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Guitar Lovers

Studies
Theory, Tunings, Exercises

edited
by

Thomas Schilling
Table Of Contents

Theory Note Location 4 Tunings Open A 20


Modes + Scales 5 Open G 21
Modes • Major Scale 6 Open E 22
Modes • Minor Scale 7 Open D 23
Modes • Harmonic Minor 8 Analysis 24
Modes • Melodic Minor 9
Intervals • 0-11 Half Steps 10 Exercises Rhythm Basics 26
Intervals • 12-23 Half Steps 11 Funky Rhythms 27
Degrees • Two Voices 12 Funk Rhythm Guitar 28
Degrees • Three Voices 12 Alternate Picking 32
Degrees • Four Voices 13 Finger Mathematics 34
Degrees • Five Voices 13 Open Chord Progressions 35
Degrees • Six Voices 14
Degrees • Seven Voices 14
Chord Formula 15 Other Publications 36
Writing Chord Progressions 16 Page Index 37
Rhythm Chart • Song Title 18

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Theory
Note Location String By String
4

   
                             

 
                        
                       

                   
    
    
             
           
                       

                 
       
    
                   
                       


      
                  
        
              

                       


 
                   
     
                  

                        

                 
           
                

                        
Modes + Scales
5

Interval Relationships

Major

I ionian 1 2 3 4 5 6 j7
II dorian 1 2 m3 4 5 6 b7
III phrygian 1 b2 m3 4 5 b6 b7
IV lydian 1 2 3 #4 5 6 j7
V mixolydian 1 2 3 4 5 6 b7
VI aeolian 1 2 m3 4 5 b6 b7
VII locrian 1 b2 m3 4 b5 b6 b7

Natural Minor

I aeolian 1 2 m3 4 5 b6 b7
II locrian 1 b2 m3 4 b5 b6 b7
bIII ionian 1 2 3 4 5 6 j7
IV dorian 1 2 m3 4 5 6 b7
V phrygian 1 b2 m3 4 5 b6 b7
bVI lydian 1 2 3 #4 5 6 j7
bVII mixolydian 1 2 3 4 5 6 b7

Harmonic Minor

I aeolian j7 1 2 m3 4 5 b6 j7
II locrian j6 1 b2 m3 4 b5 6 b7
bIII ionian #5 1 2 3 4 #5 6 j7
IV dorian #4 1 2 m3 #4 5 6 b7
V phrygian j3 1 b2 3 4 5 b6 b7
bVI lydian #2 1 #2 3 #4 5 6 j7
VII mixolydian #1 #1 2 3 4 5 6 b7

Melodic Minor

I ionian b3 1 2 m3 4 5 6 j7
II dorian b2 1 b2 m3 4 5 6 b7
bIII lydian #5 1 2 3 #4 #5 6 j7
IV lydian b7 1 2 3 #4 5 6 b7
V mixolydian b6 1 2 3 4 5 b6 b7
VI aeolian b5 1 2 m3 4 b5 b6 b7
VII super locrian b4 1 b2 m3 b4 b5 b6 b7
(= altered 1 b9 #9 3 b5 #5 b7)

Half Step/Whole Step 1 b2 m3,3 #4 5 6 b7


(= 1 b9 #9,3 #4 5 6 b7)

