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Bulletin bibliographique des études sur les littératures et le film populaires n° 98



décembre 2018

Marginalia est publié 4 fois par an par

565, rue de Provence, Longueuil, J4H 3R3 (Québec/Canada)


can be employed by those advocating for
GÉNÉRALITÉS change. It considers a range of fiction, film,
and non-hegemonic cultural forms, engaging
with topics such as environmental change,
language activism, and cultural imperialism
alongside analysis of figures like Tarzan and


Markus Klaus (eds.), Ficciones que duelen:
visiones criticas de la violencia el las
culturas iberoamericana, Kassel (Hess),
Kassel University Press Verlag, 2018, 288

BREY, Iris, Sex and the Series, Paris,

Éditions de l'Olivier (Les Feux), 2018, 272
Rappel : la rubrique intitulée « Géné-
ralités » présente des ouvrages dans
Depuis les années 2000, les sexualités
lesquels on mélange les genres, les
féminines sont sorties du silence grâce aux
inclassables, les études sur le roman et le
séries télévisées : après Sex and The City, les
film d’aventures, l’humour et le comique,
productions les plus récentes ambitionnent de
la culture populaire en général, ainsi que
raconter la singularité de l'expérience des
certaines « curiosités » éditoriales...
femmes. En quatre chapitres, Sex and The
Désormais, on trouvera aussi dans cette
Series explore les métaphores et les schémas
partie quelques titres consacrés à la
inédits que proposent ces séries récentes, et la
littérature jeunesse
révolution télévisuelle que nous vivons :
comment le " regard masculin " est-il
LITTÉRATURE transformé ou contredit ? Quelles nouvelles
narrations nous sont proposées ?

ESSLIN, Astrid, Lisa SWANSTROM & Pawel

AGNEW, Jeremy, The Age of Dimes and
FRELIK (eds.), Small Screen Fictions, in
Pulps: A History of Sensationalist
Paradoxa, Vashon Island (WA), no 29, 2018,
Literature, 1830-1960, Jefferson (NC),
334 pages.
McFarland, 2018, 242 pages.
From the dime novels of the Civil War era to
Astrid Ensslin, Lisa Swanstrom & Pawel Frelik –
the pulp magazines of the early 20th century to
Introducing Small Screen Fictions
modern paperbacks, lurid fiction has provided
thrilling escapism for the masses. Cranking out
Part 1: E-Lit for Kids
formulaic stories of melodrama, crime and mild
Sara Tanderup – Touching Books on Screen:
erotica—often by uncredited authors focused
Bridging Media Cultures and Generations with
more on volume than quality—publishers
William Joyce’s The Fantastic Flying Books of
realized high profits playing to low tastes.
Mr. Morris Lessmore
Estimates put pulp magazine circulation in the
Aline Frederico – Children Making Meaning with
1930s at 30 million monthly.
Story Apps: A 4-year-old Encounter with The
Covering the history of pulp literature from
Monster at the End of This Book
1850 through 1960, the author describes how
Sarah Mygind – A Chinese Cluster: Danish-Born
sensational tales filled a public need and
Digital Comic as Source for Transmedia Design
flowered during the evolving social conditions
and Innovation
of the Industrial Revolution. Mark Marino – Interview

ATIA, Nadia & Kate HOULDEN (eds.), Popular Part 2: Gaming Fictions
Postcolonialism and Popular Culture, New Ryan House – The Author Interface: Rethinking
York, Routledge, Taylor & Francis Group, 2019, Authorship through Ludoliterary Analysis of The
viii, 275 pages. Stanley Parable and The Beginner’s Guide
Multidisciplinary in focus, this collection Stuart Moulthrop – Deep Time in Play
explores the extent to which popular forms are Karlien van den Beukel – Fallen London:
infused with colonial logics, and whether they Authorship and Game Allegory

Part 3: Networked Narratives nonpareil.Including:1. Georgette Heyer’s
Joshua Hussey – The Image of Agglutination, Literary Genius, by Jennifer Kloester2. A Most
or Many Small Screens Chained Together: Excellent Influence – Jane Austen and
Narrative Assembly in Merritt Kopas’s Georgette Heyer, by Susannah Fullarton3.
Obéissance and Sam Barlow’s Her Story From Arabella to Venetia – Growing Up with
Kristine Kelly – Charting Paths: Networks and a Heyer’s Heroines by Rachel Hyland4. The Heyer
Mobile Aesthetic Practice in Pullinger and Problem – Privilege in Regency Romance, by
Joseph’s Flight Paths and Heyward’s of day, of Cat Sebastian5. Marks of Distinction – Heyer’s
night Mark I and Mark II Heroes by Janga6.
David M. Meurer – Conditions of Presence: Beauvallet: My First Romance Novel Boyfriend,
Topological Complementarities in The Silent by Donna Cummings7. Heyer’s Kissing Cousins,
History by Ruth Williamson 8. What I Owe to Georgette
Dene Grigar – Interview Heyer, by Cheryl Bolen9. 'Bath Tangle' in the
Social Media Age, by Anne-Marie Turenne10.
Part 4: Old / New Aesthetics for the Small Fathers in Heyer, by Janet Webb11. The Grand
Screen Sophy: Matchmaker or Master Manipulator? by
Meredith Dabek – Replies, Retweets, and Jennifer Proffitt12. Reluctantly Watching 'The
Reblogs: Modes of Participation in The Lizzie Reluctant Widow' – Heyer on Film, by Rachel
Bennet Diaries Hyland13. Splash, Dash and Finesse! – Heyer’s
Caleb Milligan – Touching the Page of the Small Magical Pen and Indomitable Spirit on Display
Screen: Haptic Narratives and “Novel” Media in 'The Masqueraders,' by Kathleen Baldwin14.
James O’Sullivan – “The Dream of an Island”: Hearing Heyer – How Audiobooks Breed a New
Dear Esther and the Digital Sublime Appreciation by Karen Zachary15. Learning!
Part 5: Postscript with Georgette Heyer, by Clara Shipman 16.
Steve Tomasula – Vast Landscapes, Small The Mystery of 'Penhallow,' by Madeline
Screens, and Altered Perspectives Paschen17. Behind Closed Doors – Sex in
Georgette Heyer, by Anna Bradley18. Reading
GOURÉVITCH, Jean-Paul, Les Journaux 'The Great Roxhythe' – The Lost Heyer
d'enfants pendant la Grande Guerre, La Historical, by Rachel Hyland19. Beaux, Belles
Celle-Saint-Cloud, Éditions Douin, 2018, 29 and Black Sheep – Georgette Heyer in Bath, by
pages. Kirsten Elliott20. Coming Back to Heyer – How
Cet album illustré montre comment à cette I Came to Appreciate the Slow Burn, by Megan
époque la presse enfantine s'est transformée et Osmond21. The Lost Contemporaries: 'Helen,'
dans sa diversité a invité ses lectrices et 'Pastel,' 'Instead of the Thorn' and 'Barren
lecteurs, par ses récits, ses images, ses jeux, Corn,' by Maura Tan22. Gambling in Heyer, by
les exploits de leurs héros comme Bécassine, Rachel Hyland23. The Apple and the Tree –
Les Pieds Nickelés ou l'espiègle Lili, à prendre Georgette Heyer and the Black Dagger
part à ce conflit mondial au même titre que les Brotherhood, by Kate Nagy24. Was Georgette
combattants au front ou les civils à l'arrière. Heyer a Snob, and Does it Matter? by Tabetha
Waite25. Heyer’s Heirs – What to Read After
HYLAND, Rachel, Heyer Society - Essays on Georgette, by Amanda JonesPlus our
the Literary Genius of Georgette Heyer, contributors weigh in on their favorite Heyer
Boston (UK), Overlord Publishing, 2018, 174 novels, heroes and heroines, along with their
pages. firsts and their worsts.A must for any Heyer
Scholars, authors, bloggers and fans come fan!
together in a celebration of the works and
worlds of Georgette Heyer (1902 - McINTYRE, Iain, Andrew NETTE & Peter DOYLE,
1974).Featuring contributions from renowned Girl Gangs, Biker Boys, and Real Cool Cats
Heyer biographer Jennifer Kloester, heading up Pulp Fiction and Youth Culture, 1950-
a talented team of Heyer devotees, this far- 1980, Oakland (CA), Pm Press, 2017, 328
ranging and thought-provoking collection pages.
considers topics as diverse as intimacy, Featuring approximately 400 full-color covers,
privilege, historical accuracy and contemporary many of them never before reprinted, along
analysis, along with looks at Heyer's influences, with 70 in-depth author interviews, illustrated
and the many writers – and readers – she biographies, and previously unpublished
continues to influence worldwide. By turns articles, the book goes behind the scenes to
learned, personal, insightful and irreverent, the look at the authors and publishers, how they
dozens of essays herein exult in the worked, where they drew their inspiration
unparalleled genius of this true and—often overlooked—the actual words they

