PIANO T8IZ ACT Wo nastasia Af faire The Rachmaninoff Musical With the music of Sergei Rachmaninoff Book by Jerome Chodorov and Guy Bolton Lyrics and Musical Adaptation by Robert Wright and George Forrest (Based on ANASTASIA by Marcelle Maureste and Guy Bolton) Two Piano Arrangements: Choral Arrangements: ALBIN KONOPKA SUDY BROWN Originally Prepared for Production by EDWIN LESTER NOTICE: DO NOT DEFACE! Should you find it n¢ to cues or cuts, use a SOFT \CK LEAD PENCIL ONLY. / NOT FOR SALE. f FOR PROFESSIONAL USE ONLY. 4, This book is rented and remains the Property of: MUSIC THEATRE INTERNATIONAL 545 Eighth Avenue New York, NY 10018 (212) 868-6668ae MUSICAL NUMBERS ~ ACT I # ‘TUNE 1 ‘THE UNFINISHED MELODY 2 A SONG FROM SOMEWHERE zal I CAN SEE HER NOW 3A SCENE CHANGE i! HOMEWARD 5 BORN ARISTOCRAT 6 DRAWN 70 YOU 7 MY KIND OF LovE 8 THANKS TO HER 9 THAT soua py UNDERSCORING oa ACT I FINALE 108 ACT I FINALE (PaRT 2) PAGE 23 48 6 8 88 106 229 134 1a5 1571 12 13 4 35 16 qr 18 19 MUSICAL NUMBERS ~ ACT IT TLE PRELUDE TO" ACT IT HERE TONIGHT, TOMORROW... .WHERE? SUE ANASTASIA WALTZ ‘ose AND POUND SHHEAK UPON SOMETHING BEAUTIFUL LIVE AGAIN IP THIS 18 coonaye ser Ir PrwALe POSTLUDE & BOWS PAGE 161, 168 188 203, 209 aur 225 233 236Vocal/Piano I&II i The Unfinished Melody 1 (Grin 05s, Ph Pa oe ammnged by Albin Konopka = Pe Peter Lgaveal Mecca ara Sete ae SoS Tgiricd Adezatoe ty aor col, Sua bassa F col. Bua bassa bao mt? and otstagevoiey + tat ortstage voice, & === z = : 3 See =me zs broad, majesticallylights wVocal/Piano I&II 2) A SONG FROM SOMEWHERE amranged by Albin Konopia, (dna) Les and Musical Adaptation by vocal arrangement by Tudy Brown, Robert Wright and Geotge Fores ‘cue: “Who are these men? Wha: do they want? Do shey know me? Does anyone es Ist Ditstage Usice 2nd Offstage Voice AB Aas see sere ATU tcc seec ee ecseeeaae Ist Offstage Voice a tempo Ainna(slow)search-ing days— Af nothing — e-ver found, 2 m3 as 3 16 San 7 rs sure-ly a time, Atime of kind, smi-ling eyes, Eyes nev-er greed-y and: cold a }oe » a2 —— SS == =a = 2 = | oh of warmth and of love; Sure-ly I was loved: Ioan still re-tend? Tm on-ly — want-ing to, But the mist____ comes o- ver * dia eree ee3 ca aoe 4 soft = Iy, i | Ist offstage voice’ 2nd OU. danse HeegeeaaHene 0 =3— Pe ie search-ing and you -# -10-$5 1os — does it g0?. ‘Am I sen-tenced agitato ; reas-on to live or the end of @ to wan-der for-ev - er on, juried, excited, turbulent * “12. nev-er find-ing a mms‘What of those?. Arethey —mem-o- ry or fal-lu- ci - ne-tion?. “13ee — eee =e ran- ning and the = ter- ror in the night, —___-__ The cry ing and the — shout-ing end the = flame-__________- TF Be ——osis there noone Noone to i am? slownarked articulated» a) ee a 2 SS eS SS oS ‘Whymake thisfear - fulstuggle to live Whenliy-ing is mean- ing - less? Eth hart § 2 if — i = SS ea < Each new to - monowempty of joy And to-ttlly meaning - lessNo place to lay one’s head That one has a sense of be- longing tol No voice to call your name With the sound of