Vous êtes sur la page 1sur 60

BOOK 1

ERNESTO KOEHLER
OP. 33

35 EXERCISES
FOR

FLUTE

..... • Book 1.-Fifteen Easy Exercises


Book 2.-Twelve Medium Difficult Exercises
Book 3.-· Eight Difficult Exercises

1.25 EACH BOOK

CLARL FISCHER
. lNC.
62 Cooper Square, New York 3 ·
BOSTON • CHICAGO • DALLAS • LOS ANGELES

.o 2195
-f--I-
¡J1 f
3tf5
K6f-r
CARL FISCHER'S CELEBRATED METHODS hl<.I

E. KOEHLER
111

Op.·33

BOOK I. Fif teen Easy Exércises


BOOK II. Twelve Medium Difficult Exercises
BOOK III. Eight Difficult Exercises

CARL FISCHER lNC.


62 _Cooper Square, New York 3
BOSTON • CHICAGO • DALLAS • LOS ANGELES
, : 'I 15 Easy Exercises
f or the Flute.
· ERNESTO KOHLER.
Op. 33 Book I.

9088-15
9088-15
4~ ~R-Hf11a RfJ 'E+ gG ff f)f) 1EJG g 'ª~ f1fi 1·

./ ,...........----i~ . V -----------=:

dimiuuendo ~ - - , - .

9088_ t5
1

9oss_u
6

9088-ifi
7
7.
9

9088-15
.,.· :, :.:.:: · Allegretto .. · ~ · . . ·

·• ®-, P1' s!EeE? ri 1f f r ee¡¡ ,r f ha f f 1! ·~ r r f f ¡f Fe r ~e f 1


'pb ~tf ;;;,,;¿f ~~H 'F 1hcm r r 1l'Itri 1§8feU1filffff [¡
!~ .d' f~ r e_r ..f .n¡f f. rt. tf .trf.c#r f n¡Ff 6gr jFr 1P f EEr1U ::= b '·
9
. --.. b
¿ Q
1
{j#J J.J J¡ft tJ@ ¡J j j 3JJ11 JJ ~JJ J¡h ª~JJ J1[ r: q f p1
::---.- '"' ~ '"'
.~ pb p y r r r "Ht •@ I[ rr •r r ªr 1t Eij s f l r r r p t 95 Ef Br¡ 1 1 1

rd~ dt#f ~ f r jb f ,P f r r E,w ' i ,r1 ~ J J#] j ~ FE r f l


' Pb. 1

.
!.~ vi h p !() IP 'ªW IPr re er ¡J#jj J3Jl¡pjrfi¡trtrr+1
. .. . . p rall ==------ '.' tempo.

' t eEEg 1f t f t f f 1@ r r r f E1' t r t ge f tr f e #r t t


pi> 1

¿V P ~r r r Efhr r rf 1f t f ECJ 1fff r gJ f §fff 1f r eEf f 1.


1

. . t .
f ffrr tf tflf r#r rt 1Ef, ~r je r 1P , sf t 1Prtf f jr 1P , t¡ r1
P1'.
9

' V· .~ r er EQ" 1j) ; [ Gr 1E•r Ef F#j 1i J J J J 1# J j J j J~ 1i #H n J.

'V 1
Bg¡r:~rr r; 1P r~=~~=========-
rªª l~E> Err#Ff 1Ú f f f;¡]I' f rf r r 1) '
f . .
I 11
9088-15
rt .

9088-15
12
. ,./. .· ·.. Allegro. . . · . 1
·

>ffi ¿.~.-r&iEfruJJJJJ;ps¡c1E@Lfr®@í ,oatát&r~dr!i¡


~ ben ·tegato . :...__::._-.-- . ,

.' fit fflQ; IJ210 J;JJ @I (@étJ Qg 68 IQ} Qf L@g& { . !

'~ ~ ~ ~ ~ ~ ~~ ~~ ~~ ~ ~ ~~·
z mru cw tV 1rttr.ctruar-1;Q+tfl hlfib 1r &t= +t c!J4
.