wrote. It is a must read for anyone interested SARICKS, Joyce G., The Reader's Advisory
in pulp fiction, lost literary history, retro and Guide to Genre Fiction, Chicago, ALA Editions
subcultural style, and the history of postwar (American Library Association), 2019, 402
youth culture. pages.Edition révisée.

MAIER, Katharina, Moderne Helden: Welten

Retten mit Old Shatterhand, Superman,
Gandalf, Mr. Spock und Sherlock Holmes, CINÉMA & TÉLÉVISION
Bamberg, Karl-May Verlag, 2018, 464 pages.
Karl May schrieb Heldengeschichten und
Heldengeschichten beschreiben unser Jahr- ABRAMS, Nathan, Stanley Kubrick: New
hundert. Wie viel die May-Helden mit den York Intellectual, New Brunswick (New
Superhelden unserer Zeit gemein haben, deckt Jersey), Rutgers University Press, 2018, 328
Katharina Maier in detektivischer Sherlock- pages.
Holmes-Manier in ihrem neuen Buch auf und
zeigt die vielen verblüffenden Parallelen BENYAYER, Laurent & Philippe SICHLER, Jean-
zwischen den ikonischen Figuren der Pierre Mocky: une vie de cinéma, Magland,
Reiseerzählungen und den DC- und Marvel- Neva éditions, 2018, 680 pages.
Helden, tapferen Hobbits und Halb-Vulkaniern.
BINGEN, Steven, Hollywood's Lost Backlot:
MEYER, Sylvie, Le Roman d'aventures 40 Acres of Glamour and Mystery, Guilford
médiéval entre convention et subversion (CT), The Lyons Press, 2018, 264 pages.
(XIIe-XIIIe siècles), Paris, Honoré This Book will, for the first time ever, unwind
Champion, 2018, 360 pages. the colorful and convoluted threads that make
Les récits arthuriens étaient de véritables best- for the tale of one of the most influential and
sellers qui réunissaient tous les ingrédients des photographed places in the world. A place
grands romans d'aventures : exploits, amour, which most have visited, at least on screen,
violence et voyages. Au XXIe siècle, ce genre and which has contributed significantly and
relève de la paralittérature car il place le plaisir unexpectedly to the world’s popular culture,
du lecteur avant la recherche esthétique. Or le and yet which few people today, paradoxically,
roman d'aventures arthurien ne fait jamais le have ever heard of.
sacrifice de lérudition à la « jubilation » du This bizarre, magical place was the location for
texte. Comment expliquer cet étonnant Tara in Gone with The Wind, the home of King
mélange de populisme et d'élitisme ? L'analyse Kong and Superman, of Tarzan and Batman, of
suit le périple de cinq chevaliers du XIIe siècle, the Green Hornet, of Elliot Ness, of Barney Fife,
Érec, Lancelot, Yvain, Guinglain et Yder, of Tarzan, of Rebecca, of Citizen Kane,
jusquau point où tout bascule : l'accident de of Hogan’s Heroes and Gomer Pyle, of Lasse,
parcours qui, en inversant le sens de la lecture, of A Star is Born and Star Trek, and at least
transforme le sens de l'aventure. twice, of Jesus Christ.

REEVES, Richard, The Sexual Imperative in BOCCIA, Luigi, et al., Il cinema di Frank
the Novels of Sir Henry Rider Haggard, Darabont, Roma, WeirdBook, (Overlook),
New York, Anthem Press, 2018, 203 pages. 2018, 124 pages.
The book adopts a chronological framework
which spans the entirety of Haggard's writing BRAUN, Michael, Oliver JAHRAUS, et al., (eds.),
career and considers the novels and Komik im Film, Würzburg, Königshausen &
corresponding romances which he wrote at Neumann, 2018, 400 pages.
each stage in his literary development. It
considers Haggard's literary representations in BREMBILLA, Paola, "It's All Connected"
the context of contemporary sexual behaviours l'evoluzione delle serie TV statunitensi,
and attitudes, and of other contemporary Milano, Franco Angelo, (Media cultura), 2018,
literary representations of sexuality. It notes 192 pages.
Haggard's deployment in his novels of
contemporary literary genres, notably those of CAMPION, Benjamin, "Le Concept HBO":
the Sensation Novel, the New Woman, and élever la série télévisée au rang d'art,
later Modernism, and it examines what he Université François Rabelais, (Sérial), 2018,
contributed to these genres and how his 234 pages.
interpretation of them compared to that of his La chaîne du câble premium américain HBO
literary contemporaries. revendique une démarche artistique sans

