Missa Brevis

In the name of the religion UTSYO CHAKRABORTY

I. KYRIE (Violent)  = 70
 3       
Soprano 4     
Ky ri e Ky ri e El e sion

Alto
3       
4    
Ky ri e El e sion

Tenor  43            


Ky ri e Ky ri e El e sion

 43          
Bass 

Ky ri e El e sion

3   
 4    

       
Electric Organ
(Typical of the 1970s)
 43              


12
   
S.  42 

A.
   42 


T.
   42 


B.
    42 
 3

  
    
   
           42       
    
Org.    3  3 
   
   24       
          
    
 16
    
S.  43 

A.
    43 


T.
    43 


B.
     43 

3

                              
 
 43 
Org. 

                             3   
4 
       

21
          
S.   

Ky ri e Ky ri

A.      

T.      

B.
     
 3

     
     

          
   
Org.  

  3       


2
 26
 
S.          

e

A.
   


T.
   


B.
    

   
     
 
Org.  
         
 
5  

30
   
S.       

Ky ri e Ky ri

A.             
Ky ri e Ky ri

T.         

Ky ri e Ky

B.
   

   


Org. 
  
       
         

3
 33
            
S.    

e

A.                            
e e 

T.
                          
  

ri e e 

B.
    

  
         
Org. 
      
   


37
   
S. 

A.                      

             
T.           


B.
   


                      
Org.                     
 


4
  = 70
40   
   
S.     
 Christe!  El e sion!
         
A.         
 Christe!  El e sion!

T.
      
         
 Christe!  El e sion!

     
B.        
 
El e sion! Christe!  El e sion!
        
              


Org.
                         


45
       
S. 
 sion!

A.        
 le

T.         
 E

       
B.

  E

        
Org. 
     
 
      
    


5
 II. Gloria (Somber and reposeful) = 80
 5 Glo-ri-a
             2     5  
Soprano 4 4 4
 in ex cel sis de o!
Glo-ri-a
5 2 5  
Alto  4              4      4
 in ex cel sis de o!
Glo-ri-a

Tenor
5 2 5  
 4               4       4
 in ex cel sis de o!
Glo-ri-a

Bass
 45              42     45  

 in ex cel sis de o!
     
 45   42  45     
Electric Organ
(Typical of the 1970s)      
 45     
42  45

6 Glo-ri-a
      
S. 
         
 in ex cel
Glo-ri-a

A.              
   
 in ex cel
Glo-ri-a

T.                
  
 in ex cel
Glo-ri-a

B.

               
 in ex cel

  
   
              
Org.            
 
                
  

6
 12
   
S.                    
sis de o!

A.          
              
sis de o!
           
T.      
   
sis de o!

B.
   
             
   
sis de o!
        
   
   
      
Org.
                   

     

14
       
S.  

A.
   
    
      
T.  

        
B.

                        
                  
  
Org. 
            
          

7
 20

S.
                  
    
Glo ri a in ex cel sis de o!

A.
         
               

T. 
 
       
         
  
                
B.         

                   
             

Org. 
           

26
 
                  
S.                

Glo ri a in ex cel sis de o!

A.

                                
  
 
T.                        
           
             
   
      
B.             

                                           
       
Org.
           

8
 32
     
S.  
A men!

A.
     


T.
  
   

B.
      


           





  
Org. 
       

III. Credo (Religion before sins!)  = 40

 4   
Soprano 4

Alto  44   


Tenor  44         

     

Cre do in un um De um Pa trem om ni po ten tem!

Bass
 44   


 44   
Electric Organ
(Typical of the 1970s)
 44   

9
 4
               
S.         
 
fac to rem cæ li ter ræ vis ib li um om ni um et in vi si bli um
 
A.                  
      
      
T.          
       

B.
     

et in
      
         
       
 
Org. 
    
        



8
  
S.         
Fi li um De i un i ge

A.   
      

Fi li um De i un i ge

T.

      

            
     
(Oo ) Chri stum Fi li um De i un i ge

         
B.
     
u num Do mi num, Je sum Chri stum

 
            
Org.
         
   

10
 11
            
S.        
  
ni tum et ex pat re na tum an te om ni a sæ cu la!
  
A.                 
 

ni tum et ex pat re na tum an te om ni a sæ cu la!
              
T.
             
      

  ex
ni tum et pat re na tum an te om ni a sæ cu la!

B.
   

  
  
               
Org.
  
        


14
          
S.            
De um de de o Lu men de lu mi ne De um ve rum de De o ver um.

A.           
 
        
De um de de o Lu men de lu mi ne De um ve rum de De o ver um.
         
T.            
De um de de o Lu men de lu mi ne De um ve rum de De o ver um.

B.
             
  
De um de De o De um de o
 
                       
Org.
         
  
          

11
 17
   
S. 

A.
  


      
T.               
ge ni tum non fac tum, con sub stan ti a lem Pat ri...

B.
   


         

    
 
Org.
        
            

20 (free)
         
S. 
per quem om ni a fac ta sunt
full

A.   
full

T.     
full full

   
B. 

                         
    
7 7
Org.    
   
 



12
 22 full full full full
fullfull full full full1/2
3/4
full3/4
full
      
S.              

fullfull full
full 1full
21/2
221/4
1/2
3/4
3 
7
A.            
 3
fullfull full full full 1full
21/2 full
23/4
3full full
2 
       
T.              
  
  
ho mo fac tus est! 
full full full 1full
2 3/4
1/4
3

B.
            
  
 full 1/4
1/2
full full 1/4
1/2
full full 1/4
 1/2
full

 
      
  

Org.   full full full 
1/4
1/2 1/4
1/2
full  
             
          
 
 

31 full
12 1/4
3/4
3
     
  
S.  
full
23
2 1/2
3
        
A. 
21/4
1/2
2 3/4
2 21/2
2     

T.                
  
Cre do in un um De um Pa trem om ni po
2 1/4
2 23/4
11/4
1/2
    
B.
    


        
Org.
        
     

13
 39
 
S. 

A.



T.    
ten tem!

B.
 


 
Org.
 

14