`«∞Å∞, J~°Û‰õΩÅ∞,
Jkè H Í~° Q Æ } O JO^Œ ~ ° ∂ Pã‘ # ∞Å~Ú# <åÅ∞QÆ ∞ 㨠÷ O Éè Ï Å
=∞O_»áêxfl "ÕkHõQÍ KÕã¨∞‰õΩx HõO|Hõq `«# ~å=∂Ü«∞} HÍ"åºxfl
"åi=ÚO^Œ∞ ѨiîOKå_»∞. D "ÕkHõ ~°OQÆ<å^䌙êfiq∞ "åi
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`«# ~å=∂Ü«∞} HÍ"åºxfl q^•fiOã¨∞Å =ÚO^Œ∞ LOz# =∞O_»Ñ¨O
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JO\Ï~°∞.
HõO|Hõq `«# ~å=∂Ü«∞} HÍ=ºOÖ’ #~°ã≤OǨϙêfiq∞ "å~°∞
J=`«iOK«_®xfl Ü«Ú^ŒúHÍO_»Ö’ 'W~°xÜ«∞<£ "å^≥· áê`åà◊O— J#fl
J^蕺ܫ∞OÖ’ =i‚OKå_»∞. ~å=∂Ü«∞}Ïxfl Ѩiîã¨∂Î PÜ«∞# D
áê`åà◊ J^蕺ܫ∞OÖ’x #~°ãO≤ Ǩ=`å~° Ѷ∞¨ \Ïìxfl K«^∞Œ =Ù`«∂O_»QÍ,
JHõ¯_»∞#fl H˘O`«=∞Ok ѨO_ç`∞« Å∞ D J=`å~° Ѷ∞¨ @ìO ~å=∂Ü«∞}
HÍ=º =㨠∞ Î = Ù‰õ Ω 㨠i áÈ^Œ x , Bz`« º O ÖË ^ Œ x JÉè í º O`« ~ ° O
ѨÓÅÖ’x ã¨∞"åã¨#, =∞x+≤Ö’x Ü≥∂Qƺ`« ^•z`Õ ^•QÆxq.
J#∞"å^ŒO : _®II ã¨∞=∞<£Å`«
ÖË=nâß~°∞.
HõO|Hõq `å#∞ „"åã≤# ^•xx ã¨=∞i÷OK«∞‰õΩO@∂ "åb‡H˜
=∞ǨHõq ‰õÄ_® `«# ~å=∂Ü«∞}OÖ’ Ѩ~ÀHõ∆OQÍ #~°ã≤OǨ
=`å~åxfl QÆ∞iOz K≥ѨÊ_»O [iyO^Œx, JO^Œ∞=Å# Wk
J<Òz`«ºO HÍ^Œx `≥eÜ«∞*Ëâß_»∞. "åb‡H˜ ~å=∂Ü«∞}OÖ’ -
qcè+¨}∞x â◊~°}ÏQÆux N~å=Ú_»∞ ã¨=∞‡uOz# ѨHõ∆OÖ’ `å#∞
~å=Úx ѨH∆Íxfl g_çáÈ`å#h ã¨∞„w=Ù_»∞ ɡki¿ãÎ N~å=Ú_»∞ D
q^èŒOQÍ JO\Ï_»∞.
uú∆ÁYÁåΩ tÁåƒÁåΩ ÆqÁåΩ úwus√ÆÁÊ Y{ƒ ∫ÁqÃÁåΩ @
EWΩTÏ¡ÆT¿zm oÁåΩ “ãÆÁu™XZåΩ “u∫TmzæÁ∫ @@
''F =∞~° ¯ @~å*Ï! <Õ # ∞ `« Å ∞Û‰õ Ω O>Ë Ñ≤ â ßKåÅ#∞,
^•#=ÙÅ#∞, Ü«∞‰õ∆ΩÅ#∞, Éèí∂q∞ÃÑ· K«iOKÕ #~°=∂O㨠ÉèíHõ∆‰õΩÅ
=O\˜ Ñ≤âßKåÅ#xfl\˜h ˆH=ÅO <å QÀ\˜`À ã¨OǨÏiOK«QÆÅ#∞.——
D â’¡ H õ O ^•fi~å =∞#‰õ Ω PN~å=Úx =ÚO^Œ ∞
J=`å~åÅÖ’ XHõ @ ~Ú# #~° ã ≤ O Ǩ  =`å~° O Ö’ PÜ« ∞ #
Ç≤Ï~°}ºHõâ◊ºÑ¨Ù_çx `«# #MÏÅ`À ã¨OǨÏiOz# Ѷ¨∞@ìO QÆ∞~°∞ΉõΩ
=ã¨∞ÎOk.
JO`ÕHÍ^Œ∞ D â’¡HõOÖ’ 'ǨÏi— â◊|̄ѨÜ≥∂QÆO [iyOk.
'ǨÏi— J#fl â◊ÉÏÌxH˜ 'ã≤OǨÏO— J#fl J~°÷O ‰õÄ_® LOk Hõ^•!
JÖÏ D ã¨O^Œ~°ƒùOÖ’ N~å=Úx =∞kÖ’ #~°ã≤OǨ=`å~°O
QÆ ∞ iOz# PÖ’K« # LO_ç LO_˘K« ∞ Û##fl "å^Œ # ‰õ Ω |ÅO
KÕ‰õÄ~°∞`«∞Ok.
HõO|Hõq, "åb‡H˜ ~å=∂Ü«∞}OÖ’ Ѩ~ÀHõ∆OQÍ HõxÑ≤OKÕ P
q+¨Ü«∂xfl `«# ~å=∂Ü«∞}OÖ’ HÍã¨ÎO`« q™êÎ~°OQÍ q=iOKå#x
ã¨=∞i÷OK«∞‰õΩ<åfl, JHõ¯_» ã¨=∂"Õâ◊=∞~Ú# P<å\˜ q^•fiOã¨∞Å∞
Z=~°∂ HõO|Hõq =∂@#∞ ã‘fiHõiOK«ÖË^Œ∞.
P ã¨=∞Ü«∞OÖ’ HõO|Hõq `å#∞ XO@i "å_ç<≥·<å#x,
xã¨ûǨÜ«Ú_ç#x, `å=Ú ‰õÄ~°∞Û#fl =∞O_»Ñ¨O Z^Œ∞~°∞QÍ H˘Å∞"≥·#
#~°ã≤OǨϙêfiq∞x `«##∞ D q^•fiOã¨∞Å∞ ÃÑ>Ëì Ç≤ÏOã¨#∞O_ç
`«Ñ≤ÊOK«=∞x, =∂#ã≤HõOQÍ „áêi÷OKå_»∞.
"≥O@<Õ "Õ∞@∞ì #~°ã≤OǨϙêfiq∞QÆ∞_ç #∞O_ç ÃÑ^ŒÌ J@ìǨã¨O
"≥Å∞=_çOk.
P J@ìǨã¨O ÉèíQÆ=O`«∞_»∞, HõO|Hõq `«# ~å=∂Ü«∞}OÖ’
„"åã≤# #~°ã≤OǨ=`å~° Ѷ¨∞\Ïìxfl P"≥∂kã¨∂Î "≥Å∞=iOz#
''J@ìǨ㨗— ^èŒfix.
WO`«=~°‰õÄ J_»∞¤Ñ¨_»∞`«∂ P"≥∂kOK«x q^•fiOã¨∞Å∞
XHõ¯™êiQÍ ÉèíÜ«∞Ѩ_®¤~°∞. "åiH˜ P"≥∂kOK«Hõ `«Ñ¨ÊÖË^Œ∞. HõO|Hõq
`å#∞ „"åã≤# ~å=∂Ü«∞}Ïxfl =ÚO^Œ∞‰õΩ H˘#™êyOK«_»O, ^•xx
XHõ J^Œ∞ƒù`«"≥∞ÿ# L#fl`« „âı}˜H˜ K≥Ok# ™êÇ≤Ïf „QÆO^äŒOQÍ
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q^•fiOã¨∞Å∞ P"≥∂kOK«_»=¸ [iyOk.
`«# „QÆO^ä•xfl q^Œfi`ü ã¨Éèí=ÚO^Œ∞ ã¨=∞iÊOK«∞‰õΩ#fl
J#O`«~°O HõO|Hõq, #~°ã≤OǨϙêfiq∞ QÆ∞_çÖ’H˜ PÜ«∞#‰õΩ
^èŒ#º"å^•Å∞ ã¨=∞iÊOK«∞‰õΩ<ÕO^Œ∞‰õΩ KÕ~°∞‰õΩ<åfl_»∞.
JHõ¯_» XHõ qÅHõ∆}"≥∞ÿ# Ô~O_»∞ `«ÅŠѨH˜∆ tÖÏ z„`åxfl
K«∂ã≤ PÜ«∞# JHõ¯_ç J~°Û‰õΩ_çx ^•x QÆ∞iOz# q=~åÅ∞
J_çQÍ_»∞. ѨÓ*Ïi HõO|Hõq`À Jk QÆO_»ÉèË~°∞O_» #~°ã≤OǨϙêfiq∞
~°∂Ѩ=∞x `≥eÜ«∞*Ëâß_»∞.
'ÉèíQÆ=O`«∞_»∞ ZO^Œ∞‰õΩ WÖÏ QÆO_»ÉèË~°∞O_» ~°∂áêxfl
^èŒiOKÕ_»∞?—— J#fl „Ѩâ◊fl‰õΩ ã¨=∂^è•#OQÍ Ñ¨Ó*Ïi D „H˜Ok
QÍ^äŒ#∞ q=iOKå_»∞.
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#~°ã≤OÇ¨Ï ™êfiq∞ ~°∂ѨOÖ’ Ç≤Ï~°}º Hõâ◊ºÑ¨Ùx =kèOK«_®xH˜
=zÛ# Ѩ~°=∂`«‡ ÉèíÜ«∞OHõ~°"≥∞ÿ# L„QÆ~°∂ѨOÖ’ LO_»@O`À
^Õ = `« Å ∞ ã¨ Ç ≤ Ï `« O P "Õ _ ç x `« @ ∞ì H ÀÖË H õ , ™êfiq∞ K≥ O `« ‰ õ Ω
KÕ~°∞‰õΩ<ÕO^Œ∞‰õΩ ÉèíÜ«∞Ѩ_®¤~°∞. "å~°∞ Ѩ~°=∞t=Ùx =^ŒÌ‰õΩ áÈ~Ú
U^Àq^èŒOQÍ #~°ã≤OǨϙêfiq∞x âßO`«Ñ¨~°z `«=∞ ÉèíÜ«∂xfl
`˘ÅyOK«=∞x "Õ_»∞‰õΩ<åfl~°∞.
Ѩ~°=∞t=Ù_»∞ ^Õ=`«Å‰õΩ, Ѩ~°=∂`«‡ ^Õ=`«Å â◊„`«∞"≥·#
Ç≤Ï~°}ºHõâ◊ºÑ¨Ùx =kèOK«_®xˆH #~°ã≤OÇ¨Ï =¸iÎQÍ J=`«iOz
#O^Œ∞#, `«=∞#∞ ~°H˜∆OK«_®xH˜ =zÛ# ™êfiq∞<Õ Z^Œ∞iOK«_»=∞#flk
<åºÜ«∞O HÍ^Œx JѨKå~°=∞x É’^èŒÑ¨iKå_»∞.
HÍx ^Õ=`«Å∞, Ѩ~=° ∞t=Ùx „Ѩ`åáêxfl, â∫~åºxfl H©iãÎ ∂¨ Î
á⁄QÆ_»@O „áê~°OaèOKå~°∞. ^•x`À L|∞ƒ eOQÆ_≥·# t=Ù_»∞,
~°∞„^Œg~°Éèí„^Œ∞x ~°∂ѨO ^èŒiOz #~°ã≤OǨϙêfiq∞x ZkiOK«
„ѨÜ∞« uflOKå_»∞. HÍx ZHõ¯_® ã¨=∂# Lr˚QÍ xÅ=ÖËHáõ ÈÜ«∂_»∞ t=Ù_∞» .
D™êi t=Ù_»∞ HÍÅÉèˇ·~°= ~°∂ѨOÖ’ =zÛ ‰õÄ_® Z^Œ∞~°∞
xÅ=ÖËHõáÈÜ«∂_»∞.
PY~°fl Ѩ~°=∞t=Ù_»∞ ã¨QÆO ѨH˜∆ - ã¨QÆO =∞$QÆO ~°∂Ѩ"≥∞ÿ#
â◊~°Éèí∞x ~°∂ѨO ^èŒiOz #~°ã≤OǨϙêfiq∞x Z^Œ∞iOKÕ „Ѩܫ∞`«flO
KÕâß_»∞. WO`«=~°‰õÄ `«# „Ñ≤Ü«∞ Éèí‰õΩÎ_≥·# Ѩ~°=∞t=Ù_»∞ KÕã¨∞Î#fl
JѨKå~åxfl =∞xflOz# ™êfiq∞, WHõ ã¨Ç≤ÏOK«ÖË^Œ∞. JѨC_»∞ Ô~O_»∞
`«ÅÅ`À, Z<Àfl ѨÅ∞=~°∞ã¨Å`À, #Å¡\ ˜ =~°‚O`À, |Å"≥∞ÿ#
Ô~Hõ¯Å`À QÆO_»ÉèË~°∞O_» ѨH˜∆ ~°∂áêxfl PÜ«∞# ^èŒiOKå_»∞.
QÆO_» ÉèË~°∞O_»O â◊~°Éèí∞x`À Ѩ^≥Ìxq∞k ~ÀAÅ∞ Ü«Ú^ŒúOKÕã≤,
â◊~°Éèí∞x JO`«"≥ÚOkOzOk. ‰õÄ~°`åÎàÏfi~°∞ QÍ~°∞ `å#∞ ~°zOz#
'Ju=∂#∞+¨ã¨Î=O—Ö’ D Ѷ¨∞\Ïìxfl WÖÏ =i‚OKå_»∞
“z ™nÆ|uÃÊ“ƒúÏ Àoƒ oz\ÃÁıD∆z @
∆©ßÏß|ƒåΩ u“ ∆∫ß: ∆¬ßÁz §ßÓƒ @@
â◊ ~ ° É è í ~° ∂ áêxfl ^è Œ i Oz# t=Ù_» ∞ , #~° ã ≤ O Ǩ Ï ™êfiq∞
L„QÆO֒Ѩ_ç JK«ÛOQÍ â◊ÅÉèíOÖÏ =∂_çáÈÜ«∂_»∞ Jx! JѨC_»∞
t=Ù_» ∞ `« # `« Ñ ≤ Ê ^•xfl „QÆ Ç ≤ Ï OK« ∞ ‰õ Ω x #~° ã ≤ O Ǩ Ï ™êfiq∞x
Hõ∆q∞OK«=∞x „áêi÷OK«@O`À, PÜ«∞# Hõ∆q∞OKå_»∞.
ÉèíQÆ=O`«∞x „Ñ≤Ü«∞ Éèí‰õΩÎ_≥·# „ѨǨ¡^Œ∞xH˜ =∂„`«O PÜ«∞#
QÆO_»ÉèË~°∞O_» ~°∂Ѩ ^Œ~°≈#O `«xqf~å ÅaèOK«ÖË^Œ∞. „ѨǨ¡^Œ∞x
Jcè+¨ìO "Õ∞~°‰õΩ #~°ã≤OǨϙêfiq∞ `«# QÆO_»ÉèË~°∞O_» ~°∂áêxfl
"å_ç# =∂@, qã≤i# ~å~Ú uiy ~å=Ù.
PHõ~°¬}©Ü«∞OQÍ ^Œi≈OѨ*Ëâß_»∞.
`ÕÔ~à◊√O^Œ∂~ü J#fl „Ѩ^Õâ◊OÖ’ HõO| =∞ǨHõq [x‡OKå_»∞.
D „Ѩ^Õâ◊OÖ’ ^Õ"åkè~åA K≥O`«# xÅ∞Û#fl ÉèíHõ΄ѨǨ¡^Œ∞_»∞
QÆO_»ÉèË~°∞O_»∞x ~°∂ѨO Hõey# |OQÍ~°∞ Ѩ`«HÍxfl `«Ü«∂~°∞
KÕ~ÚOz, Ѩ~°=∂`«‡‰õΩ ã¨=∞iÊOK«∞‰õΩ<åfl_»∞. D<å\˜H© =∞#O
HõO|=∞ǨHõq [#‡ã¨÷eÖ’ QÆO_»ÉèË~°∞O_» ~°∂Ѩ=Ú#fl Ѩ`«HÍxfl
^èŒiOz# ÉèíQÆ=O`«∞_≥·# ^Õ"åkè~åA ~°∂áêxfl, ѨHõ¯<Õ xÅ∞Û#fl
ÉèíHõ΄ѨǨ¡^Œ∞_çh ^Œi≈OK«∞HÀ=K«∞Û.
=∞<åfl~°∞ QÆ∞_çÖ’ "≥Åã≤# ~å[QÀáêÅ∞x Éèí‰õΩÎÅ∞ PÜ«∞##∞
WÖÏ „áêi÷OKå~°∞. - ''™êfig∞! h=Ù Ü«∞â’^•ã≤OǨÏH˜â’~°∞xQÍ
¿Ñ~°∞ á⁄O^•=Ù. JO^Œ∞ˆH "Õ∞=Ú ã≤OǨÏOÃÑ·# Jkè~ÀÇ≤ÏOz#
h~°∂ѨÙx ^Œi≈OK«∞HÀ"åÅx JaèÅ+≤ã¨∞Î<åfl=Ú!——
Ѩ~°=∂`«‡ D q^èŒOQÍ ã¨=∂^è•#q∞KåÛ_»∞ - ''<Õ<Õ
#~°ã≤OǨïxQÍ J=`«iOKå#∞† QÆO_»ÉèË~°∞O_»∞xQÍ#∂ <Õ#∞
=KåÛ#∞. <å Éèí‰õΩÎÅ#∞ ã¨O`«$Ñ≤ÎѨiz P#OkOѨ*ËÜ«∞\ÏxH˜, 18
~ÀAÅáê@∞ x~° fi Ç≤ Ï OK« | _Õ „|Ǩ Ï Ÿ‡`« û "åÅÖ’ <Õ # ∞
ã≤OǨÏ"åǨÏ#OÃÑ· ^Œ~≈° #q∞zÛ#>Ë,¡ QÆO_»É~Ëè ∞° O_» "åǨÏ#OÃÑ· ‰õÄ_®
Jkè~ÀÇ≤ÏOz ^Œ~°≈#q∞™êÎ#∞.!——
D z„`«O â◊~°Éèí∞x JO`«"≥ÚOkOz# #~°ã≤OǨϙêfiq∞
~°∂Ѩ=∞~Ú# P QÆO_»ÉèË~°∞O_»∞x^Õ!
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''`«#Ѩ@¡QÍx, `«# Éèí‰õΩÎÅѨ@¡ QÍx JѨ~å^èŒO KÕ¿ã"åix
