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    BlazeVOX [books]
    312 vues20 pages
    Irene Koronas’ declivities, Volume III of her Grammaton Series, along with ninth iota (The Knives Forks and Spoons Press, 2018) and Codify (Editions du Cygne, 2017), seals her position as one of the most ingenious, experimental innovators of our era. She is a postlanguage, hyper-minimalist écrivain, melding the aporias of a posthuman poesis with an orthodox spiritus. With Koronas’ grammaton the Western Canon replaces its internal organs with algorithms. Memed and burrowed, tropes in declivities form matrices comprised of such disparities as gematria, the fibonacci code, hagiography, Ecclesiastes and “in her anaphora action sacrifices popeye” and “bars apocrypha in tube sprockets.” Her “hypernic glaze skims off blanc.” Siphoning from a trajectory of experimental literature and poetics from Dadaism to Algorithmics and beyond, the Koronas grammaton is fashioned from a panerotism reconciling the disequilibrium encoded within the hyperlinks of a retromanic pleroma and a feminine clinamen. By excavating the figurations of Rimbaud, Dickinson, de Sade, Bataille and many au courant experimentalists, declivities relegates identity and gender to funerary antiques in a reliquary. Dexterity, agility, finesse and hilarity resurrect the zombies of confessionalism, unleashing stanzaic androids and gynoids so innovative in their multiplicity as to secrete glossolalia from postdata holy writ, creating the grand poesis for the 21st century. —Daniel Y. Harris Irene Koronas is the author of numerous collections of xperimental writing include-ing ninth iota (The Knives Forks and Spoons Press, 2018), Volume II in her Grammaton Series, Codify (Éditions du Cygne, 2017), Volume I in her Grammaton Series, heshe egregore (with Daniel Y. Harris, Éditions du Cygne, 2016), Turtle Grass (Muddy River Books, 2014), Emily Dickin-son (Propaganda Press, 2010), Pentakomo Cyprus (Červená Press, 2009) and Self Portrait Drawn From Many (Ibbetson Street Press, 2007). Her xperimental writing and sauvage art have been published in Arcanum Café, BlazeVOX, The Boston Globe, Brave New Word, Cambridge Chronicles, Clarion, Counterexample Poetics, Divine Dirt, E·ratio, experiential-experimental-literature, International Times, The Licentiam: A Journal for Erotic Literary Experimentalism, Lynx, Lummox, Mgversion>datura, Of\with, journal of immanent renditions, New Mystics, Otoliths, Pop Art, Right Hand Pointing, Poesy, Presa, The Seventh Quarry Magazine, Taos Journal of International Poetry & Art, SPAMzine, Spreadhead, Stride and Unblog. She has exhibited her sauvage art at the Tokyo Art Museum Japan, the Henri IV Gallery, the Ponce Art Gallery, Gallery at Bentley College and the M & M Gallery. She’s a graduate of the Massachusetts College of Art & Design and is the Publisher & Managing Editor of X-Peri. Book Information: · Paperback: 138 pages · Binding: Perfect-Bound · Publisher: BlazeVOX [books] · ISBN: 978-1-60964-325-6

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    Irene Koronas’ declivities, Volume III of her Grammaton Series, along with ninth iota (The Knives Forks and Spoons Press, 2018) and Codify (Editions du Cygne, 2017), seals her position as one of the most ingenious, experimental innovators of our era. She is a postlanguage, hyper-minimalist écrivain, melding the aporias of a posthuman poesis with an orthodox spiritus. With Koronas’ grammaton the Western Canon replaces its internal organs with algorithms. Memed and burrowed, tropes in declivities form matrices comprised of such disparities as gematria, the fibonacci code, hagiography, Ecclesiastes and “in her anaphora action sacrifices popeye” and “bars apocrypha in tube sprockets.” Her “hypernic glaze skims off blanc.” Siphoning from a trajectory of experimental literature and poetics from Dadaism to Algorithmics and beyond, the Koronas grammaton is fashioned from a panerotism reconciling the disequilibrium encoded within the hyperlinks of a retromanic pleroma and a feminine clinamen. By excavating the figurations of Rimbaud, Dickinson, de Sade, Bataille and many au courant experimentalists, declivities relegates identity and gender to funerary antiques in a reliquary. Dexterity, agility, finesse and hilarity resurrect the zombies of confessionalism, unleashing stanzaic androids and gynoids so innovative in their multiplicity as to secrete glossolalia from postdata holy writ, creating the grand poesis for the 21st century. —Daniel Y. Harris Irene Koronas is the author of numerous collections of xperimental writing include-ing ninth iota (The Knives Forks and Spoons Press, 2018), Volume II in her Grammaton Series, Codify (Éditions du Cygne, 2017), Volume I in her Grammaton Series, heshe egregore (with Daniel Y. Harris, Éditions du Cygne, 2016), Turtle Grass (Muddy River Books, 2014), Emily Dickin-son (Propaganda Press, 2010), Pentakomo Cyprus (Červená Press, 2009) and Self Portrait Drawn From Many (Ibbetson Street Press, 2007). Her xperimental writing and sauvage art have been published in Arcanum Café, BlazeVOX, The Boston Globe, Brave New Word, Cambridge Chronicles, Clarion, Counterexample Poetics, Divine Dirt, E·ratio, experiential-experimental-literature, International Times, The Licentiam: A Journal for Erotic Literary Experimentalism, Lynx, Lummox, Mgversion>datura, Of\with, journal of immanent renditions, New Mystics, Otoliths, Pop Art, Right Hand Pointing, Poesy, Presa, The Seventh Quarry Magazine, Taos Journal of International Poetry & Art, SPAMzine, Spreadhead, Stride and Unblog. She has exhibited her sauvage art at the Tokyo Art Museum Japan, the Henri IV Gallery, the Ponce Art Gallery, Gallery at Bentley College and the M & M Gallery. She’s a graduate of the Massachusetts College of Art & Design and is the Publisher & Managing Editor of X-Peri. Book Information: · Paperback: 138 pages · Binding: Perfect-Bound · Publisher: BlazeVOX [books] · ISBN: 978-1-60964-325-6

