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ROBERT W. SMTTH (ASCAF)

IF*STRI".'MENTATIOrd

I Conductor Trombone/Baritone/ \4/OR,LD PARTS


8 C Flute Bassoon 4 Horn in Eb
2 Oboe 1
A
Tuba Trombone in Bb Bass Clef
8 Bo Clarinet 2 Mallet Percussion (Chimes, Trombone in Bb Treble Clef
2 Bb Bass Clarinet Bells) 1 Baritone in Bb Bass Clef
6 Eb Alto Sa<ophone I Timpani 2 Tuba in Eb Bass Clef
4 Bb Tenor Saxophone/ T Percussion | (Bass Drum, 2 TLba in Eb Treble Clef
Baritone Treble Clef Suspended Cymbal, 2 Tuba in Br Bass Clef
2 E; Baritone Saxophone Tambourine, Snare Drum) 2 Tuba in Bi Treble Clef
Bb Trumpet Percussion ll (Crash Cymbals,
a Horn in F Triangle)

PR@GRAM NOTES

Apollo, the Greek god of prophecy and music, had the unique ability to foretell the future of mant
existence on earth. "Apollo Fanfare" celebrates the very best of our future through the per{ormance of
student musicians.Those very students, who are performing throughout our world with the energy
and enthusiasm reserved for the young and young-at-heart,give us all a sense of pride and optimism
for our future.With these thoughts in mind, the composer dedicates "Apollo Fanfare" to developing
band students ever;.where, our very own shining lights for the future.

NOTEST'OTHE CONDUCTOR
"Apollo Fanfare" was written and conceivec as a concert opener or closer for the beginning band!
first spring concert. Using the first eight notes of many band methods, I have striven to creare a wort<
that will capture the energy and enthusiasm of the beginning band.

Please note that the tempo can range from | 32 to l.60 beats per nrinute with effectiveness. I suggest
pushing the tempo ?S ysg near the performance dace. if possible, you may wish to consider
conducting in rwo as the post-fanfare ostinaro and flowing melody begins.

Please note that the timpani plays an important role in the performance of the piece. I lrarre limited
the Part to two pitches (Bb and F). Howeve[ the interaction with the full ensemble will create an
opportunity for the developing percussionist to be featured. I suggest assigning this part io one of
your more gifted nrusicians. In addition, please note the interaction of the luxiliary percussion
instruments rarith the ostinato patterns. lsuggest isolating those figures vu,ith lhe percussion to
ensure rhyrhmic securiry,

I hope you, your banc, and y,oui- audience enjoy "Apollo Fanfare." As ari'a;,s, I rvisir
;,ou ri-re best in
y,our nrusical endeavcrs.

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K,e34E.t (u,
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APOLLO FANFARE
by ROBERT W. SMITH (ASCAP)

Program Notes
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Notes to the conductor


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Opening
g'g +ql4e tsJgg" a H4e 9=- €Hzll9 notes4lri,9*"1 'tl
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4. zits;ltrlE, post-fanfare ostinato e+ ggqTl ^14:i_ 41, two4lrl zl9lt'l= A
ol +g z)o14.

B4qzl 484 €+"rl *"lrl +-q+ q'Jg 6Jq.


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-2-
CShr}UCTOR Fo'' Deyelapiitg Baui. Studetis Evet\r;liere

AF,CLLC FANFARII
'1A/t ROBERT v/. SI\4ITFi (ASCAP)
Majestic! J = It?

C Fiute

Oboe

Bb Clarinet

Bb Bass Clarinet

Eb Alto Saxophone

Bb Tenor Saxophone/
Baritone TC.

Eb Baritone Saxophone

Majestic!

Bb Tiumpet

Hom in F

Tiombone/Baritone/
Bassoon

Tuba

Chimes (Opt. Vibes or Bells)

Mallet Percussion
(Chimes, Bells)

Timpani

Percussion I
(Bass Drum, Suspended
Cymbal, Tambourine,
(nere Drrm)

Percussion II
Cr. Cyms. (Let all Cyms" ring unless noied.)
(Crash Cymbals,
Tiiangle)

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All Rights Aciminisrered by \IARNER BROS. PUBLICATIONS U S. INC.
- All n:ghls Res:;reC inclucirng Pu5!ic Perfcm:n;:
Conductor - 2

T Sax./
Bar TC

Bar Sax

nn. ln h

Tbn./Bar.l
Bsn.

Susp. Cym.
Conductor - 3

A. Sax.

T Sax./
Bar. TC

Hn. in F

'fbn.Bat/
Bsn.

Perc. I
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T Sax./
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Hn. in F

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Chimes (Opt. Vibes or Bells)

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Conducior - 8

T Sax./
Bar. T.C.

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Conductor - 9
f-;t
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A. Sax.

Solo wAlorns

Hn. in F

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mf

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Conductor - i0

T Sax./

Hn. in F
Conciucior - i I

I Sax./
Bar. TC.

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Chimes (Opt. \'ibes or Bells)

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A. Sax.

T. Sax./
Bar. TC

Bar. Sax

nn- ln f,

Perc. I
onductor -t4
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Llt

T Sax./
IJar. l.L.