Z=ih PÜ«∞# Hõ∆q∞OK«_»∞ QÆ#ˆH #~°ã≤OǨϙêfiq∞H˜ '^Œ∞~°‡~°¬}—
J#fl <å=∞O HõeyOk. `«##∞ ZkiOz JO`«O KÕÜ«∂Åx =zÛ#
â◊~°Éèí∞_çx, QÆO_»ÉèË~°∞O_» ~°∂ѨOÖ’ =zÛ JO`«"≥ÚOkOKå_»∞.
J^Õq^èŒOQÍ `«# Éèí‰õΩÎ_ç=~Ú# h=Ù PѨ^ŒÖ’ Ѩ_ç#ѨC_»∞ aQÆæ~°QÍ
J@ì Ç ¨  㨠O KÕ ã ≤ x#∞fl ~° H ˜ ∆ O Kå_» ∞ !—— JO@∂ QÆ ∞ _ç Ѩ Ó *Ïi
HõO|=∞ǨHõqH˜ q=iOKå_»∞.
Ѩ ~ ° = ∂`« ‡ HÍ~° ∞ }º JO`« ~ ° O QÍxfl „QÆ Ç ≤ Ï OK« ∞ ‰õ Ω #fl
HõO|=∞ǨHõq Hõ#∞Å #∞O_ç P#O^Œ ÉÏëêÊÅ∞ *ÏiѨ_®¤~Ú.
#~° ã ≤ O Ǩ Ï ™êfiq∞ `« # Ѩ @ ¡ Q Íx, `« # Éè í ‰ õ Ω ΠŠѨ @ ¡ Q Íx
Uq^èŒ=∞~Ú# JѨ~å^èŒ=Ú ZO`«\ ˜"å~°∞ KÕã≤<å, "≥O@<Õ PÜ«∞#
ã¨fiÜ«∞OQÍ tH˜∆OK«\ÏxH˜ ky =™êÎ_»∞. J*ËÜ«Ú_≥·# P Ѩ~°=∂`Õ‡
㨠~ ° fi „âı + ¨ µ ª _ » ∞ . JO^Œ ∞ ˆ H PÜ« ∞ ##∞ '^Œ ∞ ~° ‡ ~° ¬ }— <å=∞O`À
ã¨OÉ’kè™êÎ~°∞. Éèí‰õΩÎÅ#∞ ~°H˜∆™êÎ_»∞.
x~°∞H˜Î „ѨHÍ~°O -
tÏ…N˛∫Ê ™ |mÊ ÆÀÆ ú∫{tÏ|™| m: À™wo:
„Ñ≤Ü«∞"≥∞ÿ# '"åH±— áê~î°‰õΩÖÏ~å! ~°O_ç, ÉèíH˜Î`À zÅ∞‰õÄ~°∞Ö’
"≥Åã≤# ÉÏÖÏr ~°∂áêxfl =∞#ã¨∞Ö’ ^蕺xã¨∂Î '^Œ∞~°‡~°¬}— <å=∂xfl
„â◊^ŒúQÍ [Ñ≤ã¨∂Î LO>Ë =∞#efl ã¨"åÅ∞ KÕÜ«∂Åx „Ѩܫ∞uflOKÕ
"å~°∞ =∞#efl Uq^èŒOQÍ#∞ F_çOK«ÖË~°∞. ~°O_ç, JѨ~ål`«∞Å∞QÍ
xÅ=\ÏxH˜ 'FO ^Œ∞~°‡~°¬}ÏÜ«∞ #=∞ó— Jx ÉèíH˜Î „â◊^ŒúÅ`À [Ñ≤ã¨∂Î,
^蕺#O KÕ^•ÌO.
''FO ^Œ∞~°‡~°¬}ÏÜ«∞ #=∞ó——
@@HÂ tÏ™| |mÁÆ å™:@@ O
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=∞^èŒ∞~åq[Ü«∞O ^è•~å"åÇ≤ÏHõ...80 =∞^äŒ∞~å q[Ü«∞O - 11
QÆ`« ã¨OzHõ `«~°∞"å~Ú ÉèÏQÆO....
[iy# Hõ^äŒ : Z<Àfl Kåi„`å`«‡Hõ x*ÏÅ∞ `«#Ö’ á⁄O^Œ∞Ѩ~°K«∞‰õΩ#fl D
=∞^è∞Œ ~åq[Ü«∞O, =∞Ǩ~åA HõOѨ#~åÜ«∞x Ѩ@=ì ∞Ç≤Ï+≤ =∞Ǩ~å}˜ QÆOQÍ^ÕqKÕ
~°zOѨ|_ç#k. q[Ü«∞#QÆ~° ™ê„=∂*Ϻnèâ√◊ _≥#· N |∞Hõ¯~åÜ«∞x ÃÑ^ŒÌ ‰õΩ=∂~°∞_»∞
‰õΩ=∂~°HõOѨ#~åÜ«∞_»∞. Hõ^ä•Ñ¨~°OQÍ q[ÜÕ∞O„^Œ =Å¡Éèí =∞iÜ«Ú ^Œ`«∞Î_»∞ J<Õ
W^ŒÌ~°∞ Ü«Ú=‰õΩÅ∞ N~°OQÆOÖ’x N~°OQÆ<å^èŒ∞x q„QÆǨxfl "≥^ŒHõ_®xÔH·
|Ü«∞Å∞^Õ~°`å~°∞. ã¨∞ÖÏÎ#∞ Ãã·#ºO #∞O_ç D q„QÆǨxfl #Å∞QÆ∞~°∞ H˘_»=~°∞Å∞
HÍáê_ç ~°Ç¨Ï㨺 „Ѩ^Õâ◊OÖ’ ^•zÃÑ_®Î~°∞. Z<Àfl „Ѩܫ∂ã¨ÅHÀiÛ, ZO^Œi<À
„ѨtflOz# Ñ≤^ÑŒ ,¨ K≥OK«∞`≥QÅÆ "åi ã¨Ç¨ Ü«∞O`À W^Œ~Ì ∞° Ü«Ú=‰õΩÅ∞ N~°OQÆ<å^ä∞Œ x
q„QÆǨÏO =∞iÜ«Ú 18 Uà◊√¡QÍ q„QÆǨxfl „áê}ÏkèHõOQÍ HÍáê_»∞`«∞#fl PYi
H˘_»=~°∞x ‰õÄ_® K«O„^Œyi J_»=ÙÖ’¡ Hõ#∞HÀ¯QÆÅ∞QÆ∞`å~°∞. ^Œ`∞« _Î ∞» H˘O`«=∞Ok
"Õ@QÍà◊§ ã¨Ç¨Ü«∞O`À P „Ѩ^Õâß<ÕflÖË ~å*ˇ·# N~°OQÆ<å^äŒ Ü«∂^Œ=~åÜ«∞xH˜
ã¨O^Õâßxfl KÕ~°"Õ™êÎ_»∞. ~åA Ǩï\ÏǨï\˜# ã¨Ãã·#ºO`À Hõ^Œe=™êÎ_»∞. .....
"å~°∞ H˘kÌ ~ÀAÅ∞ JÖψQ „ѨÜ∂« }˜Oz ѨÙ^Œ∂~°∞‰õΩ KÕ~∞° ‰õΩO\Ï~°∞. `«#∞ ѨÙ\˜#ì
„Ѩ^ÕâßxH˜ KÕ~°∞‰õΩ<åfl#<Õ L`åûǨÏO`À =∞^èŒ∞~° Jâßfixfl Ô~\˜ìOz# "ÕQÆO`À
Ѩ~°∞ÔQuÎã¨∞ÎOk. =∞^èŒ∞~åOy}˜x `«e¡^ŒO„_»∞Å =^ŒÌ‰õΩ KÕiÛ =Å¡Éèí^Œ`«∞ÎÅ∞ u~°∞QÆ∞
„ѨÜ∂« }O Hõ\Ïì~∞° . =∂~°=æ ∞^躌 OÖ’ |ã¨KãÕ #≤ KÀ@ ~å„u"Õà◊ =Å¡É∞íè _»∞ =∞^è∞Œ ~°
TǨÏÖ’ FÅÖÏ_»∞`«∞O_»QÍ =Å¡Éèí∞_»∞ JHõ¯_çH˜ =zÛ J`«x „¿Ñ=∞ `«=∞
ÅHõ∆ º™ê^èŒ#‰õΩ P@OHõO HÍQÆÅ^Œx ÃÇÏK«Ûi™êÎ_»∞. =∞^èŒ∞~° =∞m§ =∞m§ *Ï˝Ñ¨HõO
~å=_»O =Å# =Å¡É∞íè _»∞ `åq∞^Œ~Ì O° q_çáÈ~Ú# „Ѩ^âÕ ßxH˜ uiy "≥àÏÎ_∞» . JHõ¯_»
=∞^è∞Œ ~°#∞ HõÅ∞ã¨∞‰õΩO\Ï_»∞. W~°∞=Ù~∞° "åi „¿Ñ=∞#∞ =ºHõΠѨ~K° ∞« ‰õΩO\Ï~°∞. =∞^è∞Œ ~°
`«##∞ ÃÑo§ KÕã∞¨ HÀ=∞#QÍ N~°OQÆOÖ’ ~°OQÆ<å^ä∞Œ x ѨÙ#ó „Ѩu+≤Oì z# `«~∞° "å`«
KÕã¨∞‰õΩO^•=∞x JO\Ï_»∞. Wk WÖÏ [~°∞QÆ∞`«∞O_»QÍ q[Ü«∞#QÆ~° ™ê„=∂[º
Ãã<· åºkèÑu¨ NQÀѨ#flQÍ~°∞ N~°OQÆ<å^ä∞Œ x =ÚÖˇ· fi ~å*ºOÖ’x yOw „áêO`åxH˜
fã¨∞‰õΩx =KåÛ_»∞. =∞Hõ~° qiÜ«∂àò `«##∞ ÃÑO_ç¡ KÕã¨∞HÀ=∞x J_»∞QÆQÍ,
~°OQÆ<å^äŒ∞x N~°OQÆOÖ’ ѨÙ#ó „Ѩu+≤ìOz# `«~°∞"å`« ÃÑO_ç¡ KÕã¨∞‰õΩO^•=∞x
JO\Ï_»∞ =Å¡É∞íè _»∞. q[Ü«∞#QÆ~° ~å[º ã¨~fi° Ãã<· åºkèÑu¨ QÀѨ#fl N~°OQÆ<å^ä∞Œ x
*ˇOlH˜ fã¨∞‰õΩx =KåÛ_»∞. =Å¡É∞íè _»∞ `«# `«e¡ =∞iÜ«Ú ^Œ`∞« xÎ `À Hõeã≤ QÀѨ#fl#∞
HõÅ=_®xH˜ =™êÎ_∞» .. QÀѨ#fl `«#∞ =Å¡É^íè `Œ ∞« ÅÎ ‰õΩ `«Ñʨ Hõ ã¨Ç¨ Ü«∞Ѩ_`» å#x "åQÍú#O
KÕã≤, ã¨Ãã·#ºO`À |Ü«∞Å∞^Õi, ‰õΩ=∂~°HõOѨ# ~åÜ«∞x ~å[º"≥∞ÿ# HõOzH˜
KÕ~∞° ‰õΩO\Ï_»∞. ~åA#∞ HõÅ"åÅx J#∞‰õΩO\Ï_»∞. HÍh HõOѨ#∞_»∞ [fi~° f„=`«
=Å# Jã¨fiã¨∞_÷ Qç Í L<åfl_»x `≥Å∞ã¨∞‰õΩO\Ï_»∞. ~°OQÆ<å^äŒ∞x N~°OQÍxH˜ uiy
KÕ~°Û_®xH˜ `«#∞ Z@∞=O\˜ K«~°º KÕѨ@ìÖË^Œx HõOѨ#∞_»∞ ÉÏ^èŒÑ¨_»∞`«∞O\Ï_»∞.
J`«x HõÅÖ’ ™êH∆Í`«∂Î =∞^èŒ∞Ô~· g∞<åH©∆^Õq =zÛ, `«fi~°QÍ P ã¨OHõÖÏÊxfl ѨÓiÎ
K≥Ü∞« º=∞x P^ÕtOz "≥à√◊ OÎ k. `«~∞° "å`« "åã¨OuHõ, `«<Õ g∞<åH˜Q∆ Í HõOѨ#∞x`À
=∂\Ï¡_Oç ^Œx, =∞Hõ~q° oÜ«∂àò =Å¡É∞íè xH˜ |Ǩï=∞uQÍ WzÛ# Kè∞« ~°Huõ xÎ `å#∞
HõOѨ#∞xH˜ WKåÛ#x =Å¡É∞íè xH˜ K≥|∞`«∞Ok. Wk q#fl =Å¡É∞íè _»∞ ǨÏ`åâ◊√_Ò`å_»∞.
WO`«Ö’ QÀѨ#fl HõOѨ#∞x HõÅ∞ã¨∞‰õΩO\Ï_»∞....... ã¨∞ÖÏÎ#∞ ~å[ºOÖ’xH˜ „Ѩ"tÕ Oz
Hõ#fl#∂~°∞‰õΩ „ѨÜ∂« }˜OK«™êQÍ~Ú. (=∂~°æ =∞^躌 Ö’ QÆÅ J<ÕHõ `«q∞à◊ ~å*ϺÅ
„Ѩ[Å∞, ã¨∞ÖÏÎ#∞ #∞O_ç ¿ãfiK«Û#ù ∞ ™êkèOK«_®xÔH)· D Ãã#· ºOÖ’ Ѩ~"° ∂≥ `åûǨÏO`À
KÕ~°™êQÍ~°∞. q[Ü«∞#QÆ~° Ãã·#ºO Hõ#fl#∂~°∞ HÀ@#∞ Ô~O_»∞ ~°HÍÅ∞QÍ
=Ú@ì_çOK«_»O ã¨∞ÖÏÎ#∞ Ãã·<åºxfl Pâ◊Û~°ºÑ¨~°zOk. HÀ@ |Ü«∞\˜ Ãã·<åºxfl
Ѩ~ål`«OKÕã≤ "å\˜ Ãã·x‰õΩÅ#∞ Ãã·<åºkèѨÙÅ#∞ |OnQÍ KÕâß~°∞. q[Ü«∞#QÆ~°
Ãã·#ºO Hõ#fl#∂~°∞ HÀ@#∞ Ô~O_»∞ ~°HÍÅ∞QÍ =Ú@ì_çOK«_»O ã¨∞ÖÏÎ#∞ Ãã·<åºxfl
Pâ◊Û~°ºÑ¨~°zOk. =∞~°∞ã¨\ ˜ ~ÀA L^ŒÜ«∂<Õ q[Ü«∞#QÆ~° ¿ã#Å∞ Hõ#fl#∂~°∞
HÀ@ =Ú@ì_ç "≥Ú^ŒÅ~ÚºOk. ã¨∞ÖÏÎ#∞ Ãã·#ºO`À [iy# Ü«Ú^ŒúOÖ’ H˘O^Œ~°∞
HõÖÏ¡HõѨ@O ÖËx #"Õfi L`«Î=∞ B+¨^èŒO.
J#∞"å^ŒO : N=∞u ã¨∞^è• ~°OQÆ~å[<£
Ãã·xHÍkèHÍ~°∞Å∞ q[Ü«∞#QÆ~° Ãã·<åºxH˜ |OnÅ∞QÍ [#‡`«ó Ç≤ÏO^Œ∞=ÙÖˇ·# P
|OnÅ∞, HÀ@֒ѨŠL#fl S~Àáê Ãã·x‰õΩÅ#∞ F_çOK«_®xH˜ `«=∞ ã¨Ç¨Ü«∞O
fã¨∞HÀ=∞x QÀѨ#fl#∞ "Õ_∞» ‰õΩ<åfl~°∞. QÀѨ#flQÍi`À [iy# XѨÊO^ŒO „ѨHÍ~°O,
|OnÅ∞QÍ zH˜¯#"åiÖ’ ã¨QOÆ Ããx· ‰õΩÅ∞ HÀ@Ö’xH˜ „Ѩ"tÕ Oz ֒ѨÅ∞#fl S~Àáê
Ããx· ‰õΩÅ`À "≥∞~°∞Ѩ٠ܫÚ^ŒOú „ѨH\õ O˜ Kå~°∞. P q^ÕjÅ∞ Pâ◊Û~°ºO #∞O_ç `Õ~∞° ‰õΩ<Õ
֒ѨÅ, Hõ#fl#∂~°∞ HÀ@ q[Ü«∞#QÆ~° Pnè#OÖ’xH˜ =KÕÛã≤Ok. Hõ#fl#∂~°∞ #∞O_ç,
N~°OQÆ<å^ä∞Œ x ÉèHí Îõ |$O^ŒO Tˆ~yOѨÙQÍ |Ü«∞Å∞^Õi "≥o§ N~°OQÆO PÅÜ«∞OÖ’xH˜
J`«∞º`åûǨÏO`À „Ѩ"ÕtOzOk. ^Õt‰õΩÅ"å~°∞ =zÛ# `«~°∞"å`« N~°OQÆ<å^èŒ∞x
QÆ~ƒ° Qù ∞Æ _çÖ’ „Ѩu+¨ì [~°QÍÅx NQÀѨ#flQÍ~°∞ P^ÕtOKå~°∞. Ѩ~=° ∞Éè‰í Ωõ _Î ∞» , N"≥+· =‚¨
QÆ∞~°∞=Ù =∂„`«"Õ∞ H͉õΩO_® N~°OQÆ<å^äŒ∞x â◊„`«∞=ÙÅ ÉÏi#∞O_ç HÍáê_ç# ÉèíHõÎ
|$O^ŒOÖ’ q∞ye# PYi =∞iÜ«Ú UÔHH· õ =ºHÎ̃ N^Õt‰õΩÅ"å~°∞ HÍ=Ù# PÜ«∞#
D ã¨O`À+¨ ã¨=∞Ü«∞OÖ’ PÜ«∞# LO_çf~åÅx QÀѨ#fl JaèÖÏ+¨. QÀѨ#fl
P^Õâß#∞™ê~°O Ãã·#ºO Hõ#fl#∂~°∞ =ke =∞^èŒ∞Ô~· HÀ@#∞ =Ú@ì_çOzOk.
ã¨∞ÖÏÎ#∞#∞ ã¨OǨÏiOz =∞^è∞Œ ~Ô #· ∞ QÔ Å∞K«∞H˘x QÀѨ#fl uiy N~°OQÆO q[Ü«∞O
KÕâß_»∞. q[Ü«∞#QÆ~° ~åAÅKÕ ^•^•Ñ¨ÙQÍ 5000 PÅÜ«∂Å∞ P^Œ∞HÀ|_®¤~Ú.
~°OQÆ<å^䙌 êfiq∞x „Ѩu+≤Oì K«_®xH˜ QÀѨ#fl |Ü«∞Å∞^Õ~å_»∞. ^Õt‰õΩÅ"å~°∞ =zÛ,
=∞O„`«ÑÓ¨ i`« ~åuѨ~^° •#∞ `˘ÅyOz, L`«û= q„QÆÇϨ Ѩ٠ã¨O^ÕÇ¨ Å#∞ `˘ÅyOz,
N~°OQÆ QÆ~ƒ° Qù ∞Æ _çx `≥iz L`«û= q„QÆÇϨ „Ѩu+¨ì KÕâß~°∞. ~°OQÆ<åÜ«∞H˜ J=∞‡"åi
q„QÆÇϨ O ‰õÄ_® K«OѨH=õ $HõO∆ =^ŒÌ ÅaèOzOk. JxflKÀ@¡ ѨO_»∞QÆ "å`å=~°}O
<≥ÖH˘Ok. N~°OQÆOÖ’ HõOѨ#~åÜ«∞x Ѩ\Ïìaè¿+HõO J`«ºO`« "≥·Éèí=OQÍ
x~°fiÇ≤ÏOK«|_çOk. ZO^Œ~À ~åAÅ∞ ™ê=∞O`«~åAʼnõΩ PǨfi#O ѨOѨ|_çOk.
