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B. Stephenson
11/26/18
Semester Project
Margaret Atwood is a Canadian writer born in 1939 in Ottawa. She currently lives
Atwood’s website and biography. She’s published over 40 works of fiction, poetry, and
essays. Some of her more popular being, The Handmaid’s Tale, The Blind Assassin,
Oryx and Crake, overlapping the last six decades. Margaret graduated from Victoria
Margaret grew up in the outback of the Ontario wilderness, her father working as
entomologist, studying insects in the northern Canadian forest. She began writing plays
and poetry as young as six, her father’s profession greatly influencing her appreciation
for nature and tendency towards environmentalism. She spent her free time outdoors
and writing, deciding on her writing career as young as 16, and pursuing a higher
from The American Poetry Review, she talks about a “dark period”, once she began full
time school, between the ages eight and sixteen, she didn’t write and pursued other
careers, “It didn't occur to me that I might be a writer, In fact, at the time, I didn't really
write anything except for school essays. At sixteen I started writing poetry. I don't know
why I wrote, there certainly weren’t any role models around” (Hammond pg. 27). She
attributes this to the lack of history taught on Canadian writers in school as something
Margaret has won more than fifty-five awards for her impassioned writing, some
of the most notable being the Arthur C. Clarke Award in 1987 for The Handmaid’s Tale,
the Booker Prize in 2000 for The Blind Assassin, the Governor General’s Award twice,
and the Trillium Book Award, which she won three times; and has won honorary
degrees from the likes of Oxford University, Cambridge University, and Sarbonne
speller, “A lot of writers spell by ear, but that isn’t how the English language works,”
from Variety’s “ Margaret Atwood On How Donald Trump Helped The Handmaid’s Tale”.
Later in her Career, Margaret continues to pursue environmental and feminist
ideals, books like Oryx and Crake, Year of the Flood, and MaddAddam, “inform her
Academy’s, Special Award Spotlight, Margaret Atwood. The article goes on to share the
ways in which her book company acts sustainable, “the O. W. Toad office (“O. W. Toad”
being an anagram for “Atwood”), where her Toronto team uses sustainable paper,
power, and overall limits their carbon footprint,” (Academy). Margaret’s environmental
activism also extends to bird-watching, a migratory practice her and her husband
Graeme Gibson partake, as Gibson is chair of the Pelee Island Bird Observatory near
Lake Erie. They believe birds are a vital part of the ecosystem, worth protecting at all
costs along with their habitats. Margaret went so far as to have an environmentally
sustainable coffee named after her, “Attwood Blend”, which holds Smithsonian
Migratory Bird Center’s bird friendly seal of approval on its label, qualifying it as organic,
and shade-grown certified, meaning deforestation didn’t take place to produce the
coffee (Academy). “Birds, especially migratory birds, are like an early warning radar
system,” Atwood told the Toronto Star in the Academy, “When things are going badly
wrong with their habitats and environments and their numbers are declining, that’s a
wake-up call.” In a interview with Karla Hammond, Margaret discusses the relationship
“the oppression isn't in nature; it's in what people have done to nature. To ask
that question is to also ask, "Is being a woman necessarily to be oppressed?" The
oppression doesn't come from within the fact of being a woman. It comes from outside
that fact. Of course that separation is only theoretical. The oppression is in people's
attitudes towards nature. You aren't and can't be apart from nature. We're all part of the
Not much has changed since the 1980’s regarding the casual attitudes towards
women, especially in the era of Donald Trump. According to an interview from the
Nashville Public Library, Margaret fictionalized little in The Handmaid’s Tale, all
situations in the book are based on preceding conservative and puritan ideals and
events, “I decided to take these positions and dramatize them, carry them to their
furthest logical conclusions.” She studied 17th century New England puritan ideals and
beliefs in college, the basis for the story, “a throwback to the early Puritans,” which she
studied extensively under a dedicatee of the book, Perry Miller, she goes on, “The early
Puritans came to America not for religious freedom, as we were taught in grade school,
but to set up a society that would be a theocracy (like Iran) ruled by religious leaders,
and monolithic, that is, a society that would not tolerate dissent within itself.” These
ideals are the basis in the United states, and we see remnants of them today with
Donald Trump in the office and the rollback of reproductive health care for women. In
Gilead, the totalitarian society that used to be the United States, fertility and male
sterility create dire circumstances which leads to the justification of “female farming”, as
Margaret puts it. Women’s existence has often been defined by men, in The
Handmaid’s Tale, this becomes quite literal, “They think we're being narrow or
belligerent; where as, all we're saying is "We exist." Not that we're better, just that we're
different. Similarly women have been saying "We exist. We don't wish particularly to be
witchcraft during the Salem Witch Trials, which Atwood’s grandmother, maiden name
being Webster, would refer to as an ancestor. Mary Webster was a girl in 1700’s puritan
New England who was hung for witchcraft, but instead of dying from the hanging, she
dangled from the tree until morning when she was cut loose or escaped.
of a female person wrongly accused, but she is slightly a symbol of hope because they
didn't actually manage to kill her. She made it through." says Margaret in Studio 360
Tale”.
underlying theme, though she shant identify as feminist, shy of the word and it’s many
convoluted meanings, but this is what The Handmaid’s Tale is and has become.
