BERLIOZ : Romeo und Julia

4. Teil

III.Horn in As alto

 

Scherzo prestissimo

               
        
        
p
     
      

pp
              

1

HKRÖGER
 BERLIOZ : Romeo und Julia
4. Teil

III.Horn in As alto

 

Scherzo prestissimo

               
        
        
p
     
      

pp
              

1

HKRÖGER
 BERLIOZ : Romeo und Julia
4. Teil

II.Horn in C
Scherzo prestissimo
          

        
p

 
             
p


     
  
            

HKRÖGER
 BIZET : Carmen
3. Akt, Nr. 22
I.Horn in Es
Andante molto


                                 
 
pp espress.

             

 

   

pp p

                   
 


p

       
   
 



                         
wie Echo

           
p ppp smorz.

HKRÖGER
 BIZET : Carmen
3. Akt, Nr. 22
II.Horn in Es
Andante molto
                  
wie Echo

            
p ppp smorz.

HKRÖGER
 BOIELDIEU : Die weiße Dame
Nr. 8, Cavatine

I.Horn in Es

 
Andante con moto

                         

 
p dolce

             
                  
   
6

HKRÖGER
 BRAHMS : Serenade D-Dur
1. Satz

I.Horn in D
Allegro molto
 

     
 
     
p
     
    

HKRÖGER
 BRITTEN : Peter Grimes
Der Sturm
I.Horn in F
         
Allegro molto
         
        
     
ff
     
       
         
         
    
fff marc.
   
   
    
      
sf
 

                  
     
sf

HKRÖGER
 BRUCKNER : Sinfonie Nr. 8
1. Satz
I.Horn in F

      
Allegro moderato

 
  
       
p dimin.

HKRÖGER
 BRUCKNER : Sinfonie Nr. 8
2. Satz
II.Horn in F
Adagio

   
    
    
p dim. p

3. Satz
II.Horn in F

 
          
  
          
         
mf

          
                
cresc. f dim. p

                  
dim. pp

4. Satz

 
             
II.Horn in F

    
 

  
p mf

                
 
          

f f

HKRÖGER
 BRUCKNER : Sinfonie Nr. 9
1. Satz

I.Horn in F
gestopft
       
           
pp accel. sempre

     
   
riten.


I.Horn in F

          

Langsamer

      
p
pp

              

      

HKRÖGER
 CHOPIN : Klavierkonzert Nr. 2
3. Satz
I.Horn in F
Allegro vivace


   
3 3

    
    
f p

HKRÖGER
 DEBUSSY : La Mer
I.Horn in F
Modéré, sans lenteur

              
sord.
      
    
p expressif et soutenu mf

 
            
 
p piú p

           ,        

ouvert
 
     
mf trés soutenu p cresc. marqué mf

HKRÖGER
 DEFALLA : Der Dreispitz
The Miller`s Dance
I.Horn in F

   
Poco Vivo

                
ff


poco affrett.
       
a tempo
              

p f

HKRÖGER
 DUKAS : Der Zauberlehrling
II.Horn in F


Allegro
                                 
 
 
       
   

ff

            

         
   
   
 


    
        

        

      
      
ff trés marqué

HKRÖGER
 DVORÀK : Sinfonie Nr. 8
1. Satz
I.Horn in F

  
Allegro con brio
        
3

        
p p pp

      
               
pp pp

           
dim. ppp

HKRÖGER
 FLOTOW : Martha
Ouverture
I.Horn in A
Larghetto

                 
  

 
      

p

    
                      
 

                         

 
   

              
  
 
ff
cresc.

HKRÖGER
 GOUNOD : Faust
1. Akt
I.Horn in E
Andante

              
   
mf dolce

                
      
   
pp

HKRÖGER
 HÄNDEL : JULIUS CÄSAR
ARIA : Da sah ich einen Jägersmann

I.Horn in F

                                     
Andante e piano

      
p cresc. mf p cresc.

                                    
 
f p f p mf p

           
 
   
       
f pp

                
              
f p cresc.

   
                      
  


f p f dim.

                                        
 

                                       
p f p cresc.

 
p cresc. f ff

  
                       
  
cresc. f p

                          

         
       
    
f p f p mf

 
cresc.

