Ades

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qxd 10/10/2002 12:38 Page 1 (Black plate)
WORKS FOR CHAMBER ENSEMBLE

(8–16 players)
THOMAS ADÈS . CHAMBER SYMPHONY

THOMAS ADÈS
Chamber Symphony (1990)
for 15 players
Living Toys (1993)
for 14 players
GEORGE BENJAMIN
At First Light (1982)
for 14 players
ChamberSymphony
Antara (1987)
for 16 players
(2 flutes, computerised keyboards, percussion and strings)
JONATHAN HARVEY
Bhakti (1982)
for 15 players and quadraphonic tape
Valley of Aosta (1988)
for 13 players
OLIVER KNUSSEN
Ophelia Dances Book I (1975)
for 9 players
Coursing (1979) FOR FIFTEEN
for 14 players
Songs without Voices (1992)
for 8 players PLAYERS
COLIN MATTHEWS
Suns Dance (1985)
for 10 players
Fuga (1988)
for 8 players
Hidden Variables (1989)
for 15 players
FABER MUSIC . 3 QUEEN SQUARE . LONDON

fabermusic.com
51509cov.qxd 10/10/2002 12:38 Page 1 (PANTONE 193 CV plate)
51509ins.qxd 10/10/2002 12:39 Page i
THOMAS ADÈS
Chamber Symphony
FOR FIF TEEN
PLAYERS
(1990)
Op.2
51509ins.qxd 10/10/2002 12:39 Page ii
© 1995 by Faber Music Ltd

First published in 1995 by Faber Music Ltd
3 Queen Square London WC1N 3AU
Amended impression, October 2002
Music processed by Richard Emsley
Cover design by S & M Tucker
Printed in England by Intype London
All rights reserved
ISBN 0-571-51509-6
Permission to perform this work in public must be obtained from the Society
duly controlling performing rights unless there is a current licence for public performance
from the Society in force in relation to the premises at which the performance is to take place.
Such permission must be obtained in the UK from
Performing Right Society Ltd, 29–33 Berners Street, London W1P 4AA.
The first performance of the Chamber Symphony was given by

the Contemporary Music Festival Ensemble conducted by the composer
in the West Road Concert Hall, Cambridge as part of the
Cambridge Festival of Contemporary Music on 24 February 1991
The first professional performance was given by the BBC Philharmonic Orchestra
conducted by Matthias Bamert at the same venue on 9 March 1993
Duration: 13 minutes
To buy Faber Music publications or to find out about the full range of titles available
please contact your local music retailer or Faber Music sales enquiries:
Faber Music Limited, Burnt Mill, Elizabeth Way, Harlow, CM20 2HX England
Tel: +44 (0)1279 82 89 82 Fax: +44 (0)1279 82 89 83
sales@fabermusic.com fabermusic.com
51509ins.qxd 10/10/2002 12:39 Page iii
ENSEMBLE
Flute (= piccolo & alto flute)

Oboe
Basset Clarinet in A
Bass Clarinet in B 
Horn in F
Trumpet (= wine bottle )
Trombone
Percussion (2 players)
small wood chimes, small shell chimes (optional), bell tree,
very small triangle, cow bell, hi-hat cymbal, small wood block,
large guiro, 3 tam-tams, 2 small finger drums, snare drum, flexatone,
crotales, marimba
Piano (= Accordion)
2 violins
Viola
Cello
Double bass (4 string)
The score is written in C

51509ins.qxd 10/10/2002 12:39 Page iv
PERFORMANCE NOTES
= ¼ tone sharp
→
Woodwind and brass: suggested manner of performance is tongue-stopped

 = highest possible note
Double bass: Tuning-down instructions for a 4 string bass without a C extension are
given in brackets.
The Accordion part is simple and does not require a trained player.
Piano: Notes on Preparation (see between M and S)

1. The four strings are stopped with an eraser (8mm thick)
pushed under the B , over the B  and C, down under the D .
The notation for these notes is:
2. The notes are prepared by placing a screw between the middle and
right-hand strings of each note (as in Cage), producing the pitches
The screws must be 40–80mm long. The una corde pedal must be depressed to silence
the unprepared string. The notation for these notes is:
If screws cannot be used the two pitches are finger-stopped at pitch on the
strings, between the dampers and the keyboard.
Percussion
Player 1
very small triangle
cow bell (straight)
small wood block
snare drum
hi-hat cymbal †
large guiro
2 small finger drums (high-pitched)
3 tam-tams
crotale (from player 2)
†
hi-hat notation: when struck allow plates to touch and gently vibrate together
51509ins.qxd 10/10/2002 12:39 Page v
Player 2
small wood chimes
small shell chimes (optionally can be replaced by small wood chimes)
bell tree
lowest tam-tam (from player 1)
crotales
marimba (with 4 mallets)
flexatone†
†
A small strip of felt should be affixed to the steel plate of the flexatone with tape to
dampen all resonance and to obtain ‘dead’ sound. This must be quickly detachable.
51509ins.qxd 10/10/2002 12:39 Page vi
51509ins.qxd 10/10/2002 12:39 Page 1
CHAMBER SYMPHONY
THOMAS ADÈS
I ✯ = 120-132 (Beat quavers until M)
❂
✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Alto Flute ✿ ✽ ✹ ✽ ✹
✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Oboe ✿ ✽ ✹ ✽ ✹
✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Basset Clarinet ✿ ✽ ✹ ✽ ✹
❁ ✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Bass Clarinet ❃ ✽ ✹ ✽ ✹
❂
✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Horn ✿ ✽ ✹ ✽ ✹
✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Trumpet ✿ ✽ ✹ ✽ ✹
❁ ✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Trombone ❃ ✽ ✹ ✽ ✹
Wood block Cymbal

➔ 3 3 3 3 5 5 6 7: 8
❂ ◆ ➔ ➔ ➔✮ ➔✯ ◆✮ ➔ ➔ ➔✯ ➔✯ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔
❲
r ✸ ✻ ✸ ✺ ✻ ✺ ✺ ✺ ✻ ✻ ✺ ✺ ✺ ✺ ✺ ✺ ✺ ✼ ✺ ✺ ✺ ✺ ✺ ✻ ✷
1 ✽ ✸
❲ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✽ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹
♣♣ sempre
Percussion
✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
2 ❃
✿ ✽ ✹ ✽ ✹
✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
✿ ✽ ✹ ✽ ✹
Piano
❁ ✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
✽ ✹ ✽ ✹
❂
✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Violin I ✿ ✽ ✹ ✽ ✹
✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Violin II ✿ ✽ ✹ ✽ ✹
❀ ✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Viola ✽ ✹ ✽ ✹
❁ ✸ ✾ ✸ ✾ ✾ ✾ ✼ ✾ ✷
Cello ✽ ✹ ✽ ✹
pizz.
✮
❹ ✸ ✾ ✸ ✾ ✾ ✾ ✼ ✼ ✼ ✻ ✻ ✷
Double bass ❃ ✽ ✹ ✽ ❲
✸
✹
♣
© 1995 by Faber Music Ltd., London
51509ins.qxd 10/10/2002 12:39 Page 2
6
3
❂ ✮ ✮ ✮ ✮
✷ ✻ ✼ ✸ ✻ ✺ ✻ ✺ ❲ ✺ ✻ ✼ ✷
A. Fl. ✿ ✹ ✳❲ ❲
✷
✳❲
✶✷ ✹ ✳❲ ❲
✷
❲ ❲
✶✷
✽ ❲ ✵ ✷ ❲ ✵ ✹
♣♣ ♣♣ ♣
✷ ✾ ✾ ✸ ✾ ✺ ✾ ✾ ✷
Ob. ✿ ✹ ✹ ✽ ✹
✷ ✾ ✾ ✸ ✾ ✺ ✾ ✾ ✷
Bsst. Cl. ✿ ✹ ✹ ✽ ✹
✷ ✳ ★❲
✳ ★❲ ❲★
❁ ✷ ✾ ✾ ✸ ✾ ✺ ✾ ✻ ✻ ✺ ✱ ✷
Bass Cl. ❃ ✹ ✹ ✽ ✹
♣♣
❂
✷ ✾ ✾ ✸ ✾ ✺ ✾ ✾ ✷
Hn. ✿ ✹ ✹ ✽ ✹
✷ ✾ ✾ ✸ ✾ ✺ ✾ ✾ ✷
Tpt. ✿ ✹ ✹ ✽ ✹
❁ ✷ ✾ ✾ ✸ ✾ ✺ ✾ ✾ ✷
Tbn. ❃ ✹ ✹ ✽ ✹
Cym. 3 3 3 3 5 5 6
❂ ➔✮ ◆ ➔ ➔ ➔✮ ➔✯ ◆✮ ➔ ➔ ➔✯ ➔✯ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔✯ ➔ ◆ ➔ ➔ ➔ ➔
r ✷ ✻ ✺ ✻ ✺ ✺ ✸ ✺ ✻ ✻ ✺ ✺ ✺ ✺ ✺ ✺ ✺ ✺ ✺ ✺ ✺ ✺ ✺ ✷
✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ✽ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹
Perc.
✷ ✾ ✾ ✸ ✾ ✺ ✾ ✾ ✷
❃
✿ ✹ ✹ ✽ ✹
❂
sul tasto ✯
✷ ✾ ✼ ✻ ✵
✯
✸ ✺ ✻ ✼ ✼ ✺ ✾ ✼ ✵ ✻
✮
✷
Vln. I ✿ ✹ ✳❲ ✹ ✳❲ ✽ ✳❲ ✹
♣♣♣ ♣♣ ♣♣♣
quasi con sord.
sul tasto ✯
✷ ✾ ✼ ✻ ✵
✯
✸ ✺ ✻ ✼ ✼ ✺ ✾ ✻ ✻ ✺ ✯ ✷
Vln. II ✿ ✹ ✳❲ ✹ ✳❲ ✽ ✳ ★❲ ★❲ ✳❲ ✹
✷
♣♣♣ ♣♣
♣♣♣
sul tasto
✷ ✷✶ ✷ ✷
❲ ❲ ✶✷ ❲
✳❲ ✳❲ ✳❲ ❲ ❲ ✵ ❲ ✵
❀ ✷ ✻ ✼ ✸ ❲
✻ ✺ ✻ ✺ ✺ ✻ ✼ ✷
Vla. ✹ ✰ ✹ ✰ ✽ ✰ ✰ ✹
♣♣ ♣
♣♣ 3
pizz.
✯ ✮
❁ ✷ ✾ ✾ ✸ ✼ ✺ ✯ ✻ ✺ ✾ ✾ ✷
Vc. ✹ ✹ ❲
✸
❲ ✵
★❲
✽ ✹
♣
* 3 ✮ 3
❹ ✷ ❲ ✵
✳❲ ✼ ✾ ✸ ✾ ✺ ✼ ✵ ✻ ✻ ✳❲ ❲ ✻ ✻ ✼ ✷
Db. ❃ ✹ ✹ ✽ ✸
❲
✶ ✹
♠♣
* slur indicates left hand glissando: do not pluck note at end of slur
51509ins.qxd 10/10/2002 12:39 Page 3
11
3 3 3
❂ ✮
✷ ✼ ✸ ✻ ✼ ❲ ❲ ✼ ✲❲ ❲ ✼ ✼ ✷
A. Fl. ✿ ✹ ✳❲ ❲
✷ ✹ ✳❲
✶✷
✳❲ ✷ ✳❲ ✳❲
✶
➐✴ ❲ ❲
✶✷ ✹
♣♣♣ ♣ ♣♣♣ (♣♣♣)
✷ ✾ ✸ ✾ ✾ ✾ ✷
Ob. ✿ ✹ ✹ ✹
3 ✯
✯
✷ ✾ ✸ ✼ ✼ ❲ ❲ ✺ ✻ ✼ ✼ ✼ ✻ ✵ ✷
Bsst. Cl. ✿ ✹ ✹ ✳❲ ✷ ❲
✷
❲ ✳❲ ✹
♣♣ ◆
♣♣♣
❁ ✷ ✼ ✻ ❘ ✸ ✯ ✺ ✻ ✼ ✼ ✾ ✾ ✷
Bass Cl. ❃ ✹ ✪
✹ ✹
✳ ★❲ ✪ ✳ ★❲
❲ ❲ ✶
✸
♣♣
❂
✷ ✾ ✸ ✾ ✾ ✾
❁
✷
Hn. ✿ ✹ ✹ ✹
✷ ✾ ✸ ✾ ✾ ✾ ✷
Tpt. ✿ ✹ ✹ ✹
❁ ✷ ✾ ✸ ✾ ✾ ✾ ✷
Tbn. ❃ ✹ ✹ ✹
7: 8 3 3 3 3 5 3 7: 8 7: 8
❂ ◆ ➔ ➔ ➔ ➔✮ ◆ ➔ ➔ ➔✮ ➔✯ ◆✮ ➔ ➔ ➔✯ ➔✯ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔
r ✷ ✻ ✸ ✺ ✻ ✺ ✺ ✺ ✻ ✻ ✺ ✻ ✷
✹ ❲ ❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹
Perc.
Marimba ✯ ③ 3
✷ ✾ ✸ ✾ ✻ ✵
❫
✻ ✼ ✾ ✷
❃
✿ ✹ ✹ ✴❲ ❲ ✹
♣♣♣
3 3
❂ ✮ ✯
✷ ✼ ✸ ❲ ❲ ✼ ✼ ✼ ✻ ✵ ✷
Vln. I ✿ ✹ ➐✳ ❲
✳❲
✷ ✹ ✳❲
✳❲ ✵ ❲ ❲ ✷ ✳❲ ✳❲
✶
❲
✷
❲ ✳❲ ✹
♣♣ ♣♣♣ ♣ ♣♣♣ ♣♣♣
3 3 3
✷ ✼ ✸ ✻ ❲ ❲ ✼ ✼ ✾ ✷
Vln. II ✿ ✹ ➐✳ ❲ ❲
✳❲ ✹ ✳❲
✳❲ ❲ ❲ ✷ ✳❲ ✳❲
✶
✹
♣♣ ♣♣♣ ♣
◆ ♣♣♣
✷
✷ ✷✶ ★❲ ★❲ ✶ ✲❲ ❲ ✶✷
✳❲ ❲ ✳❲ ✳❲ ✳❲ ➐✴ ❲ ❲
❀ ✷ ✼ ✸ ✻ ✼
✳❲
✼ ✼ ✼ ✷
Vla. ✹ ✹ ✰ ✹
3
3
♣♣♣
3
♣ ♣♣♣ (♣♣♣)
❁ ✷ ✺ ✼ ✸ ✼ ✼ ✺ ✺ ✾ ✾ ✷
Vc. ✹ ❲
✸ ★❲
✹ ❲
✸ ★❲
✹
♣ ♠♣
3
❹ ✷ ✾ ✸ ✳❲ ✻ ✼ ✻ ✴❲ ✾ ✾ ✷
Db. ❃ ✹ ✹ ✸
❲
❲ ✹
✸
♣♣ ♠❢
51509ins.qxd 10/10/2002 12:39 Page 4
15
A
❂
✷ ✾ ✾ ✸ ✾ ✺ ✾
A. Fl. ✿ ✹ ✹ ✽
✷ ✾ ✾ ✸ ✾ ✺ ✾
Ob. ✿ ✹ ✹ ✽
✮
✷ ✻ ✼ ✾ ✸ ✾
❁
✺ ✼ ✻ ❲
Bsst. Cl. ✿ ✹ ➐✳ ❲ ✹ ✽
♣
5 in ✯ ✯ 3 ✯
❉
❁ ✷ ✼ ✻ ✵ ✯ ✺ ❘ ✸ ✺ ✮ ✺ ✻ ✺ ✼ ❘ ❲ ❘ ❲ ❲
✹ ❲
✶✷ ✽ ❲ ✳❲ ✶ ❲ ✴❲ ✳❲
✳ ★❲ ✪ ✳ ★❲ ✪ ★❲ ✪ ★❲ ✪ ★❲ ✪ ✴ ★❲ ✪ ★❲ ✳ ★❲ ✴ ★❲ ★❲ ★❲ ★❲ ✳ ★❲ ✪ ✴ ★❲ ✸
❲ ❲ ❲ ❲ ✶ ❲ ➐✳ ❲ ❲ ✸ ✶ ❲
✸ ✸ ✶
♠❢ ♠❢
♣♣ ♣ ♣ ♠❢ ♣♣ ♠♣ ♣♣
mute 3
3 ✮
❂
❁ ✷ ✻ ✻ ✮ ✯ ✺ ✻ ✾ ✸ ✾ ✺ ✼ ✻ ❲ ❲
Hn. ✹ ✹ ✽
✳ ★❲ ★❲
✶ ♣ ♣♣
♣♣ ♣
✷ ✾ ✾ ✸ ✾ ✺ ✾
Tpt. ✿ ✹ ✹ ✽
Harmon mute, stem ½-out

3
➔✮ ✸ ½ ✯ ◆ 3 3
❁ ✷ ✻ ✻ ✺ ✻ ✾ ✸ ✼ ✻ ✼ ✺ ✻
✮ ✮ ✮
Tbn. ❃ ✹ ❲ ❲
✶ ✹ ✳❲ ✵ ❲ ✽ ✳❲ ❲ ✴❲ ❲
♣♣ ♣ ✶
✸
♣♣ ♣ ♣ ♠❢ ♣♣
Cym. 3 3 3 3 5
❂ ➔✮ ◆ ➔ ➔ ➔✮ ➔✯ ◆✮ ➔ ➔ ➔✯ ➔✯ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔
r ✷ ✻ ✺ ✻ ✺ ✺ ✸ ✺ ✻ ✻ ✺ ✺ ✺ ✺ ✺ ✺ ✺
✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ✽ ❲ ❲ ❲ ❲ ❲ ❲
Perc.
✷ ✾ ✾ ✸ ✾ ✺ ✾
❃
✿ ✹ ✹ ✽
❂ ✮
✷ ✻ ✼ ✾ ✸ ✾ ✺ ✾
Vln. I ✿ ✹ ➐✳ ❲ ✹ ✽
✷ ✾ ✾ ✸ ✾ ✺ ✾
Vln. II ✿ ✹ ✹ ✽
pizz.
3
❀ ✷ ✾ ✾ ✸ ✾ ✺ ✼ ✻ ✮ ✻ ✻
Vla. ✹ ✹ ✽ ★❲
✶
✸
♠❢
✯ 3
❁ ✷ ✻ ✵ ✯ ✼ ✾ ✸ ✻ ✯ ✺ ✼ ✻ ✵ ✺ ✻ ✼ ✵
Vc. ✹ ✹ ❲ ✽ ❲
✳ ★❲ ✴ ★❲ ✸ ★❲
✶ ✶
♣
✸
♣
✸
♠♣
✸ ✮ ✸ ✸ ✷✶
❲ ✶
❹ ✷ ❲ ✵
✳❲ ✻ ✴❲ ✺ ✻ ✻ ✳❲ ✵ ✸ ✼ ✻
✳❲
✻ ✼ ✺ ✻ ✴❲ ✻ ✻ ✻ ✺
✴❲
✻
Db. ❃ ✹ ✶✷ ✱
❲
✶✷ ✹ ✰ ✽ ✰ ✱
♣ ♣ ♣ ♣
3 3 3
♣♣ 3 ♣♣ ♣
51509ins.qxd 10/10/2002 12:39 Page 5
19
❂
✾ ✷ ✾ ✸ ✾ ✺
A. Fl. ✿ ✹ ✹ ✽
✾ ✷ ✾ ✸ ✾ ✺
Ob. ✿ ✹ ✹ ✽
3 3 3 ✸ 3 ✶✸
✶ ✷ ✸ ✸✶
✮ ❲ ✷✶ ✲❲ ✴❲ ✲❲ ❲ ✲❲ ✴❲ ✲❲ ✷✶ ★❲ ❲★ ★❲ ★❲ ★❲
✶ ✶
❁
❲ ❲ ❲
✲❲ ✷ ✻ ✲❲ ✻ ✲❲ ✻ ✸ ✻ ✴❲ ✲❲ ✴❲
❲
✲❲ ✻ ✺
Bsst. Cl. ✹ ✱ ✱
3
✹ ✽
3 3 ✱
3 3 3
3
❢❢ più legg., ma ❢
3
❢ 3 3 ♣ ❢❢
✸ ✷ ✷ 3 ✮ 3
❲ ✵ ❲ ❲ ❲ ❲ 3
❁
✻ ✷ ✻ ✻ ❭✮ ❲ ❲ ✸ ✼ ✼ ✺ ✺
Bass Cl. ❃ ✹ ❳ ✷ ❲ ✳❲ ★❲
✹ ✳❲
★❲
✽
3 ✸ ✸ ✳ ★❲ ✪ ✪
❲ ❲
poco ❢ ♠❢ ❢ ❢ ♣ ✶
✸
♠❢ ❢ ❢ ♠♣
✶✸
✯ ✯ ★❲
❂
❁
❲ ✺ ✻ ✻ ✻ ✺ ❲ ✷ ✾ ✸ ✼ ✼ ✺ ✱ ✻ ✺
Hn.
✶
✷ ✹ ✹ ✽
poco ❢
✸
♣ ♠❢
✾ ✷ ✾ ✸ ✾ ✺
Tpt. ✿ ✹ ✹ ✽
✸✶
✯
❁ ✯
✺ ✻ ✻ ✻ ✺ ✷ ✾ ✸ ✼ ✼ ✺
✳❲
✻ ✺
Tbn. ❃ ✳❲ ✳❲
✷
✹ ✹ ✱ ✽
✶✷
✸ ♣ ♠❢
poco ❢
5 6 7: 8 6 5 3
❂ ➔✯ ➔ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔ ➔ ◆
r ✺ ✺ ✺ ✺ ✺ ✺ ✷ ✺ ✸ ✺ ✺ ✺ ✻ ✺
❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ✽
poco a poco più ♣♣ (nearer dome)
Perc.
✾ ✷ ✾ ✸ ✾ ✺
❃
✿ ✹ ✹ ✽
❂
✾ ✷ ✾ ✸ ✾ ✺
Vln. I ✿ ✹ ✹ ✽
✾ ✷ ✾ ✸ ✾ ✺
Vln. II ✿ ✹ ✹ ✽
arco sul tasto

3 sul pont. ord.
❀ ✯ ✺ ✻ ✼ ✷ ✾ ✸ ✼ ✺ ✻ ✵ ✯ ✺
Vla.
★❲ ★❲
✹ ✹ ★❲ ✲❲ ★❲
✽
✷ ✶✷
✷ ✸
✸
♣♣ ♣ ♠❢ ♣♣
arco sul tasto arco sul pont.
3 pizz. ord.
❁
❲ ✵ ✺ ✻ ✼ ✷ ✺ ✺ ✼ ✸ ✼ ✺ ✲❲ ❲ ✻ ✵
✯
✺
Vc. ❲
✷ ✹ ★❲ ✳❲ ✹ ❲
✷
❲
✶✷ ✳❲ ✽
♣ ♣♣ ✸
✸
♣♣
♠♣ ♣♣ ♠❢
arco sul pont. pizz.
❖✷ ✸✶ ✶ ✷✶ 3 ✸ ✶
✲❲
❹ ✳❲ ✴❲ ✵ ✳❲ ✷ ✸ ✴❲ ✺
✺ ✺ ❲ ✻ ✾ ✳❲ ✻ ✻ ✻ ✺ ✻
Db. ❃ ✱ ✱
✹ ✹ ✸
❲
✰
✱ ✽
♠♣ ♣ ♠♣ ♣ 3 ❢
poco ❢ ♠❢
51509ins.qxd 10/10/2002 12:39 Page 6
22
❂ ✯
A. Fl. ✿
✺ ✾ ✾ ✸ ✼ ✻ ✵ ✸
✽ ✹ ✲❲ ❲ ✽
♣♣
Ob. ✿
✺ ✾ ✾ ✸ ✾ ✸
✽ ✹ ✽
7 in ✰ ❭ 5 3
3 ✶✸ ❭
✶ ✪❲ ✸
✯ ✲❲ ✴❲ ★❲ ★❲ ★❲ ★❲ ✸ ▲ ★❳ ✳ ★❳ ✶ ✶ ✲❲ ❲ ✵
❲ ✷ ❲ ✲ ❳ ✴ ❳
❁ ✺ ✲❲ ✴❲ ✳❲ ✲❲ ❲ ❲ ✸ ✳❲ ✳❲ ✸
Bsst. Cl. ✼ ✺ ✲❲ ❲ ✰ ✻ ✳❲ ✵ ✻ ✻ ✲❲
✽ ❲ ✹ ✱
✿
✽
♣ ❢
3 3 ♣ ✶ 3 3
❢ ❢❢ ✶✶ ❢ ✺ ✵ ✺ ❢ ♠♣
(dolce)
3 3 3 3 ✯
❁ ✺ ✯ ✮ ✲❲ ✵ ✸ ❲ ❲ ✵ ✸
Bass Cl. ✺ ✻ ✻ ✺
❃ ✽ ✪ ❲ ❲ ❲ ❲ ❲ ❲ ❲
❲
✶ ✰ ✹ ✲❲ ❲ ✽
✴ ★❲ ★❲ ✲ ★❲ ✴ ★❲ ✶✷ ✶✷ ✷ ✷ ✷
❲ ✷ ✸ ♣♣ ◆
♠♣
♣♣ ♠♣ ♣ ♠❢
❂ ✶✸ ✯
❁ ✳❲ ✯
Hn. ✺ ✾ ✺ ✻ ✻ ✺ ✻ ✸ ✼ ✼ ✻ ✵
✲❲
✸
✽ ✱ ✳❲ ✹ ✷ ✽
♣ ✶ ♠♣
✸
♣♣
Tpt. ✿
✺ ✾ ✾ ✸ ✾ ✸
✽ ✹ ✽
✯ ✯ ✯
❁ ✺ ✸ ✸
Tbn. ✾ ❲ ✺ ✻ ✻ ✺ ✻ ✼ ✼ ✻ ✵ ❲
❃ ✽ ✶
✲❲
✶ ✹ ✷ ✽
✸ ✸ ♠♣
♣ ♣♣
Cym. 3
3 3
❂ ➔ ➔ ➔✮ ➔✯ ◆✯ ✮ ➔✯ ➔ ➔ ➔✯ ◆✮
r ✺ ✺ ✺ ✻ ✻ ✻ ✺ ✻ ✺ ✻ ✸ ✻ ✺ ✻ ✵ ✻ ✸
✽ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ✽
Perc.
Mar.
✶✸ ✯
✿
✺ ✾
❁
❲ ✺ ✻ ✻ ✺ ❲ ✻ ✸ ✾ ✸
❃ ✽ ✶ ✹ ✽
✱ ✸
♠❢ ♣
❨✬ ❨✬ ➠ ß
ord. ✲❲ ❲ II ( ✳ ❈ ❲ ◆ )
❂ ✳❨ ❨
Vln. I ✿
✺ ✼ ✻ ✻ ✰ ✻ ✸ ✾ ✸
✽ 3
✰ ✹ ✽
♣♣♣ ♣♣♣
➠ ◆
ord. ✮ 3 ❈❲ û sul tasto
✮ ✯
Vln. II ✿
✺ ✼ ✻ ✻ ✲❨ ❨ IV ✻ ✸ ✼ ✻ ✵ ✸
✽ ✲ ❲ ❲ ✴❨ ❨ ✹ ➐✴ ❲ ✷ ❲ ✽
♣♣♣ ♣♣♣ ♣♣♣
◆
❈❲ û ◆
I ( ✳❈ ) ❲
➠ II
✺ ❨ ❨ ✸ ✸
Vla. ❀ ✻ ✻ ❨ ❨ ✻ ❀
✽ ★❲ ✵ ✲❲
✿
✰ ✹ ✽
✶✷ ✰ ✳ ★❲ ★❲ ✵ ★❲ ★❲
♣♣♣ 3 ✷
♣♣♣ ♣♣♣
♠♣ ♣
3 ord.
pizz. 3 arco sul pont. ❖ ◆ ✷
❁ ❲ ❲ ❲ ✵ ✳❲
Vc. ✺ ✻ ✻ ✻ ✯ ✻ ✻ ✺ ✸ ✺ ✻ ✵ ✸
✽ ❲ ✱ ✹ ✰ ✽
➐✳ ❲ ✵ ✶✷ ❲
✶✷
❲ ❲ ❲
✶ ✳ ★❲
✱
✸ ✶ ♣♣ ♣
♣ distinto ♣ poch.
✸✶ ✸✶
✶ ✷ ✮ ✶✷ ❲ ✮ ✶✷ ❲
❹ ❲ ❲ ✶ ❲ ✶
Db. ✺ ❲
✴❲ ✺ ✺ ✻ ✻ ✺
❲
❲ ✻ ✸ ✺ ✳❲ ✻
❲
✻ ✴❲ ✸
❃ ✽ ✸
✶
✱ ✰ ✶ ✹ ✷ ✽
✱ ✰
♣♣ 3 ♣♣ ♣
3
♠❢ ♣♣
51509ins.qxd 10/10/2002 12:39 Page 7
25 B
❂
✸ ✾ ✺ ✾ ✸ ✼ ✼ ✻ ✮ ✷
A. Fl. ✿ ✽ ✽ ✹ ✪
✹
❲
✷
❢
✮ ❭
✸ ✾ ✺ ✼ ✻ ✻ ❲ ✸ ✾ ✷
Ob. ✿ ✽ ✽ ✳ ❳ ✴ ❳
✶ ✹ ✹
♣♣♣ ❢
3 3
3 3 3 ✯ ✮ 3 ❭
❭ ▲
❳ ✳❲
✸ ✺ ✸ ❲ ❲ ❳ ✷
➐✲ ❲ ❲ ✲❲ ✴❲ ✻ ✲❲ ❲ ✵ ✺ ✼ ✵ ✻ ✲ ❳ ✴ ❳ ❲ ❲ ✲❲ ✻
Bsst. Cl. ✿ ✽ ✰
✷ ✲❲
✶
✷ ✽ ✹ ✶✷ ✪ ✪ ★❲
✲❲ ✴❲ ✹
❢
✸ ❲
✷
✸
❲
3
3 ❢❢
✺
3 3 3 ✯
✯ 3 3 ✯ ✶✸ ✶✷
✷
❁ ✸ ✻ ✺ ✺ ✻ ❭✮ ✻ ✲❲ ✻ ✻ ✺ ✯ ✸ ✻ ✵
❲
✻
✳❲
✺ ❲ ✺ ✷
Bass Cl. ❃ ✽ ✲❲ ❲ ❲ ❲ ✲❲ ✽ ❲ ❲ ✶ ✹ ✱ ✰ ✹
✲ ★❲ ★❳ ✶ ✴ ★❲ ✰
♣♣
✲ ✸
✶ ✶
✸ ♣ ♠❢ ♣♣
♣♣♣ ♠❢ ✺ ✺ ♣♣
❂ ✮ ✶✸ ✶✷ ✷
✴❲
❁ ✸ ✵ ✺ ✻ ✻ ✸ ✻ ✵ ❲ ✻ ✳❲ ✺ ✺ ✷
Hn. ✽ ➐✲ ❲ ✽ ✲❲ ❲ ✹ ✱ ✰
✰ ✹
♣♣ ♣ ♠❢ ♣♣
♣
Harmon mute, stem ½-out 3 ✯
✯ ✶
✸ ✾ ✺ ✼ ✻ ✴❲
❲
✲❲ ❲ ✺ ✸ ✾ ✷
Tpt. ✿ ✽ ✽ ✲❲ ✶ ✴❲ ✶ ✹ ✹
3 3 3
♣ lontano e dolciss.
✯ ✮
✯ ✮
❁ ✸ ❲ ❲ ❲ ✺ ❲ ❲
✻ ✺ ✸ ✻ ✵ ✻ ✺ ✺ ✷
Tbn. ❃ ✽ ✽ ✰ ❲
✶
✹ ✲❲
✶
❲
✶✷ ✳❲
✷
✹
✸
♣♣ ♣ ♣♣
✸
♣♣ ♣ ♠❢ ♣♣
3 5 3 3 3 5 3
❂ ➔✯ ➔✯ ➔✯ ➔ ◆ ➔ ➔ ➔ ➔✯ ◆ ➔ ➔✯ ➔✯ ➔✮
r ✸ ✺ ✺ ✻ ✺ ✻ ✺ ✺ ✺ ✺ ✸ ✺ ✻ ✻ ✵ ✺ ✻ ✻ ✷
✽ ❲ ❲ ❲ ✽ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ❲ ✹
Perc.
✶✸ ✳❲
❁ ✸ ✾ ✺ ✼ ✻ ✻ ✺ ✲ ✲❲ ❲ ✸ ✼ ✼ ✺ ✺ ✷
❃ ✽ ✽ ✱
✹ ✿
✶ ✪
✹
✸
♣ ♠❢
❲
✷
✷✮ ✮
❂
✸ ✾ ✺ ✼ ✻ ✻
✳❲ ❲ ❲ ✸ ❲ ✻ ✼ ✼ ✷
Vln. I ✿ ✽ ✽ ✹ ✹
✰
♣ ♣♣♣
3
ord. ✷✮ ✮
✸ ✾ ✺ ✼ ✻ ✻
✴❲ ❲ ❲ ✸ ❲ ✻ ✼ ✼ ✷
Vln. II ✿ ✽ ✽ ✹ ✹
♣ ✰
♣♣♣
✷ sul pont.
❲ ❲ ❖
❀ ✸ ✾ ✺ ✼ ✻ ✻ ❲ ✸ ❲ ✻ ✻ ✮ ✼ ✷
Vla. ✽ ✽ ✰ ✹ ✰ ✹
✳ ★❲
♣ ♣♣♣ ✶✷
♠❢
❲ ❲ ◆✮
❁ ✸ ❲② ❲ ❲ ✺ ✻ ✻ ✸ ✼ ✼ ✺ ❲ ✺ ✷
Vc. ✽ ✽ ✰ ✹ ✷ ✹
♣♣ ♣ ♠❢ ♣♣
❉ ✯ 3
❉ ✷
❹ ✸ ✺ ✵ ✻ ❘ ✺ ✺ ✻ ❲ ✻ ❲ ✻ ✸ ✺ ❲ ✻ ✲❲ ✷
Db. ❃ ✽ ❲
✲❲
✶ ✽ ✰
❲ ✵
✶ ✶ ✹ ✳❲
❲
✶ ✶✷ ✶✷ ❲ ✵ ✳❲ ✹
✶✷ ✸ ✷
♣♣
3
♠♣ ♣♣ ♠❢
✸ ♣ ♣♣ ♠♣
✸
♠❢
✸
51509ins.qxd 10/10/2002 12:39 Page 8
28
❂ 6 3 to Flute
✷ ❭✮ ✮ ✸ ✾ ✷ ✾ ✸
A. Fl. ✿ ✹ ✲❲ ✲ ❳ ✴❲ ➐✴ ❲ ✴❲ ✽ ✹ ✹
✲ ★❲ ★❲ ★❲
✲❲
✪ ★❲
✶
✸ 3
❢❢ 3
✷ ✾ ✸ ✾ ✷ ✾ ✸
Ob. ✿ ✹ ✽ ✹ ✹
▲ ✷ 3 3 ✶✸
✯ ✲❲ ❲ ❲
❳ ❳ ✳❲ ❳ ❳ ✳❲
✷ ✾ ✸ ✺ ✺
❁
❲ ✳❲ ❲ ✷ ❭✮
✮
❲ ✸
Bsst. Cl. ✿ ✹ ✽ ✱ ❲
✸
✹ ✰ ✿
✳ ★❳ ❲ ❲ ❲
❲
✶
✳❲ ✰ ✹
❢❢ 3 3 ❢❢
3 ♠❢ 3
❢
❁ ✷ ✾ ✸ ✾ ✷ ✾ ✸
Bass Cl. ❃ ✹ ✽ ✹ ✹
✸✶ ✷
❂
❁ ✷ ✾ ✸ ✻ ✻ ❲ ❲ ❲ ✷ ✼
✳❲
✻ ✸
Hn. ✹ ✽ ✱ ✹ ✰ ✹
3
♣♣ ♠❢ ♣
3
✷ ✾ ✸ ✻ ✻ ✯ ✷ ✼ ✮ ✻ ✸
Tpt. ✿ ✹ ✽ ✹ ✹
✲ ★❲ ★❲ ★❲ ★❲
✷
✶
✸ ♣
♣♣ ♠❢
3 ✶✸
✷
❁ ✷ ✾ ✸ ✻ ✻
✳❲ ❲ ❲ ✷ ✼ ❲ ✻ ✸
Tbn. ❃ ✹ ✽ ✱ ✹ ✰
✹
♣♣ ♠❢ ♣
Cym.
3 5 3 3 5
❂ ◆ ➔ ➔ ➔ ➔✯ ◆ ➔ ➔ ➔ ➔ ◆
r ✷ ✻ ✺ ✺ ✺ ✸ ✺ ✻ ✺ ✷ ✻ ✺ ✺ ✻ ✺ ✸
✹ ❲ ❲ ❲ ❲ ✽ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ✹
✺
Perc.
✸✶
Mar. ★❲ ✶✸ ✶✸
✳❲ ❲ ❲ ✳❲
✷ ✼ ✻ ✻ ✺
❲ ✸ ✾
❁
✷ ✺ ✳❲ ✻ ✻ ✻ ✺ ✸
❃
✿ ✹ ✱ ✽ ✹ ✱
✿ ✱ ✹
s❢z
3 3
❢ ❢❢
ß
✸✷ ◆
✷ ✳ ✪❨ ( ✳ ❈❲ )
✳ ★❲ ✵ ★❲ ★❲
❂ ✳ ❲
✷ ✾ ✸ ✻ ✰ ✷ ✼ ✻ ✻ ✸
Vln. I ✿ ✹ ✽ ✹ ✰ ✹
3
♣♣ ❢❢ ♣♣
3
♣♣♣
✸✷ 3 ✮
✷
❲ ✵ ✲❲ ❲
✷ ✾ ✸ ✻ ✷ ✼ ✻ ✻ ❨ ✸
Vln. II ✿ ✹ ✽ ✰ ✹ ❲ ✹
♣♣
3
❢❢ ♣♣ ♣♣♣
✷ II ◆
ord. ❲ ✵ ✷✸ 3 ✮ ❈❲
û
❲ ❲
❀ ✷ ✾ ✸ ✻ ✷ ✼ ✻ ✻ ❨ ✸
Vla. ✹ ✿
✽ ✰ ✹ ✹
♣♣
3 ♣♣♣
❢❢ ♣♣
✷ ✷✸
❁ ✷ ✸ ✲❲ ✵ ❲ ❲ ✷ ✸
✾ ✻ ✾
Vc. ✹ ✿
✽ ✰ ✹ ✹
3
♣♣ ❢❢ ♣♣
✯ ✮ 3
❹ ✷ ✺ ✻ ❲ ✻ ✸ ✲❲ ✻ ✺
✯
✷ ✼ ❲ ✸
Db. ❃ ✹ ❲
✶ ✶✷ ✽ ✶✷ ❲ ✳❲ ✹ ❲ ✵
✶ ✶✷ ✹
♣ ♣♣ ♠♣
✸ ✷ ✸
♣ ♣♣
♠❢
51509ins.qxd 10/10/2002 12:39 Page 9
31
❂
✸ ✾ ✷ ✼ ✻
✮
✺ ✯
✺ ✻ ✻
Fl. ✿ ✹ ✹ ❲ ✽ ❲ ❲
♣♣
★❲ ★❲
✸ ✾ ✷ ✾ ✺ ✻
Ob. ✿ ✹ ✹ ✽
♣♣ espr. ♣♣♣
3
✸ ✾ ✷ ✮ ✺ ❲ ✲❲
Bsst. Cl. ✿ ✹ ✹ ✬ ✪
✽ ✪ ✪ ✲❲
✶
✴❲
❲
✶
❲ ❲ ❲ ✲ ★❲ ★❲ ✶ ✸
✸
❲ ✵ ✷ 3 3 3
♣♣ ♠❢ ❢❢
3 5 ❭ ✯ ✶✸
3 3 3 ❭ ✶✸ 3✯ ✲❲
❁ ✸ ✻ ❲ ✳❲ ✴❲ ✺ ✻ ✻ ✮ ✺ ✻ ✷❳ ✳ ❳ ❲ ✻
✯
❲ ✺ ✺ ❳ ❳ ✳ ❳ ❲ ✺ ✺ ✺ ✻ ✻
Bass Cl. ❃ ✹ ✸
❲ ✳❲ ✴❲
✶ ✪
❲
✶
❲
✶ ✹ ✶ ❲ ✳❲ ★❲
✲❲
✶
✶ ✽ ✳
✰ ❲
✶
✱
✳❲ ✸ ✶ ✶
♠♣
✶
✸ ♠❢ ♠♣
✶✷
❢ ( ) ❢❢
♠♣
❂ ✷
❲ ❲ ❲ ✵
❁ ✸ ✾ ✷ ✲❲ ✵
✺
Hn. ✹ ✹ ✰ ✽
♣♣
✸
❲ ✵ ❲ ✵ ❲
✸ ✼ ✻ ✷ ✺ ✾
Tpt. ✿ ✹ ✹ ✰ ✽
♠❢♣ poco
✷
❁ ✸ ✾ ✷ ✴❲ ✵
✳❲ ✺ ❲ ❲ ✵
Tbn. ❃ ✹ ✹ ✰
✽
♣♣
5 3
➔ ◆ ➔ ➔ ➔ ➔✯ ➔❉ ◆❉ ➔❉ ➔✯ ◆✯
❂ ➔ ➔ ➔ ➔ ◆ ➔ ➔ ➔ ➔
r ✸ ✺ ✺ ✺ ✺ ✺ ✷ ✺ ❘ ❘ ✺ ✺ ✺ ✵ ✺ ❘
✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ✽ ❲ ❲ ❲ ❲ ❲ ❲ ✵
Perc.
❲ ✵ ❲ ✵ ❲ ✶✸
✸ ✼ ✻ ③ ✷ ③ ❪ ❁
✺ ✼ ✺
✳❲ ❲
✻ ✻
❃
✿ ✹ ✹ ✰ ✽ ✱
♣♣ sempre poco ❢
✶
★❲
✸ ✾ ✷ ✾ ✺ ✱ ✺ ✻ ✼ ✵
✿ ✹ ✹ ✽
♣♣♣
Pno.
❁ ✸ ✾ ✷ ✾ ✺ ✾
✹ ✹ ✽
➠ ✳ ✪❨ ✵
)✳ ✪❨ ✪❨ ✪❨
❂ ✳ ❲ ✳ ❲ ✵ ❲ ❲ 3
✸( ✺ ✷ ✺ ✻ ✼ ✺ ✻ ✼ ✵
Vln. I ✿ ✹ ✰ ✹ ✱ ✽ ✪❨
♣♣♣ ✳
✳ ✪❨
❲ ❲
✶
✷
➠ ✮ ✯ ♣♣♣
✸ ❨ ✺ ❨ ✵ ❨ ✷ ❨ ✺ ✻ ✼ ✺ ✯
✺ ✼ ✵
Vln. II ✿ ✹ ❲
❲ ✵ ❲ ✹ ❲ ✽ ✴ ✪❨ ✪❨ ✪❨
♣♣♣ ✴ ❲
✷
❲ ❲
◆
♣♣♣
➠ III 3 ✮ ✮
❈❲ û
✮ ✯
✸ ❨ ✺ ✷ ✺ ✻ ✼ ❀ ✺ ❨
❨ ❨ ❨ ❨
Vla. ✿ ✹ ❨ ✵ ❨ ✹ ❨ ✽ ✳❲
✷
❲ ❲ ❲ ❲
♣♣♣ ♣♣♣ ♣♣♣ espr.