some-bo-dy azed-ing you! Le “18a eet ee deel peony x - = —} be re ‘Why savethis life so meaninziess? ese ae Soa Drained dry of loveandneaingéss? Ay Se ae ‘Why livevith half amemor-y =eeeLit this fag - ment oof a songVocal/Piano I&II I CAN SEE HER NOW 3 arranged by Albin Konopka __(Bounine, Chernov, Petrovsky, S296) vaics ang Musical, Adaptation by ‘vocal arrangement by Judy Brown ‘Robert Wright and George Forrest. ‘cue: "this is the Reviewing Balcony of the Winter Palace.” 1 2 3 Dialogue: Imagine the long line of the Imperial Guard, the Emperor in full dress behind you with your brisk march vamp to fit dialogue Fy PP _as distant drums, drawing gradually closer‘now the Sound of hoofbeats on stone, her own Kulom Cossaks approach, and as we turn to saluze, there | vamp to fit dialogue of vamp to fit dialogue B 1“ Fa 6 stends: so straight, so young, the plorare ofeverything noble in. our_world! | 2! Bounine 2 B 2 ~4| Can See Her Now Smil + inga.28Her See Can es, Ob teaa! imelow.Petrouskt 89 235101 102 103 1: Sergei ey toot your can-non cannomad - ing And the massed bands play-ing And the 3642 Bounine, Yhgo-sand bells of | Petxo- grad Ring-ing! \ facia is ums - pot-ed By the fash-ing of the cum-pets Bring-1v glo-ry to ten m1 All (except Anna) x thou- sand voi - ces 38 Sing 14[For the first time, Anna stands erect, holds her head imperilousty high} 5 125 Me = cf st 129 Bounine (spoken) 30 "Splendid! Anna, you can doit, I'm sire of i!" 39.| 83 Bounine 14 . 38 t now Chernov © Petrousky“ie2i | 8 {2 eteyourselves! 1a we Sergei 2) Major Sexgei Malkovich, ofthe Kunlom atempo Cossaks!Chernov Petrovsk se pe 1s ws y Botis Mikhail Chemov, Sergeant Pyotr Ivanoviteh, with the rank of Lieutenant! u Pesrovsky? 167 Bounine General Alexei Alexeivitch Bounine, former aide-de-camp to his Imperial Majesty, 4 ‘Czar of all the Russias! ox * = a =1S Anna Bounine?? lake {ap Her Lape oe Highness, the Grand Gentlemen, we oe Duchess Anastasia jn tusineatt we Playorf- unde ad fib comment INicholaevna! gf t £ £ 46412 = Vocal/Pianol& 11 SCENE CHANGE 3A sarrany Albin (Anna Ly 1d Musical Adaptatio Seee ee ES own HRS RAM deep ‘cue: "I believe the Baron got my drife, even though I may have been a bit subtle,” 1 2 3 4 5 iz nna 7 e Petrousky ‘What is that rune you are always humming?cr Vocal/Piano 1&1 HOMEWARD 4 arranged by Albin Koaopka (Goria, Anna, and Al) Lyrics and Musical Adaptation by ‘ora! aangement by Tudy Brown ber: Wiight and George Forest cue: “Perhaps one day we can all return.” & Sonia b . é ‘Never, I shall never see it again. I will die here, amid strangers, dream of our home, every night. And my dreams, they are reall slowly-follow dialogue ‘in a strange land, bat I slowly-follow dialogue - « When, eve-ning falls On this strange-ly grey ‘cit-y_______As day-light. dies And the in steady, slow tempo te tik te Ie in steady, slow tempo‘My twilight thoughts Leave chis al-ien sky And they ay # = SS Se ae Eves FO some. wax, ome ward, op-ing thee to find my ee1 seem to walk Through that far