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This lesson can be adapted to several different grade levels with any major literary character or
historical figure, or it could be done at the end of a semester or year as a review.
Objectives
Students will
create a visual representation of a character.
identify traits of that character and provide textual evidence to support their analysis of
T E A C H E R
those traits.
Level
Grade Six through Ten
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Teacher Overview—“The Post-Mortem of a Protagonist”
T E A C H E R
Thinking Knowledge
R.10 Read and comprehend complex literary and Understand II
informational texts independently and proficiently.
L.1 Demonstrate command of the conventions of Understand I
standard English grammar and usage when writing
or speaking.
L.2 Demonstrate command of the conventions of Understand I
standard English capitalization, punctuation, and
spelling when writing.
L.3 Apply knowledge of language to understand how Understand II
language functions in different contexts, to make
effective choices for meaning or style, and to
comprehend more fully when reading or listening.
SL.4 Present information, findings, and supporting Apply III
evidence such that listeners can follow the line of
reasoning and the organization, development, and
style are appropriate to task, purpose, and audience.
SL.6 Adapt speech to a variety of contexts and Understand II
communicative tasks, demonstrating command of
formal English when indicated or appropriate.
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Teacher Overview—“The Post-Mortem of a Protagonist”
Connections to AP*
For success on AP English Literature and AP English Language exams, students must analyze
T E A C H E R
the literary and rhetorical devices writers use to create and reveal character.
*Advanced Placement and AP are registered trademarks of the College Entrance Examination Board. The College
Board was not involved in the production of this material.
Assessments
The following kinds of formative assessments are embedded in this lesson:
completed poster
Teaching Suggestions
Teachers should divide students into groups of three or four and either assign each group all
twelve of the “body parts” or assign each group two or three parts (or however many it takes to
divide them equally). Teachers may provide a generic drawing of a human body or may allow
students to outline one of their group members.
Copyright © 2012 Laying the Foundation®, Inc., Dallas, TX. All rights reserved. Visit us online at www.ltftraining.org.
iii
English
Instructions
Tape butcher paper to the floor. One group member should lie on the paper while others draw
an outline of the body in pencil. After the group member gets up, trace the outline with a
marker so it will show. Find quotations/passages to illustrate at least _____of the following
“body parts” for a post-reading “autopsy” of the character. Place these strategically on the
body outline. Write the chapter and page number in parentheses after each quotation or
passage. Group members should label the parts they worked on, and all members should sign
the project. Each group will present its “findings” to the class.
Body Parts
• Head—Intellectual side of the character—What are his or her dreams? Visions? Philosophies
he or she keeps inside?
• Eyes—Seeing through the character’s eyes—What memorable sights affect him or her? How?
• Ears—Hearing through the character’s ears—What does he or she notice and remember others
saying to him or her? How is he or she affected?
• Nose—Smelling through the character’s nose—What smells affect him or her? How?
• Mouth—The character’s communication—What philosophy does the character share/espouse?
What arguments/debates? What song would symbolize the character’s philosophy of life?
What lyrics/images from the song would symbolize his or her philosophy?
• Arms—Working—What is the character’s relationship to work in general? To specific work?
• Hands—The practical side of the character—What conflicts does he or she deal with? How?
• Heart—The emotional side of the character—What does he or she love? Whom? How?
• Torso—The instinctive side of the character—What doesn’t he or she like about himself or
herself? What does he or she hide? What brings the character pain? What does he or she fear?
(Describe his or her “dark” side.)
• Legs—The playful side of the character—What does he or she do for fun? What are his or her
avocations?
• Feet—The character’s mobility—Where has he or she been (literally/figuratively)? How has he
or she been affected by travel or setting?
• “Wings”—The character’s future—Where is he or she going?
Assessment
Students will receive points for fulfilling the requirements and for aesthetics—neatness,
illustrations, color, etc. Those groups with the most appropriate textual quotations/passages and
most artistic effort earn the highest grades.
Copyright © 2012 Laying the Foundation®, Inc., Dallas, TX. All rights reserved. Visit us online at www.ltftraining.org.
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Student Activity—The Post-Mortem of a Protagonist
Copyright © 2012 Laying the Foundation®, Inc., Dallas, TX. All rights reserved. Visit us online at www.ltftraining.org. 2