            

   
      
ff allargando
 
HKRÖGER
 HAYDN : Abschieds-Sinfonie Nr. 45
4. Satz
I.Horn in A

     

Adagio 3

       

p 3 3 3 3 3 3 3 3
 HAYDN : Abschieds-Sinfonie Nr. 45
4. Satz

II.Horn in E
Adagio

 3    3  3

3

                 
3 3 3

p3 3 3 3 3
 HAYDN : Cellokonzert D-Dur
1. Satz
I.Horn in D
Allegro moderato

                   
   

  
f
 HAYDN : Die Jahreszeiten
Sommer
I.Horn in F
Allegretto 
  
                   
         

f

    
      
         
 
                 

 
 
  
   
  
  
            


   

           

 
 HAYDN : Die Schöpfung
Nr. 8
I.Horn in B
Andante
      
     
p p

I.Horn in Es

Nr. 27
        
poco Adagio
     

p
 HAYDN : Oxford-Sinfonie Nr. 92
4. Satz
II.Horn in G


Presto

             

           
p


             
           

                
 
p

             


HKRÖGER
 HAYDN : Sinfonie Nr. 55 "Der Schulmeister"
4. Satz
II.Horn in Es
Presto

  
            
p
    
   
               
   
 HAYDN : Sinfonie Nr. 104
4. Satz
I.Horn in D
Allegro spiritoso
         
 
  
fz fz

         

   
fz fz
 HAYDN : Sinfonie Nr. 104
4. Satz
II.Horn in D
Allegro spiritoso
         
 
  
fz fz
         
   
fz fz
 HINDEMITH : Mathis der Maler
Die Versuchung des heiligen Antonius
II.Horn in F

3   3
Lebhaft

     
   
  fp    
f
     
3
 
    
3 3   3

          

 

f cresc.

      3
3 3

   
3

ff
       
f
 3   

3 
          
 3 
      
3
   

   
ff
 
3
  3        
3
 

cresc.

    
3

  
3

   
fff

HKRÖGER
 JANACEK : Sinfonietta
3. Satz
I.Horn in F
più mosso
            
                   
 
sf sf sf sf
           
                   

           
               

           
               
    
sf
         
                   

cresc.

HKRÖGER
 KODALY : Hary Janos-Suite
Intermezzo

I.Horn in F


                  
         


f 3 3

  
         

                 
3 3

pp
 KODALY : Tänze aus Galanta
I.Horn in F

          

Lento

     
f espress. dim. ppp
 Kreutzer : Das Nachtlager von Granada
Ouverture
I.Horn in F

                


Andante maestoso
  
    
espress.

       
           
 
fp

HKRÖGER
 LORTZING : Der Waffenschmied
Ouverture

III.Horn in F
   
             
Larghetto
    
     
 
p espress.
 
          
           

dolce
 LORTZING : Der Wildschütz
15. Szene
III.Horn in A
molto moderato
               

      
pp
            
   
 
sf p
 LORTZING : Der Wildschütz
15. Szene
IV.Horn in A
molto moderato
        
             

pp
          
     
sf p

HKRÖGER
 MAHLER : Rückert-Lieder
Ich bin der Welt abhanden gekommen
II.Horn in Es (auch F möglich)
äußerst langsam und zurückhaltend

               
nicht eilen
                
 pp pp
p
 MAHLER : Sinfonie Nr. 4
1. Satz

                     
I.Horn in F


    

ff 3 3 3

                
   

   
    
3 p ff p

3. Satz
langsam

                 
    
pp p

        
       

pp
 MAHLER : Sinfonie Nr. 6
1. Satz


I.Horn in F

                  

Immer ruhig, ohne zu schleppen

      
p  p

             
    
   
p

I.Horn in F 3. Satz
Andante moderato

  
            
p espress

       
    
 
    
p

HKRÖGER
 MAHLER : Sinfonie Nr. 6
4. Satz
IV.Horn in F

  

Sostenuto
     
3

     
fliessend  
p
II.Horn in F

         


 
  
pp

II.Horn in F

  
     
+IV. 3

    


fliessend       
mf espress.

HKRÖGER
 MAHLER : Sinfonie Nr. 7
2. Satz, Nachtmusik
I.Horn in F

   
Allegro moderato
 
kurz

   
verklingend
   

 verklingend
f rufend

lang

        
         
fp f rufend
f rufend fp f

I.Horn in F

            
Andante molto moderato
           
    
f pp

    
           
 
   
         
pp p p p p

   
I.Horn in F
 
   
 
      
   
f pp p

         
                 
a tempo

dim. p
 rit. f
f

 
                      
  
 

sfp f dim. sf sf

HKRÖGER
               
I.Horn in F

     
    
pp sempre pp

 
  non legato
     
fließend
      
 
                  

        
3 3 3 3 3 3 3 3 3 3 3


3 3 3 3 3
 
                            
3 3 3 3

3 3 stacc. sempre
3 3 3 3

                 
3 3

 
3 3 3 3
          
   

HKRÖGER
 MARSCHNER : Der Vampyr
Ouverture
I.Horn in A

         
Allegro

            
dolce

       
        
    
 fp
p cresc.

