Vous êtes sur la page 1sur 3

Ardabil Carpet

The Ardabil Carpets (Ardebil Carpets) are a pair of famous Iranian


carpets[1][2] in the collections of the Victoria and Albert Museum in
London and the Los Angeles County Museum of Art. They are examples
of Ardabil rugs.

The foundation is of silk with wool pile of a knot density at 300–350


knots per square inch (47–54 knots per cm2). The size of the London
carpet is 341⁄2 by 171⁄2 feet (10.5 m × 5.3 m), which gives it about 26
million knots in total.[3] The carpets have an inscription: a couplet from a
ghazal by Iranian mythic poet Hafiz Shirazi and a signature.[4] The
difference in size between the two lamp motifs flanking the central
medallion is now seen as a deliberate use of graphical perspective; when
seen from the end with the smaller lamp the two appear the same size.[5]
The design of the central medallion resembles that of the interior side of
the dome of the Sheikh Lotfollah Mosquein Isfahan.

Completed during the rule of the Safavid Shah Tahmasp I in the mid-16th
century, probably in Tabriz, the carpets are considered some of the best of
the classical Iranian (Azerbaijanian) school of carpet creation. They were
first placed in a mosque in Ardabil, but they had become heavily worn in
Iran and were sold in 1890[6] to a British carpet broker who restored one
of the carpets using the other and then resold the restored one to the
Victoria and Albert Museum. William Morris, then an art referee for the
V&A, was instrumental in the acquisition.[7]

The second "secret" carpet, smaller, now borderless and with some of the
field missing, and made up from the remaining usable sections, was sold
to American businessmen Clarence Mackay and was exchanged by
wealthy buyers for years. Passing through the Mackay, Yerkes, and De la
Mare art collections, it was eventually revealed and shown in 1931 at an
exhibition in London. American industrialistJ. Paul Getty saw it, and bought it from Lord Duveen for approximately $70,000 several
years later. Getty was approached by agents on behalf of King Farouk of Egypt who offered $250,000 so that it could be given as a
wedding present.[8] Getty later donated the carpet to the Los Angeles County Museum of Science, History, and Art in the Exposition
Park in Los Angeles. Other fragments have appeared on the market from time to time. The knot density is actually higher on the Los
Angeles carpet.[9]

This Iranian carpet has been the subject of numerous copies ranging in size from small rugs to full scale carpets. There is an 'Ardabil'
at 10 Downing Street and even Hitler had an 'Ardabil' in his office in Berlin.[7][10] The London carpet was for decades displayed
hanging on a wall. Since 2006, it has been shown flat in a special glass pavilion in the centre of the main gallery of Islamic art. The
lighting is kept low to prevent fading.[11]

The 'Ardebil' carpet, now in the Victoria & Albert Museum in London, is probably the best known of all old
Azerbaijanian carpets. It is one of a pair which came toEngland in 1893 virtually in tatters. The decision was made to
sacrifice one carpet so that the other could be restored. The cost of this work was prohibitively high, even for a
museum, and it was only after an extensive public appeal that sufficient funds were raised for work to go ahead.
There can be little doubt that in this case the end justified the means. The carpet, measuring 38′ long by 18′ wide, is
an extremely fine specimen bearing an inscription by the weaver
. This inscription reads:

I have no refuge in the world other than thy threshold.


There is no protection for my head other than this door
.
The work of the servant of the threshold Maqsud of Kashan in the year 946.