sul tasto
✸ ✾
❁
✷ ✼ ✻ ✮ ✺ ✯ ✺ ✻ ✻
Vc. ✿ ✹ ✹ ★❲
✽ ★❲ ★❲
✷
♣
✸✷ 3 3 ❉ ✯ ❉
✶
❹ ✸ ✻ ✻ ✺ ✲❲ ✻ ✻ ❲ ✷ ✻ ✲❲ ✵ ✺
✯
❘ ✺ ✺ ✺ ❲ ✻ ✲❲ ✵
✷ ✺
✯
❘ ✺
Db. ❃ ✹ ✱ ❲ ✵ ✳❲
❲ ✵
✶ ✶✷ ✹ ✶✷ ❲ ✳❲
❲
✶✷ ✽ ✶✷ ❲ ✳❲
❲
✶✷
✷ ✸ ✶ ✶ ✶
3
♠♣ ♠❢
✸
♣♣ ♠♣ ♣♣ ♣ ♠♣ ♠❢
✸
♣♣
51509ins.qxd 10/10/2002 12:39 Page 10
10
34
to Piccolo
❂ ✳❲ ✵ ❲ ✵ ❲ ✵ ✴❲ ❲ ✵ ▲
✺ ✸ ✲❲
✸ ❲
✺ ✻ ✼ ✼
Fl. ✿ ✰ ✽ ✹ ✱
♣♣♣ sempre ♠❢ ❢
✳❲ ✵ ❲ ✵ ❲ ✵ ✴❲ ❲ ✵ ▲
✺ ✸ ✲❲
✸ ❲
✺ ✻ ✼ ✼
Ob. ✿ ✰ ✽ ✹ ✱
♣♣♣ sempre ♠❢ ❢
✶
✳ ✭❲
✷✸
grazioso
✷✸ ★❲ ★❲
❳ ✳❲ ❲ ❲ ✵ ❲ ✵ ❲ ❲ ✵ ✲❲
✺
❳
✸ ✺ ✸ ✼ ✼
❁ ✷ ❲
✱ ✺ ✻
Bsst. Cl. ✿ ✱ ✰ ✽ ✱
✹ ✲❲
♠❢ ❢ ❢❢ 3
❭
3 ❢ ma dolce
✶✸ ✶✸
❁
✻ ✺ ✲ ❳ ❳ ✲❲ ✻ ✻ ✴❲ ❘ ✻ ✸ ✻ ✻ ✺ ❲ ✸ ✾
❁
Bass Cl. ❃
✱
✲❲
✪
✽ ✿
✱
✹
✳ ❲
❢❢ ✶
✸ poco ❢
♠♣
✶✸ ✯
❂
❁ ❲ ❲ ❲
✼ ✵ ✸ ✻ ✻ ✺ ✸ ✾
Hn. ✽ ✿ ❲
✶
✹
s❢
✸
poco ❢
stem out ✷ ✶✷
✾ ✸ ✾ ✸ ✳❲
✷ ❲ ❲
✻ ✼
Tpt. ✿
✽ ✹ ✰
3
♣ ♠❢
✸✶ ✸✶
✷
✲ ★❲ ★❲
✶✸ ✷ ★❲
❁
✳ ❲ ❲ ❲ ✼ ✵ ✸ ✻ ✲❲
✶ ❲ ❀
✺ ✸ ✱ ✺ ✻ ✼ ✼
Tbn. ❃
➐
✽ ✱
✹
✱
3 ♣ ❢
s❢ 3
♠❢
Snare drum
Cym. switch on snares play
3 3 ➫ ➫
➔✮ ◆✮ ❚❚❚❚❚❚❚❚ ❚❚❚❚❚❚❚❚❚❚❚
❂ ➔ ➔ ➔ ➔
r ✺ ✺ ✻ ✺ ✻ ✸ ✺ ❲ ✸ ❲ ✵ ❲
✶
✻ ❲
✶
✺ ❲
✶
❘ ❲ ✵
❲ ❲ ❲ ✽ ❲ ❲ ❲
✶ ✱
✹ ✰ ✱ ✱
poco ❢ !sub.
✸
◆ ♣ ♣♣
Perc.
Mar. ✶✸
❁
✾ ✸ ✾ ✸ ✼ ✼ ✻ ✳❲ ❑ ❲
❃ ✽ ✿
✹ ❪
3
♣♣ ♠❢
♠❢
❂
✾ ✸ ✾ ✸ ✼
Vln. I ✿
✽ ✹ ❲ ❲ ❲ ❲
✲❲
✷ ✰
✶✷
3
♣ ♠❢
❢
♠❢
✾ ✸ ✾ ✸ ✼
Vln. II ✿
✽ ✹ ❲ ❲ ❲ ❲
✲❲
✰
✷ ✰
3 ✶✷
3
♣
♠❢ ❢
sul pont. ❖✯ pizz. 4: 3
❀ ✻ ✺ ✼ ✵ ✸ ✻ ✻
✮
✸ ✻ ✳❲ ✻
Vla.
✲ ❲★
❲ ✽ ✲❲ ✹ ❲
✶✷
❲ ✵ ✶
✲❲
✶ ✸ ✴ ★❲ ✵ ✶
✶
♠❢ ♣ ❢ ♠❢ ✷
✸
❢ ❢
sul pont. ❖✶ pizz.
✮ ✶ 3 ✮
❁
✻ ✺ ✲❲ ✼ ✵ ✸ ✺
✳❲
✻ ✸ ❲ ✵ ✻ ✻
Vc.
✱
✽ ❲
✶✷ ✰ ✹ ✴❲
✲❲
✶ ✶✷
✴❲
✶
❲
✶✷
✷
❢ poco ❢
✸
3
♠❢
✸ ♣
✶✸ 3 ✶
3
✶✷ ✲❲ ✶✷ ✲❲ 3 ✯ ✮
❹
✻ ❲
✷
✷ ✲❲
✶
✻ ✸ ✺ ✵ ❲ ✺ ✻ ✸ ✳❲ ✼ ✻ ✻
Db. ❃
❲ ✲❲ ✵
✽ ✱ ❲
✷
✹ ❲ ✵ ✶ ❲
✷
❋ ✸ ✸
3
poco ❢
3
♠♣ ❢❢ sempre
51509ins.qxd 10/10/2002 12:39 Page 11
11
37
❂
✾ ✾
Picc. ❺
3 5
✻ ✺ ✺ ❭✮ ✼
Ob. ✿ ❲
✳❲ ❲ ❲ ❲ ❳ ✶
★❲ ❲
✲ ★❲ ✵
✶
♣ ✸ ♣♣
❢
✶ 3 3
✳ ✪❲ ✪❲ ✴ ✪❲
★❲ ❲★ 3
3 ❭✮ ✸
❲ ✲❲ ✶ ✲❲ ❲
❁ ✲❲ ✷ ❲ ✳❲ ❳ ❲
✻ ✱ ✺ ✻ ❘ ✺ ✻ ✼ ✻ ✯ ✳
Bsst. Cl. ✷ ✲❲ ✿ ❲
❲ ❲ ✰
✱ ✲ ★❲
3 3
♣ 5
✸
❢ 5 ❢
♠❢
3 ✶ legato
✪❲ ✪❲ ✶
★❲ 3 ✮
❲ ✷ ❲ ❲
❁ ❲ ❲ ✵ ✲❲ ❲
❲ ✻ ✻ ✻ ✰ ✳❲ ✱ ✺ ❲ ❲
Bass Cl. ❃
✲❲
✪
✳ ❲
✷
♣ ❢ 5 ♠❢ ♣♣ ♣♣
♠❢
without mute 3 ✮
3 legato
❂ 3
❁
✲❲ ✻ ✮
Hn. ✿ ❲ ❲ ❲ ❲
✳❲ ✵ ✶ ✲❲ ✵ ❲ ❲
✲ ★❲ ★❲
♠❢
♠❢ ♣♣ ♣♣
✾ ✾
Tpt. ✿
legato
❀ ❲ ❲ ✴ ❲ ❲
❲ ❲ ✵ ➐
✼ ✼
Tbn. ❃ ✰
3
♣♣ ♠❢ ♠♣ ❢ ♣
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❂ ✶ ✶ ✶
r ❲ ✵ ❲ ✻ ❲ ✺ ❲ ❘ ❲ ✵ ❲ ✵ ❲ ❲ ❲ ❲
✰ ✱ ✱ ✰
♣ 3
♣♣ ♠❢ ♠♣ ❢ ♣♣
Perc.
❲ ❲
❁ ❲ ❲ ❲ ❲ ✵✵ ✳❲
❲
❲
❲ ❲ ❲
✼ ✼ ❪ ❪
✿ ③ ❫ ③ ③
❃
✰
3
♣ sonore ♠❢ ♣ ♣♣
❂
✾ ✾
Vln. I ✿
✾ ✾
Vln. II ✿
3 5 3 ✶
✮
✶✷ ✷ ★❲
✯
❲ ❲
❀ ✻ ❲ ✳❲ ✵ ✺ ❲ ✺ ✺ ✳❲ ✶ ✺ ✺ ✴❲
✶ ❲
Vla. ❲ ❲ ✶ ❲ ✲❲
✶✷ ✷ ✸ ✶ ✶ ✶ ✲❲ ✵
✴ ★❲ ✳ ★❲ ✸ ✸ ✷ ✸
✶ ✶
♠❢ ❢ cresc. 7: 8
5 ✷ ✸✶ ✸✶ ✸✶
3 ✶ ✶✸
➐✴ ❲ ✶✸ ✲❲ ✲❲ ✶✸ ❲ ❲ ✳❲
❁ ✳❲ ✵ ✴ ❲ ✲❲
✶ ❲ ❀ ✳❲
✺ ➐ ✻ ❲ ✻ ✻ ✺
Vc. ✲❲ ✵ ✴❲ ✵ ✶
✶ ✴❲ ✶✷ ✷ ✶
✸ ✶ ✸ ✸
5 3 5
♠❢
cresc.
3
❹ á
✳❲ ✻ ✼ ✺ ✳❲ ✼ ✼
Db. ❃ ❲ ✶ ❲ ✶ ❲
✷ ✷
✸ ✸
❢❢❢
51509ins.qxd 10/10/2002 12:39 Page 12
12
39 7
C Dolcissimo sempre ✰ = 60-66
✷✶ ✶ ✷✶
❂
Picc. ✾ ✸ ✻ ✻ ✺ ❲ ❲ ✸ ✳❲ ❲ ❲ ❲ ✺ ✻ ✼
❺
✽ ❲
✹ ✱
3
♠❢ ❢ ♣ ✳ ✪❲
➔
❲✪
◆
❲✪
➔
✪❲
◆
✪❲
➔
3
Ob. ✻ ✼ ✸ ✾ ✸ ✼ ✻ ✻ ✵
✿
❲ ✲❲ ❲ ❲ ✽ ✹
✶✷
✸ 5 5
♠♣ ♣♣
3 ✮❭
✶ grazioso ✳ ✪❲
✶
✷ 3 ✲ ★❳ ✴ ★❲
✴❲ ✴ ★❲ ✴ ★❲
✲ ❲ ✵ ✃ ✴❲ ✲❲ ❲ ✲❲ ❲
Bsst. Cl.
➐
✻ ❲
❲
✼
❁
✸ ✻ ✷ ✲❲ ❲ ❲
✸ ✱ ✺ ✻ ✼ ✼
✿
❲ ✽ ✲❲ ✿
❲ ❲ ✳❲ ✳❲
✹
✲ ★❲
❢❢ ❢ ✷ 3 legg.
❢ ma dolce 14
3
Bass Cl.
❁
❲ ✲❲ ❲ ❲ ✻ ✼ ✸ ✾ ✸ ✾
❃ ✶✷ ✽ ✹
✸
♠♣
❂
Hn.
❁ 3 ✻ ✼ ✸ ✾ ✸ ✾
★❲ ✬ ✬ ✬
✽ ✹
✲
➐
✴ ❲ ❲ ❲
✶✷
✸
♠♣
➔ ✸ ◆
Tpt. ✻ ✮ 3 ✻ ✼ ✸ ✾ ✸ ✾
✿
✽ ✹
✲ ★❲ ★❲ ★❲
✶✷
✸
♣♣ ♠♣
✸ ◆
➔ ✷✸✶
Tbn.
❀
✻ ➐
✴ ❲ ❲ ❲ ✻ ✼ ✸ ✾ ✸ ✾
❃
✰
✽ ✹
3
♣♣ ♠♣
Cym.
strike, then gradually depress foot
SD ◆ ✸ ➔ Cow bell Triangle
❭✮ ✶
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ W.bl. ✶ SD snares off Guiro
◆✯ ✸ ❳ ❲ ➜
❂ ✶ ❲ ✶
r ❲ ❲ ❲ ❲ ✺ ✸ ✻ ✸ ✻ ❲ ✼ ✻
❲ ❲ ❑ ❲
✶
✽ ✹ ❲ ❲
✸ ✶
3 ♠❢ 3 ✸
♣ ♠❢ ) (♠❢) ♣♣♣ ♣♣
♠❢ ❢ (
Perc.
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❲ Flexatone (dampened) Small Wood chimes (blow) ❲
❪
❁ ❲
❪ ✻ ✼ ✲❲ ✸ ✾ r ✸ ✼ ✼
❃
❻
✲❲ ❑ ✶ ✽ ✹
✰
♣
✸
♣♣♣
♣♣ ♣
✷✶ ✯
✲ ★❲
❲
✾ ✸ ✾ ✸ ❲ ✻ ✻ ✵ ✲
✲❲
❲ ✼
✿
✽ ✹ ✰
❲
✷
♣
Pno. ♠♣✮ ✷
✲❲
❁
✾ ✸ ✾ ✸ ❲ ✻ ✻ ✵ ❲ ✼
✽ ✹ ✲
✲❲
❲★
✴❲
✶✷ ✱
una corda sempre
✸ ✸ ▼
✸ ✸ ✲ ❇❲ ✸✶
✸ ✲ ✭❲ ✲ ❲✭ ✴ ❲✭
pizz. ✸ ✲ ✬❲ ✬❲ pizz. ✬❲
✸ ✸ ✸ ✪❲ ✲ ❲
❂ ✸ ✸ ✸ ✸ ❲ ★❲ ✲ ★❲ arco ✯
✲❲ ✴❲
Vln. I ✲❲ ✵ ✺ ❲ ✺ ❘ ✸ ✻ ✻ ✺
✯ ✸ ✺ ✻ ✼ ✺ ✱ ✻
✿
✽ ✳ ✪❨
✹ ✳
✳❨
❲★
3 5 ♣
✳ ❲
5 ▼
❢❢ ✸ ✸ ✸ ✸
✭❲
✸ ❲✭
✸ ✲ ❇❲
♣ ✸✶
✸ ✲ ✪❲ ✴ ✪❲ ✸ ✲ ✬❲ ✬❲ pizz.
pizz.✸ ✸
✲ ★❲ ✵ ✴ ★❲ arco ➐
✴ ✪❲
✸ ✯
✲❲ ✴❲
Vln. II ✺ ❲ ✵ ❘ ✺ ❘ ❘ ❘ ✸ ✻ ✻ ✺
✯ ✸ ✺ ✻ ✼ ✺ ✱ ✻
✿
✰ ✽ ✳ ✪❨
✹ ✳
✳❨
❲★
3 5 5 ✳ ❲ ♣
✸✶
❢❢ ✲ ✪❲ ♣ arco saltato
✶ ✶ ✶
✳❨ ❨ ❨
Vla. ❀ ✺ ✰ ✻ ✼ ✼ ✸ ✾ ✸ ✼ ✺ ✳ ❲ ❲ ❲ ✻ ✼
✽ ✹
3
❢❢ 6
✶✸
♣♣♣ ◆
✲ ✪❲ (pizz.) arco I ( ✳ ❈ ❲ )
✮
Vc.
❀
✱ ✺ ✻ ✼ ✼ ✸ ✾
❁
✸ ✼ ✺
✽ ✹ ✲ ★❲ ✵
❲
✿ ✳❨ ✵
✶
❢❢ ✷
♣♣♣
(tune string IV ♣♣
✷ ✷✸✶ ✮
arco ✳❲ ❲ ❲ IV pizz.
✯ down to E❜) ✷ ✯
Db.
á
✻ ✼
❹
✸ ✻ ✺
( ✲❲ ) ✸ ✮
✻ ✻ ✲❲ ✺ ✻
❃ ✽ ❲
✷
✹ ✲ ★❲
✲❲
♣ 3 ✸ ✶
✰ ✶
♠❢ ♠❢ ♣♣
51509ins.qxd 10/10/2002 12:39 Page 13
13
42
❂
✾ ✹ ✳❲ ❲ ✺ ✻ ✽ ✸ ✻ ✳❲ ❲ ✺ ✻ ✼
Picc. ❺
✹ ✱
✹ ✱
♣♣♣ 3
✳ ✪❲
➔
❲✪
◆
❲✪
➔
❲✪
◆
✪❲
♣♣♣
✾ ✹ ✼ ✺ ✰ ✻ ✼ ✸ ✾
Ob. ✿
✹ ✹
5
♣♣ ♣♣♣
✷
✳ ✪❲ ✪❲ ❲✪ ❲✪ ✪❲
✾ ✹ ✼ ✻ ✻ ✰ ✻ ✸ ✾
Bsst. Cl. ✿
✹ ✹
3 3
♣ ♣♣♣
❁
✾ ✹ ✾ ✸ ✾
Bass Cl. ❃ ✹ ✹
❂
❁
✾ ✹ ✾ ✸ ✾
Hn. ✹ ✹
✾ ✹ ✾ ✸ ✾
Tpt. ✿
✹ ✹
❀
✾ ✹ ✾ ✸ ✾
Tbn. ❃ ✹ ✹
✶ ❭✮
✶
❂ ➜ ❳ ❲ 3
r ✼ ✻
✮
✻ ❲
✶
✹ ✽ ✻ ✻ ✼ ✸ ✻ ✻
✮ ✯
✺ ✻ ✻ ❲
✶
❲ ✹ ✰
✹ ❲ ❲ ✰
♣♣ ♠♣ ♣♣♣
3
♣♣
3
♣♣
✶
✸ ♣♣♣
Perc. ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ✶✷
◆ Mar. ✲ ✪❲
ø ✦ ✵ loco
✹ ✾ ✸ ✼ ✰ ✻ ✼
❃
❻
✻ ✲❲ ✼ ✼ ✹ ✿
✹
Crotale
♣
✰
♣♣♣
✷✶ ✯ ✷✶ 5 ✯ ✷✶ 3 ✮ ✷✶
✲ ★❲ ✲ ★❲ ✯ ✲ ★❲ ✲ ★❲
❲ ❲ ❲ ❲
❲ ✻ ✻ ✵ ✲
✲❲
❲ ✼ ✹ ❲ ✻ ✼ ✲
✲❲
❲ ✻ ✵ ✲❲ ✼ ✸ ❲ ✻ ✻ ✻ ✲
✲❲
❲ ✻ ✵ ❲
✿
✰
❲
✷
✹ ✰
❲
✷ ✴❲
❲
✹ ✰
❲
✷ ✱
✶
Pno. ♠♣ ♣ ♠♣ ♣ ✶
♠♣ ♣ ♠♣
✮ ✷ ✮ ✷ ✴ ★❲ ✮ ✷ ✯
✲❲ ✲❲ ✲❲
❁
❲ ✻ ✻ ✵ ✼ ✹ ❲ ✻ ✼ ✻ ✵ ✴ ❲ ✼ ✸ ❲ ✻ ✻ ✻ ✻ ✵ ❲
✲
✲❲
❲★
✴❲
❲
✹ ✲
✲❲
❲★
✴❲
❲ ✳ ❲
✹ ✲
✲❲
❲★
✴❲
❲
✲
✲❲
❲★
✶✷ ✶✷ ✱ ✶✷ ✶✷
✱ ✱ ✰
5 3
arco
✷✶
❈❲
◆ ß◆ ✷✶
✲ ✬❨ ✵ ✷ û
✷ ❈❲ ✲ ✬❨ ✬❨ ✬❨ ✷
✪❨ ✪❨ û ✪❨ ✪❨
✲ ❲ ✵ II ✶✷ I ★❨ ★❨ ★❨ ✲ ❲ ❲ ❲
❂ ❲ ❲ ❲ ❲
✻ ✵
❨
✹ ❨
✻ ✻ ✻ ✺ ✸ ✺
Vln. I ✿
✱ ✹ ✰ ✰ ✱
✹ ✱
♣♣ ♣♣
3
♣♣♣ 3 ♣♣ 3
◆
✳ ❲
arco
✷
◆ III ( ❈ ) 3 ✯ ✯ 3
✶ ✷ ❲ 3 ✷
❨ ✵ ✲❨ ❨
✻ ✵
û
✯ ✹ ❨
✷
❨ ❨ ✻ ✻ ✻ ✺ ❨ ✸ ❨ ❨ ✺
✲❨ ❨
Vln. II ✿ ❲ ✵ ✲ ❲ ❲
★❨
✹ ★❨ ✰ ✰
❲
✶✷ ✹ ❲ ❲ ✲ ❲ ❲
♣♣
✶✷
♣♣♣ ♣♣
♣♣ quasi con sord. ✳ ✪❲ ✪❲
✶ ✶ ✶ ✶ ✶ ✶ molto espr.
❀ ✼ ✳
✳❨
❲
❨
❲
❨
❲ ✻ ✼ ✹ ✺ ✳
✳❨
❲
❨
❲
❨
❲ ✺ ✼ ✽ ✸ ✼ ✻ ✰
Vla. ✹ ✿
✹
3 5
♣♣
♣♣♣ ♣♣♣
arco ✷ pizz.
pizz. ✳ ❨✪
✯ 3 3
✺ ✼ ✹ ✺ ✻
❁ ✮
✼ ✻ ✮ ✸ ✼ ✻ ✻
Vc. ✿
➐
✳ ❨ ❨
✶
✳❨
✷
✹ ❨
✳❲ ✪ ✪
✹ ✳❲ ✵ ✪
♠❢ ♣♣♣ ✷ ❲
✶
✳ ❲
✶
♣♣
3 ✳ ❲
✶
♣ ♣♣♣ ♣♣♣
(lift
fingers) 3 ✮ ✶
❹
✼ ✲❲ ✻ ✹ ✲❲
✶
✻ ✼ ✻ ✸ ❲
✻ ✼
Db. ❃
✷
✲ ★❲ ➐
✴ ❲
✷
✹ ✰
❲
✷
✳❲
✶ ✹ ✲ ★❲
( )
♣♣♣ ✶
♣♣ ♣
✷
✸ 3
♠♣
51509ins.qxd 10/10/2002 12:39 Page 14
14
45 3 ✶ 3
★❲ ✵ ★❲ ★❲ ✳❲ ★❲ ✲ ❲★
❂
✼ ✺ ✻ ✻ ✼ ✼ ✹ ✾
Picc. ❺ ✰
3 ✹
♣♣♣ ♣ 3
3 3 3
➔ ◆ ➔ ✶
✬❲
✪❲ ✪❲ ✪❲ ✪❲ ✪❲ ✪❲ ✪❲ ✪❲ ✪❲
✻ ✱ ✰ ✻ ✻ ✼ ✼ ✹ ✾
Ob. ✿
3 3 3 3 ✹
♣♣ ♣
3 3
★❲ ✶
❲ ❲ ❲ ❲ ❲
✼ ✻ ✻ ✼ ✼ ✹ ✾
❁
Bsst. Cl. ✿
✹
♣♣♣ ♣ 3 3
❁
✾ ✾ ✹ ✾
Bass Cl. ❃ ✹
❂
❁
✾ ✼ ✹
Hn. ✿
✦ ✹ ❲ ✦ ✵
♣ maestoso
✾ ✾ ✹ ✾
Tpt. ✿
✹
without mute
❀
✾ ✼
✦
✹ ❲
Tbn. ❃ ✹ ✦ ✵
♣ maestoso
Guiro
3
Tri. ✶
W.bl. ✸ 3
❂
r ✼ ✺ ✼ ✻
❲
✼ ✼ ✹ ✽ ✼ ✻ ✻
✮
❲ ❲ ✰ ✹ ❲
♠♣ ✶
✸ ♣ ♣♣
Perc. ♣♣ Shell chimes (blow)
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❾
Bell Tree * ★❲ ★✦ ✵
✾ ✼ ✰ ✻ ✼ ✹ ✻
✹
r ✰
✿ ✿
❃
♣♣♣ ♣♣♣ ◆
* If no bell tree, quick light gliss. with triangle

beater over four highest “white note” crotales
5
✷ ✯ ✶✷
✯ ✲ ★❲ ✯ ✲ ★❲
✷ ❲ ❲
✻ ✲❲ ✺ ✼ ✲
✲❲
❲ ✻ ✵ ❲ ✼ ✼ ✲
✲❲
❲ ✺ ✻ ✹ ✺ ✲❲ ✻ ✻ ✻ ❲ ✽
✿ ❲
❲
❲ ❲
✷
✹ ❲
❲ ✰
✶ ✶
♣♣ ♣ 5 ♣ ♣♣
3
♠♣
Pno.
✶ 5 ✶ 3 ✮
✴ ★❲ ✷ ✴ ★❲
✲❲ ✲❲
❁
✻ ✴ ❲ ✺ ✼ ✻ ✵ ❲ ✼ ✼ ✺ ✻ ✹ ✺ ❲ ✻ ✻ ✻ ❲ ✽
✳ ❲
✴❲
❲
✷ ✲
✲❲
❲★
✴❲
❲
✹ ✳ ❲
✲
✲❲
❲★
✱ ✷ ✱ ✶✷
✱
5
✷ ✶✷
✪❨ legato ✳ ✪❨ ✪❨ ✪❨ ✵ ✪❨ ✪❨ pizz. ✴ ✪❲
II ✷ ❲ ✵ I ★❨ ★❨
❂ ❲ ✳ ❲ ❲ ❲ ❲
✺
❨ ❨ ✵
✺ ✼ ✼ ✻ ✻ ✹ ✻ ✰ ✼
Vln. I ✿ ✱
✰ ✰
✰ ✹
♣♣♣ 3 3 ♠♣
♠♣ ✷
✳ ✪❨ ✪❨ ✪❨ ✵ ✪❨ ✪❨ pizz. ✶✷
legato ❲ ✵ I ★❨ ★❨ ★❲
✳ ❲ ❲ ❲ ❲
✲ )❲❨
✺
✮ ✮
✺ ✼ ✼ ✻ ✻ ✹ ✻ ✼
Vln. II ✿ ( ✲
★❨ ✵
✰ ✹ ✰
✱
★❨
✷ 3 3 ♠♣
♣♣♣ ◆
♠♣
◆ ❈❲
✳❈❲ )
✪❲ ✵ ◆
◆ ❲❈
pizz. ✶✷
✰ ✺ ✼ ✼ ✼ ( ❈❲ ❨
❨ ❨
❨ ❨
❨ ❨
❨ ✹ ❨
❨ ❨
❨ ❨
❨
✻ ✻
❲
✼
Vla. ✿
✹ ✰
♠♣ ❨
❨ ★❨ ✬
❨
✬
❨
★❨ ★❨ ✬
❨ ✴ ❨
✬ ★❨ ★❨
❨
✬ ✬
❨
★❨
♠♣
♣♣
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
arco ✲ ✦★ ( ❈❲ ) ❲★ ❲★
pizz.
✮
✮
❁
✼ ✺ ✮ ✻ ✼ ✹ ✰ ✻ ✻
❁
✼
Vc. ❲ ✵
✿
✹ ✲❲
✷
✸ ✴ ❲
✪
✶
♣♣♣ ❲★
✶✷
♠♣ ♠♣
IV ✷✸ ✮
❹
✼ ✺ ✲❲ ✵
✮
✻ ✾ ✹ ✽ ✻
Db. ❃
✰ ✲ ★❲
✹ ❲
✷
❲
✸
♠♣ ✶
♠♣
51509ins.qxd 10/10/2002 12:39 Page 15
15
48 ✪✦ ✵
❂
✻ ✵ ✳❲
✷
❲ ✺ ✻ ✽ ✸ ✾ ✹ ✼ ✸
Picc. ❺
✹ ✹ ✹
♣♣♣
✱ ✱
♣♣♣ ♣♣
3
➔ ◆ ➔ ◆ ➔ ◆
❲✪ ✦✪ ✬✦ ✵
✳ ✪❲ ❲✪ ✪❲ ✪❲ ✪❲ ✪❲
legato
✼ ✽ ✸ ✻ ✰ ✹ ✼ ✸
Ob. ✿
3 3 3 ✹ ✹ ✹
♣♣ ♣♣ dolciss. ♣♣♣ ♣♣
legato ➐
✴ ★❲ ★❲ ★❲
❲
3 ✲ ★❲ ★✦
❁
✻ ✻
❲
❲ ✲❲ ❲ ✸ ✺ ✼ ✼ ✹ ✻ ✼ ✸
Bsst. Cl. ✰ ❲
❲
✷
✹ ❲
❲
✶✷
✿
✹ ✹
3 ◆ ♣♣ ♠❢ 3 ♣♣♣
3
♣♣♣
poch.
3
3 ♣
legato 3
✮
❁
✻ ✻ ❲ ❲ ❲ ✲❲ ❲ ✸ ✺ ✼ ✼ ✹ ✻ ❲ ❲ ❲ ✸
Bass Cl. ❃ ✰
❲
❲ ❲
✴ ★❲ ✲ ★❲
✹ ❲★
✿
✹ ✰
✲❲ ❲ ✹
3 ✲ ★❲
3 ◆ ♣♣ ♠❢ 3
♣
✷ ✶✷
♣♣ ♠❢ ♣
♣♣♣
➔✯
❂ ◆
✯
✺ ✻
❁
✻ ✺ ✸ ✻ ✯
✺ ✼ ✼ ✹ ✾ ✸
Hn. ✿
★✦ ★❲
❲
✶ ✹ ✴ ★❲
✹ ✿
✹
✸ ➐
♣ ♣♣♣
✶✷
3 ✶ ❲ ✦
✽ ✼ ✻ ✻ ✸ ✲❲
✻ ✻ ✼ ✼ ✹ ✻ ✼ ✸
Tpt. ✿ ❲ ✳❲ ❲
✷ ✹ ❲
✹ ✹
♠❢ 3 3
♣♣♣
poch.
✲ ✪❲
✯
❀
✺ ✻ ✼ ✸ ✾ ✹ ✽ ✼ ✻ ✰ ✸
Tbn. ❃ ✦ ❲ ✹ ✹ ✹
♣♣
✶ Cym. ✶ ❭✮
3 SD C. bell ✶
➜ ◆ ➔ ➔✯ ➜ ❳ ❲
❂
r ✻ ✼ ✼ ✺ ✸ ✺ ✺ ✻
✮
✺ ❲
✶
✻ ✹ ✼ ✻ ✼ ✻ ❲
✶
✻ ✸
✰
❲ ❲ ✹ ❲
❲
✰
✹ ✰
✹
♠♣ ♣♣ ♣♣ ♠♣ 3
✰
♣ 3
✰
♣♣ ♣♣
Perc. W. ch.
Mar. ✳ ❲✪ ✪❲ ❲✪ ✬❲
✼ ♣♣♣ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
◆
❫ ø✦ ✵
③ ③
✻ ✵ ✱ ✼ ✸ ✼ ✼ ✻ ✵ ➐
✴ ❲ ✹ ❲ ❲ ❲ ✲❲ ❲ ✸
❃
✿ ✱
✹ ❫
✹ ❪ ❪ ❪
✼ ✻ ✻
❪ ③ ✹
✱
♣♣♣ 5 ✷ ✰
♣♣♣ ♠❢
3 3
♣ ♠❢
✶ ✷ ✷✶
✲ ❲★ ✲ ★❲ ✲ ★❲
❲ ❲ ❲
✼
❲
✻ ✵ ❲ ✽ ✸ ✾ ✹ ✻ ❲ ✻ ✼ ✽ ✸
✿
✹ ✹ ✰
✹
5 3
Pno. ♣♣♣ ♠♣ ♣♣♣
5 3✮
❁
✼ ✻ ✵ ❲ ✽ ✸ ✾ ✹ ✻ ❲ ✻ ✼ ✽ ✸
✴
✴❲
❲✪ ✲
✲❲
❲★
✹ ✹ ✲
✲❲
❲★
✹
✳❲ ✷ ✶✷
✶
3 ✪❨
❂
arco 0✮
❲
✽ ✼ ✻ ✻ ✸ ✲❲ ❲ ❲ ✹ ❲
✷
✼ ✼ ✻ ✸
Vln. I ✿ ❲ ❲
✹ ❲ ❲ ❲ ✵
✹ ✰ ✹
✰ ✰
♣♣ ♣♣♣ ♣♣
sub. 3
poco ❢ ♣ ◆
✲ ✪✦ ❈❲
✲ ❲★ ✦★ II û
arco II ✲ ✦
✾ ✸ ✻ ✰ ✹ ✼ ✻
❨
✸
Vln. II ✿
✹ ✹ ✰ ✹
♣♣♣ dolciss. ♣ ♣♣♣ ♣♣
nat. III
arco sul pont. dolciss. ✲ ★❲ ★❲ ❲★
❖ ❲ ❲ ✵
✽ ✼ ✻
✯
✺ ✸ ✻ ✹ ✼ ✽ ✸
✹ ✹ ✹
❀
Vla. ✿ ✰ ✿
❲
✶ ♣♣♣ ♣♣ ♣♣♣
♠❢ (s❢)
arco sul pont. nat. II ✲ ❲★ ✧✩
✶❖ ◆
❁
✽ ✼ ✻
✳❲
✺ ✸ ✻
❲
û ✮ ✼ ✼ ✱ ✹ ✸
Vc.
✱ ✹ ✿
✪
✹ ✹
♠❢ (s❢) ❨
✶✷
5
♣♣♣ ♣♣
♣♣
3 (retune IV to E➜) 3 ▲ 5 ✯ ✳❲
◆
❲ ❲
❲
❹
✻ ✼ ✼ ✻ ✳❲ ✸ ✺ ✻ ✼ ✼ ✹ ✻ ✻ ✼ ✸
Db. ❃
❲ ✵
✶ ✶ ✹ ✱ ✲❲
✷
q
✹ ✰
✹
✳ ★❲
✶ ♠❢
✸
❢ ♣♣
✸
♣♣ ♠❢
3
♣♣
51509ins.qxd 10/10/2002 12:39 Page 16
16
51 D
❂
to Flute
✸ ✼ ✻ ✵ ✲❲
✶
❲
✶
✼ ✺ ✾ ✷ ✾ ✸ ✾
Picc. ❺
✹ ✽ ✹ ✹
5
♣♣♣ ➔ ◆ ➔ ◆ ✲ ✬❲ ✵ ✬❲
✲ ❲★ ❲★ ❲★ ❲★
✸ ✼ ✼ ✻ ✺ ✾ ✷ ✻ ✸ ✱ ✺ ✻ ✼ ✼
Ob. ✿
✹ ✽ ✹ ✹
6 ♣♣♣ espr. ♣♣♣
♣♣♣
✲ ✬❲ ✬❲
✲ ❲★ ❲★ ✲ ✪❲ ✵ ✲ ✪❲
✸ ✼ ✼ ✻ ✰ ✺ ✼ ✵ ✷ ✾ ✸ ✼ ✻ ✰
Bsst. Cl. ✿
✹ ✽ 5 ✹ ✹
♣♣♣ ✶✶
✶✶ ♣♣♣ ♣♣
3 3
✸ ✼ ✼ ✺ ✾ ✷ ✾
❁
✸ ✮
✼ ✻
Bass Cl. ❃
✿
✹ ✲
➐ ❲ ✲❲ ✽ ✹ ✹ ✪ ★❲
✲❲
✶ ✲ ★❲
✷ ❲ ✸
✶ ✶
❢ ✸
poco ❢
➔ ◆✮
❂
✸ ✻
✮ ✺ ✾
❁
✷ ✼ ✻ ✸ ✦
Hn. ✿
✹ ✳ ★❲ ★✦
✽ ✹ ❲ ✹ ❲
✷ ♣♣ maestoso
♠❢ (dolce) ♣♣
✸ ✾ ✺ ✾ ✷ ✾ ✸ ✾
Tpt. ✿
✹ ✽ ✹ ✹
✲ ✷
✪❲
➐ ★❲ ★✦ ✮
❀
✸ ✺ ✾
❁
✷ ✼ ✻ ✸
Tbn. ❃ ✹ ✽ ✹ ✳❲
✹ ❲ ✴✦
♠❢ (dolce) ♣♣ ♣♣ maestoso
Tri.
3 ✶ ✶ SD snares on
❚❚❚❚❚❚❚❚❚❚ ❚❚❚❚❚❚
❂ Guiro ➜ ➜
✮❭ ✮❭ ✮❭
r ✸ ✻
✮
✼ ✼ ✺ ✼ ✻ ✺ ✺ ✷ ✻ ✵ ✻ ❲ ✸ ❲
✶
✺ ✻ ❳ ❲
✶
✻ ❳ ❲
✶
✻ ❳ ❲
✶
❲
✹ ❲
✰
✽ ❲ ❲ ✹ ✱
✰
✹ ✱
♣♣ ♠♣
✶
✸ ♣ ♣♣♣ ♣♣ ♣♣♣ 3
♣♣ 3
Perc. ✷
✲ ✬❲ ✬❲
Mar. ❪ Crot. loco Mar. ❫ ❪
✸ ✲
➐ ❲ ✺ ✼ ✼ ✺ ✾ ✷ ✮
✻ ✼ ✸ ✻ ✺ ✻ ✼
❃
✿
✹ ❲
✶ ✽ ❻
✹ ✲❲
✿
✹ ✱ ✰
❢
✶ ♣♣
♣♣♣
✶
✲ ✬❲
✸ ✾ ✺ ✾ ✷ ✾ ✸ ✼ ✻ ✰ ✼
✿
✹ ✽ ✹ ✹
♣
Pno.
❁
✸ ✾ ✺ ✾ ✷ ✾ ✸ ✾
✹ ✽ ✹ ✹
tre corde ❬
✷✶
✲ ✬❲
pizz.
❲ 5 ✯
❂ ❨ ❨ ❨
✸ ✻ ✻ ✲❲ ❲ ❲ ✻ ✺ ✼ ✷ ✾ ✸ ✻ ✼ ✼
Vln. I ✿
✹ ✽ ✲
✲❨ ✵
❲ ✵ ✹ ✹ ✰
✲
✲❨
❲
✰ ✰
♣♣ ♣♣ ✷
3
♣♣♣
( ❈❲ )
◆
( ✳ ❈❲ )
◆ ß ✷✶ pizz.
(II) III II ( ✳ ❲❈ ◆ ) ✪❲
5
✳❨✵ ✯
✸ ✻ ✻
❨ ❨ ❨
✺ ❨ ✺ ❨ ✻ ✷ ✾ ✸ ✰ ✻ ✼ ✼
Vln. II ✿
✹ ✰ ✰ ✽ ✹ ✹ ❨
✱ ✰
♣♣ ✲ ★❲
3
♣♣♣ ♣ ♣♣
✷
✶✸ solo pizz.
◆
pizz. ✲ ❲★ arco ✷ ✶✷
❲ ❲ ❲ ❲ ❲ ❲ ❲ ( ❈❲ ✯ )
✸ ✻ ✱ ✺ ✼ ✻ ✳❲ ✺ ❲ ❲ ✷ ✻ ✼ ✸ ✻ ✼ ✼
✹ ✽ ✹ ✹
❀ ✲❲ ❲ ❲ ❀
Vla. ✿ ✿ ✰
❨
✿
♣ 3 3
♣♣ 5
✷
♣♣ ♣
▲ ◆ arco
✲ ( ✳ ❈❲ ) pizz. 5
➐ ★❲ ★❲ I ◆ ✮
✯
✮ ✮ ✯
✸ ✺ ✼ ✻ ✵
( ) ❲
✺ ✻ ✻ ✻ ✷ ✺ ✻ ✼
❁
✸ ✻ ✼ ❲ ✼
Vc. ✿
✹ ❨ ✽ ❨ ✳❨ ✹ ❨
✶
✹ ✲❲
✳❲
❲★
♣ ♣♣♣ ♣ ✶✷
✷
♣♣
✱
♣ ♣♣
pizz.
✮ arco
✸ ✾ ✺ ✾ ✷ ✾
❹
✸ ✻ ✼ ✳❲
✷
✼
Db. ❃
q
✹ ✽ ✹ ✹ ✴❲
✶✷ ✱
♣♣ 5
51509ins.qxd 10/10/2002 12:39 Page 17
17
55 ✶
❂ ✶✷ ✲ ★❲ ★❲
✲❲
✾ ✻ ✼ ✼ ✼ ✻ ✵ ✱ ✱ ✺ ✻ ✾
Fl. ✿
✰
♣ ♣♣ ♣
✲ ✬❲ ✬✦
✷✶ ✶
❲ ❲
✾ ✻ ✲❲ ✼ ✼ ✼ ✻ ✵ ✺ ✻ ✻ ✰
Ob. ✿ ✱ ✱
✰
♣♣ ♣♣ ♣ ♣♣♣
solo
❭✮ 3 3
✲ ✬❲ ✲ ✬❲ ❭✮
➐ ✪❲ ✳ ✪❳ ✪❲ ✴ ✪❲ ❲✪ ✪❲ ✪❲ ✪❲ ✲ ★❲
✳ ❳ ★❲ ★❲ ★❲ 3
✲❲ ✴❲
✰ ✰ ❲ ✲❲ ✦ ❲ ✦ ❲ ✲❲
Bsst. Cl. ✿
3 3 3 ✰
♠❢ 5: 4 3 3 3
♠❢ (dolce) ♣
3 3 ✮ 3
❁ ✮ ✮ ✯ ✮
✺ ✮ ✻ ✲❲ ✻ ✻ ✻ ✺ ❲ ✻ ✻
Bass Cl. ❃
✲❲
❲ ✶ ✲❲ ✳❲ ✴❲
✪ ✵ ✴ ★❲ ✶ ✲ ★❲ ★❲ ✳❲ ✪ ✵ ★❲ ✶ ✲ ★❲ ✳❲ ❲ ✶ ✶ ✶ ✲ ★❲
✶ ✶ ✷ ✸
❲ ✶ ✷ ❲ ✶ ✶
✸ ✸ ✸
✸ ✸
♠❢
rinf. poco ❢ ❢
✷
✷✸ ✷
✲❲ ❲ ✵ ✷✶ ★❲ ✵ ✲❲ ❲
❂ ❲ ✵ ❲ ❲ ❲
❁
✺ ✼ ✻ ✵ ✺ ✻ ✼ ❲ ✺ ✻
Hn. ✰
✱ ✰ ✱ ✰
✱
♠❢ ♣ ♣♣♣ ❢ ♣ sonore
dolce e pesante
straight mute ✮
✶ ✲❲ ❲
✾ ✻ ✼ ✼ ✼ ✻ ✵ ❲ ❲ ✺ ✻ ✼ ✻ ✻
Tpt. ✿ ❲ ✰
✶✷ ✱ ✱
♣♣ ♣♣♣ ♣ 3
♣♣
✸✷
✮ ✷
✲❲ ❲ ❲ ❲ ❲ ✵ ✲❲ ❲ ❲ ✵
❁ ✳❲ ❲ ✴❲ ❲ ✳❲
❲ ✵ ✺ ✼ ✻ ✵ ✺ ✻ ✼ ✼
Tbn. ❃ ✱
✰ ✱
3 3
♠❢ ♣ ❢ ♣ sonore
dolce e pesante
❚❚❚❚❚❚ ❭✮ ❭✮ ❭✮ ❚❚❚ ❭✮ ❭✮ ❭✮ ❚❚❚❚❚❚❚❚❚ ❭✮ ❭✮ ❭✮ ❚❚❚❚❚❚❚❚❚ ❭✮ ❭✮ ❭✮ ❚❚❚❚❚