,,.r~1~-0Jtp 1¿gtiísijef 1r·atwa±1


.... i ·i i i. i i i .,· - ~ f/ t
' 1 ww-.a±ttJ1arw=ettau=12ftlfJEllUf1.Efir r rgg-1
,.~ ·~ ~ijd'fi( . ~ i ~f ~
f ? .t!fY C(r Sf! 1l(j9FVi §
. . . .. .
l~f JIJ#J JiJ5tif 1? ;tj J~~
. .
ru ' >.-~:

. ,ff~1~rnn¡aJP•rifd ~~1u~
t16p aa~cu ,lis¡ wqrrrf ~fq~
. 'qflr~ro . . . . . f>>->>fJ TT[ ~ .
T'rcEftt:r-1@J ar~Eg et! 1=
-
Pl~C E E 1r~r
rall. ·. a tempo.
rr +@I
' J!JE_Jw;JJ@1Llf LIJE&úf ~fÉr~··1twt tFlfi& 1
· ' fliff~rhlOJ rftt551éftlo Ffr l§J 1J ~.gg LW º91 ' .
í í 11
9088_{5 .
é1# 6J!f J J JJ lr•r ct1EriJ IÍ 'rJ [Crrlf rJk ff f 1fir#f [r 5~
-:;i_ ~~ ~ »- . -- . . . --
=@ 11 . CE r#f E w1[ C!¿¡ EEd U1JJJtt! JJJsId J]ttJ J JJ J
l(rttc!J h9E 1

., i¡ J 3hº J 3JJ 10 J1J JJ J ! ¡J j Jtt! J] Jtt! 1J j ]1! i j Ji 1


· · · . Btringendo. - _ _

= JE c#f [r
~ 11
i----
9088_15 - -
·
-
j
#m ~ · ~~~
f IU je
·- \.. - -
#fi
JE 1
-
'í - -
-
--~ --..
ft# t¿
-
¡a;,,,
- -
····lí i; I~.· · ·H·

-.
'! 'í
9088-15
. .
,---.a tempo. . . . · .· . --.. fL...,.._

_· :@iª~ Eff re flijr: L1 r1 f? nr (ft n 61 u: r E¡tr 1

,,~1 E1 f1tCf1tfrr1 can~ o t!t& Wagj efCr 1


"~··>~,rop~ .33
",:«·'·(•

35 . , }:J.'.;;~'¡, 'J~1lSES

FLU

Book t.-Fift.n·,/'.~:,,Exercises
... • Book 2.-Twelve .~ Oifficult Exercis:e$
Book 3.-Eight ~~·~

1.25 EACH:·.BOOK
_.·· . ' . '\,..._ .. '

CAR.tFlsCHER
' . . lNC.
62 Cooper Square. New York 3
IOStON • CHICAGO • DAllAS
!
.

ff
MT
345
K6
E9
bk.2
i¡ - ~

/'

E. KOEHLER i ..

Op.3.3

EXERCISES
FOR THE.

FLUTE

BOOK I. Fif te en· Easy Exercises


BOOK II. ·Twelve 1'Iediuni · Difficult Exercises
BOOK III. Eight Difficult Exercises

(
¡,

CARL FISCHER lNC.


62 Cooper Square, New York 3
BOSTON • CHICAGO • DALLAS
12 .M edium Difficult Exercises
f o"r the Flute .

9089_ 18 .Pu'/Jlislzetl HCMT !J.lf t;Wrl l'il#Mw Ne"1 York.


Andante.

mil. a tempo ed ene·rglco.


Allegro.

4., 1~atrauauarr16'f~rt&p2D1au•attau•asn
4atrílUtii#CW 'ª tvuuau anin n#QHi 1n ett
1
1

~ ~· ·r . . '"'~
,i YAauJF illi~jf'4ifffildcf' srtt1jña ir fjpr¡r bnEr 1 1
. .; . • • • • . . r.;- •

. ~~ . ~ - . nt. diminuendo. fa tenipo

.&•ffi~r cf5~d srdfiV&t#c f#s rs err rttrf 'ªÚIPrfrPeOr&&#J 1

.~i@i Cfi ~Cr?Ufr1•CGÚttcr&#JJiJn!1fírClfúPttffffE1


~ # ~~------
~ qJl'l'l'.•n•
Moderato. _ __

5. ,~fo fUctrrrfJrf¡f Wfl1fiiñf10fcf rFrfc@rf 1


. ben legato e con esp1·essione.

,,--..... .""'...:---- . --- _____


. ·· · · · .

,~ f fE §41 n wa nHf1r16 r rrrFtPr Pi?f fg;pJ HJ32~3]1

,.~qiJ JJJl~;J J1JM lrtrr r•r r l~E er~rf!tf~ lfy rk•Efl


. .
.-. ~

'HISH-18
alla,rgando.

