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Violoncello

A Thousand Years
Christina Perri
     
       
p
 
8 A
 3
         

mf

19 cresc.
3 3 
 
          

25
       
       
f

32 B
          

 
sfz f 3
40
3 3
          
   
46 cresc.
     
      

51
       
       
f

58
3
  
           3 V.S.
luizbandolim@gmail.com
Violoncello
2 A Thousand Years / Christina Perri
64 C
3 3
    
  
     
ff

70      3
       

3
   

75
3 3 3
            
p

82 D E

    
   

94
          
    
3 3

99
  3
    
    
f 3

103 dim.
   
    
luizbandolim@gmail.com
Viola A Thousand Years
Christina Perri
                 
p

8 A

     


 
 

3 pp mf

19 cresc.
  3
    

        

25
                
f

32 B
          

sfz f

40
   
    




 
    

48 cresc.
 3   
           
f

54
              
3 V.S.
luizbandolim@gmail.com
Viola
2
60 A Thousand Years / Christina Perri

              

66 C
3    
              
3 ff

72
      
  

p

78 
    
  

83 D E
   
        

96
    
        
f

102    

    
 
luizbandolim@gmail.com
Violin II A Thousand Years
Christina Perri

                
p

8

A
    
       
3 pp p 3 3 3 3

   


17
   
3 3 3 3 3 3 3 3 mf


22 cresc.

            
f

   
28
         
sfz

 
B

35
           
f 3 3

                       
42
 
3 3 3 3 3 3 3 3

   
46 cresc.

           
3 3 mf


51
              
f V.S.
luizbandolim@gmail.com
Violin II
2 A Thousand Years / Christina Perri
 
58

            
3

65 C
       
    
3

3 ff

       
70
     
3

 
75
         
p

83

D
 E

          

       
96
     
f 3

102
         
dim.

    
3
luizbandolim@gmail.com
Violin I
A Thousand Years
Christina Perri
   
             
p
8

F A
     
       
3 pp p 3 3 3 3

    


17
  
3 3 3 3 3 3 3 3 mf
22
          
cresc.

 
f
28
       
     
sfz

       
35 B

      
f 3 3

                       
42
 
3 3 3 3 3 3 3 3

46
          
cresc.
  
 
3 3 mf

    
51
          
f V.S.
luizbandolim@gmail.com
Violin I
2 A Thousand Years / Christina Perri
58
            
  
3

65
 
C
   
      
3


3 ff

69
         
 

  
  
75
     
p

83

D
 E
 
        

 
96
      
 
f


         

102 dim.

 
3
luizbandolim@gmail.com
A Thousand Years
Piano/
Flauta
Christina Perri

 
B¨9 B¨ F/A G‹7 G‹ G‹/F E¨ B¨/F
  
 
         

A      

8 F E¨9 B¨/D G‹7

         
   
3 3

  
 
14 F/A B¨9 E¨ B¨/D
       
  
   
3

      G‹7  
G‹7 F/A B¨9 C‹7 F

19
     
     

                       
25 B¨ B¨ B¨/A G‹7 G‹/F

    
3 3


 
 E¨   
   
29 E¨ E¨/F F

     

3
B       
  
35 E¨9 B¨/D G‹7 F/A B¨9

         
3

     
 
41 E¨ B¨/D G‹7

          
3

46

F/A B¨9 C‹7

 
F
 G‹7  
F

    
       
V.S.
luizbandolim@gmail.com
A Thousand Years / Christina Perri
2

          
51 B¨ B¨ B¨/A G‹7 G‹/F E¨
   
  
        
  
    



 


               
56 E¨/F F B¨ B¨ B¨/A

    
3
3

 G‹/F 
       
61 G‹7 E¨ E¨/F F
         
      
  


C 

67 B¨9 B¨ F/A G‹7 G‹ G‹/F E¨ B¨/F

              

  

74 F C‹7 G‹7 F C‹7 C‹7 F
    
     

 G‹7 F 
                  
D B¨ B¨ B¨/A G‹7

81

3

      
    
86 G‹/F E¨ E¨/F F

      
3 3

                      
91 E B¨ B¨ B¨/A G‹7 G‹/F

     
3 3


   
    
95 E¨ E¨/F F

    

 E¨    

99 B¨/D E¨ G‹7 F E¨

         
luizbandolim@gmail.com

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