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Plot Structure

Author: Jill Torrey Emmons

Editor: Scott R. McDaniel

Time: 1 class period

Preparation

Time: 15 minutes

Materials: Plot Diagram

Copies of the short story “Total Urbanization” by Douglas Bell, overhead projector, transparencies, wet
erase markers

Abstract

In this lesson students will look at the basic techniques authors use to construct believable fictional texts
as well as the primary components of plot structure. We will discuss the ways in which the author uses
language to create setting, characters, and mood. Then, referring back to a text that students have read
the previous week, the class will explore the basic parts of a story line: exposition, conflict, rising action,
climax, falling action, and resolution.

Purpose – This lesson is the first of three lessons in which students will explore the various tools and
techniques used by authors to create believable, compelling texts.

Objectives

Students will be able to:

1. Identify the six elements of a plot line in a given text.

2. Outline the major events of a text by creating a plot line diagram.

National English Education Standard

Standard 3: Students apply a wide range of strategies to comprehend, interpret, evaluate, and
appreciate texts. They draw on their prior experience, their interactions with other readers and writers,
their knowledge of word meaning and of other texts, their word identification strategies, and their
understanding of textual features (e.g., sound-letter correspondence, sentence structure, context,
graphics).

Teacher Background

The teacher should be familiar with the plot line diagram (circular, linear, or curved versions are fine),
and understand the following components of plot:

Exposition: the beginning of the story, establishment of setting and characters

Conflict: the problem(s) faced by the characters

Rising Action: events in the story leading up to the climax

Climax: the culmination of events in the story, point of highest reader interest

Falling Action: events leading to the solving of the story’s problems

Resolution: how events and problems of the story are solved


Related and Resource Websites

http://www.cast.org/teachingeverystudent/toolkits/images/TMP_plotdiagram_large.jpg

Activity

1. Begin class with the overhead projector ready with a blank transparency and a wet erase marker at
hand. Tell the class that they are going to look at the components of plot.

2. Ask the class if they can define plot (the events in a story chronologically explained).

3. Explain to the class that any text that tells a story has a plot. One example would be found in a film
script. Also explain that as the plot or story line unfolds, there is a certain pattern of events which is
generally followed.

4. After this brief introduction, ask the class what movies they have seen lately. List some of these, and
try to identify one that you and the majority of the class members have seen.

5. Ask the class to describe the events of the movie, while you list the most important events (preferably
the six elements of the plot line).

6. Explain to the class that the plot line of this movie has six parts, namely the 1) exposition, 2) conflict,
3) rising action, 4) climax, 5) falling action, and 6) resolution. Instruct the class to take notes on these
terms.
7. Connect each of these terms to its corresponding event in the film students have described. Ask the
students if they can then determine the significance of each of the six terms. Help the class to formulate
definitions.

8. Explore the correct definitions of each of the six parts of the plot line with the class, encouraging
students to make corrections in their notes where needed.

9. Ask the class to draw into the notes a plot line diagram, which you will model for them on the
overhead. The best model to use is the triangle model or the “hill” shaped curve, which begins as a
straight line that gently curves up at about a 45 degree angle into a hump that slopes down into a
straight line again (see Plot Line Diagram). Ask the class to help you create a plot line diagram using the
short story “Total Urbanization” which the students have read the week before.

10. If needed, spend a few minutes reviewing the story, or allowing the class to re-read it. Then, ask the
class to try and identify the exposition (How does the story begin? What is the setting?). Identify the
conflict (there are several in this story - e.g., the problem of finding food, avoiding death).

11. Students may struggle identifying the rising action, since the parameters of this part of the plot are
somewhat vague. The rising action constitutes the events leading up to the climax (the rising action in
this story would be the brief discussion between the narrator and Jim). The climax is usually easy for
students to identify (the moment the narrator is shot). Wrap up by identifying the falling action (the
narrator ponders the meaning of the events of his life) and the resolution (the author dies).

12. When these events have been plotted on your model plot line diagram (on the overhead) your
students should have a pretty good idea of what the diagram’s purpose is: to simply outline and
summarize a story.

Closure

If time allows, at the end of the class period assign another short story that the students can read in 5 to
10 minutes. Have them compose a plot line diagram of the story. This can also serve as a homework
assignment.
Homework

See closure section (above).

Embedded Assessment

Students should be assessed on whether or not they can define and identify the literary terms outlined
in the lesson objectives. Give students credit for accurate notes as well.

PULSE is a project of the Community Outreach and Education Program of the Southwest Environmental
Health Sciences Center and is funded by:

an NIH/NCRR award #16260-01A1

The Community Outreach and Education Program is part of the Southwest Environmental Health
Sciences Center: an NIEHS Award

LOGO - SWEHSC LOGO - NIEHS Center LOGO - NIEHS

Supported by NIEHS grant # ES06694

© 1996-2007, The University of Arizona

Last update: November 10, 2009 Page Content: Rachel Hughes


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