    
           
fp
 

 
     
  
      
   
fp

 

     
           

HKRÖGER
 MOZART : Cosi fan tutte
2. Akt, Nr. 25
I.Horn in E
       
Adagio

              
p p

             

 
         

     
     
  
p

                
Allegro moderato

       
p

                        
      
p p
 MOZART : Cosi fan tutte
2. Akt, Aria Nr. 25

II.Horn in E

         
Adagio
 


           
p p

        
  
      


                 
  ( )  
 p


Allegro moderato
              
 
p

   
            
p

    
 
 
p

 MOZART : Die Zauberflöte
2. Akt, Finale

II.Horn in G
Allegro
 
              
f
 
    
                   

       
  
 MOZART : Figaros Hochzeit
Nr.1, Duettino
I.Horn in G

                     
Allegro

  
3 3

       
p 3 3
 

             
3 3

      
3 3
   f

 
 
                  

Nr. 3, Cavatina
I.Horn in F

                
Allegretto

      
                  
p

   

                     

 MOZART : Figaros Hochzeit
Nr. 1, Duettino
II.Horn in G
Allegro

                        
3 3

     
p3 3
 

     
      
 
3 3

     
3 3
   f

         
      
    

Nr. 3, Cavatine
II.Horn in F

         
Allegretto

              
p

        
            

            
     
   
 MOZART : Idomeneo
2. Akt, Nr. 11
I.Horn in Es

      
 
   
Andante ma sostenuto

     
 
 

p
p


           
       
 

 
                       
 
p p p p

               
      
          

p

   
           

       
           

    
     
  
      
  
       
cresc. f p
    

        
          

    
                

       

cresc. f p

                 
       
cresc. f p p

              
pp
 MOZART : kleine g-moll Sinfonie
II.Horn in B alto
Allegro
   
         
f
 

          
        

      
           

        
  
 MOZART : Violinkonzert A-Dur
1. Satz
I.Horn in A

 
Allegro aperto

                
p f
 PROKOFIEFF : Romeo und Julia
Suite Nr. 1
I.Horn in F
Adagio dramatico

    
   
+III.

        
      
ff espress. e dramatico
ff espress.

       
  
            
        

ff

      
  
a tempo

             
    
          
poco rit.

       
    
 
ff espress. e dramatico
poco meno 

         
            
     ff

Suite Nr. 2


I.Horn in F

      
  
Adagio
   
    
ff espress.

           
        

  
 
  
 
              
     
 
mf  
ff espress.

                  
 
  

f

HKRÖGER
 PROKOFIEFF : Romeo und Julia
Suite Nr. 1
II.Horn in F
Adagio dramatico
    

            
      
ff espress. e dramatico

      
ff espress.

                 
           
ff

      
       
a tempo
     
 
poco rit.

          

  
         
ff espress. e dramatico

    
            
          
ff

Suite Nr. 2


II.Horn in F
Adagio
  
      
     
    
ff espress.

           
        

  
 

        
             
      
mf 
ff espress.
                  
 
  

f
HKRÖGER
 Ballettfassung
II.Horn in F

    
Adagio

        


  
   
mp 
ff espress.

           
       

  
    

  
          
   
   
     
mf ff espress.
                   
 

rit.
 
f

HKRÖGER
 PROKOFIEFF : Romeo und Julia
Suite Nr. 1
II.Horn in F
Adagio dramatico
    

            
      
ff espress. e dramatico

      
ff espress.

                 
           
ff

      
       
a tempo
     
 
poco rit.

          

  
         
ff espress. e dramatico

    
            
          
ff

Suite Nr. 2


II.Horn in F
Adagio
  
      
     
    
ff espress.

           
        

  
 

        
             
      
mf 
ff espress.
                  
 
  

f
HKRÖGER
 Ballettfassung
II.Horn in F

    
Adagio

        


  
   
mp 
ff espress.

           
       

  
    

  
          
   
   
     
mf ff espress.
                   
 

rit.
 
f

HKRÖGER
 PUCCINI : Tosca
3. Akt
I.Horn in E

Andante sostenuto

  3

 
3 3 3

               
         
ff unisono
     
3


  
 

        
3
 
3
   
pp

HKRÖGER
 PUCCINI : Tosca
3. Akt
II.Horn in E
 
   
   
Andante sostenuto

  
3 3 3 3

          

      
ff unisono
   3 
        
 


        
3
 
3
   
pp

HKRÖGER
 RACHMANINOFF : 2. Klavierkonzert
1. Satz

I.Horn in F

      
moderato
  
   
p dolce

  
         
pp p dim. pp
dim.

      
  

HKRÖGER
 RAVEL : Daphnis und Chloé

I.Horn in F
Modéré (quasi cadenza)

            
3

   
p Sordino 3
3

      
   
 



I.Horn in F

      
assez lent.


 
  

p
  
       
 
  
p

 
     

p 

HKRÖGER
 RAVEL : Klavierkonzert G-Dur
1. Satz
I.Horn in F
             
Andante


p espressivo
         
     

HKRÖGER
 RESPIGHI : Pini di Roma
Nr. 1
III.Horn in E
Allegretto vivace

       
            
+IV.
   