concession : « It’s Not TV. It’s HBO ». Sous son 1940s-2000s, Jefferson, McFarland, 2018,
impulsion, c’est un véritable « troisième âge 217 pages.
d’or » des séries américaines qui prend corps à Drawing from official papers and original
la fin des années 1990. Face à une concurrence scripts, this book includes previously
de plus en plus rude et protéiforme, elle unpublished information on the works and lives
continue aujourd’hui d’avancer et de donner of post–World War II filmmakers Pier Carpi,
naissance à des séries qui créent l’événement. Alberto Cavallone, Riccardo Ghione, Giulio
Questi, Brunello Rondi, Paolo Spinola, Augusto
CATENA, Stelvio, La commedia all'italiana. Tretti and Nello Vegezzi.
Dizionario del cinema italiano, Perugia
Guerra Edizioni, 2018, 256 pages. MINI-DOSSIER
CHAMPCLAUX, Christophe, "Tigres et
Dragons" . Les arts martiaux au cinéma - COLLECTIF, Mad Movies Classics : Les
Tome 1: de Tokyo à Hong Kong, Paris, Guy Dents de la mer, Paris, Custom Publishing,
Trédaniel, 2018, 256 pages. 2018, 100 pages.
Grâce à Bruce Lee, les spectateurs du monde
entier découvrent au cours des années 1970 le PREVOST, Alexis, GAILLARD, Claude & Fred
"cinéma kung-fu" se référant à la tradition de PIZZOFERRATO, "Bad Requins" : l'histoire
Shaolin. Au Japon, succédant au Sugata de la sharksploitation, Paris, Huginn &
Sanshiro d'Akira Kurosawa, le Street Fighter de Muninn, 2018, 216 pages.
Sonny Chiba bouscule les codes des arts Après son énorme succès international, les
martiaux traditionnels. Dans ces pages, les Dents de la mer va durablement inspirer pour
principaux artisans de l'âge d'or du genre sont le meilleur (parfois) et le pire (souvent) des
largement évoqués : Wang Yu, Angela Mao, Lo producteurs avides d'exploiter l'appétit mondial
Wei, Lo Lieh, etc. Ce livre raconte leur histoire. pour les monstres aquatiques, donnant
naissance à un sous-genre du cinéma
CHAMPCLAUX, Christophe, "Tigres et d'exploitation encore pérenne de nos jours : la
Dragons" . Les arts martiaux au cinéma - « sharksploitation ». De Peur Bleue (1999) à
Tome 2: du ring à la rue, Paris, Guy Sharknado (2013), en passant par Bacalhau
Trédaniel, 2018, 256 pages. (1975) ou Snow Shark (2014), ce livre
richement illustré offre la première étude
COLLECTIF, Les Cinémas de Caro et Jeunet, d'ensemble sur ce phénomène. Des chefs-
Cernunnos,2018, 190 pages. d'oeuvre aux nanars, il n'y a qu'un pas et vous
Delicatessen, La Cité des Enfants perdus, venez de le franchir....
Amélie Poulain... des entretiens exclusifs, des
documents d'archives montrés pour la première QUIRKE, Antonia, Les Dents de la mer,
fois, plus de 280 illustrations et photos de Talence, Akileos, (BFI Classiques du cinema),
tournage inédites. Un ouvrage de référence sur 2018, 96 pages.
le cinéma d'aujourd'hui.. Artisans du cinéma,
Marc Caro et Jean-Pierre Jeunet ont donné
naissance à des films uniques, à la fois
surprenants et familiers, poétiques et insolites, DABELL, Dawn, More Than a Psycho: The
raffinés et effrayants. Plongez dans leur magie Complete Films of Anthony Perkins, Scotts
au fil des entretiens de ce livre, riche Valley, CreateSpace Independent Publishing,
d'illustrations inédites et de photos de 2018, 332 pages.
tournage. Delicatessen, La Cité des enfants
perdus, Amélie Poulain, Un long dimanche de ESCHKE, Gunther & Rudolph Bohne, Bleiben
fiançailles, redécouvrez leurs films cultes, leurs sie dran ! Dramaturgie von TV-Serien,
projets et leurs courts-métrages. Un ouvrage Köln, Halem, 2018, 287 pages.
de référence pour tous les fans de leur univers
comme pour les amoureux de cinéma. EVIN, Guillaume, Steve McQueen - King of
Cool, Paris, Hugo Image, 2018, 223 pages.
COSTIGLIO, Marica, Andrej Tarkoskij. Il
cinema del sacrificio, Roma, Aracne, 2018, FRANGIONI, David, Clint Eastwood. Icon.
2000 pages. The Essential Film Art, San Rafael, Insight
Editions, 2018, 240 pages.
CURTI, Roberto, Mavericks of Italian
Cinema: Eight Unorthodox Filmmakers,

GAILLARD, Claude & Alexis PREVOST, Dans KOEPNICK, Lutz, Michael Bay, Urbana,
l'enfer de la Rambosploitation, Paris, University of Illinois Press, (Contemporary Film
Huginn & Muninn, 2018, 160 pages. Directors), 2018, 208 pages.
Dans les années 1980, le cinéma de guerre et
d'action connait un renouveau inattendu. Avec Le CLAIRE, Chris, The Films, Televi-
John Rambo, l'Amérique de Reagan, mais plus sion and Stage of Steve Reeves, USN
globalement le monde occidental, démo- Dive Locker Press, 2018, 50 pages.
cratique et libéral s'est trouvé une icône, une
vitrine de chair et de muscles, une carte de LEGGETT, Paul, Good versus Evil in
visite guerrière, tendue à l'empire du mal et à the Films of Christopher Lee,
un bloc sur le point de fondre dans un verre de Jefferson (NC), NcFarland, 2018, x, 175
Coca-Cola. En deux apparitions cinémato- pages.
graphiques seulement, Rambo: First Blood de Sir Christopher Lee (1922–2015) was one of
Ted Kotcheff (1982) puis Rambo: First Blood the most beloved actors of the past sixty years.
Part II de George Pan Cosmatos (1985), la He appeared in more than 200 feature films—
machine de guerre est entrée dans l'imaginaire from Hammer Horror and James Bond thrillers
collectif, a généré des codes et un décorum que to Star Warsand Lord of the Rings—and more
ses clones ne cesseront d'observer avec la than 100 made-for-televison movies. A
méticulosité du faussaire. versatile performer, he played a menacing
figure in Dracula and The Wicker Man, a tragic
GRAHAM, Don, Giant: Elizabeth Taylor, Rock one in The Curse of Frankenstein and The
Hudson, James Dean, Edna Ferber, and the Mummy, and a spiritual hero in The Devil Rides
Making of the Legendary American Film, Out. This study explores his legacy as a film
New York, St Martin's Press, 2018, 323 pages. actor and his diverse interpretations of the
theme of good vs. evil.
GUSTAFSSON, Tommy & Pietari KAAPA (eds.),
Nordic Genre Film: Small Nation Film LOMBARD, Philippe, Paris, 100 films de
Cultures in the Global Marketplace, légende, Paris, Parigrammes, 2018, 128
Edinburgh, Edinburgh University Press, 2018, pages.
288 pages. De romance en comédie, d’aventure en
Taking a transnational approach to the study of tragédie, un Paris de cinéma prend corps, dont
contemporary genre production, Nordic Genre les images, de Fantômas aux Enfants du
Film discusses a range of internationally Paradis, d’Hôtel du Nord aux Quatre Cents
celebrated examples from the increasingly Coups, d’À bout de souffle à Midnight in Paris,
popular 'Nordic noir' genre, from TV shows and sont gravées dans nos mémoires.
films like The Bridge (2011)
and Insomnia (1997) to high concept 'video McCOLLUM, Victoria & Giuliana MONTEVERDE
generation' productions such as Iron (eds.), HBO's Original Voices: Race,
Sky (2012).Conceptualising Nordic genre film Gender, Sexuality and Power, Abingdon,
as an industrial and cultural phenomenon, New York, Routledge, 2018, xi, 185 pages.
other contributions focus on road movies, the
horror film, autobiographical films, the quirky MORSIANI, Alberto, Quentin Tarantino: ses
comedy, musicals, historical epics and débuts, ses succès, son regard sur son
pornography. travail et celui de ses pairs, Paris, Éditions
de Grenelle, 2018, 236 pages.
KAPNER, Vincent, 1001 Movies That
Shocked the World: A Chronology of Cult, MOSCA, Paolo, Passageri Oscuri: piccola
Horror and Banned Films, 1895-2018, guida filosofica alle series TV, CreateSpace
Scotts Valley (CA), CreateSpace Independent Independent Publishing, 2018, 258 pages.
Publishing, 2018, 626 pages.
NEIBAUR, James, The Hal Roach Comedy
KAZANJIAN, Howard & Chris ENSS, Cowboys, Shorts of Thelma Todd, Zasu Pitts & Patsy
Creatures , and Classics: The Story of Kelly, Jefferson (NC), McFarland, 2018, 134
Republic Pictures, Guilford (CT), The Lyons pages.
Press, 2018, xi, 251 pages. Hoping to follow his success with Laurel and
Hardy with a female comedy team, producer
KENDRICK, James (ed.), A Companion to Hal Roach paired Thelma Todd with ZaSu Pitts
the Action Film, Hoboken (NJ), Wiley- in a 1931 series of two-reel shorts that were
Blackwell, 2019, 550 pages. quickly successful. When Pitts left the studio for