=Å¡É∞íè x ǨÏ$^ŒÜ∞« ~å}˜ =∞^è∞Œ ~åOyx ‰õÄ_® PǨfixOK«|_çOk. HÍh P"≥∞ "≥O@
Ѩ~Ñ° Ù¨ ~°∞+¨µx K«∂ã≤# =Å¡É∞íè x =∞#ã¨∞ |^ŒÖÌ O·ˇ k. `«=∞ „¿Ñ=∞ ZѨC_»∞ PqÔ~O· ^•
Jx J`«#∞ PÖ’zOK«™êQÍ_»∞. N~°OQÆ<å^ä∞Œ x ã¨xflkèÖ’ XO@iQÍ ÉÏ^èÑŒ _¨ ∞» `«∞#fl
=Å¡É∞íè xH˜ ^Œ∂~°O #∞O_ç =∞^è∞Œ ~åOyxx áÈe# XHõ ~°∂ѨO HõxÑ≤OzOk. ..WHõ
K«^Œ=O_ç...
=∞^èŒ∞~åOyx áÈe# ~°∂ѨO `«#‰õΩ ^ŒQÆæ~°QÍ ~å=_»O
=Å¡Éèí∞_»∞ QÆ=∞xOKå_»∞. `«# =ÚO^Œ∞ HõxÑ≤ã¨∞Î#flk HõÅQÍ
JxÑ≤OzOk. P Ñ≤Å∞Ѩ٠‰õÄ_® HõÅÖ’ [~°∞QÆ∞`«∞#fl^Œ#∞‰õΩx
Hõ^ŒÅ‰õΩO_® LO_çáÈÜ«∂_»∞. HÍh H˘kÌ ã¨=∞Ü«∞O `«~°∞"å`«
''™êfig∞!—— J#fl Ñ≤Å∞Ѩ٠=∞m§ q#Ѩ_çOk. Hõà◊√¡ `≥~°z# =Å¡Éèí∞xH˜
`«# Z^Œ∞~°∞QÍ L#flk HõÅ HÍ^Œh, `«# HõÅÖ’x K≥e `«# Hõ#∞flÅ
=ÚO^Œ∞ ã¨[Å #Ü«∞<åÅ`À xez LO_»@O K«∂âß_»∞. ''™êfig∞!
<Õ#∞ ™êfig∞! g∞ HõÅÅ`À rqOz# =∞^èŒ∞~°#∞—— Jx ѨeH˜Ok P
ã¨fi~°∂ѨO ''^ŒÜ«∞KÕã≤ <å`À U^≥·<å =∂\Ï¡_»O_ç ÖˉõΩO>Ë <å QÆ∞O_≥
ѨyeáÈ`«∞Ok.—— JO@∂ n#OQÍ =ÚO^Œ∞‰õΩ =zÛ J`«x =ÚO^Œ∞
‰õ Ä ~° ∞ Û#flk. =Å¡ É è í ∞ _» ∞ P"≥ ∞ =OHõ ÉÏ^è Œ Q Í K« ∂ âß_» ∞ .
<À@=∂@~åÖË^Œ∞. `«# rq`«OÖ’x JuÃÑ^ŒÌ Z^Œ∞~°∞^≥|ƒ `«#
=ÚO^Œ∞ xez#@∞ìQÍ HõxÑ≤OzOk. Wxfl ~ÀAÅ∞ `«#∞ Z^Œ∞~°∞¯#fl
ã¨=∞㨺Å∞ `«#∞ "å\˜x [~ÚOK«_®xH˜ K«∂Ñ≤# ^è≥·~°º™êǨϙêÅ∞
Jhfl XHõ¯™êiQÍ J~°ú~°Ç≤Ï`«OQÍ HõxÑ≤OKå~Ú.
''™êfig∞! WÖÏ K«∂_»O_ç!! <å"≥·Ñ¨Ù ^ŒÜ«∞KÕã≤ K«∂_»O_ç <Õ#∞
ÃÑ^ŒÌ „^ÀÇ≤Ï}˜! Ju ÃÑ^ŒÌ áêѨO KÕâß#∞, g∞ ǨÏ$^ŒÜ«∞O
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^˘OyeOKå#∞. „¿Ñ=∞ J#∞~åQÍÖË g∞ rq`«O Jx „QÆÇ≤ÏOz#
`«~°∞"å`« ‰õÄ_® "å\˜x g∞ rq`«O #∞O_ç `˘ÅyOz ^Œ∂~°OQÍ
qã≤i Ѩ_Õ™ê~°∞. W^ŒO`å <Õ#∞ `≥e¿ã KÕâß#∞. =∞ǨáêÑ≤x.
g∞‰õΩ Wk `≥e¿ãÎ g∞~°∞ r=K«Ûù=O J=Ù`å~°x `≥Å∞ã¨∞, S<å
KÕâß#∞—— JO@∂ JÖÏ =∂\Ï¡_»∞`«∂<Õ LOk. `«~°∞"å`« ÉÏ^èŒ
Z‰õΩ¯= HÍ=_»O`À `«# `«Å#∞ ~å~ÚˆHã≤ H˘@∞ìHÀ™êyOk.
=∞^èŒ∞~° KÕã¨∞Î#fl Ѩx K«∂ã≤ =Å¡Éèí∞_»∞ qã¨∞ÎáÈÜ«∂_»∞.
=∞^è Œ ∞ ~å! =∞^è Œ ∞ ~å! JO@∂ P"≥ ∞ ^Œ Q Æ æ ~ ° ‰ õ Ω "≥ o § P"≥ ∞ #∞
=Ú@∞ìHÀ"åÅx =∞#ã¨∞Ö’ KåÖÏ J#∞‰õΩ<åfl_»∞. HÍh "≥O@<Õ
`«# =∞#ã¨∞û#∞ xÜ«∞O„uOK«∞‰õΩx WÖÏ Ñ¨eHÍ#∞ ''=∞Ǩ~å}©!
Uq∞\˜k? g∞~°∞ WÖÏ „Ѩ=iÎOK«_»O ã¨|ÉÏ? ^ŒÜ«∞KÕã≤ PѨO_ç!——
JO@∂ U_»=™êQÍ_»∞. Jk K«∂ã≤ P"≥∞ ÖËz xÅ∞K«∞#flk. P"≥∞
#∞^Œ∞~°∞ H˘kÌQÍ ~°HõÎ ã≤HõÎ=∞~ÚºOk.
''™êfig∞! g∞ ^ŒQÆæ~°‰õΩ =zÛ <å ÉÏ^èŒO`å K≥ѨC‰õΩx =∞#™ê~å
U_»"åÅx =KåÛ#∞. JѨC_Õ <å‰õΩ „ѨâßO`«`« HõÅ∞QÆ∞`«∞Ok. <Õ#∞
q∞=∞‡efl ~å[ã¨ÉèíÖ’<Õ K«∂™ê#∞. ##∞fl "Õ~˘Hõ =ºH˜Î „ѨHõ¯# K«∂ã≤
ǨÏ`åâ◊√Öˇ· g∞~°∞ "≥o§áÈ=_»O ‰õÄ_® K«∂âß#∞. g∞~°∞ ##∞fl JÖÏ
K« ∂ ã≤ Pâ◊ Û ~° º Ѩ _ » @ O K« ∂ âß#∞. <Õ # ∂ J^Õ Ñ¨ i ã≤ ÷ u Ö’
L#flO^Œ∞=Å# g∞ =∞#ã≤÷ux J~°÷O KÕã¨∞HÀQÆÅ#∞. <Õ#∞ ã¨Éèí
#∞O_ç WO\˜H˜ "≥o§# Ñ≤^ŒÑ¨ q∞=∞‡efl ZHõ¯_» HõÅ=QÆÅ<å Jx
PÖ’zOK«QÍ, g∞~°∞ `«Ñ¨ÊHõ ~°OQÆ<å^äŒ PÅÜ«∞OÖ’ LO\Ï~°x
<å‰õΩ `ÀzOk. Z=iH© `≥eÜ«∞‰õΩO_® ZÖÏQÀ WHõ¯_çH˜ ~åQÆeQÍ#∞.
P =ºH˜ Î x q"åǨ Ï =∂_» @ O <å Hõ ~ ° Î = ºO. <å `« O „_ç f„=
J<å~ÀQƺO`À Ѩ_»∞‰õΩ<åfl~°∞. `«#∞ `«#∞=Ù KåeOKÕÖ’QÍ ##∞fl
"Õ~˘Hõi ~°Hõ∆}Ö’ ÃÑ\˜ì "≥àϧÅ#∞‰õΩ<åfl~°∞. ~å[H©Ü«∞ „ѨÜ≥∂[<åÅ
HÀã¨O ##∞fl Z=Ô~·<å =∞m§ Z`«∞ΉõΩáÈ`å~°x PÜ«∞# ÉèíÜ«∞O.
<Õ#∞ ÃÑo§x ™ê^茺"≥∞ÿ#O`«=~°‰õΩ ^•>ˇ"≥Ü«∂ºÅx „Ѩܫ∞uflOKå#∞.
HÍh, XHõ J|Å Zxfl~ÀAÅ∞ XO@iQÍ LO_»QÆÅ^Œ∞? `«q∞à◊
„áêO`åʼnõ Ω =∞Oz~ÀAÅ∞ =™êÎ Ü « ∞ #fl Pâ◊ =∂Ö’
J_» ∞ QÆ O @™êyOk. =∂ <å#flQÍi P~ÀQÆ º O <å<å\˜ H ˜
H©∆}˜OK«™êyOk. ÃÑo§H˜ JOwHõiOK«_»O `«Ñ¨Ê <å‰õΩ "Õˆ~^•i
ÖËHõáÈ~ÚOk. JOwHõiOz# `«~°∞"å`« K«zÛáÈ"åÅxÑ≤OzOk.
XO@iQÍ U_®Û#∞ HÍh <Õ#∞ K«xáȉõΩO_® ZHõ¯_À „|uH˜
L<åfl##fl q+¨Ü«∞O g∞‰õΩ P#O^ŒO Hõeyã¨∞ÎO^ŒxÑ≤OzOk. WÖÏ
PÖ’zOz# `«~°∞"å`Õ <Õ#∞ q"åǨxH˜ JOwHõiOKå#∞. <Õ#∞
ZHõ¯_À h PÖ’K«#Ö’¡<Õ „|`«∞‰õΩ`«∞<åfl#∞ J<Õ x[O h‰õΩ `«$Ñ≤Î
Hõeyã¨∞ÎO^Œ#∞‰õΩ<åfl#∞. XHõ"Õà◊ Jk `«ÃÑ·Ê`Õ D Hõ∆}"Õ∞ P`«‡Ç¨Ï`«º
KÕã¨∞HÀ=_®xH˜ <Õ#∞ ã≤^ŒúO. ^ŒÜ«∞KÕã≤ U^≥·<å =∂\Ï¡_»O_ç JO@∂
=∞^èŒ∞~° QÆ∞O_≥ Hõiyá⁄ÜÕ∞ºÖÏ U_çÛOk. =Å¡Éèí∞_»∞ JO`å qx
=∞ø#OQÍ<Õ LO_çáÈÜ«∂_»∞. J`«x =∞#ã¨∞ ÉèÏ=~°Ç≤Ï`«OQÍ ã¨Î|Ì"≥∞ÿ
áÈ~ÚOk. =∞^è Œ ∞ ~° ~° ∂ Ѩ O Ö’ „ã‘ Î ` « fi O `« # #∞ <åºÜ« ∞ O
HÀ~°∞`«∞#fl^ŒxÑ≤OzOk. `«# =ÚO^Œ∞ =∞^èŒ∞~° xOK«∞x P"≥∞
B#fl`«ºO ã¨OѨ^Œ =Å¡ HÍ^Œ∞, ã¨^Œ∞æ}ÏÅ =Å¡ =ã¨∞ÎOk.
HÀ}OÖ’ =∂\Ï¡_»@O, P"≥∞ =∞#ã¨∞, ÉÏ^èŒ WÖÏ "≥e|∞K«Û_»O
J`«xx H˘OK«O âßO`«Ñ¨~°zOk. Ѩ^Õà◊√§ QÆ_çKå~Ú. XHõ „ã‘Î
WO`«HõO>Ë Uq∞ K≥Ü«∞ºQÆÅ^Œ∞? H˘kÌ Hõ∆}ÏÅ∞ =∞ø#O `«~°∞"å`«
=Å¡Éèí∞_»∞ "≥∞Å¡QÍ =∂\Ï¡_»™êQÍ_»∞.
''=∞Ǩ~å}˜! q∞=∞‡efl ¿Ñ~°∞ ÃÑ\˜ì Ñ≤Å∞=QÆeˆQ ǨωõΩ¯#∞
<Õ#∞ HÀÖ’ÊÜ«∂#∞. ^ŒÜ«∞KÕã≤ Hõà◊§hà◊√§ ÃÑ@∞ìHÀ=^Œ∞Ì. g∞~°∞ U_ç¿ãÎ
<Õ#∞ K«∂_»ÖË#∞. <åHÀã¨O XO@iQÍ U_®Û~°x K≥áêÊ~°∞. D
rq`åxH˜ Jk KåÅ∞. g∞ *Ï˝Ñ¨HÍÅ`À D rq`«O QÆ_ç¿Ñ™êÎ#∞.
WOH˘Hõ q+¨Ü«∞O K≥ѨÊ^ŒÅ∞Û‰õΩ<åfl#∞. g∞~°∞ rqOz L<åfl~°#fl
q+¨Ü«∞O <å‰õΩ J`«ºO`« ã¨O`Àëêxfl Hõeyã¨∞Î#flk. g∞ *Ï˝Ñ¨HÍÅ`À
g∞ PÖ’K«#Å`À ##∞fl „|`«Hõ_®xH˜ <å‰õΩ J#∞=∞ux=fiO_ç. J^Õ
<å‰õΩ KåÅ∞. D QÍÜ«∂xfl =∞~°z <Õ#∞ rqOK«QÆÅ#∞—— J<åfl_»∞
=Å¡Éèí∞_»∞.
''<å QÆ∞iOz PÖ’zOK«∞‰õΩ<Õ Ç¨Ï‰õΩ¯ g∞‰õΩ ã¨OѨÓ~°‚OQÍ
HõÅ^Œ∞. =∞# „¿Ñ=∞ Ѩq„`«"≥∞ÿ#k. HÍ|\˜ì, q"åÇ≤Ï`«<≥·<å ‰õÄ_®
<å "≥·"åÇ≤ÏHõ rq`åxfl áê_»∞KÕÜ«∞‰õΩO_® g∞ QÆ∞iOz <Õ#∞
PÖ’z¿ãÎ, ##∞fl Z=~°∂ `«Ñ¨CѨ@ìÖË~°∞.—— J#flk =∞^èŒ∞~° W^ŒÌ~°∂
WÖÏ =∂\Ï¡_»∞‰õΩx `«$Ñ≤Î K≥O^•~°∞. `«~°∞"å`« W^ŒÌ~°∂ ÖËz
xÅ∞K«∞x, ~°OQÆ<å^äŒ∞xH˜ #=∞㨯iOz PÅÜ«∞O #∞O_ç "≥Å∞ѨeH˜
=zÛ, "å~°∞ "åi ^•~°∞Ö’¡ "≥o§áÈÜ«∂~°∞. =Å¡Éèí∞_»∞ Ѩiã≤÷`«∞ʼnõΩ
~årѨ_ç ã¨~°fiã¨OQÆѨi`åºy ÖÏQÍ rq`åxfl QÆ_»Ñ¨™êQÍ_»∞. J`«x
`«e¡ N~°OQÆO =zÛ# `«~°∞"å`« ˆH=ÅO XHõ ã¨O=`«û~°O =∂„`«"Õ∞
rqOzOk. =Å¡Éèí∞_»∞ ÃÑo§ KÕã¨∞HÀ=_®xH˜ x~åHõiOK«_»O`À
P"≥∞‰õΩ ^Œ`«∞Îx ^•fi~å =Å¡Éèí∞x qѶ¨Å „¿Ñ=∞ QÆ∞iOz `≥eÑ≤Ok.
`«#‰õΩ WzÛ# "åQÍÌ#O HÍ~°}Ï# `«# H˘_»∞‰õΩ =∞^èŒ∞~°#∞
q"åǨÏ=∂_»ÖË_»x "åã¨OuHõ `≥Å∞ã¨∞‰õΩ#flk. `«# H˘_»∞‰õΩ
qKå~åxH˜ HÍ~°}O `«<Õ Jx `≥Å∞ã¨∞‰õΩx P =∂`«$ǨÏ$^ŒÜ«∞O
H∆ÀaèOzOk. `«~°∞"å`« =Å¡Éèí∞x q"åǨÏO KÕã¨∞HÀ=∞x P"≥∞
|Å=O`« O K≥ Ü « ∞ ºÖË ^ Œ ∞ . `« # ∞ =∞~° } ˜ O KÕ =ÚO^Œ ∞ ''h=Ù
„ѨâßO`«OQÍ rqOK«∞—— JO@∂ Pj~°fikOz, J^Õ ã¨=∞Ü«∞O
=Å¡Éèí∞x ã¨fiO`« `À|∞@∞ì=Ù =Öˇ K«∂ã¨∞HÀ=∞x , U q+¨Ü«∞OÖ’#∂
J`«xx ÉÏkèOK«=^ŒÌx, ^Œ`«∞Îx =^ŒÌ "åQÍÌ#O KÕ~ÚOK«∞‰õΩOk.
^•xH˜ ^Œ`«∞Î_»∞ `«Ñ¨ÊHõ q"åǨÏO KÕã¨∞HÀ"åÅx âßã≤OzOk. ^Œ`«∞Î_»∞
JO^Œ∞‰õΩ JOwHõiOz H˘kÌ~ÀAÅ `«~°∞"å`« =∞O[ix q"åǨÏO
KÕã¨∞‰õΩ<åfl_»∞. =Å¡Éèí∞xH˜ D „ѨѨOK«OÖ’ ^Œ`«∞Î_Õ q∞yÖÏ_»∞.
J`«<Õ ã¨~°fiã¨fiO JÜ«∂º_»∞. W^ŒÌ~°∂ Hõeã≤ N~°OQÆ<å^äŒ∞xH˜ Z<Àfl...
Z<≥fl<Àfl ¿ã=Å∞ KÕã≤ `«iOKå~°∞. P ™êfiq∞ Pj~åfi^•Å∞
"åi~° ∞ =Ù~° ∞ Ѩ i Ѩ Ó ~° ‚ O QÍ á⁄O^•~° ∞ . ~° O QÆ < å^ä Œ ∞ x Ѩ @ ¡
ѨiѨÓ~°‚"≥∞ÿ# ÉèíH˜ÎÖ’ =Úxy# =Å¡Éèí∞_»∞, ™êfiq∞ „¿Ñ=∞#∞
Pjã¨∞ûÅ#∞ á⁄O^•_»∞. "åi~°∞=Ù~°∞ `Õ<≥ áêÅ=Öˇ Hõeã≤áÈÜ«∂~°∞.
Éè í ‰ õ Ω Î x H˜ Éè í Ñ ¶ ¨ ∞ =O`« ∞ xH˜ QÆ Å „¿Ñ=∞ ÉÏO^è Œ " åºÅ‰õ Ω "å~° ∞
L^•Ç¨Ï~°}QÍ xeKå~°∞. (ã¨âı+¨O)
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All slokas Chant 108 times

