PERFORMANCE ART CONTEXT

Literature: Literature: (...continued)

Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: (...continued) Literature:
Literature: (... continued) Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen
E. Jappe / Performance Ritual Prozeß Walking through society (yearbook) ! Judith Butler !! / Bodies That Matter Victoria Best & Peter Collier (Ed.) / Richard Kostelnatz / The Theater of Butoh – Die Rebellion des Körpers Crossings (catalogue)
R. Shusterman / Kunst leben – Die Ästhetik article: Kultur als Handlung Kunstf. Bd.136 / Ästhetik des Reisens
On Ritual (Performance Research) Eugenio Barber (anthropological view) Performative Acts and Gender Constitution Powerful Bodies – Performance in French Mixed Means. An Introduction to (Kazuo Ohno, Carlotta Ikeda, Tatsumi Zeitspielräume. Performance Musik
des Pragmatismus Gertrude Koch Zeit – Die vierte Dimension in der
Happenings, Kinetic Environments ... ! Ästhetik / Daniel Charles
m m m Richard Schechner / Future of Ritual
Kunstforum Bd. 34 / Plastik als
Camille Camillieri (athropolog. view;
important for Patrice Pavis)
(article 1988!) / Judith Butler
Performativity and Performance (book) !
Cultural Studies !!
Geoffrey Leech / Principles of Pragmatics
Mieke Bal (lecture) / Performance and Mary Ann Doane / Film and the bildenden Kunst
R. Koberg / Die Kunst des Gehens
Hijikata, Min Tanaka, Anzu Furukawa,
Mitsutaka Ishi, Testuro Tamura, Musical Performance (book) Stan Godlovitch
performativity Masquerade: Theorizing the Female Kunstf. Bd.150 / Zeit – Existenz – Kunst
Handlungsform James Clifford (ethno-historian) Andrew Parker & Eve Kosofsky Sedgwick K. Marcia Moen / Peirce´s Pragmatism as a Mosche Feldenkrais / (Lit. on: Yoshito Ohno, Dai-Rakuda-kann, - a philosophical study
M. Foucault: Wissensarchäologische Spectator (article) Kunstf. Bd.151 /Dauer/Simultaneität/Echtzeit Akaji Maro, Nanten Harada, Akira Kasai
Victor Turner / The ritual process (book) Roger Caillois (athropological theorist) Symposium: Cross Gender/Cross Genre Resource for Feminism (article) Feldenkrais Method) Klangkunst (catalogue)
Diskursanalyse Valie Export Matthias Schäfer / Mediennutzung und Yoko Ashikawa, Asbestos-an,
Victor Turner / The Anthropology of Erving Goffman Performance and Performativity Graz 99 Jean-Francois Lyotard / The postmodern Dr. Walter Siegfried (dance theorist) Music and Performance (PSi7)
W. Hempfer / Performativität u. episteme Peter Weibel Zeitfaktor in der Aktionskunst (Bd.151) Sankai-iuku, Ko Murobushi, Yu Osuga,
Geraldine Harris / Staging Feminities. Condition: A Report on Knowledge (book) Willy Jansen / (PSi7) The Dancing Saints
M M Performance (book)
Richard Schechner / Between Theatre
P. Bourdieu (Hexis- u. Habitus-Konzept)
Victoria Best & Peter Collier (Ed.) / Performance and Performativity (article) T. Sarbin & V. Allen / Role Theory (book)
anders Denken – M. Focaults Philip Auslander / Liveness (book) Daniel Charles / Zeitspielräume –
Gender and Trance Ritual in Different
Sanae Hiruta, Teru Goi, Macunaima
>performativer< Diskurs (article) Ihab Hassan / process/performance/ Performance, Musik, Ästhetik (Brazilian Group), Eji Ikuyo,
and Anthropology (book) Powerful Bodies – Performance in David E.R. George !! / Performance Michel de Certeau / The Practice of Culters H
M. Foucault / Archäologie des Wissens happening (Essay) John Cage / Für die Vögel – Gespräch
Marvin Carlson / Performance – a critical French Cultural Studies Epistomology (in: Performance Research) Everyday Life Victoria Best & Peter Collier (Ed.) / Freddie Rokem / (PSi7) Ritualisations of
M. Foucault / Die Ordnung des Diskurses mit Daniel Charles (book) !
introduction (book) !! chap. Performance Milton Singer (ethnologist) / cultural Dwight Conquergood / article: Kate Ince / Between the Acts: Orlan, Repetition in Performance
M. Foucault / ... Reader Diskurs u. Medien Powerful Bodies (book) U. Krasberg / (PSi7) Ekstastetanz und
and the social sciences performance (developed as concept) The Performative Turn in Anthropology Performance and Performativity (in: Translating Dance (PSi7)
Sybille Peters / (PSi7) Towards a Theory of Claudia Liebrand / Kinematographische Performance ... (Sufi rituals)
Conquergood Dwight / Poetics Play, A. Nebelung / Zwischenräume (Methode Victor Turner / The Anthropology of Powerful Bodies) !!! Julia Witworth / (PSi7) / Translating of the
Fake / Towards a Fake of Theory Gender-Performanzen (lecture) Kinetographien (project) / Inke Arns, Mirjam
Process and Power – The performative u. Ästhetik einer ökologischen Soziologie Performance J.-F. Lyotard / Das postmoderne Wissen P. Dubois / Der fotografische Akt (book) Body: Physical Theatre Trainings, ...
Theorising the Performative (PSi7) Goller, Susanne Strätling, Georg Witte
turn in anthropology Herbert Mead => J. Butler Elisabeth List / article: Leiblichkeit, Nietzsche Thomas Dreher / Aktionstheater und
Anja Musiat, Dorita Hannah / (PSi7) Writing
Janelle G. Reinelt, et al. / Critical Theory Prof. Christoph Wulf <= P. Bourdieu performatives Selbst u. Geschlecht Performance Research Vol.1 No.1 1996 Intermedia (article)
Gesture: Performing Words, or, "How to dance
and Performance (book) C. Wulf (article) / Die Familie als article: Kultur als Handlung D.George / Performance Epistemology Paolo Bianchi (Video lounge at O.K.) / music theory
with words“
A.David Napier / Foreign Bodies – performative Gemeinschaft Gertrude Koch (C.S. Peirce) Pierangelo Maset, Hubert Sowa (Ed.) / Die Transformation der Kunst zum theory of perception on
Jackie Smart / (PSi7) Processing Language
Performance Art and Symbolic C. Wulf (projects): Die Hervorbringung Homi Bhabha / article: Of Mimicry and Man Ästhetisches Dasein. Perspektiven einer architecture (B. Leitner)
Anthropology des Sozialen in Ritualen ... / Familien- Marvin Carlson / Performance – a critical performativen und pragmatischen Kultur
in Physical Theatre "Performative Turn“
Max Schumacher / (PSi7) Grotesque Food - technoculture discourse 25 acoustic "view"
Ola Johansson / (PSi7) From Stage to Page
A. Artaud (ethnological studies)
W. Pfaff u.a. / Der sprechende Körper
Rituale / Rituale in der Schule /
Geschlecht und Rituale
introduction (book) !!
Michael Issacharoff & Robin F. Jones /
im öffentlichen Raum
D. Böhler et al.(Ed.) Die pragmatische Wende
Stephen di Benedetto / (PSi7) Mutable Modes From Film to Stage dance theory dance view auditive view
of Perception: Approaching Performance body research
Sylvia Sasse / Zur Anatomie kollektiver U. Wuggenig -> Pierangelo Maset Discourse as Performance (book) Rorty, de Certeau, ... choreography view
as Visual Art film theory Performance
Körper in der russischen Performance David Frankel / Workshop in Performance Liturgie und Ästhetik (event Münster)
dromology 26 movement view see: gestic view
the emotional role of music
for diverse rituals / creating with Sound
Theatre for Social Change (PSi7) Studies Ethnography (PSi7 Mainz) time theories movements as depiction of basic atmospheres through music (long String Quartett,
Magic Maori, Artificial Savages and Martians:
(De)constructing Indigenous Identity dance dance fundamental human states
atmosphere
Terry Fox, C. Marclay, sound
(Monica Klingler) Andrea Sodomka,
dance studies performance performance
mood Sarah Marrs, performance
disposition Takehisa Kosugi,
(Xavier Le Roy)
(Yvonne Rainer, Trisha Brown Joan La Barbara)
(Judson Dance Theater), (Christine Brodbeck: TP-founder in CH (Tanz pur)) (audio group,
kinetic movement theater
Merce Cunningham, Monica Klinger,
Rose Garrard, Lucinda Childs) environments (2) kinetic
(Petra Deus, Klara Schilliger, Laura Dean)
(Katja Fleig & Seijiro Murayama) acoustic performance Jens Brand, audio
see also: course of events view Sam Ashley,
(Nigel Rolfe)
sculpture
(Company Catherine Contour)
see also: view of the musical score
(Jeanette Yankian "Aorta“)
H.-J. Gilgen, performance
cinematographic theater (LE): A performance exists only (Anna Halprin, Robin Poitras, Orquestra del Caos,
(John Jesurun)impression of collage Gabriele von Scheidt, Silvia Buol, electroacoustic performance N. Möslang &
and ever as a flux dance articulates energy Maren Strack, Genevieve Fallet) (Mia Zabelka)
and montage – videographic, filmic, study of basic types of Andy Guhl,
(Honey and Milk: Dora Kiss,
narrative – intrudes before every perception. ecstatic dance body in motion
moving F. und Joel Mützenberg)
human movements Noah Riskin,
Gerrit de Vries,
sound
(incl. TV view) (Robert Morris) (B. Nieslony, Franz West, E. Wurm)
film semiotics (Mim Miriam King, Steve Paxton, Andrea Morein,
dramatic logic
Sculpture Dorothea Rust, Yoshimichi Takei, lying, standing, sitting, ... Richard Dunlap) Performance
psychoanalysis (Lacan school) everything in dance is gesture (LE)
process theories
27 filmic view sculpture in motion
Mari Tanikawa, Mona Kosa, Hanna Barbara,
Nigel Charnock (Ex: DV8), Kim Hyun-Ju,
(Lee Chang-Shik Park) Sound sculpture
(Mel Henderson, Paul Kos, (Alanna O´Kelly, Akio Suzuki,
Theater of see also: tableaux vivant movement research Tom Marioni)
(Nigel Rolfe) Kim Young-Won, Bilderwerfer (D. Aschwanden), Junko Wada, Peter Zegveld,
gestures and Simon Whitehead, Hae Kyung Lee) (Skip Flicker) Harry de Wit, Toine Horvers,
Performance is closely linked to montage;
film its flaw is that it is a much younger
movements mimetic-gestic live electronic musical instruments Phill Niblock, Jens Brand,
(Sonia Knox, interactive sound performance Savier Klaro, Stadtwerkstatt)
performance step-brother to film (BN) Marcel Odenbach,
aspects of music
(LE)Theater resembles a hyperdance (Min Tanaka) vocabulary of movement
(Benoit Maubrey & Brodin – Audio Gruppe)
Elizabeth Chitty, kinetic sculpture motoric movements otherwise
film projection combined with montage of attractions Dan Graham, Peter Land, gestures of movement performance (Eva Hurley)
not "used" comprehensive concert/
performance (Sol Lyfond) (Sergei Eisenstein's concept) Iimura, Ulrike Rosenbach, Dance: having the conducting (as
Martha Rosler, Joan Jonas,
movement behavior juggling with repertoire of movement (Simone Forti) concert performance/installation
(Jack Goldstein – film maker) hands "in play" performance) electro-
(Doris Balmer) (Stephen Laub) The tempo of the Aernout Mik, Douglas Davis, performance (Recombinant 9.9.99 ars electronica
using the quality of illusion collages of events Takahiko Iimura, John Jerusun Emotion from lat. Motio = Travel Art travelling as performance acoustic (Joel Hubaut) Posthof – all halls)
(Harald Busch & Erhard Hirt) film cut is brought
(Anet van de Elzen) Aernout Mik, Malgorzata Potocka, Butoh see above (Kazuo Ohno) movement / (Vol. 136, 137 Kunstforum) clothing (Dilettanten-
private filmic actions into theater (LE) John Wood & Paul Harrison, (B. Maubrey) Orchester Linz)
projecting "home movies“ camera replaces audience dance with the Internet SU-EN Butoh Co. anger-irritation logic / travelling as global presence (Eva & Adele)
performative theories from (Andy Warhol) Jean Otth, F. Pezold, Dennis Oppenheim, (Susanna Akerlund)
(Anna Bring) (restrictive presentation conditions) Lydia Schouten, Joelle Ciona, Erik (Stelarc) fear or anger logic obsessed Green line walk (Die Fabrikanten)
cultural science These aspects used to be Dettwiler, Bettina Grossenbacher & N. with speed (John Tylo) (Jochen Gerz) (Dimitri Alithinos)
performativity discourse treated under the theme of film-specific performance styles hanging, floating, ... between rock music
playing in video generates Widauer, Suzanne Joly, Jerzy Onuch, Photo: Moment catcher – Performance travelling
communication concepts (works by Jack Smith) (Carolee Schneemann, Flatz, Jill Orr, and scenic
performance studies performativity thrust performativity discourse the interference of differing (2) video Klara Schillinger & Valerian Maly, Alex Silber,
Peter Brambring, Butoh, Il Carrozzone...) images of feelings (Eva Hurley) (Gabriel Magos, Corinne Tache)
Crossings-Schema:
speech act theory
(see below) criticism: communication
and information theory have forgotten time rhythms
Maciej Toporowicz, Jaime Vallaure, Jürg Schmoll,
(Charlotte Moorman „sky kiss“) (Kees Mol)
collages music Jonas, Forti,
language game theory / Praxeology 28 performativity as view performance
(Sam Taylor-Wood) performance Benni Efrat, Anna Bring, Gillian Dyson,
Anna Winterler, Jochen Gerz, Gelatin)
(Sankai Juku) (Bob Flanagan) (Jan MlCoch)
(L. feLugossy)
performance Charlemagne Palestine
feminist theories (J. Butler) (Skip Flicker) (Danny Devos – hanging in magic places) Performance in motion – travel art – L. Anderson. Haimsohn
Conquergood: involving a shift (Devil´s Chauffeur – Roger Ely) (Mark Steger – hanging in trees) Resistance in motion capturing moments Dance Noise Beckley, Kubisch
pragmatism (Sistermann, Christine Kubisch,
symbolic pragmatism discourse view from viewing "the world as text“ to
"the world as performance“ filming performers (Black Market) Video eliminates the
TV Van Gogh TV (Live and real time
television / Multimedia performance
(Robert Sot – in a wreath of plants)
(Hadass Ophrat & Guy Brieler)
(Performing Resistance,
Volkstanz,
(Anne Iobst, Lucy Sexton) David Moss, Chie Mukai,
Fabrizio Plessi
Albrecht D (ZEN)
Endre Szkarosi, Michel Asso, Jannis Kounellis
pragmatic-hermeneutical turn performance Gettoattack – Vienna) cycling all over the
role theory (T. Sarbin)
(Jack Smith – Retrospective Graz 1999 necessity of appearing Hotel pompino) under water performance (Angie Hiesl)
Dance&Performance activists moment art neighborhood (Kirsten Forkert)
Bonnie Barnett, Leigh Hobba, Lentz, Dunlap, Tom Marioni
performative turn (Bonnie Marranca, Conquergood Dwight, Smith repeatedly treats his films before an audience Luca Miti, Maxime Rioux,
discourse analysis Fischer-Lichte, ....) for performances) (Nam June Paik & Charlotte Moorman) (Friederike Pezold) Marianne Schuppe, Attila Dora, others:
(Douglas Davis) touching the inside of the TV aesthetics of speed (Tache & Magos) cf. Instant Intervention Tibor Szemzö) Jon Rose , Christian Marclay
Theory as/of Performance cf.. pragmatic-hermeneutic turn Autoportrait Performance without movement
filmed performances (Matthew Barney) (Carlo E. Lischetti)
ZAJ (Walter Marchetti,
slow motion-like movements (Wilson) (seeing with the body ...) performative moment Juan Hidalgo,
Performance = significant Performance is less a new form of art than a new paradigm,
Stadtwerkstatt-TV projects Abramovic/Ulay
Dance of Transgender Performances with/as/to music Ramón Barce ,
it stands less for a new phenomenon than for a new consideration of filming actions Architecture-Performance & Film slowness (Wolfgang Duck) (Min Tanaka) (Hunter Reynolds & (Urs-Peter Schneider)
theoretical framework (Kurt Kren (on Otto Muehl, G. Brus)) (Gordon Matta-Clark 17 Films) as performance (4 Days of Buffalo) / staying on the road (PB) Esther Ferrer)
familiar phenomena (David E.R. George 1996) see: Pattina du Prey) Z´EV, Ian Smith
(Walter Pamminger) Ars electronica "no one is sure of himself“ dance articulates energy /
Automaten TV etc.
dance as competitive sport (A. Périgot) FUCKKEAD, Anne Bean
Performance as a concept in ethnography, performativity of language everything in dance is gesture
Performativity as new perspective / filming partner dance & martial art (Li Portenlänger) Paul Burwell, Sam Ashley
anthropology, sociology and psychology the dominance of textuality is penetrated view of orality (Carolee Schneemann's friend) Nancy Buchanan
(Schimpfluch) (Zoltan Szabo - Judoka)
Anthony Cox: husband of Yoko Ono) In plunging and elevation, pain Aleatoric sound and Richard Maxfield
see: performative pedagogy performative speech act TV projection (daily news) combined dance theater intensifies, shifts, aesthetics of duration Endre Szkárosi
space can only be performatively and provocative erotic, the movement performances
distinction body as projection surface with dirges (Dr. Walter Siegfried) invents movement impulses and (J. Cage, Merce Cunningham) Grundheber CAP
see: performative form of insight experienced as space gestic research question is posed with Nietzsche ongoing performance: the question of Jörn Luther , Misa Savic
Performative turn in theoretical discourse for films (Carolee Schneemann) body gestures (LE)
performativity of the of the physical body (analysis model for the specific performativity of the using film (Valentina Factory of the Excentric of the "dancing god" (LE) plagiarism Krzystof Zarebski,
cf. Life Art / Live Works (Timm Ulrichs) 60s: real bodies in real time Audio-Landscape (Wilson) Irit Bluzer, Helena Villalobos
social system (Lit.: Lyotard) genre "dialogue") stories run in the monitor cap Baradinone, Gelatin) Actor (Eisenstein) Mark Trayle, Bender&Nern
(historical) anthropology performative understanding (Sowa)
in real space
(Kyung Ja-Na) "Time based art“ also includes Pauline Oliveros
ethnology encroachment / infiltrated situation expanded cinema (as method: USA => A) (Gabriele
theology / New Age discourse (Günther Wallraff, Karel Dudesek)
(Gianni Motti) masculinity/femininity centrality of performance in the construction (Jack Smith, John Latham, Valie Export, Peter Weibel)
Cinemasculpture
(Alan Finneran) performance behind Oßwald & time art video and new media
see: the performance of the body Smith combined film and cinema slide Wolfgang
theater anthropology see also: culture-theoretical view infiltrating hospitals as doctor as cultural performance and maintenance of social relationships running projection
(performativity) Sautermeister)
ethnography (Cabinet De Medicine) (femininity: Sakiko Yamaoka) (Enrico Bugli)
B.M. is performative temporal view of performance design acoustically dynamic
performance studies ethnography Orlan´s "Reincarnation“ project: film and shadow
cultural anthropology 29 socio-logical view A case study for the overlap between (Anet van de Elzen) (Gelatin) time based (Klaus Rinke,
physique of the voice in
architectonic spatializing space perception
Literature:
sociology and performance
performance as social,
political strategy social performativity of gender performativity and performance B&W films as material demarcating filmmakers as performers (and vice versa) art 26 temporal view Ralston Farina, (B. Leitner)
Kunstforum Bd. 25 / Schamanen Ruedi Schill, performative sound sites
J. Raap / Kunst u. Schamanismus (article)
sociological discourse
exotism discourse
social view (burning A performative moment has been important to reality (Helmut Schober) (John Jesurun, Valie Export, ...)
Sakiko Yamaoka,
performative level
of pop music (spatial music)
Hartmut Kraft / Über innere Grenzen -
tribalism debate (tribal culture)
economical and 1 Mill Engl. pounds) gender: a category constructed through performance
(J.Butler)
many art works since the 70s
film time and event
offering a "different" filmic view view of the musical score Peter Kalmus,
Michael Murin)
Initiation in Schamanismus, Kunst, see also: political view (not a given social or cultural attribute) gender = a "doing“ of the performance emotional impact sound, music,
Religion und Psychoanalyse (book)
structuralism discourse social plots (John Malpede) (GANG ART)
of the medium of film
musical
score, composition
(game rules of art) social behavior as performance (Goffman) see: performative levels in pop music time units for the event time as medium Performance as the transient, flowing, ... performativity
Performance of Healing (book) Performances action scores (cf..: view of the musical score)
performance as social practice (see below) see: performativity of feelings (Ralston Farinas)
Carol Laderman (Ed.) the exhibited discourse notions of times (category 03 according to M.-L. Lange)
hexis/habitus as a series of (series "dis-positiv“ Vienna 05.2000) Film, Music & Performance process endless repetitions innermusical performativity –
J.L. Moreno / Psychodrama (book)
social social Outsiders are
performative self see: performative sculptures (Michael Murin & Peter Kalmus) process art (Magos, Stuart Brisley) (Endre Tót)
(Judith Barry)
What is staged, random and composed music as a sui generis performative,
Joachim Hersinger Waldegg / performative practices in-between beings (PB)
(the self in process)
demonstration coincide (Akio Suzuki & Junko Wada) physically staged phenomenon
Der Künstler als Märtyrer – Skt. performance performance Theater is the ephemeral art (Prof. A. Riethmüller)
Postdramatic theater circular form of time
Sebastian in der Kunst des 20.Jahrh. the only medium with real art of the social performance accentuate the see also: mimicry of life
musical score (Kaprow)
Mary Ann Doane / Film and the see: prediction actions with job-seekers, unemployed social researcher quality is every other human per se (LE)
Identity as performance
dis-curs (running back & forth) 27 process view act over the result (LE)
(Giardini Pensili = Bordoni & Dalo)
classic texts are also underlaid with pop
Masquerade (masquerade theory) persons, homeless, prisoners (STWST) (Pino Poggi) being (BN)
Performativity as the action with a fuse
Clip Performance
(Pipilotti Rist) performance understandings (sensation of rhythm) (LE)
Marianne Kesting / Das Happening als (Filomeno Fusco, Victor Kégli) (Santiago Serra) (Karin Meiner & a performance is capable Performance art often moves
pseudo-religiöse Opferhandlung (article) magic ritual (BN) social action (Tom Marioni)
Manfred Hammes) of creating "communitas" act of positing meaning in a discursive gap view of the act (Roman Signer)
dramaturgy
clips moved innerly through perception of
Christa Lichtenstern / Metamorphose. social actions (Roland Miller)
pity / (Jürgen Fritz) social permanently repeating itself (Ray Langenbach) (Norbert Klassen
music/sound/rhythms
(approach to) ritual performances social feelings pragma-art process-oriented art / process-oriented procedure direct time-images short performance (very long
Vom Mythos zum Prozeßdenken (book)
(Category 04 according to M.-L. Lange) actions with concrete performance as sculpture (action and process
Performance as the processual, flowing (Klaus Rinke)
insisted on it for B.M.;
but he is the only one with
performances are hardly prepared ritual music
Aristoteles / Katharsis-Begriff relationship social sculpturing method performativity as creating identity as cf. strong boom of process view anymore today) (Maria Fisahn)
goals (Lidl-Academy) social situation instead of contemplatio) see also: process from the a score)
Theresa Smalec / (PSi7) Healing Shattered per se (J. Beuys) (Volker Hamann) (Labin Art Express) a process of repeated quotation in business administration and informatics
Subjects: Ron Vawter´s "Roy Cohn/ (Bruno Hoffmann)
(cf. Michael Lingner, view of artistic production threshold situations
From action performance as Eva Sturm) since about 1996 immediacy (nothing can be action music
(in the course of events view) acoustic environment
Jack Smith" as a Performative Means of
Translating and Transforming Cultural Traumas
therapeutic discourseg view of transformation See also: to transformation pair performances
(Marina Abramovic & Ulay) social experiment aesthetic social
guest work (PB)
J. Beuys' actions as
sculptures in space and time liveness
Primacy of the process
short processes, swarm of processes taken back) /
gestalt therapy Theological View quasi-mythical places Pragmatism as culture studies (Manfred Vänci Stirnemann) structures of action Live character
Elizabeth Köpping / (PSi7) Charismatic (category 08 according to M.-L. Lange)
psychodrama / psycho-techniques Performance takes place
Healing as Transformation 30 magical view Stalker (as concept)
attacking social (Chicago) social "face" as highest good paradigm (cf. Gertrud Koch)
live see also: performance as action
in the "here and now" Fluxus (2)
Translating Difference: Performance and
primal scream therapy
(Zygmunt Piotrowski) Shamanism mechanisms (V. Acconci) affects as energy (honor, integrity, recognition and Performativity as the "more pleasing variation" live process design see: M.-L. Lange categorized performances

Disabillity (PSi7)
system theory
(mobilizing spiritual forces)
community suppliers and not just tolerance) /vs/ acting performance (see study Stadtwerkstatt-TV) according to action structures
slowing down time remaining in the present
dance theory Topicalizing loss of face) the Fluxus movement emanated from
alchemy, hermetics Ritual and (Rolf Hinterecker) (Geert Duintjer)
relationship (G. Magos performance art organizers of 28 pragmatistic view cf. pragmatic reducing energy music, among other things
esoteric debates / New Age discourse
Ritual (2) shamanist
(Anna Homler) (Raphael Montanez Ortiz)
(Nam June Paik) (J. Beuys) (Brian D. Tripp) & Corinne Tache) social space initiation
religious themes hermeneutic turn
forms of interaction forms of the course of attention (Prediction)

psychology performances (Kim Suck-Hwan) (Yong-Gu Shin) (Inka Bernstein &

Club Hofmann)
images of social community (Ulrike Rosenbach)
role view mimicry
live see: communication concepts view of duration: chained together 1 year Performance art with its radical Musique sonore string installations
(Nelly Agassi) (Holger G. Herrmann) as performance (Linda Montano & Tehching Hsieh) assertion of real time as time experienced (Joachim Montessuis) (Paul Panhuysen)
(Lorena Menoez & symbolic actions the spiritual / the holy art
Laying open - sacrifice - shamanism (Jappe) It is how it is – the illusion (3 days: Linda Montano & Tom Marioni) in common (LE)
Fernando Fuentes, (as precursor of
Mask / masking (cf.. identity) performative generation of (7 years of living art: Montano)
The body as magic sculptural Birchler & Hubbard) performance) emotionality performative
masquerade Shamanism and animism performative generation simulation cf.. Stadtwerkstatt-TV automatism (1 yr. cage, 1 yr. stamping, 1 yr. no interior space taking care of the right atmosphere and
(Boris Nieslony, Norbert Klassen, (Z. Warpechowski) (Serge Pey) object with cathartic effect distinctions, i.e. separations
of belonging
mimicry cf.. Taxi Orange through live presentation Tehching Hsieh)
game rules
perception of time
thus also for the right thinking
McCarthey, Joan Jonas, Franco Vaccari, (Viennese Actionism) and congruencies of social selling snowballs processed objects cf. Taxi Orange
Allan Sekula, Artur Tajber) Animism (cult of the soul) groups (Gebauer with Bourdieu) (David Hammons) of life (Performing Resistance) ritual (see left) material ordered in
acoustic design as
see also: intercultural exchange in performance course of process trance as script
Alchemistic theater Kabalistic e.g. simulation of an office long-term performances (Das Konzil, Nieslony, rhythmization of the event
Cf. magical theater you need a role
=
(A. Artaud)
Self-painting (G. Brus) (Antonin Artaud) (Kees Mol)
Aesthetic alchemy (Rimbaud, Mallarmé) 700 BICAPONIA-Performances
references (Nelly Agassi) (BN) performance is directed
29 anthropological view / to become yourself
performance as socially (Ingold airlines: Res Ingold) (Philippe Cuny u.a.: Protoplast) moment art (2) Alastair MacLennan, B.M., Bodo Berheide, Robert Sot)
(Jacques van Poppel) (GANG ART)
the incredible power of
White man (Roi Vaara) against blind faith in progress marked role play (see below) (Abel Bankprojekt) (FEM-Warenzeichen) (Bender & Nern) (Matthias Jakisch & Elvira Santamaria, Ulrich Lepka)
Theater of Cruelty White men (T.R. Uthco: as rituals of a private shamanist religion Shamanist (Cindy Sherman) music and rhythm
performance as mimicry of business
Dough Hall, Jody Procter, Brus,
Yong-Gu Shin)
(German Vinogradov)
qualities ethnological material ethnological view (Ruskin Stichting, Rotraut Pape, u.a.)