a- way ‘twilight Sonia's daughter & Metum rts T see a hearh Where fa - mil-iar fires bom, The eve-ning star Ho- vers “SieA faint guitar Plays) mel-an- cho-ly suaia, : be » » — a Andoh the pain As I pake to know I ne;ver: 2Sha wml see "no esubito wl Psubito 33“acnaaesg zs Anna ts —— cos more! When evening falls,3 loge = Iy hours so Rana ® Sonia L My wi light doughts Sonia's daughter & Mestome_ - I 55 wel zgSonia Shene # anna A faint gui- ur Plays aa SoniaVocal/Piano I&II BORN ARISTOCRAT 5 aruage by An Konupla Pea Pai Stine) Tyss and Masa Adapnon ty ‘vocal arrangement by July Brown ‘Robert Wright and Gearge Forest cue: "..which one of uss Faust?” a » e @ lightly, jauntily , ae Bounine + 2 : I x x A = & SS Ss | ‘ThePrince is hot the com- mon ilk, Hisand nights are swathed in re 5 Paul Bounine5 16 Paul a had'er—— for ‘a wife? You mean, she would collect all those English pounds! ete 18 Bounine 9 20 Paul ‘She, and her husband. tt I 64.26 Bounine0 Paul 3 22 4 =3 & = 2 =p for No crude la = bor, Les - ser per - sons Are 6633 2% Bounine 3542 Bounine 2 4 +e4s Paul © bd fers og so *F the gil is all, you've said, Then 69.st Bounine = 3 3 Paul. ss Bounine 36 Prince Paul that'll we need!Nights of plea - sure Tt6 Bounine & 6 She will have me, IT cm2 n 1m Bounine @ Paul. A-s - to- crt! n . yonB Jei-sure, Nights of plewsum, As we 2 80 Bounine a1 Paul 82 Late night laugh-ter, © Mom-ings af - ter, Spent. 2-3 & Bounine 8s96 Bounine & Paul 97 8 % 7Vocal/Piano 1&1 DRAWN TO YOU 6 ‘Prince Pas by Albin Konopia lytis and Muscat Adepration by ‘eal nea geen 67 ay Browa Rober Wright and George Fore ue (Paul) "ve never forgoten you, and Fre never wanted anyone else efit dialogue» ¢ a ‘Yes, perhaps we were children, but whatever I felt then I still feel now... That Tm- me a2 ad a Diawn To You cola voce-romantically3 6 73 : Asa nightingale to 9 a 2 re vot just. that you‘ebeau-ti-ful, Though _hea- ven knows you But 79.By some strange oma - gic at bs2 2 ais With the mystte-ries of When = dark and» dawa were. 81v 3 2 (spoken) 33 Anna You My darting "When dark and dawn were nev.” soft but richly romantic Wye Too many things have happened. We are two different people, 830 Anna a a Fee : But, Paul — let us both be sure~ if we can ever be swe of anything ~ ever I again, 42 Paul as 4s Annoushke,, you dont know -- you. cant know — how enchanting you are.46 49 has Tm 10 do a Drawn To You ala Rachmaninoff wee 30 85 ‘By some 4“ ‘strange With the mys —te-ties of mg - ict the heart, ‘And itsnot just iz thybukebeawti~ fol, Though ea - ven knows you are, Se z a = 3 a a 7 se fe =: z 7 : = =e Tm and held! So be - 86spelled!VocavPiano I&II ry KIND OF LOVE 7 (Bourine, Anne) arranged by Albin Konopka Lyrics and Musical Adaptation by, ‘vocal sxrangement by Judy Brown, Robert Weight and George Forrest ‘cue: "That is all it means ~ 10 you?” i: Bright, marked 9 = Bounine The is al I let it mean My Kind of Love Is a breeze in Ju- ul 4 ly, Jt brush - es by And it brings me 2 mo - ment of| mag - He leaves the; Is that so