❂ ✶ ✶ ✶ ✶ ✶ ✶ ✶ ✶ ✶ ✶ ✶ ✶ ✶ ✶ ✶
r ❲ ❲ ✻ ✻ ❳ ❲ ✵ ❳ ❲ ✻ ❳ ❲ ❲ ❲ ✵ ❳ ❲ ✻ ❳ ❲ ✻ ❳ ❲ ❲ ❲ ✺ ✺ ❳ ❲ ✻ ❳ ❲ ✺ ❳ ❲ ❘ ❲ ✵ ❲ ✻ ❳ ❲ ✻ ❳ ❲ ✺ ❳ ❲ ❘ ❲ ✵
✰ ✰ ✰ ✱ ✱ ✰ ✱ ✱
♣♣ 3 3 3 ♣♣ ♣♣♣ ♣♣ 3 ♣♣♣
Perc. ♣♣♣ ♣♣ ♣♣♣
✷✶
✶✷ ✲ ★❲
✳❲ ❲
❁ ❲
✾ ✻ ✼ ✼ ✼ ✼ ✺ ✻ ✾
✿ ❲ ✿
❃
✱
✰ ♣♣
♣♣
✶
✲ ✬❲ pesante
✷✶
❲ ✯
❲ ✲ ★❲
❲
❁ ❲
✻ ✻ ✼ ✼ ✼ ✼ ✺ ✻ ✼ ✼ ❲ ✺ ✻ ✼ ✼ ✻
✿ ✱ ✿
✲❲
✲ ❲★ ✰
✶✷
♣♣♣ ♣♣
Pno. ✮
✮ silently depress
❁
✾ ✻ ✼ ✼ ✼ ✮ ✺ ✼ ✼ ✻ ❲
❲
✶✷ ✲❲
✬ ✪ ✬ ✪ ✵ ✲ ❲★
✲ ✳ ❨❨ ❨ ❨ ❨
❨ ✵ ✶✷
u.c. sempre ✵
ß
arco
✶✷ ✶
✲ ✬❲ pizz. arco ✲ ✬❲ ❲✬
pizz.
❲
5 ✯ 3✯
❂
✻ ✼ ✲❨ ✼ ✼ ✻ ✰ ✱ ✺ ✻ ✾ ✻ ✲❨ ✺ ✻ ✼ ✼
Vln. I ✿ ✰
✲ ❲
✲ ❲
✶
✷ ♣♣♣ ♣
♣♣
arco
✶✷ ✶ pizz.
✪❲
pizz. arco ✪❲ ✪❲
5 ✯
3✯
✰ ✻ ✼ ✼ ✼ ✻ ✰ ✱ ✺ ✻ ✾ ✻ ✺ ✻ ✼ ✼
Vln. II ✿ ❨ ❨
✲ ❲★ ♣♣♣ ♣ ❲★
✷ ✶
♣♣
arco pizz. arco pizz.
✶✷ ✶
❲ 5 ❲ ❲ 3
✯ ✯
✻ ❀ ✼ ✼ ✼ ✻ ✺ ✻ ✾ ❀ ✻ ✺ ✻ ✼ ✼
Vla. ✿ ✰
❨
✿ ✰ ✱
❨
✷ ✶
♣♣♣ ♣ ♣♣
arco arco
◆
poco sul tasto ord.
pizz.
✮
5 ✯ pizz.
✮ ◆✷ 3✯
❁ ❲ ❲
✻ ✼ ❲ ✼ ✼ ✼ ✻ ✼ ❲ ❲ ✻ ✻ ✺ ✻ ✼ ✼
Vc. ✲❲ ✲❲ ✲❲
✳❲
❲★ ✷ ❲★ ✰ ❲★
✶✷ ✶✷ ✶
♣♣
(♣♣) ♣♣♣
arco
pizz.
✮ arco pizz.
✮ 3✯
❹ ✷
✻ ✼ ✳❲ ✼ ✼ ✼ ✻ ✾ ✻ ✺ ✻ ✼ ✼
Db. ❃
✴❲ ✴❲ ✴❲
✶✷ ✶✷ ✶
✱
5 (♣♣) ♣♣♣
51509ins.qxd 10/10/2002 12:39 Page 18
18
59
solo
E to Alto Flute
❂
✻ ✲❲ ❲ ❲ ❲
✷
✸ ❲
✷
❲ ✺ ✸ ✾ ✷ ✾ ✸
Fl. ✿
✰
✽ ✱
✹ ✹ ✽
solo ♣♣ ❢ ♣♣♣
❭
✲ ✬❲ ✲ ✬❲
➐ ✪❲ ✪❳ ✳ ✪❳ ✪❲ ✴ ✪❲ ✪❲ ✪❲
✰ ✰ ✸ ✱ ✺ ✸ ✾ ✷ ✾ ✸
Ob. ✿
3 3 ✽ ✹ ✹ ✽
poco ❢, dolciss. e legato ♣♣♣
3 ✮ 5 3
✲ ❲ ✼ ✼ ✸ ✾ ✸ ✼ ✻ ✻ ✷ ✮
✸
Bsst. Cl. ✿ ➐
✽ ✹ ❲ ❲ ✵
✲❲ ✹ ❲ ❲
✲❲ ❲
✲❲ ✽
♣ ❢
3✮ 3 ✮ 5 ✮ 3
❁
✺ ✺ ✲❲ ✼ ✻ ✻ ✸ ✾ ✸ ✼ ✻ ✻ ✷ ✸
Bass Cl. ❃ ❲ ✶ ✲❲ ✽ ✿
✹ ❲ ❲ ✵ ✳❲
✹ ❲ ❲ ✴❲ ❲ ✳❲ ✽
✶ ✶
✸ ♣ ❢
♠♣
ÿ
✸ ➔ mute
✮
❂ ✲ ❲ ✵ ❲ ❲ ❲
➐
❁
✸ ✻ ✸ ✾ ✷ ✻ ✼ ✸
Hn. ✰ ✽ ✹ ✹ ✳❲ ✿
✽
♣♣ ♣♣♣ ♣♣
❤
❭
➐
✲ ❲ ❲ ❲ ✲ ❲
❳ ✳ ❳ ❲ ✴❲ ✸ ❲ ✵ ✺ ✻ ✸ ✾ ✷ ✾ ✸
Tpt. ✿
✰
✰
✽ ✰
✹ ✹ ✽
♠❢ 3 3 ♣♣♣
cup mute
❁
➐
✳ ❲ ✵ ❲ ✴❲
✸ ✾ ✸ ✾ ✷ ✮
✻ ✼ ✸
Tbn. ❃ ✰ ✽ ✹ ✹ ✳❲ ✽
♣♣ ❤
♣♣
C. ✮ bell Cym. 3
SD ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❭ ◆ 3 ❭✮
✶ 3
❚❚❚❚❚❚❚❚❚❚❚ ❭✮ ❭✮ ❭✮
❂ ❳ ❲ ➔ ❳ ❲ ✵ ◆ ➔
r ❲ ❲
✶
✻ ❳ ❲
✶
✺ ❳ ❲
✶
✻ ✸ ❳ ❲
✶
✻ ❲ ❲ ✸ ❲
✶
✺ ✻
✶
✺ ✼ ✷ ❲ ✻ ✺ ✻ ✸
✽ ✹ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ✽
3
✰ ✰ ✱ ✰
3
✰ ✰ ✱
♣♣♣ ✶ ✰ ✶
Perc. ♣♣ 3
3✮ thin, near✯ the bar
Mar. ord.
✯
✾ ✸ ✾
❁
✸ ✻
❲
✻ ✼ ✺ ✻ ✷ ✼ ✻ ✺ ✸
❃
✿
✽ ✹ ❲
✶✷
❲
✹ ❲
✶
✽
❤ ✸
♣ marc. ♣♣ ♠♣
✷
✲ ✬❲
❲
3 3
❲ 3
✾ ✸ ✻ ✻ ✺ ✸ ✼
❁
✼ ✷ ✻ ✻ ✳❲ ✻ ✸
✿
✽ ✱
✹ ✬ ✪ ✪ ★❲ ✴ ★❲
✴❲ ✴❲
✶
✹ ✳❲ ✳❲
❲ ✳❲
✶ ✽
❲ ✳ ★❲ ✳ ★❲
3
❲ ❲
Pno. ♣♣♣ 3 3
♣♣ 3
✯
♣♣♣ 3 3
3
❁
✾ ✸ ✻ ✻ ✺ ✸ ✼ ✼ ✷ ✻ ✻ ✴❲ ✻ ✸
✽ ✲❲
✹ ✲❲ ✲❲
✶
✹ ✴❲ ❲ ❲ ✶ ✽
❲✪ ✭ ✬ ✪ ✪
❲
✲ ★❲ ✪ ✴ ★❲ ✴ ★❲
✴❲ ✲ ❲ ✲ ❲ ❲ 3
✷ ❲ 3 3
3
senza ped.
arco ✮
❂
✾ ✸ ✻ ✺ ✲❨ ✵ ✸ ❨ ✼ ✼ ✷ ✾ ✸
Vln. I ✿
✽ ❲ ✵
✷
✹ ❲ ✹ ✽
♣♣
➠ ✷
arco ✲ ★❨ ✵ ★❨
✼ ✻
✲❨ ✵
✸ ❨ ✵ ✲ ❲ ✵
✸ ❲
✼ ✼ ✷ ✾ ✸
Vln. II ✿ ✲ ❲ ✵
✽ ❲ ✵
✰ ✹ ✹ ✽
✰
♣♣♣ ♣♣
arco molto
✮
sul tasto sul pont. ❖
❀ ✾ ✸ ✻ ✺ ✸ ✼ ✼ ✺
✯
✻ ✷ ✾ ✸
Vla. ✽ ❲ ✵
★❲ ✵
✹ ✳ ★❲
✹ ✽
✷ ✶
♠♣ ❢ poco ❢
◆
✬❲ ✵ ✬❲
II ◆ 0
❲ ❲
❁
✼ ✼ ✻
(✳ ❲ ✮) ✸ ✮ ✺
❁
✸ ✰ ✻ ✻ ✷ ✾ ✸
Vc. ✿
★❨
✽ ★❨ ✵
✰ ✹ ✰ ✹ ✽
♣♣♣ 3
♣♣ poco sul pont.
❖
sul pont. 3 3
✮ ✮ ✶✸
❹
✾ ✸ ✾ ✸ ✼ ✻ ✻ ✼ ✷ ✻ ✻ ✳❲ ✺ ✻ ✸
Db. ❃ ✽ ✹ ❲
❲ ✹ ❲
✷
✱
✽
✷
♣ ♠❢ ♣♣
sonore
51509ins.qxd 10/10/2002 12:39 Page 19
19
63 F Più Agitato ✰ = 72-80

❂
A. Fl. ✿
✸ ✾ ✸ ✾ ✾
✽ ✹
5 ✷✸✶
✸
❲ ✳❲ ❲ ✵ ✳❲
Ob. ✿
✸ ✾ ✸ ✾ ❲ ✱
✽ ✹ ❲ ❲
❲
♣ ❢
5 ✯ 3
Bsst. Cl. ✿
✸ ✸ ❲ ❲ ✳❲ ❲ ❲ ✺ ✻
❁
✳❲ ✵ ✳❲ ✼
✽ ➐✲ ❲ ❲
✳❲ ✹ ✳❲
✷ ✴❲
✶
✶ ✶ ✿
✴❲ ❲ ❤ ✸ ♠♣
❲ ♣ ♠❢
♠♣ ❢
✴❲ ❲ ✷ ▲
✳❲ ❲ ❲ ❲ 3
❲ ✳❲
✸ ❁ ✴❲ ✸
Bass Cl. ✱ ✺ ✻ ✳❲ ✵ ✳❲ ✼
✿ ✽ ✹
❃ ➐✳ ❲ ❲ ❲ ✴❲
✶
✶ ✶
✸
♠♣
♠♣ ❢ 5 ♣ ♠❢
❂
Hn. ✿
✸ ✻
✳❲
✸ ✻ ✼ ✾
❁
✽ ✷ ✹ ❲ ✵
poco ❢ ♠❢ ♣♣♣
(straight mute) ✸ ✷✸✶
✷ ❲ ✲❲ ✴❲ ❲ ✵
Tpt. ✿
✸ ✻ ❲ ✸ ❲ ✵ ✻ ✼ ✲❲ ❲ ✴❲ ❲
✽ ✹ ✱
♠❢ ♠♣ ♣♣♣ ♣ 5
❢
❁ ✸ ✸
Tbn. ✾ ✾ ✾
❃ ✽ ✹
C. bell
Tri. W. bl. 3
❭✮ ✶ SD ◆ 3 3
✶ 3
❂ ❳ ❲ ◆ ➔ ➜ Cym. ❫ ❲ ❫
❲
r ✸ ✺ ✻ ✸ ✰ ✻ ✼ ✼ ❲ ❲
✽ ❲ ❲ ❲
✶ ✹ ❲ ❲
✸
❲ ❲ ✵
✸
❲ ❲
✸
❲ ❲
✸
❲
Perc. ♣♣ sempre
✮
❪
❁ ✸ ✸
✾ ✼ ✼ ✺ ✲❲ ✵ ✾
❃ ✽ ✿
✹ ❲ ✵
♣♣♣
3 3
✶ ✯
✳❲ ✳❲
❁ ✸ ✳❲ ✸
✳❲ ✳❲ ✻ ✳❲ ✳❲ ❘ ✼ ✼ ✼ ✺ ❲ ✻ ✼
✽ ✳❲ ✹ ❲ ✿ ✳❲ ❲
✳❲ ✳❲ ✳❲
3 ✳❲ ✳❲ ✳ ❲
3 ❤ ❲ ❤
3
Pno. ♣ 3 ♣♣♣ 3 ❤ s❢
3 3
✴❲ ✴❲
❁ ✸ ❲ ✶ ✸
✴❲ ✻ ✴❲ ❘ ✼ ✼ ✾
✽ ✴❲ ✹ ❲ ❲
✴❲ ✴❲
✴❲ 3 ❲ ✴❲
3 3 ❲ u.c.sempre
3 ❤ ❲
3 ❤
pizz. 3 ✮
❂
Vln. I ✿
✸ ✾ ✸ ✾ ✼ ✻ ✻ ❲ ✼
✽ ✹ ❲ ❲
❤
poco s❢
pizz. 3 ✮
Vln. II ✿
✸ ✾ ✸ ✾ ✼ ✻ ✻ ❲ ✼
✽ ✹ ✳❲
❲
❤
poco s❢
pizz. ▲
✳❲
Vla. ❀ ✸ ✾ ✸ ✾ ✼ ✻ ✻ ❲ ✼
✽ ✹ ✰
✿
3
poco s❢
pizz. (pizz.)
❁ ✮ 5
Vc. ✸ ✻ ✻ ✸ ✾ ✼ ✼
✽ ✳❲ ✹ ❲ ❲ ❲
✷ ✳❲ ❲
♣ sonore ✷
✸ ♣
❢
pizz. (tune IV down to E❜) (pizz.)
❹ ✷ ✳❲
Db. ✸ ✴❲ ✻ ✻ ✸ ✾ ✳❲ ✳❲ ✼ ✼
❃ ✽ ✹ ❲
✷
✰ ✸
♣ sonore ♣
❢
51509ins.qxd 10/10/2002 12:39 Page 20
20
66 ✶ Tempo I ✰ = 60-66
★❲
❂
A. Fl. ✰ ✻ ✼ ✼ ✷ ✾ ✸ ✻ ✺ ✮ ✸
✿
✹ ✳✦
✽ ✪
✹
❲ ✵
❢❢ ♣♣♣ ♣♣
✷
◆
✪❲ ✵
♣♣
✲ ❲★ ★❲
✶✸ ★❲ ★❲ ★❲
❲
Ob. ✻ ✻ ✻ ✰ ✷ ✺ ✾ ✸ ✾ ✸
✿
✰ ✹ ✽ ✹
3 ❢ dolce ♣3
❢
✶ 3
❲ ✶✸ ❭✮ ✶ ✯
❲ ❲ ✦
Bsst. Cl. ✻
❁
✳❲
✶ ✺ ✲ ❳ ✻ ✴ ❲ ✺ ✷ ✦
✸ ✳❲ ✵
✸
✿ ❲
✶ ✱ ✹ ✿
✽ ✹
✸
❢ 3
♠❢ ♣ ♠♣ ♣♣
3 ✮ ❭✮ ✶
✮
❲
Bass Cl.
❁
✻ ✻ ✳❲
✶ ✺ ✲ ❳ ✻ ✵
❲
✷ ✦
✸ ✻ ✻ ✸
❃ ❲
✶ ✱ ✹ ✪
✿
✽ ❲ ✹
✸
♠❢ ♣ ♣♣ ✦
◆ ♣♣
❂ ✲❲ ✦
Hn.
❁
✼ ✼ ✻ ✵ ✷ ✸ ✾ ✸
✱
✹ ✦ ✽ ✿
✹
♣♣
3 ✮
Tpt. ✻ ✻ ✼ ✻ ✵ ✯ ✷ ✸ ✾ ✸
✿ ✳❲
✶ ✹ ✽ ✹
✸ ✴ ★❲ ★✦ ✳ ★✦
❢ ♣♣♣
straight mute
✦ ❲ ✵
Tbn.
❁
✾ ✷ ✾
❀
✸ ✸
❃ ✹ ✽ ✹
♣♣
C. bell
W. bl.
SD 3 3 3 3
❫
3 ✶ 3
❂
Cym. ❲ ❫ ❫ ➔ ◆ ❲ ◆
❲ ❲
r ❲ ❲ ❲ ✷ ✺ ✻ ✺ ✺ ✻ ✻ ❲ ✵
✶ ✸ ✾ ✸
❲
✸
❲ ❲ ✵
✸
❲ ❲ ❲ ❲
✸
❲ ❲
✸
✹ ❲ ❲ ✵
✸
❲ ❲
✶
❲ ❲ ❲ ✽ ✹
✸
♣♣♣ dolciss.
Perc. Mar.
(as if)
✶
harder sticks Lowest W. ch. ❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❲★ Tam-tam (blow)
❲ ❲ ✵
✯
✻ ✼ r ✻ ✵ ✷ ✸ ✻ ✺ ✸
❃
✿ ✰
❲ ✹ ✦ ✦ ✽ ✰
✹
❢❢ ♣♣♣ ♣♣♣
✯ 3 ✮ ✮
✯
✾ ✷ ✼ ✻ ✵ ✺ ✻ ✻ ✻ ✸ ✺
✻ ✸
✿
✹ ✳ ❲★
✳❲
❲ ✳❲ ✽ ❲ ✵ ✹
❲ ✶✷ ❲★ ❲★ ✵
✶ ✷
Pno. ♣ ✷✶
✳ ★❲
❁
✾ ✷ ✾ ✻ ✵
✳ ❲
✼ ✸ ✻ ✺ ✯ ✻ ✸
✹ ✱ ✽ ✬
✹
❲
❤
♣♣
✷ P
arco ✷ ✲ ❲★ P
✳❲ ★❲ ★❲ ★❲ ★❲ ❖ P 3
❂ ✮
✯
Vln. I ✼ ✻ ✷ ✻ ✵ ✺ ✺ ✻ ✻ ✸ ✻ ✸
✿
✹ ✳❲
✳❲
✶✷ ✳ ★❲
✳❲
✷
✽ ❲ ✹
❢❢ ♣ ♣♣♣ ✶ ✶✷
♠❢
ß◆ ✪❨ ✪❨ ✵
arco ✷ ❨★ ❨★
✴❲ ★❲ ★❲ ★❲ I ❈❲
û ❲ ❲ ✵
Vln. II ✼ ✻ ✷ ✼ ✻ ✰ ✸ ✸
✿
✹ ✽ ✹
❢❢
3 ♣♣♣ ♣ legato
◆
P P
✷◆
arco ★❲ ★❲ ❖✯
P
3 ✮
Vla. ✼ ✻
❲ ❲
✷ ✼ ❀ ✻ ✵ ❲
❲
✺ ✺ ✻ ✻ ❲ ✸ ❲ ✻ ✸
✿
✰ ✹ ✶
✶✷ ✳❲ ✷ ✽ ✿
✹
✶✷
❢❢ ♣♣♣ ♠❢
arco 0
✯ ✦ ❲
5
Vc.
❁
✼ ✻ ✵ ✷ ✸ ✻ ✸
✪ ★❲ ★❲ ❲ ❲ ❲
✷
✹ ✦ ✽ ✹
✳ ❲
✷ ♣♣ ♣ ♣♣
✸ ♣
❢ ✷✯
arco ◆
Db.
❹
✳❲ ✳❲
✳❲
✼ ✻ ✵ ✲❲ ✷ ✦ ✸ ✾ ✸
❃ ❲
✷ ✲ ★❲
✹ ✦★ ★✦
✽ ✹
✸ ♣
❢ ✱
✷
◆
♣♣ sonore
51509ins.qxd 10/10/2002 12:39 Page 21
21
70
❂ 5: 4 3 5: 4
✸ ✮ ✻ ✻ ✼ ✻ ✮ ✺ ✮ ✸ ✮ ✻ ✼
A. Fl. ✿
✹ ✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪
✽ ✪ ✪ ✪ ★❲ ✪
✹ ✪ ✪
✽
❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✷ ❲ ✦ ❲
♠❢ ❢ ♣♣
✸ ✾ ✾ ✺ ✾ ✸ ✾ ✼
Ob. ✿
✹ ✽ ✹ ✽
5: 4 ✮ 3 ✮ 5: 4 ✮ 3 ✮ ✮
✸ ✻ ✻ ✼ ✻ ✺ ❲
✷
✸ ✻
❁
✼
Bsst. Cl. ✿
✹ ➐
✳ ❲ ❲ ✳❲ ❲ ❲ ❲ ❲ ✳❲
✽ ❲ ❲ ✳❲ ❲
✹ ❲ ✳❲ ❲ ❲
✽
♣ poco ❢ ♣
5: 4 ✮
3 ✮
5: 4 ✮
3 ✯
✸ ✻ ✻ ✼ ✻ ✺ ✮
✸ ✺
❁
✻
3
✻ ✻ ✼
Bass Cl. ❃
✿
✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✽ ❲ ❲ ❲
✬ ❲ ✹ ❲ ✵
✲ ★❲
❲
✶
❲
✶
✽
✶
poco ❢
✳ ❲
✷
✸ ♠❢
❢
❂
without mute 5: 4 3 ➔ ◆
✮ ✮
✸ ✼ ✼ ✻ ✮ ✺ ✻ ✻ ✻ ✮ ✺ ✸ ✻ ✻ ✼
Hn. ✿
✹ ✪ ✪ ✪ ✪ ★❲ ★❲
❲ ✽ ❲ ✹ ❲ ❲ ✵ ✽
✲ ★❲ ✵
❲ ❲ ❲ ❲
✸ ♣♣♣
♣♣ ♠❢ ♣♣♣
✸ ✾ ✾ ✺ ✾ ✸ ✾ ✼
Tpt. ✿
✹ ✽ ✹ ✽
❭ ✸
❳ ❳ ❲ ✵
✸ ✺ ✸ ✼
✲ ✴
❀
✾ ✾ ✼ ✻ ✺ ✾
Tbn. ❃ ✹ ✽ ✰
✹ ✽
♠❢ ♣♣♣
C. bell l.v. sempre