In a phone interview with The New York Times, Margaret goes into great detail
on the schematics of the novel and the TV series adaptation. In the story, the color
coding is as such: the wives wear blue, the aunts wear brown, the marthas wear green,
and the handmaids wear a red gown with a white bonnet. Econowives wear stripes.
“Organizing people according to what they’re wearing — who should wear what and
when, who has to cover up what — is a very, very, very, very old human vocation,”
Atwood said. It dates back to the first known legal code, the Code of Hammurabi, one
part of which stated that “only aristocratic ladies were allowed to wear veils,” she added
(New York Times). In particular, the red was chosen through many influences,
Margaret's trip to Afghanistan in 1978 where she wore a chador, “They weren’t imposing
it on everybody, at that point,” she said, “They did later” (New York Times). Additionally,
the head veil was concocted through adoption of “mid-Victorian bonnets and veils, nun
wimples” which were used to cover women’s hair, as it was unseemly for a married
woman to show. Markers such as a star for Jews or a pink triangle for gays can be
traced back to the holocaust, which undoubtedly influenced Margaret as she was born
into the era, and at the conception of The Handmaid’s Tale was in fact in Germany at
the time of the Berlin Wall. This class system was a way of “identifying people,
controlling people, it’s easy to see at once who this person is,” say Margaret in the New
York Times. Red was also used to identify prisoners of war in Canada, she adds, “who
had the privilege to wear because it shows up so very well in the snow.” Red also had
symbolism in Christianity and European Renaissance, “the Virgin Mary would inevitably
wear blue or blue-green, and Mary Magdalene would inevitably wear red.”
The Handmaid’s Tale is a story about a woman named Offred in the Republic of
Gilead, formerly the United States. The US government was overthrown by a military
coup and replaced by a totalitarian and theocratic government. Due to the decreasing
fertility and reproductive rates, the new government installed handmaids (fertile
women), to elite families to birth their children. Offred stays with the Commander, a
high-up official in the new government, and his wife Serena Joy. They engage in a
thruple of formal wordless sex, hoping to get Offred pregnant. The story is about
Offred’s time with the family, and the commander who likes to break the rules by taking
Offred out at night and allowing her to read magazines and play scrabble. Flashbacks
go back in time to Offred’s life before the Coup with her Husband Luke, her daughter,
and her best friend Moira who she interacts with minimally after the coup. Her family
she loses contact with. Offred’s shopping partner, Ofglen, is part of a secret
underground resistance called “May Day”. After revealing information with each other,
Ofglen conspicuously disappears and is replaced with a new Ofglen. Offred becomes
suspicious and eventually ends up escaping with the help of Nick, the Commander’s
butler who doubles as Offred’s lover and resistance leader. Offred flees to what was
once Maine, where she records the series of tapes that becomes this book. We do not
Margaret announced on her website that she will be coming out with a sequel
novel called The Testaments, in September of 2019! Inspired by the recent fandom and
current events, she writes the sequel more than 30 years after the original.
Works cited
“An Interview with Margaret Atwood on Her Novel, The Handmaid's Tale.” Nashville
web.archive.org/web/20160413050007/http://www.library.nashville.org/nashvillereads/m
argaretatwood_interview_handmaidstale.pdf.
Atwood, Margaret. “Margaret Atwood on How She Came to Write The Handmaid's
write-the-handmaids-tale/.
HAMMOND, KARLA, and Margaret Atwood. “An Interview With Margaret Atwood.” The
American Poetry Review, vol. 8, no. 5, 1979, pp. 27–29. JSTOR, JSTOR,
www.jstor.org/stable/27776273.
Howell, Jake. “Special Award Spotlight: Margaret Atwood.” Academy.ca, 5 Mar. 2018,
www.academy.ca/2018/special-award-spotlight-margaret-atwood/.
Setoodeh, Ramin. “Margaret Atwood on How Donald Trump Helped 'The Handmaid's
tale-trump-feminism-1202748535/.
The New York Times, The New York Times, 14 June 2017,
www.nytimes.com/2017/06/14/watching/the-handmaids-tale-tv-finale-margaret-
atwood.html?smid=fb-nytimes&smtyp=cur%5C.
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