trag- ic? poco rit. Jove I will take what I find, Im 89.kind ‘That is giv - en to 50Jove comes, brightly romantic ¢ # 1ay finna emphatically "28 ow ££ ‘ energetic - in tempa 3h all Love can hold for= Passionately, in tempo 93.low Un - tl there ot95.To put stars to shame:au Bounine of love Isa love I have Brisk, as before oT.side As 2 youth- fol il - Iu - fica, a rea 8Youkeep that po-et-ryGive me. . prose16 finna 7 8 np Romantic, as before if o melt - ing wanmh Of spring- time hes be = gun; —_—_______—tor = rene -101-sum Bouninemoctinghy_= o Both things can ie perer FiVocal/Piano I&IL THANKS TO HER szansedby AltinKonopke | (Se CHeMO Peo] Le ang Mel Adapiation by ‘ocsh exmngement by Judy Brown ‘Robert Wiight and Geoige Foust ue: “To amillion pounds each!” (They drink, elinking glasses to start mic) Senget 1 2 3 - SS = : : as Well be owim-'ming in | Well te -106-wo Cher.@ Pet. 12 Sergei b -107-18 Sergel " 26 Cher. & Pet. -108-| Bol - shevik's aim. =103-“110.oo Sergei at e = ve'llbe smoth- ered in. lively minuet | comes! We will ear cv - i + a The is, black == in- stead of -u-3s Chernovs 50 st = red again! To my chair flock | gums! Yi have sof sar - in sheets on © my bed gain! 256 Petrovskys, T hear she ypiter iter pitter - pat AS each fermincine 2 e 13.tooth Of, 2 Chernov 65 6 ‘And T will fil my pocket book, in ui, each —wealth-y soul With a swol - len £ ae ex: tri-cate the aciving cheek!her. & Pet.7% her. & Pet. gone! Gloom is gone! 16 Sergei 77, ieee. Chemog [ee == — 2a - pe e+ | Gry Whea- our not - “So = high "High- ness” rides’ high! Well be i ois.ge Chernov 1 tempo T a6. Serg. & Pets Serg. & Pet?gs Chernov 3 Serg. & Pet.s0 Chernov 9: Serg. & Pet. nown! Thanks to -Her, Thanks = to Her, Thanks to Her, Thanks 2 Chernov 95, 96 Sergei 95 “U7.ss Petrovsky 97 98 “ueuo Cher. & Pet. For - une “119.a Serge an ue NOE D Sera. ate Sen eco oe ee Rated jobsleet ane last ast get eee Cher. & Serg, us Petrousky ay ns PSS game! i press” and — pres ~—tigelm0 Chernou 12 me 123 et _Chernoy 5 Serg.@ Pet. Chernov, 27 _serg. & Pet. ‘be hailed! Thanks “121.128 Chernov 129 x80- tin- guisheat’s back from 123us Cher. & Petis She cer = tain = ly 12k. “~1S 12 Petrovis? 154 | wel cel - e - bra- ed! And well be lt - ed - In 155 156 Chernos7 + ject = ed! Who - -125-Sergei 159 16 181 12—3 — Chernov Petrouski ase soEhErnOU us Eetegpsky Nev. er- land. X- an- dul Oz1________ ac eeOp, yp game! poco accel. to end a7Vocal/Piano I & It 9 eee THAT SONG acanged by Albin Keno teen) Lyrics and Musical Adapestion by ‘vocal arrangement by Judy Brown, ‘Rober Wright and George Forrest ‘cue: “Liar!” (Anna turns photograph face down.) = offstage uojce 1 > _ offstage voice 2 Anna 1 meditative 2 7 4 song, Acgain that song! Why does it offstage voice 1 2 offstage uoice 2 “238.some- where, Some-where_gone, men-be—_ That song... Whendit I sng? 6 ‘Wasthere a world of bright to- 5 offstage uoice 11 offstage voice 2 a) ee id “130.sor - rows? That _ song, offstage voice 1 1 offstage voice 2 Acgain it pAeeeee eee cee “131sounds ‘A - rome aad a - bow me, 13 woftstage voice 9 offstage voige2 am _oftstage voiceaecrese. “133.Vocal/Piano I & 1 UNDERSCORING 9A by Albin Kon Lytis and Musical Adaptation b eed eater SE oom Rober Right end George Pores ‘cue: "Now, for God's sake, Anna, get drested! That London banker is coming! You must be at your best! Come!” 2 lively waltz (as if played offstage und Drivinitz dialogue . says, lively waltz (as if played offstage} 1 2 3 “134“36.“140.a2144.Vocal/Piano I&II 10A Act I Finale arranged by Albin Konopka awa Lyrics ang Musical Adaptation by ‘ea ome Am Fay Si) Hogs spn em by ‘cue: " Anastasia and I are to be married 45s00n as arrangements can be completed!” 1 2_Drivinitz 4 o Wonderful This will “make the evening complete) briskly 2 wv face ‘Why. don't we go in now and tell the others? -145-‘cue: "Swprised and~ stunned.* 20 n__Anna ‘GRAND PAUSE Optional underscoring partfor Dea Paul, you make me Dialogue a Plano! through B15 feel like a Princess GRAND PAUSE Oo 13 4 13 1s Jia afalry story. You, ofcourse, are Paince Channiig, and General Bomiine {s the ~ the magician who waves his magic wand. You see, Sir vamp as needed = 14s-Tweets dark, ‘com plete- ly romantically dak, P -147-Yes, tis tue. They called me "Anna Nielsen", then, straight from heaven ~ Oh, I think it was heaven -- came General Bounine, -148-12 30 7 fe =i ase to teach me who I really was. vamp as needed By-ty time he! spoke any. apie it | ; , stimedt 149.Some some - thing in me woke 40 ‘You see, Sir Archibald, the General and his friends - my friends now, convinced me PP opiional through b 45 -150-“4 I ‘Trmust be Anastasia: they showed me photo albums of the Imperial family ~ her Governess's Dixy 45 Sir Archibatd 46 Anna 4 . ‘And you studied them -- you leamed them by bear’? Oh yes, think Twas e good student. be -151-48 Sir Archibald 8 But, (music stops) vamp as needed 50 Anna 31_Sir Archibald 7 Anna ‘GRAND PAUSE ; GRAND PAUSE Madam, — what if you were. ‘Do you really think that’s Possible? "Yes, I suppose it | “AnnaNislen,"afferall7”" possible, Sir Archibald?” Most likely infact. cguld’be" Whit do-you am ‘Think, General? a a RAND PAUSE ‘GRAND PAUSE a > -152-1 2Bounine 4 55 Anna 56 {think ler Highness is very tired, suggest she withdraw — and rest Allegro mp staccato Slazeaio st 8 ‘Glonisiing announcement) ‘The pater tale, General Bounine! vamp as needed = (st. time only) +153- But... how could I, after Prince Paul'sS55 z Wide Who once was deat! Il wed the cage pines, at oa be ceresc. poco apoco lerese. poco a poco While the pup - pet - -154-Con tem - plates the coins The mar riage brings! Fair - =— -155--156-Ld! bese ie = 5. SEGUE ON: es $1 Sir Rrehibatd Paul Good ny, old chap! Call me when youhave General Bounine! No wonder Russia lost ‘your next candidate! war! a -137-Vocal/Piano I&II axasind y Altn Konopka vou avegemet! by Ray Brom (we: "Str Archibald, Sir Archibald!” 