Tri. ✷
Crot. W. bl. 3
(ossia piano) ✸ ❫ ✸
❂ ➜ ❲
SD ◆ 3 ❲ 3
r ✸ ✼ ✻ ✻ ✼ ✼ ✻ ✻ ✼ ✺ ✾ ✸ ✻ ❲
❲
✺ ✺ ✼
✹ ✽ ✹ ✽
✰ r
❻ ✰ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲
✸ ✸
3
♣♣ ✷
3 ♣♣ Cym. ♣♣ ✱
✲ ❇❲ ✸ 3
Perc. ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
✭❲
❲ ❲ 3 ✮ ✮
❲ ✵ Mar. ✲ ❲ ✮
❪ ❪
r ✸ ✻ ✼ ✻ ✵ ✻ ✻ ✰ ✼
❁
✺ ✻ ✼ ✵ ✸ ✼ ✼ ✺ ✼
❃ ✹ ✿ ✱
✽ ✳❲
✶ ✿
✹ ✲❲
❲ ❲
❲ ✽
♣♣ ◆
♣ 3
♠♣ ❢ ♣♣♣
*ossia ß ✷✶
✬❲
✮
3✯
✸ ✾ ✼ ✻ ✻ ✰ ✼ ✺ ✼ ✻ ✺ ✸ ✼ ✼ ✺ ✺ ✻ ✼
✿
✹ ✽ ❲ ✵ ✹ ❲
✲❲ ❲ ✽
3 ✲ ❲★ ✵ ✳ ❲★
♣♣♣ ♣
✷ ✶
✸
Pno. s❢
✮ 3
3 ✯
❁
✸ ✯ ✺ ✻ ✼ ✼ ✼ ✼ ✻ ✵ ✯ ✺ ✻ ✼ ✵ ✸ ✼ ✻ ✻ ✻ ✼
✹ ✪ ✬
✽ ✳❲
✶ ✹ ✲ ★❲
❲
✶
❲
✶
✽
❲ (u.c. sempre) ❲
✶
✸ ♠♣
❤✷
❢ ❤ ♠❢
ß◆ ❈❲ û
◆
✷✶ ❈❲
I û II 5: 4
★❨ ★❨ cant. ✮ ✮ 3 ✮
❂
✸ ✻ ✵ ✻
❨ ❨
✻ ✼ ✼ ✻ ✺ ❲ ✸ ✻ ✼
Vln. I ✿
✹ ✱
✰
✳❲
✷ ✽ ❲ ❲ ✳❲ ✷
❲
✹ ❲ ✳❲ ❲ ✵
✽
♣♣ 3
♣♣
✷
❢ ♣♣
◆
✯ ❈❲
III û ✮ cant. ✮ 5: 4
✸ ✻ ✵ ✳❨ ❨ ✻ ✻ ✼ ✼ ✻ ✺ ✮
✸ ✻ ✼
Vln. II ✿
✹ ✳ ❲
✶✷
❲ ✴❨ ❨
❲
✷
✽ ❲ ❲ ❲
★❲ ❲ ✹ ❲ ❲ ✵ ✽
♣♣ 3 ♣♣
✷
❢
✷
♣♣
◆
( ✳ ❈❲ )
◆ cant.
❈❲ û
II ✯ I ✳❨ ❨ ✳❲ ❲ ❲ ✳❲ ✮ 5: 4 ✮
✸ ✻ ✵ ✻
✳❲ ❲
✺ ✸ ✻ ✼
✹ ✽ ✹ ✽
❀
Vla. ✿ ❨ ❨ ✰ ✰ ❲ ❲ ✴❲ ❲ ❲ ❲ ❲ ✵
✶✷ ✰ ✷ ✳❲
✷
♣♣ 3 ♣♣
✷
♠❢
5: 4
❢ ♣♣
✷
❲ ❲ ❲
✳ ★❲ ★❲ pizz. 5
❁
✸ ✼ ✼ ✻
❀ ❲ ❲ ❲
✺ ✻ ✻ ✼ ✵
❁
✸ ✻
5: 4
✻ ✼
Vc. ✹ ✰
✰
✰
✽ ✰
✹ ✪ ★❲ ★❲ ✴❲ ✴❲
✲ ★❲ ✴ ★❲ ❲ ❲ ✴❲ ✽
3 ✳ ❲ ✷
♣
5: 4
❢ ✷
✸ ♣ ✸
♣
pizz.
quasi con sord.
❢ ❢
✶✷
a rco sul pont. ✶❖ pizz. ✷✸
✯ ✲❲
❹
✸ ✼ ✼ ✺ ✻
❲
✺ ✻ ✼ ✼ ✺ ✻ ✺ ✳❲ ✼ ✵ ✸ ✻ ✳❲
✳❲
✻ ✲❲
✲❲
✼
Db. ❃ ✹ ❲
✶
✱ ✽ ✱
✹ ❲
✷
✳❲ ✴❲
✽
✸
♣♣ chiaro s❢ ❢ ♣ ❢ ♣
* play only if perc. 1 cannot reach Crotale here
51509ins.qxd 10/10/2002 12:39 Page 22
22
G Più agitato
✰ = 72-80
74
5: 4 3 5 ✷✸
❂ ✮ ✮ ✲❲ ✵
✼ ✸ ✲❲
A. Fl. ✼ ✼ ✻ ✻ ✻ ✻ ✲❲ ✲❲ ✶ ✺
✿ ✽ ✳❲ ✹ ❲ ❲ ✳❲ ❲ ❲ ✲❲
✷ ➐✳ ❲ ❲ ✲❲ ✶
✶ ✶ ✰
✶
♠❢ ♣ ma solo ♠❢ ❢
✪❲ ✷
❭✮ ★❲ ✵ ✮
✼ ✸ ✲ ❳
Ob. ✾ ✼ ✻ ✰ ✺ ✼ ✼ ✻
✿ ✽ ✹ ✳❲
✷
3
♣ espr. ♣♣♣ ♠❢
3 ✳ ❲★ ✪❲ ✪❲
❲ ❲ ❲ ❲ ✳ ★❲ ★❲ ✳ ★❲ ➐ ✳ ★❲ ★❲
❲ ❲
❁ ✼ ❲ ❲ ✸
Bsst. Cl. ❲ ❲ ✰ ✻ ✻ ✼ ✼
✽ ❲ ❲ ✹
✷
3 ✸ 5: 4 3
3 3 ♣ ♣♣
❢ ♠❢
3 ✷
✳❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ❲ ❲
❁ ✳❲ ✳❲
Bass Cl. ✼ ✳❲ ✳❲ ✳❲ ✸ ✰
✻ ✻ ✼ ✼
❃ ✽ ✳❲ ✳❲ ✳❲ ✹
✷ 3 5: 4 3
3 ✸ 3 ♣ ♣♣
❢ ♠❢
❂ ➔ ◆
Hn. ✿
✼ ✼ ✻ ✮ ✸ ✾ ✼ ✼ ✻ ✮
✽ ★❲ ★❲ ✵
✹ ✪
✲❲
✸ ✷
♠♣ ♣♣♣ ♠❢
✮
Harmon mute, stem out ✮
Tpt. ✿
✼ ❲ ✵
✸ ✾ ✼ ✼ ✻
✽ ✳❲
✷
❲ ✵ ✹ ✳❲
✷
♣ ❢ ♣♣♣ ♠❢
✲❲ ✵
without mute
❀ ✷
Tbn. ✼ ✻ ✼ ✵ ✸ ✾ ✼ ✼ ✻ ✳❲
❃ ✽ ✹ ✰
♣♣ ♠❢ ♠❢
C. bell
W. bl.
SD 33 3 3
3 3 3
Cym. ❫ ❫ ❫ ❫ (stroke) ❭✮ ✸✶ ✶
❂ ✸ ❲ 3 ❲
❲ ❳ ❲ ✵
r ✼ ❲ ❲ ❘ ✺ ❲ ❲ ✸ ✼ ✼ ✼ ✻
✽ ✸
❲ ❲
✸
❲ ❲ ❲ ❲ ❲
✸
❲ ❲
✸
❲ ✹ ❲ ✵ ❲ ❲
✸
♣♣♣♣ 3
Perc. ❢
Mar. ❪ ✮ 6
✷
✿
✼ ❲ ✵ ✻ ✼ ✵
❁
✸ ✼
✲❲
✻ ✼ ✼ ✿ ❲ ❲ ✲❲ ✻
❁
❃ ✽ ➐✲ ❲ ✵ ✹ ✶ ★❲ ❲ ❲ ❲
✶ ✶
✶
✶ ✶ ✰
✶
♠❢ ♣ dolce ♠♣ ❢
✷✸
✲❲
✿
✼ ✾ ✸ ✾ ✼ ✼ ✲ ❲
❁
✽ ✹
Pno. ♣♣ dolciss. ♠❢
✯
❁ ✮
✼ ✺ ✻ ✼ ✼ ✵ ✸ ✻ ✼ ✼ ✾
✽ ✳❲
❲ ✹ ✴ ✭❲
✶
✸ tre corde ❬
♣ marc. ✲❲
✷
✷ 3 ✮
sul tasto espr. 5: 4
❂
Vln. I ✿
✼ ✼ ✻ ✸ ✻ ✼ ✻ ✮
✽ ✳❲
★❲
✳❲ ❲ ✵
★❲ ✵
✹ ❲
★❲ ★❲ ★❲ ✪ ★❲ ★❲ ★❲ ✪
❲ ✲❲
✶✷
✰ ✰ ♣♣
❢ ♣ ♣♣♣ ❢
✷✮ ✮
sul tasto espr. 5: 4
✼ ✼ ✻ ✸ ✻ ✼ ✻ ✮
Vln. II ✿ ✽ ✳❲ ❲ ✵ ✹ ❲
★❲ ★❲ ✳ ★❲ ★❲ ✳ ★❲ ★❲ ✳❲ ✳ ★❲ ✪ ✪ ✳❲
✳❲ ❲ ✶✷
✰ ✰ ✰ ♣♣ ❢
❢ ♣ ♣♣♣
✷✮ ✮
sul tasto espr. ✷✶
✳❲ ✵ ❲ ✳❲ ❲ ❲ ✳❲ ❲
✼ ❲ ✸ ❲ ❲
Vla. ❀ ✼ ✻ ❲ ❲ ✵ ✳❲ ✵ ❲ ✻ ✼ ✻
✽ ✹ ✰
✰ ✷ ✰ ♣ 5: 4 ❢
❢ ♣ ♣♣♣
❁ ✮
Vc. ✼ ✾ ✸ ✻ ✼ ✻ ✵ ✲❲ ✾
❀
✽ ✹ ❲ ✱
♣ sonore
(retune IV to E➜)
❹ ✼ ✸ ✮ ❲
Db. ✾ ✻ ✼ ✻ ✵ ✾
❃ ✽ ✹ ✲ ★❲ ✱
q
♣ sonore
51509ins.qxd 10/10/2002 12:39 Page 23
23
77 ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ to Piccolo
❂
✼ ✹ ✮
✻ ✼ ✸ ✲❲ ✻ ✼ ✼
A. Fl. ✿
✲✦ ✹ ❲
✦ ❲
û ✹ ✰
✷
♣♣ ❢❢ ♣ ❢❢ ♣
✷✶
✳❲ ❲ ❲
✮
✹ ✻ ✼ ✼ ✸ ✲❲ ✻ ✺
Ob. ✿
➐
✳ ❲ ✦ ✹ ❲
❲
✷ ✹
♣ ♣♣ ❢❢
✷
♠❢ ❢❢
✰
♣ ❢
✲ ✪❲ ✪❲ ✪❲ ✷
✶✸ ✶ ✶ ✴❲ ❲ ★❲ 6 6 6 ✴ ★❲
✲❲ ❲ ❲ ❲
❁
✼ ✺ ❲
✶
❲
✶ ❲ ❲
✹ ✻ ✺
❲ ❲
✸ ✺
✲❲
❲ ❲
❲ ❲
✻
Bsst. Cl. ✳❲
✹ ✰ ✿
❲
❲
❲
❲
❲
❲
❲
❲
❲
❲
❲
❲
✹ ❲ ✲❲ ❲ ❲ ❲
✲❲ ❲ ✴❲
6 6
6 ♠❢ ❢❢ ❢ ❢❢ ❢ 6 3
❢
✶ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
✶ ❈❲
5 ✶ ❲ ❲ ★❲ ✶ ✶ ✶ ✳ ★❲ ★✦ û ★❲ ✶✷
❲ ✳❲
❁
✼ ✺ ✳❲
✳❲ ✳❲
✺ ✻ ✹ ✺
✳❲ ✳❲
✸ ✻
✲❲ ❲ ✲❲
✺
Bass Cl. ❃ ✳❲
✶
✳❲
✶ ✶
✶
✱ ✹ ✹ ✰ ✿
✸
♣ 3 ❢❢ ♣ ❢
❢ ♠❢
5
❢❢ ❢ ❢
❂
3
✮ ✼ ✹ ✮ ✻
✮
✼ ✸ ✼ ✺
Hn. ✿
✪ ✵ ✬
✹ ✪ ✳❲ ❲ ✳ ★❲
✹ ✲❲ ❲
❲
✶✷
➐
✲ ❲
❲
✴ ❲
✷
✷
❢
✶✷
❢ ♣ più ❢
❢ 3
✮ ✮
✼ ✹ ✼ ✼ ✸ ✾
Tpt. ✿ ✳
➐ ❲ ✵
❲
✶✷ ✹ ✳❲ ❲ ❲
✷ ✹
❢ ♣ più ❢
✶✷ 3
❀
➐
✳ ❲ ✵ ✳❲ ✼ ✹ ✼ ✲❲ ❲ ✼ ✸ ✾
Tbn. ❃
✰
✹ ✰
❲
✷ ✹
❢ ♣ più ❢
◆ 3 3 3 3 3 3 3 3 3 3
❫ ❫ ❫ ❫ ❫ ❫ ❫
❂ ❲ ❲ ❲ ❲
r ❲
❲
❲ ✹ ❲
❲
❲ ❲
❲
✸ ❲ ❲
❲
❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✵ ❲ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✵ ❲ ❲
♣♣ ✸ ✸ ✸ ✸ ✸ ✸ ✸ ✸ ✸ ✸ ✸ ✸ ✸ ✸ ✸
Perc.
✯ ✷ 3 ✮
3
❁
✼ ✺ ✻ ✼ ✹ ✼
❲
✺ ✻ ✽ ✸ ✻ ✻ ✻ ✻ ✳❲
✶
❃
✳❲
✷ ✹ ✱ ✹ ❲
✷
✳❲ ✵
✶
✳❲
✶
❢ ❢ ✸ ✰
❢❢
✸✶
✳ ✬❲
5 5 5 5 5 ✶ ✶ ❲ ❲
❁
✼ ✻ ✵ ✹ ❲ ❲ ✼ ✼ ✻ ✵ ✸ ✶ ❲
✶
❲
✶ ❲ ❲
✼ ✺ ✱ ✺
❁
✳❲ ❲ ❲ ❲
✶
❲
✶
✳❲ ❲ ✹ ❲ ❲
✶
❲
✶ ✶
✶
❲ ❲
✶ ✹ ❲ ✿
✶ ✶ ✶
✶ ✶ ✶
♣♣ ✶
✸ 3
❢ ♣
✸ ✸
Pno. ❢♣ ♣♣ ♠❢ ❢❢
5 5
❁
✼ ✻ ✵ ✯ ✺ ✹ ✼ ✼ ✻ ✵
✯
✺ ✸ ✳❲
✳❲
✼ ✻ ✵
✯
★❲ ✳❲ ✳❲ ✳❲
✶ ★❲
✹ ✳❲ ✳❲ ✳❲
✶
✳❲
✶
✳❲ ✹ ✳❲
✶
✳❲
✶ ✶
✶
✶ ✶ ✶ ✶ ✶ ✳ ❲★ ❲★
✶
✸
✶
✸ ♣ ♣♣ ✸ ✶
✸
❢ ❢
✷ ✮
3 ✷
3 ✷✮ ✷ ✮
ord. ✷✮ ✷ ✷✮ ★❲
❂ ❲ ❲
✼ ✻ ✹ ✻ ✼ ✻ ✻ ❲ ❲ ✳❲ ✵ ✸ ❲ ✻ ✴❲ ❲
Vln. I ✿ ❲
★❲ ★❲
❲ ✵ ❲
✹ ❲
★❲
✳❲ ❲ ✹ ❲
✷
✰ ✰
✷ ❢❢
✰ ✰
❢❢
❢ 0✮
pizz. arco ✸ 3 ✮ ✮ 3 I✷ ✷
ord. ✷✮ ✮ ✮ ✶✷
✷
❲ ❲ ★❲ ✵
✳❲
✼ ✻ ✺ ✹ ✻ ✲❲
✷
❲ ✻ ✻ ✻ ✳❲ ❲ ✻ ✻ ✸ ✳ ❲ ❲ ✵✵ ❲
Vln. II ✿
★❲
❲
★❲ ✵
❲ ✵
✹ ❲
❲
✳ ❲
✷
❲ ✹ ✷
✰
✷ 3
✸ 3 ❢❢ II
❢❢
❢
✰ ✰
❢✷ 3 ✷✮
✷✸✶
✳ ❲★ ✷
ord. ❲ ✵ ✲ ★❲ ★❲ ★❲ ✳ ★❲ ❲
❀ ✾ ✹ ❲ ❲ ❲ ✻ ✻ ✻
✳ ❲ ❲
✸ ✼ ✼
Vla. ✹ ✰
✷
✹ ✿
✸
❢❢ 3
✷✸✶
❢❢
✲ ✪❲
✷
✪❲ ✪❲
pizz.
✷
arco ❲ ★❲ ★❲ ✵ ★❲ 3 ✮
✮
❀
✼ ✻ ✺ ✹ ✰ ✻ ✽
❁
✸ ✻ ✻ ✻ ❲ ❲ ✵ ❲
Vc.
3
✰
✹ 3 ✹ ❲
✸
❲
✸
❲
❢ ❢
3
❢❢ pizz. ❢ 3
arco ◆ 3 ✮ ✶✸
✼ ✹ ✾
❹
✸ ✻ ✻ ✼ ✻ ✵ ✳❲
Db. ❃
q ✳✦
✹ ✹ ❲
♣♣ ❢ ❢
✸ ✱
❢❢ cresc.
51509ins.qxd 10/10/2002 12:39 Page 24
24
80
❂ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲
Picc. ✾ ✾ ✻ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲
❺
6 6 6
❢❢ ❢
3 ▲ ▲
✳ ✬❲ ✭❲ ✭❲
✴ ❲✪ ✬✦ ✬❲ ✬❲ ✬❲ ✳ ✬❲ ✬❲
❲★ ❲★ ✳ ✪❲
✳ ★❲
Ob. ✰ ✰ ✰ ✻ ✻ ✰ ✻
✿
3
❢❢ ❢❢❢ 3 3
▲ ▲
✳ ❲✬ ❲✬ ✭❲ ✳ ❲✬ ❲✬ ✭❲
✬❲ ✬❲ ✬❲
✲ ★❲ ✪❲ ✳ ✪❲ ✪❲ ✳ ✪❲ ✪❲ ✳ ✪❲
★❲ ★❲ ★❲ ❲ ❲ ★❲ ✴ ★❲
✲❲ ❲ ❲ ❲ ❲ ❲
Bsst. Cl. ✻ ✻ ✰ ✻
✿
6
6 6 3 3 3
❢❢ cresc. ❢❢❢
3 ✮ ✮ 3
❁
✻ ✴❲ ❲ ❲ ❲ ✻ ✼ ✻ ✮
Bass Cl. ❃
✿ ✷ ✴❲ ❲ ✵ ❲ ❲ ✵
✰ ✷ ✳ ★❲ ★❲
♣ ❢❢ ♣ ✷
♣♣ ❢❢❢ ✸
molto
◆
3
❂ 3 ✸ ➔ ❲ ❲ ✵
✮ ✮ ✮ ✮ ✮ ❁
✻ ✻ ✻ ✷ ✮
Hn. ✿
❲ ❲ ✳❲ ❲ ✴❲ ❲ ✳ ★❲ ★❲ ✵
✷ ✳ ★❲ ★❲
✷
♣ ❢❢ ♣ ♣♣ ❢ ❢❢❢ ✸
❲ ❲ ★❲ ★✦ ★❲ ★✦
✲❲ ❲ ✵ ❲ ❲
Tpt. ✻
✿ ✰
3 3
❢
❢❢ ❢
★❲ ★❲ ✷
❲ ❲
❀ ❁
✯
Tbn. ✾ ✻ ✰ ✰ ✺ ✻ ✺ ✻
✱
❃
3 ✬ ✬
♣♣ ❢ ✦
✷
❲
poco ❢ ♠❢
C. bell
W. bl. 3
SD 3 3 3 ➔ 3 ➔ solo ô
❫ ▼
❂ Cym. ❫ ❲ ❲ ▲ ➔ ◆ ➔ ➔ ➔✯ ➔✯ ◆✯
❲ ❲
r ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✺ ✺ ✻ ✺ ✺ ❘
❲ ❲ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ✱ ❲ ✵ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ✵
✸ ✸ ✸ ✸ ✶ ✶
✸ ✸
❢ ❢❢❢ ♠❢ ❢
Perc. ✶ ✶✸
Mar. ✶ ★❲ ✶ ✲ ✪❲ ✶✸
✶
3✶ ✶ 3 ✶ ✶ ✶ ❲ ★❲ 5 ✶ ✶ ✶ ✳ ★❲ ✮ ✷✸
✳❲ ✳❲ ✶ ✶ ✴❲ ✴❲ ✳❲ ✳❲
❁ ✳❲ ❲ ✴❲ ✳❲ ✳❲
✻ ❲ ❲ ✳❲ ✳❲ ✶ ✻ ✻ ✳❲ ✼
✴❲ ❲ ✶ ❲ ❲ ✶ ✶ ❲
❃ ✶ ✶ ✷ ✶ ✷
✸ 3 ✸ ✸ ✰
♠❢ 3 5 3
✺ ✵ ❢ ❢❢ ❢ ❢❢❢
❢❢ ♣
5 ✶ ✶ ✶▼ ✶ ✶
5 ✶ ✶ ❲ ✳ ★❲ ✸✶ ✶ ✶ ✶ ✳ ★❲ ✶ ✶ ✳❲ ★❲ ★✦
✶ ❲ ❲ ✳❲ ✳❲ ✶ ✳❲ ③ ③
❁ ❲ ❲ ✳❲ ✳❲ ✳❲
❲ ❲ ✱ ✻ ✳❲ ✺ ✳❲ ✻
❲ ❲ ✶ ✶ ✿ ✳❲ ✳❲ ✶
❲ ✶ ✶ ✳❲ ✶ ✶
✶ ✱ ✶
✸ 5 3
❢❢
Pno. ❢♠❢ ❢ ❢❢ ♠❢ ❢
✶ ✶▼ ✶ ✶ ✶
✶ ❲✶
✶ ✶ ✳❲ ✳❲ ✶✸ ✶ ✶ ❲ ❲ ★❲ 5 ✶ ✶ ❲
✯
❁ ✶ ✳❲ ✳❲ ✶ ❲ ❲ ✶ ✶ ❲ ❲ ❁ ✯
✳❲ ✻ ✴❲ ❲ ❲ ❲ ✻ ✵ ✼ ✺ ✻
✳❲ ✱ ✿ ❲ ❲ ✳❲
✳❲ ✳❲ ✶ ❲ ❲ ✶
✳❲ ✶ ✶ ❲ ✶ ✶ ✶ ✶ ✴❲
✶ 5 ✶ ✸ ✶
5 6 ✸
❢❢
P
◆ P
◆ P ✶✸
✬❲ ✬❲ ✵ sim. ✬❲ ✬❲ ✬❲ ✬❲
❲ ❲ ✵ ❲ ❲ ❲ ❲
❂
Vln. I ✼ ✼ ✻ ✻ ✰ ✻
✿
❢❢❢ 3
◆ P P P
3 ✮ ◆ ◆ ✸✶ ◆
◆ ◆ ◆
✲ ❲✪ ✲ ✬❲ ✵ ✴ ✬❲ ✬❲ ✬❲ ✵ ✬❲ ✬❲ ✷✸
✲ ★❲ ✲ ✪❲ ✪❲
❲ ❲ ✵ ❲ ❲ ★❲
✲ ✦ ❲ ✵ ❲
Vln. II ✺ ✻ ✰ ✻ ✻ ✰ ✻
✿
✰
❢❢❢ ❢❢❢ 3
❢❢
✷✸
✲ ✪❲ ✬❲ pizz.
✲ ❲★ ✵ ✲ ✪❲ ✪❲ ✪❲ ✴ ✪❲ ✵
✷✸
❲
❀ ✰ ❀ ✼ ✻ ✲❲ ✻ ✼ ✾
Vla.
3 5 ✰
❢❢ ❢❢❢ 3
✸✶ ✶ ✶ ✲ ★❲
✶ ❢❢❢ ✶ ✶ ✶ arco
❲ 3 ✸✶ ✸✶ ✲❲ ✶ ✶ ❲ ★❲ ✯
❲ ❲ ✲❲ ✲❲ ❲ ✴❲ ✯
❁ ✲❲ ❲ ❲
Vc. ✺ ✻ ✺ ✲❲ ✻ ❲ ❲ ✻ ✵ ✳❲ ✼ ✺ ✻
❲ ✵ ✲❲ ✲❲
✷ ✶ ✷ ✶ ✶ ✶ ❲
✸ ✸ 5 ✸ ✸ ✸ ✸ ❤
♠❢ 5 ✸ ❤
✸ ◆
❢❢ ❢❢❢ ❢❢ ◆ ◆
◆
✸
◆ ◆ ✸ ✸
◆ ✸ ✸ ✸
✸ ✪❲ ❲★
3✮ ✶✸ ✯ ✶✸ ➔✮ ✻ ❲
❹ ❀
Db. ✼ ✻ ✻ ✻ ✳❲ ✻ ✵ ✼ ✳❲ ✻ ✻
❃ ❲ ❲ ❲ ❲ 8
✷ ✰ ✷ ✰
✸ ✸ arco 5
✷ 3
❢❢❢ ✸ (harm. gliss.)
( ❢❢❢ )
51509ins.qxd 10/10/2002 12:39 Page 25
25
83
H
❂ ❲ ✵ ✦ ✵ ✦ ❲
❲ ✲❲ ❲ ✻ ✼ ✼ ✼ ✻ ✻
Picc. ❺
✰
♣♣♣ ♣♣
❢❢❢ 3
▲ ➔ ◆ ➔ ◆ ➔
❲ ❲ ★❲ ★❲ ✵ ★✦ ✵ ★❲ ★❲ ★❲ ★❲ ★❲ ★❲ ★❲ ★❲
❲ ❲
Ob. ✻ ✻ ✼ ✻
✿ ✰
3 3
3 ♣♣♣ ♣♣ ♣ warmer
❢
▲
❲ ❲ ★❲ 3 ✮ ✯
❲ ❲ ❲
❁
Bsst. Cl. ✻ ✻ ✾ ✼ ✼ ✻ ✻ ✼ ✻ ✵ ✼
✿ ✰ ❲ ❲
✶
3 ✸
❢
3 ♣♣ ♠♣
✮ 3 3
❁ ✮ ✮ ✯ 3
Bass Cl. ✺ ✻ ✻ ✼ ✼ ❘ ✺ ✻ ✻ ✻ ✻ ✻ ✼
❃ ❲
★ ✳ ★❲ ✵ ✷ ✪ ✳ ★❲ ✪ ✳ ★❲ ✪ ✴ ★❲ ✳ ★❲ ✪ ✴ ★❲ ✳ ★❲
➐✳ ❲ ✵ ✷ ❲ ✵ ✶ ❲ ❲ ✶ ❲ ✶
✸ ❢ ✷ ✸ ✸
♣♣
♠❢ ❢❢ ♠♣
❢ ♠♣ ♣♣
✸ ➔
✷ ▲
❂ ❲ ❲ ❲ ✲❲
❁ ✮
Hn. ✺ ✼ ✼ ✼ ✺ ✻ ✼ ✼ ✾
✰ ✱
★❲ ✵
➐✳ 3
❢ ♠❢ ♣♣
♠❢
▲
✪❲
★❲ ★❲ ★❲ ✮
3 ✯
Tpt. ✰ ✺ ✼ ✼ ❲ ✺ ✻ ✼ ✼ ✾
✿ ✳❲ ❲ ❲
3 ❤
♠❢ ♣♣
▲ 3
❲ ✳❲ ❲ ★❲ ★❲ cup mute
❁ ✯ ❀ ❁ ✴❲ ✲⑥
Tbn. ✺ ✻ ✼ ✱ ✺ ✻ ✼ ✼ ✼ ✼ ✻
✰
❃ ✰
✬ ✬
✦ ❲ 3
✷ ❢ ♠❢ ♣♣ 3
♣♣♣
♠❢ ♣
(gradually closer to dome) (near dome) 3 3 3 3