other pursuits, she was replaced by Patsy Kelly Hélène Monnet-Cantagrel : Belphégor, enjeux
and the series continued to be successful. Todd esthétiques d’une réception spectaculaire
died suddenly under mysterious circumstances Taline Karamanoukian : Les figures de femme
in 1935 and Kelly tried to carry on, first with moderne dans les fictions plurielles de l’ORTF
Pert Kelton, then with Lyda Roberti. When À la recherche d’un nouveau langage
Roberti died in 1938, the series ended. Aline Garin : Le Tour de la France par deux
enfants (1957-1958) : quand un feuilleton pour
NEUMANN, Andreas, Von Indianern, enfants devient une expérience pour la RTF
Geistern und Parteisoldaten: Eskapistische Philippe Lavat : Les Cinq dernières minutes de
DDR- Fernseh Mehrteiler der 1980er Claude Loursais. Une autonomisation
Jahre, Berlin, be.bra Wissenschaft, 2018, 360 progressive du spectacle télévisuel ?
pages. Marie-France Chambat-Houillon : Un drôle de
feuilleton, Que ferait donc Faber ?
NOMAN, Barry & Parker GRAEME, Barry Séverine Barthes : Suivez Budart d’André
Noman's Crap Film Reviews, KGHH Voisin : plus beau le « néo-feuilleton » ?
Publishing, 2018, 311 pages.
PIGA BRUNI, Emanuella, Romanzo e serie
NOTT, Robert, The Films of Budd TV. Critica sintomatica dei finali, Pisa,
Boetticher, Jefferson (NC), McFarland, viii, Pacini editore, 2018, 141 pages.
192 pages.
RYAN, Tom, The Films of Douglas Sirk:
PALUMBO, Jonathan, Après la nuit animale, Exquisite Ironies and Magnificent
Paris, Marest éditions, 2018, 184 pages. Obsessions, Jackson, University Press of
Le cinéma, à travers des films très divers (Le Mississippi, 2019, 320 pages.
Sang des bêtes, Massacre à la tronçon- Best known for powerful 1950s melodramas
neuse, Les Oiseaux ou, plus récem- like All That Heaven Allows, Written on the
ment, Gorge Cœur Ventre de Maud Alpi), a su Wind, The Tarnished Angels, and Imitation of
témoigner de la manière dont l’humanité traite Life, Douglas Sirk (1897–1987) brought to all
les animaux. Les images que nous offre le his work a distinctive style that led to his
7ème art sont révélatrices de notre humanité, de reputation as one of twentieth-century film’s
nos modes de consommation comme de notre great directors. Sirk worked in Europe during
rapport à la nature. the 1930s, mainly for Germany’s UFA studios,
and then in America in the 1940s and ’50s. The
PAPIN, Bernard & Myriam TSIKOUNAS (dir.), Films of Douglas Sirk: Exquisite Ironies and
Fictions sérielles au temps de la RTF et de Magnificent Obsessions provides an overview of
l'ORTF (1949-1974), Paris, L'Harmattan, (Les his entire career, including Sirk’s work on
médias en acte), 2018, 266 pages. musicals, comedies, thrillers, war movies, and
Introduction : Bernard Papin et Myriam westerns.
Des archives SMITH, Iain Robert, The Hollywood Meme:
Marine Zelverte : Des sources écrites pour Transnational Adaptations in World Cine-
l’histoire des feuilletons de la RTF et de ma, Edinburgh, Edinburgh University Press,
l’ORTF : les fonds des Archives Nationales 2018, 192 pages.
Géraldine Poels : L’audience des fictions Did you know that a Turkish remake of The
sérielles dans les années 1960 : la mesure de Exorcist replaced the Catholicism with Islam?
l’âge d’or Or that James Bond and Batman team up
Stratégies de production et de programmation together in the 1966 Filipino film James
Bruno Hénocque : La place de la fiction sérielle Batman? Or that a Bollywood remake
et des feuilletons dans la politique culturelle de of Memento has become one of the biggest
l’ORTF au début des années 1970 box-office successes in India of all time?
Pascal Cesaro, Pierre Fournier : Des feuilletons The Hollywood Meme is the first comprehensive
soutenus par des ministères : une télévision de study of the transnational adaptations of
divertissement pour une politique d’édification Hollywood movies that have appeared
Yannick Lebtahi : L’art de s’inventer une throughout world cinema. With case studies
histoire from the film industries of Turkey, India and
Figures du héros sériel the Philippines.
Sébastien Le Pajolec : Comment Steve
McQueen devint une star de la télévision
française. Le lancement d’Au nom de la loi