changes and dynamics /
course of events
Yellow man (Lie Wen)
Alchemy (Anna Homler)
Shamanist journey (John Sturgeon) (Thomas de Chirico) social and religious role view subversive simulation dynamic way of looking dynamic processes
repeatability of staged
Literature: identity (Islam) allowed to play along of platitudes at psychical processes time process of Performance as staging (see below)
Camouflage painting (V. Kutscher) multimedia (Rachel Rosenthal) performances (Lili Fischer, Laurie Anderson)
Kunstforum Bd. 87 / Kunstgeschichte Like spotted animals (Mette Aare)
Alchemy of the kitchen Transformation (2) (PSi7) Performer as modern shaman
theological view (Majida Khattari) (being part of the game) (Biefer/Zgraggen) rules of operations
becoming image (LE)
Search for the (Attila Kosa) Art as site of transformation (PB) Performer as modern witch see identity
course co-determined with and permutations
des Feuers sacred (A. Artaud) (art incube) Completely out of control ethnographic thread (Jordan MacKensie)
Erika Billeter / Mythos und Ritual in der The body as canvas Transformation as aesthetic (Ion Grigorescu) performances – following traces religious view / art (performance) as substitute for religion? artist as (participating) performing music and video art
Alchemistic laboratory (Nikolaus Lang) behavior researcher performers do not Concept art of the 60s - body art (K. Rinke)
praxis paradigm staging (2) (Les Reines Prochaines:
Kunst der 70er Jahre
With and about fire ...
Alchemy of the ordinary life-art-work Gotthard category (FL) Mudman
mudman's artist as anthropologist artist as skeptical living prediction
(U. Wid, A. Fraser) play a "role" performance as mimesis (see below) (cf. praxeology
art (2) M. Fuchs, Fränzl, Madörin,
Transition to Modernity (PSi7) Trance states (Klaus Rinke, Muda Mathis, S. Zwick)
Bonnie Eckhard, Frederick Corey / (PSi7) (Kain Karawahn, Otto Piene, Stadtwerkstatt, Young-Chul Shim))
(Boris Nieslony) (Jean Odermatt)
Trance techniques (Helmut Schober)
(Kim Jones)
(Young-Chul Shim) (Tokio Maruyama) (Nieslony) anthropologist (PB) (BieferZgraggen) Michael Schmidt, primary on Wittgenstein) theory of the moment
(Holger G. Hermann, Thomas Ruller, Lukas Berchtold) Transformation through magical (Terry Fox) (Serge Pey) seminars (David Thomas)
p-theory as theories of behavior Endre Tot,
demonstrations
(James Lee Byars)
Missed Callings: Myth, Middle Age, and Panic in burning paper tent (Igor Sacharow-Ross) Yasunori Shiobara, staged
Memory Cosmological view Fire circles (Zorka Ságlová) flame thrower (Just Merrit)
procedures: costumes, masks Ritual direct recourse to shamans
Body dismemberment & violence / prediction (2) ritualizing everyday actions performance as rituals of transition, of transformation Ruggero Maggio, interactive processuality Performance as
M. Serres Fire & water (János Szirtes) , (SRL), (L. Berchthold) Spiritist sculpture (Schmutz)
body fragmentation in (Alastair MacLennan) (Translation TRANSITION Transformation – PSi7) Lee Chang-Shik Park) (cf. Gestures, Attitudes) of cultural actions events (2)
Udo Wid Fire theater, live flame (A. Heller)
Incinerating rare plants (Terry Fox) Fire Table(s) (Ric Allsopp)
Model of cannibalism
(Lygia Clark) anthropophagy seance
session performance
(Reindeer Werk) sound experience
cultural anthropology
structuralism (discourse)
mythic view In a burning tank under water (Harrie de Kroon) (Judith Lorena Mendez Barrios)
(Rolf Langebartels,
Vollrad Kutscher)
(LE)Presence of the deviant body triggering "immoral"
forms of culture
(forms of expression)
"holy" reality performativity performance as ritual (see below) ritual as means for coping with crises artistic action
the moment of the living process
(Roman Signer)
(Renee Kolla)
Recipient in a burning gyrator (times up/Just Merrit) fascination, discomfort or anxiety because it deviates from Forms of therapy that of rituals ritual actions (Thomas de Chirico) /vs/ artistic production
myth discourse Burning clothing piece by piece (Barbara Sturm) the norm due to illness, handicap or deformation make use of
of the body
the gift ritual performance art (Réné Ynez) ritualized performance (Rebecca Belmore) (vs. reproduced process) +Performance as staging
literature discourse m View of the elements
Death and the Therapeutic neurotic rituals – (Just Merrit) performance techniques church service as the essence of the ritual
performance ritual ritual and emotion process and not
deconstructivism Smeared with earth beautiful shaman seances intensity of a performance (USA) exchange projects is the tie, the plea poetry of rites cultural pattern ritual
(fire, earth, water, air, ...) Forms of therapy as analytical "session" (Clegg & Guttmann) (Karin Bille, Jürgen using the example of finished result
memory theories (Dieter Appelt) (M. Abramovic) (Lygia Clark) hysterical psychosis See: psychoanalytical view Fritz, Thilo Hain,
(Hanka Lee) (Katharina Trost) mourning
(Aktion im Moor – J.Beuys) (Reindeer Werk) Therapeutic action Walter Renner)
Cf. identity view Lying naked in the water Temple sacrifice and fire rituals Butoh therapy ritual presentation (Ines Tsengas)
Fear-angst system (intention of body art)
(Dieter Appelt)
(Siglinde Kallnbach) (Mitsutaka Ishii) 30 therapeutic view of objects ritual mourning-depression system theater is
Machine: stream of fire/stream of water (minus delta t)
Pain, death, transitoriness, rebirth rituals logic of mourning
(Erik Hobijn) Creation myth (Gideon Gechtman) (Peter Gilles)
sculpture at heart a
Galvanized into Cath. rituals death mass
Aboriginal myths
(Jürgen Raap)
the symbolic
(Hannah Wilke – her dying body) disability view Therapeutic pain &
rites of initiation (De Chirico &
(LE)

Purification (Verena Schwab) (Jürgen Fritz)

(Kevin Mortensen) St.Sebastian – ceremony / processions Angelika Thomas)
Theater as
Rooted in old myths Performance of Healing Purifying power of acting out catharsis cult action (Goji Hamada)
Theater in
Like a stone-age man
(Jerzy Beres)
pierced
therapeutic ritualized pain Performance as catharsis (cf.. below)
blessings process (LE) Performance as Process
Literature: Literature: (... continued)
Prerational logic of
Archaic and culture memento mori
sacrificial lamb
(Ron Athey) pedagogy
(Gina Pane, H. Nitsch) cultic purification (Alastair MacLennan) ceremony art mudmans
mythical image worlds Archaic elements medical self-purification
Performance und Performance Art / J.-F. Lyotard (event, performativity, mythological structures
in performances Archaic, Butoh (Gérald Personnier) (event or object reminiscent
of death) / memorial rite
(cf. Mishima)
Embalming of a chicken performance
mental and physical disability cf. identity view Seminars (2) in imitation of
Kunstf. Bd. 96 G.J. Lischka language games, ....) ritualized and cf. Fakirs (Kraft/Petz) (René Schmalz (Butoh)) Wheelchair performances mudmans
Beitrag: Schneisen im Heuhaufen – J.-F. Lyotard / The Unconscious as Mise- myth-related performance Group and family myths Ancestor cult
(James Lee Byaars: performed his death) (G. Bruckschweiger)
mental derangement (Krüppelschlag/Just Merrit)
Orgies-Mysteries Sacrificial rituals (Max Dean) ritual performance (M. Abramovic): goes directly back to (Rolf Hinterecker)
reminiscent of Archaic forms of expression (A. Heller: laying out of self) Retro-performance crucifixion scenes rituals on Hawaii
Formen von Performance-Art en-scène (in: Performance in (See also: rituals)
(Moira Roth, Carolee Schneemann)
(highly emotionally charged) archaic roots (Arnulf Rainer) Death Meditations (Nina Wise) (Grahame Davis)
(J.Lothar Schröder)
Sex in a wheelchair (Bilderwerfer:
Conny Scheuer, Elisabeth Löffler)
Theater fertility rituals
"The lips of St. Thomas" carving, (Charlemagne Palestine) shamans (dirt)
Marie-Luise Lange Postmodern Culture – 1977) Political remembrance of the dead (Balint) whipped, naked on cross of ice blocks
Personal mythologies Cover performances (Hermann Nitsch) ceremony (religious)
(Kim Jones)
Critical theory and performance (book) Hassan Made up like a corpse (Shaun Caton) Performance as (she stages herself as sacrifice) (Ronaldo Ruiz)
(Rosa Galindo, Pedro Garhel) Bedded on archaic Archaically poetic (Verena Kraft & Kurt Petz) cultic actions ceremonies
Patrice Pavis Hannah Arendt / Vita Activa (book) (Lee Wen) form of action in
frameworks (Dieter Appelt) Everyday stories (Mike Kelly / Paul McCarthy)
artistic of the Indians
Jürgen Schilling / Aktionskunst (book) Johanna Malt / Performative Constructions Sex with the Dead (John Duncan) therapeutic praxis Easter piece (crucifixion situations) rite
Marvin Carlson / Performance – a critical of Meaning (article) (Cheri Gaulke) religious attitudes
mass (Joan Jonas,
Mythologization of the self mythic material Tina Girouard, naked in church against
introduction (book) !! Dorothea von Hantelmann / Der andere (Colette) (Rachel Rosenthal, Meredith Monk) Ultimate performance:
Theme of death story- Mourning depression system (Jerzy Berés)
aesthetic way James Luna, the rite (Mette Aare) Performance as act of positing meaning
B. Stanton Garner / Bodied Spaces: Schauplatz: Theatralität u. Performanz Postmodern: (Hassan, Lyotard) (Markus Schwaighofer)
Semantic, philological and fear of abandonment system Artist as "sacrifice" of praying Yolanda Segura)
Phenomenology and Performance in der zeitgenössischen Kunst process / performance / happening Individual Myths of the world
(lethal performance as model) (Gianfranco Baruchello)
(Mary Noéle Dupuis)
telling (2) etymological instruments (Nitsch)
(e.g. Catholic liturgy)
+Performance as interpretation (BN)
mythologies (Marco Ivaristtis kills animals Performance as drive analysis
Nick Kaye / Postmodernism and Bonnie Marranca & Gautam Dasgupta Ed. work-in-progress, incomplete, fluid (Jill Orr) (Luca Patella)
objects from the Catholic
(Jonathan Meese) Mythical to provoke reactions from (and art analysis) (Via Lewandowsky)
Performance (book) ! Conversations on Art and Performance open, playful, optative, disjunctive, displaced, a discourse of fragments
Modern: mystical the audience) 31 content view Cf..: contemplation /vs/ ecstasy religious ecstasy liturgy (H. Nitsch)
David George / On Ambiguity: Towards a Philosophie in Aktion / P. Bourdieu, Hakan Media, myths, fairy tales Content aspects Poetic performance
Performance = (Unio mystica) (cult of the new eve)
religious religious
Post-Modern Performance Theory (article) Gürses, O. Marchart, Chantal Mouffe, art object / finished work performative quality Performance as (BBB Johannes Deimling) dance play
of postmodern work fundamental characteristic
(Jan Swiedzinski) of performance (arrangement) (Ruth Knecht) consciously dreaming Catholic mass as model feelings acts
Laurence Senelick / Cabaret Performance W. Pircher, R. Pfaller, G. Raunig,
Wilson's theater is neomythical Deconstruction performances Role of the clown (BN) of the theater
Stan Godlovitch / Musical Performance: Slavoj Zizek (book) of postmodernism (Chantal Pontbriand) Giving what may be religious rituals as material
Performance appears today as a (Category 11 according to M.-L. Lange or Dissolution of the semantic Performer as clown
a philosophical study Hans-T. Lehmann (LE) / Postdramatisches Inge Baxmann respectively) Content-based methods found in madness Revealing evil and exorcising it. procession as performance
possible philosophical paradigm; Reaching the density of the obligation, honest performance! (BN) (cf.. Black Market)
Philip Auslander / From Acting to
Performance (essay)
Theater (book) !
Kathy Rosalyn / Toward a Theory of a radical alternative to the modernist
P.M.: play, game, contradiction, process,
performance (D. George) The performative as primary characteristic of
mythical (Wilson)
Naked, all hair shaved off
in a tree – no story, no plot
This performances are targeted to: (Cf.. Stadtwerkstatt-TV study) (Artaud) (Bruce Nauman) Total possession (in the performance) (Giuseppe Desiato)
(Nitsch OM Theater)
+Performance as socially marked role play
confrontation, irritation of sense, (Karen Finley)
Vadim Liapunov, Michael Holquist / Performance Art (book) text paradigm. (George)
(Cf. performative turn)
In postmodern times "performance" is contemporary, but especially "postmodern" (end of time)
(Oszeus Labyrint: Mark Steger &
disjunction, interruption and dismantling
Practical character of carrying Sense & madness Performer are Against religious Performance as social practice
Towards a Philosophy of the Act Transition to Modernity (PSi7) the ideal medium and model (D. George) art production of familiar semantic contexts. Scope of action symbols (Ulrike
tricksters and
(book) (on Bakhtin et al.) Hans-Friedrich Bormann (PSi7) academic performance (Marvin Carlson) (D. Mersch) (action, performance, Philosophy
Hannah Sim)
It is a matter of "an upsetting of order", Non-theatricality in between terms (BN)
out acts of meaning:
clowns
Performance as Exorcism Rosenbach) +Performance as ritual
Richard Schechner / Performance installation, environment and event art,
in "action" (G. Raunig) meaning is acting/doing (Sowa)
Dieter Mersch (PSi7) of the destruction of traditional rhythms and
Theory (book) Sophia Totzeva (PSi7)
but also gestural painting)
flows of meaning. Performance as theater of memory (see below)
Exorcism – liberation from personal grief/suffering
(Linda Montano "Mitchell´s Death")
+Performance as mimesis
Patrice Pavis (Ed.) / The Intercultural Philosophical terminal (as service) Cruel healing
(Cf.. also: Rainer Ganahl - education complex) Legitimization (of research) Philosophy of the act (Hagakure) Theater as memory space
Performance Reader (book) (Cf.. essay by Dan Graham Montage performance through theater
Cf. service view through its performativity (Lit.: Lyotard) (A. Artaud)
Michel Benamou / Presence and Play, on Giulio Camillos) (montage techniques) Rituals as a means for dealing with crises
Performance in Postmodern Culture
32 philosophical view Philosophical database As a principle, B.M. is an exploration
Hedonism: Cabaret as performance? memoria theater
Mise en Scéne (catalogue) a philosophy of Cf.. (Lili Fischer, Franz Prieler)
(Mike Hentz) Experimentally assembling Allegorical processions Kneipp cure & Performance
Performative science of attention (3) (Donna Lewis) (Diva – Cabaret: Avoidance of Computer as Performativity as the operationality
Markus Weßendorfer (theater theoretician also circumstances (BN)
Attention as accuracy
performance art Marlene Madison Plimley, Mernie Le Plested,
narrative structures Turn to the performative theater of memory of information (Lit.: Lyotard)
(celebration art) (Lili Fischer)
+Performance as ritual
writes on performance) art studies view Professor of philosophy as performer Alvin Erasgo Tolentino, Lori Weidenhammer) (Billedstofteater)
(research project)
(Antoni Miralda)
Elisabeth Schweeger (Adrian Piper) Performance as representation of facts (s.r.) cabaret performance Narratively structured performance
act (instead of the well formed
message)
+Performance as catharsis
Hans-Thiess Lehmann (lecture) / cf.. (art) historical view lectures (2) Philosophy lecturer (Category 12 according to M.-L. Lange)
Theater als Möglichkeitsraum performativity discourse Lecture performance
(Xavier Le Roy, Mike Hentz)
(Nick Land) Performance as presentation
These forms of action tell stories and
Philosophical terminal (2) Three-dimensional narrations Gray ascribes a coding effect and integrative Performance as drive analysis
Performance Theory and Practice (PSi7) theater theory function to all emotions for cognitive
theater studies Lecture as performance
Choreography as
danced theory (Jerome Bel)
the intentional view
"presentation" (BN)
are based on a clear concept of staging.
(Renate Bertlmann) (Brian Catling)
One-Woman-Theater
(Margaret Dragu)
Semantic routes
Practical
contents Performance as form of action in therapeutic praxis
on the Net
dramatic discourse (Thomas Huber, Andrea Fraser) Performance Symposia performative
art theory (John Bock) (Bazon Brock) performing arts Cognitions with the same or similar
conferences (LE) A theatricalization may be Theater WuWei (Ruth Geiersberg, Narrative Performance hermeneutic
emotional hue tend to conjoin
philosophy (Also see: networks) The council Elizabeth Le Compte, (Vito Acconci) deduction
observed in performance art The reduplicated event into emotion-specific separate worlds
postmodern discourse Jürgen Raap, Schechner: (Vasan Sitthiket) Anti-mimetic theater (H. Sowa)
nomadology discourse
seminars (2)
Art jury as performance is always a farce (Mersch) theater The performance garage, (M. Schwaighofer) (in the sense of the logic of anger,
deconstructivism discourse
(the jury: U. Wid, Die Fabrikanten,
G. Dirmoser, Neuner, et al.)
32 theater studies view (Serapiostheater, (Eva Fuhrer, performance
Ron Vawter, CARKA,
Norbert Klassen, control & mimetic distance (theatre) /vs/ anxiety, mourning or joy ...)
performance studies PAM: Performance Bak-Truppen, Janet Haufler, Studio Azzuro)
Plurimedia physical awareness of the performative situation
performance theory analysis method
theater view
Wooster Group, SRL,
La Fura dels Baus,
Vereana Schwab,
Jürgen Fritz, (Monica Klingler,
theater (LE) +Performance as memory theater
(Ute Ritschel)
ATEM Group) Norbert Klassen, performance Theater am Montag, Production of presence (LE)
Stefan Kurt, STOP.P.T. Norbert Klassen,
Performance archive See also: dance performance theater EX!T Elke Schmidt, Tilo Schwarz,
Extreme theater Viennese Actionists) Absurd Theater
Performance as trans-genre or Charles Richardson,
(cf.. service) movement view Matthew McGuire, Gob Squad)
Theater as event
Notes as performance anti-genre within Andrea Morein)
Literature: (Karin Beck, Elsbeth Böninger & art studies Which recursive effects do changes in communication poetic
Die Grube und das Pendel (article in: Theory as/of Performance the black drawer Norbert Klassen)
(due to new media) have on "old media" such as Performative theater action theater "Theater" was an important
starting point for the
Relikte & Sedimente / Rob La Frenais (chapter in Victoria Best & Peter Collier) theater, music, fine arts? Queer Theaters theatre (BAK-Truppen (many open elements))
Viennese Actionists non-narrative,
Kontextbewußte Ansätze in Kunst und Encyclopedic delusion (Text: Rob La Frenais) non-discursive,
Performance art as pre-art Programmatic texts: (BN) (Cf.. Symp. Steir. Herbst) Dream theater (La Fura Dels Baus, La Gaia Scienza)
Wissenschaft / G. Dirmoser (DG) (Z. Warpechowski) Philosophical and Reindeer Werk, Todays Place, Prediction, Post-Dramatic Theater (Also see: story telling) Theater of circumstances non-mimetic performance
Minus delta t, Büro Berlin, polarpuls Art d´Ameublement, (book: Hans-T. Lehmann (LE))
Gotthard Günther (on polycontextuality) metaphysical concepts With the means of Poor theater (proximity to performance)
(Tokio Maruyama) Kunoldtstraße 34, Bazillus, Programmpapiere kleiner Ausstellungsraum, Dynamic theater Theatrically drastic Poor theater – what is left is
Marvin Carlson / Performance – a critical Performance and theater artists (LE) Energetic theater (Lyotard): invisible theater Paratheatrical actions = cultural investigations
Das Konzil 1981, Strategiepapiere des Fördervereins für Projektkunst, (Bremer, Spoerri) (Performing Resistance) productions (Paul McCarthy) the body (W. Pfaff)
introduction (book) !! Forms of organizing and executing culture Die Stifter, ASA European, Black Market International, ...) (Black Market) Not a theater of meanings, but rather (Grotowski)
Victoria Best & Peter Collier (Ed.) / Movement theater (LE) of intensities ... post-dramatic energetics Theatrical staging The living theatre
Powerful Bodies – Performance in Theatrical productions (Atty Bax) (Knopp-Ferro & Frank Köllges) (Günfer Cölgecen) Theatricality: "Grand Gesture" (Mattieu) (Julian Beck, Judith Malina,
performatively
French Cultural Studies !! negotiating
(Christiane König)
Theatrical scenes (Ian Hinchliff)
theatrically inspired (Dan Senn) (Stuart Sherman) (Böröcz & Révész)
(Yolanda Segura) ( Angelica Schubert)
The grand gesture as performance Kenneth Brown) Performance as a representation of circumstances
Guy Debord / Rapport zur Konstruktion hybrid performance (being flown in by helicopter, nothing else).
von Situationen
culture (FL) Situative investigations
(ARGE Kulturtheorie Linz) "performative turn" in the cultural sciences (FL)
(LE)A new association of (lt. Zakravsky)
theatric performance (Adina Bar-on, Karen Finlay, Environmental Theatre
+Performance as theater
Kenneth Burke opera, performance and theater
Kazuhiro Nishijima) (Richard Schechner)
Dwight Conquergood results gestures (3)
Avant-gardist isms were superseded Ritual Theater (Hanna Barbara) Theater of deconstruction Object theater
Victor Turner Culture as performance From writing culture Performativity as the the function of performance Experimental theater
by ideas and contexts (PB) Context-conscious strategies: (Sam Ashley)
Erika Fischer-Lichte / 01.99 Kulturen des (Turner, Milton Singer) to culture as performance constitutive feature of all cultures within a culture (M. Carlson) concept theatre
(Fischer-Lichte) surprise, alienation, distortion, ...
Performativen (Sonderforschung BRD) Mental state corresponding to the situation
Performatively negotiating and de-formations
Erika Fischer-Lichte / Vom Text zur
establishing culture
The culture is the body cultural (Ethnologist: (caution, tensely aware or relaxed) Simulating the conditions of the surroundings
Performance – Der „performative turn“ Socio-cultural
(Tadashi Suzuki) Milton Singer)
in den Kulturwissenschaften (FL) Cultures of
roots
The secrecy of performances Breadman (head bound with bread)
(Tatsumi Orimoto)
(Hejettes Szolyazok: bathing situation beach)
(Stadtwerkstatt: weather building) Performance = Transformation
cultural
the performative (FL) body codes of a situation (J.-F. Lyotard on (Situationist
performance Cultures of the performative The idea of the situation Daniel Buren) International)
Cultural Sciences (Erika Fischer-Lichte) (GANG ART) Performance in the courtroom
Black Culture Theory Culture-forming energy Performance as culture-forming presentation (s.r.)