❂ ➔ ➔ ➔✯ ➔✯ ◆✯ ➔ ➔ ➔✯ ➔✯ ◆✯ ➔ ➔✯ ➔✯ ➔✯ ◆ ➔ ➔✯ ➔✯
r ✺ ✺ ✻ ✺ ✺ ❘ ✺ ✺ ✻ ✺ ✺ ❘ ✻ ✻ ✵ ✻ ✻ ✺ ✻ ✻ ✻ ✺ ✻ ✺
❲ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲
✶ ✶ ✶ ✶ ✶
♠❢ dim. (♠♣) ♣♣
Perc.
✮ ✮ ✯
❁ ❁
✻ ✻ ✼ ✼ ✻ ✵ ❲ ✼ ✾ ✾
❲ ✿ ❲
❃ ✷ ✷ ✶
✸ ✸ ✸
❢❢ ♠❢
✸
▲
★❲ ★❲ ★❲
③ ❫ ❁ 3
✻ ✻ ✾ ✾ ✾
✿
✪ ✳❲
✳❲ ✳ ★❲ ✶
✶ ✶
✸✶
Pno. ✬❲ ♣ ♠♣
3 ♠❢
❁ ✯
✻ ✳❲ ✻ ✰ ✻ ✯ ✺ ✼ ✼ ✻ ✺ ✾ ✾
✬ ✶ ✪ ❲
✸ ✴❲ ✶
❲ ✶ ✸
✶ ✸
✸
ß
◆
◆ ◆
✬✦ ✵ ✬✦ ✵ ✬❲
✦ ✵ ✦ ✵ 3
❂ ✮ ✮
Vln. I ✼ ✻ ✼ ✼
✿
✲❲ ❲
♣♣ ✪ ✪❲
❲ ❲ ♣♣♣ ♣♣
✮ 3 ✷ ▲ ✰
♣♣
✪❲
★❲ ★❲ ★❲ P ✯ ✷ 3
✮ ✻
❲ ❲ ❲
Vln. II ✺ ✼ ✼ ✺ ✻ ✼ ✼ ✼ ✻
✿ ✳❲ ❲ ❲ ✴❲ ✵ ❲ ❲✪
★❲ ★❲ ★❲ ✪ ✳ ★❲ ✪
❤ ✷ ❲ ❲ ✺ ❲
✷
❢ ♣♣ ♣♣♣
arco ♣
▲
✲ ✲ ❲ ★❲ ❲ ★❲ ❲ ★❲ ❲ ★❲ ✷P 3
✳❲ ❲ ❲
❀ ✻ ✻ ✼ ✼ ❲ ✵ ✻ ✼ ✼ ✻
Vla. ❲ ❲ ❲
❲ ✵ ✳❲
✳ ★❲
3
❢❢ ❢ ♣ ♣♣ ♣♣ ♣
3 pizz. 3 ◆
✮ 3 arco
❁ ✯
✻ ✻ ✳❲ ✼ ✻ ✮ ✻ ✻ ✺ ✼ ✼ ✾ ✼ ✼ ✻ ❲
Vc.
✶✷ ✪ ✳❲
✸ ✴❲ ✶ ♣♣
✶ ✸
❢ ✸ ♠❢
pizz. ✮ ✶
✷ ✷ ✶ ✷ ❲
á ❁
✼ ✴❲ ✻ ✼ ✻ ❲ ✼ ✳❲ ✻ ✴❲ ✻ ✻ ✳❲ ✵
Db. ✦ ❲ ❲ ✵ ❲
❃ 8 ✷ ✶ ✶✷ ✶
✰ ✰ ✸ ✰ ✸
❢❢ ♠❢ ❢ ♣♣ ♠❢ ♣ ♣♣ ♣ 3
51509ins.qxd 10/10/2002 12:39 Page 26
26
87 chiaro
❭ ✷✶ 3 ✯
✶ ✶ ✷ ✶
❂ ✦ ✵ ❲ ❳ ✳ ❳ ❲ ❲ ❲ ✵ ❲
✼ ✻
❲
✻ ✻
❲
✼ ✺ ✼ ✻ ✷
✲❲
✻ ✹
Picc. ❺
✰ ✰ ✰ ✰ ✽ ✲❲ ❲
✹
♣♣♣ ♣♣ 5 3
♣♣♣ 3
➔ ◆ ➔ ◆ ➔ 5: 4 ✷ ❭✮ ♠❢ dolciss.
★❲ ★❲ ★❲ ★❲ ★❲ ★❲ ★❲ ✳❲ ★❲ ✴ ❳ ✳❲ ✳❲ ★❲ ✴ ❳ ✳❲ ❲
❳ ✳❲ ❲ ❲
✺ ✹
✳
✼ ✼ ✵
Ob. ✿
3
✰
✰ ✰ ✽ ✹
♣♣♣ ♣♣ 5 ♣ ❢ 3 ♣♣ ♣♣♣ dolciss!
poco
✮ ✮ ✷✶ ✶ ✶
❁
✾ ✻ ✼ ✼ ✺ ✼ ✻ ✻ ✲❲ ❲ ⑥
✹
Bsst. Cl. ❲ ✵ ✴❲ ❲ ❲
✽ ✹
✺ ♣♣♣ 5
3 ♣♣♣
✮ 3 ✮
❁
✳❲ ❲ ✴❲ ✻
✯ ✻
❭
✲❲ ✻ ✼ ✼ ✺ ✾ ✹
Bass Cl. ❃
❲
✶
✷ ❲
✶ ✳ ❳ ❳ ✳ ❳ ❲
✷
❲ ❲ ✲❲ ❲ ❲
✽ ✹
✳ ★❲ ✸
♣♣ ❢
3
3 ✶
♣♣ ♣♣♣
3 molto
◆ ✮ 3
❂
❁
✾ ✾ ❲ ❲ ✺ ✾ ✹
Hn. ❲ ❲
✽ ✹
♣♣♣
(Harmo n mute) stem in ✳✦ ❲ ❲
✾ ✾ ✼ ✻ ✺ ✻ ✻ ✹
Tpt. ✿
✽ ✰
✹
5:4
♣♣♣
5: 4 ✶✷
❁
➐
✲ ❲ ✻ ✼ ✼ ✾ ✺ ✲❲ ✵ ✲❲ ✵ ✻ ✺ ✼ ✻ ✻ ✴❲ ✹
Tbn. ❃
✰
✽ ✰
✹
3 ♣♣♣ ♣♣♣
Cym. Tri.
✶
5: 4 SD snares off W. ✶ bl. Guiro
➔✯ ◆ ➔ ➔✯ ❭✮
❂ ➜
r ✻ ✺ ✻ ✻ ✵ ✼
✶
❲ ✵ ❲
✶
✼ ✼ ✻
❲
✻ ✻ ❳ ❲
✶
✺ ✻
✮
✻ ❲
✶
✻ ✹
❲
✶
❲ ✵ ❲
✶
❲
✶
✰
✰
✽ ❲ ✹
♣♣♣ sempre 3 ♣♣ 3 ♣♣♣
Perc. ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
W. ch. (blow) ❲ ❲ ✵ Mar. ✶✷ ✶
❁
✾ ✼ ✼ ✻ ✻ ✼
❁
✺ ✼ ✻ ✻ ❲ ✳❲
✹
✽ ✹
r
✰
❃
♣♣♣ ◆ ♣
❁
✾ ✾ ✾ ✺ ✾ ✹
✽ ✹
Pno. ♣♣♣ marcatiss. ♣♣
3 3
❁
✾ ✮ ✼ ✻ ✮ ✻ ✾ ✺ ✺ ✺ ✼ ✵ ✹
✭ ✬ ✬
✽ ❇ ✪
✹
❲
✳ ❲ ✴ ❲ ✶
✳ ❲ ✶ ✶
❲
✸ ✶✷
❖✷ ❖✷ ❖✷ ❖✷
✬❲ ✳ ✬❨ ✬❨ ✬❨ ✬❨ ✬❨ ✬❨
◆
★❲ ★❲ ★❲ ❲ ❲ ❲ ❲ ❲ ❲
❂
✺ ✻ ✾ ✼ ✱ ✺ ✺ ✻ ✵ ✱ ✺ ✼ ✵ ✹
Vln. I ✿ ✱
✽ ✹
◆ ♣♣ 5 5
ord. ♣♣♣ ♣♣ ♣♣♣ ♠❢
◆✶ ◆✶ ◆✶ ◆✶ ◆
saltato ✬❲ ✬❲ ✬❲ ✵ ✬❲ ✬❲ ✬❲
3
✻ ✼ ✼ ✼ ✻ ✺ ✼ ✼ ✺ ✼ ✵ ✹
Vln. II ✿
✽ ✹
✪
❲ 3 ♣♣♣ ♠❢
♣♣♣
3 ✷❖ ✷❖ ✷❖
❀ ✻ ✼ ✼ ✾ ✻ ✵ ✲
✲❨
❲ ✻
❨ ✵
❲ ✵
❨
❲ ✼ ✺ ✻ ✲
✲❨
❲ ✼ ✵ ✹
Vla.
✳ ★❲
✿
✱
✽ ✹
➐
♣♣♣
3
♣♣
3 ♣ ♠❢
3 sul pont. sim. pizz.
❖ ❖
❁
✻ ✼ ✼ ✼ ✻
✯
✺ ✼ ✼ ✯ ✺ ✻ ✼ ✺ ✼ ✵ ✹
Vc. ❲
★❲ ✪
✽ ★❲ ✵ ✪
✹
✶ ✳ ❲ ➯ ❲
✷
♣♣ ✶
♠❢
❹
✻ ✵ ✴❲
✶
✼ ✻ ✴❲
✷ ✮
✻ ✼ ✼ ✾ ✺ ✾ ✹
Db. ❃
✱
✳❲ ✽ ✹
✶
3
♣
51509ins.qxd 10/10/2002 12:39 Page 27
27
91 I ❭
✲❲ ✷ ★❲ ❭✮
❂ ✲❲ ✲❲ ❲ ❲ ✵ ❲ ✶
✹ ✼ ✺
❲ ❲ ❲
✶ ✺ ✼ ✺ ✼ ✻ ✺
❳ ✳ ❳ ✷ ✴ ❳ ✳❲
❲ ✼ ✸ ✾ ✷
Picc. ❺ ✹ ❲ ❲ ✲❲ ✽ ✰ ✹ ✹ ✹
6 6 ❢ dolciss. 6
✮
✹ ✾ ✺ ✾ ✷ ✾ ✸ ✼ ✻ ✷
Ob. ✿ ✹ ✽ ✹ ✹ ❲ ❲ ✵ ✳❲ ✹
✷
✸
✶ ✶ ♣ ❢
❲ ❲
❁ ✹ ✻ ✼ ✽ ✺ ✾ ✷ ✾ ✸ ✾ ✷
Bsst. Cl. ✹5 ✽ ✹ ✹ ✿
✹
3
❁ ✹ ✼ ✻ ✻ ✮ ✽ ✺ ✾ ✷ ✾ ✸ ✾ ✷
✽ ✹ ✹ ✹
❲
✷
♣♣
3 3 ✸
❂ ➔ ◆ ➔
❁ ✹ ✼ ✻ ✻
✮
✽ ✺ ✾ ✷ ✼ ✻ ✻
✯
✺ ✸ ✼ ✻ ✮ ✷
Hn. ✹ ✳❲ ✽ ✿
✹ ✳❲ ✹ ★❲ ★❲ ✵ ✪
✹
✷ ✴❲
❤
♣♣ poco s❢ ✸
♣
(stem in) 3 ✯ ➔✮ ✸ ◆
✹ ✾ ✺ ✾ ✷ ✼ ✻ ✻ ✺ ✸ ✼ ✻
❲ ✵ ✲❲ ✷
Tpt. ✿ ✹ ✽ ✹ ✳❲ ✹ ❲
✸
✹
❤
poco s❢ ♣
Harmon mute, stem in 3▲ ➔ ✸ ◆
✸
❲ ❲ ✵
❁ ✹ ✾ ✺ ✾
❀
✷ ✼ ✻ ✻ ❲ ✺ ✸ ✼ ✻
✳❲ ✷
Tbn. ❃ ✹ ✽ ✹ ✱ ✹ ✰ ✹
poco s❢ ♣
❭✮ ✶ ✸✶
C. bell (on rim) ord. ✮❭ ✶ 3 6 6 6
❂ ❳ ❲ ✶ ❳ ❲ ➜ ➔ ◆ ➔ ◆ ➔
❲ ✶
r ✹ ✻ ✼ ✻ ❾ ✻ ✻ ✺ ❲ ✻ ❾ ✻ ✺
✯
✷ ✮
✰ ✻ ✻ ✸ ✷
✹ ✰
✰ ✰ ✽ ✰ ❲ ✹ ❲
❲ ❲ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲
✶
❲ ❲ ❲
✸
❲ ❲ ❲ ❲ ❲
✶ ✹
(♣♣♣ sempre) 3 3 ♠❢ ♣♣♣
Perc.
✶ ✷✶
✶ ✳❲ ▲ ▲ ❲
✳❲
❁ ✹ ✻ ✼ ✽ ✺ ✼ ✳❲ ❲ ✺ ✻ ✻ ✷ ✻ ✵
✳❲
❲ ✼ ✸ ❲ ✻ ✼ ✼ ✷
❃ ✹ ✽ ✱
✹ ✹ ✰
✹
♣♣♣ ♠❢
✱
♣
3 5
❁ ✹ ✾ ✺ ✾ ✷ ✾ ✸ ✼ ✻ ✷
✹ ✽ ✹ ✹ ✭ ✬ ✬
✹
✳❲
❢ ✳❲ ✳❲ ✵
Pno. ♣♣ ♠♣
✷
3 3
❁ ✹ ✽ ✻ ✯ ✺ ✻ ✻ ✮ ✺ ✾ ✷ ✼ ✯ ✺ ✻ ✸ ✼ ✻ ✷
✹ ❇ ✪
✽ ✹ ✪
✹ ❇ ❇ ✭ ✬
✹
❲ ❲
✶ ✶✷ ✴❲ ✴❲
❲ ❲ ❲
✶✷ ✷
ß ✷ ✷
✳ ✪❲ ✪❨ ✪❨
✷❖ ✷❖ ✷❖ ✶ ✷ ✶✷
❂ ❨ ❨ ✵ ❨ ❨ ❨ ❨ ❨ ❲ ❲
✹ ✼ ✽ ✺ ✻ ❲ ✻ ❲ ✵ ❲ ✺ ❲ ❲ ✷ ❲ ❲ ✻ ✼ ✸ ✻ ✻ ✼ ✷
Vln. I ✿ ✹ ✽ ✰ ✹ ✹ ✰ ✹
♣♣♣ ♣ 3 5 ♣♣ 3
♣♣♣ ♣♣♣ ♣♣♣ ♠♣ ◆
ß ❲✷ ❈❲ û
★ II
✹ ✼ ✽ ✺ ✾ ✷ ✾ ✸ ✻
❨ ❨
✻ ✼ ✷
Vln. II ✿ ✹ ✽ ✹ ✹ ✰ ✹
♣♣♣ ♣ ✷
3
♣♣
✷ ◆
✬❲ 3 ❈❲ û
✷❖ ✷❖ ✷❖ ✷❖ ✷❖ I
✹ ✲❨ ✺ ✲❨ ❨ ✵ ❨ ❨ ✷ ❨ ✸ ❨ ❨
✷
✼ ✼ ❀ ✻ ✵ ✲ ❲ ✻ ✲ ❲ ✻ ❲ ✵ ❲ ✺ ❲ ❲ ✻ ✼ ✻ ✻ ✼
Vla. ✿ ✹ ✽ ✹ ✿
✹ ✰
✷
✹
♣♣♣ ♣ ✱
♣♣♣
✰
♣♣♣ ♣♣♣
✱ ✰
♠♣ ♣♣
3
♣♣♣
3 arco sul pont. ▲
(sul pont.) ❖
❁ ✹ ✽ ✻ ✮ ✮ ✺ ✼ ✴❲ ✺ ✻ ✻ ✷ ✾ ✸ ✻ ✵
✯
✼ ✼ ✷
Vc. ✹ ★❲ ★❲ ✪
✽ ✱
✹ ✹ ✳❲ ✹
➯ ❲ ✶
♠♣ ♣♣ marcatiss.
♠❢ (pizz.) 3✮
✮ ✮
❹ ✹ ✼ ✻ ✽ ✺ ✼ ✻ ✻ ✷ ✾ ✸ ✼ ✼ ✻ ✻ ✷
Db. ❃ ✹ ✳❲
✶
✽ ✳❲
✶
✹ ✹ ❲
✶ ✹
♠♣
✸ ✸
❢
51509ins.qxd 10/10/2002 12:39 Page 28
28
95
❂
✷ ✾ ✾ ✾ ✾
Picc. ❺ ✹
✯ 3
✷ ✼ ✼ ✺ ✼ ✻
Ob. ✿ ✹ ➐✳ ❲
❲ ❲ ✵ ❲
✷
✳❲
✸
♣♣ ♣♣ ♠❢ ❢
3 ✷ 6
✷✸ 6 ✴ ❲★ ✶ ✷✸
✳ ❳ ❳ ✳❲ ❲ ✳ ❳ ✴ ❳ ✳❲ ✮ ❲
✷ ✼ ✻
❁
❲ ✳❲ ❲ ✻ ✼ ✻
❁
✻ ✳❲
✷
✴❲
Bsst. Cl. ✿ ✹ ✰ ❲
✸
❲
3
✿ ✰ ❲
✷
❲ ✶
❢❢ solo* ❢ ❢❢ ✸
( ❢❢ sempre)
3
✷✸ 3 ✷✸
❁ ✷ ✾ ✼ ✻ ✻ ❳ ❳
❲ ❁
✻
3
✲❲ ✻ ✻ ❳ ❳
❲ ✻
❁
✮ 3
Bass Cl. ❃ ✹ ✿ ✳
✰ ❲
✷
✲❲
✿ ✳
✰
✲ ★❲ ✶ ✳❲
✪ ✪
❲
★❲
❢❢ solo* ❢ ❢❢
3 ✷
✸
❂ ◆ 3
✷ ✼ ✼ ✯ ✺ ✼ ✻
Hn. ✿ ✹ ✪ ✪ ✪ ✪ ✪
❲ ✲❲ ❲ ✵ ❲ ✴❲
✷
♣♣ ♣♣ ✸
♠❢
♠❢ 3
➔ ✸ ◆✯
➔
✷ ➐✲ ❲
✼ ✼
➐✴ ❲ ❲ ✵ ❲ ✺ ✼ ✻ ❲
Tpt. ✿ ✹ ✷
♣♣ ♣♣ ✸
♠❢
♠❢ 3
✸ ◆
➔ ✷✸ ➔
❀ ✷ ➐✳ ❲ ➐✴ ❲ ❲ ✵ ❲ ❁
✼ ✼ ✺ ✼ ✻
Tbn. ❃ ✹ ✱
✲❲
♣♣ ♣♣ ♠❢ ♠❢
Cym.
6 6 3 6 6 6 6 6
❂ ◆ ➔ ➔ ➔ ◆ ➔ ➔✯ ◆ ➔ ◆ ➔ ◆ ➔ ◆ ➔ ◆ ➔
r ✷ ✺ ✺ ✺ ✺ ✺
✹ ❲ ❲ ❲
✸
❲ ❲
✶
❲ ❲ ❲ ❲
✶
❲ ❲ ❲
✶
❲ ❲ ❲
✸
❲ ❲ ❲ ❲ ❲
✶
❲ ❲ ❲
✸
❲ ❲ ❲ ❲ ❲
✶
❲ ❲ ❲
✸
❲ ❲ ❲ ❲ ❲ ❲ ❲
✶
❲ ❲
✶
Perc.
Mar. 3 ✮
❁ ✷ ✾ ✾ ✾ ✼ ❲
❃ ✹ ✲❲
✶✷
✶
❢
✸
♠❢
5
❁ ✷ ✼ ✾ ✾ ✼
✹ ✬ ✪
❲ ✵
✶✷
❲
✶
✳❲ ✸
➐✳ ❲
❢ ♠❢
Pno. ♣ ♠❢ ❢ ✶✸ 3
❁ ✷ 5 ✼ ✻ ✵ ✯ ✻ ✮ ✻
✳❲
✺ ✻ ✮ ✻ ✾
✹ ✬ ✬ ✪ ✪ ★❲ ✱ ✪
✴❲ ✲❲ ✶✷ ✳❲
❲ ❲ ✶ ✶✷
✸
✯ ✮ 3
❂
✷ ✻
✳❲ ✵
✺ ✻ ✼ ✻ ❲ ❲ ❲ ❲ ✻
Vln. I ✿ ✹ ✳ ❲★ ✵
❲
❲★
❲
❲★
❲
✷
❲ ❲ ❲
✷
✷ ✶ ✸
✸
♣♣♣ ♠♣ ♠♣ ❢
✷ ✻
✯
✺ ✻ ✼ ✻
✮ 3
✻
Vln. II ✿ ✹ ✳ ✪❲ ✵ ✪❲ ✪❲ ✳ ✪❲ ✪❲ ✪❲ ✪❲
❲ ✵ ❲ ❲ ❲ ❲ ❲ ❲
✷ ✶ ✷ ✷
✸ ✸
♣♣♣ ♠♣ ♠♣ ❢
✮ 3
✷ ✾ ✾ ❀ ✼ ✻ ✻
Vla. ✿ ✹ ❲
✷
❲ ❲ ❲
✷
✿
✸
♠♣ ❢
✷
ord. 3 ★❲
✲❲
❁ ✷ ✾ ✻ ✮ ✮ 3 ✻ ✼ ✼ ✻
Vc. ✹ ✪ ✪
✳❲ ❲ ✳ ★❲ ★❲ ★❲
3
❢
✷
♠❢ ♣ ❢
✸✶ ✮ pizz.
❲ arco ✮ ✶✷
✶ ✶ ✷
❹ ✷ ✳❲ ✻ ✴❲ ✻ ✻ ✴❲ ✵ ❲ ✻ ✼ ✻ ❲ ✺
✳❲
✻
Db. ❃ ✹ ✰
❲
✷
❲
✰ ✱
3 ❢ ♠❢ ♣ ❢
* Note to conductor: the clarinets are soli until b.106 and should dominate. The percussion therefore must be ‘ppp’ as marked.
51509ins.qxd 10/10/2002 12:39 Page 29
29
99
❂
✾ ✾ ✸ ✾ ✺
Picc. ❺ ✹ ✽
✷✶
✼ ✻ ✳❲ ✸ ✾ ✺
Ob. ✿
➐✳ ✦ ✰
✹ ✽
❢❢ ♠❢
❭ ✸✷ 3 ✷✸
★❲ ✲ ❲★ ❲★ ✷ ★❳ ✲ ★❳ ✴ ❲★ 3
❳ ✳ ❳ ✮ ✮ ❲ ✶✸ 3 ✯
❲ ✶
❁
✼ ✰ ✻
❁ ❲ ✸ ✻ ✻ ✰
❁
❘ ❲
❲
❲
❲
❲
❲ ✻ ❲ ✺
Bsst. Cl. ✿ ✲❲
✷
❲ ❲ ✿
✹ ✲❲ ✴❲
✷ ✽
✸ 3 ✸
3 6
❢❢
6 6
❭ ✷✸ 3 ✶✸ 3
❁ ✳❲
✷ ✳❲ ✻ ✵ ❳ ✳ ❳ ❲ ❁
✻ ✻ ✮ ✮ 3 ✸ ❲
✳❲ ✻ ✵ ✴❲ ✻ ✯
3
✺
Bass Cl. ❃ ❲ ✳❲ ✶ ✿
✱ ✲ ★❲ ★❲ ★❲
✲❲ ✹ ✴❲ ❲ ✶
✱ ❲ ❲ ✽
✷ ✲ ★❲ ✷
✸
✸ ❢❢
❂ ✮
✼ ✻ ✸ ✾ ✺
Hn. ✿
✪
❲
✶✷ ✹ ✽
✦
❢ ♠♣
➔✷
✶
❲
✦ ✼ ✻ ✸ ✾ ✺
Tpt. ✿
✰ ✹ ✽
❢ ♠♣
✷➔✶
❲★
❁ ❀
✼ ✻ ✰ ✸ ✾ ✺
Tbn. ❃ ➐✲ ✦ ✹ ✽
❢ ♠♣
SD snares on
(rim)
◆
6 ◆ 6 6
6 6 ◆ ➔ ◆
❂ ◆ ➔ 6 6 ◆ ➔
r ❲
✶
❲
✶
❲
✶
❾ ❾ ❾ ✸ ❲ ✺
❲ ❲ ❲
✸
❲ ❲ ❲ ❲ ❲
✶
❲ ❲ ❲
✸
❲ ❲ ❲ ❲ ❲
✶
❲ ❲ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲
✶
❲ ❲ ❲ ✽
♠❢ ♣ ❢
Perc.
▲ 5 ✶ ✶
✶ ✶ ✳❲
❁
✻ ❲ ✺ ❲ ✻ ✾ ✸ ❲ ❲ ✺ ❲ ✳❲
✻ ✻ ✺
❃
✰ ✱
✹ ✲❲
✷
✶ ✶ ✰ ✽
✸
♣♣ ❢ ♠❢ ♣
3
✯ 3 ✶
✶ ✶ ✶ ✴❲
❁
✺ ✳❲ ✻ ✳❲ ✺ ✻ ✾ ✸ ✳❲
✶ ✳❲ ✵ ✳❲ ✺ ✻ ✺
✶
✱
✹ ❲
✶
❲
✶ ✱ ✽
✸
Pno.
♣♣ ❢ ♠❢ ♣
❁
✾ ✾ ✸ ✾ ✺
✹ ✽
✷✸ ✯ ✮ 3 ✷
pizz. ✷✶
❂ ❲
✻ ✵ ✳❲ ❲ ❲
✼ ✻
❲ ❲
✸ ✾ ✺
Vln. I ✿ ❲ ❲ ✹ ✽
✱ ✰
❢❢ ♠❢ marc.
✸✷
✯ ✮
pizz.
✻ ✵
❲ ❲
✼ ✻ ✳❲ ✸ ✾ ✺
Vln. II ✿ ❲
✪
❲
❲ ✹ ✽
✶✷
❢❢ ❲
✱ ♠❢ marc.
✷✸ ✯ ✷
marc.
✮
✻ ✵ ❲ ❲ ❲
❀ ✼ ✻ ✲❲ ✸ ✾ ✺
Vla. ✿
❲ ❲ ❲
✷
✹ ✽
✱ ❢
❢❢
✦★ marc.
➐✲ ✦ ✷
❁
✼ ✻ ❲ ✸ ✾ ✺
Vc.
✰
✹ ✽
❢❢❢ ❢
✸✶ arco marc.
★❲ ✷
✶
❹
✻ ❲ ✼ ✼ ✻
✳❲ ✸ ✾ ✺
Db. ❃ ✰ ✹ ✽
❢❢ 3 ❢
51509ins.qxd 10/10/2002 12:39 Page 30
30
102 J
❂
✺ ✾ ✷ ✾ ✾ ✸
Picc. ❺
✽ ✹ ✹
✶✷
✺ ✻
❲
✼ ✵ ✷ ✳✦ ✾ ✸
Ob. ✿
✽ ✰ ✹ ✹
❢ ♣♣ ♠❢
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
✸✷
❈❲
★❲ û ★❲ ✵ ✳ ❳ ★❳ ✲ ❲★
✷✸ ▼
❲
❁
✺ ❲ ❲ ✲❲ ✴❲
❲
✷ ✺ ✻ ✰ ✻ ✻ ✻ ❳ ✳ ❳ ❳ ✲❲
✻ ✵ ✯ ✸
Bsst. Cl. ✽ ✹ ✰ ✿
✰
✬
✹
3
♠♣ 3
3
❢ ❢❢❢
3 ✳ ❲
✶
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
3
3 (✲❲ ) 3 ✷✸ ▼
❁
✺ ✳❲ ❲
❲
✷ ❲ ✵
✺ ✻ ✻
✮
✻ ✻ ❲
❁
✻ ✵ ❲
✶
✸
Bass Cl. ❃ ✽ ❲ ❲ ❲
❲
✹ ✰ ✳❲
✿ ✳ ❳ ❳ ✳ ❳
✰ ✱
✹
✷
♠♣ ❢ ❢❢❢
✸ 3
✷✶
❂
✺ ✻ ❲ ✼ ✵ ✷ ✦ ✾ ✸
Hn. ✿
✽ ✰
✹ ✹
♠❢ ♣♣ ♠❢
➔✷
✶ ➔
❲ ✳✦
✺ ✻ ✼ ✵ ✷ ✾ ✸
Tpt. ✿
✽ ✰ ✹ ✹
♠❢ ♣♣ ♠❢
➔
✶✷ ➔
✳ ★❲ ✴ ★✦
❀
✺ ✻ ✼ ✵ ✷ ✾ ✸
Tbn. ❃ ✽ ✰
✹ ✹
♠❢ ♣♣ ♠❢
SD W. bl.
Cym. ◆ 6 ▼ 6 ▼ 6
❂
◆✮ ➔ 6 6 6
r ✺ ❲ ❲ ❾ ❾ ❾ ✷ ❾ ❲
❲
❲ ❾ ❾ ❲
❲
❲ ❾ ✸
✽ ❲ ❲ ❲ ❲
✶
❲ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲
✶
❲
✶
✹
♣♣ ❢❢ ♠❢ ❢❢ ♠❢
Perc.
Mar. 4: 3 3 ✶ ✶
3 ✮
5 ✮ ✶ ✮ ✶ ✶
❲ ✲❲
❁
✺ ✻ ✻ ✳❲ ✳❲ ✷ ✻ ✵ ✶ ❲
✶
❲
✶ ✳❲
✻ ✻ ✶ ✳❲
✶ ✴❲ ❲
✸
❃ ✽ ❲
✶
❲
✶
✳❲
✶ ✶
✶
✹ ✲❲
✷
❲ ✴❲
✶
✳❲ ✿
✹
✸
❢ ♠❢ ❢❢
3
♣ 3
3
5
6 6 ✶ ✶ ✶
3 ✮ 5: 6 ✶ ✶ 5 ✯ 5✶ ✶ ✶ ✶ ✶
✳❲ ❲ ✳ ★❲
❁
✺ ✻ ✻ ✶ ❲
✶
❲
✶ ✳❲ ✳❲
✷ ✻ ✵ ✺ ✶ ✲❲
✶
✲❲ ❲ ❲
✻ ❲ ❲
✶ ✳❲ ✳❲
✸
✽ ✲❲
✶
❲
✹ ❲
✶
✴❲ ❲
✶
✲❲
✶
❲
✶ ✶ ✿
✹
✸ ✸
Pno. ❢ ♠❢ ❢❢ ♣
❁
✺ ✾ ✷ ✾ ✾ ✸
✽ ✹ ✹
3
P✮ ✷
arco ✷
❂ ❲ ✳❲
✺ ✻ ❲ ✼ ✵ ✷ ✻ ✻
❲
❲ ❲
❲
✾ ✸
Vln. I ✿
✽ ✰
✹ ✰
✹
❢ ❢
✷
3 3
P✮ ✮ ✷
arco ✷ ✳❲
✺ ✻
❲
✼ ✵ ✷ ✻ ✻
✳❲
❲ ❲
❲
✾ ✸
Vln. II ✿
✽ ✳❲
✹ ✰
✹
✰ ✷
❢ ❢
✷
❀ ✺ ✻
❲
✼ ✵ ✷ ✦ ✾ ✸
Vla. ✽ ❲
✹ ✲✦
✹
✰ ♣♣ ♠❢
❢
✮
❁
✺ ✻ ✲❲ ✼ ✵ ✷ ✦ ✾ ✸
Vc. ✽ ❲ ✹ ✲✦
✹
❢
✷
♣♣ ♠❢
✷ (tune IV down to E❜)
❹
✺ ✻
❲
✼ ✵ ✷ ✦ ✾ ✸
Db. ❃ ✽ ✰ ✹ ✹
❢ ♣♣ ♠❢
51509ins.qxd 10/10/2002 12:39 Page 31
31
105 ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❂ 3
✸ ✼ ✼ ✻ ✵ ❲
❲ ✳❲ ❲
û ❲ ❲ ❲
Picc. ❺
✹ ❲ ✲❲ ✴❲ ❲
❲
✰
❢❢❢ ❢ ❢❢❢ ♠❢
➔ ◆ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ➔ ◆ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❈❲
❲ ★❲ ★❲ ★❲ ★❲ û ★❲
3 ✳❲
✸ ✼ ✼ ✻ ✵ ❲ ❲ ✳❲ ✳❲
✰
Ob. ✿
✹
❢❢❢ ❢ ❢❢❢ ♠❢
3 ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
✷▼✶ ▼ ▼ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ✮
3
✸ ✳❲ ✻ ✮ ✻ ❲ ✵ ❈
Bsst. Cl. ✿
✹ ✰ ✬ ✭ ✭ ✪
❲ ❲ (✲❲ ) ❲ ❲
❲
✶✷
❢❢❢♣ ❲ ( ✲ ❲ ) ❲
❲
❢❢❢ ♠❢
❢❢❢ ❢
▼ 3 ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
✶✷
✳ ❲✪ ▼
❈❲
▼ ✳ ★❲ ✵ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❲
✳ ★❲ û ★❲ ★❲
✮
❁
✸ ✰ ✻ ✻ ✳❲
❲
✰
Bass Cl. ❃ ✹ ❲
✶✷ ✳❲ (✳❲ ) ❲
❢❢❢♣ ❢❢❢ ❢❢❢ ♠❢
❢
✮
❂
✸ ✾
Hn. ✿
✹ ❲ ✵
✷ ❲
✷
❲
❢ (sonore) ✷
▲
without mute ✳❲ ❲ ❲
✸ ✾ ✻
✳❲ ❲ ❲ ❲
✺
Tpt. ✿
✹
♣ 3 ♠♣
✷
without mute ❲ ✵ ✷
❀
✸ ✾
❲ ❲
Tbn. ❃ ✹ ✰
❢ (sonore)
▼ 6 ▼ 6 ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
C. bell
❲ ✸✶ ✸✶ ❲ ◆
❂
r ✸ ❾ ❲
❲
❲ ❾ ❾ ❲
❲
❲ ❲ ❲
❲
❲ ❲
❲
✹ ❲
✶
❲
✶ ✸
❲
✶
❲
✶
❲ ❲ ❲ ✵
✸ ✸
❢❢ ♠❢ ❢❢ ♠❢ ❢❢♣ ♠❢ (❢) ( )
Perc.
✸ ✷✸
✷ ✸ ✲ ★❲
✷ ❲ ❲
✸ ❲ ❲ ❲ ❲
✺ ✻ ✼ ✼
❃
✿
✹ ★❲ ❲ ❲
✶✷
❲
✶✷
❲
✶✷
❲
✷ ✷
✷ ✱
✶✷ ✶✷
❢❢
▼
✲ ✬❲
❲
5 ✸✷ ✷✸
5 ✷✸ ✷✸ ✷✸ ✷✸ ❲ ❲
✸ ❲ ❲ ❲ ✳❲ ❲
❲ ✺ ✻ ✼ ✼
✿
✹ ✴ ★❲ ❲ ✳❲ ❲
✶
❲
✷
✳❲
✷
❲
✷
✳❲
✷
❲
✷
✳❲
✷ ✱
✱
✶ ✶ ✸
✶ 5
Pno.
5
❢❢✯ ❢❢❢
▼ ✼
✯
❁
✸ ✾ ❲ ✺ ✻ ✼
✹ ✲
✲❲
❲★
✳❲
✪✬ ✬
✷ ❲
✸ ❲ ❲
✱
5
P
I ✸
3
0 0 ✷❖
✷ ▲
❂ ✳❲ ❲ ❲
✸ ✾ ✻
❲ ❲ ❲ ❲
✺
Vln. I ✿
✹ ✷
II ❢❢ ✷
3
P
I ✸
3
0 0 ✷❖
I ✷ ▲
✳❲ ❲ ❲
✸ ✾ ✻
✳❲ ❲ ❲ ✵ ❲
✺
Vln. II ✿
✹ ✷ ✷
II ❢❢ 3
✷❖
P✷ ✷ ▲
✳❲ ❲ ❲
❀ ✸ ✾ ✻
❲ ❲
✺
Vla. ✹ ✿
3
❢❢ 3
pizz. ▼
❁
✸ ✾
✯
✺ ✻ ✼ ✼
Vc. ✹ ✲ ★❲ ◆
✷ ◆ ◆
◆ ◆ ✸ ✸
◆
❢❢ ◆
✸
✪❲
✸
★❲
✸ ✸ ✸
➔✯
❲
❹
✸ ✾ ✻ ✵
á
✻
❹
Db. ❃ ✹ ❲ ❲ ✵
✱
5
✷
✸
(harm. gliss.)
❢❢
51509ins.qxd 10/10/2002 12:39 Page 32
32
107 ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
✲ ★❲ ✵ ★❲
❂ ✳❲ ✵ ❲ ❲ ❲ ✵ ✴❲ ✲❲ ❲ ❲ ❲ ( ✲❲ )
✳ ❲ ✵ ❲ ❲ ✳❲ û ❲
➐
Picc. ❺ ✰
✰
❢❢❢ ♠❢ ♠❢
3 ❢❢❢ 5
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ➔ ◆ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ➔ ◆ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❈❲ ✲ ✬❲
✪❲ ✳ ✪❲ ✪❲ ✵ û ✪❲ ✪❲ ✵ ✪❲ ✪❲ ✵ ✪❲
★❲ ✵ ★❲
✰
Ob. ✿
3
❢❢❢ ♠❢ ❢❢❢ ♠❢
7:8
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
✮ ❲
❁ ❲ ❲
✲❲ ✲❲
Bsst. Cl. ✿ ✦ ❲ ✵ ❲ ❲ (✲ ❲ ) ❲ ❲ ✴❲ ✿
✷ ✲❲ ✲❲ ✲❲
✶✷ ✪
✸ ❲
✸
❢❢❢ ❢ ❢❢❢ ♠❢
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ✸✷
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ 3
✸ ✳ ✪❲
✳ ✦ ❲★ ✵ ✶✷ 5
➐ ★ ✲❲ ❈❲ ❲ ❲
✳❲ ❲ ❲ û ✲❲ ✴❲
❁ ✴❲
✳❲ ❲ ❲
Bass Cl. ❃
❲ ✰ ✲❲ ✲❲
✿
3 ✴ ★❲ 3
❢❢❢ ❢ ❢❢❢ ♠❢
3
❂ ✷ ✷
✳❲ ❲ ✵ ❁
✻ ❲ ❲ ✳✦ ✼
Hn. ✿
✰
❢❢
✷ ✷
▲ ▲
✳❲ ❲ ❲ ✳❲ ❲ ❲
✳❲ ❲ ❲ ❲ ✳❲ ❲ ❲ ❲
✻ ✺ ✻ ✺
Tpt. ✿
♠❢ 3 ❢ 3 ❢❢
❢
✷
★❲ ★❲ ✵ ✷
✳✦
❲ ❲
❀ ❁
✻ ✰ ✼
Tbn. ❃
❢❢
C. bell
W. bl.
SD
Cym. ➔ ➔
❂ ❲ ✶✸ ✶✸ ❲ ◆ ❲ ✶✸ ✶✸ ❲ ◆
❲ ❲ ❲ ❲
r ❲ ❲ ❲ ❲ ❲ ❲
❲ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ✵
✶ ✶ ✶ ✶
✸ ✸ ✸ ✸
Perc. ( ) ( )
✾ ✾
✿
❃
▼✷
✶
✲ ★❲
❲
✼ ✻ ❲ ✺ ✼ ✾
✿
✰
5
❢❢
Pno. 5
✷▼✶
✮
✼ ✻ ✺ ✼
❁
❲
✲❲
✬ ✬ ✲ ★❲ ✵ ★❲ ✬ ✲ ★❲ ✵
❲ ✵ ✷
❲ ❲ ✸
✐
( ) ✷
✸
❢❢❢
3 ✸ 3
I ❖✷
I 0 ✷
❲
▲ 0
✷
❲
✷
❂ ❲ ❲ ❲ ❲ ✳❲ ❲ ❲ ❲ ❲ ❲ ✳❲ ❲
✻ ✺ ✻
Vln. I ✿
✷ ✷ ✷ ✷
II 3 3
3 I ✸ ✷❖
3 ✷
0 ▲ 0 ▲
I ✷
❲
✷
❲
✳❲ ❲ ✳❲ ❲
✳❲ ❲ ❲ ✵ ❲ ✳❲ ❲ ❲ ✵ ❲
✻ ✺ ✻ ✺
Vln. II ✿
✷ ✷ ✷ ✷
II 3 3
✷❖
✷ ▲ ✷ ✷
✷ ❲ ✷ ❲
❲ ❲ ✳❲ ❲ ❲ ❲ ✳❲ ❲
✻ ✺ ✻
Vla. ✿
3 3 3 3
❁ ✯
✾ ✼ ✼ ✺ ✻
Vc.
✲ ★❲
◆ ✷
◆ ▼ ✸
✸ ◆ ◆ ✸✷
◆ ✪❲ ◆ ✸
✸ ◆ ◆ ✸
★❲ ✸✯
➔✮ ✸ ✸ ✸ ❲ ★❲
❲ ❲
❹ ✳❲ ❹
✻ ❲ ✰ ✻ ✻ ✵ ✳❲ ✵
Db. ❃ ❲ q ❲ ❲ ❲ ✷
✰ ✱
✷
✸ ➔
7 in ✰ ❢❢
51509ins.qxd 10/10/2002 12:39 Page 33
33
3
109 ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
✸ ✶✸
✶✷ ✶✸
✲ ★❲ ✲❲ ✳❲ (✴ ❈❲ ) ❲ ❲ ✳ ★❲ ❈❲ û ★❲ ★❲
❂ ➐
✺ ✻ ✺ ✻ ✺ ✼ ✺
Picc. ❺ ✱
✽
3 3 3
❢❢❢ ❢❢❢ ♠❢
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ 3 ➔ ◆ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ➔ ◆ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
✪❲ ✪❲ ✲ ✪❲ ✪❲ ✪❲ ✴ ✪❲ ❲✪ ✪❲ ✪❲
✲ ★❲ ✲ ★❲ ★❲ ✲ ★❲
❲ ✯ ✳❲
❲
✲❲ ❲
❲ ✲❲
❲
✳❲ ❲
❲ ✺
✴❲
✺
Ob. ✿ ✲❲ ❲
❲ ✳❲
✶✷
✳❲
✽
3 ✸
3 3
❢❢❢ ❢❢❢ ♠❢ ❢❢
3 3
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
3 5
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❲
✳❲ ➐ ❲ ❲
✺
❲ ❲ ❲ ❲ ❲ ❲
✳❲ û ❲ ❲
✲❲
Bsst. Cl. ✿
✳❲ ❲
û ❲
❲ ✳❲
✳❲
★❲ ✪ ❲
✳❲
❲ ❲
✲❲
✽
✲ ❲ ✲ ★❲ ✪ ✭ ✬ ✲ ★❲
❢❢❢ ♠❢ ♠❢
✲ ❲
❲
❲
3
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ 7:8
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ 3 3
❲
❈
✲❲ (✲❲ ) ❲ ❲
✲❲ ( ) ✲ ❲ ❲ ❲ ❁ ❲ ✲❲ ❲ ✺
Bass Cl. ❃
✿
✪ ✪ ✲❲
❲ ❲
★❲ ✬ ✭ ✪
❲ ❲
✲❲
✪
❲ ✿
✲❲
❲
✽
❲ ( ❲
) ❲ ✲ ❲ ✴ ❲
✳ ❲
❢❢❢
3
♠❢ ❲
3 ♠❢
7
❂
❁
✼ ✻ ✻ ✺
Hn. ✿
✽
✳ ★❲ ✵ ★❲ ✳ ★❲ ✵
( ❢❢ ) ✷
✸
✷ ❢❢
▲ ✸✷
★❲ ★❲ ❲ ✷✸
✳❲ ❲ ✳❲
✻ ✻
✳❲ ❲ ❲ ❲
✺ ✻ ✻
❲ ❲
✺
Tpt. ✿ ✰
✰ ✽
3
3
♠♣ ❢❢ 3 3
❢❢
❁
✼
❀
✺
Tbn. ❃
✬ ✬
✽
✦ ✵ ✦
❢ ❢
➔ ➔
❂ ❲ ✶✸ ✶✸ ❲ ◆ ❲ ✶✸ ✶✸ ❲ ◆
r ❲
❲
❲ ❲
❲
❲
❲
❲ ❲
❲
✺
❲
✶
❲
✶
❲ ❲ ❲ ✵ ❲
✶
❲
✶
❲ ❲ ❲ ✵ ✽
✸ ✸ ✸ ✸
Perc. ( ) ( )
✾ ✾ ✺
❃
✿ ❻
✽
✷ ✮ 6 ✷ 7: 8
✻ ✼ ✺
✿ ✴❲
❲
✲❲ ⑥
✺
❲
❲
❲
❲ ❲
❲
❲
❲
❲
✴ ❲
❲
✲❲ ⑥
✻
❲
❲ ❲
❲
❲
❲ ✲❲ ❲ ✽
✰✷
Pno. ❢❢❢ 3 3
❁
✺
✬ ✲ ★❲ ✵ ✬ ✲ ★❲ ✵
✽
✷ ✷
❲ ✵ ✸ ❲ ✵ ✸
✷ ✷
✸ ✸
3
◆✷
✷✸
▲ ✷ ✷
★❲ ✷ ★❲ ★❲
❂ ❲ ✳❲ ❲ ❲ ❲
✺ ✻
❲ ❲ ❲ ❲
✺
Vln. I ✿ ✱
✷
✰
✽
3 3 3
❢❢❢ 3
❢❢
✻
✷✸ ✷
▲ ✷ ✷
✷ ✷ ★❲
✳❲ ❲ ❲ ✳❲ ❲ ❲
✻
✴❲ ❲ ❲ ❲
✺ ✻
❲ ❲ ❲ ❲
✺
Vln. II ✿
✷ ❢❢ ✽
❢❢❢ ✷
3
3
3 3
3
✷◆
▲ ✷ ✷
❲ ★❲ ✸✷ ✷
❲ ❲ ★❲ ★❲
✳❲ ❲
✺ ✻
❲ ❲
✺
Vla. ✿ ✱ ✰
✽
3 3 3 3
❢❢❢ ❢❢
✯
✯
❁
✼ ✼ ✺ ✻ ✼ ✼ ✺ ✻ ✺
Vc. ❲ ❲
✷
✳❲
✷ ✽
✸
✸
▼ ✷❖
✸✯ ✷ ✸✯ ✳ ★❲ ✵
❹
✻ ✵
❲ ✵
✻ ✵ ✺
Db. ❃
❲ ❲ ❲ ❲ ❲ ❲
✽
✱ ✱
➔ ➔
❢❢ ❢❢
51509ins.qxd 10/10/2002 12:39 Page 34
34
rit. K Tempo I ✰ = 60-66
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ✸ ✸ ✸
✸✷
✷
111 ❈❲ ✪❲ ✪❲ ✳ ✪❲
▲
❲✪
▲
❲✪
▲
❲✪ ✪❲ ✪❲
▼
✪❲ ✪❲ ✪❲
▲
✴ ✪❲
★❲ ✵ û ★❲ ★❲ ★❲ ★❲ ★❲ ✳ ★❲ ❲★ ✳ ★❲ ★❲
❂
Picc. ✺ ✹ ✱ ✺ ✺
❺
✽ ✹
❢❢ 6 ❢❢❢ 3
➔ ◆ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ◆ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚
➔ ▼✷
✷ ✸ ✷✸ ➔ ◆ ➔
✳ ✪❲ ✵ ❈❲ ✬❲ ❈❲ û ✬❲ ✬❲
✪❲ ✪❲ ✪❲ ✳ ✪❲ û ✪❲ ✪❲ ✵ ➐
✳ ✪❲ ✪❲ ✪❲
❲ ❲ ❲ ❲
Ob. ✺ ✹ ✰ ❲
✿
✽ ❲
✹ ❲
✳ ★❲
5
❢❢ ❢❢❢ ❢❢❢
❢❢❢
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
3 ✷ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚ ✷✸ ▼✷
✪❲ ❈❲ ❈❲ ❈❲ ✪❲ ✪❲
✳ ★❲ ★❲ ❲★ û ❲★ ❲★ ❲★ û ❲★ û ✲ ❲★ ❈❲ ✴ ❲★ ❲★ ✵ ★❲ ★❲ ★❲ ❲★
❲ ❲ û ✴❲
Bsst. Cl. ✺ ✰ ❲ ❲ ✱ ✹ ✰
❲
✲❲
✿
✽ ✲❲ ✹ ✲❲
3 5 ✲ ★❲
5
❢❢ 3 ❢❢❢ ❢❢❢
❢❢❢
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚
5
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚ ✸✷
❲ ❲
✷
❲ ❲ ✷▼ ❲ ❲
❲ ❲ ❲ ❲ ❲ ❲ ✲❲ ✴❲ ❲ ✵ ❲ ❲
Bass Cl. ✺ ✳❲ û
✳❲
④ û
✹ û ❲
û ✳❲
❲ ❲
❃
✿
✽ ✰
★❲
✳❲ ✱ ✹ ✰ ✳❲
✭
❲
✳❲
3 5
❢❢❢ ❢❢❢ 5
❢❢ ❲
❢❢❢
✸ ✷✸
❂ ✶✷ ✷✸ ❲
▼ ✮
✴❲ ✵ ✮
Hn. ✺ ✻ ✻ ✺
✳❲
✻
❲
✹ ✺ ✻ ✼ ✼ ✺
✿
✽ ✱ ✹ ✱ ❲ ✵
❢❢ 3 s❢♣
❢❢❢
✸✷ ✸✷ ✷✸
✶ ✲ ★❲
✳ ❲ ❲ ❲ ✲❲ ✵ ❲ ✮ ▼
➐ ✲❲ ✵
Tpt. ✺ ✻ ✹ ✱ ✺ ✻ ✼ ✼ ✺
✿
✽ ✹ ✰
♣ ❢❢ 3 ❢❢❢ s❢♣
✸✷ ✷✸
✶ ✷✸ ❲✪ ▼
★❲ ✳ ★❲ ✵ ★❲ ✲ ★❲ ✵
Tbn.
❀
✺ ✻ ✻ ✺ ✱ ✻ ✹ ✱ ✺ ✻ ✼ ✼ ✺ ✰
❃ ✽ ✹
❢❢ 3
❢❢❢ s❢♣
SD solo Guiro
▼✯ ▼
3
❂
rimshots ▼ ▼
✯ ✮
r ✺ ❲ ✺ ✺ ❲ ✺ ❲ ✻ ❲ ✹ ✺ ✻ ✼ ✼ ✺
✽ ❲
✱ ✱ ❲ ✹ ❲ ❲ ✵
✶
Cym. ✱ ✸
❢❢
Perc. ➔
❢❢ ❢❢❢
❢❢ Flexatone (dampener off)✯ ✷
✺ ✼ ✵ ✻ ✺ ❫ ✹ ✳✦ ❲
❪
❲
❪
❲
❪ ✻
❃
❻
✽ ✳❲ ✹ ③
( ) ✰
♣ ♠❢ ❢
▼✷
✶
✲ ★❲
❲
✺ ✾ ✹ ❲ ✺ ✻ ✼ ✽
✿
✽ ✹ ✱
Pno. ❢❢❢
▼✯
❁
✺ ✾ ✹ ❲ ✺ ✻ ✼ ✽
✽ ✹ ✲
✲❲
❲★
✶✷
✸✷
▲
▼✶ ▼✶
★❲ ✵ ✲ ★❲
❨
❂ ✳❨ ❨ ✳❨ ❨ ❨
❨ ✵
Vln. I ✺ ✻ ✻ ❲ ✵
✳ ❲ ✹ ❲ ✺ ✻ ✻ ✳ ❲ ❲ ❲ ❲ ✺ ✺ ✳
✳❨
❲
✿
✽ ✹ ✱ ✰ ✱
✱
❢❢❢ 3
✷✸ ß◆ ❢❢❢ ❢❢ ❢❢
▲
❢❢❢
★❲ ✵ ✲ ❲★ ✶▼ II ▼ ( ✳ ❈ ❲ ) ✶▼ ▼
✳❨ ❨ ✳❨ ❨ ❨
❨ ✵
Vln. II ✺ ✻ ✻ ❲ ✵
✳ ❲ ✹ ❲ ✺ ✻ ✺ ✻ ✺ ✯ ✻
✿
✽ ✹ ✱
✰ ✱
✪
✲ ❲
❢❢❢ 3 3 ✷
✷✸ ❢❢❢ ß◆ ❢❢
▲ I
★❲ ✵ ✲ ❲★ ✶▼ ▼ ( ✳ ❈❲ ) ✶▼ ▼ ✯
✳❨ ❨ ✳❨ ❨
❨ ✵
Vla. ✺ ✻ ✻ ❲ ✵
✳ ❲ ✹ ❲ ✺ ✻ ✻ ✺ ✻ ❀ ✺ ✻
✿
✽ ✹ ✱
✰ ✱ ✲❲
❲★
❢❢❢ 3 ✷
❢❢❢ ❢❢
▼✯
arco ✷▼
Vc.
❁
✺ ✼ ✵ ✻ ✲❲ ✹ ✯
✺ ✻ ✼ ✼ ✺ ❲ ✻
✽ ✰
✹ ✲ ★❲
✷
❢❢❢
✶✷
✸
❢❢
pizz. arco
▼✷ ▼✷
▼ ❲ ❲
Db.
❹
✺ ✼ ✵ ✺ ✲❲ ✹ ✯
✺ ✻ ✼ ✼ ✺ ✻
❃ ✽ ✱
✰ ✹ ✲ ★❲
✱
( ✶✷
) ❢❢
❢❢❢ ✸
51509ins.qxd 10/10/2002 12:39 Page 35
35
✷
✸ ✸ ✸ ✸ ▲
113 ▲ ▲ ▲ ▲ ✷✸ ▼ ✬❲
✳ ✪❲ ❲✪ ❲✪ ❲✪ ❲✪ ✪❲ ✪❲ ✪❲ ✪❲
❂
to Alto Flute
✱ ✺ ✻ ✼ ✾ ✸
Picc. ❺
✽ ✹
❢❢❢ 5
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ✷
✸ ✷✸ ✷▼ ➔ ◆ ➔ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚ ✷ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚ ✳ ✬❲
✳ ✪❲ ❈❲ ✬❲ ❈❲
û û ✪❲ ✪❲ ✵ ✳ ✪❲ ❲✪ ❲✪ ❲✪ ❲✪ ✳ ✪❲ ❈❲û ✪❲ ✪❲ ❈❲ û ✳ ✪❲
❲
✰
✳❲
✼ ✰ ✰ ✸
Ob. ✿ ❲
★❲
❲
✽ ✹
5 5
❢❢❢ ❢
❢❢❢ ❢❢
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ✷✸ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❈❲ ✷▼ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚ ✷ ✷
★❲ û ✲ ★❲ ❈❲ ✴ ★❲ ★❲ ✵ ❲ ❲ ★❲ ❲ ★❲ ❲ ✲❲ ✴❲ ★❲ ★❲ ✴❲
û (✳❲ ) ✳❲
✼ ✸
❲
❲ ❲ û
✰
Bsst. Cl. ✿
❲ ✪
✲❲ ✽ ✰
✹
5 ✲ ❲ 5 5
❢❢❢ ❢❢❢ ❢❢ ❢
✷▼
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ✸✷ ✲❲ ❲ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚
❲
✼ ✸
❲ ❲ ✲❲ ✴❲ ❲ ✵ ❲ ✲❲ ✷
û ❲
û
❲ (✲❲ ) ❲ ❲ ( ✲❲ ) ❲
Bass Cl. ❃
✿
✰ ❲
★❲ ✬
✲❲
✽ ✰
✳❲
✷ ✹
5 ✲ ★❲ ✰
5
❢❢❢ ❲
❢❢❢ ❢❢ ❢
✷▼
❂ ❲
✺ ✻ ✼ ✽ ✼ ✻ ✵ ✯ ✼ ✼ ✵ ✸
Hn. ✿ ✱ ✽ ✬
✹
❢❢❢ ✳ ❲
✶✷
✷▼
✲ ★❲ poco ❢
✺ ✻ ✼ ✽ ✼ ✾ ✸
Tpt. ✿ ✱
✽ ✹
❢❢❢
✷▼
✪❲
✶✷
❀
✱ ✺ ✻ ✼ ✽
❁
✼ ✻ ✵ ❲ ✼ ✼ ✵ ✸
Tbn. ❃ ✽ ✹
❢❢❢ ✱
poco ❢
W. bl. SD
snares off ✶✸ ❚❚❚❚❚❚❚❚❚
❂
r
✯
✺ ✻ ✼ ✽ ✼ ✻
❲
❲
✶
❲ ❲
✶
✻ ❲ ✻ ❲ ✸
❲ ✽ ✰
✰ ✱ ✰
✹
✶
✸ ♠❢ ♣♣ 3 3
Perc. ❢❢❢ marcatiss.
✷
✳✦ ❲ ❲ ❲
❪ ✻ ✼ ✾ ✸
❃
❻ ③ ❪ ❪
✰
✽ ✹
♠❢ ❢
5 ✯ 3
✮
✼ ✼ ✲
✲❲
❲ ✻ ✻ ✲❲ ✼ ✼ ✾ ✸
✿ ❲
✶✷ ✴❲
❲
✽ ✹
✶
Pno. ❢✷ ✶
♠♣
✯
✶ ✴ ★❲
✲❲
❁
✼ ✼ ✻ ✻ ❲ ✼ ✼ ✼ ✼ ✻ ✺ ❲ ✻ ✸
✴❲
❲ ✳ ❲
✽ ❲
✶✷
✹
✰ ✸
✱
5 3
✷▼
❨ ★❨
❂ ✳❨ ❨
✳ ✦ ❲ ❲ ❲
✻ ✼ ✾ ✸
Vln. I ✿
✰ ✽ ✹
❢❢❢ ❢❢❢
✸ ✶▼
✳❨ ❨ ❨
✻ ✺ ✻ ✼ ✼ ✾ ✸
Vln. II ✿ ✰ ✱ ✽ ✹
❢❢❢
✸ ▼✶
▼
✳❨ ❨
❀
✯
✺ ✻ ✻ ✺ ✻ ✼ ✼ ✾ ✸
✽ ✹
❀
Vla. ✿ ✰ ✱
★❲
✷
❢❢❢
❢❢❢ pizz.
▼ 3✮
❁ ✯
✺ ✻ ✼ ✽ ✼ ✼ ✻ ✻ ✼ ✵ ✸
Vc.
✳❲ ✽ ❲
✶✷
✹
✷
❢❢❢ ♠❢
▼✷ pizz. 3✮
❹ ✲❲ ✺ ✻ ✼ ✽ ✼ ✼ ✻ ✻ ✼ ✵ ✸
Db. ❃
✱
✽ ❲
✶✷ ✹
❢❢❢ ♠❢
51509ins.qxd 10/10/2002 12:39 Page 36
36
115
❂
✸ ✾ ✾ ✺
A. Fl. ✿
✹ ✽
solo ✷ ✷ ✷✶
✳ ★❲ ✳ ❲★ ★❲ ★❲ ✷
✳❲ ❲ ✸
✸ ✺ ✰ ✻
✳❲ ✳❲ ❲ ❲
❲ ➐
✳ ❲
✺
Ob. ✿
✹ ✳ ★❲
✳❲ ✰ ✽
❢❢ ♠❢ 5
❙ ❚❚❚❚❚❚❚❚❚ ❙ ❚❚❚❚❚❚❚❚❚
❭ ❙ ❚❚❚❚❚❚❚❚ ✷ ✳
✶✷ ❈❲ ★❲ ✲❈ ❲( ) ★❲ ★❲ ★❲ ★❲
✸
❈❲
✳ ✦ ❲ ❳ ❳ ✳❲ û ❲ ❲ ✳❲ ❲ ❲ ❲ û
✸ ✺
❳ ✳
➐ ✳
✻ ❲
Bsst. Cl. ✿
✹ ✰ ✳❲
✽
5 5
❢
✶✷ ✸
✸ ✦ ❲ ✻ ✳❲ ❲ ❲ ❲ ❲ ❲ ➐
✳ ❲ ✺
Bass Cl. ❃
✿
✹ ✰ ★❲
✳❲ ✳❲ ✷ ✽
♠❢ 5
❂
✸ ✾ ✾
❁
✺
Hn. ✿
✹ ✽
✸ ✾ ✾ ✺
Tpt. ✿
✹ ✽
❁
✸ ✾ ✾ ✺
Tbn. ❃ ✹ ✽
SD Guiro
❚❚❚❚❚❚❚❚❚
❂
r ✸ ✺ ❲ ✺ ❲ ❲
✶
✺ ✺ ❲ ✻ ❲ ✵ ❲ ✮❭
✯
✺ ✻ ✼ ✼ ✺
✹ ✱ ✰ ✱ ✱ ❳ ❲ ✽
✶
3 3 ✸
Perc. sub. ❢ ❢❢
✸ ✾ ✾ ✺
❃
❻
✹ ✽
7: 8 ✷✸
✲ ★❲ 7: 8 ✲ ★❲
✲❲ ✲❲ ✲❲ ❲
✸ ✼
❁
✲❲ ✲❲
✲❲
✲❲
✲❲ ✲❲
✺ ✻ ✼ ✼ ✺
✿
✹ ✲❲ ✿
✲❲
✲❲ ✲❲
✱ ✽
Pno. ♠❢ non legato ❢
➜ sempre ❲ ✷✸
❁
✸ ✼ ❲ ❲ ❲ ❲
❲ ❲ ✺ ✻ ✼ ✼ ✺
✹ ❲ ❲ ❲ ✿
★❲ ★❲ ❲ ❲ ❲ ❲ ❲
✱
✽
senza ped.
pizz. 7: 8 5 ✯
✸
❂ ❲
✸ ✼ ✼ ❘ ❲
❲
✺ ✻ ✼
✲❲
✼ ✺
Vln. I ✿
✹ ✪ ★❲
❲
❲ ✱ ❲
✸
✽
❲
❢ ♠❢
♠❢
pizz. 5 5
✸ ✸
✸ ✼ ✼ ✺ ❲ ✺ ✻ ✼ ✲❲ ✼ ✺
Vln. II ✿
✹ ✪ ★❲
✲❲ ✴❲
✱ ✱
✽
✲ ❲
❢ ♠❢
♠❢
pizz. 3 ✯ arco pizz. 5 ✯
❀ ✸ ✼ ✻ ✺ ✻
✯
✺ ✻ ✼ ✼ ✺
Vla. ✹ ✲ ★❲ ✵ ✲❲
✲❲
★❲
✲❲
✽
❲★
✷
♠❢ ❢
✸
♠❢
✸
3 arco pizz. 5 ✯
❁
✸ ✻ ✮ ✻ ✼ ✼
✯
✺ ✻ ✼ ✼ ✺
Vc. ✹ ★❲ ✳❲
❲
✸
✽
✷
✶
✸
✸ ♠❢
❢
pizz. 5
3 ✯ arco ✸✷ ✸
✴❲
❹
✸ ✻ ✻ ✼ ✼ ✲❲ ✺ ✻ ✼ ✼ ✺
Db. ❃ ✹ ❲
✶ ✱
✱ ✽
✸
❢ ♠❢
51509ins.qxd 10/10/2002 12:39 Page 37
37
117 L
❂ 3
✺ ✾ ✸ ✾ ✺ ✻ ✺
✮ ✮ ✷ ✼ ✻ ✮ ✸
A. Fl. ✿
✽ ✹ ✽ ✳ ★❲ ✵ ★❲ ✳ ★❲
✹ ✪
✹
❲
✷ ✷
♠❢ ♣
❙ ❚❚❚❚ ❙ ✮ ❚❚❚❚❚❚ ✷ 3
✶
✺ ✳❲ ✵ ✳❲ ❲
❲
✴❲
✸ ✻ ❲ ❲
( ✲❲ ) ✴❲ ❲ ✺ ✺ ✾ ✷ ✾ ✸
Ob. ✿
✽ ❲ ❲
✹ ✰
û ❲
✰ ✱
✳❲
✽ ✹ ✹
5 ♠❢ ♠♣
❙ ❚❚❚❚
❙ ❚❚❚❚
✳ ✪❲ ✵ ❲❈
û ❈❲ ✲ ★❲ ★❲ ❙ ❚❚❚❚ ❙ ❚❚❚❚❚ ✷✶ ❙ ✮ ❚❚❚❚❚ 3 ✮ ❙ ✮ ❚❚❚❚❚❚❚❚
✳❲ û ❲ ✴❲ ❲ ❲ ❲
✺ ✸ ✺ ✷ ✸
❲ ❲ ❲ ❲ ✷
✳❲ ✳❲ û û ✳❲ ❲ ✳❲ ✳❲
✻ ✺ ✻ ✺ ✼ ✻
Bsst. Cl. ✿
✽ 5
❲ ✰
✹ ✰ ✰ ✰ ✱ ✽ ✳❲ ✵ ❲
û ❲
✹ ❲ ( ✲❲ ) ✹
5 ♣♣
♠❢ 3
♠♣ ♣
❙ ❚❚❚❚ ❙ ❚❚❚❚❚❚ 3
✮ ✮ ✯
✺ ❲ ✵ ✳❲ ❲ ✸ ✻
✮
✺ ✺ ✾
❁
✷ ✻ ❘ ✯ ✺ ✻ ✸
Bass Cl. ❃
✿
✽ ✳❲
❲
✴❲ ❲
✹ ❲ ❲
û ❲ ( ✲❲ ) ✴❲ ❲ ✳❲ ✽ ✹ ✪
✹
✶✷ ✳ ★❲ ✪ ★❲
5 ♠❢ ♠♣ ❲ ❲ ✶
✸
♣♣
❂ ✮
3 ✮
❁
✺ ✼ ✻ ✺ ❲
✶
✻ ✸ ✾ ✺ ✻ ✺ ✷ ✾ ✸
Hn. ✽ ✱
✹ ✿
✽ ✲❲ ✵ ❲
✷
❲ ✹ ✹
♣ ♣
✺ ✾ ✸ ✾ ✺ ✾ ✷ ✾ ✸
Tpt. ✿
✽ ✹ ✽ ✹ ✹
✷
cup mute ✪❲
✯
❁
✺ ✼ ✻ ✺ ✻ ✸ ✾ ✺ ✾ ✷ ✼ ✻ ✰ ✸
Tbn. ❃ ✽ ✲❲
✶ ✹ ✽ ✹ ✹
♣ ♣♣♣
W. bl. Cym. 6
✶✸ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ✶✸ ✶ ➔ ◆ ➔ ➔
❂
r ✺ ✻
❲
✺ ❲ ✻ ❲ ❲ ✸ ❲
✶
✺ ✺ ✺ ❲ ✻ ✵ ❲ ✼ ✺ ✺ ❲ ✻ ✻ ✻ ❲
✶
✻ ✷ ❲
✺ ✻ ✸
✽ ✰
✱
✹ ✱
✽ ✱ ✰
✹ ❲ ❲ ❲ ❲ ✹
♣♣ 3 5 ♣♣♣ 3
Perc.
loco
✺ ✾ ✸ ✾ ✺ ✾ ✷ ✾ ✸
❃
❻
✽ ✹ ✽ ✹ ✿
✹
✺ ✾ ✸ ✲❲ ✺ ✻ ✼ ✼ ✺ ✾ ✷ ✾ ✸
✿
✽ ✹ ❲
❲ ✽ ✹ ✹
✶✷
Pno. ♣♣
✶✷
✴ ★❲
✺ ✾
❁
✸ ❲ ✺ ✻ ✼ ✼ ✺ ✾ ✷ ✾ ✸
✿
✽ ✹ ✳ ❲
✽ ✹ ✹
✱
✯
❂
✺ ✻ ✺ ✼ ✵ ✸ ✾ ✺ ✾ ✷ ✾ ✸
Vln. I ✿
✽ ✲❲
✷ ✹ ✽ ✹ ✹
❢
✺ ✻ ✺
✯
✼ ✵ ✸ ✾ ✺ ✾ ✷ ✾ ✸
Vln. II ✿
✽ ★❲
✹ ✽ ✹ ✹
✷
❢
✷ con sord. arco ✷
❀ ✺ ✻ ✺
❲
✼ ✵ ✸ ✾ ✺ ✾ ✷ ✼ ✻
❲
✸
Vla. ✽ ✱ ✹ ✽ ✹ ❲
✹
❢ ♣♣
✰
✯
❁
✺ ✼ ✻ ✻ ✺ ✸ ✼ ✼ ✻ ✯ ✺ ✺ ✾ ✷ ✾ ✸
Vc. ✽ ❲
✶✷ ✹ ★❲
✽ ✹ ✹
♠❢ ✶
✸
♣♣
✶✷
✶
✶✷ ✷ ✶✷ ✲❲
✯ ✶ ★❲ ✶ ✮
❹
✺ ✻ ✲❲
✲❲
✻ ✺
❲
✸ ✻ ✻ ✻ ✵ ✼ ✺ ✻
✳❲
✻ ✺
✴❲
✷ ✺ ✳❲
✶
✺ ✻ ✸
Db. ❃ ✽ ✰
✰ ✱ ✹ ✰ ✲❲
✶ ✽ ✱ ✹ ❲ ✵
✸ ✱
✹
✸
♠♣ ♠❢
3
♠♣ ♣ ♣♣ ♣ ♣♣ ♣
51509ins.qxd 10/10/2002 12:39 Page 38
38
121
✮
❂
✸ ✾ ✷ ✾ ✸ ✾ ✼ ✻ ✸
A. Fl. ✿
✹ ✹ ✹ ❲
✷
✲❲
✷ ✽
♣♣ dolciss.
✸ ✾ ✷ ✾ ✸ ✾ ✾ ✸
Ob. ✿
✹ ✹ ✹ ✽
❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚
3
✷ ✯ 3 ✯
5
✳❲
✸ ✼ ✼ ✷ ✻
❲ ✶ ✳❲ ✶ ✺ ✻ ✸ ✳❲ ✺ ✻ ✾ ✸
Bsst. Cl. ✿
✹ ❲
✹ ✱
✳❲ ✴❲ ✲❲
✶ ❲
✹ ❲ ✶
✳❲ ✵
❲
❲ ✲❲
✶ ✽
✶
3
♠❢ 3 3 ♣ ♣♣♣
✯ 3
❁
✸ ✻ ✺ ✻ ✼ ✷ ✯ ✺ ✺
✮ ✮
✻ ✸ ✾ ✾ ✸
❲
✶
✹ ✹ ✽
✳ ★❲ ✪ ✴ ★❲ ✪ ★❲ ★❲
❲ ❲ ❲ ✷
✶
♣♣ ♣♣ ( ) ♣ ♣♣
❂
✸ ✾
❁
✷ ✯ ✺ ✻ ✼ ✸ ✾ ✮ ✻ ✼ ✼ ✸
Hn. ✿
✹ ✹ ✹ ✿
✽
✳ ★❲ ✪
❲
✶ ✷
♣♣ ♣♣♣
✸ ✾ ✷ ✾ ✸ ✾ ✾ ✸
Tpt. ✿
✹ ✹ ✹ ✽
✷ ✷
★❲ ✲ ★❲
❁
✸ ✾ ✷ ✾ ✸ ✾
❀
✼ ✻ ✸
Tbn. ❃ ✹ ✹ ✹ ✰
✽
♣♣♣ dolciss.
SD
Cym. 3 3 3
❚❚❚❚❚ ➔❉ ◆❉
➔✯ ➔✯ ➔✯ ◆✯ ➔ ➔✯ ➔✮ ➔✯
❂
r ✸ ✻ ✺ ✻ ✻ ❲ ❲ ❲ ❲ ❲ ❲ ✼ ú ✷ ✻ ✺ ✻ ✻ ✸ ✺ ✵ ✻ ✺ ✻ ❲ ✵ ❲ ✻ ✻ ✺ ✺ ✵ ✸
✹ ❲
✶ ✰
✹ ❲ ❲ ❲ ✹ ❲ ❲ ❲ ❲ ✼ú ❲ ❲ ❲ ✽
3
♣♣♣ ◆ ♣♣♣ 3 ◆ ♣♣♣
Perc.
✸✶
Mar. ✯ ✲❲
✸ ✼ ✺ ✻ ✼ ✷ ✾
❁
✸ ✼ ✲ ❲ ✼ ✼ ✾ ✸
❃
✿
✹ ✳❲
❲ ✹ ✹ ✱
✽
✶
5
♣♣
✸
♣♣♣
✸ ✾ ✷ ✾ ✸ ✾ ✾ ✸
✿
✹ ✹ ✹ ✽
Pno.
❁
✸ ✾ ✷ ✾ ✸ ✾ ✾ ✸
✹ ✹ ✹ ✽
❂
con sord. arco 3 ✮ ✮
3 ✷
✮
✸ ✼ ✻ ✻ ✷ ✻ ✼ ✸ ✼ ✼ ✻
✷
✻ ✼ ✸
Vln. I ✿
✹ ❲
✪
❲
✪
✹ ❲
✪
✹ ✳ ✪❲ ❲ ❲
✪
❲
✪
✽
❲ ❲ ❲ ❲ ❲ ❲
✷
♣ ♣♣♣ ✰
✷
♣♣
IV
con sord. arco 3 5 ✮ ✮ ✮
✸ ✼ ✻ ✻
✮ ✯
✷ ✻ ✼ ✸ ✼ ✼ ✻ ✻ ✼ ✸
Vln. II ✿
✹ ❲ ❲ ❲
✷
✹ ❲ ✹ ❲
✪
❲
✪
❲
✪
✽
✷ ❲ ❲ ❲
✷
♣ ♣♣♣ ♣♣
3
✷✮ ✷ ✮
III ✷
❀ ✸ ❲ ❲
✻ ✻ ✳❲ ❲
✷ ❲
✻ ✼ ✸ ✼ ✼ ✻ ✴❲
✷ ❲ ❲
✻ ✼ ✸
Vla. ✹ ❲ ❲
✹ ❲
✹ ✰ ✰ ✽
♣♣♣ ♣
✰
♣♣♣
✰ ♣♣
IV◆
❈❲
arco û
✮
❁
✸ ✾ ✷ ✾ ✸ ✾ ✻ ✼ ✼ ✸
Vc. ✹ ✹ ✹ ❨
✷
✽
♣♣♣
(tune string right
✸
✶ 3 ✮ 3 3 down until slack)
❲ ✮
❹
✸ ✺ ✴❲ ✵ ✺ ✻ ✻ ✻ ✷ ✻ ✻ ✼ ✸ ✾ ✻ ✼ ú ✼ ú ✸
Db. ❃ ✹ ✰
✱ ❲
✶✷ ✹ ❲
✷
✹ ❲ ✹ ❈ ✽
♣♣ ♣♣♣ ♣♣ ♣♣ sonore ♣
❾
û
51509ins.qxd 10/10/2002 12:39 Page 39
39
125
rit. M II ✰ = 72-88 (✱ = 36-44)
❂ ✮ ✯=✰
✸ ✻ ✻ ✸ ✾ ✾ ✾ ✾
A. Fl. ✿ ✽ ❲
✶ ✷
✸ ✾ ✸ ✾ ✾ ✾ ✾
Ob. ✿ ✽ ✷
✸ ✾ ✸ ✾ ✾ ✾ ✾
Bsst. Cl. ✿ ✽ ✷
❁ ✸ ✾ ✸ ✾ ✾ ✾ ✾
Bass Cl. ❃ ✽ ✷
❂
✸ ✾ ✸ ✾ ✾ ✾ ✾
Hn. ✿ ✽ ✷
✸ ✾ ✸ ✾ ✾ ✾ ✾
Tpt. ✿ ✽ ✷
✶
★❲
❀ ✸ ✰ ✻ ✻ ✸ ✾ ✾ ✾ ✾
Tbn. ❃ ✽ ✷
Cym. C. bell
W. bl. (plates touching, (soft✷ stick)
Tam-tam 2 SD T.-T. 1 ✶ ✶✷
❂ ➔ ✶✸ wire brush)
✦ ✦ ✦ ✦
❲
r ✸ ✺ ✸ ✽ ✦ ➮ ✼ ❲ ✽ ✦ ➮ ✼ ❲
✽ ❲ ❲
✶ ✰ ✷ ✦ ✦
♣
Perc.
♣♣♣ tutti l.v. sempre
✮ ③ ③
❪ ❪ ✮
❁ ✸ ✾ ✸ ✽ ✼ ✻ ✻ ✾ ✼ ✽ ✽
❃ ✽ ✷ ✿ ❲ ✦ ✧ ❲ ❲
✶
❲
✶
♣♣♣♣ ♣♣♣
✸
✷ ✷
✭✦ ✵ ✲ ✭❲
✸ ✾ ✸ ✽ ✼ ➬ ✽ ✽ ✼ ✼ ➬ ✽ ✽ ✾
✿ ✽ ✷ ❲
✶✷
♣♣♣ ♣♣♣♣ ♣♣♣♣
Pno.
❁ ✸ ✾
➀
✸ ➬ ➬
✲❲ ❲ ➬
❏
✵ ✾
➬
✲ ❲ ➬❲ ➬
❏
✵ ✾
✽ ✷ ❲ ✲✧
✸
❲ ✲✧
✸
poco ❢ sim. sempre
u.c. to bar 157
❬ to S
❂
✸ ✾ ✸ ✾ ✾ ✾ ✾
Vln. I ✿ ✽ ✷
✸ ✾ ✸ ✾ ✾ ✾ ✾
Vln. II ✿ ✽ ✷
❀ ✸ ✾ ✸ ✾ ✾ ✾ ✾
Vla. ✽ ✷
❁ ✸ ✾ ✸ ✾ ✾ ✾ ✾
Vc. ✽ ✷
(retune IV to E❜)
❹ ✸ ✾ ✸ ✾ ✾ ✾ ✾
Db. ❃ ✽ ✷
51509ins.qxd 10/10/2002 12:39 Page 40
40
130
❂
✾ ✷ ✾ ✸ ✾ ✾
A. Fl. ✿ ✷ ✷
✾ ✷ ✾ ✸ ✾ ✾
Ob. ✿ ✷ ✷
✷
✧
✾ ✷ ✾
❁
✸ ✽ ✾
Bsst. Cl. ✿ ✷ ✷
♣♣ ♣♣♣
✷
✴✧
❁
✾ ✷ ✾ ✸ ✽ ✾
Bass Cl. ❃ ✷ ✷
♣♣ ♣♣♣
❂ mute
✾ ✷ ✾ ✸ ✽ ✾
Hn. ✿ ✷ ✷ ❆
✧
✷
♣♣ ♣♣♣
Cup mute
✾ ✷ ✾ ✸ ✽ ✾
Tpt. ✿ ✷ ✷
✲ ✩✧
✷
♣♣ ♣♣♣
Bucket mute ★✦ ✵ ✲ ★❲ ★✦ ✩✧ ★❲
❲
❀
✾ ✷ ✽ ✼ ✻ ✸ ✼
Tbn. ❃ ✷ ✰ ✷
♣♣ espr. molto vibrato
C. bell
T.-T. 2 Cym. SD T.-T. 1 T.-T. 3 ✶✷ ✶✷
❂ ✦ ❲ ✵ ✦ ✦
r ✽ ✦ ➮ ✷ ✼ ❲ ✸ ✽ ✻ ✼ ❲
✦ ✷ ✷ ✦
Perc.
✾ ✷ ✾ ✸ ✾ ✾
❃
✿ ✷ ✷
✾ ✷ ✾ ✸ ✾ ✾
✿ ✷ ✷
Pno.
➀ ➬
✲ ❲ ➬❲ ➬
❏
✵ ✷ ✾ ✸ ✾ ✾
❲ ✲✧
✸
✷ ✷
IV
(con sord.) sul tasto 5 5 5 3 ✮
❂ ✮
✾ ✷ ✾ ✸ ✼ ✼ ✲❲ ✲❲ ✼ ✽
Vln. I ✿ ✷ ✷ ❲
❲
❲
❲
❲
❲
❲ ❲ ❲ ❲
✴❲
❲
❲ ❲
♣♣♣ ◆
(con sord.) sul tasto IV 3 3 ✮