STANFIELD, Peter, Hoodlum Movies: Seria- TENTORI, Antonio & Fabio GIOVANNINI, Last
lity and the Outlaw Biker Film Cycle, 1966- Action Heroes. Il cinema italiano d'azione
1972, New Brunswick, Rutgers University degli anni 80, Milano, Bloodbuster, (I ratti),
Press, 2018, 236 pages. 2018, 224 pages.
From The Wild Angels in 1966 until its
conclusion in 1972, the cycle of outlaw TERRACE, Vincent, Television Series of the
motorcycle films contained forty-odd formulaic 2000s: Essential Facts and Quirky Details,
examples. Hoodlum Movies is not only about Lanham (MD), Rowman & Littlefield, 2018, 246
the films, its focus is on why and how these pages.
films were made, who they were made for, and In the first decade of the new millennium, the
how the cycle developed through the second four major networks struggled to hold their
half of the 1960s and came to a shuddering own as cable channels and unscripted shows
halt in 1972. began to dominate the television landscape.
Network powerhouses like 24, Desperate
STE-CROIX DUBÉ, Sébastien, La Culture du Housewives, and Two and a Half Men competed
divertissement. Art populaire ou vortex for viewers siphoned off by cult shows like The
cérébral, Montréal, Varia, (Prose de combat), Closer, Gilmore Girls, and Veronica Mars. In
2018, 186 pages. that decade, shows such as 30
Écrit dans un souffle littéraire, à cheval entre Rock and Modern Family were vying for awards
l'anecdotique et l'analyse culturelle, cet essai while programs like Bones, CSI,
tente de cerner la portée vertigineuse du and Dexter were pushing the envelope for
divertissement dans nos vies. Empruntant graphic violence. All of these shows live on in
divers angles, l'auteur en vient à nous montrer syndication, streaming services, and DVDs,
comment le divertissement – celui de l'écran de generating a constant wave of new viewers.
télévision, de Facebook, du jeu vidéo, de la
pornographie, etc. – n'est peut-être pas un THOMAS, Sarah, James Mason, London,
symptôme du néolibéralisme, mais bien un de British Film Institute, (Film Stars), 2018, 146
ses engrenages fondamentaux. pages.

TARKOVSKY, Andrey, Hans-Joachim SCHLEGEL THON. Jan-Noël, Transmedial Narratology

& Lothar SCHIRMER (eds.), Tarkovsky: Films, and Contemporary Media Culture, Lincoln,
Stills, Polaroids & Writings, New York, University of Nebraska Press, (Frontiers of
Thames & Hudson, 2019, 288 pages. Narratives), 2018, 558 pages.
This book provides not only a method for the
TAYLOR, Larry, Tony Scott: A Filmmaker on analysis of salient transmedial strategies of
Fire, Jefferson (NC), McFarland, 2019, 149 narrative representation in contemporary films,
pages. comics, and video games but also a theoretical
Tony Scott got his start as a film director when frame within which medium-specific
he joined his brother at the lucrative approaches from literary and film narratology,
commercial directing company Ridley Scott from comics studies and game studies, and
Associates. After directing Top Gun—his second from various other strands of media and
film, which changed not only the trajectory of cultural studies may be applied to further our
his own life but of the entire action-movie understanding of narratives across media.
THROWER, Stephen, Nightmare USA: The
TELLOP, Nicolas, Les Courses-poursuites au Untold Story of the Exploitation
cinéma, Éditions Le Vernet, Aedon, (Détails), Independents, Godalming (Surrey), FAB
2018, 188 pages. Press Limited, 2018, 528 pages.
On ne compte plus les scènes d’anthologie au From Quentin Tarantino (Kill Bill) to Eli Roth
cinéma qui sont des courses-poursuites. Depuis (Hostel), the young guns of modern Hollywood
le muet, elles constituent le clou du spectacle just can't get enough of that exploitation film
dans un film, propre à déclencher des high. That's because, between 1970 and 1985,
avalanches de rires et des frissons en cascade. American Exploitation movies went berserk.
Art des images en mouvement, le cinéma est With censorship relaxed, and the gate to
destiné à retranscrire l’intensité des gestes et excess wide open, horror - the Exploitation
la trajectoire des corps. Inscrit dans le temps, genre par excellence - offered a vibrant
travaillé par l’idée du rythme, il a vocation à alternative to the mainstream of American
saisir la vitesse, ses phases d’accélération et de cinema. Luridly titled wonders like The
décélération. Mais pas seulement. Headless Eyes, Scream Bloody

Murder and Hitch Hike to Hell were They examine how melodrama has traveled to
everywhere, from the drive-ins of Texas to the and been transformed in India, China, Japan,
grindhouses of New York, touting a and South America, whether through colonial
combination of mind-bruising violence, weird circuits or later, globalization; how melodrama
sex and drug-soaked delirium. Massively mixes with other modes such as romance,
popular around the world, American comedy, and realism; and finally how
exploitation movies added immensely to the melodrama has modernized the dramatic
richness of the nation's cinema, but they have functions of gender, class, and race by
remained persona non grata in most serious orchestrating vital aesthetic and emotional
studies of American film. Until now... experiences for diverse audiences.

TREVISANI, Edoardo, Rappresantare la WOLGUST, Isabelle, Dictionnaire de la

paura. Guerra, orrore e sogno tra mass comédie musicale, Paris, Éditions
media, arte e cinema, Print Me, (Mass media Vendémiaire, 2018, 293 pages.
cultura e societa), 2018, 42 pages.
WYBON, Jérôme, Belmondo, le magnifique,
VAHDANI, Alizera, The Hero and the Grave: Paris, Huginn & Muginn, 2018, 192 pages.
The Theme of Death in the Films of John
Ford, Akira Kurosawa and Sergio Leone,
Jefferson (NC), McFarland, 2018, viii, 167
The theme of death is an essential component
of film narrative, particularly in how it affects
the hero. Filmmakers from different cultures
and backgrounds have developed distinct yet
archetypal perspectives on death and the
protagonist’s response. Focusing on Western
and Japanese period genre films, the author
examines the work of John Ford (1894–1973),
Akira Kurosawa (1910–1998) and Sergio Leone
(1929–1989) and finds similarities regarding
death’s impact on the hero’s sense of morality.

WADDELL, Calum, The Style of Sleaze: The

American Exploitation Film, 1959-1977,
Edinburgh, Edinburgh Universiy Press, 2018,
viii, 207 pages. LITTÉRATURE
What is an exploitation film? The Style of
Sleaze reasons that the aesthetic and thematic BENVENUTI, Giuliana, Il brand "Gomorra".
approach of the key texts within three distinct Dal romanzo alla serie TV, Bologna, Il Mulino
exploitation demarcations - blaxploitation, edizioni, 2018, 205 pages.
horror and sexploitation - indicate a concurrent
evolution of filmmaking that could be seen as BÖNISCH, Dana, Geopolitik des Terrors:
an identifiable cinematic movement. Offering a Visualität und Topologie in Texten nach
fresh perspective on studies of marginal 9/11, Göttingen, V & R Unipress, 2017, 235
cinema, The Style of Sleaze maintains that pages.
defining exploitation cinema as a vaguely
attributed 'excess' is unhelpful, and instead CASEY, Maud, The Art of Mystery: The
concludes that this period in American film Search for Questions, Minneapolis, Graywolf
history produced a number of the most Press, 2018, 143 pages.
transgressive, and yet morally complex, motion From Shirley Jackson to Paul Yoon, from spirit
pictures ever made. photography to the radical nature of empathy.
Casey looks at how mystery is created and, in
space of uncertainty and unknowing, searches
WILLIAMS, Linda & Christine GLEDHILL (eds.) , for questions rather than answers.
Melodrama Unbound: Across History,
Media, and National Culture, New York, CALABRESE, Stefano & Roberto Rossi, La
Columbia University Press, 2018, xxv, 406 crime fiction, Roma, Carocci, (Le Bussole),
pages. 2018, 140 pages.