. . ) ---
--- ----
'· h fer Éf t r. .t #rr-.rr: fe f. f
' '

(E. r.is F G
.
.Ti. CE e4eJr #ff!"r .1

diminuendo _ _ e _ "" 1'allentando.


8

.....
~

4~ 1Qi1fflg~~ rYU] 11éfJ~frt-¡fr9t!Jriar


1 • .

~ -·-
' ~ 1J/f rf 1&t!r@¡l1éBTOJJ 1cJ]=tfl 1e1J gft 16llt y 1

4~ eYJ í S11ftff 1171 Q§] úl 11fp Q]]


rzt,
y 1
. ·
y
.
y E} 1

g ~. rJtw11 .- '
;s11e:u E!EE 112r:=1ctJpg112fU1CLJEt!f1
\ 'k '. t

· L'isf.essotempo.~· . ·~ ir~

.4~ l@ BP Q {11f{@JE 1{JJ BJ 11f!J Dn 1r) rr P


alla1-gando e dim. > · · · . . rall. .
1

9089 -·is
.H

. ~ !":'... _.atempo. . ~

f ~ • @!?J DJ ·1r ff mtrr 1f@ Jm1D3 tJQJU 1r , út 11~ _


1
· rall. . · dim_.
a tempo.

f ~ ifi) @¿) lg , {i) lifQ ([J. IJ ·~ lftdl fd}1 v

")
1

. 9089_!8
Al legretto.

1. &~§iN rt[itr &¡ fittee Pit


j=
.P e óen ·staacato.
· ~ J/ 1Etc Gfft!ttp#
O- .
1
1

a tempo.

~Yí Pr r rfii '.PP ,


f tflFIPr rE@' .f·tff§ IF it E•p fJJ
r ,, ", , .

--~·--~
< • a te'!(lpo. ., .
------.....--
~:-,,J-~-+=~~-+---+===t---.J.t...-:--~---:::;;:--i-rr~::--.-~--F--rl-~~===r:.:::n=~"::-1', : ~::..:_~¡ '
·--.A--!

rrdl
..
'

---
.::::::----

.PP morendo.

,·.~

'í ,., .tJJ~, ., 'l 11


12·

'fnfafa 1#ir:rfüs@1(1rrti]er~1tafafrr 1

' ~ #fiJ 1#Ltr@?f~n t#[ &fi E& rn 1~tí Ed jIJ 1


f . . . . . .

'P~ f#~ itata~w 1tn&J EtJ


· · un poco rit. ~olee a tempo.
1

' ~ ff3· 1cwm tn lw m:~m ita ta .ta 1


!Hll-19 _ 1...;
13

~os9_ is
14

Allegro moderato.

mf

. :~ -. .
..... ~ ~ ..,
rs
)

sfringendo.
. 16
' '

\ .
. ) t ... '

908!'_ 18
17

"'1$l-18
\
f

l .
.• t.9
=:::s====lnstrumental ColleCtions========*=
. ' '