✾ ✷ ✾ ✸ ✲✦ ❲ ✻ ✼ ✽ ✽
Vln. II ✿ ✷ ✷ ❲
✦ ✦ ❲
◆
♣♣♣
(con sord.) sul tasto III
✳✦ ❲ ❲ ✴❲ ✦
✷ ✸ ✦ ❲ ✵ ❲
❀ ✾ ✾ ✽
Vla. ✷ ✷ ✰
♣♣♣ ◆
◆
❈❲
sul tasto III û
❁
✾ ✷ ✾ ✸ ✽ ✼ ❨ ➘
Vc. ✷ ✷ ✧
✫
✳✧
✷ ♣♣♣ ◆
♣ ♣♣♣
arco
❹
✾ ✷ ✾ ✸ ✽ ✾
Db. ❃ ✷ ✷ ✲ ✩✧
✷
♣ ♣♣♣
51509ins.qxd 10/10/2002 12:39 Page 41
41
134 5 5 5
❂
✽ ✽ ✼ ✲❲ ✹ ✲❲ ❲ ✼ ✲❲ ❲ ❲ ✼ ✽ ✸ ✾
A. Fl. ✿ ❲ ✷ ❲ ❲ ❲ ❲ ❲ ❲ ✷
♣♣♣ ♣♣♣
(inside viola)
✾ ✹ ❶ ✸ ✾
Ob. ✿ ✷ ✷
❲ ✦ ❲
✶✷
❁
✾ ✹ ✦ ✼ ✼ ✸ ✾
Bsst. Cl. ✷ ✷
♣♣♣ ◆ ♣♣♣ ◆
❁
✾ ✹ ✽ ✾ ✸ ✾
✦
✶✷
♣♣♣
❂
✾ ✹ ✽ ✾ ✸ ✾
Hn. ✿ ✷ ✷
✦
✶✷
♣♣♣
✾ ✹ ❶ ✸ ✾
Tpt. ✿ ✷ ✷
✲✦ ✵ ✲✦
✦ ❲ ✦ ✦ ❲ ✦ ❲
❲
❀
✼ ✼ ✹ ✼ ✽ ✸ ✼
Tbn. ❃ ✷ ✷
3 3 (quicker vib.)
✷✶
❂ ✦ ✦
r ✽ ✦ ➮ ✹ ✼ ❲ ✼ ❲ ✸ ✽ ✦ ➮
✦ ✷ ✷ ✦
Perc.
Mar. ③ ③
✾ ✹ ❶ ✸ ✼ ✻
❃
✿ ✷ ✷ ✦ ✵ ❲ ✵
♣♣♣ ♣♣
✾ ✹ ❶ ✸ ✾
✿ ✷ ✷
Pno.
➀ ➬
✲ ❲ ➬❲ ➬
❏
✵ ✹ ❶ ✸ ➬
✲ ❲ ➬❲ ➬ ❏
✵
❲ ✲✧
✸
✷ ✷ ❲ ✲✧
✸
3 3
❂
✽ ✹ ❶ ✸ ✼ ✲❲
Vln. I ✿ ✦ ❲
✦ ✷ ✷ ✦ ✵ ❲ ❲
♣♣♣ ◆ ♣♣♣
5 5
✽ ✻ ✲❲ ❲ ❲ ✹ ✼ ✽ ✾ ✸ ✼ ✲❲
Vln. II ✿
❲
❲
❲
❲ ❲ ❲ ✷ ❲ ✷ ✦ ✵ ❲ ❲
♣♣♣ ◆ ♣♣♣
✲❲ ✦ ✲✦
✳✦ ❲ ✴❲ ❲ ❲ ✦ ✵ ❲
❀ ✼ ✼
❲ ✦ ❲ ✹ ✼ ✽ ✸ ✼
Vla. ✷ ✷
3 3 3 3 ♣♣♣ 3
♣♣♣ ◆
ord.
❁
✾ ✹ ✽ ✸ ✾
Vc. ✷ ✳✧
✧ ✵
✵ ✷
✷
♣♣ ♣♣♣
❹
✾ ✹ ✲✧ ✵ ✽ ✸ ✾
Db. ❃ ✷ ✲✧ ✵ ✷
✷
♣♣ ♣♣♣
51509ins.qxd 10/10/2002 12:39 Page 42
42
137
N
❂ ✷
✽ ✼ ✹ ✻ ✽ ✾ ✽ ✾ ✸ ✦ ✵
❲
A. Fl. ✿ ✦ ✵
✷ ✷ ❲ ✵
✦ ✷ ❲
✷
❲
✶✷
♣♣ ♣♣♣ ♣♣♣ ♣♣ ♣
✾ ✹ ❶ ❶ ✸ ✾
Ob. ✿ ✷ ✷
✷✶
★✦
❁
✾ ✹ ❶ ✽ ✾ ✸ ✾
Bsst. Cl. ✷ ✷
♣♣♣
✶✷
❁
✾ ✹ ❶
✳✦
✽ ✾ ✸ ✾
♣♣♣
❂
without mute
✾ ✹ ✾ ❶ ✸ ✾
Hn. ✿ ✷ ✦ ✦
✷
✷
✷
♣♣♣
✾ ✹ ❶ ✦ ✽ ✾ ✸ ✾
Tpt. ✿ ✷ ✶✷ ✷
♣♣
✶✷
➐ ✲ ✪✦ ✲ ★✦
❀
✽ ✽ ✹ ❶ ✽ ✾ ✸ ✾
Tbn. ❃ ✷ ✷
♣♣
C. bell
✷
SD T.-T. 1 ✶ T.-T. 3 T.-T. 2 ✶✷
❂ ✦ ✦ ✦ ✦
r ✼ ❲ ✽ ✹ ✼ ❲ ✼ ❲ ✽ ✼ ❲ ✽ ❲ ✼ ✸ ✼ ❲
✷ ✦ ✷
Perc. ✮ ③ ③
Mar. ❪ ✮
✾ ✹ ✽ ✼ ✻
3
✽ ✽ ✼ ✻ ✲✦ ✸ ✻ ✼ ✽ ✽
❃
✿ ✷ ❲ ❲ ❲ ✦
❲ ✦ ✷ ✷ ❲
♣♣♣
✶
♣♣♣
✷
✭❲ ✭✦ ✲ ✦✭ ✭❲
✾ ✹ ❶ ✽ ✼ ✻
➬ ❪ ➬ ③ ➬ ③ ✸ ➬ ✻ ✼ ✽ ✽
✿ ✷ ✰ ✷ ✰
Pno. ♣♣♣
➀
✾ ✹ ❶ ❶ ✸ ✾
✷ ✷
❂
pizz. III IV arco ord. sul tasto 3
✮
➐✲ ❲ ✼ ✼ ✽ ✽ ✹ ✾ ✽ ✮❭
✻ ✼ ✧ ✾ ✸ ✽ ✽ ✼
Vln. I ✿ ✷ ❳ ❲ ✧ ✷ ✦
✶ ✷ ♣♣♣
3
◆
♣♣♣ ♣♣
pizz. IV III arco ord. sul tasto
➐✲ ✦ ✽ ✽ ✹ ✾ ✽ ✺ ✻ ✼ ✲✧ ✾ ✸ ✽ ✽ ❲
Vln. II ✿ ✷ ❲ ❲
✶ ✧✩
✷ ❲ ❲
◆
♣♣♣
✷ ♣♣♣
♣♣
pizz. III IV arco ord. sul tasto ✮❭ ✷
➐ ✲ ★✦ ★❲ ✶ ❲ ✦ ❲
❳
❀ ✰ ✻ ✼ ✽ ✹ ✾ ✼ ✻ ✵
❲ ❲
✽ ✾ ✸ ✽ ✼
Vla. ✷ ✳✧
✷
✷
◆
♣♣♣ ♣♣ ♣♣♣ 3
✶
pizz. ✪❲ arco
❁
✾ ✹ ✾ ✽ ✰ ✻ ✼ ✾ ✸ ✾
Vc. ✷ ✴✧ ✷
♣♣♣ ✷
♣♣
❹
✾ ✹ ❶ ✾ ✸ ✾
Db. ❃ ✷ ✲✧
✲ ✩✧
✷
✷
♣♣
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141
❂
3 ✮
✦ ✻ ✼ ✾ ✹ ❶ ✸ ✾
A. Fl. ✿ ❲ ✦ ✳❲ ✷ ✷
♣♣ ♣♣♣
✾ ✾ ✹ ❶ ✸ ✾
Ob. ✿ ✷ ✷
✮
❁
✾ ✾ ✹ ✻ ✼ ✽ ✾ ✸ ✾
Bsst. Cl. ✷ ✳❲
✶ ✷
♣♣♣
❁
✾ ✽ ✻
✳❲ ✵ ✦ ✹ ❶ ✸ ✾
❁
Bass Cl. ❃
✿ ✷ ✷ ✷
♣♣♣
❂
3
✾ ✾ ✹ ✾ ✽ ✸ ❲ ✵
✻ ✽ ✽
Hn. ✿ ✷ ✧
✷ ✷ ✷
♣♣
✾ ✽ ✽ ❲ ✵ ✻ ✹ ❶ ✸ ✾
Tpt. ✿ ✷ ✷ ✷
♣♣♣
❀
✾ ✾ ✹ ❶ ✸ ✾
Tbn. ❃ ✷ ✷
Cym. ✶✷
❂ ✦ ✦ ✦
r ✽ ✦ ➮ ✼ ❲ ✹ ✽ ✼ ❲ ✼ ❲ ✦ ✸ ✼ ❲ ✼ ❲ ✵ ❲
✦ ✷ ✷ ✰
3
Perc.
3
✾ ✾ ✹ ✾ ✼ ✺ ✽ ✸ ✾
❁
❃
✿ ✷ ❲ ❲ ❲ ❲
✶ ✷
♣♣
✳ ✭❲
✮ ✮
✾ ✼ ✻ ✽ ✽ ✹ ➬ ✼ ✽ ✾ ✸ ✻ ✼ ✽ ✽
✿ ✳❲
✶✷ ✷ ✷ ✴❲
✶
Pno. ♣♣♣ ♣♣♣

➀ ➬
✲ ❲ ➬❲ ➬
❏
✵ ✾ ✹ ❶ ✸ ✾
❲ ✲✧
✸
✷ ✷
3
❂
✦ ❲ ✼ ✽ ✾ ✹ ❶ ✸ ✾
Vln. I ✿ ❲ ✷ ✷
◆
3 3
✦ ✼ ✽ ✾ ✹ ❶ ✸ ✾
Vln. II ✿ ❲ ✦ ✷ ✷
◆
★✦ ✦ ❲ ✶
❲ ✦ ✳❲ ✳❲
❀ ✻ ✼ ✽ ✽ ✼ ✹ ✼ ✽ ✾ ✸ ✾
Vla. ✰ ✷ ✷
3 ◆ 3
♣♣♣ ♣♣♣♣ ◆
sub.
con sord.sul tasto, senza vib. ✶
★✦ ✳ ★❲
❁
✾
❀
✽ ✽ ✰ ✻ ✹ ❶ ✸ ✾
❁
Vc. ✷ ✷
3
♣♣♣
❹
✾ ✾ ✹ ❶ ✸ ✾
Db. ❃ ✷ ✷
51509ins.qxd 10/10/2002 12:39 Page 44
44
O
145
✷ ✷ to Flute
❂ ✦ ✦ ✵ ✳✦
✧ ✦ ✳❲ ✵
A. Fl. ✽ ✼ ✽ ✻ ✽
✿
✲ ★✦
✷ ❢ ♠❢ ♣
♣♣ ✷
✦ ✦ ✵ ✷
✳✦
✧ ✦ ✳❲ ✵
Ob. ✽ ✽ ✼ ✽ ✻ ✽
✿
❢
♠❢ ♣
✷ ✷
✦ ✦ ✵ ✳✦
❁ ✷ ✧ ✦
✦ ✽ ✼ ✽ ✳❲ ✵ ✻ ✽
Bsst. Cl. ✿
♣♣ ❢ ♠❢ ♣
❁
Bass Cl. ✦ ✧ ✾ ✽ ✼ ✻ ✼ ✾
❃ ✷ ✲❲ ✵
✶✷
♣♣ ♣♣♣ ♣
❂
mute
Hn. ✾ ✽ ✼ ✻ ✼ ✾
✿
✲✧ ✵
✪
♣♣♣ ✲❲ ✵
✶✷
✷ ♣
✴✦ ✦ ✵ ✷
✳✦
Tpt. ✽ ✼ ✽ ✼ ✻ ✼ ✾
✿
✴❲ ✵
✪ ✶✷
✲✦
✷ ♠❢ ♣
♣♣
(Bucket mute) ✶✷
✴✧ ✵ ✲❲ ✵
❀
Tbn. ✾ ✽ ✼ ✻ ✼ ✾
❃
♣♣♣ ♣
T.-T. 3 SD C. bell T.-T. 2 Cym.

3 T.-T. 1
❂ ❲ ✦ ✦
r ❲ ✼ ❲ ✵ ❲ ❲ ✽ ✦ ✼ ❲ ✦ ➮
➮
❲ ✦ ✦ ✦
✰
Perc. Mar.
✲✧ ✵
❁ ✲ ✧ ✵
✵ ✳✦ ✵
✧ ✧ ✵ ✾ ✾
✿
✽ ✼
❪
❃ ❪
♣♣♣ ♣♣♣
✾ ✾ ✾ ✾
✿
Pno.
➀ ➬ ❁
✲ ❲ ➬❲ ➬
❏
✾ ✵ ✾ ✾
❲ ✲✧
✸ loco
molto vib. ô senza vib.

molto vib. ô senza vib.
senza sord. ord. II ✦ ( ✲ ❈❲ ) ✦ ✵ ❲ IV
❂ ❲ ✳❲ ✦ ( ) ✲❲
✦ ✦ ✦ ❲ ✳✦ ❲ ✵
Vln. I ✼ ✻ ✽ ❲ ✻
✿
✲✦ ✵ ✰
✲ ★✦ ✵ 3
✷ ◆
♣♣♣ ♣♣♣ 3 3 ◆
♣♣♣
3 molto vib. ô
senza vib. ◆
senza sord. ord. II ❲ ( ✲ ❲❈ ) ✧ ❲ 0
❲ ✳✦
✼ ✻ ✽ ✼ ✻ ✼ ✼ ✽
Vln. II ✿ ✦ ✵
✴✦ ✵ ✰ ✲❲ ✵ ✦ ✵
✷ ✲ ❲★ ✵ ✷
♣♣♣ ♣♣♣ 3 ✷✶
◆ ♣♣
♠♣
senza sord. ord.
✴❲ ✵
❀ ✼ ✽ ✽ ✼ ✻ ✼ ✼ ✽
Vla. ✲✧ ✵ ✳ ✴ ✦ ✦ ✵✵ ✲✦ ✵
✷ ★❲ ✵ ✲ ★✦ ✵
♣♣ ♣♣♣ ✶✷ ✷
♠♣ ♣♣
senza sord. ord.
❁ ✵ ✦ ✵
Vc. ✧ ✼ ✽ ✽ ✼ ❲ ✵ ✻ ✼ ✼ ✽
✲✧ ✵ ✴✦ ✵ ✲❲ ✵
✷ ✶✷ ✦ ✵
✷
♣♣ ♣♣♣ ♠♣ ♣♣
(retune IV to E➜)
❹
✲✦ ✵ ✼ ✽ ✽ ✼ ✻ ✼ ✼ ✽
Db. ✦ ✵
❃ ✧ ✵
✷ ✲ ✦★ ✵ ❲ ✵
✶✷ ➐ ✴ ★✦ ✷
✵
♣♣ ♣♣♣ ♠♣ ♣♣
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149
❂
✾ ✾ ✹ ❶ ✸ ✾ ✺
Fl. ✿ ✷ ✷ ✷
✪✦ ✪❲ ✵ ✸✷ ✷✸
★❲ ★❲
✳❲ ✵ ✳❲ ❲
✼ ✼ ✽ ✾ ✹ ✾ ✽ ✸ ✰ ✼ ✺
Ob. ✿ ✳✦
✶✷ ✷ ✷ ✰ ✷
♠♣ ♣♣ ❢❢ 3
✷
✬✦ ✬✦ ✬❲
✪✦ ✪❲ ✵ ✸✷ ✷✸
solo ★❲ ★❲
✷ ✳❲ ✵ ✳❲ ❲
✼ ✼ ✽
❁
✽ ✽ ✦ ✹ ✼ ❲ ❲ ✸ ✰ ✼ ✺
Bsst. Cl. ✿ ✳✦
✶✷ ✷ ❲ ✿
✷ ✰ ✷
♠♣ 3 3 3
poco ❢ espr. ♠♣ ♠❢ ❢❢
❁
✼ ✼ ✽ ✾ ✹ ❶ ✸ ✾ ✺
Bass Cl. ❃
✪
✷ ✷ ✷
✦
✶✷
♠♣
❂ without mute
✽
✦ ✵ ✦ ✼ ✹ ❶ ✸ ✾ ✺
Hn. ✿ ✧
✷ ✷ ✷ ✷
♠❢ ♣
without mute
✽ ✼ ✹ ❶ ✸ ✾ ✺
Tpt. ✿
✧ ✦ ✵ ✳ ★✦
✷ ✷ ✷
✷
♠❢ ♣
without mute
❀
✽ ✼ ✹ ❶ ✸ ✾ ✺
Tbn. ❃ ✧ ✦ ✵ ✦ ✷ ✷ ✷
✷
♠❢ ♣
❂ ✦ ✦ ✦
r ✼ ❲ ✽ ✦ ✼ ➮ ✹ ✼ ❲ ✼ ❲ ✼ ❲ ✸ ✦ ➮ ✺
❲ ✷ ✷ ✦ ✦ ✷
Perc. ♣♣ ♣♣ ♣♣♣
➐✳ ✧ ❪ ✽ ✽ ✼ ❲ ✽ ✹ ❶ ✸ ✾ ✺
❃
✿
✳ ❲✭
✷ ✷ ✷
◆
❲
✶✷
♣
✽ ✽ ✾ ✹ ❶ ✸ ✾ ✺
✿ ✦
✦ ✷ ✷ ✷
✷
Pno. ♣
❁
✽ ✦ ✽
➀ ➬
✲ ❲ ➬❲ ➬ ❏
✵ ✹ ❶ ✸ ➬
✲ ❲ ➬❲ ➬
❏
✵ ✺
✷ ❲ ✲✧
✸
✷ ✷ ❲ ✲✧
✸
✷
❂
✾ ✾ ✹ ❶ ✸ ✾ ✺
Vln. I ✿ ✷ ✷ ✷
✼ ✽ ✾ ✹ ❶ ✸ ✾ ✺
Vln. II ✿ ✳✦ ✵ ✷ ✷ ✷
✦★ ✵
✶✷
♠❢
❀ ✼ ✽ ✾ ✹ ❶ ✸ ✾ ✺
Vla.
✴ ★✦ ✵
✷ ✷ ✷
✶✷
♠❢
❁
✼
✲✦ ✵
✽ ✾ ✹ ❶ ✸ ✾ ✺
Vc.
✪ ✵
✷ ✷ ✷
✦
✶✷
♠❢
pizz. (tune IV down to E❜)
❹
✼ ❲ ✽ ✽ ✾ ✹ ❶ ✸ ✾ ✺
Db. ❃ ✶✷ ✷ ✷ ✷
♠♣
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153
❂
✺ ❶ ✸ ✾
Fl. ✿ ✷ ✷
✷ ✭❲ ✭❲ ✷
✷ ✳ ✬✦ ✵ ✳ ✬✦ ✬❲ ✬✦
✲ ❲★ ✷ ✳ ★❲
✷ ✲❲ ✴❲
✲❲ ❲
✺ ✼ ✼ ✲❲ ❲ ✷ ✸
Ob. ✿ ✷ ✲❲ ✲❲
✷ ✷ ✳❲
❲
3
3 ❢❢
❢ 5 5
✷
3
✷ ✪✦ ✵ ✪❲ ✪❲ ✪✦ ✪❲ ✳ ✪❲ ✷
✷ ✷ ★❲ ✴ ★✦
✲❲ ✷ ❲ ✷ ✳❲
✺ ✼ ❲
❲ ❁
❲ ✲❲ ✷ ❲ ✸ ✳❲ ❁
Bsst. Cl. ✿ ✷ ✪
❲ ✿
✲❲ ✷ ❲ ❲ ✿
❢ ❲
✷ ❢❢ 3
6
7: 8
❁ ✺ ❶ ✸ ✾
❂
✺ ❶ ✸ ✾
Hn. ✿ ✷ ✷
✺ ❶ ✸ ✾
Tpt. ✿ ✷ ✷
❀ ✺ ❶ ✸ ✾
Tbn. ❃ ✷ ✷
SD T.-T. 1
❂ ✦ ✦
r ✺ ✼ ❲ ✼ ❲ ✼ ❲ ✵ ❲ ✽ ✸ ✼ ❲ ✼ ❲
✷ ✰ ✷
♣♣ ♣♣♣ 3 ♣♣
Perc.
✺ ❶ ✸ ✾
❃
✿ ✷ ✷
✺ ❶ ✸ ✾
✿ ✷ ✷
Pno. (quasi upbeat to...)
➀ ✺ ❶ ✸ ➬
✲ ❲ ➬❲ ➬
❏
✵
✷ ✷ ❲ ✲✧
✶✷
❂
✺ ❶ ✸ ✾
Vln. I ✿ ✷ ✷
✺ ❶ ✸ ✾
Vln. II ✿ ✷ ✷
❀ ✺ ❶ ✸ ✾
Vla. ✷ ✷
❁ ✺ ❶ ✸ ✾
Vc. ✷ ✷
❹ ✺ ❶ ✸ ✾
Db. ❃ ✷ ✷
51509ins.qxd 10/10/2002 12:39 Page 47
47
P
155
❂
✾ ✾ ✾ ✹
Fl. ✿ ✷
✭✦ ✵ ✷ ✷ ✷ ✷✸
✬❲ ✬❲ ✷ ✳ ✦✪ ✵ ✳ ❲✪ ❲✪ ✬❲
✳ ✪✦ ✪❲
❲
✼ ✼ ✼ ✰ ✻ ✼ ❲
✳❲
✷
✶
✷ ✹
Ob. ✿
★❲
✷ ✷
3 ✷
❢
✷ ✷ ✷✸
★❲ ✷ ✷ ✷ ✩✧ ★❲ ★❲ 5 ★❲ ✵
✳✦ ✵ ✳❲ ✲❲ ✳❲
✼
❁
✻ ❲
✷ ✼ ✰ ✻ ✻ ✵ ✮ ✳❲
✷ ✹
Bsst. Cl. ✿ ✿ ❲
✭
❲
✶✷
✷
5 ✳❲ 5
❢ ✷
✸
✷ ✪❲ 3 ✷✶
❲ ✷ ✷ ❲ ✷✸
✷ ✷ ❲ ✦ ❲ ❲
❁
✼ ❲ ❲ ✦ ❲ ❁
✳❲
✷ ✼ ✻
❁
✻
❲ ❲ ✹
Bass Cl. ❃ ❲
✿
✪ ✪
✿
✰
✪
✲❲ ✰ ✿
✷
✦ ❲ ❲
3 ✷ 3
✸
❢❢ 5 ❢
(open)
❂
✾ ✾
❁
✹
Hn. ✿
✲✦ ✷
✲ ★✦ ✲ ★✦
✷
♣♣♣
✾ ✾ ✾ ✹
Tpt. ✿ ✷
cup mute
❀
✾ ✾
❁
✦ ✹
Tbn. ❃ ✦
✷
✲✦ ✷
♣♣♣
T.-T. 2 Cym. C. bell T.-T. 3