FO <å~°ã≤OÇ¨Ï =Ѩٿ+ #=∞ó FO ˆH∆„`«*Ï˝Ü«∞ #=∞ó FO *’ºuëêOѨ`«ÜÕ∞ #=∞ó

G åÁ∫uÃÊ “ ƒúÏ   z å™: G qz fi rÁÆ å™: G [ÆÁz u o ÁÊ ú oÆz å™:
In moments of distress and despair For aspirants of Plots and own residence.
For good eye - sight.

PѨ^ŒÖ’ L#flѨC_»∞ 㨇iOK«O_ç. ã¨fiO`«OQÍ áê¡@∞¡, WO_»∞¡ H˘<åÅ#∞‰õΩ#fl "åiH˜. ã¨Ê+¨ì"≥∞ÿ# K«∂Ѩ٠H˘~°‰õΩ.

=„[O ÖÏO\˜ â◊s~åxH˜....... –j ∆∫y∫ Nz˛ u¬L Chant 28 times

FO #"≥∂ <å~°ã≤OǨÜ«∞ =„[^ŒO„ëêìÜ«∞ =„l}ËI =„[^ÕǨÜ«∞ =„*ÏÜ«∞ #"≥∂ =„[ #MÏÜ«∞K«II

H å™Áz åÁ∫uÃÊ “ ÁÆ ƒ\¿ t Ê … b~ Á Æ ƒu\~ m z @ ƒ\~ t z “ ÁÆ ƒ\~ Á Æ å™Áz ƒ\~ åQÁÆ Y @@
P"Õâ◊O q"ÕHÍxfl #tOѨ KÕã¨∞ÎOk.
June '18 w w w w w w w w w w w w w w w w w w 18 wwwwwwwwwwwwwwwwwwwwww VAK
AHOBILAM AND AHOBILA MUTT - 66
I was thinking of the next episode for Ahobilam and
Ahobila Mutt. My eldest son described his experience
during recently concluded Brahmotsavam at Chilkur
Balaji temple. He went along with the Lord’s
procession in Ashvavaahanam to Chilkur Village which
is 2.5 kms from the temple and the whole route was
not having proper road. Every year he used to go and
he never used to utter anything about the journey. This
year he said to me that if he was unable to walk in the
piercing sand pebbles all the way, how could one have
gone to Divyakshetrams like Ahobilam in those days.
I explained to him that these kind of journeys are
performed with Lord’s strength and not with ours. He
said during the Asvavahanam procession there was a
drizzle and in order to protect the Lord the route was
changed to take the Lord to a covered place and the
Gram Panchayat building was the only closest one.
Lord entered this building. I told him, here is an
example of Lord’s strength. No one would have ever
dreamt of Lord travelling to Gram Panchayat and it is
not a routine. It happened because Lord wanted it.
May be he liked the Gram Panchayat resolving to
propogate Sanskrit in the village and he wanted to
record his appreciation. With this episode and
conversation I recollected my journey to Ahobilam and
it was tough walking long distances with sharp pebbles
hurting the legs. I remembered my journey to Ahobilam
and how Lord protected me from falling through a large
cliff around the ugrastambham. I then thought about
an article on Ahobilam journey published by Vedanta
Deepikai in 1912 which describes the journey in detail.
It was even tougher in those days. I would like to present
those details with VAK readers and here it goes..
JOURNEY TO AHOBILAM - A DESCRIPTION
PUBLISHED IN VEDANTA DEEPIKAI VOLUME 2, P
414, IN 1912.. This was written by Divya Kavi Pillai
Perumal Iyyengar.
Entering into the next entrance we see a unfinished
mantapam. One of the English officers seems to have
felt that if this Mantapam were completed there would
be no mantapam equal to this in the whole world. On
the south side there is kitchen area for the divine with
several massive stone jars. On the south west there
is the Sannidhi (sanctum sanctorium) of Varadaraja
and a Kalyana mantapam. In this Mantapam and in
many places one can find sculptures depicting how
Sri Adivan Satakopa Swamy, first Jeer of Sri Ahobila
Mutt was initiated by Lord Narasimha into Sanyasam.
The whole story is depicted in the sculptures. There is
the Sannidhi of Sri Alwars and Sri Pattabhirama on
the other side. Even in this sannidhi there seems to
be no worship happening. The Vimana is an indication
of main Sanctum sanctorium which we saw soon.
Under this Vimana, there is Lord Lakshmi Narasimha
sannidhi and next to it is Goddess Lakshmi Sannidhi.
The utsava idol, Prahlada varada is beautiful here. We
P"Õâ◊ѨÓ~°fiHõ x~°‚Ü«∂Å∞ J#~å÷Å#∞ `≥™êÎ~Ú.
– M.V. SOUNDARARAJAN
have discussed and learnt about issues with the locals
and the Archaka there on difficulties of worship and
Aradhanam being performed there. We learnt that the
Jeer of Sri Ahobila mutt has taken up a massive
mission to restore past glory of the Ahobilam temple
and enhance the number of Archakas to help in a much
better worship. From this Sannidhi the Upper Ahobilam
is 5 miles. After trekking the deep bushy roads, piercing
stony pathways, braving the roarings of tigers, wild
boars we come to refreshing and soothing noise of
water fall into Bhavanashini river. Once we walk past
on this road further we can have the darshan of Lord
Lakshmi Narasimha in upper Ahobilam.
Here the Lord owns all the lands. The lands have been
tilled by local tenant who pay every year INR 300/- to
the temple. The temple has only income from devotees
and in these days the income is INR 3500 per year.
But the expenses are significantly higher than the
income. We took this message to the 40th Jeer of
Ahobila Mutt and pledged help to him to restore the
Ahobilam shrine in its past glory.
Readers of VAK have already been taken through the
glorious consecration ceremony happened in early 20th
century (1916-17) after renovation as described by two
fictitious Gandharvas where all the nine Lakshmi
Narasimha temples have been described. All of them
were renovated by the 40 & 41st Jeers of the Ahobila
Mutt. Later every Jeer of the Ahobila Mutt have been
maintaining and enhancing the Ahobilam temple and
its glory significantly with the help of the devotees.
Right from the time of first Jeer of Ahobila Mutt the
Jeers lineage (43,44,45 & 46 Pattam Jeers) have been
ensuring construction, maintenance of the temples and
performing pujas. In this journey the Jeers have some
times faced challenges in the form of monarchical
resistance from Muslim rulers and also resistance from
the British rulers. They also enjoyed the support of the
Locals and the deity because of which they were able
to protect the shrine and enable all of us to have the
Darshan of the wonderful Lord Lakshmi Narasimha.
VAK pays tribute to all these Jeers and their disciples
within the village , around the place and all over the
country and in fact the world who helped and are still
helping in the great seva to the Lord by way of
maintaining the temples and worships. May Lord
Lakshmi Narasimha bestow them sufficient strength
to continue that. Currently the situation of managing
temples have become even worse with secular
Governmental interference and desire to control
religious institutions. VAK would like to caution the
Government not to attempt meddling with the
institutions and appeal to them to act in such a
supporting way that they completely protect the
system alongwith Jeer’s trusteeship, archakatvam and
facilitate protection of all the heritage and age old rituals
for posterity. (to be continued...)
June '18 w w w w w w w w w w w w w w w w w w 19 wwwwwwwwwwwwwwwwwwwwww VAK