TRITONE HARMONY
SOLO, DUET & TRIO
FOLIO
oj ALBUM
Three- Part Instrumental Music l Applying the "Melody" Idea to
for All Woodwind, Brass and String ·- · ·Ensemble Playing
Instruments Transcribed and Arranged by
''" . ~CHARLES J. ROBERTS
Selecteá, Eáited ami Arranged
by FoR the young·ensembI6 pl~yer of today, the
convencional s~tting of melody for one group
JOSEPH E. MA.pDY and accompaniment ~ for the others no longcr
T. P. GIDDINGS & CHAS. J. ROBERTS satisfies. In order to assure the instrumentalist's ·
Text and Annotations by continued interest, all parts must' be melodious
as well as effective.
Dr. EDWIN J. STRINGHAM With this aim in view, arrangements in.,.the
Tl~cher.l College, Columbia University Harmony Album ha ve been planned along en-
tirely new lines, in arder to provide both melody
Gooo Ensemble music for elementary grades and accompaniment in practically all parts. As
is rare. Therein lies the importance of the a result, the arrangements make possible a wide
Tritone Folio. It contains 39 short pieces by variety of solo, duet and trio combinations with
classic and modern composc;:rs, for beginning piano or ensemble accompaniment.
instrumentalists in schools or at home.
Ensemble accompaniment consists of . 2nd
The numbers are so arranged that each player Violin, Viola and Bass; Each solo part may play
.has a turn at playing the melody. The class iS in duet with anY'duet part, and in trio with any
divided, without regara to instruments, int-0 three duet and any trio part. All parts may be doubled
rows. The first row begins at (1), the second or trebled, .if larger combinations are desired,
starts at (2), and the third at (3), .each/row until full orchestra effects are ob_tained.
playing back to its starting point. Tritone may CONTENTS: Songs My Mother Taught Me, Dvorak-
be used with classes in the same instrument. Dreamland Shadows, Hoelzel-The Old Refrain, Kreisúr-
Londonderry Air, Olá lri.rh Me/ody-:.-Sérénadc Espagnole,
CONTENTS: The Starting Point, Maády-Choral, Min· Bizet-Nobody Knows de Trouble l've Secn, Negro Slav1 Song
·-nmía-Ascension, Shaw-Thc Clock, Park--Choral, &llstrom -The Magic Song, Meyer-HelmunJ-Estrellita (My Little ..
-Thc Crusadcr, Gilman-Camp Hymn, Mattern-The Star), Pones-Toma a Surricnto (Come Back to Sorrento),
Cossack, Mongn--TiP".Top, Wil.ron-Mcmories, Hawkin.ron de Curti.r-Cielito Lindo (Beautiful Heaven), Fernantk{;-
-The Cavalier, Maddy-Jeanne, William.r-H.ard Times Largo, from New World Symphony, Dvorak-Dreams,
Come Again No More, Foster-The Call, Zoetler-Stars of Chenoweth-Stand:.s, (Lave Song), Flégür--La Paloma, t:k
thc Summcr Night, Anonymou.r-Cradle Song, Schubert-What Yradier.
Care We for Gold and Silver, Án01V'17Zot1.r-Dickory, Dkkory, ~NSTRUMENTÁTION
Dock, Traditional-Days of Absence, Ro.r.r,1au-Darling, Go Solo or. Melody Parts: Violin, Viola, Flote, Bb Oarinet, ·
to Rest, Anonymou.r-Elli~Rhee, Winner-The Farmcr, Anony· Bb Trumpet (Cornee), Eb Alto Saxophone.
tn011.r-Homc Again, Pike. · Duet or 2nd Parts: Violin, Viola, Bb Clarinet, Bb Trumpet
Parts Published (or: Violins, Violas, Cellos and Basses, ·(Carnet), Eb Alto Saxophone (or ·Alto Clarinct), Bb
: Flutcs, Oboes, Bh Clarincts, Eh Clarinets, Eh Alto Clarinets, Tenor Saxophone (ar Trombone in treblc clcf).
Bb Bass Clarinets, Bassoons,.C Melody Saxophones, Eb Alto Trio or 3rd Parts: Viola, Bb Clarinct, Eb Alto Saxophonc
Saxopbones, Eh Baritone Saxophoncs, Bb Tenor Saxopbones, (or Alto Clarinct or Eb Alto), Bb Tenor Saxophone (or
Bb Bass Saxophones, Horns in F, Eh Altos (Mellophones), Trombone in treble clef), Horo ,in F, Cello (or Bassoon,
Bb Trumpets (Bb Comcts or Bb Flugelhorns), Bar1tones in Tromboné or Baritone). : . .
Bass Oef(Trombones), Baritones in Trehle Clef (Trombones With Piano Accompaniment · .
or Bb Tenors), Eb Basscs and BBb Basses (Tuba) and Piano Or Ensemble Orchestra Pares of 2nd Violin, Viola
Conductor. · .. and Bass

.CARL FISCHER, Inc. · NEW' YORK • BosToN • _·c_H_1_cA_G_o_·_._.. _ _ _ __


(
(11111)

' ..

_ l'L
;;:~~-.>t' '~~~·\'·.'~'.
·
'
,BftllW
'.~
.
10 D~ dte Yarioa Technical
Dif/ictild;. o/ tlae Flute . i ·
·~.84
E. KOEHLER
,. 1 '·

.. 1 ¡ ":\ j

J¡,

Op.33

. .
EXERCISES
FOR THE

· , FLUTE

BOOK I.' Fifteen Easy E:xercises


BOOK II. · Twelve Medium Difficult Exerc.ises
-BOOK III. Eight Difficult' E:xercises .·

Carl Fischer Inc.


BOSTON NEW. YORK .CHICAGO
Cooper Square
a
8 Diff icult Exercises
· .. , f or the Flute.
ERN.ESTO KOHLEB •..
· Op. 33,Book 111. .

- -
-------
------ ----

9090-l7 _PulJlisltetl NCNJ' l>y Carl .Pi•cli~r N•til York.