❂ ✦ ✦ ✦
r ✽ ✦ ➮ ✼ ❲ ✦ ✹
✦ ✦ ✷
♣♣ ♣♣♣ ♣♣ ♣♣♣ ♣♣ ♣♣ ♣♣
Perc.
Crot.
✾ ✾ ✼ ✽ ✽ ✹
❃
✿ ❻
✳❲ ✷
♣♣♣ l.v. sempre
3
★❲ ★❲ ★❲ ★❲
❲ ❲ ❲ ❲ ❲
✾ ✾ ✼ ✽ ✽ ✹
✿ ✷
3 3 3
Pno. (downbeat) ♣
➀ ➬
✲❲ ➬❲ ➬
❏
✵ ✾ ✾ ✹
❲ ✲✧
✸
✷
tre corde
❂
✾ ✾ ✾ ✹
Vln. I ✿ ✷
✾ ✾ ✾ ✹
Vln. II ✿ ✷
❀ ✾ ✾ ✾ ✹
Vla. ✷
❁
✾ ✾ ✹
Vc. ✧
✫
✵ ✷
✳✧ ✵
✷
arco
♣♣ ♣♣♣
❹
✾ ✾ ✹
Db. ❃
✲ ✩✧ ✵ ✷
✷
♣♣ ♣♣♣
51509ins.qxd 10/10/2002 12:39 Page 48
48
158 Q
❂
✹ ❶ ✸ ✾
Fl. ✿ ✷ ✷
✸✷ ✸✷ 3 ✷✸ ✸✷
✬❲ ✳ ✪❲ ✵ ✬❲ ✬❲ ✬❲
✪❲ ✪❲ ✵ ✪❲ ✪❲ ✷✶ ✳ ✪❲ ✪❲
✳❲ ✳❲ ✳❲
✹ ✱ ✺ ✻ ✼ ✱ ✺ ✱ ✺ ❲ ✸ ✷ ✰ ✻ ✼
Ob. ✿ ✷ ✳❲
★❲
✷ ✷ ✰ ✳❲
3
❢❢ (non dim.) ✷ 3
5 ❢❢
✸ ✷✸ ✸✷ ✷✸
★❲ 5 ✷✶ ★❲ ✵ ★❲ ★❲ ★❲ ✵ ★❲ ★❲ ★❲ ★❲ ★❲ ★❲
✹ ✱ ✺ ✻ ✻ ❲
✳❲ ✱ ✺ ✱ ✺ ✮ ✸ ✳❲
✷
✳❲ ✰ ✻ ✼
Bsst. Cl. ✿ ✷ ✬
❲
✭
✷ ❲
✶✷
❲
✬
❲ (non dim.) ❲
❢❢ ❢❢ ✳❲
✷
✷
✪❲
5 5
✶✷ ✸ ✷✸ ✸✷ ✷✸
❲ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲
✹ ❲
✺ ✻
❁
✻ ✺ ✺ ✻
❁
✸ ✶
✷
❲ ❲
✻ ✼
❁
Bass Cl. ❃
✿ ✷ ✱ ✪
✰ ✿
✱ ✱ ✷ ✪
✲❲
✷
✿
✪ ✵
✰
✲❲ ❲ ❲
3 ✷ ✷
(non dim.) ✸
3
❢❢
❂
❁ ✹ ✽ ✸ ✽ ✮ ✻ ✼
Hn. ✷ ✪ ✴ ★✦
✴✦
✿
✷ ★✦ ★❲
✳✦
✷
♣♣♣
cup mute 5 ✮
✹ ❶ ✸ ✮ ✻ ✼ ✼ ✼
Tpt. ✿ ✷ ✷ ★✦ ★❲
✲❲
♣♣♣ ♣♣♣
✲✦
❁ ✹ ✽ ✦
❀
✸ ✽ ✽
Tbn. ❃ ✷ ✦
✷
✴✦ ✷
♣♣♣
C. bell
✷
SD T.-T. 3 T.-T. 2 ✶ Cym.
❂ ✦
r ✹ ✼ ❲ ✦ ✸ ✦ ➮
✷ ✦ ✷ ✦ ✦
Perc. ♣♣ ♣ ♣ ♣♣ ♠♣ ♠♣ ♣
Crot.
✹ ✽ ✽ ✼ ✽ ✸ ✼ ✽ ✽
❃
❻ ✷ ✳❲ ✷ ❲
✸
♣♣ ♣
3 3
❲★ ❲★ ★❲ ★❲ ★❲
❲ ❲ ❲
✹ ✽ ✽ ✼ ✺ ✻ ✽ ✸ ✼
❲ ❲ ❲ ❲
✽ ✽
✿ ✷ ✷
Pno. ♠♣
3 3 ♠♣ 3 3
➀ ✹ ➬
✲ ❲ ➬❲ ➬
❏ ✸ ➬
✲ ❲ ➬❲ ➬
❏
✵
✷ ❲ ✲ ❅
✸
✷ ❲ ✲✧
✸
molto vib.
❂ 5 3 5 ✮
✹ ❶ ✸ ✼ ✻
Vln. I ✿ ✷ ✷ ★❲ ✪ ★❲ ✪ ★❲ ✪ ✲❲ ✵ ✲❲
✳❲ ❲ ✴❲
♣♣ ♣♣♣ ♣♣♣
molto vib. 3 3
✹ ❶ ✸ ✻ ✼ ✮ ✻
Vln. II ✿ ✷ ✷ ✪ ★❲ ✪ ✪ ★❲ ✪ ✲✦ ✪
✳❲ ❲ ✴❲ ❲ ✲❲
♣♣♣ ♣♣♣ ♣♣
molto vib.
6 5 3❭
❀ ✹ ❶ ✸ ✼ ✲❲ ❲ ❲ ✻
Vla. ✷ ✷ ❲ ❲
❲
✳❲
❲
❲
✲ ❳
✴ ❳
❲ ❲
❲
❲
❲
♣♣♣ ♣♣ ♣♣
5 ✮
❁ ✹ ✽ ✸ ❲
Vc. ✷ ✧
✫
✵ ✷ ✦
✲✦ ✴✦
✦
✲❲
✷
✳✧ ✵ ✲ ★✦ ✦★
✷
✷
✷ ✷
♣♣♣ ♣♣ ♣♣
❹ ✹ ✽ ✸
Db. ❃ ✷ ✲ ✩✧ ✵ ✷ ✲ ✩✧ ✵
✷
♣♣♣ ♣♣ ♣♣
51509ins.qxd 10/10/2002 12:39 Page 49
49
160
❂
Fl. ✾ ✾
✿
✬❲ ✵ ✷
5 ✳ ✪❲
✷ ❲
✳❲ ✷
Ob. ✽ ✽ ❲ ✰ ✽ ✽
✿
★❲
( ❢❢ )
✷✸ ✷
✷✶ ★❲ ✵ ★✦ ★❲ ✵ ★❲
✼ ✻ ✮ ✳❲ ❭✮ ✰ ✽ ✽
Bsst. Cl. ✿
❳
✬ ✰
( ❢❢ ) ✲❲
✷
3 3
✶✷ ✷✸ ✷ ✶✷ ✷
❲ ❲
❁ ❲ ❲ ✦ ❲ ✵ ❲ ❁ ❲
Bass Cl. ✼ ✼
✲❲ ❲ ✿ ✲❲ ✿
❃ ✷ ✰ ✷
✪ ✪
❲ ❲
✷ ✷
3 ✸
( ❢❢ ) ❢❢❢
❂ 3 ✮
✽ ✼ ✮ ✻ ✼ ✼ ✻ ✼ ✻
Hn. ✿
✴❲ ❲ ❲ ✵
★✦ ★❲
♣♣ ♣♣ ♣♣
✯
Tpt. ✻ ✽ ✼ ✼ ✻ ✻ ✼ ✻ ✺
✿ ✵ ❲ ❲
➐✲ ❲ ✲❲ ❲
♣♣ ♣♣ ♣♣
★❲ ★❲
✴❲ ❲ ✵ ✲✦
❀
Tbn. ✼ ✺ ✼ ✽ ✼ ✼ ✻ ✻ ✼
❃ ✰
♣♣♣ 3 ♣♣ 3 3
♣♣
T.-T. 1
❂ ✦ ✦
r ✼ ❲ ✽ ✦ ➮
✦
♣ ♠♣ ♣ ♠❢ ♠♣
Perc.
✮
✾ ✼ ✻ ✽ ✽
❻
❃ ✳❲
✸
♠♣
3
❲★ ❲★ ❲★ ❲★
❲ ❲ ❲ ❲ ❲
✾ ✼ ✻ ✺ ✻ ✼ ✽
✿
3 3
Pno. ♠❢
➀ ➬
✲ ❲ ➬❲ ➬
❏
✾ ✵
❲ ✲✧
✸
❂ 3 3 ✮
3 ✮
✻ ✯ ✺ ✻ ✻ ✮ ✻ ✻
Vln. I ✿ ❲ ❲ ❲ ❲ ❲ ✵ ❲
➐✲ ❲ ✴❲
★❲ ★❲ ✪ ★❲ ✪ ✳ ★❲ ❲★ ✳❲ ✵ ✴❲ ❲
✪ ✪
✶✷ ❲ ✷ ❲ ✷ ❲ ❲
♣ ✸ ✶✷ poco ❢
♠♣ ♣♣♣ ♣♣ ♣ ♠❢
3 3 3 3
✯ ✮
✺ ✻ ✼ ✻ ✻ ✮ ✻ ✻ ✻
Vln. II ✿
❲ ❲ ✲❲ ❲
✲❲
✲❲ ❲ ✵
✲❲
✴❲ ✪ ✶✷ ★❲ ✪ ✪ ✪ ✴❲ ✵ ★❲ ★❲ ✪ ✪ ✶✷ ✪ ✪ ✵
❲ ✵ ✸ ❲ ✲❲ ❲ ✲ ❲ ❲ ✲ ❲ ❲
✺
♣♣ ✰ ♣♣♣ ♠♣ ♣ ♣♣♣ ♣♣ ♠❢ poco ❢
3 3
0❭✮ 0 5 5 ✮ 3 3✮ ✮
❀ ✻ ❳ ❲ ❲ ✯ ✺ ✻ ❲ ✻ ✻ ✻ ✻ ✲❲ ✻ ✻ ✲❲
Vla. ❲ ❲ ✲❲ ✲❲ ❲ ✲❲ ❲ ✵
❲ ❲ ✳❲ ❲ ✳❲ ❲ ✴❲ þ ❲
þ ✲❲ ✲❲
❲★ ★❲ ★❲
✶✷ þ ❲★ ★❲ ❲★ ❲★ ✶✷ ✴ ❲★ ❲★ ✵
þ✐ ✷
✸ ♣ ♣♣ ▲
♣♣
♠♣ ♠❢ poco ❢
✸✷ 3
✷ ✶ ✷ ✶✷
❁ ❲ ✳❲ ❲ ❲ ✵ ✳❲ ❲ ❲ ❲ ✴❲ ❲ ❲ ✵ ❲
✳ ❲ ❲ ✺ ✻ ❲ ✻ ✻ ❲
Vc. ➐✲ ❲ ✲✦ ✴❲ ❲ ✲❲ ✵ ✳ ❲ ❲
❲ ❲ ✷ ✰
✱ ✦★ ✷ ✰
✷
♠♣ ♣ 3 poco ❢
♠❢
3
❹ ✯ ✺ ✮
✻ ✻ ✻
Db. ❲ ❲ ❲ ❲ ✵
❃ ✦ ✵ ❲ ✵ ❲ ✶✷ ✷
➐ ✲ ★✦ ★❲
✶✷ ✷
✸ ♠❢ sonore
♠♣ ♠♣ ♣
51509ins.qxd 10/10/2002 12:39 Page 50
50
162 ✬✦ ✳ ❲✪ ✧✫
❂
✽ ✽ ✼ ✼ ✹
Fl. ✿ ✷
♣ ❢❢❢ 3
❢❢ sost.
✸✷
✬❲ ✬✦ ✳ ✪❲
5 ✷✶ ✫✧
✷ ❲
✼ ✼ ✮ ❲
✷ ✳❲
✼ ✼ ✹
Ob. ✿
★❲
✷
❢❢❢ ✷ 5 3
❢❢ sost.
✳ ✪❲ ✫✧
★❲ ✩✧
✷
✳❲
✶ ✸ ✼ ✼ ✹
Bsst. Cl. ✿
✭
❲
✷
✷ ✷
3
❢❢❢ ✳❲
✷ ❢❢ sost.
3
✵
✧ ❁
✽ ✼ ✮ ✻ ✼ ✹
Bass Cl. ❃
✿
✪ ✪
✷
✦ ❲
♣ ♣♣♣
❂ 3 5
✼ ✻ ✲❲ ✻ ✳❲ ✵ ✼ ✽
❁
✹
Hn. ✿
✰ ✫
✷
♣♣ ♣♣ ✧ ✵
3 ✷✶ ♣♣
✻ ✻ ✺ ❲ ❲ ✻
❲
✻ ✽ ✾ ✹
Tpt. ✿ ❲
✱ ✰ ✰ ✷
♣♣ ♣♣ marc.
3
★❲ ★❲
❀
✻ ✻ ✰ ✰ ✻ ✽ ✽ ✾ ✹
Tbn. ❃ ✷
♣♣
Cym. T.-T. 1
❂ SD 3 T.-T. 2 ✦
r ✼ ❲ ✼ ❲ ✼ ➮ ✽ ✦ ✹
✦ ✷
♠♣ ♠♣ ♠♣ ♠❢ ♠❢
Perc.
Crot.
✾ ✼ ✼ ✽ ✹
❃
❻
❲
✶ ✳❲ ✷
✶
♠❢
3 ❲★ ❲★
★❲ ★❲ ★❲ ★❲
❲ ❲ ❲
✾
❲ ❲ ❲ ❲ ❲
✼ ✼ ✽ ✹
✿ ✷
più ❢ 5
Pno. ❢ 3 3 3
➀
✾
➬
✲ ❲ ➬❲ ➬
❏
✵ ✹
❲ ✲✧
✸
✷
archi: molto vib. sempre

un poco portamento
3 5 sul pont. poco a poco
❂ ✶✷
✲❲ ✵ ✴❲ ✹
❲ ✲❲ ✵ ❲ ❲
✲ ❲ ✵ ✻ ✽
Vln. I ✿ ❲
✪ ❲ ✲ ❲ ✵ ❲ ❲ ✴ ❲
★✦ ★✦ ✲✦ ✷
❲ ✰
❢ ♣♣♣ cresc.
3 5 ✮ sul pont. poco a poco
✲❲ ✴❲ ✵ ✲❲ ❲
❲ ✵ ✲❲ ✻ ✽ ✹
Vln. II ✿ ➐✲ ❲ ✲ ❲ ❲ ✴❲ ✵
❲
✶✷ ✷
✲ ★✦ ✪
✦ ✲✦
✪
3 5 ✮ sul pont. poco a poco
❲ ✴❲ ✵
❀ ✲ ❲ ✲❲ ❲ ✵
❲ ❲ ✳❲ ✵
✴ ❲ ✵ ✳❲ ✻ ✽ ✹
Vla. ú
✲ ❲
❲ ❲
✳ ❲
✶✷
✦ ✲✦ ✦ ✷
sul pont. poco a poco
3 5 ✷✶
❲ ✵ ❲ ✵ ❲
❁ ❲ ✳❲ ✴❲ ✵ ❲ ❲ ✴❲ ✵ ✹
❲ ✳ ❲ ✳❲ ✻ ✽
Vc.
✰
✦
✪
✲✦
✦★
✴✦
✦ ✷
✳✦
pizz. arco (quasi salt.)
✮ 3 5
❹
✻ ✽ ✻ ✹
Db. ❃
❲ ❲
✷
❲ ❲
✷
❲
✶✷
✦
✷
❲ ✦
✸
❲ ❲
✶
❲
✶
❲
✶ ✷
❢❢ ♠❢ ❢❢ ♣♣
51509ins.qxd 10/10/2002 12:39 Page 51
51
✷ ✷
164 ✳ ❲✬ ✦✬ ✭❲ ✭✦ ✳ ✦✬ ✳ ✦✬ ❲✬ ✭✦
❂
Fl. ✿
✹ ✼ ✸ ✽
✷ ✷
3 ( ❢❢ ) 3
✷ ✷
✳ ✬❲ ✭❲ ✭✦ ✭✦
✬✦ ✳ ✬✦ ✳ ✬✦ ✬❲
Ob. ✿
✹ ✼ ✸ ✽
✷ ✷
3 ( ❢❢ ) 3
✷ ✷
✳ ❲✬ ✦✬ ✭❲ ✭✦ ✳ ✦✬ ✳ ✦✬ ❲✬ ✭✦
Bsst. Cl. ✿
✹ ✼ ✸ ✽
✷ ✷
3 ( ❢❢ ) 3
3
❁ ✹ ✮ ✮ ✮ ✸
Bass Cl. ✾ ✼ ✻ ✻ ✻ ✽ ✼ ✽
❃ ✷ ✪ ✪ ✪ ✪
✷ ✪ ✪
❲ ❲ ❲ ❲ ❲ ❲
❤ ❤ ❤
♣♣ ♠♣ ♠❢ ♠♣ ♠❢
❂
❁ ✹ ✮ ✸
Hn. ✼ ✻ ✾ ✽ ✽ ✼
✷ ✪ ✪ ✪
✷ ✪
❲ ❲ ❲ ❲
✷ ✷ ✷
♣♣ ♣♣♣ ♠❢ ♠♣
Tpt. ✿
✹ ❶ ✸ ✾
✷ ✷
❀ ✹ ✸
Tbn. ❶ ✾
❃ ✷ ✷
C. bell
3 ✸ T.-T. 3
❂ ✦ ✦ ✸ ✦
r ✹ ✼ ❲ ✼ ❲
➮ ✸ ✦
✷ ✦ ✷ ✦
✸
♠❢ ♠❢ ❢ ♠❢ ♠❢ ❢
Perc.
3
❻
✹ ✼ ✽ ✾ ✸ ✽ ✽ ✼
✦
❃ ✷ ✳❲
✶ ✷ ✷
✸
♠❢
❢
3 3 3 3
❲✪ ❲✪ ❲✪ ❲✪ ❲✪ ❲✪ ❲✪ ✪❲ ✪❲ ✪❲ ✪❲ ✪❲ ✪❲
❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲
✹ ✺ ✸
✼ ✻ ✼ ✾ ✽ ✽ ✻ ✻
✿ ✷ ✷
3 3 3 3 3 ❢ 3 3 3 3
Pno. ❢❢
➀ ✹ ✸ ➬
✲ ❲ ➬❲ ➬
❏
❶ ✵
✷ ✷ ❲ ✲✧
✸
sul tasto poco a poco ord. 5 5

P ❖ P
✮
❂
Vln. I ✿
✹ ✴✦
✸ ✦ ❲ ✲✦
✦
❲
❲
❲ ✵
✲❲ ✵
✷ ✲✦ ✴✦ ✦
✪
✷ ✦
✦
❲
❲
❲
❲ ✲ ✦ ❲ ❲ ✵
✦
❢ cresc.
sul tasto poco a poco ord. 5 5
P ❖ P
Vln. II ✿
✹ ✲✦
✸ ✲✦ ❲ ❲
✷ ✪✦ ★✦
✲✦ ✷ ✦ ❲★ ❲ ✳ ✪✦ ✦ ❲✪ ❲ ✳❲ ✵
✲ ★✦ ✲ ★✦ ❲ ✦ ❲
✪
❲ ✵
✳ ❲★ ✵
✦
✰
❢ cresc.
5
5 P
sul tasto poco a poco ord.
P ❖ ✲❲ ✵ ★❲ ✵
✹ ✸ ✦ ❲ ❲ ✦ ❲
Vla. ❀ ✲✦ ✲✦ ✲ ⑦ ❲
✷ ✷ ✦ ❲ ❲ ✦ ❲ ❲ ✵
★✦ ★✦ ✲✦
✦★ ✰
❢ cresc.
sul tasto poco a poco ord. P
5 0
P ❖ ✳ ★❲ ✵
✦ ❲ ❲ ✵✵
❁ ✹ ✦ ✳✦ ✦ ✴✦ ✸ ✳✦ ❲ ❲ ✴✦ ❲
Vc. ✳ ✦ ✦ ✳✦ ❲ ❲
✷ ✲✦ ✷
❢ cresc. 5
sul pont. ✸ tasto ✸ ord. pizz.
✮
③ ③ ③ 3 5 in ✱ arco
✮ ✮ ✮
❹ ✹ ✸
✻ ✺ ✻ ✻
Db. ✷ ❲ ❲ ❲ ❲ ✵ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✷ ❲ ❲ ✵ ❲ ❲ ✦
❃ ✶ ✶ ✷
❤✷ ❤ ✸ ✸ ✸
✸
♣♣♣ ♣ ♣♣♣ ❢❢ ♠❢ ❢❢❢ ♣♣ ❢❢ ♣♣ ❢❢❢ ♠❢
51509ins.qxd 10/10/2002 12:39 Page 52
52
166 ✭✦ ✵ ✳ ✬✦ ✵ R ✬✦ ✵
✭✦ ✭✦ ✵
✬✦ ✵
❂
Fl. ✼
✿
❢❢ dolciss.
✭✦ ✵ ✳ ✬✦ ✵ ✭✦ ✭✦ ✵
✬✦ ✵ ✬✦ ✵
Ob. ✼
✿
❢❢ dolciss.
✭✦ ✵ ✳ ✦✬ ✵
✦✭ ✦✭ ✵
✬✦ ✵ ✬✦ ✵
Bsst. Cl. ✼
✿
❢❢ dolciss.
❲★ ✵ ❲★ ✷
3 3 ✲✦ ❲
❁ ✮ ✮
Bass Cl. ✻ ✼ ✻ ✼ ✽ ✻ ✼ ✽ ✽
❃
✪ ✪ ✪ ✪ ✪ ✪
❲ ❲ ❲ ❲ ❲ ❲ 3
❤ ❤ ♣ ❢❢ ♣♣
✸ ✸
♣♣ ❢ ♣ ❢❢
quasi dolce 3
❂ ✷
❁ ✮ ✲✦ ✦ ❲ ❲ ✲❲ ✵ ✦
✷
Hn. ✻ ✼ ✼ ✼ ✴❲ ✼ ✲✦
✿
✪ ✫ ✰
❲ ✧ 3 3 ❢ ❢❢ ❢
♠❢ ♠❢ ❢ ♣♣
without mute 3 quasi dolciss.
Tpt. ✾ ✽ ✻ ✼ ✽ ✽
✿ ✳❲ ✵ ❲ ✴✦ ❲
✷
♣ ❢❢ ♣♣
✷ ✷ 3
without mute ★✦ ★✦ ❲ ❲ ★❲ ✵ ✦
✲❲ ✦
❀
Tbn. ✾ ✼ ✼ ✼
❃ ✰
3 3 ❢ ❢❢ ❢
♠❢ ❢ ♣♣
quasi dolciss.
quasi dolce
T.-T. 1 T.-T. 2 SD T.-T. 3 (damp Tam-tams 1 & 2)

✸ ✸ ✸✶ ▼
❂ ✦
r ✻ ❲ ✵ ✼ ❲
✧ ✵ ✧ ✵
❢❢ ❢❢
Perc. marcatiss.
Crot. ▼
✽ ✽ ✾ ✾
❻ ✳✦
❃
❢
3 3
❲✪ ❲✪ ❲✪ ❲✪ ❲✪ ❲✪ ❲✪ ❲✪ ❲✪
❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲
✽ ✽ ✾ ✾
✿
❢❢
3 3 3 3 3 3 ❢❢❢ to Accordion
Pno.
▼
➀ ➬ ❁
✲ ❲ ➬❲ ➬
❏
✾ ✵ ✾
❲ ✲✧
✸ loco
3 sul tasto ✸ sul pont. ✸

❖ P ❖ 0
❂ 0
❲ ✦ ✦ ✧ ✦ ✵ ✦ ✵
❲ ✳❲ ✦ ✲❲ ✦ ✳✧ ✳✦ ✵
Vln. I ✿ ✲❲ ✲❲ ✦ ❲ ✦ ✦ ✦ ✵
❲ ❪ ❪
❲ ✦
molto
❢❢❢ ♣♣♣ ❢❢ ♣♣♣
3 ✸ ✸
sul tasto sul pont.
❖ P ❖ ❪ ❪
❲ ✲❲ ✦ ✦ ✳✦ ✳✦ ✵
Vln. II ✿ ❲ ✦ ✧ ✦ ✵
❲ ✦ ✧ ✦ ✵
➐ ✳ ❲✪ ✳ ★❲ ✴❲ ✦ ✪ ✪ ✦ ✦ ✵
❲ ❲ ✦
♣♣♣
molto ♣♣♣
❢❢❢ ❢❢
3 P sul tasto ✸ sul pont. ✸
❖
★❲ ❖
➐✲ ❲ ❲ ✦ ✦ ✦ ✵
❀ ✳❲ ✦ ✧ ✦ ✵
Vla. ❲ ❲
✴❲
✦
✦ ❲ ✦ ✦ ✧ ✦ ✵ ✦ ✵
❪ ❪
molto
3 ❢❢❢ ♣♣♣ ❢❢ ♣♣♣
0
✳ ★❲ ❖ ✳ ❲★ ✦★ P ❖
❲ ❲ ✦
❁ ✳❲ ✦
Vc. ✳❲ ✦ ✽ ✾
✲✦ ✦ ✿
✷
❢❢❢ ♣♣♣
3 ✮ ▼✮ 5 ❭✮
❹
Db. ❲ ❲
✼
❲ ✵ ❲
✻
✦ (❳ ) ✲✧ ✵ ✧ ✵
❃ ✷ ✷
❤ ❤ ✸ ✸
✸
♣ ❢❢ ♣♣ ♠❢ ❢❢❢ ♣♣ (sonore sempre)
❢❢
51509ins.qxd 10/10/2002 12:39 Page 53
53
169 ✬❲ ✵
❂ ✷ ✷
✻ ✷ ✳✦ ✦ ✳❲ ✵ ❲ ✦ ❲ ✻ ✼ ✾ ✾
Fl. ✿ ✦ ✦ ❲ ✵ ❲ ✦
✰
✬❲ ✵ ♠❢ ♣♣ ❢
✮ ✮
Ob. ✻ ✻ ✼ ✾ ✾
✿
✦ ✦ ❲ ✵ ❲ ✦ ❲
✷ ✷
♠❢ ♣♣ ❢
✬❲ ✵
✮
Bsst. Cl. ✻ ✻ ✼ ✾ ✧ ❲ ✻ ✼
✿ ✦ ✦ ❲ ✵ ❲ ✦ ❲
✦ ✷ ✦ ❲ ✵ ❲ ✦ ✷ ✰
✷ ♣♣♣
♠❢ ♣♣ ❢
✷ ✷
❁ ✦ ✦ ❲ ✵ ❲ ✦ ❲ ✮
Bass Cl. ✽ ✻ ✼ ✾ ✻ ✼
✿
❃ ✰ ✰ ✧ ❲
♠❢ ♣♣ ❢ ♣♣♣
❂ ✷ ✷
✳❲ ✵ ✻ ✦ ✦ ✧ ✵ ✧ ✵ ✾
Hn. ✿
♠❢ ♣♣ sempre ◆
✷ ✷
✦ ✦ ✧ ❲
Tpt. ✽ ✻ ✼ ✾ ✾
✿
✰
♠❢ ♣♣ ❢
✷ ✷
★❲ ✵ ★✦ ★✦ ✩✧ ✵ ✩✧ ✵
❀
Tbn. ✻ ✾
❃
♠❢ ♣♣ sempre ◆
T.-T. 2
❂ ✸
ö ö
r ✻ ✧ ✧ ❲ ✻ ✼ ✾ ✾
❲ ✵
✰
♠❢
Perc. Mar. 3 3
loco
✾ ✾ ✾ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ✽ ✽
❻ ✿ ✷ ❲
❃ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲
✷
3 3 3 3 3 3
♠❢ ♣♣
✮ to Piano
✳✧ ✳✧ ❲
✾ ✾ ✽ ✧ ✧ ❲ ✻ ✼
✿
✧ ❲
Accordion ◆ ♣♣♣ ♠♣ ◆
❁
✾ ✾ ✾ ✾
✷
✭✦ ✵
✸ ord. ❆✧ ✬❲ ✬❲ arco sul pont. molto vib.
pizz.
❂ ✶ ✳✦
❲ ✵ ✳❲ ✴ ✦
Vln. I ❲ ✵ ✻ ✰ ✻ ✼ ✾ ✼ ✽
✿ ❪
❢ dolce ♠❢ ♣♣♣ ♣♣
❢ ✷
✸ ord. ✭✦ ✵
❆✧ ✬❲ ✬❲
❪ sul pont. molto vib.
✳❲ ✵ ✦
Vln. II ✻ ✰ ✻ ✼ ✾ ✽ ✽
✿ ✦
❲ ✵
❢ ❢ dolce
✷
♣♣♣ ♣♣
✭✦ ✵
✸ ord. ❆✧ ✬❲ ✬❲
sul pont. molto vib.
❲ ✵ ✦
Vla. ❀ ✻ ✰ ✻ ✼ ✾ ❀ ✽ ✽
❲ ✵ ✿
❪
❢ dolce ♣♣♣ ♣♣
❢ ✷
✦✭ ✵
❆✧ ✬❲ ✬❲
pizz.
❁
✽ ✰ ✻ ✼ ✾ ✽ ✼ ✮ ✻ ✽
Vc. ✿
✳ ★❲
❢ dolce ✶
♣♣♣
✷✸ 3 ✷
û
❹ ✷
✻ ✲✧ ✦ ✵ ❲ ❲ ❲ ❲ ❲ ✵ ✻ ✽ ✽ ✼ ✼ ✳❲ ❲ ✼ ✽
Db. ❲① ✵
❃ ✷
✸
♠♣ ❢❢ ♣ ♣♣♣ ◆ ♣♣♣ ♣
❢
51509ins.qxd 10/10/2002 12:39 Page 54
54
poco a poco accel. al

173
✷ ✱=
❂ ❲
Fl. ✿
✼ ✼ ✽ ✽ ✼ ❲ ✦ ✽ ✷ ✾ ✸
✷ ✧ ✽ ✹
3
♣♣ ♣♣♣ ♣♣♣
Ob. ✿
✾ ✾ ✷ ✾ ✾ ✸
✷ ✽ ✹
3 3
Bsst. Cl. ✿
✾ ✼ ❲ ❲ ❲ ❲ ✽ ✷ ❲ ❲ ❲ ✾ ✸
❲ ❲ ❲ ❲ ❲ ❲ ✷ ✦ ❲ ❲ ❲ ❲ ✽ ✹
3 3 3 3 3
◆ ♣♣ ♣♣♣
✮
Bass Cl. ✿
✽ ✽ ✼
❲
✻
❁
✽ ✷ ✽ ✻ ✾ ✸
❃ ❲ ❲
✷ ✲ ★✦
✷ ✲ ★❲ ✵
✽ ✹
û
♣♣♣ ♣♣♣ ♣♣♣
mute
❂ 3
✷
Hn. ✿
✼ ✼ ✴❲ ✽ ✽ ✽ ✼ ❲ ✦ ✷ ❲ ✻ ✼ ✽
❁
✾ ✸
✷ ✽ ✹
✰
♣♣ ♣♣♣
Cup mute
✮
Tpt. ✿
✾ ✽ ✼ ✷ ✻ ✼ ✽ ✾ ✸
❲ ✦ ✷ ❲ ✽ ✹
Cup mute ♣♣♣
★✦ ✷ ★❲
✴❲ ❲
❀ ✷ ✾ ✸
Tbn. ✽ ✾ ✾
❃ ✷ ✽ ✹
3
♣♣ ♣♣♣
SD ✸✶ 3 ▼
❂ ✶
r ✽ ✽ ✼ ❲ ✽ ✼ ❲ ✽ ✷ ✽ ✼ ✼ ❲ ✾ ✸
✷ ✽ ✹
♣ ♣♣ ♣♣♣
Perc. marcatiss.
Mar. ✷ 3
✳❲
❲ ✷ ✾ ✸
✽ ✼ ✽ ❲ ❲ ❲ ❲ ✽ ✽ ✾
✿ ✷ ✽ ✹
❃ ❲ ❲ ❲ ❲ ❲
♣♣ dolciss. ♣
3 3 3
✿
✾ ✽ ✽ ❲ ❲ ❲ ❲ ✷ ✾ ✾ ✸
❲ ❲ ❲ ❲ ✷ ✽ ✹
♣♣♣
Pno.
❁ ✷ ✾ ✸
✾ ✾ ✾
✷ ✽ ✹
ord. 3 3
❂
Vln. I ✿
✽ ✽ ✳❲ ✦ ✧ ❲ ❲ ✷ ❲ ❲ ❲ ❲ ✾ ✸
✷ ❲ ❲ ✷ ❲ ❲ ❲ ❲ ✦ ✽ ✹
◆ ♣♣ ♣♣♣
ord.
Vln. II ✿
✽ ✽ ✴❲ ❲ ✧ ✵ ✷ ✧ ✾ ✸
✷ ✷ ✽ ✹
◆ ♣♣ ♣♣♣
ord. ✷
★✦ ✩✧ ✵ ✩✧
✦ ✧ ✵ ✷ ✧ ✾ ✸
Vla. ❀ ✽ ✽
✷ ✽ ✹
◆ ♣♣♣
arco ✷
✦ ✧ ✵ ✧
❁ ❀
✷ ✾ ✸
Vc. ✽ ✽
✷ ✽ ✹
♣♣♣
◆
(retune IV to E➜) 3 ✷✶ ✩✧
❹ ✷ ✾ ✸
Db. ✾ ✼ ✼ ✳❲ ❲ ✻ ✼ ✽
❃
q
✷ ✽ ✹
✰
♠♣ ♣♣♣
51509ins.qxd 10/10/2002 12:39 Page 55
55
✾ ✱✳ ✰✳ / ✸ ✱✳ = c.44-50 ( ✾ ✰✳ / ✸ ✰ = 132-150)
S III ✽ ✹ ✽ ✹
✶
176 = ✱✳ ✴ ✪❲ ✪❲ ✳ ✪❲ ✳ ✪❲ ✬❲
✪❲
✬❲
✪❲
✬❲ ❲✬
★❲ ★❲
❂ ❲ ❲ ❲ ✲❲
✾ ✸ ❲ ✲❲
✲❲ ✳❲ ✻ ✻ ✼ ✵ ❲
❲ ➐✲ ❲ ✰ ✻ ✻
Fl. ✿ ❲ ❲ ❲
✽ ✹ ❲ ❲ ❲
✰
♣ ♣♣ (sub.) ♣ ♣♣♣
✪❲
★❲
✳❲ ✳❲ ✴❲ ➐✴ ❲ ❲
❲ ❲ ❲ ✶
✾ ✸ ✾ ✼ ✵ ✳❲ ✻ ✳❲ ✻ ✻ ✼ ✵ ➐✴ ❲ ❲ ❲ ✳❲ ✻ ✻
Ob. ✿ ✽ ✹ ✰ ✰
♣♣ ♣♣ (sub.) ♣ ♣♣♣
★❲ ✲ ★❲ ✴ ★❲ ★❲ ❲★ ★❲ ❲★ ★❲ ✶
❲ ❲ ✳❲
✲❲ ✲❲ ❲ ✲❲ ✲❲ ✲❲ ✴❲
Bsst. Cl. ✿
✾ ✸ ❲
❲ ❲
✲❲ ✼ ✵ ✻ ✻ ❲ ✼ ✵
✰
✻ ✻
✽ ✹ ❲ ❲ ❲
✰
♣ ♣♣♣ ♣ ♣♣♣
poco
❁ ✾ ✸ ✮
Bass Cl. ✮ ✻ ✼ ✼ ✻ ✼ ✻ ✵ ✯
❃ ✽ ✹ ✵
➐ ✲ ✦★ ✷ ★❲ ✴ ★❲ ✦★ ★❲
✶✷ ✲ ★❲
✶✷ ✸
♠♣ ♣♣ ♣♣♣ ♠♣ ♠❢
❂
without mute
Hn. ✿
✾ ✸ ✾ ✻ ✮ ✼ ✼
✽ ✹ ✪ ✪ ✪ ✪
✿
✦ ✵ ❲ ✦ ❲
✷ ✶✷
♣♣ ♣♣♣ ♠♣
Tpt. ✿
✾ ✸ ✾ ✾ ✾ ✾
✽ ✹
❀ ✾ ✸
Tbn. ✾ ✾ ✾ ✾
❃ ✽ ✹
SD
T.-T. 3 (rim) W. bl.
❂ l.v. ✸ ✶
❲
r ✾ ✸ ✼ ✵ ✾ ✾ ✼ ✵ ✼ ✵ ❾ ✻ ✻
✽ ✹ ✦ ✵
✷
♣ ♣♣
Perc. ❲✪
❲★ ✮
❲
✿
✾ ✸ ✾ ❲ ✻ ✻ ✼ ✵ ✾ ✾
❃ ✽ ✹ ✶✷
♣♣
✸
❲✬
✲❲
✿
✾ ✸ ✾ ✾ ✾ ✼ ✵ ✼ ✵
✽ ✹
Pno. ♣♣♣ ♣
❁ ✾ ✸ ✲❲
✾ ✮ ✻ ✻ ✼ ✵ ✼ ✵ ✾ ✼ ✵ ✼ ✵ ✶ ✻ ✻
✽ ✹ ❲
✲❲
✬
Ped. off ❲
✶
❂
Vln. I ✿
✾ ✸ ✾ ✾ ✾ ✾
✽ ✹
◆
Vln. II ✿
✾ ✸ ✾ ✾ ✾ ✾
✽ ✹
◆
Vla. ❀ ✾ ✸ ✾ ✾ ✾ ✾
✽ ✹
◆
❀ ✾ ✸ ❁
✮
Vc. ✾ ✻ ✼ ✼ ✾
✽ ✹ ★✦ ✵ ★❲
◆
✷
♣♣ ♠♣
pizz. ✶✸
✮ ✲❲
Db. q
✾ ✸ ✾
❹
✻ ✼ ✼ ✼ ✼ ✻ ✵
❃ ✽ ✹ ✦ ✵ ❲ ✱
◆ ✷ ♣♣
♣♣ ♠♣
51509ins.qxd 10/10/2002 12:39 Page 56
56
180 ✲ ❲✪ ✵ ✴ ✬❲ ✲ ❲✬ ✴ ❲✪
❲ ✵ ✲ ★❲
❂ ✲❲ ✵ ❲ ✲❲ ❲ ✲❲ ✮ ❲
✲❲ ✲❲
Fl. ✼ ✵ ✺ ✵ ✻ ✻ ✲❲ ✲❲ ✻ ✻ ➐✴ ❲ ❲ ❲ ✻ ✻ ✻ ✲❲
✿ ✰ ❲ ❲
✰ ❲ ❲ ❲ ❲
♣♣ ♠❢ ♣♣ ♣♣♣ ♣♣
✪❲
★❲ ★❲ ✲ ★❲ ★❲ ✳❲
❲ ✮
✾ ✻ ✻ ❲ ❲ ✳❲ ✻ ✻ ✼ ✵ ✾
Ob. ✿ ✰
➐✴ ❲
♠❢ ♣ ♣♣ ♣♣♣
✴ ✪❲ ✴ ❲★ ✳ ✪❲
❲ ✵ ✲ ★❲ ❲ ✳❲ ✴❲
✳❲ ✲❲ ✳❲ ✲❲
❲ ❲ ✲❲
Bsst. Cl. ✼ ✵ ✺ ✵ ❲ ✵
✳❲ ✵ ✻ ✻ ❲ ❲ ✲❲
✿ ✰ ❲ ❲
✦ ✵ ❲ ❲ ❲
♣♣ ♠❢ ♣ ♣♣♣ ♣♣
✶
✪❲
❲
❁ ❲ ✮
Bass Cl. ✲❲ ✱ ✺ ✻ ✼ ✻ ✾ ✾
❃
★ ★✦ ★❲
➐✲ ❲ ✷
♣♣♣ ♠♣
❂
❁
✼ ✼ ✮ ✻ ✾ ✾
Hn. ✿
✲❲ ❲
✪ ✪
➐✴ ❲ ❲
✷
♠♣ ♣♣ ♠♣
Tpt. ✾ ✾ ✾ ✾
✿
without mute
❀
Tbn. ✼ ✼ ❲ ❲ ✼ ✼ ✾ ✾
❃
♠♣
Tri.
✶✸ SD Cym. 3 3
❂ (ord.) ◆ ➔ ➔✮ ➔✮ ➔✮ ◆ ➔
➜ ✶
r ✻ ❲ ✼ ✵ ✸ ✼ ✻ ✻ ✼ ✻ ✻ ✼ ✼
❲ ✵ ✹ ❲ ❲ ❲ ❲ ❲ ❲ ❲ ❲
❤
♣♣♣ ♣♣
Perc.
Mar.
✮
✻ ✻ ✼ ✵ ✼ ✵ ✾ ✾ ✾
✿ ❲ ❻
❃
✲ ❲★
✶
✸
♠❢
✾ ✾ ✸ ✾ ✾
✿ ✹
Pno. ♣♣♣
❁
✾ ✾ ✸ ✼
✹ ✭ ✭
✳✦ ✦ ✵
✳ ✦ ✦ ✵
✷
◆
★❲
❂
Vln. I ✻ ✼ ✵ ✼ ✵ ✾ ✾ ✾
✿
♣♣♣
pizz.
✮
Vln. II ✻ ✻ ✼ ✵ ✼ ✵ ✾ ✾ ✾
✿ ❲
✲ ❲★
✷
✸
♠❢
Vla. ❀ ✲❨ ✻ ✼ ✵ ✼ ✵ ✾ ✾ ✾
❲
♣♣♣
III ◆ pizz. arco sul tasto ✸
Vc.
❁ ✾❨ ✿
✽
♣♣♣
( ) ❲ ✻ ✼ ✵ ✼ ✵ ✸
✹
✼ ✼ ✻
✳ ★❲
✷
✸
✮
★❲
✳❲
✪
✶
✮ ✻ ✼ ✼ ✼
✳❲
✪
♣ ♣♣
arco pizz. arco sul tasto ✸
✮
❹ ✮
Db. ✾ ✻ ✻ ✼ ✼ ✼
✦ ❲ ❲
❃ ✷ ✷ ✳❲ ✳❲
✸
♣♣♣ ♣
✶
♣♣
51509ins.qxd 10/10/2002 12:39 Page 57
57
✷
✭❲
184 ✬❲ ✬❲ ✵ ✬❲ ✬❲ ✬❲ ✳ ✪❲
❲★ ✳ ✪❲ ✲ ❲★ ❲★ ✳ ✪❲ ✪❲ ✲ ❲★
❲ ❲ ★❲ ✳ ★❲ ❲ ❲
❂ ❲ ✲❲
❲ ✲❲ ✴❲
✻ ✻ ✼ ✵ ✰ ✻ ✻ ✰ ✻ ✻
Fl. ✿
✰
dolciss. ♣♣ ♠♣:♣♣♣ ♠❢ ♣ ♠❢
❲✪ ✳ ✪❲
❲★ ✲ ❲★
❲ ❲ ❲ ❲
❲ ❲ ✲❲ ❲
✾ ✳❲ ✻ ✻ ✰ ✻ ✻ ✼ ✵ ✼ ✵ ✼ ✵ ✴❲
Ob. ✿
✰
♣♣ ♣♣ ♣♣♣ ♠♣ ♠❢
✳ ✬❲
✪❲ ✳ ✪✦ ✵
★❲ ★❲ ✷ ✲ ★❲ ✶ ✳❲
❲★
❲
❲★ ✲ ❲★
❲
✴❲ ✲❲ ✵ ✴❲ ✳❲ ✴❲
❲ ✳❲ ✴❲ ❲
✰ ✻ ✻ ❲ ❲ ✻ ✻ ✻ ✻
Bsst. Cl. ✿ ✰
✰
♣ ♣♣♣ ♣♣♣ ♠❢ ♣ ♠❢
✲❲ ★❲ ✵ ★✦ ✵ ✲❲ ✴❲
❁
✾ ✼ ✵ ✴❲
✲❲ ✲❲ ✴❲
Bass Cl. ❃ ✽ ❲
❲
✲❲
✲❲ ✲❲
✲ ★❲ ✵ ★✦ ✵ ★❲ ✵
♣♣ ♣♣♣ ♠❢ ✷
♣♣ ♠❢
◆ ✸ ➔ ➔
❂
❁ ❲ ❁
✾ ✼ ✼ ✦ ✲❲ ✦ ✼
Hn. ✿
♣♣ ♠♣ ♣♣ ◆
✾ ✾ ✾ ✾
Tpt. ✿
❲ ✦
❀ ❲ ✦
✾ ✼ ✼ ✼
Tbn. ❃
♣♣ ♠♣ ♣♣ ◆
✷
❂ ➜
r ✼ ✰ ✻ ✼ ✾ ✾ ✾
♣♣♣
Perc. ✳ ✬✦
Crot. ✶✷ ✷ ✶ loco Mar.
✳❲ ❲ ✳❲ ③
✸ ✼ ✼ ✻ ✻ ✼ ✻ ✾ ✼
❃
❻
✹ ✰ ✰ ✰ ✿
♣♣♣ ♣♣
✷
❲
✲ ✬❲
✾ ✾ ✰ ✻ ✼ ✼ ✾
✿
Pno. quasi niente ◆ ♣ ♣♣