Translating this date into the Christian calendar shows that the carpet was woven around the
years 1539–40 during the reign of Shah Tahmasp, one of the great patrons of carpet weaving.
The incomplete remainder of the other 'Ardebil' carpet, which bears the same inscription and
date, was given by J. Paul Getty to the Los Angeles County Museum.
— Essie Sakhai, The Story of Carpet.[12]

References
1. Beattie, M. "ARDABĪL CARPET – Encyclopaedia Iranica"(http://www.iranicaonline.org/articles/ardabil-carpet-persian
-carpet-acquired-by-the-victoria-and-albert-museum-in-1893)
. www.iranicaonline.org. Encyclopedia Iranica.
Retrieved 1 January 2017.
2. The Editors of Encyclopædia Britannica."Ardabil Carpet" (https://www.britannica.com/topic/Ardabil-Carpet).
Encyclopedia Britannica. Retrieved 1 January 2017.
3. "The Ardabil Carpets" (https://web.archive.org/web/20070209031736/http://www.jozan.net/2004/Ardabil-carpet.htm).
Jozan Magazine on Oriental Rugs. January 31, 2003. Archived fromthe original (http://www.jozan.net/2004/Ardabil-c
arpet.htm) on February 9, 2007. "Sources: Los Angeles County Museum of Art,The Oriental Rug Lexiconby Peter
F. Stone."
4. Shahram Razavi. "The famous Ardebil Persian rug"(https://web.archive.org/web/20070822005338/http://www .worldi
sround.com/articles/73022/photo2152.html). WorldIsRound.com. Archived from the original (http://www.worldisround.
com/articles/73022/photo2152.html)on 2007-08-22.
5. Hillier
6. Getty, J. Paul (2003). As I See It: The Autobiography of J. Paul Getty
. Los Angeles: Getty Trust Publications.
pp. 270–271. ISBN 978-0-89236-700-9.
7. Hillyer, Lynda; Pretzel, Boris. "The Ardabil Carpet – a new perspective"(https://web.archive.org/web/2007020702214
8/http://www.vam.ac.uk/res_cons/conservation/journal/number_49/ardabil_carpet/index.html) . Victoria and Albert
Museum, Conservation Journal Spring 2005: Number 49 . Archived from the original (http://www.vam.ac.uk/res_cons/
conservation/journal/number_49/ardabil_carpet/index.html)on 2007-02-07. "It was William Morris, in his capacity as
one of the V&A's Art Referees, who persuaded the Museum to raise, with the aid of public subscription, the then vast
sum of £2000 to purchase the carpet in March 1893."
8. "J. Paul Getty buys art in Europe and the Pierre Hotel in New ork"
Y (https://web.archive.org/web/20070914114954/ht
tp://www.raken.com/american_wealth/Wildcatter_Oil_Barons/Jean_Paul_Getty_14.asp). Raken.com. Archived from
the original (http://www.raken.com/american_wealth/Wildcatter_Oil_Barons/Jean_Paul_Getty_14.asp)on 2007-09-
14. "He [Getty] paid £14000 for the piece once declared “not for sale” by Lord
Joseph Duveen. Years later [in 1938]
he turned down an offer of $250,000 from King Farouk of Egypt, who wanted the rug as a wedding present forhis
sister, when she married theShah of Iran."
9. Hillier
10. Jennifer Wearden (July 1995). "The Surprising Geometry of the Ardabil Carpet"(http://www.vam.ac.uk/content/article
s/t/the-ardabil-carpet-design/). Paper presented at Ars Textrina International Textiles Conference, University of
Leeds. Victoria and Albert Museum.
11. Hillier
12. Sakhai, Essie (1991). "Chapter 1: In the Beginning".The Story of Carpet. Princess House, London: Studio Editions.
pp. 10–11. ISBN 1-85170-727-1.
External links
The Ardabil Carpet at the Victoria & Albert Museum
The Ardabil Carpet at the Los Angeles County Museum of Art

Retrieved from "https://en.wikipedia.org/w/index.php?title=Ardabil_Carpet&oldid=846247044


"

This page was last edited on 17 June 2018, at 12:18(UTC).

Text is available under theCreative Commons Attribution-ShareAlike License ; additional terms may apply. By using this
site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of theWikimedia
Foundation, Inc., a non-profit organization.

Vous aimerez peut-être aussi