Bass

I'll Be Seeing You Jule Styne

Brad Mehldau Trio from the Album Art of the Trio Vol 4 - Larry Grenadier Bassline - Transcribed by Damian eVans
         
 

9
         


E¨maj7 G7(#5) Fmi7 C7(¨9) Fmi7


17
  

     
    
Fmi7/B¨ B¨7 E¨maj7 G7(¨9)
   3    3
   
21
    3
   
  

25 Cmi Cmi(maj7) Fmi7

   
        
  

Fmi7 B¨7(#5) E¨maj7 B¨7(#5)

    
29

       
 3 3

  
E¨maj7 G7(#5) Fmi7 C7(¨9) Fmi7

33
   
3
   
      
 3

F‹7 B¨7 Gmi7(b5) C7(¨9)

   
37
        
    
3

41 A¨Œ„Š7 Dmi7(¨5)    G7(¨9) 3 Cmi7 F13

 
  
    
  
   
3
2 Bass
Fmi7 B¨7(#5) E¨maj7

45

   
    
   
E¨maj7 G7(#5) Fmi7 C7(¨9) Fmi7

49
       
1:16
 
    
  

3
Fmi7/B¨ B¨7 E¨maj7 G7(¨9)
     
53
          
      
3 3

   
Cmi Cmi(maj7) Fmi7
 
57
  
      
3 3   
3
Fmi7 B¨7(#5) E¨maj7 B¨7(#5)
          
61
      
  
3 3 3
 
      
E¨maj7 G7(#5) Fmi7 C7(¨9) Fmi7

65
    
  

F‹7 B¨7
       C7(¨9)Gmi7(b5)

69
      

     

    
3
A¨Œ„Š7 Dmi7(¨5)

  
G7(¨9)
 
Cmi7 F13
73
  3          
    
     
3
Fmi7 B¨7(#5) E¨maj7
   
77
     
       
3 3

E¨maj7 G7(#5) Fmi7 C7(¨9) Fmi7

81
    
                
2:15
3
  
3 
85 Fmi7/B¨ B¨7 E¨maj7 G7(¨9)
       

   
    
 Bass 3
89 Cmi
   
Cmi(maj7) Fmi7
   
       
 
3

Fmi7 B¨7(#5) E¨maj7 B¨7(#5)
   
93
 
         
   

97 E¨maj7
 
G7(#5)    Fmi7
   Fmi7
  C7(¨9)
3
 
        
 
3
F‹7 B¨7
  Gmi7(b5)
  
C7(¨9)
  
101
    
3      
       
3 3 3

     
A¨Œ„Š7 Dmi7(¨5) G7(¨9) Cmi7 F13
           
105
 
   
3 3

  
Fmi7 B¨7(#5)  E¨maj7
          
109
 
 
3 3 3 3 3 3 3
E¨maj7 G7(#5)  Fmi7 C7(¨9) Fmi7 (Str 8th's)

       
113
     
3:12

         
3 3 3
Fmi7/B¨      B¨7      G7(¨9)
117
 
E¨maj7
  
 
      
3 3 3
Cmi   Cmi(maj7) Fmi7
   
121
      
   
 
3 3 3  
3
Fmi7 B¨7(#5) E¨maj7 B¨7(#5)
   
125
   
(Str 8ths....................)
    
   
3 3
129    G7(#5)
E¨maj7
 Fmi7 C7(¨9) Fmi7
        3
  
         
3 3 3

4 Bass
F‹7 B¨7 Gmi7(b5) C7(¨9)
            
133

  
        
 
3 3 3
137 A¨Œ„Š7
     F13     
Dmi7(¨5) G7(¨9) Cmi7
       
        
  

3 3 3 3 3
141 Fmi7 B¨7(#5) E¨maj7
 3    3 3 3
                    
E¨maj7 G7(#5) Fmi7 C7(¨9) Fmi7 3
4:09
       
145
       
(Flat)

      
3
Fmi7/B¨ B¨7 E¨maj7 G7(¨9)
              
149
        3
 
     
3 3
3
  

153 Cmi
 
Cmi(maj7)   Fmi7
      
3  
   
 
    
3 3 3 3 3
Fmi7 B¨7(#5) E¨maj7 B¨7(#5)
   
157 Str 8ths
 
          
    

E¨maj7 G7(#5)  Fmi7 C7(¨9) Fmi7
  
    
161 Swung 8ths
 
      
    
 
3
F‹7 B¨7 3 Gmi7(b5) C7(¨9)
   
165
               
   
3 3 3 3
169 A¨Œ„Š7 Dmi7(¨5) G7(¨9) Cmi7 F13
      
         
     
   
Fmi7 B¨7(#5) E¨maj7
Str 8ths
                           
173


 E¨maj7 G7(#5) Bass Fmi7 C7(¨9) Fmi7 5
      
Swung 8ths Str 8ths
     
  
177
        
5:04
   

3
Fmi7/B¨      
181   B¨7
      E¨maj7

G7(¨9)
 
            

3 3 3 3 3 3 3
185 Cmi Cmi(maj7) Fmi7 3
      
 

  

      

Fmi7 B¨7(#5) E¨maj7 B¨7(#5)

                
189
 
      
3 3  
E¨maj7    G7(#5)  Fmi7 C7(¨9) Fmi7
  
193
               
  
3 3 3
197 F‹7 B¨7 Gmi7(b5)
    
C7(¨9)
     
   
     
3 3
A¨Œ„Š7 Dmi7(¨5) G7(¨9) Cmi7 F13
     
201
   
      
 
3
Fmi7 B¨7(#5) E¨maj7
             
205
  
    
3 
E¨maj7 G7(#5)  Fmi7 C7(¨9) Fmi7

209
     
5:59 Head Out
    
   
3 3
Fmi7/B¨ B¨7 E¨maj7 G7(¨9)
      
213
 
       
3 3


217 Cmi Cmi(maj7) Fmi7
  

     
6 Bass
Fmi7 B¨7(#5) E¨maj7 B¨7(#5)


221
     
    
3
225 E¨maj7 G7(#5) Fmi7 C7(¨9) Fmi7
   
  
   
  
3 3
F‹7 B¨7 Gmi7(b5) C7(¨9)
     
229
      
 
3
233 A¨Œ„Š7 Dmi7(¨5) G7(¨9) Cmi7 F13


   
       
237 Fmi7 B¨7(#5) E¨maj7 
  
   