(Boris Nieslony)
Role of contextuality Experimental actions (2)
(Category 06 according to M.-L. Lange) Turning away from the object: stressing
(Siglinde Kallnbach, Situative situationist event Performance as situative production
Cultural Studies (discourse) cultural history view of performance (for significance) Black Market & W. Preisinger) experiments
Cultural History The simultaneity of ... What is commonplace is torn from its familiar the process within a context (Jörg Lenzinger & Patrick Sidler) (High Red Center)
See: Montage
Performance as situative experiment
culturally engaged high & low (critical art and pop) Cf.. field terms context, subjected to incongruous examinations Situative performative
Context-conscious Theories
performances
Portable park project
Theater of the situation emergence of work +Performance as culture-forming presentation (BN)
Neo-situationism Discourse 01 culture theory view 01 contextual view
(Bonnie Sherk) (Brecht)
exceptional places (LE): churches, ...
Postmodern Discourse Polycontextuality (BN) Performance as a border, a margin (M. Carlson)
 Literature:
Phänomenologie der Wahrnehmung
Poetik des Raumes (G. Bachelard)
William Worthen / Disciplines of the Text,
Sites of Performance (article)
Marvin Carlson / Places of Performance –
The Semiotics of Theater Architecture
Flatz / Demontagen 87-91
Time/space performance/installation
Goffman
Dan Graham
Robert Smithson / Gesammelte Schriften
25 spatial view
View of Locations
Danny Devos
minus delta t
Mike Hentz
Werkzeug-Gruppe
des Konzils /
Black Market International
Zygmunt Pio Trowski
Matthias Jakisch
Ulrich Lepka
private spaces on stage /vs/
living spaces off stage – activity
conventional places / non-places
(Peter Arlt, Fabrikanten)
consecrated places
(Stefan Kurowski & friends)
hidden performance
Performance as
agreement (2)
Places as
in-between spaces (s.u.)
(Sowa) understanding the space as
practically traversed execution
Environment
environment art
(James Melchert)
(Insa Winkler)
doing away with the stage
(Stadtwerkstatt)
theater of "divided" space
Performance as place-less art (s.u.)
spatial aspects of the
performance design
25 architectonic view
threshold situations
passage, transition, gate, door,
translation (B. Nieslony) (cf. PSi7)
gates transitions, virtual airport
(Mo Diener, Sergei Nikokochev)
See also: Performance
as total installation
Renovation as
performance
(George Steinmann)
Reconstruction as
performance
(David Ireland)
building
performance
architecturally determined
performances
Architecture in transformation -
chance for performance
(factory hall flair)
zones of transition (LE)
Desolate spaces – factory halls,
derelict buildings, contaminated areas
factory halls /vs/
White Cube
Theater as
raising awareness
space moods
of architectonic
(outside the realm of action)
processes
(Julian Maynard Smith)
Computer animation of
memorial architectures – memory theater
(Giulio Camillo, Robert Fludd)
+Performance as place-less art
+Performance as agreement
Perception theory on
architecture (B. Leitner)
Phenomenology of
perception
Location research (Peter Arlt, Marc Auge)
Theory of urban locations
Architectural theory / Arch. discourse
Nature locations / natural locations
(Cf. Land-Art as Action Art)
(Jill Orr) (Yin Xiao-Feng)
Places and Spaces
"founded" places/spaces
location, place, site, area, room, space
Performance location
The right place
performative perception
of space
(Cf. Skip Arnold)
reception of spatial arrangement:
participating action/embodiment
and translated performance (H. Sowa)
Performance = exercise in occupying thresholds
(neither stage nor audience space) (George)
(cf. P. Handke)
magic places
Ocean panorama –
a place is a voice
Happening (Tadeusz
Kantor)
Arranging the "mood" through the
Beach performance
selection of certain places
(Pino Pascali)
Different places/spaces convey their
own specific affective messages
A bright friendly
room relaxes the mood
spaces with
wind machines
(Ralf Filges)
Art without exhibition spaces –
where the audience already is
(Christoph Rütimann, Franklin Aalders,
Christian Möller)
building as
performance
(Buckminster Fuller,
100 meter kitchen – P.Arlt fünf ingenöre,
Stadtwerkstatt: time spiral tower)
fünf ingenöre: P. Arlt,
Elke Knöß, Wolfgang Grillitsch,
Martin Kaltwasser, Benjamin
Foerster-Baldenius
architect as performer
(Buckminster Fuller)
Performers trained in
architecture or stage design
(Andrea Saemann, G. Ritter)
deconstruction of
architecture as
performance
(Gordon Matta-Clark)
dismantling
(Wolfgang Flatz)
clothing/architecture
for the homeless
(Lucy Orta)
Abiding and
handling (Sowa)
Reduction /
celebrated void
(instead of show)
Performance as sign system
Performance as breaking through structures
+Performance as configuration of presence
Performance as space of tension
Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Literature:
Andreas Nebelung / Zwischenräume – Georg Franck / Ökonomie der Not yet categorized:
Victor Turner / Das Ritual – Büro Berlin (catalogue book) Johanna Pfaff-Czarnecka / Macht RoseLee Goldberg / performance – Bruce Adir (Adair) / Jim Allen /
Struktur und Antistruktur sechs ästhetische Erfahrungen (essay Zwei Monate experimentelles Arbeiten und rituelle Reinheit live art since the 60s (book) Aufmerksamkeit (book)
Thérése Ampe-Jonas / Georges Azzaria
W. Nöth / Strukturen des Happenings ! Kunstf. Bd. 152) (catalogue) Judith Butler / Hate Speech GAG Art (Catalogue) Michel Giroud J.-F. Lyotard / Das postmoderne Artur Babiarz / Isabelle Bedou
semiotic view: Patrice Pavis A. Nebelung / Zwischenräume (book) Susanne De Ponte / Ereignis und Wahr- Hakan Gürses (lecture) / Identität Heidegger / Beiträge zur Philosophie Wissen (book) Nayland Blake / Waldemar Bochniarz
Umberto Eco / Semiotics of Theatrical Ivo Osolsobe nehmung: eine interdisziplinäre Unter- F. Nietzsche (Vom Ereignis) Performance contra Globalisation (PSi7) Letitia Bolognesi
Performance (article) Charles Morris suchung zu den Events der Künstler- Arthur J. Sabbatini / Terrorism, Perform Susanne de Ponte / Ereignis und Wahr- Jill Lane / (PSi7) Reverend Billy: mimesis an Colin Campbell / Carmichael Catherine
Kurt Lewin / The Principles of Topological Keir Elam gruppe „GANG ART“ (book) Bateson, Goffman, Turner (analysing nehmung (Eine interdisziplinäre Unter- the dialectics of (not) shopping Costes Carsette / Tim Clark / Paul Cotten
Psychology (book) Josette Feral Sue Dakin / Mona Desgagné / Herbert Distel / DLR
Victor Turner processes of crisis) suchung zu den Events der Künstler- Paul Dorn / Leopold Duszka-Kolcz / Sophie Fabien
Marvin Carlson / Places of Performance – Erika Fischer-Lichte (FL) / Semiotik Michel Foucault !! / Mikophysik der Macht Dan Graham (article) / Theater, Kino, gruppe GANG ART) + Hubert Sowa
des Theaters Gabriele Forster / Vidya Gastaldon
The Semiotics of Theater Architecture M. Foucault / Botschaften der Macht (Reader) Macht (in: mise en scéne) H. Szeemann / When Attitudes become Joel Glassman / Daniel Grenier / Matthias Groeber
Jean Alter (semiotician on performance) Perspectives of Uncertainty: Locating the Pierre Bourdieu / Die verborgenen Form (exhibition) Ryszard Grzyb / Klaus-Peter Haase
Michael Quinn / Celebrity and the Imperceptible (PSi7) Mechanismen der Macht (book) !! Kunstf. Bd. 134 / art & pop & crossover Plassun Harel / Alexander Harvey / Helhard Haug
Semiotics of Acting Elias Canetti / Masse und Macht (book) Ed. Paolo Bianchi Matt Hawthorn / Saiki Hiromu
Burke / Grammar of Motives Cillie Rentmeister / Frauen, Körper, Kunst Richard Shusterman / Kunst Leben Peter Horobin / Joelle Keandre/ Birgit Kilp
L. Wittgenstein Mikrophysik der patrarchalischen Macht INFuG / Bemerkungen zur Ereigniskunst Marleen Kos/ Barbara Kozlowska / Jill Kroesen
Uli Kruass / Marcin Krzyzawowski / Claudia Leder
(article) Let´s Entertain – Life´s guilty pleasures
Sung-Yon Lee / Li Qiang / Qiang Li
Marianne Wex / „Weibliche“ und „männliche“ Stefanie Menrath / Performativität von Isaia Mabellini (Sarenco) / Victor Meertens
Körpersprache als Folge der Identiitäten im Hip Hop Gruppe Meier / Christian Messier
patriarchalischen Machtverhältnisse Ronald J. Meyers / Antoni Mikolayczyk
(extensive picture study !!)
structuralism (discourse)
Kati Molnar / Melinda Moran / Helmut Martin-Myren
Frank Na / Michaele Nolte / Erik Odijk
semiotics / semiotics of theater Catherine Parisot / Jittima Pholsawake / Micky Plüsch
symbol theories of knowledge Apinan Pohgananda / Wolfgang Rahs / Tim Richter
system theory / system discourse Andrea Ritter / Antoinette de Robien (Robin)
24 structural/structuring view field theories Valentin Rottemaler / Michael Sagorny
Performative Codes topological psychology Hiromu Saiki / Seppo Salminen
Sarenco (Isaia Mabellini) / Ingrid Scher
(Cf. Habitus) formal sciences
outdoor self-organization theory
Marcus Shira-Tilles / Mayumi Yayoi Shozo
Emil Siemeister / Suras KV Solwonk
performance Description of a performance Christian Späte / Rüdiger Steiner / Tobias Stengel
(... as performance: Judith Barry)
Wally Stevens / Wolfgang Störchle / Elke Suhr
(Joan Jonas,
Eva Szanto / Ryo Takahashi / Christoph Tarnow
Matthias Jackisch)
(Rolf Hinterecker) Christophe Terpent / Frank-Udo Tielmann
Performance as sign system Jarry Vis / Jonas Wille
(Cf. Nöth)
Yit Mun Kwahn (artists village) / Silvia Ziranek
Performance as breaking through power of words Zyklus - Grac de la Luna / Myrna Renaud
See also: Performance
structures power of acts Richard Harding / Shannon Rose Riley
street art (2) Performance as semiotic text
as open system
(cf. Nöth) locations of power power of themes Oeykue Potuoglu-Cook / Thomas Defranzt
(cf. Nöth) power theories Heather Crow / Michael Mayhew / Latifa Fakiri
concept of performance
the power of power discourse (with Foucault) Barry Edwards
Every form of street action, structurelessness oriented to power theory
(LE) Telegram style and attribution (game rules of art)
street theater, street music, poetic structures (Do happenings have structures?) in the works of M. Foucault and Judith Butler
cabaret (Word Play Group)
broken syntax
(in Expressionism)
(exercises something 23 power theory view organization theory
performative) critique of institutions discourse
See: avoiding narrative structures effectivity
Investigating event structures preemptory speech culture manager debate
(INFuG) Dirty conditions as (initiation)
battle view
power conditions (A. Kosa)
See also: view of destruction
stylistic structures Who is allowed to besmirch whom ...
See also: energetic view
(comedy as a stylistic structure) (Paul McCarthy)
(Jason Lim – Bierregen)
Cleanliness mania in Singapore See: experiments
Performativity of the commander (his power) See also:
transit space airport minimally structured events (Amanda Heng) with the audience
(Cooperation Project X) What was done (act) increases with every execution of a command fighting machines
When or where it was done (scene) Performance as negative (Lit.: Lyotard)
See also:
Who did it (agent) demarcation from other structures power scenarios consenting disempowerment "Transformance"
performative sound locations (s.l.) (from: La Fura dels Baus) violence
How he/she did it (agency) in imitation (BN) (commentary on power & money: 1979: the move of
institutionalized space
And why (purpose) (Burke) Martha Wilson and Jackie Apple)
performance towards
structural characteristics of singularity, power position of the viewer:
unrepeatability (uniqueness), indeterminacy surveillant exercise popular culture
see also: cliches of representation the artist as exhibition piece social power conditions Confrontation with police
and finiteness of the performative event of power "the media generation“ media theory
in the box (Skip Arnold, Roi Vaara, K. Dudesek) (Paul McCarty) and border patrol authorities
(Julia Scher) (Marcos Kurtyz) pop theory / Pop-theoret. discourse
ephemeralness (James Lee Byars) Pursued by the police as a foreigner ´coming out´ of performance emotions at large sporting high&low discourse
masked avengers (Helena Villalobos) into the mass culture
"never show them again" (Guerrilla Girls) events techno-culture discourse
(Eric Bogosian, Michael Smith) cultural studies discourse
Performance – senses excluded
For Artaud, a performance must be aesthetics of theft
fear-anxiety system movement/body techniques from
eastern martial arts traditions
22 view of popular culture fashion discourse / Retro discourses
hedonism debate
a game of locations (in the field of art)
linguistic text, unique, a real experience, unrepeatable, (cf. gift)
violent hands playing anger-annoyance system
(see also: dance performance)
(2) community new subjectivism debate
staging text and and it must actually transform the (threatening gestures) fighters and lovers suspends domination
"performance text" audience and the actors into a against violence (Abramovic/Ulay) bondage performance art (Sport & Games) sporting aspects fun debate
different state. (Suzanne Lazy) role of emotions situations battle emotions ontology of the event
list of networks: football club (association culture) power bodies (in
street structures of action situation structures
in power struggles giving what is to be found Todays Place
(B. Nieslony)
dance as combat sport / (Biefer/Zgraggen) new theater) view of public appearances
The Prediction
happening - the artist becomes part of the text
anarchic situations
in crime, in war
(Artaud)
Reindeer Werk stuntman Artist-in-Residence in a ball club
(Dough Hall)
- the viewer becomes part of the text Das Konzil terrorism and (Alexandre Périgot) flowing transition between
(Hank Hyena)
Werkzeuggruppe des Konzils performance
see also: performance as situative production
ASA
(Gillian Waering) Performance = capabilities and Minus delta t (Kunstf. Bd. 117) „ Pure Performance “
art and popular culture Die tödliche Doris:
(Prof. Bonnie Marranca)
pop
East-West-Study-Project (Muda Mathis) (Käthe Kruse, Wolfgang Müller,
self-assertiveness in a Stunts as (ski boot advertisement:
entertainment
score as s.u. Aufmerksamkeitsschule skiing through deep snow)
Nikolaus Utermöhlen, Tabea Blumenschein)
no fixed spatial structuring competitive situation Verein für Projektkunst e.V. performance ? political "appearances" ironicizing the rituals of
flow structure (see also: spatial view) In action with all one's senses, (Laurie Anderson)
"locale" Die Fabrikanten Black market International: ASA-European seen as performance contemporary music groups
(see: view of the score) The Current Affairs thoughts and powers Songs about art:
W. Preisinger Boris Nieslony "Performance“
Landscape Play: (see: performance as staging) game rules G. Harringer Zygmunt Piotrowski (former) Festival of the Regions (A) Bazillus (beside oneself) gymnast & dancer Party-Culture as (Yan Duyvendak)
P. Arlt The Neoist´s (Molissa Fenley) in the new economy
... thinking of stage and ritual (s.l.) Nigel Rolfe, Jürgen Fritz Performance
loss of gestural Norbert Klassen MATERIAL und WIRKUNG cf. extreme situations
text more like a Werkstatt Odem Being absorbed in the movement – Performance in
Jacques van Poppel, Roi Vaara
landscape semiotic language in Club Moral Forgetting technique (W. Pfaff) Club Culture: a form of
Büro Berlin: Zbigniew Warpechowski Athletic event pop music
(Gertrude Stein) action experiments modernism (LE) Fritz Rahmann Tomás Ruller (former) Moltkerei Werkstatt living room theater consume critique through exaggeration
(against the wall) role of emotions
performance as a configuration (Helmut Hempel) Hermann Pitz
Raimund Kummer
Alastair Mackay MacLennan (part-time.)
Helge Meyer u. Marco Teubner (2000)
Throbbing Christle
(Genesis P. Orridge & (Barry le Va)
punk performances
Pink-Man (Manit Sriwanichpoom) 21 economic view / globalization discourse
of presence (the action) (BN) semiotics of the body (LE) Cosey Fanni Tutti & u.a.)
(...) Kunoldstraße 34 Sport and body work (Genesis P-Orridge)
(Throbbing Gristle) Duo as trademark
(Brigitte Bérard & Mileva Josipovic)
production view liberalism discourse
Augenladen Mannheim economy as discourse (Foucault)
network of lines of force minus delta t: attitudes (2) Wrestling with profi wrestlers (Paul Harrison & John Wood) contacts with rock/pop: punk (Pyromania)
24 view of the field (light direction with Wilson) Karel Dudesek, Mike Hentz, Stadtwerkstatt Linz (STWST) ArtPirates
Le Lieu Quebec/Can
Büro Berlin (Howard Fried)
Life as public
(Yoko Ono – J. Lennon)
(Cornelius Cardew: Scratch Orchestra)
artist as trademark –
funding view / (game rules of art)
Chrislo Haas, Wolfgang X-Ray-PSY = Michael Mierse, Artist Village (Singapore) Boxing match making sales calls
Georg Ritter, T. Lehner, appearance (scater, boarder, (Throbbing Gristle (Christle))
view of the in-between (space)
Georgsdorf, ...
("Performance Departures“)
Gabi Kepplinger, Gotthard
Wagner, W. Georgsdorf,
Georgy Bretschneider,
Wolfgang Freund, Artist Village:
extremely personal forms of behavior
(Ida Brun, Henriette Hendel-Schütz)
(Arthur Cravan)
dancer, driver, poses, ....) (Cabaret Voltaire (ars electr.))
(Robert Longo) (Urban Sax)
(F.E.M. Frauke Ellen Müller)
cost view / sponsor view
(Peter Brook, Jürgen Fritz, Fischer-Lichte)
"everything is performance“ R. Zendron, Flati, Blaas, Marcus Krips, Parzival,
Enno Stahl,
Tang Da Wu (founder), Jason Lim, The "Model" consume realism (Richard Martel)
Cf.: contextual view Markus Binder, Elfi Sonnberger, et al. Koh Nguang How, Lee Wen, ...) Pop-Kitsch (Friederike & Uwe) (Lisa Cieslik) political ironic
Jo Zimmermann shopping exhibition –
Cf.: energetic view The Performance Show (1975) deification of capitalism
the show must go on
category of the "between" as guiding category (Vanessa Beecroft) catwalk performance Penny-peep-show conditions up to 30 artists in each program (Iwan Wijono)
for an aesthetic of the performative Organizational structure (Victor Turner) (B. Bérard & M. Josipovic) (Charlemagne Palestine, Olga Adorno, (Rose English, Sally Potter, Clare Weston, ...) relinquishing, Literature: (... continued)
theory of gravitation organizations in Literature:
self-organization not selling (BN)
action
Fashion show Pooh Kaye, Alison Knowles, Dupuy)
(Stadtwerkstatt)
Jean Dupuy (Ed.) / Collective conscious- Performance Ritual Prozeß – Handbuch
power fields energetic field
(Kurt Lewin) leeways are attitude toward the
23 view of the organizing as performance The Theatrics of sexual
Manager training as
performance
Club Shows
(John Kelly, Karen Finley,
A further understanding of performativity:
Efficiency = (calculable) performativity (Lyotard)
ness. Art performances in the seventies der Aktionskunst in Europa / E. Jappe
(Wolfgang Flatz) Arnaud Labelle-Rojoux (artist) / Gregory Battcock & Robert Nickas /
performance society Anne Magnusson)
probability field
in-between spaces field of events (GANG ART) institution fashion show (Rainer Aring) Performance Art
(T.R. Uthco)
performance shop window performance
presentations in (Robert Reschkowski)
cf. analysis of body language Performantere = "better" information:
L´Acte pour L´Art (book) ! The Art of Performance – A critical
performance artist (Andrej Bartenev) party life (Pantomime) Carl E. Loeffler & Darlene Tong / Anthology (book) !
as curator/artist including exhibition institutions clips (2) (Colette) (Luciano Castelli)
(Festival der Regionen) admission fees
It is a matter of knowing which game the opponent is playing
Performance Anthology (book) ! Annabelle Melzer / Dada and Surrealist
the poetic network (BN) working with and in the field (Marietheres Finkeldei) (Jean Dupuy, B. Nieslony, Roi Vaara, Seiji Shimoda & Kazuhiro Nishijima (NIPAF), the body as mannequin working with models personal performance training (Lyotard)
Le Lieu (Jean Claude Saint-Hilaire), Nigel Rolfe, Ray Langenbach, (Text: Bettina Rehberg) (Vanessa Beecroft)
(Roi Vaara – walling in) sexuality as emotional (GANG ART) gesticulating like brokers Henry M. Sayre / The Object of Perform. Performance (book) !
mental existence between
Chumpon Apisuk, Amanda Heng, Christel Burmeister, Anet van de Elzen, Das Konzil people as dolls
(Gerd Belz & Raoul Marek) (= applied performance)
decoy in advertising
(Robert Reschkowski)
Performance = accomplishment and
with the train station
Gutai The American Avant-Garde since 1970 ! Mel Gordon (Ed.) / DADA-Performance
persons Gravitation: (Marie Teresa Hincapie) self-assertion in a
Norbert Klassen, Heinrich Lüber & Karin Roth, Danny McCarthy, Milos Vojtechovsky) Kunoldstr. 34 (erotic enticements) time tables (Sislej Xhafa) Paul Schimmel / Out of Actions (catalogue) Kunstforum Bd. 146 / Das Gartenarchiv
Performance as event (see below)
On the in-between as
B.M.'s performance is a field (Vollrad Kutscher: Performance Parties) (Masaki Iwana)
(BBB.Johannes Deimling – builds own networks
Büro Berlin
Bodo Berheide
Department Store Performance
Performance in consume temples:
Performative marketing and
attention techniques
competitive situation
(Atsuko Tanaka, Kazuo Shiraga, Jiro Yoshihara,
M. Carlson / Performance. –chap. P. in (Paolo Bianchi)
(Gabriele Oßwald & Wolfgang Sautermeister) (Michel Giroud) (Galerie-Kollektiv Wuppertal) "Presentations“ (Soviet Union) (Anne Hoy) (seals in the department store: Sadamasa Motonaga, Saburo Mirakami, Akira Kanayama, its historical context Kunstforum Bd. 32 / Künstler und andere
a mental dimension (PB) The attractor: the force of attraction W. Georgsdorf) confronting consumers with wounds/mourning Shuso (Shusu) Mukai, Shozo Shimamoto, Naoki Kanayama) Out of Actions (catalogue) – Between
(catalyst arts) (Das Archiv: Sabine Kaeser) (Eloy Tarcisio) Werkstadt Odem Presentive Events / life = kajf performance history Sanmler
(R.József Juhász – studio erte) (Rafael Montanez Ortiz) (Sue Broadhurst) Kl. Ausstellungsraum des Postmodern emotion culture (J. Gerhards): (Muntean/Rosenblum) marketing strategies J&W Management Consulting Performance and the Object 1949-1979
a battery of the "life itself is the drug" (Com & Com) art history RoseLee Goldberg / Performance Art:
(Magnus Palsson) (Ryszard Piegza) (Chuke Stake) (Jordan McKenzie) Künstlerhauses Hamburg (Patricia Jacomella & Maria Walther)
ASA installs: the field (BN) hedonist goal of avoiding Economic view (LE) Surrealism Prof. Dr. Bonnie Marranca / From Futurism to the Present (book) !!
in-between (Gusztav Ütö & Konya Reka) (Marissa Carr) (Dziugas Katinas) Servicebüro Hamburg performative staging profiting from artists of the 3rd world Precursors of cultural history
negative emotions Performance in advertising of exposure in image, includes the call Performance Arts Journal RoseLee Goldberg / Performance :
tension /
(Wladislaw Kazmierczak & EWA Rybska) (Louise Liliefeldt) Ultimate Akademie
Performance as Art-Entertainment
(Mariola Brillowska)
of nakedness (Beecroft, Gelatine)
text and performance Performance as:
performance art
for a
20 (art) historical view psychology of collecting
Performance Research (A Journal of Live Art since the 60s (book)
the in-between other organizers: fashionable and The perfect pose -Futurist performance philosophy/theory of collecting
gradient of potential networking (BN) cf. networks (article: G. Brandstetter)
Business management style "Performance Art“ Performing Arts) Vol.1 No.1 Spring 96 Joachim Dietrichs / Zum Begriff
Minnesong (advertising)
(Gesine Weise, Jürgen Wolfstädter) (Zap Art)
(Sylvie Ferre, Emily Tabassi, Lukasz Guzek)
(the physical network) fun `avant-garde 22 entertainment view („The worlds first Pose Band“
Paul Richards, Ron Calla) minstrel performance
-DADA
-Theater der Grausamkeit
art history marginalized
performative art for a long time
memory discourse
memory theories
Performance Anthology – Source Book of Performance (book)
charged spaces constructed (Theo di Ricco) entertainment´ (I. Keiner & S. Berchtold) reflections on surrealistic performance California Performance Art !!
enterprise theater for -Fluxus (see detail ) "end of history" discourse Kathy Rosalyn / Toward a Theory of
B.M.: ... The immaterial center of
by performance permanent event locations:
(Jonathan Meese )
Entertainment Party Performers
managers (Kosilo)
advertising -Situationists 1995 an awakening Thomas Dreher (Diss.) / Performance Art Performance Art (book)
performance, of every encounter, Moltkerei Werkstatt Cologne (E. Jappe) circus (ICELANDIC LOVE CORPORATION) (UlunMichael Steinke) Integrative history -Lettrists nach 1945 – Aktionstheater u. Intermedia
(Kipper Kids, Susanne Helmes, Becoming "managers" Coco Fusco / Corpus Delecti:
the shared knowledge is: (...) practical Situation comedy
animal performance Marie Kawazu, Jürgen Raap,
art as commodity item with theater methods Performer as of performance art -Gutai (Japan) Bauhaus (Oskar Schlemmer): the first mechanical Joan Borsa / Performin interconnectedness: Performance Art of the Americas
what is between the persons, between (Buber/Rosenzweig) Walther Stehling, Rainer Aring, Entertainment as (Bonnie Marranca) school to undertake a serious study
what is between the things, ... intercorporeality (Merleau-Ponty) joke (2) circus-like
Hong O-Bong, Andrej Bartenev, advertising and sales (Gretchen Faust) advertising medium (ERGO)
of performance as an art form
Bauhaus stage
(ars electronica)
the cathartic installations of Aganetha Dyck, Timothy O. Benson / Conventions and
Karen Finlay, Osamu Kuroda, Power seminars (as performance) central manifesto on performance art: Ann Hamilton and Susan Shantz constructions: the performative
betwixt and between (Turner) show of Gelatin) strategy for products important art theoreticians/editors
Performance in 18. Century (PSi7)
curating as performance (Mariola Brillowska) auctions walking over fire and glass ... see: programmatic texts on performance art: text in DADA
ecstasies of the things (Böhme) comedy as stylistic structure Clownerie strength (A. Reinthaler) (Habitus of these trainers: cf. Schlingensief) Merzbühne theories (Kurt Schwitters) Avantgarde (PSi7)
Elisabeth Jappe, Jürgen Raap,
space-time force field Dance in comic clown acts Life style: that´s entertainment Paolo Bianchi, Gerhard Johann Lischka,
(Fischer-Lichte) tourist view of the curator important organizations: The Living Art Museum, (Laurie Anderson) the renaissance (Beate Ronig – story telling) important periodicals: important art historians on performance art:
The Western Front (Vancouver), The Performance Space costumes modern clowns Allan Kaprow, J.L. Schröder (PSi7), C. Doswald,
(exoticism and spectacle) (Peter Callesen) cf. view of play and of the circus (cf. A. Heller) Performance Research (London) / Inter (Quebec) J. Kistus, R. Puvogel, M. Hübl, H.-N. Jocks,
RoseLee Goldberg, Bonnie Marranca, Justin Hoffmann, (...)
