Vous êtes sur la page 1sur 4
=a = tana of the contury in | anid Bicycle at fe iy strumming "Plane countless and Tratlae somes name two, | Man” while focusing only oP | Phuke Mens toh Ball Game’ | thes panes, and you for Twa. k | yet # gnod “eel for the hase inom thls old-sime ehythm | chore'consrmetion af die 80 that tr Joa Bums Stale | Now leis foens on he bats | Mundas oigbvealgon coasician. | lines. Mest uf the bass motion i Tete arab en open © chard | “Piano Nan descends inascalae \ P and sirum some 3/4 time. On | fashion. The opening bass line, ‘heist beat, piaythe post Impestaat nase fore —theraoof te thord, For the & thor, ahis:s:henete Cresiding on eth siring at tho sed et On each of me text tneo beats, strum the remainder of the shor Ifyou re keep ing it even. you for example, is C-B- AC-FEDaleomat ajar scale plaved wards. AL the Uidge ove find the aap sequence of A FEF ands a few bors lotee FED, Tryplavingtheselines vrithout ie chordst9| thay where the ba ints ae heading ne re — should vind up wah ceiiiing ithe che paitern | POLENGIT ALL TOGETHER Shown is Tig. | To. simple as that walt is ap | When you combine the chor Tou the as ins, ube as many {outunonefinge rings as possible “TWE PIANO MAN'S WANDS S95 not (2 vertex your igs Once we're walvin tackle the many el populate tre bai See i “slash” chords. Unle Billy Joel aes tdian the re0t —— — ——, name of the ay wougls Bal of Bruce Springsteen's vasly code GiB Tes "ompover igor | work, while "The Stranger” | G chord anaky omnee paid | velo [nthe same tage that | lowest ote Good composer dos nus | illuminates Steely Danie “Ihe || Ouve we soe sotees hs vleals! Slemeinsty’s Fez.” Similarly, this monch’s | ‘nto che p Tae laouldeastybespplied Strum fespecianen abduers the | matter of lean Bare oeher brilliant weiters'| Islander, Harry Chapia, for a | begin bs fo ae cer ake them his ows, | storytellingsiug-slengclassie, on the £70) withept their WALTE Fatt uur, BLY? ass notes. \ aaeoceve aWomar? neatly | “PlanaMaw is37atimeoften | emerges is a gam eekes eton's STust Ike a | eoferred (o as ‘war time The | of ol temiltar Seer JOnty the Goad Die liting"One wwo-tires,ancenen- _rietds consist Yeung! elearycasrintnemokd bree? rhythm was used at the | nf CG. F DT Am past cares hanes managedto | approach of Joe's fellow Lang | becomes much easier. Lets Nee need to | Forextmple ta switch trom Fro fnoeds that |_E'G, simply ik your ving finger piano | feomite ideton the ath string Rint Macy of chem, you'll | and plaeeiton the Std iret ofthe frames ike | Bulsuiig Hold the Am shape 8 feurcalles | placeyou pesevingeron cholo. rhrlee | © to saltch fom Am to Am nits oat de | Fret the Fmaj7 chord as you note nther | woulda Aatchord and eutyou! faded in the | thumb over the wp ofthe fct= wre To de- | shomid make ubese elfictent cgrive asa | switches clear, Whichever ay vote B avila | You feel mest comfortable ply Tre these eons, jst be SCO 12 ie ass tes, ane! pet Tinea, the | soun *e regular crowd will be P the song | sling ar the bar and pursing bead in Joris 3 i ad Faae thechoruisappended with board to play the low F note at Piano Man Dnata pee tame ae Se ano Maus out 20009 G1 The Magasin You Can Play. 158 PIANO MAN As Recorded by Billy Joel Bel ‘610m the Columbia Recording PIANO MAN) Words and Aiusie by Bily Jos! Arranged by Aalam Pecmutter ac BaEe ) Nb pga oat am Tn Tet nro Past Walle 4 = 176 “Bh Piano Man ot —_- ars ne ng! 15 ma Ae Ls =| c 6 6M c = : = — = 5 oe = eS eS SS Se c — athe Wek be Am ote rut Se adie ns 2 uary 2292) @1 The Magazine You Can Play 157 Piano Man on Ps o« F SS SSS Ss wick th joke tt Tah pose tt tans Is lve DS. (repeats) 0 code Dri time, DSS. al Conte oe oo ree gee Aabiatbyries 1 Me soy "Blt believe thi ling Asc smile ran avy fram i face ‘Well 'm sate that [could bea movie stir Toul get ut this place 5. Now Paul isa real esate sovelis. ‘Who never had une toa ie [ved ey alas ty Day whos in thera Ans pray sil trie And the wat is praicng pues Ath businesomen soy get stone Yer theyre staring a rst they cll loneliness ‘Buri eter han aking lone. 7 lesa peety go And the manage ‘Cause be ho aie me they we heen coming Tinlonet aot te ra°5 And ho pany iesounds he carnal And the mists sue lke abe Aad hey sit he ba an ut breads my ar ‘AnsiMan, ott are you doing bere?”