        
          

ff     
   
          
            
               
string.
 
 
cresc.
       
    

HKRÖGER
 ROSSINI : Der Barbier von Sevilla
Ouverture

I.Horn in E

        
Andante maestoso

             
 
   mf
p dolce

I.Horn in G

                 
        
Allegro

           
  
            
dolce

        
p

     
  

HKRÖGER
 ROSSINI : Der Türke in Italien
Ouverture
I.Horn in F

       
Adagio

                 

                 
fp espress.
               
  
       
 
        



              
 

                   
  
 
   
smorz. a poco

            

3
3
p

HKRÖGER
 ROSSINI : Die Diebische Elster
Ouverture
I.Horn in E
       

 
  
Maestoso marciale
     
    
p pp 3 3

HKRÖGER
 ROSSINI : Die Italienerin in Algier
Cavatina Nr. 2
I.Horn in Es
      
 
Andante

              

     

p

f

   
                        
    
  
3 3 3
3 3

       
       
 
p

                

  

f p


                           
Allegro

p 3 3

          3  3
         
p 3
 
3

       3  3       3  3
            
       
3   3
 
3 3

       3  3          
         
  
3   3
3 3 cresc. - - - - -

    
  
- - - - - - - - - - f sf
HKRÖGER
 ROSSINI : Wilhelm Tell
Ouverture
III.Horn in E

                        
Allegro vivace


ff


            
 
    
sf

            
  


   
p
        
      

HKRÖGER
 SCHOSTAKOWITSCH : Cellokonzert Nr. 1
1. Satz
I.Horn in F
  
         
Allegretto

           
 
   
f
      
   
      
  
 

  
    
            
I.Horn in F

     
  
ff

        

            

 
   
 

    
 
   
 
f
I.Horn in F
       
  
  
   
ff

    
        
  
  
  

         
           



     
            


 SCHOSTAKOWITSCH : Cellokonzert Nr. 2
2. / 3. Satz

I.Horn in F

    
 
Allegretto

                   
ff

                 
  attacca 3. Satz Allegretto
 
   
ff 3 3

                  
   
3 3

                
     
3

   
3
   3   3    3   3 
       
3

              

3 3

      

    
                      

     
      
3 3 3

              
3 3

  3

   3    3   3    3      
   
3 3

 3
  3
    
                
3
                     
I.Horn in F
    
 
                   
ff 3 3 3

    
    
3 3

                 
     
3 3 espr rit.


                                
a tempo
 
                                       

   

 
 
    
                                    

  
       
                
 SCHOSTAKOWITSCH : Cellokonzert Nr. 2
2. / 3. Satz
II.Horn in F
    
     
Allegretto

               
ff

                 
  attacca 3. Satz Allegretto
 
   
ff 3 3

                  
   
3 3

   
                  
 
3

              3   3   3   
3 3

 
3

 
3 3
         
           

 
               
3

           

 
3
 3
 
              
3 3 3
     

 3  3 3 3 3 3

                      

 3  3  3 
                
                             
II.Horn in F

   
ff 3 3 3 3 3

                      

 
3 3

            
                    
espr rit. a tempo

                                         

   
                             
   

 
                      
                       

  

                       
 SCHOSTAKOWITSCH : Sinfonie Nr. 9
3. Satz
I.Horn in F


+III. Presto           
            
  
                 
  
f
 

I.Horn in F
unisono
 
          

       

     

ff espress.
    
         
  
ff
 SCHOSTAKOWITSCH : Sinfonie Nr.9
3. Satz
II.Horn in F
Presto
           
       

  
 

          
         

f
 

mf

II.Horn in F

    
unisono

              

     
ff espress.

    
          
  
ff
 SCHOSTAKOWITSCH : Sinfonie Nr. 10
4. Satz
III.Horn in F

Allegro
               

              
+I.

f
      
    

     
fp f
             
     
f
 SCHUMANN : Sinfonie Nr.1
2. Satz


        
I.Horn in Es
 
Larghetto  
   
  

     

 
p dolce cresc. p

                

    
   
sf dim. f dolce

  
                    
  
sf p dim.
 STRAUSS : Arabella
I.Horn in F

      
     
Andante

    


     
p
pp espr.
    
  
a tempo
     
rit.
     

cresc. - - - - - f
 STRAUSS : Ariadne
Ouverture
I.Horn in Es


Andante
     
   
       
p espress.


I.Horn in Es
   
      
  
mf molto espress.

         
p pp
 STRAUSS : Capriccio
Letzte Szene

I.Horn in F

                      
 
Andante con moto
   
ppespr.

               
    

                       
    

 
       
   
       
pp

      

               

 
              


                   
cresc. - - - - - -- - - - - - mf pp

                    

p mf cresc. - - -f - fp fp

    
                 
 
f dim. - - - - p- -

    
      
dim. ppp
 STRAUSS : Daphne
I.Horn in F
Allegro moderato

               
   
p 

   

1. 2.