(Australia), Perforum (Pfäffikon), The kitchen (NY), comic performers High-Performance (Ed. Sara Wolf, Ed. Tim Miller &
B.M. is in the arrangement of the "MA", Hallwalls (Buffalo), Galeria Dzialan (Warsaw) of the carnival
Fetishizing child
soap Linda Burnham) / Performance Art Journal /
Victor Mazin & Olesja Turkina, Paul Schimel,
F-A. Hettig, Ilena Pintilie Teleaga, (...)
of the in-between space, this nothingness,
Projects Performance as performance "Hotel Pompino“ (Van gogh TV) Performance Magazine (Hg. Rob La Frenais)
a kind of mental embarrassment. idols (Mike Kelley) "No one is sure of himself“ (Stadtwerkstatt TV) Studio International (London) / p-form (Seattle)
(see: project art) "opening circus" black market
event society Datum (Holland) / Live Art Online (UK) / P-Form /
Performers as editor/writers/art theoreticians:
(east/west study project) (important events) Switch (technology and art) / TDR – the Drama Review
and game culture (fun culture) stage concepts action arts: Jürgen Raap, Allan Kaprow, B. Nieslony, Roi Vaara, Hubert Sowa, Literature:
"MA" Japan. (MA Festival 1995)
organization art – integrating every
21 view of the market cf. Stadtwerkstatt-TV (according to M.-L. Lange)
Women & Performance: A Journal of Feminist Theory
Johannes Lothar Schröder (PSi7), Jean Dupuy, Stefan Fricke (Fluxus theoretician),
Relikte + Sedimente (catalogue OK Linz)
imaginable institution (Stadtwerkstatt, U. Wid) events simultaneity of
the art of entertainment Happening, Fluxus, Arnoud Labelle Rojoux, Alain-Martin Richard, Michael Murin,
Clive Robertson, Daniele Roussel, Tina Keane, Charles Garoian (PSi7), (...) Kunstforum Bd. 145 Künstler als Gärtner
revealing the invisible permanent performance high & low (Mike Kelley) Land-Art,
of the visible (Eva & Adele)
service critical art and pop art and entertainment combination view of the stage Action Painting,
Performative "attacks" on art theory texts (Paolo Bianchi)
The concept of organizing Preservation = (resolution of a Greenberg text: John Latham) Performance negates the difference between Kunstforum Bd. 146 Das Gartenarchiv
(Lyotard to Daniel Buren) (Van Gogh TV, ...)
marks the point of transition Participation Body Art, Event, being and appearance, presentation and re-presentation (Paolo Bianchi)
Life as art – art as life. (see below) See: Club Shows (John Bock)
between art and life (H. Sowa) event art / event culture The concert podium as Situation-Art (George)
Dorothea von Hantelmann
Performative view of playing:
Not a medium-related result.
Happenings (Fabrikanten) (A. Heller) (Gelatin)
rent an stage in new music
museum function
art without history
curators on performance art: Raum fort und fort (catalogue OK Linz)
Cf. Plots / Real Performance of the theater Performance with Rob La Frenais, G. Hattinger, E. Jappe, representation cliche Performance is never a re-presentation,
emphasizes what is oscillating and unfocused, & Events artist (research: Riethmüller)
historical references
cannot be passed on (?) Noel Sheridan, B.Nislony, (...) except of itself (George) Erika Linz / The warehouse theory of
the "in-between", the framework event vulgar performance trivial performance (Mersch) see also: performers as curators memory is wrong – Zur Performativität
Artist Run Spaces (LE) Energetic theater would be outside
OM Theater as a Events
paradigm is a service (see left) (Ulrich Frey & N. Klassen)
(Chen Chieh-Jen)
(Kaori Haba) the realm of representation
gallery made of clothes
view of re-presentation
art theory
morphology
semantischer Wissensstrukturen (lecture)
Performer as (Judy Freya Sibayan) Clemente Padin u.a. /
transgressive gesamtkunstwerk
cabaret illusionist
1995 First Annual Performance Studies Conference
Performance instead
criticism of the institution discourse From Representation to Action
(O. Muehl to H. Nitsch)
live (INFuG, GANG-ART
The visual spectacle
(Jan Fabre)
(Holunda –
Collecting (for an exhibition)
1995 Performativity and Performance (Ed.: A..Parker & Kosofsky Sedwick)
1996 Vol.1 No.1 Performance Research (Journal) of depicting (LE)
Performance as counter-concept
performativity of 19 view of representation curators' debate Dinah Jung / (PSi7) / Performing Fragrance
spectacle culture performing art Atelier Juxus)
Service (2) to "representation" material debate
conflating gesamtkunstwerk art further development of the event) as performance 2001 7th Performance Studies Conference Mainz PSi7 semantic Performance
(Wolf Vostell)
(decentered attention)
spectacle theater (LE)
(Isidoro Valcárcel Medina) (PSI Performance Studies International)
the performative as
knowledge structures view of the exhibition
difference philosophy
rhizomatics
Between Identity and Representation (PSi7)
(Fluxus, experience world (Theory: Erika Linz)
See also category 10 after M.-L. Lange: George Brecht, spectacular street art cabaret, entertainment Performance cultures the "weak point"
view of presentation
Performance as synaesthetic montage art events INFuG, Performance as 20 view of collecting of the Middle Ages (FL) The presentation character outweighs of representation
Synaesthetics (Art Clay) Gangart, greed for life performances
(Chris Burden) installative collecting (s.l.)
The culture of the Middle Ages several days of excavation the artifact character (FL) view of depicting
view of reproduction
Larry Miller,
emotions of the Every form of street action (Jürgen Olbrich, view of collecting can be understood as being work (Ion Grigorescu) (cf. exhibition practice of Udo Wid)
Transition of theater
B.B.B.Johannes Deimling,
Esther Ferrer, flight show mass Street theater (Osamu Kuroda), street music, Performance as permanent (Nikolaus Lang) Jürgen Kierspel, custodian view genuinely performative
Attempts to "exhibit" performance:
(more important for the theater field)
cf. communication view
(Stadtwerkstatt) cabaret collection Wolfgang Hainke, (basis for historians' fundamental (LE)Theater, that tends to become a mute
Die Fabrikanten, Manfred Vänci Stirnemann,
to an event (LE) materialism (R. Krauss) gesture – on the exhibition of processes Relicts + Sediments (OK Linz 12/1993)
+Performance as staged Stadtwerkstatt) cf. Futurists Thoroughly Pseudo, research) Museum and exhibition productions –
Varieté nerves: people want Fricker, a phenomenon of performative cultural presentation
gesamtkunstwerk? shift from work
events Freakshow Performance as show distraction / "number principle" Boris Nieslony, Performance is anti-museal burning lens made of ice (LE)The principle of the exhibition (study by: Prof. Gaehtgens) (comp. studies by Eva Sturm)
Ruedi Schill & Monika Günther, (Paul Kos)
(LE)Sculptures: Theater is here in (cf. starting schema for this poster group: On the Art of the Exhibition)
to event (performance is the heart of the show) Performance collection as Perceived as fetish Jacques van Poppel, seizes linguistic material, in addition to
(Renee Kolla) event (fuck head) greatest proximity to fine arts
(DADA, Futurism) travelling depot (as part of the collection) Ulun Michael Steinke) body, gesture, voice
(Skip Arnold) Material performances use of explosive material the artist as
B.M. is an event Multimedia Shows Archives on Odyssey (minus delta t) Beyond performance
no events style characteristics of mannerist (Roman Signer) (Ralf Vormbusch) (Marcos Kurtyz, Signer, Drill Hall, scientist
jeopardy (Rosa Galindo, Pedro Garhel) (Peter Weibel)
Guy Pro-Diaz, John Latham, (Udo Wid) the artist as
(Kunstf. Bd. 100) Literature:
(Roman Signer) traditions (tendency to extremes ...) short-lived sculptures performers with their Visual works by (former) performers
(Allan Kaprow,
Collecting as a kind Ivor Davies) tree explosion, topicalizing exhibition Philippe Dubois / Der fotografische Akt !!
Clubs and meetings Jonathan Meese, own museums (Jacques & exhibition object (Tom Puckey, Dirk Larsen, Floor van Keulen,
Performance as simulated dog explosion & openings Herbert Blau / performative aspects
Turn from work Performative event field as ephemeral John Bock) of long-term interpreting explosions at flight show artist as gardener Catherine Pineau) (Skip Arnold) Peter Baren, Urs Lüthi, Gina Pane, Sef Peeters,
billboard newspaper natural disaster as performance/event (Oleg Kulik) (Eva & Adele) of photography
to event (PB) (GANG ART)
stage shows installations (s.l.)
performance (J. Olbrich) (Stadtwerkstatt) James Lee Byars, Marina Abramovic, Albert van
fluxus (2) art of the event (Laurie Anderson (P. Hobermann), Performance installation "the highest form of a possible experience“
(Walter de Maria) cf. (R. Signer)
the garden as site of the action der Weide) M. Köhler / Das konstruierte Bild –
The event takes (Mike A. Hentz) the exhibited archive zur Fotographie und Performance (book)
Jon Rose, Robert Ashley, Installative instrument to "The Perfect Smile“ portrait made of skin and bones
the place of the Diamanda Galas – (B. Nieslony, Jürgen O. Olbrich) rummaging in material work aesthetic as outmoded Nigel Rolfe / Sculptures in Motion (cat.)
demarcate space or performance (Teresa Murak) growing seeds, Environmental Theater (as Schechner called
+Performance as event (cf. Events) art work (FL) Performance as Blue Man Group)
(Simon Beer) as collection object
(Servie Jannsen)
view of materiality is shifted into focus (FL) (LE) cress dress
(Orlan)
the "surrealistic street" of an exhibition (LE)
concept is superseded by
the aesthetic of the performative (FL)
Johannes Lothar Schröder / Identität,
demonstration of develop installation concept (Stefan Enderich) Archive (see also: Video archive about (James Lee Byars) Überschreitung, Verwandlung:
(Montri Teomsombat) rice dress
Performance as staged event accomplishment (s.l.) Post Performancism from action concept Schwarze Lade) P. (Ryszard Piegza) view of 19 material view / (Joseph Beuys) 7000 oaks
(LE) The aesthetic object works as a
Behavior Tableaux - body language Happenings, Aktionen und Performances
(Mo Diener) traces trigger, catalyst and framework (80 static poses: Scott Burton) chain reactions von bildenden Künstlern
Performance as staging cf. performance Costume performances
(Cees Krijnen) performance as
important performance storage and mobilization
olfactory view (smell) for a process (for the viewer) (Fischli & Weiss) Kunstforum Bd. 152 Kunst ohne Werk –
as accomplishment costume show (cf. A. Heller) (Myriam Laplante) InstallAction plundering archive (Le Lieu) of memory content following Animate and inanimate Theater is also an
(R. Signer) Die Transformation der Kunst vom
Theater as event (Pat Oleszko, Vincent Trasov, installation (see left.) affects (cf. NLP) sculptural culture of sculpture art of sculpture (SE)
Paul Cotton, Claude Wampler)
rummaging performance as material experiments (Richard Alpert) the body Werkhaften zum Performativen
theater miniatures (John Bock) see: prostheses, hinges, models (Jannis Kounellis)
(Le Lieu,Simon Beer, Angie Hiesl, from the depot curiosity cabinet field researcher Paolo Bianchi (Ed.)
Animotion – performative Fritz Rahmann) (Lili Fischer)
Frozen performance (2) primary T. Warr, A. Jones / The artist´s body !
Performance as "total" installation (see left) spatial installation
(Stefanie Wilhelm) installative situation olfactory stimulations (Fluxus) action with body objects (Made In Eric) scenes (Jannis Kounellis, public demonstrations D. Ronte, H. Schober / Von der
(Alastair MacLennan) (Vanessa Beecroft) Luigi Ontani)
Extensive arrangement taking up space, including everything.
performance as total picture (Christine Biehler – Jürgen Fritz) performance as material collection (s.l.)
economy of shattered arm/head extensions: (Rebecca Horn) sculpture Performance zur Malerei
material One Minute Sculptures (Erwin Wurm / Bd.145) sculptural arrangement Out of actions (catalogue) – Zwischen
performance being a still life taken from
+Performance as demonstration of accomplishment (Fake shop – performance installation)
performative aspects Earth works Dirtyblueclothes (Howard Fried) (Janusz Baldyga)
(Franz West, ...)
everyday life
(S. Berchthold, I. Keiner) performative aspects
of object art
Performance art =
art without object image theories Performance und Objekt 1949-1979
of installation art
Performance as (repeatable) show ceremony celebration played installation (M. Dion, U. Wid)
(Anna Mendieta)
chemical experiments body "quickly changeable (Seamus Malone) morphology Philippe Dubois / Der fotografische Akt
Performance as (Brian Conolly) (Ross Sinclair) conference of plants the body as material still life sculptures" (actions pictural turn (discourse) Peter Simhandl / Bildertheater (book)
art (2) art (H.G.G.N.) organic material (Lukas Berchthold) latex performance (Nancy
total sculpture (Andrés Pereiro-Schmidt) (Lili Fischer) => body view statue (2) (Viktorine Müller) Blanchard) by Roaman Signer) performative sculptures Clemente Padin / Non-Object Poetry:
performance coupled with installation
(V. Acconci) (Stefanie Marshall) smell and taste rituals (see: Nitsch) performance action as work (s.u.) Action Art
life as a celebration (invitation to the feast) public celebration unconscious effect of Robin Deacon / (PSi7) Hard Water and
Relics purposeful use of smells See also: tableaux vivant work concept
baroque celebrations/celebration culture: music, jugglers, performance as relic (s.l.) ob-jects
sexual fragrances
(H. Nitsch, Lili Fischer, A. Kosa, ...)
fear comes from "Still Life" (Johan Lorber/Lorbeer) performance as sculpture moving (Nigel Rolfe) trans-formation /vs/ other Objects
(pheromone) The performer in the glass box constraints, sculptural installation performance sculptures formation
+Performance as relict sculpture, trumpery, fireworks, entertainment (see: sediment) in existence and dignity burning scent material (Ralf Vormbusch)
In a framework at the top with no freedom (of action) anxiety (Heinrich Lüber) sculpture (2) (Th. Werner &
J. Wüstenfeld) 18 view of the artwork Visual Representation (PSi7) / Nic Leonhardt,
extreme smells (FL)The performance B. Brandl-Risi, P.W. Marx, Vera Apfelthaler
performance as sediment (s.l.) taboo materials of a tree (Th. Werner & (Skip Arnold) the body as object (Heinrich Lüber)
+Performance as billboard newspaper happening (3) Cf.: living pictures
all existence is also a trace (blood, flesh, cot, urine, sometimes animals
(Micha Brendel)
J. Wüstenfeld) body becomes a monument in a box performative body/light sculpture (Li Portenlänger) character outweighs
(tableaux vivants) consecrated utensils, naked bodies)
smells that "move" (Mourad Cherait) body in large water hose (Atsuko Tanaka) sculpture in the artifact character product view
+Performance as installative collection cf.: LKW Space becomes a site of traces (LE) (Brus, H. Nitsch, Monty Cantsin, C. Kolig,
(Robert Jelinek) Picture theater – fine artists sculptures (Pawel Althamer)
motion the performer creates a picture – productive art
(in the variation: overflowing (cf. Relicts and Sediments) C. Langenbach) of the 20th C. as theater reformers Skip, the act – is the art work
+Performance as curiosity cabinet to total life)
Surrogate
From Appearance Thinking to Traces Thinking see also:
Mimicry of Life
(book: Peter Simhandl) (self-exhibition) minute pictures Living Sculpture and living art works
is part of the picture comparisons: absent bodies
cf. agit pop 60s (Erwin Wurm) (Category 05 according to M.-L. Lange) Gunpowder Performance
+Performance as "total" installation highly semantic spaces
painted with blood
theater of pictures
2 Performers at great height on
chairs on the wall living sculptures humans as sculptural objects (Cai Guo Qiang)
A performance is supplied like a commodity.
The Black Market actions are still very close to this commodity
(2) Photo (Bob Wilson, Laurie Anderson) (T.R. Uthco: Doug Hall & Jody Procter)
+Performance as installation construction of the desolate Performance with food (Paisan Plienbangchang) (Y. Klein, Giuditta Tornetta)
persons over 65 high on the wall Painting Bodies:
character (BN) ASA should be more free and floating.
dance with large (Paul McCarthy) subsequently rubbish (Surapol Phanywatchira) Performance projections as theatrical (Angie Hiesl) human living Saburo Murakami,
work actions / work demonstrations
staged photography Kazuo Shiraga, Literature:
rubber bands productions (color, light, sound, (Franz Erhard Walther) work emerges through use
(Esther Maria
material recycling: rubbish & the desolate
(Paul McCarthy)
mounds of earth, earth and sand islands
(Darryl Sapien, Gutai)
(B.J. Blume & Anna Blume) (Hannah Wilke, Pierre Molinier,
mirror, prisms) (Milton Cohen)
sculptures sculptures Shozo Shimamoto,
Yves Klein, cf. also Udo Wid & E. Wurm Pia Müller-Tamm & Katharina Sykora (Ed.)
Häusler) large images via illuminated (Cindy Sherman) Tatsumi Orimoto, Jared Bark, The visual versus the verbal (PSi7)
(Hannah Frenzel) Walter Pfeiffer)
Claes Oldenburg, Puppen Körper Automaten –
rolling in material (grass, dirt, ...) windows with residents' (Gilber & George 1969) (Eva & Adele) Jim Dine, actionist painting
Phantasmen der Moderne (book)
dressed in foil
(Paul McCarthy) rolling in
mud: participation
(Pierre Keller) (G. Brus)
(R. Schwarzkogler)
(Joa Selin & C. Ranzenhofer)
(Arnulf Rainer)
(Sowa)not an observing stay, 18 view of the picture (Colette) (James Lee Byars) (Thomas Niggl)
(Timm Ulrichs 1966 „first living artwork“)
Nam June Paik, action form /vs/ (Gutai => George Matthieu) (Yasuo Sumi)
(Shanna Noyes) (Sadama Montanaga)
Painting and Performance
Theatralizing Ric Allsopp & Scott deLahunta /
work form (F. E. Walther)
+Performance as sediment (Lambert Janssen & Urs Küng)
(Illka Juhani Takalo-Eskola) (Pawel Althamer) (cf.
Clickscape by the Stadtwerkstatt)
but a participating stay
(Christian Boltanski)
(Peter Greenawy: 100 Objects ...) (Richard Long)
Paul McCarthy,
Ana Mendieta,
(Bauhaus) (Emilio Morandi)
painting The Connected Body ? (book) !
woman in foil (Hong O-Bong) Performative-temporal character crashing head against (Muntean/Rosenblum Steir. Herbst „why die?“) painting actions
+Performance as material collection wrapped in transparent film (Miriam Steinhauser) accidental of picture genesis (Phil. Hubert Sowa)
(Fabrice Gygi)
the wall (Ralf Berger)
(Egle Rakauskaite: Honigmulde)
Shigeko Kubota,
Stuart Brisley,
action (Barbara Heinisch:
kissing walls – imprints
RESEARCH – Industrial culture handbook
(Tetsunori Kawana) danced pictures) Olaf Arndt & Johannes Kockel (Ed.) /
Performance as counter-concept to "representation" (jumping cars) Polaroid events DressWorks: every "dress" performative aspects
Janine Antoni,
Rachel Lachowicz, expressive action painting
painting (Joel Hubaut) (Ella Tideman) RRM Dieser Wahnsinn muß ein Ende
(Leo Schatzl) (a´ battery a“ : Chrigg Perren, created in conjunction of photography (Herbert Blau) Cheryl Donegan, face imprints (Goji Hamada) haben - Maschinenperformances 91-92
Vänci Stirnemann, Fritz Franz Vogel, Posed performances as starting point:
with a performance The "happening" Keith Boadwee, (Group: Hejettes Szomlyazok)
image concepts Victoria Zappata) (Katja Hergenhahn)
(Urs Lüthi) Nigel Rolfe
Schneemann,
(G. Brus, O. Muehl, H. Nitsch,
painter as actor
ars electrocia catalogues
traces – foot stamps movement was Jochen Wüstenfeld &
R. Schwarzkogler) painting battle see also: gestures prix ars electronica catalogue books
Thomas Werner McCarthy (Penis)
(Günter Saree) performer acts in essentially carried gestural painting (Michael Burges) Martina Leeker (on extended perform.)
PerFORMance Ingolf Keiner C. Kolig (anal)
performers wear black painting as crucified a picture (Miranda Payne) FormAnce (2) by painters (Parzival (Pörsch)) Heinrich Lüber Elsbeth Böninger
pictures drawn/ painted with the Surrealistic a.p. (ecriture) see: gesturing bodies Martina Leeker (article) / zur Zwiespältig-
costumes – like figures woman (Natascha Fiala) Live art Ken Unsworth Arai Shin ichi body (Carolee Schneemann) (Pollock, COBRA, Situationists, Lettrists,
shadow plays (B. Nieslony) (Claes Oldenburg, Manzoni, Klein, Spur, Egon Schrick, Barabara Heinisch) keit von performativen Künsten und
from traffic signs K. Rinke see: Painting Bodies
(Yvette Helin) (Jim Melchert) (Gelatin) Jim Dine, Al Hansen) digitaler Technik
(Anet van de Elzen) body between foils performance as highly semantic active "work" with art objects – process of a Object theater also opens artist as engineer and behavior scientist Kerstin Evert (on Stelarc)
"under pressure" image-generating action (s.l.) acts (cf. highly semantic spaces) attracts sculptures in its wake sculptural up new theater models kinetic (Eve Bhend &
Jörg Köppl, dolls as forgotten
(time´s up, Tim Boykett, Udo Wid)
Archeology of the Future (PSi7): J. Birringer,
(Hanna Frenzel) (Jerzy Beres) development between installation, kinetic Mechanics of stimulation - stimulation dispenser (C. Kolig) Helen Paris, Leslie Hill, Tomie Hahn, Marina
sculpturally tied cf. Tableau Vivant: body exhibited next to other sculpture (2) Gordon Monahan) people, family machine,
(Janusz Baldyga) object art and landscape
bodies (Maria Pohland) performance as imitating 18th C. paintings artifacts (James Luna) Grzinic, Scott deLahunta, Jörg Sonntag,
Living paintings entanglement with hoses art (LE) execution machine (Kantor) "Performance" of
+Performance as work living pictures
(Stephen Taylor Woodrow – tennis ball machine
(A. Schubert & Dieter Pütz)
Techno-hybrid software and processors
Yacov Sharir
Yvonne Gaudelius & Charles Garoian / (PSi7)
prelinguistic picture hanging on the wall) clay pigeon tossing machine appearance of geometrical, machinic technically transitional objects:
+Performance as sculpture dependency tosses glowing clay pigeons
tosses glowing balls
(Valentin Torrens) structuralism of postmodern dance
digital
environments infiltrated bodies
Performances
(Monika Fleischmann)
extending the self
in the machine when the subject causality machine
Machine/Meat: Abjection, Romanticism
and Identity
+Performance as image-generating action performance as picture set (Stadtwerkstatt – G. Lindorfer) (2) robot (Cunningham) tends to become thing (Sandor Doro – Sándor Dóró)
M. Beatriz de Medeiros / (PSi7) Telepresence
in motion (Judith Haman) performances Diverse ars electronica projects Extended bodies unleashing identity
The picture behind the picture (in front of the picture) Bio-mechanics machine performances artist in Machine and body
(knowbotic research – simulation space) extendable bodies
extended in the machine
automated personnel
(Artaud): and Performance Art
(Boris Nieslony) Mechanical Dances (Julian Knowles) robot-like (The Shadow Machine: (people as though controlled with invisible wires)
the (linguistic) image pictorially oriented actions Theater of objects, entirely Dancing automatons appearance
(„Wall Street Performance“ /
Peter Courtemanche, see: machine view, TV view, performances
Unnatural bodies Momoyo Torimitsu) (Stelarc) Ken Gregory, Carol Sawyer, acoustic view, etc. Prosthetic bodies unleashing the body through
wants action (BN) without human actors, Mechanical ballets (M. li Antúnez Roca)
interactive video see: Material "machine": (Jim Whiting) Alvin Erasga Tolentino) (Stelarc = Stelios Arcadiou)
unmediated connection to the machine
theater with technical devices Bio-mechanical exercises dancing machines robot theater
performance prostheses, hinges, models telematic sculptures /
digital performance and machines (SRL) (LE) machine theater
(Christin Lucas)
object theater Re-assembling a B-Car machine sculptures Live TV with telepresence – implications for performance of the
prix ars electronica
cf.: (time´s up/Just Merrit) turning bodies into machines On the use of the performative
as Performance mechanical sculpture remote controlled over media and emerging world of cybertechnology
electronic performance (Chip Flynn, Liz Young)
(Futurists) performance of
Interactive art (Space violins: Jon Rose) music machines / sound machines (Chris Burden) 1000 km (Stadtwerkstadt) in digital environments techno-body cf. also body view – robotics
(Jim Whiting) machines Cybersex
computer (time´s up, Joe Jones, Scot Jenerik)
(Matt Heckert)
Tele-Existence (Stelarc)
machine tools with a life of their own Performances Tactile
EEG-Experiments
bio feedback mechanisms
physical view (of achievement) AI research / AI discourse
(Bruce Gilchrist, connectionism
performances (The Users: Symphonies for
fighting machines self-experiments with machines (Bruce Gilchrist)
sculptures (see also: tool view) satisfaction and Udo Wid, Horst Prehn)
(spin sphere – time´s up
Dot Matrix Printers) (Leo Schatzl, Franz Xaver, SRL boundaries of the human body (Just Merrit)
view of objects
scurrilous machines of
torture devices
Just Merrit) achievement view cyberdiscourse / cybertheory
(Bruce Gilchrist u. Jonathan Bradley / Stelarc) Survival research laboratories love and death (Kantor) (C. Kolig) net discourse
Performance as machine theater (Mark Pauline, Bram Renstorm), Cindarella in a Dragster cf. "fake" amputation robot technoscience and cyberculture
machine: stream of fire/stream of water
(Erik Hobijn)
Peter Zegveld, Mark Heckert, Eric Werner) (Suzanne Lacy)
(curator: G. Hattinger)
17 machine view driving around with window-cleaning
equipment (Christoph Rütimann)
(fictive: John Fare)
ritual machines
(Rebecca Horn)
finger-fan performance
(Linda Christanell)
17 body extensions
 celebration most physical art laughter reveals hidden
fundamental fears
logic of joy carnival as testing bed playing with identity Concept of carnivalization
17 carnival view see also: identity view game moves with tremendous role plays (s.l.) 17 playful view play theory
of laughing: the joke performativity (Lit.: Lyotard)
Performance as play art (2) for new cultural and (Lit.: Mikhail Bakhtin / Bachtin) games (3)
view of playing language game approach (Wittgenstein)
body language jokes silliness Laughter becomes chaotic social structures carnival – the place view of laughter culture free play (see: Improvisation) playing and humor
see also: Fluxus postmodern views
exuberance in carnival laughter community (G. Brecht) anthropology (of laughter)
irony and humor ritual clowns annulment of hierarchical for working out playfulness and fun culture The human being becomesfree play with materials, objects, Meta-communication (Bateson) (Ralf Samens,
(Bartolomé Ferrando, Rainer Aring) (Pueblo Indians) relationship (of noncarnival life) time of impossible view of nonsense playfully devoted to chaos body movements, action locations Psychological frame Ben + Sam, performance is playing
gloating human in playing Ross Sinclair,
(Marlene Madison Plimley) (Gelatin) (see: release view)
carnival – the place connections Udo Idelberger)
exposure jester's body with mimicking game rules (of art) playing as the essence of culture reality as practical
(Sowa)
for working out cathartic games (see below.)