1 Dialogue a Act I Finale (part 2) (Prelude To Disaster) (Chernov, Ptroveky, Sergei, Bounina) ASA 10B Lyrics and Musical Adeptation by Robert Wright and George Forrest“158Bounine : ‘The perfect Romano} Princess = and created her!” Petrousky D we to continue: Chernov "Chernov = Serge 2 Petrosky ‘She has ruined us! = os “159.BounineVocal/Piano I & I PRELUDE to ACT I i PRELUDE in C sharp minor by S. Rachmaninoff Aur, for two Pianos, four Hands by the Composer poco piu mosso poco esc poco piu messo = Poco ‘esc. -161-aE, me == tempo predente ritenute © Allegro molto e agitato =e poco a pecescr as rH FS | pect'a pochser poco din.Prestissimo DADA DAA Aa w® a a] s —_ fF Prestissime BoA @ 4G s 165.-l6T-Vocal/Piano I & I 2 ged ty bin xo ERE TONIGHT, TOMORROW... WHERE? eran on urine, Chornow, Pet ovaiy Serge ics and Musil Adaptation by ‘ooo rangement by aay Brown Pou"ve Chemev, Petovsig, Serge ROGGS Wiig was Cocze Poe cue: "To the devil! Nichavo!"- : il ' Bounine 7 3 ‘Nothing mazers! As I know and slow, heavily marked} tomb! Her gen - tle pur, ‘Who'd have slightly faster and lighter 169.; 1 6 : Bs J, | 4 SSS SSS thought we would have heard it_—______ Be- come the 6 0 8 (Beethoven's 5th) -170-night, graceful foxtrot anNe- ver mind what'sA—— Plays his haunt- ing AT= | —_ Be-cause, my dear, AIS.—— heavily articulated, slow 2% # 2 3 x Sergei ss Bounine = i Where is the answer? Tn the cup! Where isthe: an-swer? Start slow, gradually increase tempo until bar 61 276Sergei Petrousk: ss Petrausky s7 Bounine spBounine Chernoy. ss Chernov Tn the cup! What do wedo? We drink it up! What do we do? We Fi 6, Bounine Gtink it up! What do we do when the cup is emp- ty, What dowedo then, resto 4 estes 2 ye et am.o gs All What do we do when the cup is emp - ty? 7Bounine slow, then increase tempo until bar 83 179.Gath- ers to ~.mor-row's rain That which to - -180-brine that soaks our a Bounine 88 9 Just yes “181Chernov Were bee to -nigha, Sergei We smooth foxtrot “tag 7 % —_Bounine The moo Petrosky The mod 182.© Bounine o ss Bounine —— Te wine “183.Ne-ver mind what's happ' - 10 -nighs, graceful foxtrot “184.| We have each Plays his haunt ing sence -185-28, Bounine us # Be- cause, my dear, “186,Fp ' 2 i, All SSS =a = —. Pe-night were here To- mor-z0w colla vocesVocaVPianoT&M Tuy ANASTASIA WALTZ 13 auranged by Albin Konopka (ounine) Lytics and Musical Adaptation ela, emit ay cue: "And Anastasia?" 1 2 3 4 {Bounine) Ama, she wasnt like 2 Princess at all — 2 half spoken u i | + | She was more like an elf Than she was like a girl, Since you ask me togas a oe chanted The shadows a- way. And she weltzed! marked waltz‘she waltzed! 190| z. Like the waltz, she was gone 91.you stand- ing near me, swear I can feel. “That en - as.chant - ment a - gain} But whet sol - dies and prin-ces~ ses___ aus 2 BreAnd the waltz_—____ marked waltzh,marcato, poco rall. 196.101 102 103 304105 106 107 103 more. atempo poco accel. cd a tempo poco accel. 109 no a 12 @ Paul begins applauding false ending gees 202.Vocal/Piano 1 & I 14 SS a Oe aaa peer aarinn Lat My aces to play 2 Stew es, 205-. » » 2 Yer woe cold um Gat Ble =TH Meath Wo a pues hele Je, Tihave he puro-ply nd iace Towhichea bom, ‘She taste shohas sft. aaave shes 205.