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‰õÄ_® JÉèºí i÷OKå~°∞. K«„Hõ^~Œè f° ~°O÷ Ö’<Õ ~å„u |ã¨KãÕ ≤ =∞~°∞ã¨\ ˜ ~ÀAÇ≤ÏO^Œ∞=ÙÅ =∞#ã¨∞ûÅ∞ =∂~°Û_®xH˜, "åix "Õ^Œ=∂~°æO #∞O_ç "Õˆ~
„á⁄^Œ ∞ Ì > Ë ÖË z É∫^è • Ü« ∞ #∞x =$uÎ „QÆ O ^ä • xfl, "≥ ^ Œ H õ _ ®xH˜ =∂~°æO Ѩ\ ˜ìOK«_®xH˜ J<ÕHõ ‰õΩÜ«Ú‰õΩÎÅ∞ Ѩ<Õfl"å~°∞. W^ŒÌ~°∞
|Ü«∞Å∞^Õ~°^•=∞x K≥áêÊ~°∞. J^Õ ã¨=∞Ü«∞OÖ’ HÀ"≥ÅQÆO@Å∞ [g∞O^•~°∞Å∞ ÖËHõ JkèHÍ~°∞Å∞ ÖËHõ ~åAÅ∞ H˘\Ï¡_»∞‰õΩ<Õ@ѨC_»∞
â◊√Éèãí ∂¨ K«H=õ ∞O@∂ „"≥∂QÍ~Ú. ‰õΩ~ˆ â◊√x =∞iÜ«Ú ~å=∂#∞[™êfiq∞x "å~°∞ XHõ¯i ѨHõ∆O =Ç≤ÏOz, W^ŒÌi =∞^茺 "≥·~°O ÃÑOKÕ"å~°∞. PHõã≤‡Hõ
ˆHâ◊=Ù_»∞ `«# "≥O@ fã¨∞‰õΩ"≥o§ K«„Hõ^èŒ~°™êfiq∞, ^Œ~°≈#O HÍqOKå_»∞. ^•_»∞Å∞ KÕã≤ ~å*ϺÅ#∞ Ѩ`«#O KÕ¿ãâß~°∞. =∞ǨÏ=∞‡^£ QÆlh
JHõ¯_ç =¸Å q„QÆǨÏO ™êÅ„QÍ=∞ tÅ HÍQÍ L`«û= q„QÆǨÏO W@∞=O\˜ ^ŒO_»Ü∂« „`« KÕã≤ ~å*Ϻxfl Ѩ`#« O K≥Ü∞« º_»O Hˆ â◊"åKå~°∞ºÖË
ã¨fi~°‚=∞Ü«∞"≥∞ÿ xÅ∞"≥`«∞Î =∞x+≤ =Öˇ J`«ºO`« PHõ~°¬}©Ü«∞OQÍ „Ѩ`«ºHõ∆OQÍ K«∂âß~°∞. P ã¨=∞Ü«∞OÖ’ PÜ«∞# ^Œ∂~å# `«# TiÖ’
HõxÑ≤OzOk. L<åfl~°∞.
P ™œO^Œ~°º=¸iÎx ^Œi≈Oz# ~å=∂#∞AÅ"åiH˜ ‰õΩˆ~â◊√x Hˆ â◊"åKå~°∞ºÅ∞ P ã¨=∞Ü«∞OÖ’ Ѩ^‡Œ <åÉè=í ~°∞x HõÅ∞ã¨∞‰õΩ<åfl~°∞.
Hõà◊§Ö’¡ P#O^ŒÉèÏëêÊÅ∞ xO_»∞‰õΩ<åfl~Ú. J^Õ ã¨=∞Ü«∞OÖ’ JÅ¡O`« Ѩ^Œ‡<åÉèí=~°∞_»∞, K«„Hõ^èŒ~åÅÜ«∂xH˜ ~°Hõ∆} ¿ã<åkèHÍi. W`«#∞ Ju
^Œ∂~°O #∞Oz _»Ñ¨CÅ K«Ñ¨C_»∞ qxÑ≤OzOk. ~å#∞~å#∂ QÆ∞„~åŠѨ~å„Hõ=∞=O`«∞_»∞. D PÅÜ«∂xH˜ 2000 ~°Hõ∆} Ãã·#ºO HõÅ^Œ∞.
K«Ñ¨Cà◊√§ ÃÑ^ŒÌQÍ qxÑ≤OKå~Ú. P â◊ÉÏÌÅ#Ω K«∂¿ãÎ Ãã·x‰õΩÅ∞ "å~°∞ ~å„`«#Hõ ѨQÆÅ#Hõ PÅÜ«∞ ~°Hõ∆}Ö’ x=∞QÆ∞flÖˇ· LO_Õ"å~°∞. D
KåÖÏ=∞Ok PÅÜ«∞O"≥·Ñ¨Ù =ã¨∞Î#fl@∞ìQÍ JxÑ≤OzOk. PÅÜ«∞ ~°Hõ∆} Ãã·<åºxfl ˆH∆„`«Ãã·#º=∞h, ^•x JkèHÍix ˆH∆„`«áêʼnõΩ_»h
QÆ ∞ „~åÅ∞ =∞iÜ« Ú Ãã· x ‰õ Ω Å∞ =㨠∞ Î # fl K« Ñ ¨ C _» ∞ K« ∂ ã≤
Ñ≤eKÕ"å~°∞. D Ãã·#ºOÖ’x XH˘¯Hõ¯ Ãã·x‰õΩ_»∞ ZO`« |Å=O`«∞_»O>Ë,
ˆHâ◊"åKå~°∞ºÅ∞ Pâ◊Û~°ºáÈÜ«∂~°∞. XˆH™êi Ѩk =∞Okx ǨÏ`å=∂~°ÛQÆeˆQ â◊H˜Î Hõey#"å_»∞. JѨÊ\˜ˆH
''Q“~°=hÜ«ÚÖÏ~å! D ã¨=∞Ü«∞OÖ’ PÅÜ«∂xH˜ Z=~°∞ ˆH∆„`«áêʼnõΩ_»∞ Ü«Ú^Œúã¨Oã≤^Œ∞ú_≥· PÅÜ«∞O "≥Å∞ѨŠã≤^ŒúOQÍ =Ù<åfl_»∞.
=ã¨∞Î<åfl~À <å‰õΩ J#∞=∞u W¿ãÎ "≥o§ `≥Å∞ã¨∞‰õΩx =™êÎ#∞. <Õ#∞ J`«x â◊s~° ^•~°¤ºO K«∂¿ãÎ, 500 =∞Ok â◊„`«∞=ÙʼnõΩ J`«#∞ XHõ¯_Õ
ã¨OˆH`«O WKÕÛ =~°‰õΩ ^ŒÜ«∞KÕã≤ WHõ¯_ç #∞O_ç Hõ^ŒÅ=^Œ∞Ì—— J<åfl~°∞ ã¨=∂^è•#O W=fiQÆÅ^ŒxÑ≤ã∞¨ #Î flk. J`«x =^ŒÌ á⁄_»∞"≥#· Hõu,Î Hõ~"° åÅO,
ˆHâ◊"åKå~°∞ºÅ∞. K«∞~°HõuÎ, z#fl qÅ∞¡ =∞iÜ«Ú ÉÏ}ÏÅ∞ Jhfl ã≤^ŒúOQÍ L<åfl~Ú.
~å=∂#∞AÅ"å~°∞ =∞iÜ«Ú ‰õΩˆ~â◊√_»∞ „ѨâßO`«OQÍ `«=∞#∞ Hˆ â◊"åKå~°∞ºÅ∞ PÜ«∞#"≥Ñ· Ù¨ #_»∞ã¨∂Î "≥à§◊ QÍ, Ѩ^‡Œ <åÉèí =~°∞_»∞ „H˜O^Œ‰Ωõ
~°H˜∆OK«=∞x K«„Hõ^èŒ~°™êfiq∞x „áêi÷OK«™êQÍ~°∞. ky P =Úã¨e „ÉÏǨχ}∞xH˜ áê^•aè=O^Œ#O HÍqOKå_»∞.
''J`«ºO`« Ѩ~å„Hõ=∞âße =∞iÜ«Ú â◊`«$ÉèíÜ«∞OHõ~°∞_≥·#
J#O`åk`«∞º_»∞ ~å[º"Õ∞Å∞`«∞O_»QÍ U â◊`«$=Ù WO`«\ ˜ ™êǨÏã¨O
(ã¨â+ı O¨ )
ã¨Ç¨Ï#O ã¨=Ú„^ŒO Hõ<åfl ÃÑ^ŒÌk.
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Ramanuja’s Journey to Sharada Peeth – Kashmir
Serial - 10
Story so far:
Obtaining the ordainment of Lord Varadaraja of
Kanchi, Lord Ramanuja and Kuresa set out to study
Boudhayana Vrutti Grantha at Sharada peetham in
Kashmir. They had taken a fast route and reached
Kashmir in just about 6 months time from Kanchi
travelling almost everyday. They reached Chakradhara
theertham at the outskirts of Kashmir and had been
well received by a learned scholar Keshavacharya
who till recently served as the Prime Minister of
the King. When they had the darshan of Lord
Chakradhara there, they heard an army coming
towards the temple…
“We are also of the same opinion as you are. Our
Gurus have also taught the same and we also feel
that there are gaps in the understanding of the people
including revered scholars and hence are in search
of the original Boudhayana Vrutti grantha to find
answers to all our doubts. May I request your help
to us there? Please also tell us about your
experiences with the King and how can we approach
him to help us?” responded Lord Ramanuja.
The fragrance of Tulasi continued and intensified.
It was as though Lord Chakradhara himself who was
listening to this conversation of the greatmen in the
dark mantapa just outside the main temple premises
and in a choultry like setting meant for travelling
devotees. Lord Ramanuja momentarily closed his
eyes to find Lord Chakradhar before him and saying
to him that he had only deputed Kesava and he
can be trusted.
Kesava requested to Lord Ramanuja to have bhiksha
at chakradhara theertham. He also requested Kuresha
to take some prasadam of Lord. He said that they
can spend the night here in the Chakradhara theertham
and next day morning can set out on the expedition
to find the Sage Boudhayana’s Vrutti grantha . At
that time temple bells rang. Kesava escorted Kuresha
and Lord Ramanuja to the temple and made them
have darshan of Lord Chakradhara. The moola virat
was a strong Salagrama sila deity and the utsava
Vigraha was of life size made up of solid gold with
enchanting beauty.
Both Lord Ramanuja and Kuresha were in tears.
At that time huge sound of trumphets were heard
at a distance. Sound of horses and metal were getting
louder and louder . It seemed like a huge number
soldiers are coming towards the temple.
Keshavacharya was surprised at the sound of horses
and army men.
“My revered Srivaishnavas, please permit me to find
out who is approaching the temple at this hour. Please
wait for me here only and do not try to come out
till I signal” said Keshavacharya.
Lord Ramanuja and Kuresa were looking calm and
praying to Lord Chakradhara to save them from any
calamity.
J™ê^蕺xfl ã¨∞™ê^茺O KÕÜ«Ú@ÜÕ∞ L`«Î=∞ ÅHõ∆}O.
CSL Narasimhan
‘Who can dare to come with an army at this stage
when the emperor Ananthaditya is powerful and
dreaded by enemies’ thought Keshavacharya while
he walked out of the main temple and boarded his
horse. The horse was donated to Keshavacharya
by King Kshitiraja who was the cousin of Emperor
Ananthaditya and recommended to the emperor to
make Keshavacharya as the trustee of the
Chakradhara temple which the sympathetic
Ananthaditya agreed to.
The Chakradhara temple was a massive stone walled
structure with seven stone compound walls said
to be built by Emperor Janamejaya who was the
grand son of Pandava Emperor Dharmaraja, in
Mahabharat times. Later the walls were from time
to time renovated and rebuilt by various Kashmir
kings which included Lalitaditya Muktipada and
Sangramaraja.
The inner most wall itself extends to 2 to 3 kilometers
while the exterior wall can be as long as 7 kilometers.
Such was the protection of places of worship in
those days that each major temple had its own army
men provided by the emperor. Emperor Anantaditya
and queen Suryamathi were highly religious and
took utmost care of places of worship especially
when the whole land was vulnerable to native non-
believer attackers and foreign invaders such as Islamic
fanatic rulers and Christian missionary perpetuators.
The foreign invaders had several strategies to
destabilize the Hindu vedic cult followers. They would
support one of the two fighting sides and wars among
two feudal Lords or generals or even for that matter
feudal kings with ruling emperors. They also would
try to destabilize the kingdoms by looting in an
unplanned and sudden way. Keshavacharya has seen
these kind of destabilization by muslim invasions
of Mohammad Ghazni when he was in his native
land far away.
He approached Padmanabhavara who was the
commander of the strong temple protection army
of the Chakradhara temple. There were over 2000
army men guarding the temple and at anytime they
were ready to defend. The army men were known
as Kshetra sainya and the commander was known
as Kshetra pala. The army men were so strong that
each one of them can fight and kill atleast ten people
at a time. The Kshetrapala, Padmanabhavara was
in his full armory and already in position at the
ramparts of the outermost temple wall. He was so
well built that he himself can route a complete army
of over 500 men single handedly. His was armed
with a long sword, dagger, small bow and arrow
which are poisoned.
When Keshavacharya was approaching,
Padmanabhavara came down and touched the feet
of the old pious Brahmin and said.
(to be continued...)
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‰õΩO_»eh Ü≥∂QÆ=Ú - „áê=ÚYº`«

Ü≥∂QÆ™ê^èŒ# J<≥_ç ÉèÏ=# =∞x+≤ PÖ’K«<å q^è•#=ÚÖ’ K≥ѨÊÖË#O`«QÍ Ñ¨i=~°Î# `≥zÛ#k. WѨÊ\˜ =~°‰õΩ 'Ü≥∂QÍ—
XHõ =∞`«=Ú#‰õΩ ÖË^• HõxHõ@∞ì J<Õ ÉèÏ=# LO_Õk. Éè∫uHõ âßG"Õ`«ÎÖË HÍHõ, q+¨Ü«∞ "åOKè«ÅÖ’ H˘@∞ìq∞\Ïì_»∞`«∞#fl ã¨QÆ@∞
=∞x+≤ ‰õÄ_» Ü≥∂QÆ™ê^èŒ##∞ #=∞‡_»O "≥Ú^Œe_çi. „ѨHõ$u JO^•Å∞ =∞#ã¨∞ûH˜ PǨ¡^Œ=Ú HõeyOK«∞#@∞¡ Éè∫uHõ"≥∞ÿ# J#∞Éèí==Ú
nxH˜ aè#fl=ÚQÍ q+¨Ü∞« "åOKèÅ« Ö’ WiH˜OK«∞#∞. PÖ’K«#Å∞ Éè∫uHõ"åOKèÅ« ã¨O`«$Ñ≤HÎ ˜ Hõ$+≤KÜ Õ Ú« #∞. =ºH˜`Î fi« qHÍã¨=Ú â◊¥#º=Ú.
JO`«~°OQÆ=Ú â◊√kú J=ã¨~°=Ú. JO`«~°OQÆ J#∞Éèí=™ê~°=Ú Ö’`≥·#k. HõÅÅ∞ qÉèË^•Å‰õΩ PÅ"åÅ=Ú. h=∞#ã¨∞ûÖ’x =ºuiHõÎ
ÉèÏ=# HõÅʼnõΩ =¸Å=Ú. Åe`«Hõà◊Å∞ JO`«~°OQÆ=Ú#∞ â◊√kúKÕÜ«Ú#∞. ã¨Ow`«™ê^èŒ# XHõ =∞^èŒ∞~å#∞Éèí∂u. ã¨Ow`«=Ú áê_ç<å,
áê_»HõáÈ~Ú##∂ qx#<Õ P =∞^èŒ∞~å#∞Éèí∂ux =∞#ã¨∞û# xÅ∞ѨÙH˘#∞#∞. z„`«HÍ~°∞x ~°OQÆ∞Å ‰õΩOK≥`À wã≤# JO^Œ"≥∞ÿ#
^Œ$â◊º=ÚÅ#∞ K«∂z P#OkOK≥_ç =∞#ã¨∞û JO^ŒiH˜ LO@∞Ok. JO>Ë, JO`«~°OQÆ=Ú# ã¨Ç¨Ï[ ã≤^Œú"≥∞ÿ# HõàÏ`«‡Hõ`« xH˜∆ѨÎ"≥∞ÿ
L#fl^Œ#flk xifi"å^•Oâ◊=Ú.
H˘xfl ^Œâß|Ì=ÚÅ∞QÍ Ü≥∂QÆ™ê^茉õΩŠǨÏ$^ŒÜ«∞=ÚÖ’ 'Ü≥∂QÍ— =∞Öˇ¡Å Ѩi=∞à◊=ÚÅ#∞ "≥^Œ[Å∞¡`«∞<Õ LOk. „Hõ"Õ∞Ñ≤,
=∞#ã¨∞û XHõ¯\˜ =ÚYº=Ú HÍ^Œ∞. â◊s~°=Ú#∞ =∞#ã¨∞û ÅÜ«∞=Ú KÕÜ«∞=eû# J=ã¨~°=Ú#∞ QÆ∞iÎOzi. â◊s~°^è•~°∞_軺=Ú#∞
ÃÑOz#O`«=∂„`«=Ú# ã¨iáÈ^Œ∞ ã¨~m° Hõ$`« PÖ’K«<å q^è•#=Ú J=ã¨~=° Ú. â◊s~°^•è ~°∞_躻 =Ú =∂#ã≤Hõ ѨiѨÙ+≤ì ~Ô O_»∂ J=ã¨~"° ∞Õ .
Ü≥∂QÆ™ê^èŒ# ^•fi~å D Ô~O_»∞ ã¨=∞‰õÄ~°∞#∞. Z<Àfl ã¨O㨯~°}Å ã¨=∂QÆ=∞"Õ∞ qq^èŒ~°Hõ=ÚÖˇ·# Ü≥∂QÆ ™ê^èŒ#Å∞ "≥Å∞QÆ∞Ö’xH˜
=zÛ#q.
1. ǨÏ~î°Ü≥∂QÆ=Ú 2. Hõ~°‡Ü≥∂QÆ=Ú 3. ÉèíH˜ÎÜ≥∂QÆ=Ú 4. *Ï˝#Ü≥∂QÆ=Ú 5. ~å[Ü≥∂QÆ=Ú 6. ‰õΩO_»eh Ü≥∂QÆ=Ú
"≥Ú^ŒÅQÆ∞#q. Ü≥∂QÆ™ê^èŒ##∞ U XHõ¯\˜`À<≥·# „áê~°OaèOz# PÖ’K«<åq^è•#=ÚÖ’ =∂~°∞Ê, ǨÏ$^ŒÜ«∞ã¨ÊO^Œ# KÕuÖ’
¿ã"å`«`«Ê~°`«,^•#=Ú "≥Ú^ŒÅQÆ∞ #^£QÆ∞}=ÚÅ∞ JÅ=_çr=# B#fl`«º=Ú#‰õΩ HÍ~°}=∞QÆ∞#∞. =ºH˜Î`«fi qHÍã¨=Ú XHõ¯>Ë
Ü≥∂QÆ™ê^èŒ#‰õΩ ÅHõ∆ º=Ú H͉õÄ_»^Œ∞. =∞iÜ≥ÚHõ HÀ}=ÚÖ’ PÖ’zOKåeû# J=ã¨~°=ÚOk. Éè∫uHõ J=ã¨~åÅ∞, =∞<ÀqHÍã¨=Ú,
"≥Ú^ŒÅQÆ∞#q q+¨Ü«∞"åOKè«Å∞ K«∞@∂ì u~°QÆ_»"Õ∞ H͉õΩO_®, ã¨∞qâßÅ ^Œ$HõÊ^äŒ=Ú ^•xH˜ J=ã¨~°"≥∞ÿ# PÖ’K«#Å =∂~°∞Ê`À
=∞#ã¨∞ûx ѨiѨÙ+≤ì KÕÜÚ« ÉèÏ"À^ÕfiQÆ=ÚÅ#∞ ZѨÊ\˜HÑõ C¨ _»∞ ã¨iKÕÜ∞« QÆey# „Ѩ`ºÕ Hõ ™ê^è<Œ å„Hõ=∞"Õ∞ '‰õΩO_»eh— Ü≥∂QÍ JO^Œ∞~°∞.
'‰õΩO_»eh— Ü≥∂QÍ J#∞#k Ju ѨÙ~å`«#=Ú, PK«~°}Ü≥∂Qƺ"≥∞ÿ# `«O„`«q^ŒºÖ’ ÉèÏQÆ"Õ∞.
(¿ãHõ~°} : Ü≥∂QÆ™ê^èŒ# ‰õΩO_»eh „ѨKÀ^Œ#=Ú +¨@Û„Hõ=ÚÅ∞-=ºH˜Î`«fi qHÍã¨=Ú, Ñ≤.Hõ$+¨‚=¸iÎ, Ü≥∂QÍ^蕺ܫ∞)