DECHÊNE, Antoine, Detective Fiction and
EN RAPPEL the Problem of Knowledge: Perspectives
A L'OCCASION DES FÊTES on the Metacognitive Mystery Tale, Cham,
Palgrave Macmillan, 2018, xii, 347 pages.
Norbert Spehner This book establishes the genealogy of a
subgenre of crime fiction that Antoine Dechêne
LE DÉTECTIONNAIRE calls the metacognitive mystery tale. It
delineates a corpus of texts presenting
Dictionnaire des personnages 'unreadable' mysteries which, under the
principaux de la littérature policière et deceptively monolithic appearance of
subverting traditional detective story
conventions, offer a multiplicity of motifs – the
Lévis (Qc), Éditions Alire, 2016, 800 overwhelming presence of chance, the
pages. unfulfilled quest for knowledge, the urban
stroller lost in a labyrinthine text – that
generate a vast array of epistemological and
Dès son apparition au XIXe siècle, la littérature
ontological uncertainties. Analysing the works
policière a fasciné. D'abord récit d'énigmes et of a wide variety of authors, including Edgar
de détection, le roman policier a évolué et s'est
Allan Poe, Jorge Luis Borges, and Henry James,
diversifié au fil des décennies, tant et si bien this book is vital reading for scholars of
qu'il est d'usage maintenant de parler « des »
detective fiction.
littératures policières. En France, tout comme
au Québec et dans l'ensemble de la EDWARDS, Martin, The Story of Classic
francophonie, il ne s'est jamais publié autant
Crime in 100 Books, Scottsdale (AZ)
de polars, de romans noirs et d'espionnage. Poisoned Pen Press, 2017, 370 pages.
Comme lecteur, nous avons littéralement
This book tells the story of crime fiction
l'embarras du choix. Or, pour bien choisir ses published during the first half of the twentieth
lectures, encore faut-il savoir ce qui est offert...
century. The diversity of this much-loved genre
et c'est là qu'entre en scène « Le
is breathtaking, and so much greater than
Détectionnaire » qui présente, à la manière many critics have suggested. To illustrate this,
d'un dictionnaire, tous les personnages
the leading expert on classic crime discusses
récurrents qui ont fait la réputation de la one hundred books ranging from The Hound of
littérature policière mondiale ― plus de 2600!
the Baskervilles to Strangers on a Train which
Plonger dans « Le Détectionnaire », c'est partir highlight the entertaining plots, the literary
à la découverte de Sherlock HOLMES et
achievements, and the social significance of
d'Hercule POIROT (Grande-Bretagne), de Philip
vintage crime fiction. This book serves as a
MARLOWE, Hieronymus BOSCH et Hannibal companion to the acclaimed British Library
LECTER (États-Unis), de Kurt WALLANDER et
Crime Classics series but it tells a very diverse
Michael BLOMKVIST (Suède), de Jules story. It presents the development of crime
MAIGRET et M. WENS (Belgique), de SAN-
fiction-from Sherlock Holmes to the end of the
ANTONIO et Benjamin MALAUSSÈNE (France), golden age-in an accessible, informative and
sans oublier Maud GRAHAM, Daniel DUVAL,
engaging style.
Victor LESSARD (Québec) et des milliers
d'autres, tous aussi passionnants... de Pat GOUANVIC, Jean-Marc, Hard-Boiled Fiction
ABBOTT à Anna ZORAN. Instructif ― grâce
& Série noire: les métamorphoses du
entre autres à l'éclairante présentation de roman policier anglo-américain en français
Norbert Spehner ―, abondamment illustré, de
(1945-1960), Paris, Classiques Garnier,
consultation simple et agréable, « Le (Translatio, no 1), 2018, 281 pages.
Détectionnaire » est l'outil indispensable qui
Cet essai propose une étude sociologique des
manquait à l'amateur de littérature policière
productions de la Série noire (NRF/Gallimard)
pour enfin satisfaire pleinement sa passion! de 1945 à 1960, en s'appuyant sur les archives
Pour chaque personnage : une notice
de la collection. Il présente une analyse du
"biographique", la bibliographie, les films et/ou mode d'organisation de la Série noire dans le
les séries tv, les études.
champ français du roman policier et de la
sémiotique des romans hard-boiled anglo-
Note: l'ouvrage est disponible en Europe,
mais vous pouvez aussi le commander en
ligne sur le site des éditions Alire ou sur

GRANIER, Caroline, A armes égales. Les Conspiracy theory in the Arab World has come
femmes armées dans les romans policiers to be associated with the rhetoric of Islamist
contemporains, Coeuvres-et-Valsery, éditions extremists and authoritarian regimes. Yet its
Ressouvenances, 2018, 258 pages. principle tropes - omnipotent secret societies,
Les enquêtrices dans les polars… Les figures de impending apocalypse, heroes who crack codes
fliquesses, de privées, de journalistes - have recurred in Arabic literature as well. A
d’investigation, d’inspectrices sont de plus en number of Egyptian authors, including Ali
plus nombreuses (françaises, européennes ou Ahmad Bakathir, Naguib Surur, Sonallah
américaines). Cérébrales, fonceuses, intuitives Ibrahim, Gamal al-Ghitani, and Youssef Rakha
ou rationnelles, épanouies ou névrosées. have crafted potent narratives of conspiracy
Célibataires ou en couple, avec ou sans that have remained unexamined until now.
enfants. Qu’ont-elles en commun ? Un désir
d’aventures et une soif de liberté sans limites. LASSNER, Phyllis, Espionage and Exile:
Attention : elles sont souvent armées… Fascism and Antifascism in British Spy
combatives en tout cas. Car leur place dans un Fiction and Film, Edinburgh, Edinburgh
monde encore dominé par les hommes n’est University Press, 2018, 272 pages.
pas acquise. Alors elles agissent et prennent Espionage and Exile demonstrates that from
leurs affaires en main : et si elles nous the 1930s through the Cold War British writers
montraient la voie ? Eric Ambler, Helen MacInnes, John le Carré,
Pamela Frankau and filmmaker Leslie Howard
HARRISON, Osvaldo di Paolo, Queer noir combine propaganda and popular enter-
hispanico, San Juan, Isla Negra Editores, tainment to call for resistance to political
2018, 165 pages. oppression. Their spy fictions deploy themes of
deception and betrayal to warn audiences of
HERMAN, Peter (ed.), Terrorism and the consequences of Nazi Germany’s conquests
Literature, Cambridge, New York, Cambridge and later, the fusion of Fascist and Communist
University Press, 2018, xv, 527 pages. oppression.
Terrorism has long been a major shaping force
in the world. However, the meanings of NAVARRO VILLEGAS, Julio César, Invitacion
terrorism, as a word and as a set of actions, a la novela policiaca: los detectives (y
are intensely contested. This volume explores malhechores) mas célèbres de la
how literature has dealt with terrorism from the literatura, Volume 1, CreateSpace
Renaissance to today, inviting the reader to Independent Publishing, 2018, 254 pages.
make connections between older instances of
terrorism and contemporary ones, and to see OLLERMAN, Nick, Hardboiled, Noir and Gold
how the various literary treatments of Medals. Essays on Crime Fiction Writers
terrorism draw on each other. from the 50s through the 90s, Rosswell
(GA), Starhouse Press, 2017, 298 pages.
HULSE, Ed, Fighting Crime One Dime at a
Time: The Great Pulp Heroes, CreateSpace OSTERIED, Peter, Eurospy-Helden: Jerry
Independent Publishing, 2017, 220 pages. Cotton/Kommissar X/Sumuru, Scotts Valley
The Shadow, The Spider, The Avenger, Doc (CA) CreateSpace Independent Publishing
Savage, The Black Bat, The Phantom Detective Platform, 2016, 230 pages.
— these swashbuckling heroes of mid-20th-
century pulp fiction all had one thing in PARDO, Carlos, El detective y la ciudad: el
common: They fought crime from outside the espacio urbano n las novelas de detectives
law, unhindered by red tape and unmindful of de Paco Ignacio Taibo II y Leonardo
such legal niceties as due process. They fought Padura Fuentes, Medellin, Editorial de
with fists and guns, for the most part hiding Antioquia, 2017, 146 pages.
their true identities beneath outlandish
costume and grotesque disguises. This PEPPER, Andrew, Unwilling Executioner:
collection of essays by distinguished pulp- Crime Fiction and the State, Oxford, Oxford
fiction aficionados chronicles the era of single- University Press, 2016, ix, 269 pages.
character magazines from offbeat angles and What gives crime fiction its distinctive shape
with keen insight. and form? What makes it such a compelling
vehicle of social and political critique? Unwilling
KOERBER, Benjamin, Conspiracy in Modern Executioner argues that the answer lies in the
Egyptian Literature, Edinburgh, Edinburgh emerging genre's complex and intimate
University Press, 2018, xi, 236 pages. relationship with the bureaucratic state and