Whole Step/Half Step 1 2 m3 4 b5,#5 6 j7

Whole Tone 1 2 3 b5,#5 b7

Diminished 1 m3 b5 bb7

Augmented 1 3 #5
6

Modes • Major Scale


Ionian

& . . . . .
I . . .
1 2 3 4 5 6 j7 1

⁄2
1
⁄2
1

Dorian

& . . . . . .
II . .
1 2 m3 4 5 6 b7 1
1
⁄2 1
⁄2

.
Phrygian

. . . .
III & . . .
1 b2 m3 4 5 E6 b7 1
1
⁄2 ⁄2
1

. .
Lydian

. . . .
IV & . .
1 2 3 #4 5 6 j7 1
1
⁄2 1
⁄2

. . .
Mixolydian

& . . . . .
V
1 2 3 4 5 6 b7 1

⁄2
1
⁄2
1

Aeolian
. . . . .
VI & . . .
1 2 m3 4 5 E6 b7 1

⁄2
1
⁄2
1

. . . .
.
Locrian
. .
VII & .
1 b2 m3 4 b5 E6 b7 1
1
⁄2 ⁄2
1
7

Modes • Minor Scale


Aeolian

& . . . .
I
. . . .
1 2 m3 4 5 E6 b7 1

⁄2
1
⁄2
1

Locrian

& . . . .
II
. . . .
1 b2 m3 4 b5 E6 b7 1
1
⁄2 ⁄2
1

Ionian

bIII & . . . . .
. . .
1 2 3 4 5 6 j7 1

⁄2
1
⁄2
1

Dorian

. . . .
IV & . . . .
1 2 m3 4 5 6 b7 1
1
⁄2 1
⁄2

.
Phrygian

& . . . . . .
V .
1 b2 m3 4 5 E6 b7 1
1
⁄2 1
⁄2

. .
Lydian

. . . .
bVI & . .
1 2 3 #4 5 6 j7 1
1
⁄2 1
⁄2

. . .
Mixolydian

. . . .
bVII & .
1 2 3 4 5 6 b7 1

⁄2
1
⁄2
1
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Tunings
Open A
20

(E, A, e, a, c#, e’)

Position 1
5 b7
3 5
1 m3 3
5 b7
1 m3 3
5 b7
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 2
b7 1
5
m3 3
b7 1
m3 3
b7 1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 3
1
b7
3 5
1
3 5
1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 4
m3 3
1
5 b7
m3 3
5 b7
m3 3
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 5
5
m3 3
b7 1
5
b7 1
5
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Open G
21

(D, G, d, g, b, d’)

Position 1
5 b7
3 5
1 m3 3
5 b7
1 m3 3
5 b7
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 2
b7 1
5
m3 3
b7 1
m3 3
b7 1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 3
1
b7
3 5
1
3 5
1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 4
m3 3
1
5 b7
m3 3
5 b7
m3 3
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 5
5
m3 3
b7 1
5
b7 1
5
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
Open E
22

(E, B, e, g#, b, e’)

Position 1
1 m3 3
5 b7
3 5
1 m3 3
5 b7
1 m3 3
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 2
m3 3
b7 1
5
m3 3
b7 1
m3 3
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 3
3 5
1
b7
3 5
1
3 5
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 4
5 b7
m3 3
1
5 b7
m3 3
5 b7
I II III IV V VI VII VIII IX X XI XII XIII XIV XV

Position 5
b7 1
5
m3 3
b7 1
5
b7 1
I II III IV V VI VII VIII IX X XI XII XIII XIV XV
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Exercises
Rhythm Basics
26

$ è. 0ä 0è 0ä . 0 0 0 . 0 0 0 . 0 0 0 $
1

$ è0 0ä .è 0ä 0 0 . 0 0 0 . 0 0 0 . 0 $
2

$ è0 .ä 0è 0ä 0 . 0 0 0 . 0 0 0 . 0 0 $
3

$ è0 0ä 0è .ä 0 0 0 . 0 0 0 . 0 0 0 . $
4

Combinations
Combinations
$ è. 0ä .è 0ä . 0 . 0 . 0 . 0 . 0 . 0 $
5

$ è. .ä 0è 0ä . . 0 0 . . 0 0 . . 0 0 $
6

$ è. 0ä 0è .ä . 0 0 . . 0 0 . . 0 0 . $
7

$ è0 .ä .è 0ä 0 . . 0 0 . . 0 0 . . 0 $
8

$ è0 0ä .è .ä 0 0 . . 0 0 . . 0 0 . . $
9

$ è0 .ä 0è .ä 0 . 0 . 0 . 0 . 0 . 0 . $
10

$ è. .ä .è 0ä . . . 0 . . . 0 . . . 0 $
11

$ è. .ä 0è .ä . . 0 . . . 0 . . . 0 . $
12

$ è. 0ä .è .ä . 0 . . . 0 . . . 0 . . $
13

$ è0 .ä .è .ä 0 . . . 0 . . . 0 . . . $
14
Funky Rhythms
27

$ è. 0ä 0è .ä 0 0 0 0 . 0 0 . 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 0 $
1

$ è0 .ä 0è .ä 0 0 0 0 0 . 0 . 0 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 $
2

$ è. .ä .è .ä 0 . 0 . 0 0 0 0 0 0 . 0 . . . . 0 . . . 0 0 0 0 0 0 0 0 $
3

$ è. 0ä 0è .ä 0 0 . 0 0 0 0 0 . . 0 0 . 0 0 . 0 0 . 0 0 0 0 0 0 0 0 0 $
4

$ è. 0ä 0è .ä 0 0 0 . 0 . 0 0 0 0 0 0 0 . . . 0 . 0 . 0 0 0 0 0 0 0 0 $
5

$ è. 0ä .è 0ä 0 . 0 . 0 0 0 0 0 0 0 0 . 0 . 0 0 . 0 . 0 0 0 . . 0 0 0 $
6

$ è. 0ä 0è 0ä 0 0 0 0 0 0 . 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 $
7