5

          
 f

                   

dim. p

      

            

  
   
            


          
    
cresc. -

   
5

            

- - - - f
 STRAUSS : Der Bürger als Edelmann
Nr. 1

    
II.Horn in F

           

Allegretto





p pp

             
 
   

p p

 
        

  
 

p dim. - - pp
       
p


        

    
p
    pp
 STRAUSS : DER ROSENKAVALIER
Einleitung
II.Horn in E
   
   
Allegro agitato
        
  
f 
  
         

mf  
   
cresc.

       
       
ff

   
II.Horn in E
 
 
+IV. 3 3

     
ff      
sfz

  
sfz

   
   
3 3

    
3

  
ff


1. Akt
IV.Horn in Des

 
  
Tempo di Minuetto

 
  
    
 

pp espress


             
pp p
mf

 
         
dim.

cresc. f   p
 
  
   
 
  
p


cresc. - - - - - f dim.

      


    
cresc. - - - - - -f 
dim. p

II.Horn in E


 
Tranquillo

         
pp
    

   
    

p dim.
  
pp

II.Horn in E


  
          
  
 
fp pp

   
   

 
pp

      
fp pp
 STRAUSS : Die Liebe der Danae

2. Akt
IV.Horn in E

  
 
     
 

 
p cresc. - - - - f


       

            
 p

  
       

    

 
 sfz

         
 
  
 
pp cresc. - - f  
fp


            
     
cresc. f fp

         

 
 cresc.    
- - - - - - f cresc.

  
      
     

ff
 STRAUSS : Die Schweigsame Frau
1. Akt, Finale

III.Horn in F +I.(Original in G notiert)

    
3

    
Stretta
     
 
3
     
p cresc - - - - f 3
     3
  
       
    
    
3f 3 f
3 3 3 3

       
       
  
 
f f

               3 

          
fp f 3 3

     3     3
3
  
3 3 3
             
3 3 ff   
p

2. Akt, 11. Szene

I.Horn in F

 
molto tranquillo
 
                         
p 3 3

          

          
3


III.Horn in F
sempre piú tranquillamente

     
             
dim.  
 STRAUSS : Alpensinfonie

$ ! %$ #
I.Horn in F
#
!
"! & # %# $! $' # # ( ( # )
p espr.

* $ # ! $ #! $ # # #
" ) + %# $ %$ !$ $ $ $!%$ %# #! $
$
mf espr.

# ! % $ #! % $ # ! % $ %# %$ $ %$ $ $ !%$ % (
%$ ! $
(
" (
f

$! $ %# ! +
, $ $ %$ $! %$ $
$ $
" # ) ) + $
%#!
$
 STRAUSS : Eine Alpensinfonie
Eintritt in den Wald
II.Horn in F
(sehr getragen)
 
3 3

(weich)
ff
 
ff
        
 espress.
dim.f

  
    

3 3
    
       dim.
p

Durch Dickicht und Gestrüpp auf Irrwegen

II.Horn in F
Immer im Charakter heftigen Drängens
   
   
            
p f

              

3 3
  
        
3 mf
3 3

            
    
3
f
   
3


 
         
       dim. p 3 3

 
                      
   
f ff
 STRAUSS : Elektra

 
 
I.Horn in F
3

 
  
3
  

   
 

marcato p


marcato pp

  
3

     
     
marcato f 3 p f
 STRAUSS : Frau ohne Schatten
1. Akt, 2. Szene
III.Horn in F

                    

3
  
     
p  
1. Szene
I.Horn in F

                   

wild und stürmisch

ff
        

         
      
ff        

                   
 
 
ff

           
     
        
ff

                
       

2. Akt
I.Horn in F
    
 
ziemlich gehalten
 
     
  
p (hervortretend) mf


     
a tempo
  
    
acc.
  
f p
 3. Akt

     
I.Horn in F
       
    
ff

            
  
ff

               

    

   
3

     


I.Horn in F



lebhafter

  
acc.
  
f mf


noch lebhafter

 
 
Tempo I acc.
    
  
f cresc. ff

 
etwas beschleunigen

      

f espress.
  etwas breiter

          
cresc. ff
 STRAUSS : Frau ohne Schatten
1. Akt
II.Horn in F
wild und stürmisch

                      
          

ff

          

      
ff        

                  
ff
         

         
          
 ff

             
             
 STRAUSS : Salome
Salomes Tanz
I.Horn in E

   
ziemlich langsam

                   
p espress. 3
3 3

             

3 3

      

        
3

3 3
mf più espress. allmählich etwas fließender

   rit. acc.