‘Wal eds to em ~ trace mel ‘wn T ga whe Tinto Tshoalé xm Sorter teuaghWiydoFwantherto fl? feraeeet iar we ena ms ty moe me?Wil we echt fy ts isGce,—plheeiermeioechihs 4's Hase—Andiing ? tens ae wads np Te my long The Samad tem, pen mpepching pect orsy 208Vocal/Piano I & I THINK UPON SOMETHING BEAUTIFUL 15 arranged by Albin Konopka (Aara, Empress) Lytics and Musical Adeptation by ‘vocal arrangement by Judy Brown Robert Wright and George Forrest a: "you came and st by my bunk and sang that. ‘hat tla Anna (hesitantly) 1 = “ * + ‘Ween storms bie tossed your heart Andiefi you wea end wen, ‘Teayou must’ Think U-pon Empress‘spoken) 4 Aes 7 Anna | sSenee us a unbrala, ‘That song! Now [remember Dear God, at lat —sD _ Anna 7 u | $ i Ti cir ; , 2 smomber When stonus ave tossed your heat Ande you weak and wen, Then you must lan € (ae 210-* Some-thing Beau tiefal twee tans formed by au-tumn, “The way a sin- set glows, ter fal, = wod-ding coke, & 2al bu gon, Then you must — e ‘tick upon summerdiies, —-«Car-oumels, But ter- files, Whixe-urpon, Through your teas youll 2 22p30 Empress of Anna could believe, seemed to wonderful oe mae...Don'cy, don't tak, Acastasia, Let me show yoo, Grandma, ‘you ae alive, in ny ems, tats enough foraow. I~Taaust go antrest 2Hold as needed Wactet fill, A wedding cake, A 214 ‘lend has flown And hope ie- 4, Empress Anna es, Bur ter = Sigs, a es o 2 ‘Waweupon, trough your team youll see That ive ing somehow can be——__Sommi oan Someching - ive 2 Et | 2 = = pt at as.as Empress 4s 3 aN 216Vocal/Piano I & I ILIVE AGAIN! 16 ssranged by Albin Konopka (area) Lyrics and Musical Adspttio: vocal arrangement by Judy Browa, ‘Robert Wright and George For ‘cue: "And wi is ts room so gloomy where something so beaulfil has feppened?” | i Bghetag ep my Aod my long night is daough ——____ ar.218.My lie can anil hat ave been 219.2andante 2 =o gp pl mass wl ggiit ikatempo allegro ee livelVocal/Piano I&II 1 IF THIS IS GOODBYE xxinged by Albin Konoplaa (@ourive, Ana) Lyrics and Musical Adaptation by voeal arrangement by Judy Brown Robert Wright and George Forrest cte:"Things have changed, Anna.” Saree ; 2 maiinna : : 5_Bounine 6 tT T may walk in sun- light So -225-jut in that “Blaze of gold Only ha-dows Til see: This is good - bye. T may bear, sweet -226-eens all their Oe? sil ver a. 2 sound Will be -22- dis cord tozs Ama sn Ke this good 2s Bounine a cerese poco poco bye -228--223--230--232-Vocal/Piano I & Act II Finale ae 18 Reprise: Think Upon Something Beautiful auranged by Albin Konopka Em [fyrics and Musicel Adapration by ‘ooal arrangement by Judy Brown cece Robent Wright and Geotge Korrest cue: “Now go, Anastasia! Go!" (Amna kisses the Empress then exits.) A ° e @ Malenkaia! Malenkeia. S2a Al 2 10 plese. should poke we. dont ever nigh abe ay ou 5 > a < = rr Beast fl 5 — 235.Vocal/Piano I & I POSTLUDE & BOWS 19 Bike iapeiad Gebge Pore Mat ein wien Prince Pea, oune si