Jyoti Hosagrahar
Indigenous Modernities
Negotiating architecture and urbanismIndigenous Modernities
What are the hallmarks of a ‘modern’ city? Must cities in Asia and Africa acquire
architectural elements of modernism from Western convention in order to be
‘modern’? How have regional architectural traditions and building cultures
outside the West encountered modernity? Reflecting on the cultural processes
underlying urban transformation, Indigenous Modernities investigates what
happens when global modernity engages with a place, locality, or tradition. Rec-
ognizing that modernity and colonialism are fundamentally connected, Dr.
Hosagrahar examines the way ‘traditional’ built forms metamorphose to
‘modern’ in the context of colonialism, and reveals that oppositions like ‘tradi-
tional’ and ‘modern,’ or ‘West’ and ‘non-West,’ prevalent in scholarship on the
built environment, are culturally constructed
The author examines Delhi, India, during the late nineteenth and early twentieth
centuries as it developed from a walled city into a fragmented metropolis. The
transformation was more a palimpsest of plural and contentious processes than a
linear path from one well-defined form to another. Citizens and officials of the
colonial empire shaped Delhi's landscape together. In the fractured urbanism
that emerged from the encounters, the familiar and the new redefined the city.
The interpretation of one city reminds us that ‘modern’ Delhi is like any place
reconciling the dominant narrative of an imagined ideal with insubordinate local
realities. Premised as'they are on ‘difference,’ are the indigenous modernities of
Dublin, Prague, and New York less obvious and disquieting than those of Delhi?
Jyoti Hosagrahar is Director of Sustainable Urbanism International, an
independent non-profit research and policy initiative. She advises on urban devel-
opment, historic conservation, and cultural sustainability issues in Asia. She cur-
rently teaches at Columbia University, New York. She has previously taught at
the University of Oregon, Eugene, and earned her doctorate from the University
of California, Berkeley.ania
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THE ARCHITEXT SERIES
Edited by Thomas A. Markus and Anthony D. King
Architectural discourse had traditionally represented buildings as art objects ar
technical objects, Yet buildings are also social objects in that they are invested
with social meaning and shape social relations. Recognising these assumptions,
‘the Architext series aims to bring together recent debates in social and cultural
theory and the study and practice of architecture and urban design. Critical,
comparative and interdisciplinary, the books in the series will, by theorising archi-
tecture, bring the space of the built environment centrally into the social sciences
and humanities, as well as bringing the theoretical insights of the latter into the
discourses of architecture and urban design. Particular attention wilt be paid to
issues of gender, race, sexuality and the body, to questions of identity and place,
to the cultural politics of representation end language, and to the global and
postcoloniai contexts in which these are addressed.
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Jyoti Hosagrahar
Indigenous Modernities
| Negotiating architecture and urbanism
omen
82 Routledge
BY ylorstrancisGroup
LONDON AND NEW YORK