         
3
 
3 ff 3 dim. - - -

   
f

        
 
3

   
viel bewegter pp


pp

      
      
3

espr. mf

          

mf f

       
        
 

          

rit. p
dim. - - - - -
 STRAUSS : Salome
II.Horn in F

  
                         
    mf 

                     

f

 p

mf
  
                 

  
          
 f ff
     
    

     
ff 3 p 3 mf

       
3
 
mf 3 mf

II.Horn in E

                

  
ff

         
 
      
ff 

        3     3
   
ff acc. - - - ff

  

wieder früheres Zeitmaß
       
     
ff

II.Horn in F

3 3 3 3

                 

3 3 3 3

            
f
f
 STRAUSS : Zarathustra
III.Horn in F


Bewegt

     
3
             
 
f 3 6
f sehr ausdrucksvoll 6



                
3 3
f dim. ff espress.
 STRAUSS : Der Rosenkavalier
Einleitung
I.Horn in E


Allegro agitato
     
  
+III.
    


     
ff 3

 
f

   
 
 
           
3


f ff 3 3

3

  
 a tempo

      
acc.

 3
cresc.

     
I.in Es
     
3

       
3 I.in E

    
f 3 f

 
3

3

          
III.in E 3

  
3 p
   
     
3 I.+III.
        
  cresc.
mf 3 f

 (I.)    (III.)      (I.)  

(I.+III.)
 
          
 
3 ff 3 3 3 ff

2. Akt

III.Horn in E
       
      
pp 3 3


         
I.Horn in Es

    
     
 dim.  
p espr. 3 3
 3. Akt
I.Horn in F

          
   
+III.
    
 
 ff         
f
     
      


    
   
         
     
ff
 STRAWINSKY : Der Kuss der Fee
I.Horn in F

               
Valse
                
mf dolce mf dolce

                             
       
mp

               
       
p ma marc.
 STRAWINSKY : Le Sacre du Printemps
I.Horn in F

               
Tempo giusto
  

        
mp (en dehors)

 
I.Horn in F

                 
    
f marc

 
I.Horn in F
 3            3
 
       
f 3 3 3

          
                           
3 3 3 3
3
  3
3 3
3 3

   3
   3           3 
               
3 3 3 3 3
3
 
    
3
                   3
     

3 3 3 3 3 3 3
3
 STRAWINSKY : Le Sacre du Printemps
IV.Horn in F
          

     
          
   
sf  sf 
II.Horn in F

                3
          3

            
3

mf 3 3 3 3 3 3 f3 3 3
   3
             3
       3
     
3 f 3 3 3 3 mf 3 3

   3              3    3
      
3 3 mf 3 3 3 3 3 3

                    3
     3

            
3

3 3 3 3 3 3 3 3 3
cresc.
    3              3
      
3 3 3 3 3 3 3 3

IV.Horn in F

  3  3  3  3

           
mf3 3 3 3 f3 3 3 3 3

      3
        3
          3

          
3 3 3 3 3 3 3 3 3

 3  3  3  3

     
3 3 3 3 3 3 3 3 3 3 3 3

   3

         3

         
3

3 3 3 3 3 3 3 3 3 3 3
cresc.
 STRAWINSKY : Petrouchka
I.Horn in F
Allegretto

        
+III.       
      
f cantabile

                  
   

     
            
 
f e ben cant.

              
     

           
      
 
 STRAWINSKY : Psalmensinfonie
III.Horn in F
3  
 
         
3
      
+I. 3
            
3 3
  
3 3
f ben marc. 3 3
 THOMAS : Mignon
Ouverture


I.Horn in Es
Ruhig

                       

p espress.

            
      
  
cresc. sfz dim. pp

 
            

HKRÖGER
 VERDI : Aida
2. Akt
I.Horn in Es
        3       
             
f pesante f cantabile

            
        

             
 

           
 
f 3 3 pp
 VERDI : Don Carlos
Ouverture
I.Horn in D
Andante sostenuto assai
   
               
   
mf mf

      
         

              
f f p

        
ppp p f mf ppp

 
      
    
       

f pp
  
       
mf f
  
p
III.Horn in E
Andante sostenuto assai

      

          
mf mf

   
     
  
        
f f p

              
        
ppp p f mf ppp

      
           

f pp


 
  
 

     
mf f

 VERDI : Don Carlos
Ouverture
II.Horn in H
  
             
Andante sostenuto assai
   
    
mf

            
mf

        
  



f p f p
        
             
ppp p f mf ppp f
          
      
   
pp mf
   
   
    
f  
dim. allarg.
pp morendo

IV.Horn in A

             
Andante sostenuto assai
   
        
f mf f
     
mf

     
           
   
p f p ppp p
  
f 

           
      
   
f pp
  
        

mf f dim. allarg.
 
ppmorendo
HKRÖGER
 VERDI : Il Trovatore
Preludio
I.Horn in E

            3 
Allegro assai sostenuto
3

          
ff
  3 3
  
3 3

               
3 3 3


         
pp

       
pp 3 3 3
 VERDI : Othello
I.Horn in E 1. Akt
                     
Allegro

         
ff unisono


    
            