gestures, pointing, masquerades (cf. view of destruction) culture as a game (Lit. Huizinga) materially unproductive, execution of life (actus)
gaining influence over attitudes DADA (2) play drive musical score as game rules (s.l.) rule-based, ,...
playing with frameworks playful insight playing as a joint praxis
and interpersonal relationships effectivity/rituals /vs/ purification Literature:
carnival of thinking more game than battle (cf. context view) of suspension
(Tadeusz Pawlowski) entertainment/theater (cleansing) liberation from (Performing Resistance) (Schlingensief) genuine /vs/ play (in comparison to theater) Spielregeln der Kunst (series)
(R. Schechner) (ridicule of other directions of thinking) (see also
liberation religious and in relation to the performer's use of the body Eric Berne / Games People Play
sexual taboos play of locations in relation to the role of the "viewer" sports view)
desire for presence, physicality, reminder of what is held in collective consciousness (see above.) Roger Caillois / Man, Play, and Games
logic of joy cf. knowledge
Performance as observation sensuousness, material experience common (among people) sex education (AIDS)
(Jean Dupuy) the mental network (BN)
pleasurable play as passion
modified (card) games Performativity Johan Huizinga / Homo Ludens (book)
(Bernd Schulz) therapy function the network of intentions event society (Robert Filliou) of netgames Vom Ursprung der Kultur im Spiel
(Hortensia Ramirez R.)
Performance as spiritual exercise Theater-anthropological thesis: Bipolarity is not found "Shaken" by: enthusiasm, insight,
outdated concept of effect
aesthetics superseded by the science on and and game culture V. Flusser (homo ludens) various articles
between ritual and theater, but rather between the fascination, shock, excitement, confusion (LE)
disruption, shock for people (B. Nieslony) experimental Victor Turner / Vom Ritual Theater. Der
as consequence (Kees Mol) aesthetics of the performative
parameters of effectivity (in ritual) and entertainment exposure temporary panic, self-experiments table football championship (Raoul Marek) Ernst des menschlichen Spiels !!
constrained thinking: negative computer game rules (Markus Hensler)
(in art) (LE) shame dizziness (Lit.: R. Caillois) Gregory Bateson / A Theory of Play and
feelings like anger, fear and computer games (Paul Demarinis)
act/effect realized in being embarrassment (Peter Land) (BN) vertigo (Milica Tomic & Róza El-Hassan) The allotropic = the purest thought of constraining thinking processes Phantasy (Essay) !! Important concepts
mourning, also revulsion and
dealt with (H. Sowa) chagrin alchemy; does a process of insight need (sabotage – Robert Jelinek) participative research (performative) to performance theory
shame have a specifically
cheering political, social consequences agitation, impotence 20 years or can an event create it in a vs. observational "standpoint" artist as (participative) Erving Goffman op.cit.
touched, moved divisive, distancing effect on
entrancing (see political view) as consequence second behavior scientist Mikhail Bakhtin (concepts of carnival and
soiled querying key experiences cognition thus connotated (U. Wid, A. Fraser, Gina Pane)
entertaining enticing senses up-set (BN) every insight is only possible dialogism) -> Julia Kristeva
emotions The 8 rasas (non-commonplace emotional states), disquieting B.M.: ... certain states of knowledge
through action / Hans-Georg Gadamer / Die Aktualität des
mourning that the audience experiences through the art of the performer (W. Pfaff) mental chagrin (B.M.) perturbing (theatrical) research work: cannot be held down
put into (Hans-Jörg Marti) knowledge is a matter of doing (Grotowski) artistically autonomous Schönen. Kunst als Spiel, Symbol u. Fest
a trance outrage legal frightening knowledge about oneself ... research work (Hayley Newman) TOYS´N´NOISE (catalogue OK)
Performance as "spiritual exercise prosecution insight Performance aims to provoke dismay, fear, anger, Understanding a situation real-physical investigations Bachtin
(Lit.: W. Welsch) practice exercise total irritation In the arrangement of "MA", reference system of
Performance and the idea as consequence illumination desire, anxiety, hate (Li.: J.-F. Lyotard) means ... actively grasping (Attila Kosa) J. Piaget , L. Wittgenstein, F. Schiller
(Schlingensief) (G. Brus, P. Weibel) the in-between space, this nothingness, terms Vivisection (intervention in live animal ...) curiosity interest
of expanded writing comfort insight as consequence it (Sowa) Andreas Nebelung
+Performance as originary human language (Ric Allsopp) censorship as
B.M. is a kind of mental chagrin.
deconstructivist
(B. Nieslony) system
interest logical
Barchorski u. Röcke (research project) /
cf. service view art without work,
+Performance as language Performance and writing consequence
(Karen Finley)
daydreams
but with effect (PB)
16 effect (consequence) view showing and essence of performance mental pleasure
Dramaturgie von Witz und Witzkultur in
Spätmittelalter u. früher Neuzeit
Sites of performative learning: communicating (cf. Hakan Gürses)
(Ron Athey – NEA USA) the body's performative forms
Performance as narrative Beginning in the mid-80s, language again
becomes more important in performances (often in social consequences for the field of art consequences of performances
laboratory, workshop, ... (with Wittgenstein) performativity of reading The (photographic)
picture becomes of insight
Gebauer (research) / Die Aufführung der
Gesellschaft in Spielen
cf. theater view and political context) (game rules of art) increased Why performances ? energizing and performance as Gebauer, Wulf / Spiel – Ritual – Geste
trial action Performance as performative in the
cf. service view cf: revolutionary approaches attention (de)motivating analytical session (see below) Vom Ernst des Spiels (book)
trial thinking (analogous to trial action) conscious dream (see below) performance as act of viewing
cf. political view Text Performances the function of performance effect of affect (Terry Fox) observation
see: lectures (Chumpon Apisuk) within a culture (Lit.: M. Carlson) on cognition mind shift-ing Perception as
cultural development (see below) tensed
(Waldtraut Winkler) Language Happenings Performance as construction interdisciplinary experiments performative act !
(Dominique Tronchet) a theory of language, (Emmet Williams) of meaning (in actu and in situ) open thinking Performance art emerged from
The ideas that are in function/meaning of performance actions the body is the focal point the analysis of forms of representation
is part of a theory of action (Searle) (positive feelings,
performance are of investigations (Ray Langenbach)
speech theory Spoken word performance cf. ethical view pleasurable relaxation) (B. Nieslony)
Performance /vs/ functions (interfunctions) (Abramovic/Ulay)
(Kristin Lucas)
performativity of thinking
"language planes" instead of dialogues (LE) Competence Insight comes from emotionalization interdisciplinary approaches thinking as communicative performance
performative verbs (public collective thinking)
Language as performance suffering; disturbance first of thinking in performance (dialogization; productive
strong lecture culture in: doubt
reading performances (Kathy Acker)
Hungary, Czech Republic, Croatia
Performativity of (Austin, Searle) Fairy Tale: Performance forces the system into a see: interdisciplinarity view debate) 16 epistemological view
+Performance as formational field of experiment performative tendency of performative utterance Language
Speech act as
as rightful speaking
(Grimm's Fairy Tales: Joan Jonas)
new way of functioning
analytical chilly
There is no performance without see: communication view
Performance as life-art-work (2) Preformance (John MacAloon)
all creative writing event
see also:
rationality studies
(Helmut Schober, Scott Burton)
art as knowledge system
(Kunstforum: Jean Odermatt "LKW Gotthard")
analytical philosophy Literature:
Memo-theatrical acts of meaning production / epistemology Zur Wirkungssicht: cf. article by
Experimental actions Narratively structured performance lived mental art work (PB) (George Steinmann) performative
(Category 06 according to M.-L. Lange) PreFormance Performances on: language and
Slam Poetry (Category 12 according to M.-L. Lange) dimensions of texts / meaning is acting/doing
understanding (Sowa) cognition sciences Marie-Luise Lange
strategies for visualizing performance as "theory event“ cognition theories Jill Dolan / The Dynamics of Desire:
cf. context view Performance: its relationship to voice Walking and Thinking
Exposing the physique of the voice literature (cf. ILIAS – E. Kosa) see: lecture performance Happenings as understanding as artistic research Sexuality and Gender in Pornography
Performance as a praxis of anonymity Restored behavior (Amanda Stewart)
in screaming, groaning, animal sounds (LE)
Thinking is Walking
Walking as cultural act thinking in movement quiet research form of action (Sowa) constructivism and Performance (article)
(Guerilla Girls) singing sculpture (Peripatetics, INFuG, Marvin Carlson / Performance – a critical
articulating identity Form ance Physique of the voice (Gilbert & George)
speech act
poetic text as border-crossers (Kunstf.Bd.136) ARGE Kulturtheorie, performance as
resemblance theory
introduction (book) !!
performance as starting situation (Charles Dreyfus) Stefan Szczelkun) art as investigation
in straining, Diagrams (thoughts,
Performance as memory work self-creation Performance is
Dolls, stuffed animals as
(co-)players wheezing, rhythm, Is performance a language? feelings) (John White) Lecture as
research laboratory (Chris Burden) Roger Caillois
Hanne Seitz (Ed.) Schreiben auf Wasser
emotions with regard to
(Sabine Sonnenstein) quality (Disc.) (Boris Nieslony) (Paul McCarthy) archaic sounds literate poetry Research Performance Experimentation as Robert P. Crease / The Play of Nature -
what is strange (Natalie Eberle) (Jürgen Raap) (Gelatin) (Marietheres Finkeldei)
and screams (LE)
The strange as monster Quality humans as players – 15 linguistic view performance in action
Performance (Udo Wid) Experimantation as Performance
P. Bianchi / Kunst ohne Werk – aber mit
(see below) Self-Performance-Art (PB)
playing the role of themselves speaking, singing, screaming Performance of thinking Wirkung (article Kunstf. Bd. 152)
Performativity as establishing identity The performance artist's gesture (H. Plessner) (Loidl) (Charles Dreyfus)
as a process of repeated citations gender transformation of self-presentation (LE)
anonymous performance
(Jilia Heyward, Shelley Hirsch)
(Michael Schmid – screaming naked) view of the voice performance with language(s) (Giovanni Fontana, performance artists as poet,
speech or (Hermann Bohmert) H.G. Furth / Wissen als Leidenschaft
suits (Lygia Clark) (Charles Kaltenbacher)
(Kim Tomczak) literary Joel Hubaut,
storyteller, preacher, rapper, ...
body knowledge
(cf. Eva Sturm)
Thomas Kellein / Fröhliche Wissenschaft
personal fears and obsessions cf. "linguistic turn“ performativity of thinking Helen Freshwater / (PSi7) Contagion,
attempts to establish new concepts of art performance
John Giorno, poesie d´action
+Performance as attention explore alternate selves
(Eleanor Antin)
(Ria Pacquée) (Emil Gropoz)
speech Bernard Heidsieck,
Fernando Aguiar,
rap meets poetry (public thinking) Containment, and Censorship (article)
self-exploratory (Erich Jandl => (cf. Marvin Carlson)
+Performance as aesthetic category autobiographical logic of different performance
Presentation character has
outweighed artifact character
invisibility of the author language as soundscape Andrea Saemann) performance Pierre-André Arcand,,
M return of the text Story telling techniques memorial culture
music of multiple languages (Norbert Klassen) tied to the body (cf. NLP)
Performance as aesthetics of existence performance (Rachel identities identity transfer work on the self
since the 60s (FL) living artwork (Orlan) literature (Al Hansen)
Rosenthal, Spalding Gray, actors as theme (Laurie Anderson)
hovering Julia Haywards,
(Valie Export) (Eleanor Antin)
and main figure (LE) author = work (LE) most radical form of spoken words performance (Andrea Saemann) story telling (2)
negotiating identities poetic structures (Alexis Smith)
attention (cf. trance) Laurie Anderson)
abidance in use
(2) expanded self-transformation: public suicide the voice comes performance (Gabriele Oßwald & Wolfgang Sautermeister) rhetoric
(see also: (Jean-Yves Frechette, Before there was
exhibition of Solo-Performance directly from the soul poetic theatre) Jan Swidzinski, writing, before there was
(Heidegger) the self performance Ultimate performance with (Steve MacCaffery, Enno Stahl,
Gilles Ateeu, Yves Boisvert, Hanna Barbara,
Poland: almost like
story-tellers, but theatre, there were
mirror personality oneself: (Bas Jan Ader, creative tension between emotional power of expression Adriana Zamboni)
attention as raw material (1) nostalgia (Iole de Freitas, Serge III (Serge Oldenbourg *1), voice (as emotionally controlled Stan Lafleur, Jean-Pierre Verheggen)
repetition and innovation
linguistic always relating to surely performances Literature:
the general essence of performance
Disguise as performance
(Orlan) (Yasumasa Morimura)
Joan Jonas, self-image ultimate Tibor Hajas, Petr Stembera) collective component of communication) (cf. "southern" cultures) performance real life
Eva Kosa / Ilias (masters thesis) !
Dan Graham) *1 Russian Roulette authorship Doro Franck (article) / in:
self-attention
intensifying
the body as building Publicly sympathizing in presence performance experiments with sound An utterance is performative, if it simultaneously A performance "speaks" more directly than a presentation
Performance as demonstration portrait performances
participation (after Sloterdijk) cf. disguise (Ria Pacquée) Theater (Perf.) characteristics of sound creation realizes what it designates Relikte & Sedimente
Eva Sturm / Im Engpaß der Worte
practical situative attention /vs/ Pure Performance
cf. also: masks Performance as as genuine experience sound poems speech acts Performance: concrete use of language
Performance as political phenomenon observation as
contemplative aesthetic attention
(Irene Andessner)
(Giorgio Ciam)
dandy as artist image self-transformation
(cf. self-mutilation) ritual of transition in a of existence (A. Artaud) (Carles Santos, Henri Chopin et al.)
The oral apostles
(Ralf Filges (Ralf Fölling))
performative speech act as actions J. Lacan
performance (Robert Filliou) (Jeans Group: camp performance cross-dressing model
(Susan Mogul) I am an artwork (Meredith Monk) Oral cultures are exemplary John L. Austin / How To Do Things wih words
(... imbedded in ritual situations, etc.)
Performance as political strategy aesthetics of aesthetics of existence Holger Dreissig) lesbian camp performance (role playing) authentic
crisis situation (PSi7: Transition) rebirth of life Oral tradition in
Romance countries performative cultures (FL) John R. Searle / Speech Acts: An Essay
pragmatic (M. Foucault) contemplation /vs/ (Helena Goldwater) cross-culture Performance without the performer the conference as speech laboratory in the Philosophy of Language
the living (G.J. Lischka) introverted
Performance as praxis of destabilization aesthetics stressing ecstasy invented gay camp performance
autistic (BN) performing artists view not appearing and not conducting either
screams
(Siglinde Kallnbach) Conference or sermon as form
Performance: concrete realization of Oral traditions J. Butler
the body aesthetics of the moment (cf. ZEN) identities (life as theater) Cross-dressed performance the linguistic utterance (... voice, breath, gesture, (see study: Eva u. Attila Kosa)
see: Identity (Rose Finn-Kelcey)
Performance as subversion aesthetics of presence (cf. ZEN)
(Lynn Hershman) Theater of the Ridiculous
... Existence has always already
of performance (Lili Fischer) mouth, ear, eye) ... what is personal, physical in
theater as
oral institution
Herbert Paul Grice, Strawson
Eli Rozik / Categorization of Speech Acts
Performance as communication guerilla see above transformation as drag surrendering identity ersatz performer
been tuned (Heidegger) sing-song (Lili Fischer) every act of speaking (cf. also habitus) sound poetry 15 view of orality performative theories in Play and Performance Analysis
see: Attitudes
border situations
physical changes performative constitution
aesthetic category (FL) see above
in every performance
performances 14 view of the artist (Rose Finn-Kelcey)
(Larry Wendt, ethnology L. Wittgenstein (language game theory)
(techniques of aestheticization) (Eleanor Antin) of gender identity (Nieslony) resource of attention existence-philosophical topicalization Performance as valuative Serge Pey,
+Performance as whereabouts emotions relating to the unfamiliar (green line walk –
Die Fabrikanten) aesthetics without intent (PB)
(Annette Messager)
(Francis Francine: Drag-Performer with art as a quick trick of situation (Jaspers, Sartre, Merleau-Ponty)
Performance =
achievement, as configuring J.-A. Deelder,
view of performance
analytical philosophy
linguistic philosophy
Pierre Bourdieu / Was heißt sprechen?
Die Ökonomie des sprachl. Tausches !!!
the unfamiliar as monster always also an Julian Blaine,
+Performance as life +Performance as act
Great Wall Walk (ULAY) provocation aesthetics aesthetics of horror
operation performance
Operation as performance
Warhol & Smith / Mario Montez, Jack Curties: Drag-
Performer with Warhol) drag queen / drag king author view embodiment
presence to action (BN) Jaap Blonk, rhetoric V. Flusser
(Diane Torr) Drag (Mary Noéle Dupuis) Jean-Francois Bory, language studies / linguistics Mikhail Bakhtin / Speech Genres ...
Performance as life-art-work arranging morbid (Orlan) remodeling identity As human existence intervening in an immediately effectiveofway
language
rightful speaking – Jacqueline Cahen, poesie J. Kristeva
+Performance as analytical postulate Western taboo of
transgressing beauty: curiosity
light extinguishing Identity in process Performance as memory work (see above)
(Schmiz&Drux: Alexander Schmid, Michaela Drux) Identity & Habitus model of the accident (Allan Karpow)(Stuart Sherman) pictures of anonymous in the existence of a public body (BN) performance (BN)
Diane-Jocelyne Cote,
Jean Dupuy, sonore
structuralism
speech act theory (Austin, Searle) J. Derrida !!!
Performance as celebration B.M. is an intercultural
Western "text-fixated" culture; cutting the face visual drama
machine
(Andreas Techler)
tableau event of disconcertedness par excellence people, tortured, executed
(Chen Chieh-Jen, Nieslony) laughter reveals hidden "Peintre Nato"
Paul Dutton, pragmatics/interactions and Shoshana Felman / Don Juan avec Austin
acting elected affinity (Gina Pane) Smashing lightbulbs
vivants (2) sound poetry / Cyrille Fontaine,
conversation analysis Richard Baumann / Story, Performance,
Performance as "translation" in comparison, non-western (Orlan)
„Beauty now“
visual dramaturgy Light and Girlism existential and bodily "abhorrence" that results
fundamental fears theory of self-liberation Giovanni Fontana,
sonore socio-linguistics and Event: Contextual Studies in Oral
(PSi7) absolute solitude performatively cultures appear as "performance“ (Vanessa Beecroft,
Cindy Sherman,
Phosphorescence
pineal gland performative speechlessness and comes before thinking
in the moment
bizarre piece of existence theater phoneme Bernard Heidsieck,
linguistic performance theory Narrative
(Fried Rosenstock) Living Tableau Performing Identity: see also feminist view of dread Joel Hubaut,
in the act "dialogical" intercultural Yasumasa (Ingolf Keiner) creation of (Via Lewandowsky) Arnaud Labelle-Rojoux, lectures literature studies Marvin Carlson / Performance; chapter
the art of intercultural exchange Morimura, quality of perception (Yayoi Kusama, Pierre Molinier, Judy Chicago,
distinctions fear-angst system (V. Acconci) childhood experiences, primal fears, (Henry Chopin) Jean Jacques Lebel,
performance performer training emotional influences of light Performance as Faith Wilding, Urs Lüthi, Adrian Piper, Patty Chang, Cf. Butoh literature discourse The performance of language
private performances Happening (1) audience participation
in performance (Schechner)
Matthew Barney,
perfect corporate identity / Jürgen Klauke, Katharina Sieverding, (Gebauer with
losing one's grip
abandonment panic system destructive fantasies, (Christoph Mayer A)
Alberto Masala,
linguistic turn (discourse) Noam Chomsky (competence /vs/
(Jamea Lee Byars) open end the act Leigh Bowery, (in space and through the seasons) Linda Benglis, Robert Morris, McCarthy, Bourdieu) existential meaning of angst exposing oneself drive analysis Butoh: search for origins
Joseph MacKenzie,
performance)
Intervention (2) intercultural race and Mariko Mori,
Pipilotti Rist) aesthetics of the atmosphere flood of light
corporate identity performer U. Rosenbach, Warhol, Leigh Bowery) possibility of ec-stasy completely (extreme performance) (BN)
in the depths of one's
Martha & Jenny,
Angéline Neveu,
lectures (3)
(Allan Kaprow, Tadeusz Kantor, cultural respect (BN) multicultural Performance lightshows loving people (Abramovic)
(Alain-Martin Richard) performance (PSi7) (Sonia Knox)
own existence Tibor Papp,
Identity (as) Performance as
Jean-Jacques Lebel, Wolf Vostell,
Al Hansen, Rauschenberg, Robert Whitman, intercultural performance projects
performance (Fabio Mauri)
(Laurie Carlos) Light- light compositions performance
13 identity view "translation" (PSi7) into a different
(openness / taking no position / ...) existential commitment (Min Tanaka)
Michael Rice,
Nitsch, Schneemann, Knizak, K. Dewery, (PSi7) Penetrating the atmosphere – in performance existential questions Situative existence
Valeri Scherstjanoi,
private /vs/ Alain Jouffrey, Zorka Saglova)
Performance = intercultural dialogue (P. Jacomella & M. Walther) (Adrian Piper) Performance (Nan Hoover)
flow – experience
area. After a P-phase, artists are (Pane, Brisley)
(Sowa)
Cesar Figueiredo,
What is art and what is "reality“? light music (Petra Deus) as carrying out action Enzo Minarelli) DADA
public the art of the act (Black Market)
ethnicity and intercultural
intercultural transformation
(Translation Transition Transformation – PSi7) (Harrie de Kroon) (Rolf Julius, Christian Möller) person marked as gender- often active in other fields.
being a person among Your presence
performative action hermaphrodite periodic performative see: Performance as life
postdramatic theatre
performance theater intercultural collaboration (PSi7)
the enflamed aura (Fen-Ma Liuming)
tainment (2) intensities (instead of works)
opening oneself up to the experience people (BN) is the best work
the conference as There are no repetitions,
story of happenings (LE) life of the act ethnic performance culture politics as (charisma) Animotion Performative of intensive presence (Petra Deus) Counterpart to energy:
only situative presence
LKW (2) (James Lee Byars)
without intentions aesthetic (H. Seitz) (FL) Art Attack flattening emotion – slowing down,
telling (1) Activity – Frames of
(Guillermo Gomez-Pena, Laurie Carlos, core of performance (Stefanie Wilhelm) re-auratization
(Lynn Mc Cary,
gathering for moments (religious) rapture / ecstasy pasty appearance, flabby muscle tone,
art of life see: aesthetics
meaning is taking action = "taking in Jessica Hagedorn, Robbie McCauley, Coco Fusco, (Charles Garoian) basic state of in performative art of intensity Being – as performative practical Act (Sowa)
act forums mind (Kaprow) Shirin Neshat, Lorraine O´Grady, Reona Brass) Evan Hughes, quiet voice, cold skin, dull gaze of existence
Poles: often related to acting/doing (Sowa) hand" calmness aesthetic of performative art Excess, the Suspension of the familiar Practicist concept of being (with Heidegger) interplay between
one's own life (giving existence "a hand")
Asian ideas category of the "in-between" as guiding category Alberto Gaitan) (BN) The energetic sum: moment of delirium aesthetics & existence (PB)
(Foucault)
the act ego boundaries, close to psychosis, Politically motivated
for an aesthetic of the performative aesthetic action Emergence (higher plane of being), (McCarthey)
without an emotional push there is no action in both the ecstasy of love and self-immolation as performance?
