Made to Be Seen Perspectives on the History of Visual Anthropology EDITED BY MARCUS BANKS AND JAY RUBY etn ofMap es CeeAnco wa pater tp ni Srna se at so ‘uoermuafaY tose ete ‘free bere oa ‘Sitenowocte att toe pa Sinn ey ety Cee Ce emmy Mets ee inne ‘einostes ‘atm Cg stan stp ns eo ay tansy en tine mio oseoat otter mein gmossssos fe) Iivipomsanasegeucacen cians ie, Reppin pnt nme et ennai aya EDI Contents Introduction: Made to Be Seen stil Pepin Vis Anteptoy Skea Vions Toa a Beng f Visual spins ate isons res Tes Vial Anthropology andthe Bult Entoament arenas te Vs an the sie ‘Untied Dialogue testo on ete iyo Art ant Anthony ‘Moore “the Body" Visa Cle “racing Photography thaogapie in 1s ss 108 16 159 190Native Intelligence: A Short History of Debates on Indigenous Media and Ethnographic Film nh ae i ty i eo ‘ites prp au ace on vn eco ec ata i ected a se a eee at ‘utoget pt amend ures here eyo Inger ie gh ents tiny eco ‘eterna aon oth et oe ‘de anor eet en ot wd den at ofa eh ha py ‘rons Nan icp sow be Cad ‘both a eaten te ache erg Pep atin 2ne the wes ond one petan ed he ‘em adenoma al ppp serena wh ‘etre men eh as oi a sessment ey ay ‘rtemwnrs amok pt Ova cbr te ‘Svea hme ut ten ae ‘The Anietles and Possbilites ofthe Parallax Effect Jn Nay 2007 a newspaper arte inthe Aula announced an inal enous potest nthe rea wer eoncering he vital appropriation of Isr Aboriginal sre te into the en onine wold of Soon Lie 5D (eatin 2005, Me pots concen wasted sais Test, “Aas largest tieconnmuniaions corporation and cfstor of The ond, itu sand and poplar destination representing tings Aus tn on Second Lf. The Anangu people ingens owners of Urs ‘in South Asta el own te oursvand other fs ngs name ‘yet Rok, were eoncemed abou the posse dexeation, abet i ‘ual ofthe online representation ofthe ste,» dma cogeal for ‘maton and prof thelr scred ance eae. The ital Ul, Lhe ‘ts physical counterpart, was protected by bast alscouage people from wailing or Byng ove the ite Nonetbsey, representative of he tradonal owners warned that even withthe estrone maybe Posse to view sacred tes around (he val} Ula.” Tn the phystal world, non-Abriginal isto have, since 1987, facet sc prohibitions aga photography a ming witout consent of ‘he indigenous landowner. Ter’ spokesperson confirmed that the company had not sought the permision of Ulu’ andawnes to use mages of these fr commerll purposes (Canning 2007. The case ‘ested up n October 2008 when the eecommuniatlons comprsion posed ious advertising Is Bg Pon interme serie fot of the ‘rl Ula ase a serving greg—sleoto!—at he Bibong Ba, a ‘Gjcent pute lef the el world plied in Second ithe ba mould be ight inthe nde of the Mut commana ey ae, ‘esuaYemoved the bilbourds aftr protests. Meanie, any inl enous Austallans ving in remote areas woodered whee: they mist te sere bythe mich public lout of broadband sevice fm ‘digital stratcaton tat fo xely dics gue 9. ‘Thistory see pefoundly contemporary in ts concern with the vie ‘ual and the citaltesof containing clu and inaetal propery Ina dlgta al medium. Yer tIsembematicofmany ofthe eisteno Tegealy challenging sues that ave been mse in the Bel of isl nthopolngy over the I three desde not lngee—concerning the tas and imlctions of indigenous ments hot history of debates in the eld, the Second Life story reminds us that they ae Pot nly academicbut ls, of ours, have consequences in theives of