❁
✾ ✼ ✼ ✼
✭ ❇ ✲ ✬❲ ✬✦
✳ )❲ ✴ ✦
✲ ❲ ✦
✳ ❲ ✷
( ✴ ✦
✷
✳ ✪❨ ✪❨ ✪❨ ✪❨ ✳ ✪❨
❂ ✳ ❲ ❲ ❲ ❲ ✳ ❲
✸ ✼ ✼ ✾ ✼ ❨
Vln. I ✿
✹ ✳✦
♣♣ ◆
♣♣♣
❙ ❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚❚ ✷
✦✬ ✬❲ poco col legno,
arco ✳ ★❲ ❈❲
ú ★❲ ★✦ sul tasto
✸ ✼ ✻
✳ ❲ ❲ ❲ ✦
✼ ✰ ✻ ✼
✮
Vln. II ✿
✹ ✰ ★❲ ✵ ★❲
♣♣♣ ◆ ♣♣♣ ♠❢
◆ (dolce) ♣♣♣
◆
✳ ❈❲ ❈❲ ) poco col legno,
◆ ✵
( ❲❈ ❈
◆ sul tasto ✲ ★❲ ★❲
❀ ✸ ✼ ✺ ❨
❨ ❨
❨ ❈❲ û ❨
❨ ❨
❨ ✮ ✻ ✾ ✼
✹
❀ ✰
Vla. ✿
❨ ❨
✴ ❨
✬
❨
★❨ ★❨ ✬
✴ ❨
✬
❨
♣♣♣
✷
♣♣♣ IV ✷◆
◆ ✪❲
✸ ord. sul tasto 3 ◆ ★❲
3 3 ◆
❲
❁ ✮ ✺ ❲ ✰ ✻ ✾ ✾
Vc. ❲ ❲ ❲ ❲
✪ ✵ ✪ ✪ ✪ ✪ ✪
✳ ❲ ✴ ❲ ❲ ❲ ❲ ❲
➐ 3
♣♣♣
✸ ord.
❹ ✮
✺ ✼ ✼ ✾ ✼ ✼
Db. ❃ ✲❲ ✦ ✵
❲ ✵
➐✳ ✷
♣ ♣♣ ♠❢
51509ins.qxd 10/10/2002 12:39 Page 58
58
188
✲ ★❲ ✮
❂ ❲ ✳❲ ❲ ✮
❲
❲
✻ ✻
✳❲ ✻ ❲ ✻ ✻ ❲ ❲ ✳❲ ❲ ✾ ✻ ✻ ✼ ✵ ✼ ✵
Fl. ✿
✰ ✽ ✴❲ ❲ ❲ ❲ ❲ ✽ ❲
✷
♣ ♠❢ ♣♣ ♣♣♣ ❢
✮
✮
✼ ✵ ❲ ❲
❲
❲ ✻ ❲ ✻ ✻ ✼ ✵ ✾ ✾ ❲ ✲❲ ✻ ✻
Ob. ✿ ✳❲ ✴❲ ✽ ✽ ❲ ❲ ❲ ❲
❲
♠❢ ♣♣ ♣ ♠❢
★❲ ✲ ★❲ ★❲ ✮
❲ ❲ ✳❲ ❲
❲ ❲ ✵
✳❲ ❲
✻ ✻ ✻ ❲
❁ ❲ ✵ ✲❲ ✵ ❲ ✵ ✾ ✻ ✻ ❲ ✦ ✵
Bsst. Cl. ✿ ✰ ✽ ✳❲ ✳❲ ✴❲ ❲ ❲ ✽
♠❢ ♣ ♣♣ ♣♣
✲❲ ★❲ ✲ ★❲
✴❲ ✮
✲❲ ❲ ❲
❁
✾ ✻ ❲ ❲ ✲❲ ✵ ❲ ✵ ❲ ✵ ✾ ✻ ✻
Bass Cl. ❃ ✽ ❲ ✵ ✽ ✲❲ ✦ ✵
♣♣ ♣♣
❂ ◆
❁ ✷ ✻ ✸ ✼
Hn.
★✦ ✵
✹ ★❲ ✵
✿
✳ ★✦
✹ ★❲ ★❲
♣♣ ♣♣ ♠♣:♣♣
(cup mute)
✷ ✮ ✻ ✼ ✾ ✸ ✾
Tpt. ✿ ✹ ✹
✲ ★✦ ✵ ★❲
♣♣♣
❀
✾ ✷ ✾ ✦ ✸ ❲ ✼
Tbn. ❃ ✹ ✹ ❲
♣♣ ♠♣:♣♣
C. bell
W. bl.
SD ✶✸ Cym.
❂ ✸ ❲ ◆
❲ ✶ ✶
r ✾ ❾ ✻ ✻ ✻ ❲ ✼ ✵ ✷ ✼ ✾ ✾ ✾
✽ ✹ ❲ ✽
♣♣ ♠♣ ♣♣♣
Perc.
✭✦ ✭❲ ✳ ❲✬ ❲✬
Mar. ✬❲ ✬❲
③ ❪ ❪ ③ ③ ❪
✷ ✻ ✼ ✾ ✾
❃
✿ ✹ ✰ ✽
♠♣ ◆
✸✶
✮
✾ ✻ ✻ ❲ ❲ ✻ ✼ ✵ ✻ ✾ ✾ ✾ ✾
✿ ✽ ✳❲
❲ ✳❲
★❲ ✰ ❲
✪
✽ ✽
✸ ✳❲
✶
Pno. ✶
♠❢ ❢ ♠♣
❁ ✾ ✾ ✻ ✾ ✾ ✾ ✾
✽ ✽ ✽
✮
❂ ❲
❨ ❨ ❨ ✷ ❨ ❨ ❨ ✻ ✼ ✾ ✼ ✵ ✼ ✵ ✲❲
✲❲
Vln. I ✿ ✦ ❲ ✳❲ ✹ ❲ ❲ ❲ ✽
♠♣ ◆ ♠❢
ord.
✲❲
✷ ✮ ✻ ✼ ✾ ✾ ✼ ✵ ✼ ✵ ✲❲
✲❲
Vln. II ✿ ✹ ✽
✲ ★✦ ✵ ✪
❲
✷
♣♣♣ ♠❢
✷ ord.
✦ ✵ ❲ ★❲ ✲ ★❲
❲ ❲ ❲
❀ ✷ ✻ ✼ ✾ ✾ ❲ ❲
✰ ✻ ✻
Vla. ✹ ✰ ✽ ✿
♣♣♣ ♣♣ ♠❢
sul tasto ✸ sul pont. ✸ ord.
❁ ✷ ✻ ✾ ✸ ✾
Vc.
✪ ✪
✹ ✪ ✵
✹
✦ ❲ ❲
♣♣
(tune IV down to E❜)
❹
✾ ✷ ✾ ✾ ✸ ✾
Db. ❃ ✹ ✹
51509ins.qxd 10/10/2002 12:39 Page 59
59
T
✷ ✳ ✭✦ ❲✭ ❲✭ ✳ ✭✦
192 ❲✬ ✴ ✬❲
✪❲ ✲ ✪❲
★❲ ★❲ ✲ ★❲ ✲ ★❲
❂ ❲
✳❲ ✻ ✻ ✼ ✵ ✻ ✸
Fl. ✿
✰ ✽ ✹
poco ❢ (dolciss.) ♠❢ ❢ dolce
✳ ✪✦ ❲★ ❲★ ✳ ✪✦
✼ ✵ ✻ ✻ ❲ ❲ ✻ ✻ ✾ ✸
Ob. ✿
✰ ❲ ✽ ✹
♠❢ ❢ dolce
❲✪ ✳ ✦✪ ✳ ✬❲ ✬❲ ✳ ✦✪
✳ ✪❲
✸✶ ★❲ ❲ ★❲
❲
❁
❲ ✻ ✳❲ ✻ ✻ ✼ ✵ ✻ ✸
Bsst. Cl. ✲❲
✶
✿
✰ ✽ ✹
✸
❢ ♠❢ ❢ dolce (legato sempre)
✶✸
❲✬
✪❲ ✲ ★❲
✲❲
❁
✻ ✻
❲ ✻ ✲❲ ✾ ✮ ✻ ✻ ✼ ✵
Bass Cl. ❃ ➐✲ ❲ ✲ ★❲
✽ ✲❲ ✲❲
❲ ❲
✲ ★❲
✽ ✴ ★❲ ❲ ★❲ ❲ ★❲ ✲ ★❲ ✴ ★❲
✲❲
✷ ✲❲
✲ ★❲ ✲❲ ★❲ ❲★
✶
✸ ♠❢ ♣ ♠♣ ♣
❢
❂
✾
❁
✻ ❲ ❲ ❲ ❲ ✸ ✾ ✾
Hn. ✿ ✽ ✰ ✰ ✹
♠❢
without mute ✷
✼ ✳✦ ✷ ✦ ✸ ❲✷ ❲
✶
✻
❲ ❲
✲❲
✶
✼ ✼ ❲
Tpt. ✿ ✹ ✹ ✰ ✷
♣♣♣ ♠♣ ♣ ♣♣ ♠❢
✷
✷ ❲✪ ❲✪
✦★ ✦★ ❲★ ✶ ✶
❲ ❲
❀
✼ ✷ ✸ ✻ ✰ ✾
Tbn. ❃ ✹ ✹
♣♣♣ ♠♣ ♣
✶✸
❂ ✸ ✶ ❲ ▲ ◆
❲ ✶ ❲
r ❾ ✻ ✻ ✻ ❲ ✻ ✺ ❾ ✻ ✾ ✾ ✾
✽ ✦ ✵ ✽
♣♣
Perc. ✶
✶✸ ✴ ✪❲
❲
✲❲
✾
❁
✻ ❲ ❲
❪
❲
❪ ❲ ✸ ✾ ✼ ✲ ❲ ✻ ✼
❃
✿ ✽ ③ ③ ✹
✰ ✰
❢ ♠❢
✼ ✵ ✼ ✵ ❲ ✻ ✾ ✾ ✾ ✾
✿
✳ ❲★ ❲ ✽ ✽
✲ ❲★ ✬ ✪
❲ ❲
Pno. ♠❢ ♣♣
❁
✾ ✻ ✲❲ ✾ ❲ ❲ ✴❲ ✲❲ ✲❲ ❲ ❲ ✴❲ ✳❲
✽ ✲❲ ✲❲
❲ ❲
✲ ★❲
✽ ❲ ❲ ❲ ❲
❲
❲ ❲
✲ ★❲ ★❲
◆ ✳ ✭✦ ❲✭ ❲✭ ✳ ✭✦
III ✬❲
❈❲ û ✲ ★❲ ✪❲
❂ ✮ ❲ ❲
✲❲
✻ ✻ ✻ ✻ ✰ ✻ ✻ ✼ ✵ ✸
Vln. I ✿ ❨
✶✷ ✽ ✹
♣ ♠❢ ❢ dolce
III ◆ ✳ ✬❲ ✬❲
❈❲ û ✳ ✪❲ ✳ ✦✪ ✳ ✦✪
✮ ✳❲ ★❲
❲
✻ ✻ ✻
✳❲
❲ ✻ ✰ ✻ ✻ ✼ ✵ ✸
Vln. II ✿ ❨
✶✷ ✽ ✹
✼ ✵ ♣ ♠❢ ❢ dolce
III ◆ ◆
❈❲ û ◆ II ✳ ✪✦ ❲★ ❲★ ✳ ✪✦
❈❲ û ❲
0✮ ❲ 0 0
û ✮
❲ ✻ ✻ ❀ ❲ ✻ ✻ ✻ ✼ ✵ ✸
Vla. ✿
✶✷
❲ ✽ ❲
✿
✹
✲ ★❨ ✴ ★❨ ★❨ ✸ ❢ dolce
❢❢ ♠♣ ❢ sul tasto ✸ sul pont. ✸ ord.
✮
❁
✾ ✷ ✾ ✾ ✼ ✵ ✼ ✵ ✻ ✻ ✼ ✵
Vc. ✹ ✽ ★❲
❲
❲
✳❲ ✳❲ ❲
✳❲
♣ ✷◆
❲✪
❹
✾ ✷ ✾ ✸ ✾ ✼ ✼
Db. ❃ ✹ ✹ q
♠♣ ❢
51509ins.qxd 10/10/2002 12:39 Page 60
60
✷
✸✷ ❇❲ ❇❲ ✵ ✷ ✲ ❇❲
✶
196 ✳ ✬✦ ✬❲ ✳ ✬❲ ✵ ✳ ✬❲ ✬❲ ✬❲ ✴ ✬❲ ✶ ✲ ✬❲
✲ ★❲
❂
✰ ✻ ✼ ✰ ✰ ✾ ✰ ✻ ✻ ✻ ✰ ✻
Fl. ✿ ✽ ✽
❢❢ ❢ ♣♣ marcatiss.
✷
✷✸ ✴ ❲✬
✴ ✪✦ ❲✪ ✶
★❲ ✵ ✷ ❲ ✶ ★❲
❲ ❲ ✵ ✴❲ ❲ ❲ ✳❲
✰ ✻ ✼ ✾ ✻ ✻ ✻ ✰ ✻
Ob. ✿
✰ ✰ ✽ ✰ ✽
❢❢ ❢ ♣♣ marcatiss.
✷✸
✴ ✪✦ ✪❲ ✷
✳ ★❲ ✴ ❲★ ❲★
✲❲ ✴❲ ✲❲ ❲ ✴❲ ✷ ❲ ✶
✶
✰ ✻ ✾ ✼ ✵ ✼ ✵
❁
✲❲ ❲ ✴❲ ✲❲ ✲❲
✲❲ ❲ ✻
✴❲ ✻
Bsst. Cl. ✿ ✽ ✿ ❲ ❲
✰ ✽
❢❢ ♣ ♠❢ ♣♣ marcatiss.
5: 6
❲ ✵ ❲ ✵
❁ ✮
✻ ✻ ✮ ✻ ✻ ❲ ✵ ❲ ✵
❲
✮ ✻ ✻ ✼ ✵ ✼ ✵ ✷
Bass Cl. ❃
✪ ❲ ✳❲
❲ ✲❲
❲
❲ ❲ ❲ ❲
✿
✹
✳ ★❲ ✪ ★❲ ✪ ✴ ★❲ ✪ ★❲ ✳ ★❲ ✪ ★❲ ✪ ★❲
❲ ❲ ❲ ✶ ✳❲ ❲ ❲ ♣♣♣ ✶
♠❢ ♠♣ ♣♣
✶
❂ ✲❲
❁
✻ ✼ ✼ ✾ ✾ ✷
Hn. ✰ ✿ ✦ ✵ ✹
♣ ♣♣♣
✾ ✼ ✻ ❲ ❲ ✦ ✵ ✦ ✵ ✷
Tpt. ✿
✰
✹
♣♣♣
★❲ ★❲ ★✦ ✵ ★✦ ✵
❀ ✮
✻ ✼ ✼ ✼ ✻ ✰ ✷
Tbn. ❃ ❲ ✹
♣
✶ ♣♣♣
W. bl. Tri.
SD ✸ Cym. C. bell
✶✸
❂ ✸ ▲ ◆ ❲ ◆
❲ ✶ ➜ ✶ ❲ ❲
r ❾ ✻ ✻ ✻ ❲ ✻ ✺ ❾ ✼ ✵ ✾ ✼ ✵ ❲ ✻
✦ ✵ ❲ ✵ ✽
♣♣ ♣♣♣ ♣ ♣♣
Perc.
Mar. ✮
❁
✾ ✼ ✻ ❲ ❲ ✼ ✮ ✻ ✼ ✾ ✻
❃
✿ ❲
❲ ✬ ✪
✽
✶✷
♠❢ ✲❲ ❲
✶
✸
♣♣
✶
✶
✾ ✾
❁
✼ ✵
✳❲
✳❲ ✳❲
✶ ✻
✿ ✳❲
✶ ✳❲
✶ ✳❲ ★✦ ✵ ★❲ ✵
✽
✶
Pno. ♣ ♣♣
✮
❁ ✮ ✻ ✻ ❲ ❲ ✻ ✻ ✼ ✵ ✼ ✵ ✾ ✻
✪ ✳❲ ❲
❲ ✽
✳ ★❲ ✪ ✬ ✬
❲ ❲ ✦ ✵ ❲ ✵
✷✸ ❇❲ ❇❲ ✵ ✷
✳ ✬✦ ✬❲ ✳ ✬❲ ✵ ✳ ✬❲ ✬❲ ✬❲
❂
✰ ✻ ✼ ✰ ✰ ✰ ✻ ✼ ✼ ✷
Vln. I ✿ ✹
❢❢ ❢
✸✷
✴ ✪✦ ✪❲ ❲★ ✵ ✷
❲ ❲ ✵ ✴❲ ❲ ❲
✰ ✻ ✼ ✻ ✼ ✼ ✷
Vln. II ✿
✰ ✰ ✰ ✹
❢❢ ❢
✷✸ sul tasto ✸ ord.
✴ ✪✦ ❲✪ ✷
sul pont. ✮ ✳❲
★❲
✰ ✻ ✾ ✾ ❀ ✻ ✻ ✻ ❲ ✳❲
❲
✰ ✻ ✻ ✼ ✵ ✷
Vla. ✿ ✽ ✲ ★❲
❲
✲❲ ✴❲
❲ ✹
❢❢ ❢
♠♣
sul pont. ✸ ord. arco (ord.)
pizz.
✮ III ◆
✳❲ ❲
✸ ✷
Vc.
❁
✼ ✵ ✼ ✵
❲ ★❲ ❲
❲
❲ ★❲ ✳ ★❲ ✵ ★❲
✮ ✻ ✻
❲
✶
✻ ✻ ✳❲
✳❲
✰
✻ ✻
✹
✼
♣♣
( ) ❨
✿
❲
✹
✸ ♣ ♠❢
♣ ♠❢ ♣♣ ◆
✮ ✦
✾
❹
✾ ✼ ✵
❲ ✵
✻ ✻ ✾ ✸ ✼ ✷
Db. ❃
q ✽ ✸
❲ q
✹ ✹
♠❢ ♣♣ ♣♣
51509ins.qxd 10/10/2002 12:39 Page 61
61
U
✲ ❇❲
200 ❲✬ ✭❲ ✳ ✭❲ ✴ ✭❲ ✳ ❲✬ ✭❲ ✭❲ ✳ ❲✬ ✴ ✬❲ ✭❲
❲✪ ✬❲ ✲ ✬❲ ✲ ✬❲
✪❲
★❲
❂ ❲ ✲❲
✻ ✾ ✾ ❲ ✰ ✻ ✻
❲
✲❲
❲ ✳❲ ✴❲
Fl. ✿ ✽ ✽
♠♣ poco ❢
♠❢
❲✪ ✬❲ ✲ ✬❲ ❲✪ ✲ ❲✪ ✴ ❲✪ ✲ ✬❲ ✴ ✬❲
✪❲
★❲ ✲ ★❲ ✲ ★❲
✳❲ ✷
✻ ✾ ✾ ✾ ✻ ✳❲ ❲ ❲
Ob. ✿ ✽ ✽ ✰
✰ ❲
poco ❢ ♠❢
✲ ❲✪ ✴ ❲✪ ✪❲
★❲ ✲ ❲★ ★❲ ★❲
❲ ✳❲ ✴❲ ❲ ❲
✲❲ ❲ ❲
✻ ✾ ✾ ✲❲ ✸ ✰ ✻ ❲ ❲ ❲
✼
❁ ❲ ❲
✼
Bsst. Cl. ✿ ✽ ✽ ❲ ✹ ✿
poco ❢ ♣♣ sempre
♠♣
✷ ✲✦ ✸ ❲ ❲ ❲ ✼
Bass Cl. ❃
✿ ✹ ✹ ❲ ❲ ❲ ✲❲ ❲ ★❲ ★✦ ✵ ★✦
♣♣♣ ➐✴
♠❢ ♣ ♣♣♣
❂
✷ ✸ ✻ ✼ ✼
Hn. ✿ ✹ ❲ ❲ ✹ ❲ ✵
✬ ✬
♣ ♣♣♣ ✦ ✵ ✦
♣♣♣ ◆
✷ ❲ ❲ ✸ ❲ ✵ ✻ ✼ ✼
Tpt. ✿ ✹ ✹
✲ ★✦ ✵ ★✦
♣ ♣♣♣ ♣♣♣ ◆
★❲ ★❲ ★❲ ✵
❀ ✷ ✸ ✻ ✼ ✦ ✵ ✦ ✼
Tbn. ❃ ✹ ✹
♣ ♣♣♣ ♣♣♣ ◆
T.-T. 3
❂
r ✻ ✾ ✸ ✾ ✾
✽ ✹ ✦ ✵
Perc.
♣♣ ✶ ✶
✶ ✶ ✲ ★❲ ✲ ✪❲
✶ ✶ ✶ ✲❲ ✲❲
✶ ✲❲ ✶ ✲❲
✻ ✾ ✾ ✼ ✵ ✲❲ ✲❲ ✼ ✵ ✲❲
✲❲
✼ ✵
❁ ✲❲ ✼ ✵
❃
✿ ✽ ✽ ✶ ✶ ✲❲
✶ ✲❲ ✲❲ ★❲
✿
♣♣ ✶ ✶ ✶
✳ ✪❲
✴ ★❲
✲❲ ✲❲
❁ ✻ ❲ ✾ ✴❲ ✻ ✻ ✼ ✵ ✼ ✵ ✸ ✼ ✼ ✻ ❲ ✻ ✼
✽ ★❲
✿
✽ ✰
✹ ❲ ❲ ❲
★❲ ★❲ ❲ ❲
✳ ★❲
♣♣♣
★❲ ✮ 3 3
Pno.
❁ ✻ ✳❲ ❲ ✾ ✻ ✻ ✼ ✵ ✼ ✵ ✸ ✼ ✼ ✻ ✲❲ ✻ ✼
✽ ✬ ✳❲
✿
✽ ❲ ✹ ✲❲
✲❲
✶
✶
✲❲ ✲❲
✶ ✲ ★❲ ✶ ✶
❲ ♣♣♣ senza ped. ✶
❁ ✻ ✾ ✸
✽ ✽ ✹ ✴✦ ✵ ✦ ✵
✲ ✭✦★ ✵ ✭✦★ ✵
✲✦ ✵ ✦ ✵
❬ III
✷ ✷
✳ ✬❨ ✵ ✳ ✬❨
❲ ✵ ❲
❂
✷ ✾ ✸ ✾ ✼ ✻ ✼ ✼
Vln. I ✿ ✹ ✹
♣ ♠♣
I 15 ◆
✷ ❈❲ û
❨
✷ ✾ ✸ ✾ ✾ ✼
Vln. II ✿ ✹ ✹
♠❢
✷
★❨ ✵
❲ ✵
❀ ✷ ✾ ✸ ✾ ✾ ✼ ✻
Vla. ✹ ✹ ✿
sul tasto
♠❢
❁ ✷ ❨ ❨ ✸ ❨ ✻ ✼ ✼
Vc. ✹ ✹ ✰
✦ ✵
✪
✦ ✵
✪ ✵
✳✦ ✵ ✦
♠❢ ♣♣♣
♣♣♣
❲ ❲ ❲
✷ ✸ ✻ ✼ ✼
❹
Db. ❃
q ✹ ✹ ✰
✲ ★✦ ✵ ★✦ ✵
♠❢ ♣♣♣
♣♣
51509ins.qxd 10/10/2002 12:39 Page 62
62
204
✷ ✮
❂ ✷ ✶ ✲❲
✲❲ ✻ ✻ ✼ ✵ ✼ ✵ ✾ ✸ ❲ ✲❲ ✻ ❲ ✾ ✻
Fl. ✿
✰
✹ ✶ ✽
♣ ♠❢ ❢
✮
✷
✮
✻ ✻ ✼ ✵ ✼ ✵ ✾ ✸ ✲❲ ✻ ✴❲
✮ ✻ ✵
✯
❲
✳❲ ✮ ✻
Ob. ✿
❲ ✹ ✷ ✲❲ ✷
✳ ★❲ ✳❲ ✶✷ ✽
✶ ✶ ✳ ★❲
♣♣ ♣
✶ ✶
❢ ♠❢ ♣
❲ ✯ ✷ ✮ ✮
❲ ❲ ✲❲
❲ ❲ ❲ ❲ ❲
❁ ❲ ❲ ❲ ❲ ✺ ✻ ✼ ✻ ❲ ✻ ✵ ✯ ✮ ✻
Bsst. Cl. ✿ ❲ ❲ ❲ ❲ ❲ ❲ ★❲
❲ ❲ ✿ ✶
★❲
❲
✶✷
✳❲
✷ ✪
✽
♣♣♣ ❢ ✶ ❲
✶
♠❢ ♣
✸ ✲❲ ✲❲
✲❲
✼ ✦ ✾ ❲ ✵ ✼ ✵
❁ ❲
❲ ❲
✲❲ ✼ ✵
❲
✲❲ ✮ ✻ ✻ ✻
Bass Cl. ❃
✿ ✽ ❲ ❲ ✲❲
✲ ★❲ ✴ ★❲ ★❲ ★❲
✽
♠❢♣ ♣♣ ♣ ♠❢ ♣♣♣
❂
✼ ✲✦ ❲ ✼ ✼ ✾ ✾ ✷
Hn. ✿
✸
✹
♠❢♣ ♣♣
✷
✾ ✦ ✵ ❲ ✻ ✼ ✼ ✾ ✷
Tpt. ✿
✰ ✹
♣♣ ♠♣
✷
✲ ★✦ ✵ ★❲
❀
✾ ✰ ✻ ✼ ✼ ✾ ✷
Tbn. ❃ ✹
♣♣ ♠♣
❂
r ✾ ✾ ✾ ✾ ✷
✹
Perc. ✶
Mar. ✶✸ ✲❲ ✶ ✶
✶ ✲❲ ✲❲ ✮
✼ ✵
✲❲
✲❲ ✲❲
✶ ❁ ✲❲
✶ ✲❲ ✻ ✻ ✾ ✾ ✻
❃
✿ ✲❲
✶ ✲❲
✶ ✲❲
✶ ✲❲
✶
❲
✶✷ ✽
✶
♠❢ ♣♣♣
✾ ✾ ✾ ✾
❁
✼ ✵ ✻
✿ ✽ ✲ ❲★
❲ ✽
❲✪ ✪❲
✬❲ ✲❲ ❲
✪❲
★❲ ♣♣
✲❲
✾ ✾ ✾ ✼ ✵ ✼ ✵
❁
✻ ✻ ✻
Pno. ✿ ✽ ✰ ✽
♣ ✴ ✬❲
❲
✬❲
❲
✬❲
❲
◆
❁
✾ ✾ ✻
✭★
✦ ✵ ✽ ✽
➐✲ ✦ ✵
✲➐ ✦ ✵
sul I sempre
◆
❈❲
û
➐ ✳ ❨✬ ✵ ❨✬ ✵ ❨✬ ✵ ❨✬
✦ ✵ ✦ ✵ ❲ ✵ ❲ ★❨ ★❨ ★❨ ★❨ ★❨ ★❨ ★❨ ★❨ ★❨ ★❨ ★❨ ★❨ ✵
❂ ✳❲ ❲ ✳❲ ❲ ❲
✾ ✷
Vln. I ✿ ✽ ✹
♣♣ ♣
pizz. arco I ✴ ❨★
✷ ß❲◆ ❨★ ✵ ❨★ ✪❨
✷
✪❨ ❨★
3 ❈û ❲ ✦ ✳❲
✲❲ ✲❲ ✼ ✻ ✰ ✷
Vln. II ✿ ✲❲
✶
✶ ✶ ✹
♠♣ marc. ♣♣
✷
★❨ ✵ ★❨ ★❨ ★❨ ★❨ ✵✵ ✷ ✮
❲ ✵ ❲ ❲ ✳❲ ❲ ❲
✼ ✻ ✾ ✼ ✵ ❀
❲
❲ ✻ ✻ ✼ ✵ ✼ ✵ ✷
Vla. ✿ ✽ ✲❲ ✹
♣ ♣♣ ♣
ord. ✸ tasto
sul pont. ✸ ord. ✴ ✬❲ sul pont.
✮
✲❲ ✲❲ ✲❲ ✮
❁ ✾ ✼ ✵ ✼ ✵ ❲
❲ ✻ ✻ ✲❲ ✰ ✻ ✻
❲
✻ ✻ ✼ ✵ ✻
Vc.
✪ ✵
✦ ✵ ✽ ❲ ❲ ✴❲
❲ ✽
➐✳ ✦ ◆ ♣ ♣ ♣♣
❹
✾ ✾ ✾ ✷
Db. ❃ ✵ ✹
➐ ✲ ★✦
◆
51509ins.qxd 10/10/2002 12:39 Page 63
63
V
208 ✪❲ ✵ ❲✪ ❲✪ ✲ ❲✪ ✪❲ ✲ ✪❲ ✲ ❲✪ ✴ ❲✪ ❲✪ ❲✪
✵ ❲★ ✵ ✲ ★❲
❂ ✴❲ ✵ ❲ ✵ ★❲ ❫ ❲ ❲ ❲
✻ ✾ ❲ ✵ ❲ ✵ ❲ ✵ ❫ ❫ ❫
✾ ❲ ❫ ❫ ✰ ✻ ✻ ✼ ✵
Fl. ✿ ✽ ✽ ❲
✳❲ ❫ ❫
♣ ♠❢ ♣ ♠♣
❲★ ✪❲ ✳ ✪❲ ✲ ❲★ ✪❲
✳❲ ✳❲ ✴❲ ❲
✻ ✾ ✾ ✾ ✼ ✵ ✼ ✵
❲
✰ ✻ ✻
Ob. ✿ ✽ ✽
♠❢ ♣ ♠❢ ♣
✴ ✪❲
✲ ★❲ ✲ ★❲ ✴ ★❲ ★❲ ★❲ ✲ ★❲ ✴ ★❲ ★❲
✲❲ ❲ ❲ ❲ ✳❲
✲❲ ✲❲
✻ ✼ ✵ ✾ ✲❲
✲❲ ❲
✻ ✻
✳❲
✰ ✻ ✻
Bsst. Cl. ✿ ✽ ✬ ✪
✽ ✲❲
❲
✰
✲ ★❲ ★❲
❲
✲❲
♠❢ ♣ ♣ ♠❢ ♣
♣
✮
❁ ✻ ✾ ❲ ✵ ✦ ✵ ❲ ✵ ❲ ❁ ✲❲
✲❲
✻ ✻ ✾ ✻ ✺ ✻ ✻ ✲❲
Bass Cl. ❃ ✽ ✳❲
❲ ❲ ✽ ✿
✰ ✰
✳ ★❲
♠❢ ♣ ♣♣♣ ♣
♣
❂ ✮
✷ ✾ ✸ ✾ ✻
✦ ✵
Hn. ✿ ✹ ✹ ❲ ✦
♠❢ ♣
✦
✷ ✾ ✸ ✾ ✻ ✳❲ ✦ ❲
Tpt. ✿ ✹ ✹ ✰
♣
✷
✬❲ ✬❲ ✬✦ ✵
✪❲ ✪❲
❀ ✷ ✾ ✸ ✾ ✻ ✰
Tbn. ❃ ✹ ✹
♣ ♣
❂
r ✷ ✾ ✸ ✾ ✾ ✾
✹ ✹
✶
Perc. ✶ ✶ ✶ ✶ ✳ ❲✪
✶ ✲ ★❲ ✲ ★❲ ✶ ✳ ★❲ ✳ ★❲
✶ ✶ ✲❲ ✮ ✶ ✶ ✳❲
✲❲ ✳❲ ✵ ✳❲
❁ ✻ ✾ ✾ ✼ ✵
✲❲ ❁
✼ ✵ ✻ ✳❲ ✵ ✳❲ ✻ ✵
❃ ✽ ✿
✽ ❲
✶
❲
✶
✶ ✶
✰
♣♣ 5: 6
❢
5: 6 ♣♣
✷✶
✷ ❲✬
❲✪ ✵ ✬❲ ✬❲
✪❲
✮ ★❲ ❲ ★❲ ★❲ ❪
❲ ❲ ③ ③
❁ ✻ ❲ ✻ ✻ ✳❲ ❲ ✾ ✰ ✻ ✻ ❲ ❲ ❲ ❲ ✸ ✰ ✻ ✼ ✼
✽ ✳❲
❲ ✽ ✿
✹ ✰
Pno. ♣ ♠♣ ♣♣ 5: 6
5: 6
♠♣ ♣ ♠❢
✷
❲
❁ ✻ ✾ ✾ ✾ ✸ ✼
❲ ❲ ❲ ❲
✽ ✽ ✹ ✪ ✪
❲
✦ ✵ ❲ 6
✷
♣♣
❖
❨★ ✷ I ❨★ ❨★ ✵
❂ ❨ ❨
✷ ✼ ✸ ✼
✦ ❲
✻ ✼ ✻ ✰
Vln. I ✿ ✹ ✹ ✰
♣♣♣ ♣♣ ♣♣♣ ♣♣♣
ß ❈❲ ◆
û ❖
★❨ I ★❨ ★❨ II ✲❨ ❨
➐✳ ❲ ❨
✷ ✸ ✼ ✼ ❲ ✻ ✼ ❨
Vln. II ✿ ✹ ✹ ✰ ✦
♣♣ ♣♣♣ ♣♣ ♣♣♣ ♣♣♣
✳ ❨★ ❨★ ✴ ❨★ ✲ ★❨ ❨★
✳ ❲ ❲ ✴ ✦ ✲❨ ✲❨ ❨ ✵
❲ ❲
❀ ✷ ✼ ✸ ✲ ❲ ✲ ❲ ✦ ✵
Vla. ✹ ✹ ✰ ✰
♣♣
ord. ✪❲ ✵
✮ pizz. ★❲ ✵ ★❲ ✵
❲ ✵ ➐✴ ❲ ✵
❁ ✻ ✾ ✸ ❲ ✵ ❲ ✵ ❲ ✵
❲ ❲ ✻ ✻ ✾ ✼ ❲ ❲
Vc. ✽ ❲
❲ ✽ ✹ ❲ ✲❲
♠♣ ❢ ♣♣
pizz.
❹ ✷ ✾ ✸ ✾ ✼ ✼
Db. ❃ ✹ ✹ ✦ ✵
✷
❲
✸
♣
51509ins.qxd 10/10/2002 12:39 Page 64
64
✷
✲ ✭❲ ✭❲ ✲ ✭❲ ✭❲ ✭❲ ✳ ✭❲ ✭❲
212 ❲✬ ✬❲ ✳ ❲✬ ✲ ✬❲ ❲✬ ✬❲ ✳ ❲✬ ✲ ✬❲
❲✪ ❲✪ ✳ ✪❲ ✲ ✪❲ ❲✪ ✳ ✪❲
✲ ★❲ ✶
❂ ❲ ✳❲ ✳❲
✰ ✻ ✻ ✼ ✵
✳❲ ✸ ✻ ✻
Fl. ✿ ✹ ✰
♠❢ ♠♣ ♣ ♣ ♠❢ ♣ ❢ ❢❢
✲ ✪❲ ✪❲ ✳ ✪❲ ✴ ✪❲ ✪❲ ✶ ✪❲ ✪❲
✲ ★❲ ★❲ ✲ ★❲ ✴ ★❲ ✲ ★❲ ➐ ✳ ✪❲ ✲ ★❲ ✪❲ ✴ ★❲ ✲ ★❲
❲ ❲
✼ ✵ ✼ ✵ ✰ ✻ ✻ ✼ ✵ ✸ ✰ ✻ ✻ ✰
Ob. ✿ ✹
♠❢ ♣ ♠❢ ♣ ❢ ❢❢
✭❲ ✭❲
✳ ✪❲ ✪❲ ✴ ✪❲ ❲✪ ✪❲
✳❲ ★❲ ✳ ★❲ ★❲ ✲ ★❲ ✴ ★❲ ✲ ★❲
❲ ★❲ ❲ ★❲ ✲ ★❲ ✴ ★❲ ✲ ★❲ ✴ ★❲ ✲ ★❲
✳❲ ❲
✰ ✻ ✻ ✰ ✻ ✻ ✸ ✼ ✻ ✰
Bsst. Cl. ✿ ✹
♠❢ ♠♣ ♣ ♠❢ ♠❢ ♣ ❢❢
✮
❁ ✮
Bass Cl. ✻ ✻ ✻ ✵ ✴❲ ✵ ❲ ✵ ✼ ✵ ✼ ✵ ✾ ✾
✲❲ ✲❲ ✿ ✷
❃ ✲❲
✲ ★❲
♠❢ ♣♣
❂ ✮ ✮
Hn. ✻ ✼ ✻ ❲ ✦ ❲ ✼ ✼ ✾
✿ ❲ ❲ ❲ ✷
✷
♠❢ ♣ ♣♣
✷
❲ ✮
Tpt. ✻ ✼ ✻ ✼ ✼ ✾
✿ ✰
❲ ✦ ✵ ❲
♠❢ ♣ ♣♣
♠❢
✷
✳ ✪❲ ✷
✳ ★❲ ✦★ ✵ ✳ ★❲
❀
Tbn. ✰ ✻ ✼ ✻ ✰ ✼ ✼ ✾
❃
♠❢ ♣ ♣♣
❂
r ✾ ✾ ✾ ✾
Perc. ✶
Mar. ✶ ✶ ★❲ ✵
✶ ✶ ❲ ✵ ✴❲ ✵
✶ ❲ ✵ ❲ ✵
❁ ✸ ✼ ❲ ❲ ❲ ✵ ✻ ✵ ✾ ✾
❃ ✹ ❲
✶
✲❲
✶
✶ ✶
✸
♠♣ ♣
✷ ✶✷
❲ ✵ ❲ ❲ ✦ ❲ ❲ ❲ ✵
✳❲ ✵ ✳✦ ❲ ❲ ✵ ❲ ✵✵
✿ ❲ ✵ ❲ ❲ ❲ ❲ ✦ ❲ ❲ ❲ ❲ ✵ ✲ ✲❲ ❲ ✵ ✺ ✾
✰ ✰ ✰
Pno.
♠❢ sostenuto ❇❲
✶✸
❲
❲
❁
✼ ✼ ✱ ✺ ✻ ✾
❲ ✿
❲ ❲ ★❲ ★❲ ✪ ✪ ✬ ✬ ✬
❲ ❲ ❲ ✲✦ ✦ ✵ ❢❢
♣♣
✷
legato
★❨ ✵ P I ✴ ★❨ ★❨ ★❨ ✲ ★❲ ★❲ ★❲ ★❲
❂ ❨ ❨ ❨ ✵ ✲❲
✳❲ ✳❲ ✴❲
✲❲ ❲ ✰ ✲❲ ✵ ✼ ✾ ✳❲
Vln. I ✿
✰
✽
♠❢ ❢
✮ legato
P ❲ ✲❲ ❲
✲❨ ❨ ✲❨ ✵ ✴❲
❨ ✵
❲ ✵
✲ ❲ ❲ ❨ ❨ ❨ ✲ ❲ ✵ ✼ ✾ ✲❲ ✲❲ ✲❲
✲❲
✴❲
Vln. II ✿
✰
✦ ❲
✷
❲ ✽
♠❢ ❢
P ✷
✲) ❨ ✵ ✲❨ ❨ ✲❨ ✲❨ ❨ ✲❨ ✵ ✳❲ ❲ ✴❲
❀ ( ✲ ❲ ✵ ✲ ❲ ❲ ✲ ✦ ✲ ❲ ❲ ✲ ❲ ✵ ✼ ✾ ❲
✻ ✻ ✼ ✵ ❀
Vla.
✰ ✰
✿
✽ ✰
♠❢ ❢
3 ✶
3✶
✶ ✳❲ ✳❲
❁
Vc. ✼ ✳❲ ✵ ✳❲ ✻ ✳❲ ✻ ✼ ✾ ✾
❲ ❲ ✶ ✶
✶ ✶ ✰
♠♣
✸ ♣
✸✷
❹ ✲✦ ✦ ✵
Db. ✼ ✾ ✾
❃
♠❢ (l.v.)
51509ins.qxd 10/10/2002 12:39 Page 65
65
✸
❈❲ ✵ ✷
216 ✭❲

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51509cov.

qxd 10/10/2002 12:38 Page 1 (Black plate)

WORKS FOR CHAMBER ENSEMBLE

THOMAS ADÈS . CHAMBER SYMPHONY

FABER MUSIC . 3 QUEEN SQUARE . LONDON

© 1995 by Faber Music Ltd

The first performance of the Chamber Symphony was given by

Flute (= piccolo & alto flute)

The score is written in C

Woodwind and brass: suggested manner of performance is tongue-stopped

Piano: Notes on Preparation (see between M and S)

pushed under the B , over the B  and C, down under the D .

The notation for these notes is:

right-hand strings of each note (as in Cage), producing the pitches

the unprepared string. The notation for these notes is:

strings, between the dampers and the keyboard.

marimba (with 4 mallets)

Wood block Cymbal

Harmon mute, stem ½-out

arco sul tasto

♣♣♣ ♣♣♣ ♣♣♣ espr.

* If no bell tree, quick light gliss. with triangle

❚❚❚❚❚❚ ❭✮ ❭✮ ❭✮ ❚❚❚ ❭✮ ❭✮ ❭✮ ❚❚❚❚❚❚❚❚❚ ❭✮ ❭✮ ❭✮ ❚❚❚❚❚❚❚❚❚ ❭✮ ❭✮ ❭✮ ❚❚❚❚❚

63 F Più Agitato ✰ = 72-80

C. bell l.v. sempre

(gradually closer to dome) (near dome) 3 3 3 3

(con sord.) sul tasto IV 3 3 ✮

Pno. ♣♣♣ ♣♣♣

T.-T. 3 SD C. bell T.-T. 2 Cym.

molto vib. ô senza vib.

T.-T. 2 Cym. C. bell T.-T. 3

archi: molto vib. sempre

sul tasto poco a poco ord. 5 5

T.-T. 1 T.-T. 2 SD T.-T. 3 (damp Tam-tams 1 & 2)

3 sul tasto ✸ sul pont. ✸

poco a poco accel. al

III ◆ pizz. arco sul tasto ✸

Pno. quasi niente ◆ ♣ ♣♣

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