(PB) Life – an instruction art action B.M. is a principle with
against discrimination aesthetics of living places
not conducting secondary discourses
religious ecstasy (unio mystica) (Jan Pallach) Seppuku (Yukio Mishima)
To analyze performance as the primary reality
space of action irreducibility of ethnic-cultural dimensions beings from another world displacement of the dominance of the visual (sense of sight) (David E.R. George)
manual: because of cultural differences energetically putting oneself into a Levitation (canceling Performance as a model of existential reality
Life Performance the practical (Mariko Mori) deep play /vs/ (2) Neurotic Rituals – in the tense and life-art as self-experiment
the book of gestures (G. Gomez-Penas, James Luna,
perception politics aesthetics of life practice Samurai (Charlemagne Palestine) – gravity)
(Abramovic, Ulay) (Jochen Gerz) performer takes Adrian Piper, Tim Miller, Holly Huge, 12 aesthetic view / Hagakure: in praise of energy (Mishima) shallow play intensity of a hysterical psychosis (Terry Fox)
relaxed
view of real experience
sleeping pills – audience has to action encounter (2) Robbie McCauley) (Elvira Santamaria)
east art / west art Performance as an (em) bitter(ed)ness (Geertz) (Reindeer Werk) fundamental state of being (Helga Moehrke) existentialism
react (Ma Liuming)/ Communitas aesthetic category visual view / light view hardness Disquieting and renewing see:
Performance is based on the
the art of existing (Monika Günther
life art Gestures (2) sleep pieces (Geoffrey Hendricks) media presence for political issues (Schlingensief)
real action as taking strictness energy (Ric Allsopp) hand generated light the enflamed aura
presence of acting artists
& Ruedi Schill) 14 existential view (primacy of action)
existential philosophy
"let's do some action" Performance as an aesthetic pragmatic ethics and aesthetics to exhaustion (Richard Alpert) (charisma) search for the (Sompong Thawee)
on the drip with sleeping drugs (Holtappels) Performance as a meeting subjectivism debate
bed in (for peace) political effect (with Rorty, Shusterman) (H. Sowa) completely expending oneself presence aesthetics perfect Now (moment) see: life-art-works
interrelationships of the recipient as of different cultures (Yoko Ono)
phenomenon (as aesthetic technology critique (Gina Pane) (McCarthy)
taboo violations (2) Artaud: to be as one (James Lee Byars)
(Colette: declared the haptic stimulations (Abramovic/Ulay, Minus delta t) The performative category) see above (Fake shop – (Reindeer Werk) (Denis Oppenheim) Performance is
life are declared course of her life an (necessary) witness Cut piece configuration (of presence) neo-existentialists
(Yoko Ono)
(Fluxus) (discourse control through taboos) performance as indoctrination model Performance-Installation) condemned to be burned (Marina Abramovic: dance to present see: most sublime moments of (@Home)
art art work) organic material
garbage delivery ability to act (Ray Langenbach) and making signs from unconsciousness) (Marcos Kurtyz)
physical presence audience and performer participate
Touch and Feel Cinema (Valie Export) war victims Aura (air, breath) as what is up on the stake (Dorte Strehlow: dragging sack) in search of the
The performer as avid voyeurism of performance performance (Mona Hatoum) in the same energetic space energetic observation of
(V. Export, Lydia Lunch, Rachel Rosenthal, Body Contact (Schechner) censorship (Tania Bruguera) forgotten in humanness (D. Mersch) (Melati Suryodarmo: dances,falls, ...) authenticity of experience
recipient of an exhibition cf. identity view political theater total overload (Stuart Brilley) psychic processes
Elke Krystufek) Touches (Franz Müller) Political Performance
life (Tomás Ruller) (Performing Identities – PSi7)
There are as many performance extreme performance building up intensive energy fields (psychic energy)
(Adrian Piper) Animal ritual cage situations see: (Rolf Langebartels)
(as topic) (Padang Ilalang Group) aesthetics as forms of living 20 performance-meters (Text: Lischka)
the untouchable pleasure of grasping /vs/ touch prohibition (Bradley smith) (Bonnie Sherk,
contemplation /vs/ (Julie-Andree Tremblay) Intensity and energy:
playing with the audience's
attention no distance (Franz West – pieces that should be experienced with the body)
(Kathrin Butt)
(Michelarcangelo De Luca)
view of world view art propaganda or language games (D. Charles
with Wittgenstein)
human as dog Gómez-Pena & Fusco) become a marathon
(Albert van der Weide)
ecstasy energy drawings of performances Vital works: Abramovic/Ulay
(Oleg Kulik,
(Giuseppe Chiari) (desire for touch) political climate:
see: uninhibited
(Morgan O´Hara)
energy dialogue
(Mongkol Plienbangchang – Ethics is the Aesthetics of the Alexander Brener,
testing the audience's Performance with (dead) animals
posing with the reactions Recipient- viewer in the role of the U-kabat-Group) 11 political view / with regard to
aesthetics /vs/ ethics
Few (ture) (Laurie Anderson) Peter Weibel)
(V. Export, Siglinde Kallnbach, Werner Klotz (snails),
emotions are the central
suppliers of energy
performances
see: attention experiencing the greatest possible intensity:
Performer performer (in complicated performance in as goal of the performance
camera (Ma Liuming) (see: borderline situations)
(La Fura dels Baus) technical installations)
cf. body as medium
(Performing Resistance – Vienna)
intercultural view politics
cf. Wittgenstein
Ethics is the aesthetics of the future It is not possible to speak
Via Lewandowsky, Alastair MacLennan, H. Nitsch,
R. Schwarzkogler, Otto Mühl, Zbigniew Warpechowski, intoxicated state energetic
(energy field as centered
attention) (Peter Stembera)
(Chris Burden) (V. Acconci) Mark Tomson/Thompson (work with bees), parallelisms
audience in the completely surrendering to (RoseLee Goldberg with Lenin) about ethics (praxeology) Stadtwerkstatt (bug race), Zitronenfalter (Brook), escalation begins with (Morgan O´Hara)
Inge Broska Performance culture as naked performance by the "audience" organized political revolutionary
Hans-Jörg Tauchert victim role the visitors (Marina Abramovic) through private ads (Spencer Tunick) (Canada) Performance ethics = action (performative) Attila Kosa (taxidermist), Paul Kos (Trophy), one´s own body Performance as the production
Jürgen Olbrich hotbed of a new (Hermes Phettberg) (Julie-Andree Tremblay) approaches situative production Josef Beuys (coyote, horse, dead hare), J. Kounellis (horses), (Engelmann) see: the brutal
thoroughly pseudo reception art be-holder (in actu) maneuver, sit ins manifestation manoeuvre as social, political
G. Duintjer (horse), Bender&Nern (horse), of an energetic body
cf. view of the field
Boris Nieslony black strategy Core of a performative ethics and aesthetics: Arnulf Rainer (Painting Performance with Monkey),
Ulun Michael Steinke view of behavior The ritual does not distinguish performance intensification of life with all its capability for Stephan Us (dead sparrow), Elisabette Mileu (fish) Emotion as a form
see: view of destruction passion
Reindeer Werk: unmediated reference to the between audience and postprop- expression, perception and pleasure (H. Sowa) Pascale Grau (ladybug), Bonnie Sherk,
of social energy energetic view
Lebende Vorhersage – audience as essential agitprop Happening (2) Tatjana Ilic (bird in mouth), Marco Ivaristtis, life: intense, burning, communication aesthetics
The Prediction 79-82
characteristic of the 10 recipient view / performers
agit prop agit pop On the ethics of the deed – Hagakure
Kim Jones (Rat-Burning), Ella Tideman,
infernal spectacle sociology (Bourdieu)
action arts tactile haptic view
Interpassivity (theory) Markus Schwaighofer, Walter Stehling (dog),
Ramiro Oviedo (snake), Hélio Oiticia, Psychical energy (Tibor Hajas) 13 intensity view identity discourse
agit-lecture audience participation (Yukio Mishima)
lie as performative act Carolee Schneemann (snake, fish, chicken), (Stuart Brisley) performativity views
DADA, Futurism sense of touch agitation & propaganda Interventive actions of Kaprow (chickens), Rafael M. Ortiz (chicken destruction), feeling of "power" thinking and acting postmodern views
important parameters of p.:
09 everyday view and Surrealism
Experiments with the audience (Dan Graham)
(Marxist, Leninist) (Sonia Knox, public life Ethics of catharsis Mark Boyle (insects in the throes of death),
Learn where depends on the energy in intensities (BN)
seek mental, (Viktorine Müller (vacuum-packed audience),
(Bruce Barber) Elisabeth Chitty) (Ray Langenbach)
(Marcel Odenbach) (U. Rosenbach)
action social requires participation (LE); Simon Whitehead (tracking animals)
the meat behind it
identity of the subject
psychical-psychological Mike Hentz (enclosed, shackles), engaged
and even physical Nikolaus Urban (locked in, stabs),
direct art (organic) decay (Marcella Bienvenue)(Chris Reinicke) movement
(cf. projects by IRWIN)
performance
transfer qua awakening of
Cf. animal performance (circus)
comes from
Club Moral
Freudian concept of sublimation =
uncontrollable (Suzanne Lacy) transformation of libidinous energy
agitations attacks on the V. Export (whipping), decomposition (Kosa)
"a" battery "a" social activist emotional reactions (Danny Devos & Annemie
into different types of processes
Jason Lim (beer rain, flour rain), political actionism Van Kerckhoven)
audience (LE) Markus Hensler) psycho-physical The Prediction performance (fear, revulsion, alarm) philanthropy Fears for the dignity of
see: view Büro Berlin politically motivated actions
(Mary Bauermeister) attacks the human being in delusion
re-enacting everyday nauseating material battles ASA-European actionism in parliament Aktivismus / Activism When Abramowicz
of playing dignity performance (Zofia Kulik, Przemyslaw Kwiek) (Rolf Hinterecker)
situations directness Rent An Artist, Prediction symbolic actionism (PB) (Chumpon Apisuk, Arahmaiani (A. Rahmayani)) presents herself to the visitors ...
Theater of Black Market International perception must turn into an
(as central quality of performance –
STOP.P.T. Shan – discipline of attention event aesthetics ethical equivalency
The great American (LE) emotionally in comparison with communication disgust view perversion (LE) experience of responsibility
worker (Francis Brown) games unmediated through media)
Performance Networks
Situationists, Lettrists
performance as demonstration (see above)
(Milan Kizak)
(Zygmunt Piotrowski - School of Attention) as ethics (GANG ART)
terrorizing radical "Polis Performance“ (Matthias Schönweger) politically intended actions mental situation
disgusting performances nauseating smell (Else Gabriel) IRWIN, Lidl Akademie Performance as attention (see above)
performance is playing pain performances Chris Reinike resistance movement and performances
(Ralf Samens) performance as subversion (see above) (category 13 according to M.-L. Lange)
helplessly exposing oneself to the audience nauseating abjects Rasa Todosijevic protest movement, sit ins
(Janus Markus = J. Markus-Barbarossa)
attention as raw material (2)
ritualizing "participant" (Wolfgang Flatz, Abramovic) sadistically tortured performance as destabilizing practice (see above) the general essence of performance
taboo topics ecological political responsibility
(staging) as actor (Hermes Phettberg) strictness
child abuse Art and Revolution performance performance (Z. Warpechowski)
emotions dealing with Taboo (Rosa Galindo, Pedro Garhel, (P. Weibel, V. Export, O. Mühl, G. Brus (Esther Ferrer,
coerced performance the taboo PIM performative indoctrination model The ethics of giving Elvira Santamaria)
B. Nieslony) UNI Vienna 1968) see also: political view
of life
taboo violation/taboo breach
shame guerilla (Ray Langenbach) is performative (the event as gift, aesthetics as art theory
The gift as event must be irruptive, aesthetic discourse
(culturally determined) Performance as provocation actions for the life of the earth
mimesis and (Tibor Hajas, McCarthey) (Fluxus) art (Else twin Gabriel, Micha Brendel, (Ulrike Rosenbach) unmotivated – Derrida) 12 ethical view art theory / morphology
showroom /vs/ space to act (autoperforation artists: Micha Brendel,
taboo materials anarchist approaches
imitation Else Gabriel, Rainer Görß, Via Lewandowsky)
see:
(Charlemagne Palestine)
Via Lewadowsky) perception theory
(Robert Hartmann, Extremity in (V. Export, Lorraine O´Grady: Performativity of the procedure debate on the sublime
(Schlingensief / What else could be violated?) performance Pro-Vocation - calling
Werner Reuber, (minimal public distance) the emotional Guerilla Performances) Eva Seanto feminist lesbian already replace (acc. to Luhmann) the aura debate
Ulrike Zilly) arrested theatrics dream illustrations demonstrations rage-anger system Ulrike Rosenbach
sphere hellish bodies: horror worlds: guerilla theatre (Guerilla Girls) Feminist Art Workers narrative performance normativity of laws (Lit.: Lyotard) revulsion theory
living tableau (Eleanor Antin) Simone Forti
electrical shocks, unbearable noise (LE) Feminist Actionists (Nancy Angelo, Laurel Klick, Deborah Hay performance communication aesthetics
(Alex Mlynarcyk, dream theater Expressionistic and Cheri Gaulke)
(Carolee Schneemann, Elaine Summers performance studies ethnography
(the Surrealists) self-exposure
Colette,
Luigi Ontani,
Tableaux psychological interests being tense together (2) Joan Jonas, Ann Halprin) Trisha Brown
Lucinda Childs
rape scenario
(Viennese Actionists) body as material (see left) (to break the code of silence)
Johan Lorbeer,
Claudia Triozzi,
Vivants Sadomasochistic self-poisoning (Heli Rekula) feminist actionism Political women's movement Alison Knowles
Charlotte Moorman
(Ana Mendieta)
Myriam Laplante, Performance: (originally. V. Export & U. Rosenbach) Performance art In reality of rape
Angelika Festa
Faisal Abdu´Allah) cf. living environments (Bob Flanagan, zones of dis-rupture body=social construction=transfigured nature (Sandra Orgel, Aviva Rahmani)
(Kees Mol)
(living pictures as in the baroque era) excitement Sheree Rose)
/vs/ material=body=nature
(Paul McCarthy) Queer performance is a
(Mike Parr) destruction actions emotions in the battle of
emotional space / (category 07 according to M.-L. Lange) (W. Flatz) gender surfing (playing with paradigm of feminism itself
(Da Blunschi) the sexes
space of feelings symbolically directed against civilization gender roles) gender: a category constructed through performance
(ritual double genderedness – shamans)
prediction (1) Performance = what
(Wolf Vostell, G. Brus, O. Mühl, R. Schwarzkogler)
(not a given social or cultural attribute) gender = a "doing“
the emotional as a man/woman dualities analysis (Elena Ferrer)
moves us: goals, performativity of feelings (John Duncan) gender (in) performance freeing buried female potentials (Mileva Josipovic)
fundamental position rage and hate as motivation
living prediction emotion, dreams, What touches us ?
violence as critical
gender- Performatively generating
(T junction) Black cultural theory
(Reindeer Werk) fears, relationships see also: identity view cultural criticism
B.M. Micro-emotions are emotional force of performance array of instruments destruction in art tainment (1) gender & sexuality
feminist studies / feminist theory
mourning
public celebration the tools of taking action
celebration (fire-eater ...)
performance
(Hans-Jörg Marti)
logic of anger, rage and (Kees Mol => Nieslony)
aggression poetically destructive Feminist view (Faith Wilding, Suzanne Wilding, Valie Export, m gender studies
anthropology of gender
Martha Rosler, Barbara Smith, Marie Beth Edelson, Linda Montano,
art (1) controlled performance as exorcism (see above) brutality as a Yvonne Rainer, Suzanne Lacy (Lazy) & Judy Chicago, Yoko Ono, cultural history
transition of theater to a celebration (LE) facial muscles destruction in art symposion DIAS (1966, ...)
(Huge Harry)
fundamental position (O.Muehl, H.Nitsch, P. Weibel, A.Hansen,
Eleanor Antin, Hannah Wilke, Shrin Neshat, Amanda Heng,
Carolee Schneemann, Betsy Damon, Leslie Labowitz, Martha Wilson,
feminist postmodern views
life as a celebration (invited to the table) postcolonial theory
ceremony EEG-measurable: hunger,
self-experiments with psychopharmaca
Gustav Metzger, Susan Cahn, John Sexton,
Kurt Kren, Vostell, R.M. Ortiz)
Lydia Schouten, Fumiko Takahashi, Diane Torr, Split Britches,
Anna Deavere Smith, Nicole Croiset, Karin Anarchia, Anna Dancikova,
performances (Game Rules of Art)
fear, anger, mourning, joy
art (1) (Marina Abramovic) Taro Ito, Tina Keane, Anna Paci)
performance as analytical postulate (see above) aesthetics of destruction / deconstruction
extreme situations
ceremony venting games
dramatic self- mental and physical burden poetry and destruction Literature:
inflation of (Chris Burden) (Barbara Sturm) (Vasan Sitthiket) Literature: Literature: (... continued) Literature: (... continued) Literature: (... continued) Literature: Literature:
(see: encounter) expression Theatralisierung des Politischen (article) Performance as an aesthetic category Literature: ( .... continued)
banquet self-expression (G. Brus, A. Rainer, mental boundaries (Stuart Brisley, Sue-Ellen Case and Jeanie K. Forte (Ed.) Jill Dolan / The Feminist Spectator Peggy Phelan / Unmarket – The Politics Texte zur Kunst Sept. 1999 9.Jg. Heft 35 Kunstforum Bd. 150
performance as celebration celebration of psycho-physical experience of primal excess G. Rauinig / Wien Feber Null (book) (edition of a performance journal) Doris Kolesch / Ästhetik der Präsenz
(Tamar Raban, Raoul Marek) V. Export) Geert Duintjer) Performing Feminisms: Feminist Critical as Critic of Performance (book) Notes on Camp / Susan Sontag Zeit – Existenz – Kunst
celebration culture (Stadtwerkstatt)
naturalism (Otto Muehl, H. Nitsch) (H. Nitsch)
Geraldine Harris / Staging Femininities. Dwight Conquergood / Performing as a Mattenklott / Präsenzästhetiken
Theory and Theatre (book) Michelene Wandor / Studies of British Sue-Ellen Case (theorist of feminist perf.) Kate Davy / Fe/male Impersonation: Peter Gorsen / Der spielbar gemachte
(Werksküche: transpublic) emotional turn (following cognitive turn) Performance and Performativity Moral Act: Ethical Dimensions of the Mattenklott (research project) / Kultur des
psychical border-crossing Senelick Lawrence / (book) feminist performance Moira Roth / 1970s The Amazing Decade The Discourse of Camp (article) Alltag oder die Rückkehr des
Anette Baldauf / Gender & Performativity Ethnography of Performance (article) Coming out (Coming Out und Subkultur -
nomadic artists (nomads) moods of contemplation, performances (category 01 according to M.-L. Lange) manifesto of tactilism Gender in Performance Lance Carlson / Performance Art as Michelene Wandor / Carry On, Expansionen (catalogue) Wiener Festw. 79 Existentialismus in der Performance Art
Technologien des schwulen Selbst)
as mediators between art solemnity or celebration
rituals and emotion /
10 emotional view existentialism (primacy of the act) Geraldine Harris / Staging Femininities Political Activism (essay) Understudies Ian Watson / (PSi7) Interculturalism and
Aesthetics: Eugenio Barba´s Barter
Marvin Carlson / Performance – a critical
introduction (book) !!
Georg F. Schwarzbauer (FS): Physische und Mattenklott / Erzähltes Geschlecht (catalogue essay)
and everyday life => celebrations (Alain Gibertie) psychoanalysis / disgust theory Performance and Performativity Catherine Elwes / Floating Femininity: Helene Cixous Psychische Energien in der Performance Roland Barthes / La Mort de l´Auteur
joy / logic of joy ritualizing emotions Practice Gerhard Johann Lischka / Momente Andrea Sieber (research project) / Zum
movement "les Vivants“ Lacanism discourse Routledge Reader in Gender and Perform. A Look at Performance Art by Women Luce Irigaray Clifford Geertz, P. Bourdieu Heidegger / Existentialphilosophie ...
psychoanalytical view / queer theory (PSi7) Performative Acts and Gender Constitution (essay) Julia Kristeva Rosalinda Borcila / (PSi7) Citizen/Foreigner: Ästhetischer Praxis
Mihaly Csikszentmihalyi / Das flow-
Wandel der Geschlechterdifferenz in
körpersprachlichen Inszenierungstypen Heidegger / Sein und Zeit
psychical view (essay 1988!) / Judith Butler Lynda Hart & Peggy Phelan / Acting out – The Body at the Border De Certeau
09 everyday view sociology (Bourdieu)
cultural studies
psycho-physical view gender studies
psychological theories of performance Kate Davy / ... Reception, Context, and Feminist Performances (book)
Marcia K. Moen / Peirce´s Pragmatism
as a Resource for Feminism
Ruth Askey / Humanistic Concerns in
Erlebnis (also: John MacAloon)
Richard Poirier / The Performing Self
der Liebe Jaspers, Sartre, Merleau-Ponty
Staging the Holocaust (PSi7)
Performance (article) Nietzsche
new subjectivism psychology / action psychology Address in Lesbian Performance Valie Export / (essay) Persona, Teresa de Lauretis / Sexual Indifference Suture – Phantasmen der Vollkommenheit Miriam Yahil-Wax / (PSi7) Where language ends
Dieter Mersch / Reauratisierung in Mishima / Hagakure - Zu einer Ethik der Tat
privatism debate view of destruction see also Gustav Metzger The politics of black performance (book) /
Catherine Ugwu
Proto-Performance, Politics
Coco Fusco (artist) / The Other History
and Lesbian Representation
performativer Kunst (research project)
(catalogue and symposium publication) Spielarten von Authentizität (conference) /
life philosophy Andrea Juno & V. Vale (Ed.) / Peter Gorsen / Körperrituale der Travestie O. Hruschka, A. Matzke
Kunstf. Bd. 152
(game rules of art) see above: therapeutic view African-American Performance (book) / of Intercultural Performance (essay) Angry Women (Kathy Acker, Susie und des Transvestismus (article)
Dieter Mersch / Kategorien für eine Harald Begusch (Diss.) / CrossDressing?
A. Bean (Ed.) Susanne Schwinghammer-Kogler / (PSi7) Bright, Wanda Coleman, Valie Export, Petra Klaus / Hardcore-Performance (article)
Ästhetik „performativer Kunst“ TransSex? CoreGender?
Literature: Literature: (... continued) Literature: (... continued) P.A.N. (catalogue book) Interculturalism and aesthetics or the Karen Finley, Diamanda Galas, Bell Hakan Gürses / Identität (lecture Gmunden) Stefanie Menrath / Performativitäten von
Black Market International (brochures) deconstruction of an eurocentric myth J. Derrida / Given Time
Justin Hoffmann / Destruktionskunst Allan Kaprow / Step Right in Assemblage, Elke Koch (research project) / Ritual und Hooks, Holly Hughes, Lydia Lunch, Dieter Mersch
Doris Kolesch / Ästhetik der Präsenz Identitäten im Hip Hop
Literature: Michel de Certeau !! / Kunst des Handelns Environment & Happenings (book) !! Emotion.Theorie u. Begriff des Rituals am Büro Berlin (catalogue book) Norma Broude & Mary D. Garrard (Ed.) / Kerr & Malley, Linda Montano, Avital T.Warr, A. Jones / The artist´s body !
Fischer-Lichte (research project) / Between Identity and Representation (PSi7)
L.K.W. (catalogue) OK Linz Paul Ricoeur (application) / Lehrstuhl für Udo Kultermann / Art-Events and Bsp. der Trauer Herbert Blau / To All Appearances: The Power of Feminist Art Ronell, Sapphire, Carolee Schneemann, Orientalities: Representing National and Intra-
Ästhetik des Performativen (FL) Staging Cultural Identity (PSi7)
Performance Art, die Kunst zu leben Philosophie des Handelns Happenings (book) ! Jens Roselt (article) / Vom Affekt zum Effekt Ideology and Performance Edith Almhofer / Performance Art – Annie Sprinkle National Identities Through Art an Music (PSi7)
Randy Martin / Performance as political act Die Kunst zu leben Beauty now (catalogue)
Life is art enough / Ed. Anita Beckers Konserviete Welt / Eva Sturm Kathy O´Dell / Contract with the skin - Judith Butler (injurious speech / hate speech) Women and Performance (Journal) Vera Apfelthaler / Drag, Performance und das
Life is art enough / Felix Philipp Ingold Kultur als Handlung / article: Gertrud masochism, Performance art and the 1970s Slavoj Zizek Baz Kershaw / (PSi7) / Ecoactivist performance Patrice Pavis (Ed.) / The Intercultural Philip Auslander / (PSi7) performative Körpergedächtnis
Linda Montano / Art in Everyday Life Koch /Texte zur Kunst 99 – 9 – Heft 35 J.L. Moreno / concept of psychodrama Kunstf. Bd. 126 / Große Gefühle (weak) The Environment as Partner in Protest Performance Reader Performing Resistance in a Commodified
Performance art – Die Kunst zu leben (book) Ästhetische Handlungen u. Demonstrationen Julia Kristeva (theory of the "abject“) Luc Ciompi / Die emotionalen Grundlagen des Erika Fischer Lichte (intercultural approach) Context (PSi7)
Samson D. Sauerbier David Jones / The Performance of the Denkens !!