 
 

                 



2. Akt
I.Horn in E
Allegro assai sostenuto
                 
3 3 3


+III.
   
ff 3 3 3 3

     3 3

   
3
        
           
3 ff

I.Horn in Es 3. Akt
Allegro moderato
            
          
unisono
     
f
  


   

       

      
   
 VERDI : Othello
1. Akt

II.Horn in E

                       

Allegro

            
ff

                           

          

2. Akt
II.Horn in E

   
Allegro assai sostenuto 3
   
3
  
3

           
3 3 3 3
ff

 3 3
           
3
 
           
3
ff

3. Akt
II.Horn in Es

            
Allegro moderato
 
              
unisono   
f


   

       

      
   
 WAGNER : Der Fliegende Holländer
Ouverture

  
         
I.Horn in F
Allegro con brio
     

           

f molto marc. sempre piú f


     
     
     
          

ff

2. Akt, Nr. 7

I.Horn in A

            

sostenuto

       

    
p mf p

HKRÖGER
 WAGNER : Parsifal
3. Akt
II.Horn in F


Sehr langsam
        
     
 
p espressivo

   
   
       
dim.

HKRÖGER
 WAGNER : Rienzi
1. Akt, Finale
II.Horn in Es
Maestoso 3

              
3 3 3

  
3


    p     

 
mf
3 3 3 3

            
   
 
    

HKRÖGER
 WAGNER : Siegfried-Idyll
I.Horn in F
        
         
Lebhaft gut gehalten


p

            
      
        

     

     
    
cresc. f

HKRÖGER
 WAGNER : Tristan und Isolde
II.Horn in F
3

              

p più p
3

    
    

  
p

HKRÖGER
 WAGNER : Walküre
3. Akt, 1. Szene

                          
III.Horn in E

 
Lebhaft

              
p cresc.

                                    
   
 più cresc.
  f


                   

    
       

            

        
 
   
   

                       

  
    
 

                   
 
        
      
        

                                    

   
   


   
                 
             
          

                   
  
          
HKRÖGER
 WAGNER : Walküre

%!
II.Horn in E 2. Akt, 2. Szene
# ! $!
" % ! %'% ! % %( '% ! %%& % ! % '%& % ! %&%
( % ( '% ! % % %( '% ) $ ! $ !
+IV. Belebt

%& & & %& %& &

p &

%!
*
p

# $ ! % ! % '% ! % %( '% ! % % % ! % % %! % %
(
%
& & & & 3& &
p
# %- ( %! % %! ,+ %! %% ! % %% % %%% %%
3 3

% %
poco cresc.
% % % %
& & %& & &
%& %! % % % %& % %
& & & & & ! %
cresc. 3

% % % .!
(/ # ) ) () $
3 3
- . % . % . -
% % % % % %
p pp

3. Akt, 1. Szene
II.Horn in E

- !" $ ! %&%%( )) $ ! %&%%( )) $ ! %&%%( )) $ ! %&%%( )) $ ! %&%%( )) $ ! %&%%( ))

+IV. Lebhaft

%& ! & & %& ! & & %& ! & & %& ! & & %& ! & & %& ! & &

- $ ! %&%%( )) $ ! %&%%( )) $ ! %&%%( )) $ ! %&%%( )) $ ! '%&%&%&( )) $ ! '%&%&%&( ))

p cresc. - - - - - - - - -

%& ! & & %& ! & & %& ! & & %& ! & & %& ! ' %& !

- $ ! '%&%& %&( )) $ ! '%&%& %&( )) $ ! '%&%& %&( )) $ ! '%&%& %&( )) $ ! '%&%& %&( ))
f

' %& ! ' %& ! ' %& ! ' %& ! ' %& !

- $ ! %&% %& ) ) $ ! %& % %( ) ) $ ! %&% %( ) ) $ ! %& % %( ) ) $ ! %& % %( ) )

(
%& ! & %& ! & & %& ! & & %& ! & & %& ! & &
- $ ! %&% %( ) ) $ ! %&% %( ) ) $ ! '%&'% %( ) ) $ ! %&% %( ) ) $ ! %&% % ! %
%
%& ! & & %& ! & & ' %& ! & & %& ! & & %& ! & &
- $ ! %&% %( ) ) $ ! %&% %( )) $ ! % !'% % %( )) $ ! %&% %( ) ) $ ! %&% %( ) )
%& ! & & %& ! & & & &&& %& ! & & %& ! & &
HKRÖGER
 "Walkürenritt"

! 0% ! & %& % !
'% ! % %& . !
VI.+VIII.Horn in E

- !" %( % ! % %&'% ! % ! '% ! %& %& % % !

