Académique Documents
Professionnel Documents
Culture Documents
1920S TO 1940S
(The authors are preparing for submission to the AIC Journal a version of their
additional research and a number of illustrations. For this reason they are
During the first half of the twentieth century, many American painters were
This interest led some artists to revive the use of such traditional techniques as
gum Arabic and egg/oil emulsions, oil-resin glazes, special drying oils, jellies,
Among the artists whose papers are preserved in the Archives of American Art,
Artist and their Use in Painting was published in English in 1934. Marsh was an
wide variety of sources, and his notebooks record the structure of many of his
extremely complex layering, offering insight into why some of these paintings
has affected the stability and appearance of their paintings. The authors have
Marsh and by Curry, including paintings still owned by Curry's widow, many of
and Curry's enthusiasm for a wide variety of techniques. Looking with McCloy
paintings from the 1930s and 1940s offered insights into how these and other
Authors' address: Lyman Allyn Art Museum, 625 Williams Street, New
London, CT 06320
The mural, "The Evening Outlook", was painted in 1954 by Hugo Ballin, a
Monica newspaper, and depicts a vista of Santa Monica Bay and Pacific Coast
aircraft. The date, 1875, in the center of the banner signifies the date of the
and the Outlook newspaper. The mural was relocated once in 1978 and it was to
15 feet x 12 feet.
The mural is painted on a shaped canvas in the form of a vertical oval with
beyond its oval edge. Although the mural was painted on fabric and
conveyed the feeling of a painting executed directly on the wall. His use of a
to this illusion. The mural's support is a single piece of light weight cotton. The
some sections of foreground and foliage that the brush strokes are visible and
Ballin made extensive use of white chalk lines, possibly meant as a quick means
in 1995, the mural's paint layer probably owes its fairly sound state of
technique and the use of a conventional paint medium. We had noted paint loss
and along the intricate edge, as well as small and large scratches, abrasions and
Upon removal from the wall we found a number of small and large tears in the
Only then did we realize that the large and fragile canvas could not support its
that extend beyond the main body of canvas by 9" each are particularly at risk.
almost severed from the rest of the mural. After the painting had been detached
that it required a lining. The lining was judged to be necessary. We also felt that
the fabric would require overall humidification to relax it, and suction to allow
suction table.
And so this suction table came into being to fit a very specific need - to treat the
in evidence. We are delighted to report that it works very well and we see no
conservators.
The innovative feature of this table is its simple design based on hot water
condenser coil. The radiator transfers heat via conduction to the perforated
The condenser coil allows even and free passage of air through it and provides
Angeles, CA 90069