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Ttrn./Bar./
Bsn.

Mlt. Perc

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A. Sax

T Sax./
Bar. TC.

Hn. in F

Tbn.lBar./
Bsn.

h4lt. Perc
Conductor - 15

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Bar TC

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All Rights Admrnistered by \\ARNER BROS. PUBLICATIONS U.S.Il{C
8DI4020.19 All Rights Reserved including Public Performance
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8DM02049
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ROBERT 1!'. SN4iTFi (ASCAP)

Majestic!

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All Rights Aciminisiered by WARNER BROS. PUBLICATIONS U.S. iNC
8DM02049 All Rishts Resened includine Public Performance
Oboe - 2

-
For Developing Band Students Evetywhere

B! CLARII{ET
AF#LI& F-hNHARH
RCtsERT vV. SI\,fITFI (ASCAF)

h4ajestic!

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@ 2OO2 BELWIN-MILLS PUBLISHING CORP. (ASCAP)


Ail Riglrts Administered by WARNER BROS. PUBLICAIIONS U.S. iNC
8DM020.19 3.lt Rights Resen,ed. including Public Performance
Clannei - 2

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Eb EASS CI,ARTNET
AE}GH,I* HAIqFARE
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Majestie!

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Gi 2002 BELS:'IN-MILLS PUBLISHING COPJ. (ASCAP)


AI) Righrs Adminisrcreci by WARNER tsROS. PUBLICATIONS U.S. INC.
8DM02049 Ali R.ights Resen,ed including public pe:-fosnance
For Developing Band Studercts Everywlrcre

Eb AUTO SAXOPT{ONE
AP&K,I& F-KNFKRE
ROBERT W. SMITFi (ASCAP)

Majestic!

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Fs I rtowing

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O 2OO2 BELWIN-MILLS PUBLISHING CORP. (ASCAP)
All Rights Adminisrered by \\AP.NER SROS. pUBLICATIONS U.S it.rc
BDN{02049 All Rights Reserved including Public Performance
AIto Saxophorle - 2

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B'T'ENOR SAXOFHANE/
BARITCNE Treble Clef R.OBERT V/. SMrTri (ASCAP)

&{a.!estic!

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@ 2032 BEL\YIN-MILLS PUBLISHING CORP. (ASCAP)


All Rights Administered by WARNER BROS. PUBLICAIIONS U"S. INC.
8DM020.19 AIl Rights Reserved including Public performance
Tenor Saxophone/BaritoneT.C. - 2

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Eb BARITGNE SAXOFHGF{E
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RCBERT W. Sr4rTH (ASCAP)
N{ajestic!

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@ 2OO2 BELWIN.MILLS PUBLISHING CORP. (ASCAP)


AII Righrs Administeied by WAR\ER BROS. pUSLiC.{i-IOXS U.S INC.
BDI{02049 .A1l Rights Resened including public peiformance
For Developing Bcazd Students Evervvthere

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8DtuI02049 All Ri_shts Resened includin_e public performance
For Develophig Band Students Everywhere

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AP&ILS HANHARE
ROBERT V/. SMrTH (ASCA.P)

Majestic!

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@ 2002 BELW:rN_MrLI4 p]JBLrsHrNG CORP. (ASCAP)
All Righrs Adminisrered by WARNER BROS. pUSLICAiIONS U.S. INC
tsDI$02A49 All Rights Reserved including public performance
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TROMESNTiEARI?OI{E/
APStt# HAruF'.KRH
BASSOGN ROBERTW. SMITH (ASCAP)

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tombone/BantoneBa_ssoon - 2

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All Rights Administered by WARNER BROS. PUBLICATIONS U.S. INC
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For Developing Band Students Everywlzere

II{AI,I,ET PER.CUSSION
AF&ttO HAF{F'AKE
(Chimes, Bells) ROBERTW. SMrTH (ASCAP)

Majestie!
Chimes (Opt. Vibes or Bells)

figl .loyout
Bells
@ rmwing

ET
chi mes (Opt. Vibes or Bells)

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lv{allet Fercussion - 2
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8DM02049
For Developing Band Students Everywhere

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BDt\{02049 Ali Rights Reserved inciuding public performanee
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For Developiiig Band Stztdenis Eventwlzere

FERCUSSIOF{ I
AFffi'LIff HAE{HAR.H
(Bass Drurn, Suspended Cymbal, ROtsERT $r SMiTii (ASCAP)
Tarnbourine, Snare Drum)

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@ 200j BELWiN_t"{rLL-s pqBLISr{iNC coRp. (ASCAP)


AII Rights Admirisrered by \\Aru.{ER AROS. pUeLrCajtONS U.S. II.JC
8DM02049 Alt Righrs Resen'ed including public performance
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FERCUSSEOF{ II
(Crash Cymbals, Tiiangle) R.OBERT W. Sh4ITH (ASCAP)

Cr. Cyms.
(Let all Cyms. ring uniess noted.)
Majestic!
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@ 2002 BELWIN-}vIILLS PUBLISHIhIG CORP. (ASCAP)
All Rights Adminisreied by WARNER BROS. PUBLIC{iION-S U.S. INC
BDM02049 All Rights Resened inciuding public performance

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