Habermas, Apel Abject (article) Norbert Elias (sociology of emotions)
(Theory of Communicative Action) Sigmund Freud, Wilhem Reich Jürgen Gerhards / Soziologie der Emotion
Interpassivität / Ed. R. Pfaller
Karl Gröning / Hände
 01 atmosphere view performance as a field of action and
musical/acoustic
Disco atmosphere
poetry and performance (PB)
01 contextual view poetic pilfering
absurd (2) human invention of grotesque moments performance as situation
experience – an all-encompassing (Frank Lüsing & Oliver Kochta) (separated from the usual function) (Terry Fox)
context-aware theories
atmosphere moments
sculptures
(Jaques van Poppel)
situative approaches situation art
contextualism discourse
see also: aesthetics of atmosphere
atmosphere (Prof. Mike Pearson) serene attention
view of the framework poetic situations
using objects outside the responding to the context (Udo Idelberger, situation art +Performance as situative production
theories of meta-communication (Peter Trachsel) Pier van Dijk)
(atmosphere as term of aesthetics) construction in the atmosphere
(INFuG, Stadtwerkstatt) presentation of an atmosphere poetic situations in duplication usual context
(Jaques van Poppel)
living sculptures (Roi Vaara, Peter Weibel, V. Export) (source: Marie-Luise Lange)
+Performance as situative experiment
(Edward Lazikowski) (Joa Iselin & Christoph Ranzenhofer: Port Rouge)
and a state of mind (LE) affect and context dependent (Richard Martel)
(Psychogeographical Association) situative abidement and truly situative action
Performance = action,
climate chambers (biospheres) mood gauge selection of memory contents frames and framework conditions are strategy of duplicated lingering associations (Sowa)
atmosphere – framed by a defined space Performance as transformation
visitors are exposed to elementary (GANG ART, granular synthesis: while simultaneously repressing are training fields for the situative (BN) frameworks (LE)
mood – Kurt Hentschläger & Ulf Langreich) memories not conforming to affect the power of the context energetic situation (Matthew Maguire)
of a situation (J.-F. Lyotard)
disposition inflection, habitus, manner sensations (heat, cold, steam, storm, ..) (Thomas Huber) (absurd actions) connection between New Music
Literature: (see: orality) (Bigert & Bergström) (cf. Wettergebäude by the Stadtwerkstatt) (cheerful, uplifting, alarming, aggressive, ...) "framing“ has a central significance forms of living tableau (Mimi Nakajima) Performances by concept artists and Conceptual Art
Kontextbewußte Ansätze in Kunst und generating clouds (Lone Twin – Gregg & Garry) for performance theory as context (Marcel Broodthaers, P. Weibel, ...) (Esther Ferrer – Gruppe Zaj
atmosphere/mood (framing)
Wissenschaft / G. Dirmoser (DG) (GANG ART) greater appreciation of frameworks of light, space and sound (W. Marchetti, J. Hidalgo, R. Barce))
Erving Goffman / Frame Analysis (book) emotionally conceived temperament, breaking through the atmosphere – atmospheric perception (Wilson) (cf. GANG ART) invisible performance Concept Theatre (LE) Conceptual art: performance as demonstration
+Performance as open system
constitution Setting What is art and what is "reality"?
Gregory Bateson
J. Derrida different locations/spaces and
(Harrie de Kroon) Performance as predicament (2)
(e.g. as couple: Judy Radul) Post-dramatic theater can also be understood
(in reference to Concept Art) as an attempt to
or an execution of those ideas
(LE) Concrete theater –
Performance as breaking through structures
Performance: Texts and Contexts (1993) lighting each convey their own
disposition
arranging the
"Situation“
reflection on the social
invitation as substitute performance
conceptualize art in the sense that it offers an abstract theater without action +Performance as a transitional form of art
Victor Turner / Frame, Flow, and affective message climate control technician performativity through new arrangement; through new practice of art experience of the real rather than representation.
Reflection (1977) in: Performance in
(with Heidegger)
conjunctions (of the data of a game move) (cf. Lyotard) (Didier Bay) allusion as substitute (Peter Arnold) Ideas conveyed verbally (by telephone) over Performance as agreement
Postmodern Culture art space renovation as performance substitute several days: "spoken house“ conceptual models of
open system of encounter (BM) open system of Performance as agreement (see right.)
Gernot Böhme / Atmosphäre - Essays asking passers-by for Urban intervention (40 singers in the underground)
(Otiose: Ailith Roberts & John Dummett)
attention (Gen Murai)
(R. Tiravanija) collaboration Performance without people
zur neuen Ästhetik displacement a moment (Hayley Newman) (Christine Carson) Simultaneity (a form of openness as concept) –
Thomas Dreher, Peter Weibel, ... without boundaries: confusion (Franz Müller) or without performer - Minimal Performances scenic montage: attention hanging in the
"alea" or chance
free play with materials, objects,
it remains open, whether there is a connection or imaginary performance (Murmeln im Mund: Harrie de Kroon)
(John Cage) see various forms group feeling or merely an external simultaneity (LE) Making art without artists (Stuart Brisley) synchronously played "fields" (cf. BM) balance (cf. Trance)
open end body movements, action locations (James Lee Byars) (Ralf Berger)
aleatoric of ecstasy (communitas) (cf. BM) (e.g. naked performances through recipients:
(Peter Kalmus & M. Murin) parallel action (Wilson) (cf. BM)
(Happening) openness see also: organized by Spencer Tunick)
invention .... moments Minimal Actions
abandonment: process (process view) a kind of phantom that is
role of chance open practice free spaces = playing spaces conceptualistic performances (Michael Blättler) (Esther Ferrer) Polyphony instead of dialogue (LE)
surrendering to constantly changing concept performance conceptual performances (Moscow conceptualists:
(resistances with the performance with no stylistic restrictions (BM) The dialogical structure gives way to the
openness (Alex Silber) relaxed momentum (Tine Kortermand Hansen) (Anna Winteler) instructions as propositions Ilya Kabakov, F. Infante, A. Monastyrskij)
help of chance) open progression Collaborative Performances monological and choric (LE)
self-propulsion Performance: a permissive, open-ended (Felix S. Huber) (Esther Ferrer) participants and audience were identical
Indeterminacy (Cage) anonymous intervention medium with endless variables (with 15 participants) cf. chorus theater
affection conceptual actions
(B.M.)
steered intervention view of manifestos
conceptual way of dealing (Teodor Graur)
(Jörg Lenzlinger, Patrick Sidler) +Performance as personal field of experimentation
indeterminacy conceptual programmatic Apollonian actions
(allowing the quality of performative contemplative openness
openness
Art as intervention
disturbance (INFuG) 02 conceptual view
with art (ALMA) Three people at a table – (2) social Performance as link between sections
actions of love (Art Attack) each operates without parallel plot strands (LE) Group performance
sums) (BN)
Intervention perceiving the others
(otherwise boring)
performance Performance as gift
(Pierpaolo Improvisation (2) (c. Hommelsheim, W. Höfinger)
Performance
Intervention as support (VLIES: Rolf Konrad,
connection with the Calzolari)
free play
measure for reality (3) expanded Pat Binder, Wim Kolb, actions with job-seekers,
whole (Religio) undeliberated Interventionist (Matthias Schamp) staging Jörg Brandt) collective doing
knowledge as passion
(Gordon W) performance regaining unemployed persons, homeless,
Performances without fixed concept for action (Rudolf
breaking through conventional equal right of intervention complexity incompatibility as prisoners (Christoph Schlingensief)
Klaffenböck) (Santiago Serra)
see also: revolutionary performance approaches
(category 02 according to M.-L. Lange)
Improvisational, arising spontaneously from
patterns of perception and Deconstruction performances (2)
(cf. Expanded Theatre)
power of the
sovereign gesture rent an artist (2) gift pieces
reception expectations patterns of staging (the precise monologue) (BN)
the moment (Black Market) (category 11 according to M.-L. Lange / Inge Baxmann) Expanded Performance incompatible (BN) environmental problems and
boundless play departures = spontaneous actions (scream in the concert hall) These performances seek: love (public, (category 09 according to M.-L. Lange)
Neo-dadaism valet for 1 month performative staging of his urban problems
The Open Art Work (U. Eco) confrontation, irritation of sense, conventionalized ... Can be understood as a practical transfer real-time performance confrontations (T.X. Harsono)
staging) /vs/ biography (as researcher)
(Game Rules of Art) 02 view of eros sculptural-aleatoric
process (Andreas Techler)
love relationships have disjunction, interruption and demontage
of familiar semantic conjunctions. unbounded
of Concept Art into practice and the
public sphere
( /vs/ theater ) movements of a (Xavier LeRoy)
Intertextuality (Tina Keane) experimental, sketch-like an unfettering effect common desire principle: Black Market
logic of joy, pleasure
(decentered; abandoning The point is "upending order", the destruction
02 unbounded view dialectics of behavior and love
of traditional rhythms and flows of meaning. total improvisation
Improvisations (1) All genuine life is encounter. ...
demonstration of an idea one's own standpoint) (Brian Catling) polyscenic,
(Stuart Brisley)
(without audience participation) (John Sturgeon & Aysha Quinn) (in music) = simultaneous, fragmented Space and time are found in the
encounter.
encounter (1) Georges Bataille
Performance as reference
Performance as a ritual cf. absurd theater "purely“ performative ? Performance Simultaneity theater (Artaud) ASA: the art of the encounter
of transition (FL) (PSi7: Transition) (M. Buber) Carmelo Bene => Gilles Deleuze Roger Caillois
Literature:
Fluxus unpredictability in the settling in, destroying mimicry as appropriation of attempt
improvisation Parallelbewegung
course of communication Ritual and improvisation Transformation (ASA is transformation) conflict discussions as Trickster
dialogical approaches joint anxiousness Gertrude Stein => S. Freud => Viennese Actionists / Surrealists
Postmodernism and performance (book) diverse disciplines (BN)
(Die Fabrikanten) (Pauline Oliveros) Performance as transitional form of art (see above) service (Peter Wolf) (counterpoint critic) synchronicity principle: ASA Performance => Michel Journiac
Nick Kaye cf. Happening interactive (acc.to Bonnie Marranca)
(George Maciunas (namer), George Brecht, cf. also: infiltrating existing (Jacques van Poppel)
Marvin Carlson / Performance Bob Watts, Yoko Ono, T.Schmit, Joe Jones, exposed processuality
Intertextuality (article) Yoshimasa Wada, B.Vautier, G.Chiari, J.Hidalgo,
the translation (GANG ART, BM) systems (Gianni Motti)
associations
artist dialogue R.D.Laing => Stuart Brisley
Fluxus Adaption drawings (Translation Transition Transformation – PSi7) The artist is at the Performance as a new discipline (Raoul Marek) interactivity Michel Serres => Orlan
Marvin Carlson / Performance – a critical W.Marchetti, Ayo (Ay-O), A.Köpcke, T.Kosugi, (Senoner)
J. Berke (MA v. Laing) => DIAS
Christiansen, Eric Andersen, W. de Ridder,
(Bob Lens) Service of the Community or an interdisciplinary field. (operation readings)
introduction (book) !! G. Hendricks, Milan Knizak, Dick Higgins, Phil Corner, New type of fluxus (Francisco Inarra)
Performance as link De Sade => John Duncan
Performance as commissioned intervention Joseph Roach: it is of course an view of synergies (U. Wid) Kurt Levin => V. Acconci
Interventions / Ed. Opus International Robert Watts, Alison Knowles, Nam June Paik, (Sara Seagull, Neal Taylor) between sections (see right)
breaking through structure (see above) "Services“ "artistic service“ project theater (LE) anti-discipline (the trickster as guru W. Reich => Viennese Actionists
Editions Charlotte Moorman, Ken Friedman, Takako Saito, interdisciplinary works (Jiri Kovanda) Yoga exercises: lead to (too)
Friederike Hassauer / Die Kunst der Emmett Williams, Robert Filliou, Al Hansen, Ben Patterson,
Larry Miller, Raphael Montanez Ortiz, Tomas Schmidt, Proto-Fluxus (Toshi Ichiyanagi, Performance as guided tour
(project by A. Fraser & Helmut Draxler)
rent an artist (3)
(Team of: dancers,
graphics artists, musicians, interdisciplinary poet-researcher
of this anti-discipline)
interdisciplinary projects (Marcelo Exposito)
Marcel Mauss => Sowa
(habitus as form of practice)
W. Reich => Atelier van Lieshout
introverted concentration – +Performance as tool
Entgrenzung (article) Jackson MacLow, David Tudor, (INFuG: F. Kleuderlein, B. Kümmelmann, Bakhtin / Bachtin ! W. Reich => John Duncon
R. Barthes / Fragmente einer Sprache
G.Baruchello, Beuys, J.Dupuy, R. Morris, C. Oldenburg,
C. Schneemann, D. Spoerri, W. Vostell, Zaj, Henry Flynt)
(in the museum) –
(A. Fraser, C.P.Müller,
cf. also reading seminars
lecture service (U. Wid)
(R. Ganahl) architects, ...) Hubert Sowa, Thomas Eisen) interdisciplinary theater (LE) convulsivist (Reichian)
all feelings extinguished
(Grotowski)
+Performance as profiling facility
der Liebe R. Summers, Piki Soul,Mary Bauermeister, ...) Christel Burmeister) Circumscription of otherwise disintegrating Erving Goffman ! breathing exercises cf. Tao
networks (as service) Interdisciplinarity (Schlemmer´s)
Meditations on Tenderness of/in Performance care of the handicapped (as service) (as common characteristic theater languages (acting, music, Artaud => Kristeva theory of performance
creating the in-between Pragma-art
(PSi7) / Peggy Phelan, Della Pollock,
Rachel Hill, Judith Hamera
Post-Fluxus (Montagne Froide -
Valentine Verhaege) cf.: support (see: list of networks) lecture artist
(Christine and Irene Hohenbüchler)
(Pierangelo Maset) 03 interdisciplinarity view of performances) (BN) (BM) installation, light poetry,
singing, dancing)
A.Artaud => Derrida !
=> Foucault !
Paul de Man Julia Kristeva => Orlan (operation readings) Methods of infamy, vivisection,
implosion (BN)
(Stan Lafleur)
cf. projects by MAIS Artaud => Orlan (operation readings)
association Second hand shop Performativity of originally separated W. James
for project art network idea (Jürgen Olbrich) as art (Christine Hill) interdisciplinary fields (of knowledge): performativity through Austin ! => Sowa Judith Butler !! => Ray Langenbach S. Zizek Luce Irigaray fundamental change in the approach lecture performance
project-oriented art (Simon Beer) to and way of dealing with the
international communication actions interdisciplinarity (cf. Lyotard) Searle !
G. Bateson
technique = traditionally
objects
(Marietheres Finkeldei)
(Ray Langenbach, Yuji Sone,
+Performance as medium for communicating art
Früher machten wir Pläne, heute sprechen Jürgen Fritz Ralph Ortiz => Arthur Janov effective action
Martin Buber => B. Nieslony Ewjenia Tsanana, P. Arnold,
wir von Projekten (PB)
Networker / electronic
communication settings cf. Public Access projects
R. Ganahl
Ute Meta Bauer Performance theory has to (dialogical approaches) V. Flusser M. Merleau-Ponty ! => Stelarc (impulse for primal scream (Marcel Mauss / Körpertechniken) Savier Klaro, Andrea Saemann) +Performance as mediated reality
network work (Stadtwerkstatt, Servus, FRO) have an interdisciplinary => M. Vojtechovsky therapy) (Helena von Oldenburg)
ASA Projekte: Die Gabe (Cesar Figueiredo, Nieslony,
services Wochenklausur
ALMA Service (as servant or waiter: Bruno-Peter Schärli) arrangement (Prof. Dr. Bonnie Marranca) Hannah Arendt => B. Nieslony => Nieslony
Council discussion: every theme needs its tools. (Fritz Schwegler) +Performance as value-setting achievement (BN)
Padellun, Bernd von den Brincken) P. Bourdieu, Gebauer, Wulf => H.Sowa, Kosa The toolbox is the selection of critical instruments (theory). lecture as form of action
Gabe als Gesellschaftssinn the performer as waiter in the gallery
Performance-Service-Art (Chris Burden) Davidson Heidegger ! => H. Sowa, K. Rinke
Ludwig Wittgenstein ! joint practice – "Werk-Zeuge " -
(P. Cuny, Kate Isler, Alex Silber) Performance as gestural situative event
ASA = communication pool Heidegger => Foucault, Lehmann => Lyotard => H. Sowa
lecture performance (Mike Hentz) performative
the gift is the greatest, the oldest, art that provides services Feyerabend (language game concept) => Fabrikanten tools/instruments (in actu)
ASA = interactive art ASA in Bologna: (Padellun Gadamer => H. Sowa gesture of showing tools testifying (Xavier LeRoy) Lecture-Demonstration lectures (INFuG)
the swingingest network that exists Putnam Wittgenstein => James Lee Byars in use
Rena Tangens, Raoul Marek,
(Pepi Meier – furniture deconstruction) work (Abramovic, W. Pfaff)
(Rirkrit Tiravanija) (CH 2 ART AS SERVICE: the opposite of philosophical terminal (see above.) Boris Nieslony) Hintikka action work with
cf. exchange projects art as service offering (INFuG) M. Foucault => Ray Langenbach R. Barthes
Daniel Hauser, Chiarenza) control is service as service Performance: art teaching as art (INFuG) adolescents (M.-L.. Lange)
Hölderlin, Schelling, Nietzsche => H. Sowa Artaud => Foucault (intensive being one's own tool
Literature: A performance is supplied like a commodity. documentary theater (LE) (eliminating the difference between art and life) Foucault => P. Bianchi (LKW) theater body-machine future suitcase (Hannimari Jokinen)
scenic lecture (Georgsdorf,
Die Kunst des Öffentlichen / article by The Black Market actions are very close to this the service is the medium service offerings view = service view Shusterman, Rorty, Dilthey => H. Sowa
attendance.)
the body as tool
Lehner, Ritter, Binder)
teaching as performance
Stella Rollig: Projektorientierte Kunst commodity character (BN)
ASA should be much more free
continuous service as Cultural Worker services in the community F. Nietzsche => P. Bianchi (LKW)
⇒Viennese Actionists
see: machine view ability didactic communicative +Performance as communication guerilla
in den 90er Jahren service as a technique of services for the recipient public production (tools with a life of their own) process-oriented forms of teaching
performance (ASA) enactive aspects
Lesezimmer / Ute Meta Bauer and floating. passing something on real work individual service offerings of art works ⇒Foucault (life as a work of art)
Pragmatists:
De Certeau !! => B. Nieslony
in fine art
performance
education as performative
action (nach Habermas)
Performance as communication
Charon – Eine Ästhetik der art as service offering (Cezary Bodznianowski) material "machine": method = tool Performance as
Grenzüberschreitung / G. Raunig ASA: The Art of Service away from commodity concept as performance (Bender/Nern: Firma B&N)
Charles Peirce, Rorty, Mead, Quine,
prostheses, hinges, models action as tool
(Udo Wid) method (Eva Sturm)
communication laboratory (Nenad Bogdanovic)
Kierkegaard Dewey, Dilthey, Fellmann, Shusterman
Bonnie Marranca (interdisciplinary ASA = art service association (cf. work view) church-service (U. Wid) Flow = optimal performance
lectures communication concepts
performance theory) ASA should be a pure service / (through anxiety-free situation) reflections on historical tools Presentation as
philosophy as tool
Alan D. Schrift / The Logic of the Gift performance theory Service makes ASA visible project groups work mobile office container losing oneself in doing 04 influential thinkers Bertolazzi, Brecht =>
utensils
(Verena Kraft & Kurt Petz) performance (Udo Wid) Performance art as of performance communication performance
performative practice L. Althusser critical pedagogy (Wulle Konsumkunst)
Christel Weiler / Performance als Gabe epistemology Postdramatic theater
(materials / props) Performance as communicative
(article) dialogical approaches 03 service view / project view (Performing Resistance) counters, tradefair booths, The praxis paradigm takes the place of
the poiesis paradigm (H. Sowa) teacher => pupil
Appeal
J. Habermas (bodiless) see: view of material (new) "procedure"
praxis: different kinds of question and answer
sessions (J. Beuys) passing on performative processes framework conditions
cf. on this:
performativity as view
communication projects
Get together – Kunst als Teamwork (cat.) postmodern views office as performance substitute (?) office spaces, hotel lobbies as genres are conjoined in a
are a core of learning (Chuke Stake) (Pomodoro Bolzano –
(see insight view)
Walking through society (yearbook) crossover debate possible presentation forms
the programmatic opening of the avant-gardist
K. Rinke => Karel Dudesek
B. Nieslony => ...
Habermas => S. Szczelkun performer in suitcase presentation (dancing,
performance, narrative theater, ...)
performance as pedagogic
participation approaches(Christel Burmeister)
communication as art art as communication (Max de Well)) (Hinrich Sachs) +Performance as achievement
Peter Frank / Nachkriegs-Performance: cf. Servicebüro Hamburg (H. Sowa)
Marina Abramovic => ...
(Yeun-Hi Pan) creating communication spaces (pleasurable)
Das Vermischen von Kunstformen und
Service cf. Büro Berlin (H. Pitz) „Dead-House-Walking“
laboratory of life
work concept in the direction of practical, performative forms of life B.M.: objects as performers All means are equally (cf. also theater) (Robert Reschkowski)
(cf. Rirkrit Tiravanija, Die Fabrikanten) +Performance as dilemma
cf. Sampler Büro Bert (Social Impact) OÖ
(Victor Snessar) role of costumes of equal worth valuable performance as value-setting art as communication ritual
(Constanza Camelot)
Sexuality
Kunstsparten (article / ars electr.) cf. Community Service (USA) (András Böröcz & Lásszló Révész) achievement (BN) action lecture (P. Weibel) (Carolee Schneemann, J. Klauke,
the power of communication
Marion Strunk / Vom Subjekt zum Projekt cf. Depot (Vienna) difference between: (Kyupi Kyupi) (Leigh Bowery) (Gelatine) (W.Hofmann minus delta t) Ulay Abramvic, G. Brus, V. Export,
(article Kunstf. Bd. 152) instant see also: On the gradual
value transfer Performance as symposium, round tables, COUM: Genesis P. Orridge & Cosey Fanni Tutti,
cf. archive ad hoc performances moment art fabricating/making/building and
haptic experiences, skill, development of thoughts agit-lecture (2) specific practice of speaking games (2) McCarthy, Frank Wedekind, Johanna Went,
cf. view of collecting community-oriented work (Wulle Konsumkunst)
intervention acting/living/caring (H. Sowa)
method capabilities while speaking
(CH 2 ART AS SERVICE)
and showing (INFuG)
staged encounter (Adi Hoesle, Fabrikanten)
question & conversation performance (forced entertainment)
Marissa Carr, Brian D. Tripp, Gelatin) Masturbation as performance
(Werkzeuggruppe des Konzils /
cf. view of the organizing institution autoerotic performances
(office of dramaturgy and minus delta t opening addresses, dialogues (Elke Krystufek, Vito Acconci, Life ist art enough
cf. political view: activism permanent Production aesthetics as outmoded view techniques view tools of performance Black Market International) cultural transport enterprise (Canada) Performance telephone sex Performing Sex
performance conference
performance research - Vienna)
is superseded by the aesthetics of the (minus delta t)
trans-latio
(Matthias Jackisch &
appearances, presentations, (Fabrikanten) interventions maneuver as social political (Odette Le Blanc Practitioner) (Annie Sprinkle)
Annie Sprinkle, G.Brus) (Jürgen Olbrich)
(Tonga-Expedition: scenic arrangements (INFuG) Sex oral (Harri Schemm) life situations
performative (FL) 05 tool view resources view
G. Ritter, G. Wagner) Elvira Santamaria) (2) (2) strategy breast performance / palm of the hand (Allucquére
cf. Stadtwerkstatt as view of instruments queer Sex worker Rosanne Stone)
Transport Performance Art as destruction of
permanent conference Non-intentional actions AOS – Art Operating System (Zürich)
male duos: performance techniques critical pedagogy (Christian Hasucha) (Mamiko Kawabata) LKW
(Fabrikanten) (ALMA – Alfred Hofstetter & Max Markus Frei,
method view means (media) of (radical social changes due to "dialogical“ communication
art projects as communicating with people performances Porno-Formance
(Bruno Peter Schärli, Peter Spillmann,
Hans Wermelinger)
Patrick Sidler & Jörg Lenzinger, performance new transport techniques
(Charles R. Garoian)
performance (Ralf Filges)
communicative practice on the street homosexual performance: (Carol Queen)
life art
Joa Iselin & Christoph Ranzenhofer) durch neue Transporttechniken) (BN)
Recycling performance / (see: media view) nomadism (Tatsumi Orimoto)
gay & lesbian, transsex. gay perf., lesbian perf.