. 9090 - t.7 .
1

-
---
-
~=== :--::-:
.
ii!
')

·~ ~

f fffr f!F[ !f .'fíi p-trii¡ 1.icjwtr~1


' . Moderató. ·· · ·· . - >. >

2. 1
'tfii;ir iCJ igr pfPf tre ,'tqf#cf 9cqeif~xrodfü G

fi r-r ~E r 1
trP,ñ JJ?it ~r~r 1tfFFptr irJ
1 Eqr-pr E 1

4.E1ír r*t[ clJ 11J5 °J Jtit& •¡Va JJ J CiQ 1 w

.4. j.J Jlic~F c f ff 1ffrf rf d rfti 1Uf •rcr bUF er fj


1 1
1

· · . .. · 1-a/I. _ · _ · a tempo. ~ .

f 4JH JJ JJ o.g41~Jj l9fflüQJ1@fi[cfr& 1g@itfcRff 1

f ijJ\jJJ19gctrrrif 1@PJj,JJJ{@J1@HJª#PttJJ1
4eFU fíh rRr 1r¡ Fr re rcJ& 1~@§i[ ;riF 1~tifirc rfft1
. 9090 _ i7 .
'1

11. 11
94l90-t7
8

9090 _t,

.'*' iJJWr•U1m rtcrrtti1á rrrrit1Wñrreet1Ge:rrir1


-l_li ~ ... ~ ~·~.·~ . ~

i *. mcwPcruijf¿
.. .
mruplQ f!M'
.
U.jeerru¡JJ Etfi
••.PO- .
1JffiifI1 .

"f Y 4fJ tdEU 111fctjiJ 1;;n E6 e¡ u;Ju ar EEr 14JJi.dt?t 1


'Y 11fdfittliier¡91maJ 1HJ1~~1 .. .
. .

4Mijijiillfd1ijjü1~1~~1
..f Y áf. .ctJ. E--·r t f eif. rf f ff.}fff
·.···..
ttu~· iJ 3J#JJ' n@
~
1 t i 11

. 9090-17
f •i tiiff UFeFrarcr~ 6 f@1jjr flFFC r[ rb_t rf f Cf ®1
· PP(eco.) .
.

. ' •• ,jtittttttii:t-DJJJJ1C?eeettftttt@~FFfffru-rt1
f . . . . . . . .

. ~ •1 ~tttFtf&tqtttftFJ;ttff tt t1tfl&t tWQe eeElJJJ J® 1

. .

fi1 ~pJHúJJJJUJVPtJJJJ1?1!JJJ41UJJJH gt(.fJ!p' 1


' 90to-t7
9090-17
13

9090_t7
. 14

:- Allegro. · · ·

ª. 4b 1 ~pa a n o0 D J1 te rr we wv 0w r1 1 1
1

tt& oru ttM n rr 1u 0 &J v aa1e 0 &J n aa1


. ¿~bb rr & !tª v wtJ 1•& wEA va w1(t rr· fcrl
. . . ·a~ ..
4~\1fr-FWV11QJ1r
. .
Ff:@ @tJ M TrF]fJ
. . .
b ~~
f1W* d
·---
4,~b1
.

nrw.¿tJ tJ Vº 1c nrf'-OO·tílJ 1'rrr=¡ ate tt11


. .- ~ ~· . .

. 1' . . .
,~btf1 o €r Ftr? r ,neme Re o: ¡zztfc Qf¡ rff
•• - 1
,......-¡ L'-

--
.

t - --
r-~ t----- ""
:F .
r.,¡ .-..

.
1

·~ ~'·& J 4J 3J4J J
~ :___...,,
il) ti) J 3J J JJ j j J JQ) tfJJJ j JJ j
. '
4J
'--
4J
~.
1
'-- ....__/ . ~ ......____,
1.

a tempo.

~ ~bb J~ JJ 3Jj 3jJ J JJ 3JJ 3j jJ JJJ J JJJ J3 Jj-----


-------
.a J J3J 1 1
... p . . .
. !

.J: ~bbJJ J. =I ?=I J. 3Jj 3JJ3 JJ9 3 JJ J JJ J J J j 3J 3J ~ J j J J 1 1


' " IJ -. q .
---------------------~,-.
- .