Lebhaft
'% %!
"f 0 & 0 0 &

! %! .! %! % ) $! $ %( '% ! % %& % ! %!
V.+VII.in E

- .
" 0 &
0% ! %& %& % !
dim. p f

0% ! & %& % ! %! 0% ! %&1. ! .! %!

- '% %! %&

.! %! % ) $! ( ! %! ( ) % '0% ! %# %# %! % %
V.-VIII.in E

- $ % 2 2)2
%" '0% % %"
"
0 # # .!
dim. p ff ff

'0% ! %# %# ' % ! %! %%(

%%!!'%% % !
.!
.!
V.+VII./

2 ) %( '% ! % % % !
%. ( %
%) 2
VI.+VIII.
-
0 " "
V./VII./ 0 # #
ff ff

'0% ! %# %# %! % % '0% ! %# %# 3 % ! VI.+VIII.

! ! %% !
... !!!
%% !! % % ... !! %%%( ) )
% % %
%
- 2 ) 2
ff
2

HKRÖGER
 BARTOK : Kossuth
1. Satz
I.Horn in F
Allegro moderato

  
               
3 3 (+II.)
 
3

       
mf mf

                  

3 3 5
  
         

  
          
  
 
cresc. molto f

p


         
    
 p
sf

HKRÖGER
 BARTOK : Rhapsodie für Klavier

I.Horn in F
Adagio
  
      
             
3

       
  
p espress.


 
3
 
    
    
   
  rit. ppp


3

   
  
                   

pp dolcissimo dim.

HKRÖGER
 BEETHOVEN : Klavierkonzert Nr. 5
1. Satz

II.Horn in Es
Allegro

               
 
dolce

                 

II.Horn in Es
             
    
p

 
  
              
f

HKRÖGER
 BEETHOVEN : Leonore
Aria

        
I.Horn in E
Adagio
         
       

     
cresc. p
          
fp
    

     
mf p p

                   
     

                     

sfp p dolce

   
sfp pp sfz f

      
           
        
p sfp sfp
6 6

               
Allegro con brio

    
f p

  
                       
  
f

        

 
sfz p
                 
   
cresc - - - - - - - - - ff p
                  
   
ff p fp fp fp cresc. f
       
               

p dolce

HKRÖGER
             
    
f ff p

       
                        
 

                             
     

        

  
ff p cresc. f

              
         
p f sfz p

                                
 
cresc. ff p

                
        
ff p fp fp fp cresc. sf fp

  
    

                 
 

  
fp fp f f

 
                  
p fp fp fp cresc. f p

   
              

      
f

    
     
f piú f ff
HKRÖGER
 BEETHOVEN : Sinfonie Nr. 4
2. Satz

I.Horn in Es
Adagio
  
    
pp

HKRÖGER
 BEETHOVEN : Sinfonie Nr. 4
2. Satz
II.Horn in Es


Adagio

   
   
  
pp

HKRÖGER
 BEETHOVEN : Sinfonie Nr. 5
3. Satz
Horn in Es


Allegro


              
 
ff

             


  
         
sf sf sf sf
dim. - - - p


II.Horn in C

         
     
ff
 

HKRÖGER
 BELLINI : I Puritani

I.Horn in F
Andante sostenuto

             
        
  

p espress.

                   
   


   
        
  
    

        
3 3 3 rall.

BELLINI : I Capuleti e I Montecchi

I.Horn in Es

   
      
Andante
        
  
p

        

            


       
          
3 3

                    


      

cadenza
HKRÖGER
 BERG : Wozzeck
1. Akt

I.Horn in F

         
(schwer und wuchtig) poco a poco accel.
  
               
(Ziffer 275) cresc. - - - - - - - - - - -

               

 

    
 
  

- - - - - - - - - - - - ff

Var. 11
 
I.Horn in F


   

con sord.
 ,

   

    
(Ziffer 555) f  pp
pp pp

     
   
 
        
ppp

(pp) ppp

2. Akt

    
Largo acc. -  a tempo
- - - calando

             
           p
I.in F
   
(Ziffer 380)       fp mf

p ma espress. fpp
fp
sfz
a tempo

               

p

        

   
wie aus der Ferne

        
gestopft    
f
HKRÖGER
 2. Akt
I.Horn in F
 3 
3 3
  
3

             
3 3

      
f 3 3
poco rit. - - - -

  

  
3
3
  3

           
3
 
3
- - - - - - - - - - - - - molto rit.

3
        
3 3 3

  
3
  
f   mp  pp

I.Horn in F
etwas zurückhaltend, aber doch schwungvoll
 
  
         
 
             
ff

         
 
  
,
 
3
  
    

         
a tempo e sempre accel.
 
 rit.
         
              
 mf

 
   
3 3

            
    
  
              
p f mp

      
      
    

     
3 f 3
mf


         

             
 
        
3 3 3 3
molto f molto acc. fff
HKRÖGER