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I was
happy. I was free. I touched pretty nigh everybody for
money when I wanted it, same as I touched you, Engry
Iggings. Now I am worried; tied neck and heels; and
everybody touches me for money.”
3. “I sold flowers. I didn’t sell myself. Now you’ve made a 7. “The great secret, Eliza, is not having bad manners or
lady of me I’m not fit to sell anything else. I wish you’d good manners or any other particular sort of manners,
left me where you found me.” but having the same manner for all human souls: in
short, behaving as if you were in Heaven, where there are
no third-class carriages, and one soul is as good as
Here the key difference between upper and lower women
another.”
is emphasized; many believe that women in the upper
class have nothing to offer while women in the lower
class must work. They simply hold many more This is ultimately the main theme of the story where the
responsibilities than those of the upper class. It is Eliza’s author criticizes the class distinctions. He believes that
turn to honor her statement, “I’m a good girl”, something there are all types of people in each class, both the good
she has always said in the beginning of the book. and the bad. Likewise, they should all be treated similarly
However, with her change in status, all she can do is which is why he says "one soul is as good as another." He
marry and remain in the upper class with nothing to offer. believes that everyone can contribute to the wholeness of
She realizes the decrease in responsibilities and the world (ie: how he changed Eliza) and similarly,
usefulness she will have, and regrets her having Higgins everyone has equal potential. This also reveals the good-
help her change her social status. heartedness of Higgins.
Answer:-
This passage taken from 'The Rivals' written by R.B.Sheridan. Faulkland is speaking
to Captain Absolute.
When Faulkland comes to Bath he calls on Captain Absolute at his residence in
Bath. As they meet, they begin discussing the progress in each others affairs of love.
Captain Absolute reports to him that his affair with Lydia is going on well. But
Faulkland who was not well his beloved,Julia as yet expressed his anxieties to know
about Julia's life, health and spirits. But Captain Absolute who knows that Julia is at
Bath,conceals the fact from him for the sake of fun. So when Captain Absolute
invites him to a dinner at the hotel, Faulkland ignores by saying that he not well
disposed to partake in such rejoicings and entertainment. On being asked by
Captain Absolute as to why he declines the invitation, Faulkland says that he has
many serious apprehension in his mind about the life,health and spirit of
Julia.Captain Absolute asks him to say about the ground of his apprehension.
Replying to Captain Absolute Faulkland says that he has many grounds of
apprehension about his beloved, Julia. One of the grounds is his long absence from
Julia and his absence may be causing doubts, fear and anxieties in her mind.
Secondly she may be anxious to know about his return. Thirdly her health is so weak
and tender that even the slightest change in the weather may affect her health. It
often changes from a good to a bad one. The heat of the noon ,the dews of the
evening and strange winds are the variations in the weather. These variations are
surely to affect her tender health.
It is a human nature that when the two lovers are separated from each other, both of
them have fears and apprehensions about each other,s health and welfare. These
fears and apprehension increase all the more when weather is an element that
affects one's health. Thus Faulkland gives sufficient examples for his(Faulkland's)
anxieties and apprehension. They are usually the fears and apprehensions of a
lover.
Clearly, the passage brings out the character of Faulkland as a sentimental lover of
that kind which is seen in the earlier sentimental drama of Richard
Steele,Hugh,Kelly,Richard Cumberland and Colley Ciber,etc. The episode of
Faulkland and Julia provides some grounds for supposing this drama to be a
sentimental drama. This episode therefore is a kind of skit and caricature of the
treatment of love in the sentimental drama.
EXPLANATION
I do not mean to distress you.—If I lov'd you less, I should never give
you an uneasy mo∣ment.—But hear me.—All my fretful doubts arise
from this—Women are not used to weigh, and separate the motives
of their affections:—the cold dictates of prudence, gratitude, or filial
duty, may sometimes be mistaken for the pleadings of the heart.—I
would not boast—yet let me say, that I have neither age, person, or
character, to found