modern capitalism, and the contradictions that Famous detective fiction characters and the
ensue once the state assumes control of the authors who created them are celebrated
criminal justice system. This study offers a through brief descriptive and exploratory
dramatic new interpretation of the genre's synopses - including luminaries such as Conan-
emergence and evolution over a three hundred Doyle, Christie, Sayers, Chandler, Hammett,
year period and as a genuinely transnational Marsh, Fleming, Stark, Le Carre, Dexter,
phenomenon. Follett, Ludlum, Paretsky, Rankin, Burke,
Ellroy, Dibdin, Grisham, Temple, Childe,
PRICE, Cheryl Blake, Chemical Crimes: Reichs, Hayder, James, Larsson, Galbraith,
Science and Poison in Victorian Crime Hurwitz, and many more. This book explores
Fiction, Columbus, The Ohio State University the many reasons for reading crime fiction, not
Press, 2019, 210 pages. the least of them being the vast variety of
In Chemical Crimes: Science and Poison in literature that the genre embraces. The book
Victorian Crime Fiction, Cheryl Blake also celebrates the "heroes and heroines" of
Price delves into the dark world of Victorian detective fiction, describing in brief the
criminality to examine how poison allowed nuances of their characters.
authors to disrupt gender boundaries, genre,
and the professionalization of science. Tracing TOPPANO, Michela & Claudio MILANESI (dir.),
the role of the chemical crime through the Aux origines du roman policier: France,
works of Letitia Elizabeth Landon, Ellen Wood, Espagne, Italie, Pérou, in Cahiers d'études
Edward Bulwer Lytton, L. T. Meade, Charles romanes, nouvelle série, no 34, (1), 2017,
Warren Adams, and Wilkie Collins, Price argues 179 pages. Publié par les Presses universitaires
that poison this intervention not only provided de Provence (Aix-en-Provence).
a useful tool for authors to challenge the Les origines du roman policier : Italie France
growing power of science but also that its fluid Espagne Pérou
nature and ability to mix, mingle, and Michela Toppano (Aix Marseille Univ, CAER,
transcend boundaries made it ideal for generic Aix-en-Provence, France), Le récit d’enquête
experimentation. dans quelques romans italiens entre XIXe et
XXe siècle : le cas de Federico De Roberto,
REDDY, Maureen T., Noir and the Irish Matilde Serao et Salvatore Farina.
Nation. Contesting Irishness in Crime Alessio Berré (Université d’Avignon/CRIX Paris
Fiction, London & New York, Routledge, 2019, Ouest), Judiciaire ou policière ? Vers une
176 pages. redéfinition de la littérature criminelle post-
Reddy places what she calls Hibernian Noir in unitaire.
the context of the social and economic Luciano Curreri (Université de Liège/
conditions in Ireland from 1998 to 2012 and Traverses), L’entrée en matière vs le
relates that period to the post-World War I médaillon. Quelques notes sur le policier
United States that gave rise to hardboiled archaïque italien et sur Jarro.
detective fiction. As Reddy shows, Irish Francesca Facchi (University of Toronto), Entre
hardboiled fiction participates in the genre’s enquête et « mystères » : la représentation de
tradition of placing previously marginalized Florence dans les « romans judiciaires » de
individuals in positions of narrative authority. Jarro (1882-1884).
At the same time, Reddy argues that writers Saliha Aklouf (Paris 3 Sorbonne Nouvelle), Jean
such as Ken Bruen, Benjamin Black, Tana Diable de Paul Féval : un précurseur oublié du
French, Niamh O’Connor, Cormac Millar, Stuart roman policier français.
Neville, Brian McGilloway, Declan Hughes, and Etienne Leterrier (Aix Marseille Univ, CIELAM,
Declan Burke are collectively working through Aix-en-Provence, France), Cagliostro (1743-
the problem of defining Irishness and grappling 1795) inventeur d’Arsène Lupin : circulation,
with deep anxieties about a society that is transformation et enjeux d’un modèle héroïque
rapidly changing. du roman historique au roman policier.
Murielle Borel (Aix Marseille Univ, CAER, Aix-
SCIASCIA, Leonardo, Il metodo di Maigret e en-Provence, France), Remonter aux origines.
altri scritti sul giallo, Milano, Adelphi, Les récits ‘policiers’ d’Emilia Pardo Bazán.
(Piccolo biblioteca Adelphi), 2018, 191 pages. Ricardo Sumalavia (Pontificia Universidad
Católica del Perú), Territoire criminel: violence
STRONGMAN, Luke & Kenneth, The Steel et roman policier au Pérou.
Registry: Characters of Detective Fiction, Les origines du roman policier : interpretations
Hauppauge (NY), Nova Science Publishers, 423 et réécritures au XXe siècle

