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Concentrating on the dynamics of each character and his stance during the
climax, feminists present an intelligent discussion on the inevitability of the rape
and its effect on the characters. Unfortunately, many feminists have a tendency
to become focused on the morals of rape, rather than exploring the symbolic
nature of rape. Many feminists have also let their emotions and personal values
sway their arguments, even to the point where they personally attack
Tennessee Williams. However, a correct reading of the climax should focus on
the symbolism of the event and the positioning of characters. From this stance,
it becomes much clearer why this disturbing climax was essential, especially
when considering the shocking conclusion to the play.
The feminist’s lack of serious discussion of the necessity of the rape scene is
the weak link in their argument. While feminists concede that the character of
Blanche is a woman with more than a few “inconsistencies”, their description of
Stanley as a "monster" is not justified. Feminists neglect to consider Stanley’s
vulnerability as a factor in the rape; but they justify Blanche’s instability and
confusion as a factor, which put her in the position of victim. It is best to
consider both the preceding events and impending resolution before passing
judgment and labeling Stanley as a “monster”.
While the feminists sympathize with the character of Blanche whom they
perceive as a delicate "moth-like" creature, they should also accept the fact that
she has been mingling in the affairs of "spiders" and is now caught in the web
she has spun. This aspect of symbolism is usually not discussed by feminists,
yet it is a critical feature of the text that must be considered to obtain a more
profound understanding.
Symbolism is very important when analyzing the conclusion to the play. These
factors combined are a very important element of the text. Therefore, it is
difficult to accept many feminist arguments without linking them to the other
aspects of the play. While feminists often claim that Stanley is utterly dependent
upon other people, they do not offer reasons for this. However, it is obvious that
Elysian Fields is a society built on desire, and once deprived of this through the
intervention of Blanche, Stanley becomes very vulnerable. This is the kind of
reasoning not offered by feminists who focus only on condemning the actions of
Stanley while failing to consider his viewpoint. Therefore, when it comes to the
climax, it is very important to carefully analyze how Stanley is being presented,
as this has a dire effect on the plight of his character, both during the rape and
the conclusion.
When reading the scenes, the potent symbolism appears to be the most
prominent aspect of the text. Throughout the text, Williams has made
references to animalistic behavior and virtues. New Orleans is presented as a
jungle, a metaphor Williams uses to portray the primitive, sub-human nature of
its inhabitants. Stanley epitomizes this as he represents the brutes of society
who dominate in this jungle. Williams conveys both imagery and dialogue to
portray this notion throughout the text as Stanley performs brutish acts and
declares, "I am the king around here, so don’t you forget it." Desire is the most
powerful force in the "jungle", with all actions stemming from those attempting to
obtain it or to hold onto it. This is the motive that has brought Blanche to New
Orleans as she states: "I’ve got to keep hold of myself," since to obtain this
desire is the only way to live. It is also the foundation between Stella and
Stanley’s relationship as they long to "make noise in the night...and get the
coloured lights going."
With such virtues being the basis of this society, the rape is a climax that is
congruent to the theme of the text. Many feminists are unable to even
temporarily put aside their personal judgments regarding rape in general in
order to appreciate Williams’ motive for writing it into the text. It is an essential
part of the text and, as Stanley explains to Blanche, they "had this date with
each other from the beginning." Even feminists accept that Williams has
constructed both characters as beings who, though vulnerable because of their
personal flaws, desperately cling to the desire for life. Stanley is consumed with
the need for sexual satisfaction and Blanche perceives desire as the only form
of existence.
The dynamics between Blanche and Stanley are a prominent aspect of the text,
representing the war between gentility and the brutes. A war is not a pleasant
event. Therefore, it is to be expected that the story would involve a dramatic
and shocking climax. While feminists effectively draw battle-lines between
Blanche and Stanley, they do not realize that the rape is the climax of this war.
Feminists have approached the climax with a subjective view, and failed to
perceive the significance and meaning of the rape. In drawing definite lines
between the impact of verbal and physical abuse, feminists have recognized the
extent of the disagreements and the powers involved. However, their arguments
become hindered by the very modern tendency to examine the morals and
ethics involved in sexual assault, describing Stanley’s act as unforgivable.
While feminists sometimes stumble upon decent arguments during their tirades,
their main failure is always lack of supporting evidence. The personal attacks on
Williams are irrelevant and damaging to the credibility of the feminist position.
When considering the final scene, it is apparent that Williams had no intention
of justifying Stanley’s actions or "allowing" him to commit the rape with no
repercussions. There is no basis for the feminist argument that Williams
received a thrill from the intertwined sex and brutality, in turn favoring the
character of Stanley. Stanley represented the brutes of society, and the harsh
reality that feminists ignore is that events like these are, unfortunately, very
common in our society. The feminists’ argument is always damaged by their
insistence upon judging Williams’ alleged values. Feminists insist on defining
this as a male/female issue, when actually it is a clever representation of a
battle of wit and values between the dying gentile class and the new-age brutes.
As in all battles, there is a victor and a loser, a result that is revealed in the final
scene. The final scene brings together all elements of the story and thrusts
them at the reader, leaving him with a strong impression that remains in the
sub-conscious for some time. The reader emerges from the text with a bit of
sympathy for Blanche, along with confusion and hurt towards the total
ignorance of Stanley. The careful reader does not hate Stanley after he rapes
Blanche, an action clearly consistent with his nature and probably not even
considered "rape" by Stanley himself, rather the next step in this "game" with
Blanche. This is very much an animalistic trait, considering physical war to be
no more harmful than a game, as Stanley exclaimed, "let’s have some rough-
house!" However, Stanley’s credibility and any shred of respect for his character
experienced a sharp decline when he failed to intervene in the committing of
Blanche to the asylum. The audience is left with the image of Stanley consoling
his wife as "his fingers find the opening of her blouse." It is difficult to accept
that this concept of desire is stronger than any sense of humanity or
compassion in society. However, this is exactly how Williams has positioned his
audience to react to the text, stabbing at their emotions and forcing them to
accept the victory of the brutes. In doing so, the audience has received a very
grim and blatant reflection of society, stripped to the very core of its problems
and conflicts.
Brownmiller, Susan. Against Our Will. New York: Bantam Books, 1975.
Spoto, Donald. The Kindness of Strangers. Boston: Little, Brown and Company,
1985.
Williams, Tennessee. Memoirs. New York: Doubleday and Company, Inc: 1975.