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that’s different about this song, because a little birdie told me that there
was going to be something new in the song!” Sing one more time. What was
new? Using help from the students about beat, rhythm and words – guide
students towards the “yellow”. Do the “hmmm this is strange. I don’t think
yel is a word, and I know low is a word, but they don’t fit together? What
word should it be?” How should we connect them? Introduce the term slur
and explain how it makes things connected and so we must connect them
with our words. Do an example of really choppy staccatos vs. slurs.
Introduction of Using the students who are the quietest or some other method, ask
Instruments students to chose an instrument and sit quietly with mallets away from
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them.
Introduction and Start at the glockenspiel and go down the grand staff to the bottom.
Demonstrations of Demonstrate and make sure each group is able to repeat the ostinato. Use a
Accompanying Ostinatos building opportunity, such as glockenspiels and altos, then triangle alone, 15
on NPP and PP then glockenspiels, altos and triangle together. Get the other groups to sing
the song while we go over the ostinatos.
Practice and Go through the whole song. Encourage students to sing along as they get
Performance more comfortable with their parts. If time permits, allow students to switch
instruments and see if they can remember the new part, if not help 14
students and teach. Use conducting methods that encourage dynamics, and
especially for the slur.
Closure Time
Review Ask students to put away instruments properly, remind them of proper
procedure if necessary. Ask students what they think they learned. Ask all
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key questions. Go over anything missed and correct terminology where
appropriate.
Reflections from the
lesson