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    312 vues20 pages

    Declivities by Irene Koronas Book Preview

    Transféré par

    BlazeVOX [books]
    Irene Koronas’ declivities, Volume III of her Grammaton Series, along with ninth iota (The Knives Forks and Spoons Press, 2018) and Codify (Editions du Cygne, 2017), seals her position as one of the most ingenious, experimental innovators of our era. She is a postlanguage, hyper-minimalist écrivain, melding the aporias of a posthuman poesis with an orthodox spiritus. With Koronas’ grammaton the Western Canon replaces its internal organs with algorithms. Memed and burrowed, tropes in declivities form matrices comprised of such disparities as gematria, the fibonacci code, hagiography, Ecclesiastes and “in her anaphora action sacrifices popeye” and “bars apocrypha in tube sprockets.” Her “hypernic glaze skims off blanc.” Siphoning from a trajectory of experimental literature and poetics from Dadaism to Algorithmics and beyond, the Koronas grammaton is fashioned from a panerotism reconciling the disequilibrium encoded within the hyperlinks of a retromanic pleroma and a feminine clinamen. By excavating the figurations of Rimbaud, Dickinson, de Sade, Bataille and many au courant experimentalists, declivities relegates identity and gender to funerary antiques in a reliquary. Dexterity, agility, finesse and hilarity resurrect the zombies of confessionalism, unleashing stanzaic androids and gynoids so innovative in their multiplicity as to secrete glossolalia from postdata holy writ, creating the grand poesis for the 21st century. —Daniel Y. Harris Irene Koronas is the author of numerous collections of xperimental writing include-ing ninth iota (The Knives Forks and Spoons Press, 2018), Volume II in her Grammaton Series, Codify (Éditions du Cygne, 2017), Volume I in her Grammaton Series, heshe egregore (with Daniel Y. Harris, Éditions du Cygne, 2016), Turtle Grass (Muddy River Books, 2014), Emily Dickin-son (Propaganda Press, 2010), Pentakomo Cyprus (Červená Press, 2009) and Self Portrait Drawn From Many (Ibbetson Street Press, 2007). Her xperimental writing and sauvage art have been published in Arcanum Café, BlazeVOX, The Boston Globe, Brave New Word, Cambridge Chronicles, Clarion, Counterexample Poetics, Divine Dirt, E·ratio, experiential-experimental-literature, International Times, The Licentiam: A Journal for Erotic Literary Experimentalism, Lynx, Lummox, Mgversion>datura, Of\with, journal of immanent renditions, New Mystics, Otoliths, Pop Art, Right Hand Pointing, Poesy, Presa, The Seventh Quarry Magazine, Taos Journal of International Poetry & Art, SPAMzine, Spreadhead, Stride and Unblog. She has exhibited her sauvage art at the Tokyo Art Museum Japan, the Henri IV Gallery, the Ponce Art Gallery, Gallery at Bentley College and the M & M Gallery. She’s a graduate of the Massachusetts College of Art & Design and is the Publisher & Managing Editor of X-Peri. Book Information: · Paperback: 138 pages · Binding: Perfect-Bound · Publisher: BlazeVOX [books] · ISBN: 978-1-60964-325-6

    Droits d'auteur :

    © All Rights Reserved
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    sur 20

    declivities

    (Volume III: The Grammaton Series)

    Irene Koronas

    BLAZEVOX[BOOKS]
    Buffalo, New York


    declivities
    (Volume III: The Grammaton Series)
    by Irene Koronas
    Copyright © 2018

    Published by BlazeVOX [books]

    All rights reserved. No part of this book may be


    reproduced without the publisher’s written permission,
    except for brief quotations in reviews.

