YOu dost mind). Ike ev -'ry-bodey. that The veer met. 1 nev - oF rie = ie ry met an -y-bed-y that got me up-sei, p= Por ThE _— ——— | ————_ | chip on my shoul - der, Hate in my heal or And as J get old-er I find that more and more — ——~ ——_—. = i193 (CLEO soft Thats my kind of fun. 1 he 1a And tho! I strike evsy-bed-y us chomp num-ber one i eit = (GLEO smiles and veliner a la Cleopatra om she etter.) z — oan) Be No rob-ber can rob this good-natured slob of. ts priwate sky of F And ex~ tf spec ily 1 ke mF ret Fie ie # (HERMAN bar come around 10 the edge of the dolly and starts pushing it offtage bearing CLEO. CLEO bappily takes the glue brash from the pot, swabs ber forebead, said now presses it against bis, az be wheels ber off) Lap ob19% Largamente J-68) % rd (tbe barn doors par once more, binging i sew — SCENE FIVE The vineyards. Us an afternoon in July. The bareest has beon piched and we see in the foreground baskets of freshly gathered grapes. The wheelchair stands, now empty, «a center stage. JOE enters from the lefe dressed ance again for traveling and carrying the leather bag. He seans the horizon as be slowly crossex the sage.)