.
f ~b~ j JJ] J JJ J J J J J JJ JJ J J1d J J] J] JJ 3JJ JH J JJ3
~ . . . . . ...____ . ___..,.. .
1

9090_t7
15

~ ~~& 1 l[i r -r r f' g- ··~


= - e tr .E VrE& re Efe FE'&r Ir ?r 5¿prf U E··FE
· fr rf~r 1

9090-17
---
----- -----
- ----
\

9090- t.7
1 '1
18

9090-17 '
ti

' '
cifecled @omfaosilions
n¿ ~
1 FOB PLUTE SOLO
\fUilh /:n°ano accompanimenl

.~~~~m~~m~~~~~
. . , , • . .. SEaI~S 1 . ~
BACH, E., Spring's Awakening, Romance (Wl933)............. @~
BALFE, M. W., Fantasia from ·"The Bohemian Girl" (Wl934)... ,.~ .
~he Heart Bowed J?own-When Other Lips (W1932) . . . . . . . . • ~
. BIZET, G., Menuet from "L'Arlesienne" Suite (Wl09)........ ~~
1,...,
, ., ouvemr es 1pes, p. 0 27
· BOTEHorMeadoTrHSonSg fro~ ."dCarAmen" ( Wl9 7 9)(W~.. . . . .)........... ...
1935 · . · · · · · · · · · · · 8r4'
Variations on a GerIJlan Folk Song "Du Du," Op. 22 (Wl936).. .
BOHM,_ C., The ~ee (W48)................................. ~
BRICCIALDI, G., Il Camevale di Venezia" (Transcrihed by Leonardo ~.
·
de Lorenzo) (W7). . . . . . . . . . . . . . . . . . . . • . . . . . . . . . . . . . . . . . ~"
Il Vento (The Wind)· Op. ll2 (W1873) ................. ~..... @~~
C~OPIN, F., Valse, Op. 64, No. 1 (Taffanel) (W95) ............. .
CORBIN, A., Les Violons du Roy, ·Prelude et Gavotte (Wl937) .... .
COX, J. S., Call Me Thine Own, T;anscription (WlO). . . . . . . . . . . ~
DAMM, AUG., Through the Air (Wl4) ... ~ .........·. . . . . . . . . .
DE l,IUERIS, J., Musette (Wl738) ...... ~ ........ .'............
DE LORENZO, L., Cai:izonetta, Op. 22, No. 1 (W33) ........... .
~~
m
Carezze, Op. 19, No. 1 (W27) ........... ~ .................•
Farfalline (Conce·rt Etude) Op. 22,.No. 2 (W34)................ ~
GiovialitR, Val~ de Concerto, Op. 15 (W20) , • ,, ,, ,, , • , •. ; ,, . ~\.-ti

11 r~:.e~, (W19~c·e· .<~.¡~~~ .~~~ .~~t~o~t. ~~~~'.".~~~".'~~~~ .~~: (.1"'1


. . ·"" .

¡
Melodia, Op. 23, No. 1 (W35) ... ·......................... ~.
Ricreazione, .Op. 20, No. 1 .(W29) ......................... .
Scherzino, Op. 18, No. 1 (W25) .... ·................. ·....... .
Serenata, Op. 16, No. 1 (W21) ~ . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

~:::::=~!~.!~·d;~2i, ~~~ 'cW32): ::::::::::::::::::::: . ,_, ,


Valse Charro.e, Op. 19, No~ 2 · (W28) .............. ·..........
Valse d'Automme, Op. 18, No. 2 (W26).....................
Valse de Soleil, Op .. 17, No. 2 (W24) ............... ~ ....... .
Valse Pathéti9ue, Op. 20; No. 2 (W30) ................... ;. . .
DEMERSSEMAN, J., Fantasia on a Melody by Chopin, Op. 29
(Wl883) .................................................. .
¡
~~·· ·.

""
':,

DE. ROXLO, G. S., Spanish Suite:


. l. Bajo la reja (W1835) ................................... .
· 1 1. P laye(rWa (w18)36) .... ·.... ~ ................... ·.... :.. . . . . . . ~ ,
111. 1ota · 1837 .................. ~ ....................... ·.
DONIZETII, G., Sextet from hLucia" (Wl938) ., ............... ·..
. DONJON, J., Adagio Nobile (W7_1) .. ~ ....................... .
Rossign~let (T~ Nighiingale) (Wl926) ..................... ·
·., DOPPLER, F., Flmtasie Pastorale Hongroise,- Op. 26 (W1894) ... .
Noctur~~, Op. 17 (Wl939) ... 1• • • • • • • • • • • • • • • • • •: • • • • • • • • • • • •

w65 · CARL '~}~CHER


; 62 Cooper Square, New York 3
1 .·
BOSTON • CHICAGO • QALLAS • LOS ANGELES