$ è0 .ä 0è 0ä 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 0 $
8

$ è0 0ä .è 0ä 0 0 0 0 0 0 . 0 0 0 0 0 0 0 . 0 0 0 . 0 0 0 . 0 0 0 . 0 $
9

$ è. .ä .è .ä 0 . 0 . 0 0 0 0 . . 0 0 . 0 . 0 0 . 0 . 0 0 0 0 0 . 0 0 $
10

$ è. .ä 0è .ä 0 0 . . 0 . 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0 $
11

$ è. .ä .è .ä 0 . 0 . 0 0 0 . . . 0 0 . . . . 0 . 0 . 0 0 0 . . 0 0 0 $
12

$ è0 0ä .è 0ä . 0 0 0 . . 0 . 0 0 . . 0 0 . 0 . 0 0 0 . . . . 0 0 0 . $
13

$ è. .ä 0è .ä 0 0 . . 0 0 0 0 . . 0 0 . . 0 . 0 0 . . 0 . 0 0 . 0 0 0 $
14
FunkRhythm
Rhythm Guitar
28
1 of 4

Funk Guitar
7 7/9 7 7/9

ı ı ı ı ı ı
A D A D
5th 4th 5th 4th

1a
è. ä0 è0 ä. 0 0 0 0 . 0 0 . 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 0

7 7/9 7 7/9

ı ı ı ı ı ı
A D A D
7th 9th 7th 9th

1b
è. ä0 è0 ä. 0 0 0 0 . 0 0 . 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0 0

7 7/9 7 7/9

ı ı ı ı ı ı ı ı
A D A D
10th 11th 10th 11th

2a
è0 ä. è0 ä. 0 0 0 0 0 . 0 . 0 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0

7 7/9 7 7/9

ı ı ı ı ı ı
A D A D
14th 14th 14th 14th

2b
è0 ä. è0 ä. 0 0 0 0 0 . 0 . 0 0 0 0 0 . . 0 0 0 0 0 0 . . 0 0 0 0 0

7 7/9 7 7/9

ı ı ı ı ı ı
A D A D
10th 9th 10th 9th

3a
è. ä. è. ä. 0 . 0 . 0 0 0 0 0 0 . 0 . . . . 0 . . . 0 0 0 0 0 0 0 0

7 7/9 7 7/9

ı ı ı ı ı ı
A D A D
7th 7th 7th 7th

3b
è. ä. è. ä. 0 . 0 . 0 0 0 0 0 0 . 0 . . . . 0 . . . 0 0 0 0 0 0 0 0

7 7/9 7 7/9

ı ı ı ı ı ı
A D A D
5th 4th 5th 4th

4a
è. ä0 è0 ä. 0 0 . 0 0 0 0 0 . . 0 0 . 0 0 . 0 0 . 0 0 0 0 0 0 0 0 0

7 7/9 7 7/9

ı ı ı ı ı ı
A D A D

4b
è. ä0 è0 ä. 0 0 . 0 0 0 0 0 . . 0 0 . 0 0 . 0 0 . 0 0 0 0 0 0 0 0 0
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36

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Guitar Lovers Chord Finder Dictionary of moveable chords
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Click here to visit the Guitar Lovers Shop for more information
37

Page Index

1 Studies 19 Tunings
2 Table Of Contents 20 Open A
21 Open G
3 Theory 22 Open E
4 Note Location String By String 23 Open D
5 Modes + Scales 24 Analysis
6 Modes • Major Scale
7 Modes • Minor Scale 25 Exercises
8 Modes • Harmonic Minor Scale 26 Rhythm Basics
9 Modes • Melodic Minor Scale 27 Funky Rhythms
10 Intervals • 0–11 Half Steps 28 Funk Rhythm Guitar
11 Intervals • 12–23 Half Steps 32 Alternate Picking
12 Degrees • Two Voices 34 Finger Mathematics
12 Degrees • Three Voices 35 Open Chord Progressions
13 Degrees • Four Voices
13 Degrees • Five Voices 36 Other Publications
14 Degrees • Six Voices 37 Page Index
14 Degrees • Seven Voices
15 Chord Formula
16 Writing Chord Progressions This is a demo version
18 Song Title To view and print pages 8 - 18, 23 - 24,
29 - 35, please get the full version from
the Guitar Lovers shop.