Performativity: leaving traces as performance nomadic (Black Market) delivery runs as (David Drake, Tim Miller, (Andrej Dudek-Dürer)
Methods ironized repetition of (Gunter Demnig) Ariadne Thread auto-aggression Lust (Eva & Adele) (KUSCH)
re-valorizing team work (Lit.: Lyotard) Performer as performances (Cooperation Project X) performance (Padellun) Tele-Performances Holly Hughes, Karen Finley,
the performance – - of discontinuity "classical" performance Crossover & Interaction art as
skin cuts: auto-destruction (G. Metzger) John Fleck, Isaac Julien) knife's (Laura Kikauka) (Geert Duintjer)
cf. art as teamwork "pieces" (Ursula Palla) absolute freedom teacher: Nieslony, Bricolage (Stadttwerkstatt – Checkpoint) translation (GANG ART) (PSi7) (Klat und pac)
an operating system of art - of series performance space (Mia Zabelka) V. Export edge
(GANG ART) denouncing the rites of art Abramovic, Hubbard, education is not to "be had", Gina Pane self-jeopardizing
- of autonomy as transit space reaching a high degree of (Carola Riess) life art instead of lifestyle (PB)
- of differentiated dependencies
(Kees Mol)
Zeca Ligiero, ... it must occur processually (Pazini) traveling as telephone performance Participation-Tele-Performance
(Nam June Paik, Allan Kaprow)
Performance as a special Raul Zurita
being-in-the-body through body work Kunst als Lebensform
(Markus Hensler) (STWST) kind of interaction Diamela Eltit
the art of travelling
Triggering actions becomes an
- of parallel movements Performance art = free art – "teaching" as gestural- (Kunstforum – Paolo Bianchi)
performance (Thorsten Kellermann) self-injury (Tibor Hajas) (Chris Burden)
the self at stake(FS) life and work as unit/
public "production" of art works - of ironic substitution The art of freedom (Z. Warpechowski) (minus delta t) intermedia approaches Flow – most unmediated (Brus, Ben Vautrier)
artistic task (P. Maset) situative event (cf. NLP) prelingual image dependency every public act = performance
(art factory / curator Hattinger)
Laura Kikauka, Leo Schatzl,
crossing the Atlantic in a sailboat (also with new media) in performance art communication self-injury/pain self-experiments: (Denis Oppenheim – (James Lee Byards)
the activity of producing and ASA = methodic change The performer is Reiseprojekte (Marianne Tralau) (Bas Jan Ader)
(Valie Export) (Tina Keane) (Barbara Konopka) (Tibor Hajas, Gina Pane, Chris Burden, sunburn) (Barry L Va – smashing against the
Sabine Zimmermann et al. (Perf. at Posthof), ... the conference as body in pain
Literature: carrying out (takes the place investigative working method of lenses (BN) a pontifex (bridge builder) the inaccessible private performances (for photo works) (Palindrom) Petr Stembera, Jerzy Truszkowski, wall) (Norbert Stück) living in exhibition spaces for several weeks
"laboratory for action" Ausbildungssicht (Scarry) Z. Warpechowski, Danny Devos, G. Brus,
Marvin Carlson / Performance – a critical view of producing of the product) (LE) (R. Tiravanija) view of presentation performance (Colette, Jürgen Klauke, R. Schwarzkogler) (Klat und pac) (Udo Wid)
Lust am Moment M. Abramovic, Ron Athey, Bob Flanagan,
Collage, Montage view of depiction
introduction (book)
Hubert Sowa / Nach Duchamp und
view of fabricating
(shifts more into focus again)
Replacement of the paradigm of the production => (Jochen Gerz) (Vollrad Kutscher) creating an "aesthetic laboratory and
view of reproduction 06 education view mail art scene Media as superfluous
plurimedia pain automatically generates
a more active reception on the
Franko B, Michel Journiac, H.G. Herrmann,
W. Kazmierczak, ...)
acts of violence against the body Living Projects
joy of experimentation Perfect Performance workshop situation" (M.-L. Lange) theater (LE) Performance is living intermedia (Zhang Huan) close to torture everyday behavior
performance theory Turning toward paradigm of reception (Sowa)
Heidegger: Kunst, verlernen
dialogical approaches (James Lee Byars) (category 06 experimental actions) view of educators (teaching) travel art accessory (BN)
intermedia art sculpture (@Home) part of the viewer (Shi Sen Chen)
Anita Cherian / (PSi7) Performing the
operating system discourse 04 view of artistic production 60's: new spirit Experimental art the perfect performance audience (Ko DE Jonge, Niall Monro,
Ed Varney, Juan J. Agius) per se borderline situations risk situations: electricity, fire, dangerous real
Region – Nation of experimentation
transport view / view of the journey projections in a Intermediality performance
cf. poster sections: context approaches-
in art and science this point is considered a Performance as creative field of experimentation performance (1) photo "performance triptych“ (Robert Longo) (as common characteristic
extreme situations
Transgressive bodies
materials, knives, drugs, extreme duration,
(panic due to lack of oxygen: hanging, piercing, ... (cf. torture practices)
superstructure for several (see right) (Kees Mol, Alastair MacLennan, Harrie de Kroon, of performances)
revolutionary Performance as dilemma Geert Duintjer, Carole Schneemann, C. Palestine, (see above) performance as mediated reality performance educators performance Performative aspects in Peter Gilles) (Jan Mlcoch)
action and accident bondage seeing an everyday situation and turning
neighboring views lack of breath to unconsciousness (Gilles) it into a performance /
Performance as
performance approaches Seiji Shimoda, Richard Martel, Irma Optimist,
Hayley Newman, Z. Warpechowski, see also: performance as translation performative pedagogy (see: curators, seminars (BKH Gutmann,
photography Intermedia / mixed means (sensation of falling) shifting the boundaries challenging the physical 1:1 transfer (not mimicry,
(expansions, transformations, renewal) "Risk behavior" as imaginable editors) (McCarthy) not mimesis)
autonomous art (?) Chen Chieh Yen, Ma Liuming, B. Nieslony, perceiving oneself (mirrored) in the other Mariko Mori, M.C. Chaimovicz, Projection with speaking voice physical exceptional situations of body, pain and body – walking over
basic pattern for performances Thomas Kumleh, Markus Schwaighofer, Ma Liuming, Stephen Laub) Intermedium everyday relics
(Surachai Ekphalakorn) (James Coleman) (Stephan Us) spitting ice .... risk glass (Rebecca Belmore)
change of paradigm => the unplanned Elvira Santamaria) teaching and learning situation with the audience Performance (Happening) uninhibited
trans-formation /vs/ (Hinrich Sachs) (Pino Poggi) (Chris Reinicke) confrontations (2) standing on ice (C. Schmidt- container
Siehe auch: (cf. performative turn) as the blood perfect bodies performances everyday objects
formation the conference as (Etant Donnes) Body boundaries
Chemnitzer) (Carola Willbrand)
Servicesicht "laboratory for
body language: habitus = gait performative generation
enlightenment through action
vernissage ritual: of the media view of communication deformed bodies (Kees Mol)
(skin incisions, self-experiments, ....)
(Inge Broska)
(Theresa Drache)
curiosity-interest-system / anti-mimetic ... (LE) action" performative aspects of the as celebration of thanksgiving, (Lee Wen) glued to the wall (Roi Vaara) (Hans-Jörg Tauchert) broom
breaking through the (GANG ART) of belonging (to groups) / stuck to the ceiling (Roi Vaara) skin-like clothing (Regina Frank) (Qing Qing Chen)
pleasurable innovation (pleasurable
theory of pure form (LE) performativity through inventing or boundaries of Code Communities
presentation of fine art initiation, media 07 view of media redesigning one's
clothing printed with body parts (Katharina Trost)
table performances
channeling of new feelings and Performance of the (vernissage speeches, rite of passage Suspensions (skin hooks – Stelarc)
thoughts revoking mimesis carrying out new game rules (Lit.: Lyotard) convention with
body ("believable
(Jean-Claude Schmidt)
accompanying actions) performance own body (cf. Fuckhead)
most sublime moments deformation
(Janet Haufler, B. Nieslony,
(orientation to painting) performance common store of (Orlan) of physical presence BBB Johannes Deimling,
skin hooks (H.G. Herrmann) (Denis Masi)
radical expansion of the
(Tony Morgan) performance": identity) gestures, rituals and signs dances from gestures
(Pina Bausch)
(Peter Weibel, V. Export, Etoy)
(Pyromania: B.N. Hiesserer)
view of electronic media extreme body art (Wen Lee) (Li A- Roca)
Dziugas Katinas, Regula Kopp,
Mario Ohno, Seiji Shimoda)
breast incisions joined with operation
(see above) Performance as profiling facility concept of art body language as Identität u. Habitus (s.r.) poetry with poesie view of mediality
anarchic
needles (JOKO: Karin Jost & Regula J. Kopp)
Tischsituationen / practical
expanded body language multimediality body avant-garde performances crossing physical boundaries Tischregeln
performative
"open concept of art" sculpture (Beuys) body knowledge gesticulation a choreographology d´action video mediality as since Nietzsche pain through connection (in nettles) (category 01 according to M.-L. Lange) (time´s up) (Ralf Filges) (Ulla Rauh)
avant-gardist isms are performance body memory (La Ribot)
is missing performativity (cf. Foucault) "emptying" and "purifying" the body Tischtransaktionen forms of living
superseded by ideas and contexts (PB)
transformation from showing performative and
(gen. theory of gestures)
multimedia performances
see also: mimicry of life essential body experiences physical borderline states (Charlemagne Palestine)
(Fabrikanten, Nieslony) (H. Sowa)
(Manfred Vänci Stirnemann, to showing body-language body language affective communication, emotional media aesthetics and performative (Sylvette Babin)
Boris Nieslony, Jürgen Olbrich, surplus contagion and enslavement: art is a performance (Thomas F. Fischer, Joan Jonas, practice (Mattenklott) on:
furniture chopper chair destruction
behavior research body archeology physical view – achievement (see also view of achievement) chemical (Pepi Meier) (Ralph Ortiz)
view of ideas Robert Fillious -> ,
Alain Gibertie) (Stuart Brisley) gesture of the physical
body as language see also: social phenomenon with strongly affect-
driven components: facial expression, (Rachel Rosenthal) (Paul Demarinis) (Sang-Jin Lee)
Christina Kubisch, Fabrizio Plessi, (Ron Athey, Laura Aguilar, (body's capacity for "moods"
catatonic (Gina Pane) Behavior Tableaut Marcel Odenbach, Nam June Paik, Matthew Barney, Eva u. Adele, research projects by Prof. Wulf
Performance theory position (cramp) Behavior posture, voice, gestures (Station Rose: Gary Danner & Elisa Rose) (Valie Export) (Orlan)
(Stelarc) (GANG ART) (James Partaik) (Sylvette Babin)
Charlotte Moorman, Ulrike Rosenbach, Mary Kelly, Rachel Rosenthal, ...) remembering – Grotowski) 08 body view / gustative view (Dopamin,
family rituals (Bourdieu reference)
(game rules of art) 05 view of innovation collective term: cf. expanded theater (G. Brus) cf.: Grand Gesture Art behavior animalist behavior (Mark Dijkstra) (Amsterdam Ballons) (The Dark Bob) (Max Frazee)
Pipilotti Rist, M.Bienvenue, Gershon Berkowitz,
Tomás Ruller, Peter Land, Matthew Barney, ....)
Japanese body work
body as medium
Epinephrin,
Serotonin)
rituals in school
(Marlene Madison Plimley) (Gordon Monahan) (Milos Vojtechovsky) body therapy (G. Pesonnier) taste,
Public body (M. Abramovic) emotionalization of communication (Perry Hobermann) (Maricruz Penaloza) (Pyromania (B.N. Hiesserer))
view of art criticism Theater of through gestures (Reindeer Werk: Tom behavior experiments
(Jürg Schmoll) the performance Feldenkrais Method
incorporating
see also: attitudes 09 everyday view
gestures and
Gesturing bodies: Puckey, Dirk Larsen) Telephone Performance of the body
body work
(Yves Klein, Ben Vautier, performer as researcher of gestures and
movements Video or performance (2) TV (Bob Wilhite, Minus delta t)
Discours du corps Drama in Real Life (minor accidents – with bike into the canal)
Charles Ray, Erwin Wurm,
gesticulation (W. Hofmann) Minimal Performances (performativity) (Jan Bas Ader)
Arnulf Rainer, ...) installation (Gary Hill, body works Nao Bustamante
(gestus) (Rachel Echenberg)
(BBB.J. Deimlinger) Habitual behavior performance /vs/ multimedia approaches Bill Viola, Muda Mathis, performance New Media (Christian van de Borght) body performance tongue traces Skip Arnold, Kees Mol (BM)
patterns behavior (Elio Mariani) in performance art Tadasu Takamine, Kubisch + Plessi (Fuckhead) (Gillian Dyson) art corporel Zbigniew Warpechowski everyday performance
gesticulation / signs of expression gesture bodies primary gestures masculine attitudes habitual behavior (FS) (Thomas F. Fischer) Martine Aballéa, Serge Comte) see above
feedback Ponton Medias: disciplining Orlan, Roi Vaara
(Stadtwerkstatt) living
poses (Bruce MacLean) (Lucas Samaras) (V. Beecroft) (Ilija Soskic)
(Stuart Brisley) (Albert Mayr) Performance as synaesthetic montage
(B. Heidersberger,
practically every imaginable physical art corporal Marina Abramovic
intensified gestures (Stelarc) Gesture Dance
(Franz Kaltenbäck)
of action strands, aesthetic means and media closed circuit
K. Dudesek,
activity has been investigated (real time activity)
Harrie de Kroon
Leading actor in one's Environments
gestures (Schlemmer) (attitude – elementary forms (2) soap S. Vanasco, Body art & Butoh Nikolaus Urban
(category 10 according to M.-L. Lange) procedure M. Hentz) (Mark Steger) Jan Bas Ader, Koop own life? living pictures like in the
gestic painting (see right) Gesture (French) imitated attitudes of behavior ... Working with multimedia means. Semantic unity performance traces of a aesthetics of the living Seiji Shimoda (Gérald)
= Action gestural performance sculptures) (not rationally in the sense of a gesamtkunstwerk (cf. view) (living) body skinning
body art Ken Unswort. Mike Parr
baroque era
(Colette: celebrated her life
extreme gestures controlled) cybertechnology electronic performance (Stefan Berchtold & Robert Faguy, Ishi Mitsutaka Performance at the
performance Marco Klaassen, Ralf Berger in designed environments)
similar to painting extremely personal forms of behavior (A. Rainer, and performance Ingolf Keiner) body as material (Viktorine Müller,
intersection of art see also:
(Mathew Wilson, multimedia largest scale performances digital performance (P. Weibel) father of body art: G. Brus Glyn Davies Marshall
Mark Alice Durant, Gestures (as cultural achievement) Reindeer Werk)
(Kunst & Kravall: Stadtwerkstatt)
robot Real time performance (material actions: Irene Bachmann) Bruce Nauman
and everyday life tableaux vivants

Ilija Soskic) via Internet body fragmentation Otto Muehl, H. Nitsch) (Barbie Cyborg (V.M.)) Ulay = Uwe Laysiepen family life with children as
Performance as primal performances High-tech-Theater (Miriam Steinhauser) Rebecca Horn Everyday life
human language (2)
(Michael Schaowanasai) computer in the performance
Gutai: material actions Klaus Rinke, Timm Ulrichs (Marcia Tucker)
performance
gestic performances Interactive audio tour
(Tagny Duff)
simulated ("Wall Street performance“ /
performances Computer games naked body Denis Oppenheim (Shirley Cameron & Roland Miller)
inscribed in the events Momoyo Torimitsu) (Stelarc) (Paul Demarinis) performances Matty Jankowski
communication theory / NLP see also: view of orality body-material-interaction sculpture (1) William Wegman science on and for
body over 50% of communication (V. Beecroft) relocation action
pedagogy / art pedagogy
(incorporation) is nonverbal (gestures, deconstructions (Rafael Montanez Ortiz) The dominants of drama and illusion are see in detail: machine view
(2) extended (Valie Export)
(Spencer Tunick) Christine Bänninger the human being (J. Lothar Schröder)
(game rules of art) 06 gestic view gesture as guarantee facial expression, migrating to the media, whereas the transformed bodies performance art corporel
RIA Pacquée, Atau Tanaka
Phillip Warnell, Salvo mythology of
theater theory cybernetic research body as instrument body as tool Alchemy of everyday
nomadology discourse of the statement posture) currentness of performance becomes the projected onto (Gina Pane)
the profane
violence as critical instrument (2) (Sadie Plant) see body (Matthew Barney) Allotropy of everyday
body theory habitual view new dominant of the theater (LE) dancer bodies
(K. Obermaier & extensions: (Stelarc)
learning the language
invitation into intimate spaces
body philosophy / body sociology cf. role of nonverbal brutality as fundamental media shamans (Jürgen Fritz) body orifices (P. Rist, of the body uplifting feeding (Stefan Halter, everyday chaos
n.b.: separated from body view Chris Haring) Gebrüder Kunst) (Sandy MacFadden) (Barbara Smith – naked)
communication with G. Bateson position (2) surveillance as performance media performances lust greed energy-conserving Franz Gratwohl)
body as sound box
(double bind ...)
"how" something is communicated (Monty Cantsin, Jason Lim, Helinä Hukkataival, (Julia Scher) electronic media: drinking performances dinner performances behaviors action-analytical Private performance – collective
H.A. Schult, John Bock, Tom Murin) The Avant Guard in Action Old Boys Network, The postdramatic hunger as basic sensation
Dionysian actions (Jürgen Raap) commune (Otto Muehl) "departures" (Stadtwerkstatt)
(T.R. Uthco) (Helena von Oldenburg), body is a body Bioenergetic performance (fasting 33 days: Ernst Len)
Frauen und Technik, Gruber, of gesture (LE) intoxicating, ecstatic Roman orgiastic culture fasting (R. Schwarzkogler)
Dada Shave trash Mike Hentz, Karel Dudese Dionysus ritual (Etant Donnes: of gorging (Ro Ma Ma Chine:
(R.M. Ortiz) everyday mental artificiality of the everyday (Emil Gropoz)
(Anna Banana & trash art Neoism
interactive real-time anti-minimalist Eric Hurtado, Marc Hurtado)
starving (K. Etschmann) state as What separates real life from performance?
Bill Gaglione) performances (performances
video systems movement / quasi- philosophy of intoxication (H. Nitsch)
Cecile Noldus, Mike Hentz)
Cooking/Kitchen as performance (affective) point of publicly peeling vegetables:
of the 80s) (Stuart Home) smelling and eat art cooking & gift
(Gretchen Schiller) baroque style departure (Devora Neumark)
tasting rituals cooking & communication
Ritualistic bodies
decollage Media burn
(see also: rituals) (OM Nitsch) (P. Arlt – fünf ingenöre, Kubelka, Rirkrit Tiravanija, Matthew Ngui)
raising awareness of
Job as measure of life work
(Devora Neumark)
(Ant Farm: kitchen pieces (Attila Kosa)
happening Chip Lord, body in honey, rolling in cooking art (Spoerri, Mario Ohno) (transpublic: transpikante banal processes
Hudson Marquez, see: action Actionism physical body as feathers or hair Erfahrungswelten)
raising awareness of important
fascination of the banal
Doug Michaels,
revolutionary painting ground (Barbara Sturm) Hell Cuisine (W. Grillitsch, E. Knöß, H. Müller)
media theory / media discourse Curtis Schreier) theater of (Barbara Smith) sitting in vinegar (Julie-Andree Tremblay) (see also: celebration) as the turkey (Mechthild Barth) activities
performances (Andrés Pereiro-Schmidt) (Mierle Laderman Ukeles)
media studies 07 subversion view / subversion "getting wasted"
(Tara Babel & physical investigations work as performance daily life koans
media anthropology
Performance as Orgies-Mysteries-
Viennese "total action" (Muehl) Andre Stitt) Extremes of doing nothing with the body (bending, falling, (Servie Janssen)
communication theory media-critical view (see above)
communication guerilla
subversive
Theater Actionism "piss action" (Muehl) (Gebrüder Kunst) and the boundaries of folding, walking, hanging, leaning, ....)
information theory communication systems self-control (Ken Unsworth) (Barry La Va) the daily,
(cf. ceremony art / smearing edibles
net discourse / cyber discourse (Chris Burden, ...)
simulation discourse
media guerilla (Bucky Grinberg) Celebration art) (Hermann Nitsch, G. Brus,
Rudolf Schwarzkogler)
(Karen Finley) (Andre Stitt) Art of walking (Tony Morgan) (Mike Pearson) plots the daily story
(gettoattack) (the kipper kids – Harry Kipper) (Alexander Schmid) (Fabrikanten: walking with no intentions) (the koan)
ironic way of dealing with the physical body as the
communication technologies (Ana Mendieta) suffering bodies (Martyrs)
representation and excess sensing and sensed body (Bob Flanagan, Ron Athey,
Koans - daily life plots daily plots
(Franz John & Merit Aton) sex, blood and flesh rituals
taking blood (ketchup/chocolate sauce instead Eleanor Antin, ...) extract of a story (B. Nieslony) (Kristinn G. Hardarson)
(Peter Gilles) dough –
Theater of blood (Artaud) of blood/feces) Ritualize/fetishize/highlight the ordinary
(Ray Langenbach)
(Paul McCarthy) Performance = Production and reproduction mouth formation (Joelle Ciona) everyday logic, logic of joy
corporeality of feelings (Ann Hamilton)
the real organ of feeling is of corporeality /vs/ logic of fear, logic of ange
transgressive bodies logic of mourning (Hans-Jörg Ma
the entire body electro-welding and other
physical body as physical body, the structure
Literature: Literature: (... continued) self-confirmation by licking craft elements
Literature: Literature: queer theory / gender studies /vs/ body schema relinquishes itself (B/Ph.B) (Angelika Thomas & De Chirico)
everyday prohibitions (1968
Kunstforum Bd. 137 V. Flusser / Gesten Literature: (... continued) the body (Project: Paradise now)
Marvin Carlson / Performance – a critical Dirmoser (DG) (study) Wer fliegt – Abenteuer sexuality discourse / AIDS debate (B. Johannes Blume) body view /vs/ physical body view as body, it internalizes itself
introduction (book) !! Atlas der Künstlerreisen Karl Gröning / Hände Cyberdance – Performance u. neue is inscribed in the body the art of existing
Erving Goffman / On Facework: Kommunikation / Die Fabrikanten Medien / Martina Leeker (article): ... Body theory / body philosophy ritualizing the
Richard Kostelnatz / On Innovative Frauen, Kunst und neue Medien / Ed.
Dirmoser (DG) (study): STWST – TV bio-elektronische Performances body sociology The concept of "performance“ dominates everyday (R. Schwarzkogler)
Performance(s) (book) Heidi Richter et al. An Analysis of Ritual Elements in Social The aspect of the physical body is presentation
Marcel Mauss / Körpertechniken (article) Ute Ritschel / Symposion 2001: Interaction (article) M. Serres / Der Parasit
Handbuch der Kommunikationsguerilla
Ruth Schnell (article): Performance u. dance theory / new body theories
phenomenology of perception
08 physical body view The aspect of the body is representation
American culture as a way of viewing everyday (Thomas F. Fischer)
activity (Bonnie Marranca)
Hubert Klocker (Diss.) / Der Wiener Performance art & Pädagogik Lea Vergine / Body Art and Performance interaktive Medienkunst everyday situations
The Body as Language Luther Blissett, Sonja Brünzels Sophia Totzeva / (PSi7) Differenz und Identität revulsion theory
Aktionismus. Das Orgien-Mysterien- Terretoires Nomades (Anna Dancikova)
Marvin Carlson / Performance – a critical – Medientransformation als Wiederholung bioenergetic therapy
Theater. Eine performancetheoretische Hanne Seitz (Ed.) / Schreiben auf Wasser Gregory Bateson / Ökologische
Kommunikation introduction (book) !! Wolf-Dieter Ernst / (PSi7) Body Check: How
Studie Performative Verfahren in Kunst,
Wissenschaft und Bildung (book on the P. Bourdieu (Habitus/Hexis) Philip Auslander / Performance in a to perform the body in mediated Culture sociology (Bourdieu)
cultural studies
09 everyday view
Gesten u. Körperinszenierungen im Mediatized Culture (book) without getting tired? Literature: (... continued) Literature: (... continued)
symposium: Performance u. Lehre) Literature: new subjectivism
Mittelater Bausch & Sting / Forschungsprojekt: Diane Howard, Stan Dyer / (PSi7) V. Flusser / Gesten Kate Ince / Between the Acts: Orlan,
Charles R. Garoian The explicit body in performance (book)
Medien und Rituale Translation, Transition, and Transformation Performance and Performativity (in: privatism debate
Marie-Luise Lange / Schneisen im K.-J. Pazzini Rebecca Schneider Erving Goffman / On Facework: Literature:
Philippe Dubois / Der fotographische Akt in Cyberspace Powerful Bodies) !!! life philosophy
Heuhaufen – Formen von Performance Martina Koch (Habilitation) / performative Powerful Bodies (book) An Analysis of Ritual Elements in Social Marvin Carlson / Performance – a critical
H. Böhme, P. Matussek / Computer als Tracey Warr, Amelia Jones / The artist´s (game rules of art)
Kunst (article) Pädagogik Translating into Cyberspace (PSi7) Victoria Best & Peter Collier (Ed.) Interaction (article) introduction (book) !!
Gedächtnistheater Lea Vergine / Body Art and Performance body (book) !!!
Hubert Sowa (INFuG) / Kunstpädagogik Anja Diefenbach, Barbara Büscher, Küchenlatein – Performance – Drehbuch Atelier van Lieshout / the good, the bad +
J. Fohrmann / Textur und Performanz: The Body as Language Marcel Mauss (lecture.) / Körpertechniken
und Praxisparadigma (article) Steve Dixon, Martina Leeker 1989 (on Lili Fischer) the ugly (catalogue book)
Medientheorien im Vergleich Peter Gorsen / Sexualästhetik, Grenz- Jean-Luc Nancy
Robert Filliou / Lehren und Lernen als Barbara Büscher / (PSi7) Cybernetic On Cooking (Performance Research) Stadtwerkstatt in Arbeit (catalogue book)
J.L. Schröder (lecture) / Blende und formen der Sinnlichkeit im 20. Jahrh. Prof. Hermann Schmitz – Neue
Aufführungskünste Transformation in Performance. Körper Hermann Nitsch – Leben und Arbeit Jürgen Schilling / Aktionskunst.
Traumzeit – Performance u. Medien Danielle Spera Erving Goffman / Stigma Phänomenologie (Differenz von Körper
Eva Sturm / (article) Kunstf. Bd. 152 u. Medien, (rück)gekoppelt Identität von Kunst und Leben? !!
Martina Leeker / (PSi7) Performativity Stefan Brecht / Queer Theatre M. Haerder & Sumie Kawai (Ed.) / Butoh und Leib) / (book) Der Leib, der Raum Alan Read (PSi7) / Theatre and Everyday Life
and Notions of Media M. Merleau Ponty (entire work) Die Rebellion des Körpers und die Gefühle Davied E.R. George
W. Reich, M. Foucault, F. Nietzsche Charlie Spencer (Ed.) / a catalog of W. Pfaff u.a. / Der sprechende Körper
Bonnie Marranca
Martina Leeker (article) / Der Körper des Queer performance Siemke Böhnisch / Gewalt auf der Bühne M. Foucault / Der Brauch der Lüste (originally.:
Schauspielers/Performers „Das Leben als Kunstwerk“)
als ein Medium L.B. Clark / (PSi7) The Everyday Life of Objects

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