HAVE YOU READ THE BOOK ....... "THE LORD AT YOUR CALL" Vol. - II
We at VAK are blessed to bring out the second volume in the series of books
on Anecdotes on Vishnu Sahasranama authored by Sri V S Karunakaran Swamy.
Sri V S Karunakaran Swamy started this mammoth never before project of explaining
the significance of the 1000 names. Since the English meaning of this hymn is
given in this work, many in this country and those living abroad, will welcome it.
Every name is a mantra by itself, some with two and some ranging up to eight
words. The hymn is an antidote for all ills.
As the author mentioned the benefits which will accrue by reciting the various
name of Vishnu, it has been practically experienced by Devotees at Chilkur Balaji
temple who are the regular readers of VAK in which these Anecdotes have been
serialised. There is immortal ecstasy that can be experienced by chanting these
names individually.
The second Volume has been released on 6th September 2017, as a part of
the Saptatipoorthi celebrations of the Author Sri V S Karunakaran. You can find
the devotees chanting these names endlessly at the Balaji Temple Chilkur. The
benefit of chanting individual names for particular needs to be granted by Almighty
is being practiced and is yielding expected results. Books available at : Manager 'VAK', 2-2-647/77/D, Srinivasanagar
Colony, Bagh Amberpet, Hyderabad-500 013. Price : Rs.500/- (Exclusive of postage)

Z‰õΩ¯= HÀiHõÖË ã¨=∞㨺ʼnõΩ =¸ÅO.

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8. U+¨ „|Ǩ‡ K« q+¨µ‚â◊Û t=ó 㨯O^Œó „Ѩ*ÏѨuó I =∞¿ÇÏO„^À ^èŒ#^Œó HÍÖ’ Ü«∞=∞ó ™È"≥∂ ǨϺáêO Ѩuó II
9. Ñ≤`«~À =ã¨=ó ™ê^蕺 ǨϺtfi<Ò =∞~°∞`À =∞#∞ó I "åÜ«Ú~°fiÇ≤Ïfló „Ѩ*Ï„áê}ó |∞∞`«∞Hõ~åÎ „ѨÉèÏHõ~°ó II
10. Pk`«ºó ã¨q`å ã¨∂~°ºó YQÆó ѨÓëê QÆÉèíã≤Î=∂<£ I ã¨∞=~°‚ã¨^Œ$â’ ÉèÏ#∞ó Ç≤Ï~°}ºˆ~`å k"åHõ~°ó II
11. ǨÏi^Œâ◊fió ã¨Ç¨Ï„™êiÛó ã¨Ñ¨Îã¨Ñ≤Î-~°‡sz=∂<£ I uq∞~À#‡^äŒ#ó â◊OÉèí∞ó `«fiëêì =∂~åÎO_»HÀ-Oâ◊√=∂<£ II
12. Ç≤Ï~°}ºQÆ~°ƒùó tt~°ó `«Ñ¨<À ÉèÏ㨯~À ~°qó I JyflQÆ~Àƒù-k`Õó Ѩل`«ó â◊OYó tt~°<åâ◊#ó II
13. "Àº=∞<å^äŒ ã¨Î"≥∂ÉèËn |∞∞QƺAó ™ê=∞-áê~°QÆó I Ѷ¨∞<å=$+≤ì ~°áêO q∞„`À qO^茺gnä Ѩ¡=OQÆ=∞ó II
14. P`«Ñ‘ =∞O_»b =∞$`«∞ºó Ñ≤OQÆà◊ó ã¨~°fi`åѨ#ó I Hõqifiâ’fi =∞Ǩ`Õ*Ï ~°HõÎó ã¨~°fiÉèí"À^Œƒù=ó II
15. #Hõ∆„`« „QÆÇ¨Ï `å~å}Ï"£∞ JkèáÈ qâ◊fiÉèÏ=#ó I `Õ[™ê=∞Ñ≤ `Õ[ã‘fi ^•fi^Œâß`«‡<£ - #"≥∂-ã¨∞Î`Õ II
16. #=∞ó ѨÓ~åfiÜ«∞ y~°ÜÕ∞ ѨtÛ=∂Ü«∂„^ŒÜÕ∞ #=∞ó I *’ºu~°æ}Ï<åO Ѩ`«ÜÕ∞ k<åkèѨ`«ÜÕ∞ #=∞ó II
17. [Ü«∂Ü«∞ [Ü«∞Éèí„^•Ü«∞ ǨÏ~°ºâßfiÜ«∞ #"≥∂ #=∞ó I #"≥∂ #=∞ó ã¨Ç¨Ï„™êOâ’ Pk`åº #"≥∂ #=∞ó II
18. #=∞ L„QÍÜ«∞ g~åÜ«∞ ™ê~°OQÍÜ«∞ #"≥∂ #=∞ó I #=∞ó Ѩ^Œ‡„Ѩɒ^è•Ü«∞ =∂~åÎO_®Ü«∞ #"≥∂ #=∞ó II
19. „|¿Çχâß<åK«∞º`ÕâßÜ«∞ ã¨∂~åºÜ«∂k`«º - =~°Û¿ã I ÉèÏã¨fi`Õ ã¨~°fiÉèíH∆ÍÜ«∞ ~“„^•Ü«∞ =Ѩٿ+ #=∞ó II
20. `«"≥∂Ѷ¨∂flÜ«∞ Ç≤Ï=∞Ѷ¨∂flÜ«∞ â◊„`«∞Ѷ¨∂flÜ«∂ q∞`å`«‡<Õ I Hõ$`«Ñ¶¨∞flѶ¨∂flÜ«∞ ^Õ"åÜ«∞ *’ºuëêO Ѩ`«ÜÕ∞ #=∞ó II
21. `«Ñ¨Î Kåg∞Hõ~åÉèÏÜ«∞ =ǨÏflÜÕ∞ qâ◊fiHõ~°‡}Ë I #=∞ã¨Î"≥∂-aè xѶ¨∂flÜ«∞ ~°∞K«ÜÕ∞ Ö’Hõ™êH˜∆}Ë II
22. <åâ◊Ü«∞`Õº+¨ "≥· Éèí∂`«O `«^Õ= ã¨$[u „ѨÉèí∞ó I áêÜ«∞`Õº+¨ `«Ñ¨`Õº+¨ =~°¬`Õº+¨ QÆÉèíã≤Îaèó II
23. U+¨ ã¨∞¿ÑÎ+¨µ *ÏQÆiÎ Éèí∂`Õ+¨µ Ѩix+≤ª`«ó I U+¨ U"åyfl Ǩϟ„`«O K« Ѷ¨ÅO K≥·"åyfl Ǩϟ„u}Ï"£∞ II
24. "Õ^•â◊Û Hõ`«Ñ¨â‹·Û= „Hõ`«∂<åO Ѷ¨Å"Õ∞= K« I Ü«∂x Hõ$`åºx Ö’ˆH+¨µ ã¨~°fi U+¨ ~°qó „ѨÉèí∞ó II
25. U# =∂Ѩ`«∞û Hõ$„KÕÛù+¨µ HÍO`åˆ~+¨µ ÉèíÜÕ∞+¨µ K« I H©~°ÎÜ«∞<£ ѨÙ~°∞+¨ó HõtÛ<£ - <å=j^Œu ~åѶ¨∞= II
26. ѨÓ[Ü«∞Ãã· fi# "Õ∞HÍ„QÀ ^Õ=^Õ=O [QÆ`«Êu"£∞ I U`«`ü „uQÆ∞}˜`«O [áêÎ fi Ü«Ú^ÕÌ+¨µ q[~Ú+¨ºã≤ II
27. Jã≤‡<£ Hõ∆}Ë =∞ǨÉÏǨϟ ~å=}O `«fiO =kè+¨ºã≤ I U==ÚHÍÎ fi `«^•QÆ™Èκ [QÍ=∞ K« Ü«∞^ä•QÆ`«"£∞ II
28. U`«„K«∞Ûù`åfi =∞Ǩ`Õ*Ïó #+¨ìâ’HÀ- Éèí=`ü - `«^• I ^è•~°Ü«∂=∂㨠ã¨∞„Ñ‘`À ~åѶ¨∞=ó „Ѩܫ∞`å`«‡"å<£ II
29. Pk`«ºO „¿ÑHõ∆ º [áêÎ fi `«∞ Ѩ~°O ǨÏ~°¬=∞"åѨÎ"å<£ I „u~åK«=∞º â◊√z~°∂ƒù`åfi ^èŒ#∞~å^•Ü«∞ g~°º"å<£ II
30. ~å=}O „¿ÑHõ∆ º ǨÏ$ëêì`å‡ Ü«Ú^•úÜ«∞ ã¨=ÚáêQÆ=∞`ü I ã¨~°fiÜ«∞`Õfl# =∞ǨÏ`å =^èÕ `«ã¨º ^èŒ$`À-Éèí=`ü II
31. J^èŒ ~°q~°=^Œ<-£ xsHõ∆ º ~å=∞O =Úk`«=∞<åó Ѩ~=° ∞O „ѨÇϨ $+¨º=∂}óI
xtK«~°Ñ¨u ã¨OHõ∆Ü«∞O qk`åfi ã¨∞~°QÆ} =∞^茺QÆ`À =K«ã¨Î fiˆ~u II
W`庈~¬ N=∞„^•=∂Ü«∞}Ë "åb‡H©ÜÕ∞ PkHÍ"Õº Ü«Ú^ŒúHÍO_Õ Ñ¨OKåkèHõ â◊`«`«=∞ ã¨~°æó II

¿ãqOK«‰õΩ =∞^ŒºO - rq`å<Õfl KÕÜ«Ú#k z„^èŒO.