    Printed in the United States of America

    Interior design and typesetting by Geoffrey Gatza


    Cover Art: declivities
    Mixed Media Painting, 30 x 41
    Artwork Copyright © Irene Koronas, 2017

    First Edition
    ISBN: 978-1-60964-325-6
    Library of Congress Control Number: 2018951446

    BlazeVOX [books]
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    Editor@blazevox.org

    publisher of weird little books

    BlazeVOX [ books ]
    blazevox.org

    21 20 19 18 17 16 15 14 13 12 01 02 03 04 05 06 07 08 09 10


    delete

    woven slips
    into gesso blocks

    velocity
    an abrupt cast

    iron chair
    with loft claws

    a polyglot grid
    rivers traffic

    sore privacy
    a terminal point

    anonymous jest

    13
    add with

    the top container


    envelopes gate

    saga struck
    her saline font

    ultimatum
    proto i gallops

    14
    49-inch square

    redux women
    command meteorics

    outliers
    coeval as slopes
    the cornice

    and bosom template


    pulse below
    tits a refer

    pink kite
    undertone spikes
    little sister 1962 ledger

    tacking nails
    47 ½ by 23 ¾ inch
    emblem

    15
    red bird

    rhombus stone
    squares semihump

    reeks pencil dots


    dilution’s beak

    codes hive
    chaste to incise

    silk doko

    16
    sinoper

    ink lender
    marks the casserole

    luting clay
    shapes porringer

    over half bean bone


    hematite and bagdad indigo

    calcine tempers
    cennini

    17
    hesychast

    orpiment quarts
    fresco

    arzica round

    prismatic host
    girdles that appetite

    18
    turnsole

    hazard even
    a gay alloy

    contour ends
    sylphide

    make out
    snare

    ceiling
    the extreme

    19
    mage

    petrified
    843 a.d.
    toy temple

    palatable
    without balance

    privilege
    coexist
    context
    haunt

    low ebb
    pregnant
    upside

    20
    irreal

    tricks
    drag rectangle
    clumps

    procreate graze
    jumps
    the seventh swift

    rose stump
    speech

    lint
    under
    pank circles

    21
    apparel

    queeny nuisance
    petticoat oblique

    crinkle under spill


    hypodermic rivets
    a suit

    a giant squat
    curdles
    yellow wail

    22
    zigzag

    collide reel
    couples
    a detail savor

    traffic
    mix blow
    purple cursory

    nails
    tinsel sheen

    23
    snatch

    lip robe
    sprang ample

    hip
    ridden taut

    obfuscates
    nudes

    and
    gauche

    24
    [sic]

    devices ream
    conform

    stucco polarity

    red circuit
    vapors

    sienna pockets

    iron and silica


    dug from dull yellow

    manganese
    sand or opaque
    revelations

    paper blankets
    retard sulphides

    paraorange dye
    lamp black

    in tubes

    25
    bison

    ram dung
    scorches
    the belua vasta

    rut arboreal

    raw succor
    tart carcass
    messiahs

    baroque retort
    boar
    trims pitchwork

    pelts
    a cow

    26
    frag

    palisade
    fungus refts
    a clot

    brunt buckle
    folds a crater

    ask draft
    for a resin cut

    of bulk

    jocularity
    or smear

    27
    tacitus

    a galilean
    staple on gum
    turquoise

    snarly rust
    teutonic lack

    terre verte
    fresco bole

    reseda luteols
    arzica bona et bella

    ground travertine
    hydrate

    questo si fa artifitiamente
    chessi fa d azurro della mongnia

    blend in carbonate

    28
    declivity

    slope
    salvatiche

    roots upholster

    pampose lacuni

    azurite lumps
    wall veins

    storm myth

    daunts orpheus
    dirty locusts

    paper bag sonnets


    a quarter toss

    hecatomb toss
    eight spikes

    quai des orfevres

    beat the dainty


    pinch

    29
    still hold

    yes sinks
    the besiege

    red vespers

    3 sorcerers
    7 hundred wax candles

    half fainting
    also soft

    babylonian
    garden shul

    spittle from cursive

    scroll little pause

    tzaddikim sticks
    emerge

    30

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