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Intellectual property (IP) refers to creations of the mind, such as inventions; literary and
artistic works; designs; and symbols, names and images used in commerce.
IP is protected in law by, for example, patents, copyright and trademarks, which enable
people to earn recognition or financial benefit from what they invent or create. By
striking the right balance between the interests of innovators and the wider public
interest, the IP system aims to foster an environment in which creativity and innovation
can flourish.
1. Patent
A patent is a title which provides its owner the right to prevent others from exploiting the
invention mentioned in the patent. It does not allow by itself making or selling an
invention but it rather gives the right to exclude others from making, using, selling or
importing the patented invention.
This monopoly is granted for a specific field, in a defined country and for a maximum of
20 years in return for the full disclosure of the invention with the publication of its
technical details.
for the inventor - a patent is the way to prevent competitors from copying its
invention
for society - a patent consists on improving innovation process by the public
disclosure of innovations. In return investment is encouraged by the delivery of
exclusivity right and the derived benefits.
Note: Ignorance that you are infringing someone else patents is not a valid defence
before the Court.
2. Trademark
3. Design
Designs are concerned with the features, the appearance of a part or the whole product:
Registration of design confers on the owner (for a limited time) the exclusive right to use
the design and to authorise others to use it. It also includes the right to make, offer, put
on the market, import, export, or use a product in which the design is incorporated or to
which it is applied, or to stock such a product for those purposes.
The maximum duration of design protection varies from country to country from 5 to 25
years.
4. Trade Secret
Trade secrets concern secret or proprietary information of commercial value. These are
not covered by specific statutory provisions as other types of IP are, although there
could be aspects of contract law, or employment law that might be relevant in a
particular case.
The level of protection conferred to trade secrets varies significantly from country to
country. The notion of secret is mentioned in the Commission Regulation No 772/2004
as being "not generally known or easily accessible". Indeed, trade secret represents an
interest for its holder, which is often a competitive advantage.
Trade secrets do not receive any protection from intellectual property rights, even
though a doctrinal discussion exists on this issue and some authors consider trade
secrets themselves as an IP right.
In any case, they could fall under the scope of protection of civil law and unfair
competition law. In addition, some countries also provide penal sanctions for persons
who fraudulently disclose an industrial secret.
5. Copyright
Copyright is a legal term describing rights given to creators for their original literary,
musical or artistic works which allow them to control their subsequent use. These
include for example:
computer software
drawings, maps, charts or plans
photographs and films
architectural works
sculptures
sound recordings
TV and radio broadcasts
Moral rights, which are not transferable and give the creator the right to be
identified as the author of the work and the right to object to any distortion or mutilation
of the work.
Economic rights, which entitle the owner to control the use of its creation in a
number of ways (making copies, issuing copies to the public, performing in public,
broadcasting etc.) and to obtain an appropriate economic reward.
A copyright protects only original works of "authorship" included in the following seven
categories:
The 1976 Copyright Act abolished common law copyright and provided express
protection for computer programs and databases. A copyright can he claimed for either
published or unpublished works and exists at the time the work is created.
The owner of a copyright has the exclusive rights to do and authorize:
the distribution of copies or phono records to the public by sale or other transfer of
ownership, or by rental, lease, or lending;
in the case of literary, musical, dramatic, and choreographic works, pantomimes, and
motion pictures and other audiovisual works, the performance of the copyrighted work
publicly; and
in the case of literary, musical, dramatic, and choreographic works, pantomimes, and
pictorial, graphic, or sculptural works, including individual images of a motion picture or
other audiovisual work, the display of the copyrighted work publicly.
Initial ownership in a copyright resides in the author or authors. In the case of a "work
made for hire" (see definition supra), the employer or other person for whom the work
was prepared is considered the author. A copyright may be assigned, and the
assignment may be recorded in the Copyright Office. Recordation serves as
constructive notice.
Although not the strict requirement it once was after the U.S. became a signatory to the
Berne Convention in 1989, it is recommended that the Statutory notice be applied to
published works. The notice should be provided in the form of;
Registration is a simple process requiring only that you file an application with the
required deposit and payment of the fee. The registration form for Class TX, non-
dramatic literary works, is used for computer programs as well as technical manuals.
The deposit requirement for a computer program which is fixed or published only in the
form of machine-readable copies is one copy of identifying portions of the program,
reproduced in a form visually perceptible, either on paper or in microform. The
Copyright Office prefers source code but will accept object code. If source code is
deposited, it is possible to delete portions of it that are considered to be a trade secret.
One way of promoting ethical use of media is to be keen on the details and information,
since everyone can freely access it nowadays, so it has to be genuine and legit. As a
reader, you need to check every detail if it’s the fact. Everyone can also be a feeder or a
source, then you have to give the right information to the readers. The use of media is
the responsibility of every one. Stop spreading false news and avoid gullibility.
Because nearly all of the services and platforms young people use are networked,
every time a friend posts something they have to decide if – and how – to share it.
Unfortunately, they often ignore the ethical issues of this choice, expecting others to tell
them if they don’t want something to be shared.
Sometimes it can be hard to remember that the people we communicate with online are
real people who have feelings. This is because we don’t see or hear many of the things
that trigger empathy in us, like a person’s tone of voice, body language or
facial expression.
One of the most common ethical decisions kids face online has to do with how they
access and use things like music, games and videos. So much stuff is easily available
online that it’s hard to resist “putting your hand in the cookie jar,” especially since we’re
not reminded – as we would be if we were to sneak into a movie or steal a video game
from a store – that people are affected by what we do. There’s also lots of confusion,
among both kids and adults, about what’s permitted and what’s not. We need to teach
kids to think about whether they’re watching, listening to and playing things online in a
way that shows respect for the people who made it and own it.
Plagiarism