June '18 w w w w w w w w w w w w w w w w w w 23 wwwwwwwwwwwwwwwwwwwwww VAK
FO ã¨÷qëêªÜ«∞ #=∞ó
G Àsuƒ…eÁÆ å™:
To keep Evil forces at bay.
^Œ∞+¨ì â◊‰õΩÎÅ #∞O_ç HÍáê_»∞H˘#∞@‰õΩ.
|∞∞} q"≥∂K«# #$ã≤OÇ¨Ï ™È΄`«O
1. ^Õ=`å HÍ~°º ã≤^Œúº~°÷O ã¨ÉèÏã¨ÎOÉèí ã¨=Ú^Œƒù=O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
2. ÅH∆͇º eOy`« "å=∂OQÆO ÉèíHÍÎ<åO =~°^•Ü«∞HõO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
3. PO„`« =∂ÖÏ^èŒ~°O â◊OY K«„HÍÉÏ˚Ü«Ú^èŒ ^è•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
4. 㨇~°}Ï`ü ã¨~°fiáêѨѶ¨∞flO Hõ„^Œ∂[q+¨<åâ◊#O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
5. ã≤OǨÏ<å^Õ# =∞ǨÏ`å kQÆúOuÉèíÜ«∞ <åâ◊#"£∞
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
FO Éèí∂`å^ŒÜÕ∞ #=∞ó G ßÓoÁtÆz å™:
Chant this name to amend soured friendship
or any personal relationship
q∞„`«∞Å`À ¿ãflǨÏÉèÏ=O ÃÑOK«∞HÀ=_®xH˜, ^ŒOѨ`∞« Å Pregnant ladies to chant for healthy babies.
J<Àº#º`«‰õΩ.
Runa Vimochana Nrisimha Stotram
Devataakaarya-siddhyartham
sabhaastambha-samudbhavam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Lakshmyaalingita-vaamaangam
bhaktaanaam varadaayakam
Sri Nrisimham mahaveeram
namaami runamuktaye
Aanthramaalaadharam Sankha
Chakraabja aayudha dha arina m
Sri Nrisimham mahaaveeram
namaami runamuktaye
Smaranaat sarvapaapagnam
kadrooja visha naasanam
Sri Nrisimha mahaaveeraam
namaami runamuktaye
Simhanaadena Mahataa
Digdhanthi Bhaya Naashanam
=∞Oz`«<åxfl q∞Oz# ã¨OѨ^Œ ÖË^Œ∞.
Chant 108 times
FO ѨÙ+¨¯~åH∆ÍÜ«∞ #=∞ó
G úÏ … N˛∫ÁqÁÆ å™:
For overcoming bad times.
HõëêìÅ #∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
Chant one time
6. „ѨǨ¡^Œ =~°^ŒO Nâ◊O ^≥·`Õºâ◊fi~° q^•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
7. „‰õÄ~°„QÆÃÇ·Ïó Ñ‘_ç`å<åO, ÉèíHÍÎ<å=∞ÉèíÜ«∞„Ѩ^ŒO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
8. "Õ^Œ "Õ^•O`« Ü«∞*Ë˝â◊O „|Ǩχ~°∞„^•k =Ok`«O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
9. Ü«∞ W^ŒO Ѩ~î°`Õ x`«ºO |∞∞}"≥∂K«# ã¨Ol˝`«O
J#$}©*ÏÜ«∞`Õ ã¨`Àº ^èŒ#O j„Ѷ¨∞=∞"åѨÙflÜ«∂`ü
D ™È΄`åxfl Jxfl JiëêìÅ∞, ^ÀëêÅ∞, Pi÷Hõ W|ƒO^Œ∞Å`À
L#fl"åà◊√§ ™êÜ«∞O ã¨=∞Ü«∞OÖ’ XHõ™êi 㨇i¿ãÎ K«Hõ¯x
Ѷ¨e`«O Åaèã¨∞ÎOk.
FO ^è•„`Õ #=∞ó G áÁfiz å™:
For issueless couple. ã¨O`å# „áêÑ≤Î H˘~°‰õΩ
FO q^è•„`Õ #=∞ó G uƒáÁfiz å™:
P~ÀQƺHõ~°"≥∞ÿ# tâ◊√=ÙÅ H˘~°‰õΩ
Chant one time
Sri Nrisimham mahaaveeraam
namaami runamuktaye
Prahlaada varadam sreesam
daityesvara-vidaarinam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Krooragrahaih peeditaanaam
bhaktaanaam abhayapradam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Vedavedaanta-yajnesam
Brahma Rudraadi vanditam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Ya idam patathe nityam runa
mochana samjnitam
Anrunee jaayate satyo dhanam
sheeghram avaapnuyaat
June '18 w w w w w w w w w w w w w w w w w w 24 wwwwwwwwwwwwwwwwwwwwww VAK
NEWS
AP told to decide on TTD hereditary
archakas retirement
Hyderabad: The Temples Protection Movement has
suggested to the Andhra Pradesh government to take a
policy decision on Tirumala Tirupati Devasthanams
(TTD) hereditary archakas retirement.
TPM Convenor MV Soundarajan in a statement here on
Tuesday, wanted the AP government to direct the TTD to
keep the retirement of hereditary archakas in abeyance
as per GOMs No 611.
They are not governed by the orders as per the existing
scheme defined under section 34 (3), section 142 and
section 144, he said.
Soundarajan also demanded that AP government to take
immediate measures to issue final notification on the
rules framed through GOMs No 76.
(Telangana Today 22.5.2018)
Chilkur temple priest fears
TTD move may set wrong precedent
Rangarajan pointed out that hereditary priests were
neither government employees nor are serving the office
of profit and hence, there is no retirement age.
Hyderabad: Finding fault with the Andhra Pradesh
government and TTD Trust Board over removal of TTD
chief priest AV Ramana Deekshitulu from the post,
Chilkur Balaji temple priest CS Rangarajan feared that
the move by the TTD management would set a wrong
precedent for other temple managements. He said that
the TTD management was only a custodian of the temple
to oversee administration but it can neither mess with
the hereditary rights of priests nor can it alter the rituals
or temple repairs without approval from the Agama
Sastra advisors.
“Tirumala temple is the largest Hindu temple in the world
and any decisions at the temple will have its
repercussions in other temples across the world. By
ignoring the hereditary rights and Agama Sastra, the
temple authorities are setting a wrong precedent for
others allowing the latter to remove the hereditary priests
as per their whims, leading to interference by political
and bureaucratic bosses in religious affairs,”
Rangarajan told Telangana Today.
Rangarajan pointed out that hereditary priests were
neither government employees nor are serving the office
of profit and hence, there is no retirement age. He pointed
out that the Andhra Pradesh government was not
implementing age limits for heads of other religions. He
asserted that rituals and rules established by
Ramanujacharya should not be disturbed for the
convenience of the TTD Trust Board or the Andhra
Pradesh government as they are not owners of Lord
Venkateswara temple. “The systems of Jeeyangars,
Agama Sastras and hereditary priests should be
respected to maintain the temple sanctity,” he asserted.
The Chilkur Balaji temple priest suggested the
appointment of an advisory committee of Agama Sastra
experts who will be an independent body over and above
the priests as well as the TTD Board with regard to temple
rituals and repairs or alterations. “During the demolition
»y∫Á™∫Á™ ∫Á™z u o ∫™z ∫Á™z ™åÁz ∫ ™z @ ÓœÁåÁ™ o Ï ¡ ÆÊ ∫Á™ åÁ™ ƒ∫Áååz @@
N~å=∞ ~å=∞ ~å"Õ∞u ~°"Õ∞ ~å"Õ∞ =∞<À~°"Õ∞ I ã¨Ç¨Ï„ã¨<å=∞ `«`«∞ÎźO ~å=∞ <å=∞ =~å#<Õ II
=∞^èŒ∞~° ã¨fiÉèÏ=ÙÖË =∞Ǩ#∞ÉèÏ=ÙÅ∞.
of ‘Veyyi Kalla Mandapam’ (thousand pillar mandapam),
the priest called for appointment of the advisory
committee, but the suggestions were not implemented,”
he added. He wanted the Andhra Pradesh government
to order a probe into the allegations by both Ramana
Deekshitulu and the TTD Board besides examining
authenticity of the jewellery to clarify doubts among
devotees. (Telangana Today 24.5.2018)
Ѩ^Œg q~°=∞} rF J#∞=OtHõ J~°Û‰õΩʼnõΩ =iÎOK«^Œ∞...
- ^Õ"åÅÜ«∂ŠѨi~°Hõ∆} L^Œº=∞ Hõhfi#~ü : ™œO^Œ~°~å[<£
ÃÇ·Ï^Œ~åÉÏ^£, "Õ∞ 22 : ^Õ"åÅÜ«∂Ö’¡ Ѩ^Œgq~°=∞}‰õΩ ã¨O|OkèOz#
rF 611 \˜\ ˜_çÖ’ ѨxKÕã¨∞Î#fl J#∞=OtHõ J~°Û‰õΩʼnõΩ =iÎOK«^Œx
^Õ"åÅÜ«∂ŠѨi~°H}∆õ =¸"£"∞≥ O\ò Hõhfi#~ü _®Hõ~ì ü ZO.q. ™œO^Œ~~° å[<£
¿Ñ~˘¯<åfl~°∞. \˜\ ˜_çH˜ ã¨O|OkèOz QÆ`« H˘xfl ~ÀAÅ∞QÍ [~°∞QÆ∞`«∞#fl
K«~°ÛÅ <ÕѨ^䌺OÖ’ ™œO^Œ~°~å[<£ =∞OQÆà◊"å~°O Ѩ„uHÍ „ѨHõ@# *Ïs
KÕâß~°∞. \˜\ ˜_çÖ’x J#∞=OtHõ J~°Û‰õΩÅ∞ ÃãHõ∆<£ 34(3), ÃãHõ∆<£ 142,
ÃãHõ∆<£ 144‰õΩ J#∞QÆ∞}OQÍ Ñ¨xKÕÜ«∂eû LO@∞O^Œx q=iOKå~°∞.
XHõ"Õà◊ D ÃãHõ∆#¡#∞ =∂~åÛeû LO>Ë, ã¨=∞„QÆ x"ÕkHõ#∞ ~°∂á⁄OkOz
^è•i‡Hõ Ѩi+¨`ü J#∞=∞u fã¨∞HÀ"åeû LO@∞O^Œ<åfl~°∞. Uk U"≥∞ÿ<å
J#∞=OtHõ J~° Û ‰õ Ω ʼnõ Ω Ѩ ^ Œ g q~° = ∞} =Ü« ∞ 㨠∞ û ÖË ^ Œ < åfl~° ∞ .
r."À.Z"£∞.Zãπ.76 H˜O^Œ „áê^äŒq∞Hõ <À\˜Ñ¶≤ˆH+¨<£#∞ 2017 Ѷ≤„|=i 16
*Ïs KÕâß~°x QÆ∞~°∞Î KÕâß~°∞. D r"À‰õΩ ã¨O|OkèOz `«∞k <À\˜Ñ¶≤ˆH+¨<£
WѨ Ê \˜ Ô H · < å *Ïs KÕ Ü « ∂ Åx, xÜ« ∞ =∂=ox ~° ∂ á⁄OkOKåÅx
™œO^Œ~°~å[<£ HÀ~å~°∞. (PO„^èŒÉèí∂q∞ 22.5.2018)
~°=∞} nH˜∆`«∞Å∞‰õΩ Hõ∆=∂Ѩ} : ™Èq∞Ô~_ç¤
q[Ü«∞"å_», "Õ∞ 27 : \©\ _© ç =∂r „Ѩ^•è # J~°Û‰õΩ_»∞ ~°=∞} nH˜`∆ ∞« ʼnõΩ
=∞O„u ™Èq∞Ô~_ç¤ K«O„^Œ"≥∂ǨÏ<£Ô~_ç¤ ÉË+¨~°`«∞QÍ Hõ∆=∂Ѩ} K≥áêÊ~°∞.
q[Ü«∞™ê~ÚÔ~_ç¤x ֒ѨÅ"Õã≤ 4 `«ye¿ãÎ Jã¨Å∞ q+¨Ü«∂Å∞ |Ü«∞@‰õΩ
=™êÎÜ«∞x J#É’~Ú ~°=∞}nH˜∆`«∞Å∞#∞ ֒ѨŠ"ÕÜ«∂Åx J<åfl#x,
á⁄~°áê@∞QÍ =∂\Ï¡_®#x PÜ«∞# qKå~°O =ºHõOÎ KÕâß~°∞. q[Ü«∞"å_»Ö’
[~°∞QÆ∞`«∞#fl =∞Ǩ<å_»∞ „áêOQÆ}OÖ’x g∞_çÜ«∂ áê~ÚO\òÖ’ =∞O„u
™Èq∞Ô~_ç¤ Pk"å~°O =∂\Ï¡_®~°∞. `«#‰õΩ „ÉÏǨχ}∞ÅO>Ë Q“~°==∞x
K≥áêÊ~°∞. ~°=∞}nH˜∆`«∞Å∞#∞ J_»∞¤ÃÑ@∞ì‰õΩx c*ËÑ‘, "≥·ã‘Ñ‘Å∞ u~°∞=∞Å
"ÕOHõ>Ëâ◊fi~°∞_ç ¿Ñ~°∞#∞ JÉèÏã¨∞áêÖË˚ã¨∞Î<åflÜ«∞x P"Õ^Œ# =ºHõÎO KÕâß~°∞.
u~°∞=∞Å N"åi =„*ÏÅ#∞ K«O„^ŒÉÏ|∞ WO\’¡ áêuÃÑ\Ïì~°x, `«qfi`Õ
Jq |Ü«∞@‰õΩ =™êÎÜ∞« x q[Ü«∞™ê~ÚÔ~_ç¤ J#_»O `«#‰õΩ ZO`À P"Õ^#Œ #∞
HõeyOzO^Œ<åfl~°∞. (PO„^èŒ*’ºu 28.5.2018)
J~°ÛHõ`åfixH˜ i>ˇÿÔ~‡O\ò LO_»‰õÄ_»^Œ∞ : S"≥·P~ü
u~°∞Ѩu (bQÆÖò), "Õ∞ 27 : \©\ ©_ô „Ѩu+¨ª QÆ∞iOz =∂\Ï¡_Õ J~°›`«
K«O„^ŒÉÏ|∞‰õΩ ÖË^Œx PO„^茄Ѩ^Õâò =∂r ã‘Zãπ S."≥·.P~ü. Hõ$ëê‚~å=Ù
q=∞i≈OKå~°∞. J~°ÛHõ`«fiO J<Õk F ÔH·OHõ~°º=∞x, ^•xH˜ Ѩ^Œg q~°=∞}
=Ü«∞ã¨∞ LO_»HõáÈ=_»"Õ∞ =∞Oz^Œx Jaè„áêÜ«∞Ѩ_®¤~°∞.
(PO„^èŒ*’ºu 28.5.2018)
June '18 w w w w w w w w w w w w w w w w w w 25 wwwwwwwwwwwwwwwwwwwwww VAK
ã¨~°Ê^À+¨O áÈ=_®xH˜ Ãú|tÁz  uåƒÁ∫m “zoÏ
QÆ~°∞_» Hõ=K« ™È΄`«=Ú - Tªg N˛ƒY ÀoÁzfi™Ω
J㨺N QÆ~°∞_» Hõ=K« ™È΄`« =∞„#Î㨺 <å~°^Œ
|∞∞+≤ó "≥#· `ÕÜ∂≥ ^Õ=`å J#∞+¨µÑì Kπ #«è óÌ I =∞=∞
QÆ~°∞_» „Ѩ™ê^Œ ã≤^Œúºˆ~÷ [¿Ñ qxÜ≥∂QÆó
1. t~À "Õ∞ QÆ~°∞_»ó áê`«∞ ÅÖÏ@O q#`å ã¨∞`«ó I
<Õ„`Õ `«∞ ã¨~°ÊǨ áê`«∞ Hõ~“‚áê`«∞ ã¨∞~åiÛ`«ó II
2. <åã≤HõO áê`«∞ ã¨~åÊió =^Œ#O q+¨µ‚"åǨÏ#ó I
ã¨∂~°º ã¨∂`å#∞[ó HõO~î°O Éèí∞*∫áê`«∞ =∞Ǩ|Åó II
3. ǨϙœÎ YˆQâ◊fi~°ó áê`«∞ Hõ~儈Q `«fi~°∞}ÏHõ$f I
#MÏ<£ #MÏÜ«Ú^èŒó áê`«∞ HõH∆“ =ÚH˜ÎѶ¨Å„Ѩ^Œó II
4. ã¨Î<Ò "Õ∞áê`«∞ qǨÏQÆó ǨÏ$^ŒÜ«∞O áê`«∞ã¨~°fi^• I
<åaèO áê`«∞ =∞Ǩ`Õ*Ïó Hõ\ ˜O áê`«∞ ã¨∞^è•Ç¨Ï~°ó II
5. T~°∂áê`«∞ =∞ǨÏg~À *Ï#∞h K«O_»q„Hõ=∞ó I
[O¿Ñ¶∞ ^Œ∞}ϤܫÚ^èŒó áê`«∞ QÆ∞Ö∫Êù q+¨µ‚~°^èŒó ã¨^• II
6. ã¨∞Ѩ~°‚ó áê`«∞ "Õ∞ áê^Ò `å~°∆ ºó áê^•OQÆ∞b`«^• I
~À=∞‰õÄáêx "Õ∞ g~°ó `«fiK«O áê`«∞ ÉèíÜ«∂ѨǨÏó II
7. W`Õº=O k=ºHõ=K«O áêѨѶ¨∞flO ã¨~°fiHÍ=∞^ŒO I
Ü«∞ó Ѩˆ~î`ü „áê`«~°∞`å÷Ü«∞ q+¨âı+¨O „Ѩ}â◊ºu II
8. „uã¨#úºO Ü«∞ó Ѩˆ~îxfl`«ºO |#ú<å`ü =ÚK«º`Õ #~°ó I
^•fi^ŒâßǨÏO Ѩˆ~î^Œºã¨∞Î =ÚK«º`Õ â◊„`«∞ |#ú<å`ü II
9. UHõ"å~°O Ѩˆ~î^Œºã¨∞Î =ÚK«º`Õ ã¨~°fiH˜eƒÃ+·ó I
=„[ ѨO[~° <å"Õ∞^ŒO Hõ=K«O |#ú "≥∂K«#O II
All slokas Chant 28 times
FO ǨÏ$+‘ˆHâßÜ«∞ #=∞ó
G J  yNz ∆ ÁÆ å™:
For overcoming bad habits
^Œ∞~°Å"å@¡#∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
FO =+¨\ϯ~åÜ«∞ #=∞ó G ƒ bΩN˛Á∫ÁÆ å™:
For Success in Business, Interviews, Visa
Interviews, building relationship
"åºáê~åaè=$kúH˜, WO@~°∂fi ºÅÖ’ ã¨Ñ¶¨ÅO
HÍ=_®xH˜ 㨇iOK«O_ç.
FO N=∞`Õ #=∞ó G »y™oz å™:
Please Chant for Handsome Appearance and wealth.
â◊s~° ™œO^Œ~åºxH˜, ã¨OѨ^Œ‰õΩ.
FO JHõ∆~åÜ«∞ #=∞ó G Eq∫ÁÆ å™:
For Education and better Financial strength.
q^•ºaè=$kúH˜ =∞iÜ«Ú Sâ◊fi~åºaè=$kúH˜.
q[Ü«∂xfl ^èŒ#O`À H˘#ÖË=Ú - x~°O`«~° Hõ$+≤`À ™êkèOK«QÆÅ=Ú.
EÀÆ »y Tªg N˛ƒY ÀoÁzfi ™ãfiÀÆ åÁ∫t J u : ƒ{åozÆÁz tzƒoÁ@
EåÏ…bÏúΩ Zãt:@ ™™ Tªg üÃÁt uÃÚΩÆsz| \úz uƒuåÆÁzT: @
1. u∆∫Áz ™z Tªg: úÁoÏ ¬¬ÁbÊ uƒåoÁ ÃÏo: @
åzfizoÏ Ãú|“Á úÁoÏ N˛mÁ{| úÁoÏ ÃÏ∫ÁuY|o: @@
2. åÁuÃNÊ˛ úÁoÏ ÃúÁ|u∫: ƒtåÊ uƒ…mÏ ƒÁ“å:@
ÃÓÆ|ÃÓoÁåÏ\: N˛leÊ ßÏ\Á{ úÁoÏ ™“Á§¬: @@
3. “ÀoÁ{ QTzæÁ∫: úÁoÏ N˛∫ÁT¿z nƒªmÁNw˛oy @
åQÁåΩ åQÁÆÏá: úÁoÏ N˛qÁ{ ™ÏuO˛ ¢˛¬üt: @@
4. ÀoåÁ{ ™z úÁoÏ uƒ“T: ”tÆÊ úÁoÏ Ãƒ|tÁ @
åÁußÊ úÁoÏ ™“Áoz\Á: N˛ubÊ úÁoÏ ÃÏáÁ“∫: @@
5. HøúÁoÏ ™“Áƒy∫Áz \ÁåÏåy YlguƒN¿˛™: @
\ÊVz tÏlgÁÆÏá: úÁoÏ TÏ¡¢˛Á{ uƒ…mÏ∫s: ÃtÁ @@
6. ÃÏúm|: úÁoÏ ™z úÁtÁ{ oÁflÆ|: úÁtÁWï̬y otÁ@
∫Áz™NÓ˛úÁuå ™z ƒy∫: nƒYÊ úÁoÏ ßÆÁú“: @@
7. FnÆzƒÊ ut√ÆN˛ƒYÊ úÁúUåÊ Ãƒ|N˛Á™tÊ @
Æ: úezoΩ üÁoªnsÁÆ uƒ ∆z Ê üm≈Æuo @@
8. ufiÃãÜÆÊ Æ: úezuëÁnÆÊ §ãáåÁoΩ ™ÏXÆoz å∫: @
˚Át∆Á“Ê úez˘ÀoÏ ™ÏXÆoz ∆fiÏ §ãáåÁoΩ @@
9. LN˛ƒÁ∫Ê úez˘ÀoÏ ™ÏXÆoz Ã|uN˛u¡§ {: @
ƒ\¿úÊ\∫ åÁ™ztÊ N˛ƒYÊ §ãá™ÁzYå™Ω @@
FO Ѩ~°=∂`«‡<Õ #=∞ó G ú∫™Án™åz å™:
For self employed people, for promotions and
success in games.
„H©_®HÍ~°∞ʼnõΩ, ã¨fiÜ«∞O LáêkèÖ’ L#fl "åiH˜, L#fl`«
Ѩ^Œ=ÙÅ∞ PtOKÕ "åiH˜.
FO Éè∂í `«ÉÏè =<åÜ«∞ #=∞ó G ßÓoßÁƒåÁÆ å™:
For better health. =∞Oz P~ÀQͺxH˜.
FO ѨÓ`å`«‡<Õ #=∞ó G úÓoÁn™åz å™:
To remove mental stress and for mental
peace
=∂#ã≤ H õ P~ÀQͺxH˜ =∂#ã≤ H õ XuÎ _ ç #∞O_ç
q=ÚH˜ÎH˜.
FO â◊~°‡}Ë #=∞ó G ∆™|mz å™:
For Job Satisfaction
L^ÀºQÆOÖ’, KÕ¿ã ѨxÖ’ JOH˜`« ÉèÏ"åxH˜, `«$Ñ≤ÎH˜.
June '18 w w w w w w w w w w w w w w w w w w 26 wwwwwwwwwwwwwwwwwwwwww VAK
Éè‰í Ωõ ÅÎ J#∞Éè"í åÅ∞ – DEVOTEES' EXPERIENCES
Chilkur Balaji's Grace - 164 zÅ∞‰õÄ~°∞ ÉÏÖÏr J#∞„QÆÇϨ O – 164

