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Hans Belting
issue. to understand religion as the central symbolic
In the context of religion, pictures represent form of social life, we must question the modern
deities who have no direct presence in the physi- understanding of religion, which is a result of
cal world; these deities are not held to be absent the Enlightenment. Anthropology was once the
(let alone non-existent), but in need of a picture only field for studying other cultures. Eurocentric
in order to become visible. In primal religions, bias was present already in Christian theology,
living bodies transform into apparitions through which took a paternalistic view of other religions
dance and voice. In the Christian tradition, visual that informed its missionary activities in the
artefacts behaved as living bodies that wept, framework of colonialism. In the global era, one’s
worked miracles, and were carried through “their” own culture can no longer serve as the sole and
town, as if they could walk by themselves. This universal yardstick for theory formation. This
Volume 12
enactment governs the appearance of pictures. insight also challenges our perspective on the
Such a procession of a holy image lives on in the
Issue 2
so-called “pre-modern” history of Europe, which
Semana Santa of Sevilla even today. It is already we have long renounced as a constitutive part
of our cultural identity. This raises the question
as to whether we are able and willing to include
our own culture (and the role of religion therein)
The art historian Hans Belting is Professor Emeritus of art
in an anthropological discourse, turning from a
history and media theory at the School for New Media at
Karlsruhe and presently Honorary Professor of the University
theology of pictures to an anthropology of visual
Heidelberg as well as Fellow of the Forschergruppe Bildevi- practice.
denz at the Free University in Berlin. In 2015 he received the In the context of religion, pictures have a
235
Balzan Prize for History of European Art. special ontological status which distinguishes
hbelting@hfg-karlsruhe.de them from other pictures. Their evidence is tied
to the belief of their devotees. As a result of this,
they have often drawn reprimands and attracted
Material Religion volume 12, issue 2, pp. 235–237
critics who break their power over the imagina-
DOI: 10.1080/17432200.2016.1172769 tion. The destruction of idols (iconoclasm) and
© 2016 The Author(s). Published by Informa UK Limited, trading as Taylor the veneration of icons are two sides of the same
& Francis Group. coin. One can imagine that in pre-historic times
Material Religion
This is an Open Access article distributed under the terms of the this conflict started as a fight between the pic-
In Conversation
237
Material Religion
In Conversation
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