My vision is better... HõO\˜ K«∂Ѩ٠"≥∞~°∞ÔQ·Ok ...

I am Ramayya (Age 55). I do not
know anything about Chilkur Balaji. Four
months back, I came to know through 'VAK'
magazine. I started chanting 'Om
Jyotishampathaye Namaha' for correcting
m y v i s i o n w h i c h w a s d a m a g e d . A ft e r
chanting this sloka I am able to see 70%
better. I am thankful to 'VAK' publishing this
sloka. Devotee
N˛Á™z æ Á∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz @
å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@
HÍ"Õ∞â◊fi~åÜ«∞ HÍ=∂Ü«∞ HÍ=∞áêÖÏÜ«∞ HÍq∞<Õ I
#=∞ó HÍ=∞qǨ~åÜ«∞ HÍ=∞~°∂Ѩ^~Œè åÜ«∞ K« II
Kaameshwaraya Kaamaya Kaamapalaya Kamine
Namaha Kaamavihaaraya Kaamarupa dharaayacha
Marriages get finalised by Chanting this Sloka. Also
this sloka bestows intimacy, mutual affection and
trust between couples.
q"åÇ¨Ï „áêÑ≤Î, ÉèÏ~åº Éèí~°ÎÅ #_»∞=∞ „Ñ‘u, SHõ=∞`åºxH˜
<å ¿Ñ~°∞ ~å=∞Ü«∞º <å=Ü«∞ã¨∞û 55 ã¨OIIÅ∞ <å‰õΩ
zÅ∞‰õÄi ÉÏÖÏr QÆ∞iOz Jã¨Å∞ `≥Å∞=^Œ∞. ^•^•Ñ¨Ù <åÅ∞QÆ∞
<≥ÅÅ #∞O_ç =∂„`«"Õ∞ '"åH±— ѨÙã¨ÎHõO ^•fi~å `≥eã≤Ok. JO^Œ∞Ö’
ã¨Ê+¨ª"≥∞ÿ# K«∂Ѩ٠H˘~°‰õΩ ''*’ºuëêOѨ`«ÜÕ∞ #=∞ó—— J<Õ â’¡HõO
<å‰õΩ KåÖÏ LѨÜ≥∂QÆѨ_çOk. <å‰õΩ Hõà◊§‰õΩ ã¨iQÍæ JHõ∆~°=ÚÅ∞
HõxÊOK«=Ù. D â’¡HõO K«kq# `«~°∞"å`« 70% KåÅ ã¨Ê+¨ìOQÍ
Hõ#|_»∞`«∞<åfl~Ú. D â’¡HÍxfl „ѨK«∞iOz# '"åH±— „ѨK«∞~°}
Hõ~°ÎʼnõΩ ^èŒ#º"å^Œ=ÚÅ∞. Éèí‰õΩÎ_»∞
D â’¡HÍxfl 㨇iOK«O_ç. Chant 28 times
=∂ ÃÑo§ [iy# H˘xfl <≥ÅÖ’¡<Õ PÜ«∞#`À q_®‰õΩÅ∞ fã¨∞HÀ"åÅx
x~°~‚ ÚOz# ã¨=∞Ü«∞OÖ’ ÃÑ· â’¡HÍxfl zÅ∞‰õÄ~°∞Ö’ q#_»O [iyOk.
~ÀE 㨇iã¨∂Î<Õ L<åfl#∞. Pâ◊Û~°ºHõ~°"≥∞ÿ# suÖ’ =∂ =∞^茺
J=QÍǨÏ# ÃÑiy KåÖÏ J<Àº#ºOQÍ LO@∞<åfl=Ú.
XHõ Éèí‰õΩÎ~åÅ∞, =∞OQÆà◊yi
=∂ J=∂‡~ÚH˜ 38 Uà◊√§. Z<Àfl ã¨O|O^è•Å∞ =zÛ<å ÃÑo¡
‰õΩ^Œ~°ÖË^Œ∞. J~Ú`Õ D â’¡HõO K≥Ñ≤Ê# H˘xfl ~ÀAÅÖ’ =∞Oz
=~°∞_ç`À ÃÑo§ ‰õΩkiOk. XHõ Éèí‰õΩÎ~åÅ∞,
Chant 28 times

N˛Áo| ƒ yÆÁ| \ Ï | å Áz åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ @ oÀÆ À™∫m™Áfiz m ToÊ å…bÊ Y ¬•Æoz @ @
HÍ~°Îg~åº~°∞˚<À <å=∞ ~å*Ï ÉÏǨï ã¨Ç¨Ï„ã¨"å<£ I `«ã¨º 㨇~°} =∂„`Õ} QÆ`«O #+¨ìO K« ÅÉèíº`Õ II
Karthaveeryarjuno nama Raaja Baahu Sahasravaan |
Thasya Smarana Maathrena Gatham Nashtam cha Labhyathe||
Please chant this sloka to locate lost objects, persons and belongings.
`«Ñ≤ÊáÈ~Ú# =º‰õΩÎÅ∞, =ã¨∞Î=ÙÅ∞ uiy ÅaèOK«∞@‰õΩ D â’¡HÍxfl ÉèíH˜Î`À ѨiîOK«O_ç.
N~°OQÆOÖ’ PàÏfi~°∞Å "≥·Éèí=O.. N~°OQÆOÖ’ Nqà◊Oa<å=∞ ã¨O=`«û~° Pëê_» |II ã¨Ñ¨Îq∞ (4.8.2018) #∞O_ç „`«Ü≥∂^Œt
(9.8.2018) =~°‰õΩ 'x`«ºã¨∂i ^Œ~°≈<ÀѨ<åºã¨=∞O[i— ¿Ñ~° LѨ<åºã¨ t~À=∞}˜, "Õ^ŒqÉèí∂+¨}, Jaè#= "åºã¨ LÉèíÜ«∞ "Õ^•O`« „Ѩ=K«#Hõ~°Î N
_®II HõO^•_≥· ~å=∂#∞*ÏKå~°º™êfiq∞ "åiKÕ L^ŒÜ«∞O, ™êÜ«∞O„`«O LѨ<åºã¨=ÚÅ∞ HõÅ=Ù. `«^Œ∞Ѩi ™êO㨯 $uHõ HÍ~°º„Hõ=∞=ÚÅ∞ (qtëêì^≥· fi`«
„ѨKå~° ™ê^èŒ# ã¨q∞u P^èŒfi~°ºOÖ’) [~°∞Ѩ|_»∞#∞. D LѨ<åºã¨=ÚÅ∞ q#^ŒÅz# "å~°∞ N~°OQÆO ~å^ŒÅz#"å~°∞ N Zãπ. „Ѩ™ê^£ â◊~°‡
(9908233033), "ÕOHõ@â◊t‰õΩ=∂~ü â◊~°‡ (8886371773) =∞iÜ«Ú N ~å[QÀáêÅKåi (98494436927) ã¨O„ѨkOK«QÆÅ~°∞.
Somireddy apologises : A day after saying that TTD former chief priest A.V. Ramana Dikshitulu
should be gives a police treatment and sent to jail, Agriculture Minister and TDP Polit Bureau member
Somireddy Chandramohan Reddy tendered an unconditional apology to him here on Sunday.
Speaking to reporters at Mahanadu, he clarified that his comments were taken out of context and wrongly
projected as being against the Brahmin community. In fact the remarks were against the YSR Congress
MP Vijaya Sai Reddy, he said Mr. Dikshitulu's name was taken by mistake, he added.
The former priest had raised the issue but the BJP and the YSRCP were politicising it now. "I was hurt by
the dirty politics. I have due respect for Brahmins. They should bless us." He said. (The Hindu 28.5.2018)

=∞#ã¨∞x J}K«‰õΩ, =∂~°∞ÛHÀ.

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Date of Posting 6th & 7th 28 Date of Publication 1st of every month

Registered as a News Paper RNI. No. AP/BIL/2000/2474 Title Code : TELMUL00053

Vol.19 VAK / JUNE / 2018 Postal Registration No. HSE/738/2017-19 No.6
oƒ Nz ∆ƒ
∆ ƒ úÁtÏ N z ˛ üßÁƒÁz Your greatness as well as my sins are
™™ tÏ … N˛™| Y åãƒåãoÃÁ∫z @ immeasurable are they not? Still we conclude
uåÆ™z å osÁ D uú úu≈Y™ÀÆ without change or doubt that, my sins are
üs™z å { ƒ ú∫ÁßƒÊ üoy™: defeated by your prabhava.
`«= Hˆ â◊= áê^Œ∞Hˆ ! „ѨÉÏè "À F ˆHâ◊=áê^Œ∞HÍ! h „ѨÉèÏ==¸, <åáêѨ=¸ J#O`«™ê~°O HõÅqÜÕ∞.
=∞=∞ ^Œ∞+¨¯~°‡ K« ##fi#O`«™êˆ~ I J~Ú<å, h „ѨÉèÏ=OKÕ`«<Õ <åáêáêxH˜ xÜ«∞=∞OKÕ`« Ѩ~åÉèí=O
xÜ«∞"Õ∞# `«^ä•-Ñ≤ ѨtÛ=∞㨺 xâ◊ÛÜ«∞=∞x qâ◊fiã≤™êÎO. (Source : Paduka sahasram )
„Ѩ^"Œä ∞Õ <≥=· Ѩ~åÉè=í O „Ѩf=∞ó II
zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∂xH˜ xkè.... ''_≥~Úb ѨÓ*Ï Ñ¶¨O_£——^•fi~å ã¨=∞‰õÄ~°ÛO_ç.
D Ѷ¨O_£H˜ kQÆ∞= ã¨∂zOK«|_ç# ÉϺO‰õΩÅÖ’ K≥e¡OѨÙÅ∞ ã‘fiHõiOK«|_»∞#∞.
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) (¿ãì\ò ÉϺOH± PѶπ WO_çÜ«∂, "≥Ú~Ú<åÉÏ^£ âßY, ~°OQÍÔ~_ç¤
lÖÏ¡) from any branch of State Bank of Hyderabad situated in any part of the Country.
2) C. A/c No. 091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Andhra
Bank, Pedda Mangalaram (Moinabad Branch PO„^è• ÉϺOH±, ÃÑ^ŒÌ=∞OQÆàÏ~°O ("≥Ú~Ú<åÉÏ^£ âßY)) (R.R. Dist.) from any
branch of Andhra Bank situated in any part of the World. „ѨѨOK«OÖ’x U „áêO`«OÖ’ #∞O_≥·<å [=∞ KÕÜ«∞=K«∞Û.
3) C. A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank,
113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. ÔH#~å ÉϺOH±, 113, "≥∞~Ú<£ ~À_£, Ç≤Ï=∂Ü«∞`ü#QÆ~ü, "≥Ú~Ú<åÉÏ^£
=∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of Canara Bank situated in any part of India. (=∞#^ÕâO◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO
Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. Ü«¸HÀ ÉϺOH±, zÅ∞‰õÄ~°∞ „ÉÏOz, "≥Ú~Ú<åÉÏ^£ =∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡,
from any branch of UCO Bank situated in India. (=∞#^ÕâO ◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
Éè‰í Ωõ ÅÎ ∞ ~°∂.100/- Hõh㨠K≥eO¡ ѨÙQÍ D xkèH˜ [=∞ KÕÜ∞« =K«∞Û.
D âßâ◊fi`« xkèx ã¨=∞‰õÄ~°Û_®xH˜ Éèí‰õΩÎÅO^Œih ã¨Ç¨ÏHõiOK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. JÖÏ ã¨Ç¨ÏHõiOz Éèí‰õΩÎÅÖ’ ÉèíH˜Î=∂~åæxfl ÃÑOá⁄OkOKÕ
qÖHõ∆}"≥∞ÿ# zÅ∞‰õÄ~°∞ ѨÓ*Ï q^è•<åxfl PK«O„^•~°¯O xeKÕÖÏ `À_»Ê_ç#O^Œ∞‰õΩ P ÉÏÖÏr Hõ$Ѩ‰õΩ áê„`«∞Å=Ù`å~°∞.
CONTRIBUTE TO CHILKUR BALAJI TEMPLE'S "DAILY PUJA FUND "
The Fund donations can be remitted in the Following Banks with the following Particulars:-
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) from any branch of State Bank of Hyderabad situated
in any part of the Country. IFSC Code 'SBIN0020637'.
2) SB A/c No.091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained
with Andhra Bank, Pedda Mangalaram (Moinabad Branch) (R.R. Dist.) from any branch of Andhra
Bank situated in any part of the World. IFSC Code 'ANDB0000911'.
3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara
Bank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. from any branch of Canara Bank situated in
India. IFSC Code 'CNRB0003063'.
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
UCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. from any branch of UCO Bank situated in India.
IFSC Code 'UCBA0002473'.
Devotees can remit their contributions with a minimum of Rs.100/- to this Fund.
The Devotees who contribute to this Fund will have the blessings of the Lord Balaji for participating
in the continuation of this unique way of worship which inculcates Pure Devotion in the Temple system…..
Andhra Bank Ph : 08417-252064, SBH Ph. : 08417-252071, Canara Bank : 08413-235088, UCO Bank Ph.: 08417-200023
All business communications and payments may
be addressed to The Manager VAK, 2-2-647/77/D, D.D. BOOK – POST
Colony, Bagh Amberpet, Hyderabad-500 013. Ph : To STAMP
27425640. Only local cheques and DDs drawn in favour
of VAK will be accepted. Subscriptions can be sent
through money orders also. Give your correct address.
Owned, Edited, Printed and Published by : Dr. M.V. Soundara
Rajan, Advocate, 2-2-647/77/D, Andhra Bank Lane, Be-
side Karur Vysya Bank ATM, D.D. Colony, Bagh Amberpet,
Hyderabad-500 013; Website : www.vakchilkur.org
Phone : 27425640 Cell : 9246505058
Printed at : M/s. Vakdevi Printers, # 1 - 8- 7 3 2 / 2 2 / B,
N a l l a k u n t a , H y d erabad - 50004 4 .
If undelivered please return to : VAK, 2-2-647/77/D, Hyderabad-500 013.