Paolo Caponi (Università Statale di Milano/CRC scholarly approach, combining close reading
Criminal Hero), Broadway et parages. Les with historicism, to read the stories afresh,
origines anglo-américaines du théâtre “giallo” sceptically probing Dr Watson's narratives and
italien. Holmes's often barely credible solutions.
Stéphane Chaudier (Université Charles De Drawing on Victorian and Edwardian history,
Gaulle Lille 3/ ALiTHiLa), Affleurements de Conan Doyle's life and works, and Doyle's
l’intrigue policière dans La Recherche du temps literary sources, the book offers new insights
perdu. into the Holmes stories and reveals what they
Giuliana Pias (Université Paris Ouest Nanterre say about money, class, family, sex, race, war,
la Défense/ CRIX), Efisio Marini : une and secrecy.
archéologie romanesque du roman policier.
LACOURBE, Roland présente, Ellery Queen.
Parcours d'un mythe américain (par
l'équipe d'Enigmatika - Coordonné par Philippe
A PROPOS DES AUTEURS Fooz, avec l'assistance technique de Roland
Lacourbe), Lulu.com, Semper Aenigma, 2018,
CREMONINI, Laura, Edgar Wallace e il 390 pages.
cinema, Independently Published, 2018, 217 ELLERY QUEEN — le nom derrière lequel se
pages. cachent Frederic Dannay et Manfred B. Lee — a
marqué à tel point son époque que l’éminent
CROWE, Michael John, The Gestalt Shift in critique Anthony Boucher a dit qu’il ÉTAIT le
Conan Doyle's Sherlock Holmes Stories, roman policier américain. Son influence est
Cham, Palgrave Macmillan, 2018, xii, 229 considérable, en tant qu’auteur aussi bien
pages. qu’anthologiste ou éditeur. Qu’on en juge : plus
This book analyzes the four novels and fifty-six de 40 romans, plus de 80 nouvelles, 350 pièces
stories written by Sir Arthur Conan Doyle radiophoniques, une cinquantaine d’antho-
describing the adventures and discoveries of logies, 10 films, plus de 160 épisodes télévisés.
Sherlock Holmes. Michael J. Crowe suggests Et la publication du ELLERY QUEEN’S MYSTERY
that nearly all the Holmes stories exhibit the MAGAZINE, à la notoriété mondiale et qui
pattern known as a Gestalt shift, in which demeure, historiquement, la revue la plus
suddenly Holmes’s efforts reveal a new prestigieuse du genre policier. Au terme de
perspective on the case, typically identifying cette étude, la plus complète et la plus
the culprit(s) and resolving the case. méthodique jamais consacrée à cet auteur,
vous conviendrez, comme nous, amateurs de la
GARNOT, Benoît, L'Histoire selon San chose policière, que, mieux qu’un nom de
Antonio, Dijon, Presses universitaires de plume… ELLERY QUEEN est une institution !
Dijon, 2018, 115 pages.
La place de l'histoire dans les San-Antonio n'a LALANNE, Catherine (dir), Le Baiser et la
jamais été étudiée ; pourtant, leur auteur morsure. Yasmina Khadra, Toronto, Novalis,
accorde à cette discipline le rôle d'un véritable 2018, 178 pages. [Entretiens avec Yasmina
hobby. En donnant à chacun de ses avatars Khadra]
comme un air de famille, les allusions ou
références historiques tissent une trame, certes RUSTERHOLZ, Peter, Chaos und Renais-
ténue, mais qui traverse l'ensemble de sance im Durcheinandertal Dürrenmatts,
l'oeuvre. San-Antonio s'en sert pour illustrer ou Baden-Baden, Ergon Verlag, in der Nomos
caractériser d'un trait, des gens, des Verlagsgesellchaft, 2017, 242 pages.
événements, des situations, des ambiances,
des lieux mais aussi pour ébaucher, par SAMAKÉ, Adama, La Femme : perception,
touches dispersées, une conception pessimiste représentations et significations dans
de l'histoire humaine. l'écriture de Mongo Béti, Paris, Éditions
Complicités, 2017, 231 pages.
GLAZZARD, Andrew, The Case of Sherlock
Holmes: Secrets and Lies in Conan Doyle's SORBERA, Silvestra, La forma dell'acqua,
Detective Fiction, Edinburgh, Edinburgh Camilleri tra la letteratura e fiction,
University Press, 2018, x, 252 pages. Independently Published, 2018, 110 pages.
The Case of Sherlock Holmes uncovers what is
untold, partly told, wrongly told, or deliberately TYRAS, George (dir.), Geometrias de la
concealed in Arthur Conan Doyle's Sherlock memoria, Castellano, 2018, 288 pages.
Holmes saga. This engaging study uses a [entretiens avec Manuel Vasquez Montalban]

FIELD, Matthew & Ajay CHOWDHURY, Some
CINÉMA & TÉLÉVISION Kind of Hero: The Remarkable Story of the
James Bond Films, Stroud (UK), The History
Press, 2018, 816 pages.
BARTOLINI, Claudio, Il cinema giallo-thriller
italiano, Roma, Gremese Editore, 2017, 334 FRAME, Gregory, The American President in
pages. Film and Television: Myth, Politics and
Representation, Oxford, New York, et al.,
BRION, Patrick, Le Film noir 1: USA, 1912- Peter Lang, 2018, xx 328 pages.
1960, Paris, Éditions SW Télémaque, 674
pages. FERNANDEZ-CRUZ SEQUERA, Francisco José &
Genre mythique d'une exceptionnelle richesse, Marcos Lopez HERRADOR, Crimenes de cine,
le Film noir américain a donné naissance, Torrevieja, Editorial Eas, 2018, 180 pages.
depuis plus d'un siècle, à des figures
légendaires et d innombrables icônes. Créateur FULIGNI, Bruno, Le Bureau des légendes
du Cinéma de minuit et spécialiste du cinéma décrypté, Paris, L'Iconoclaste/The Oligarchs
américain, Patrick Brion propose une somme éditions, 2018, 265 pages. Préface d'Éric
encyclopédique unique de plus de 1 100 films Rochant.
noirs, produits aux Etats-Unis de 1912 à 1960. Diffusée dans plus de cent pays, la série Le
Un second volume couvrira la période des Bureau des légendes plonge le spectateur dans
années 1960 à nos jours. l’univers très secret des SR, les services de
renseignement. Son créateur, Éric Rochant,
COLLECTIF, Il était une fois en Amérique, s’est considérablement documenté pour
Paris, L'Avant-Scène du cinéma, (Revue), no imaginer une fiction très réaliste au point de
656-657, 2018, 205 pages. brouiller les pistes entre fiction et réalité.
Bruno Fuligni, historien du renseignement,
DECOBERT, Lydie, La Peinture à l'oeuvre décrypte la série pour mettre en lumière toutes
dans le cinéma d'Alfred Hitchcock, Paris, les références à des histoires vraies ou à des
L'Harmattan, (Champs visuels), 2018, 230 techniques effectivement utilisées par les SR.
Cet ouvrage met en lumière le lien établi entre GEHRING, Wes D., The Humourous
l'art pictural et le cinéma d'Alfred Hitchcock. Hitchcock: Comedic Elements in Twelve
Les tableaux sont mis en scène et dynamisent Defining Films, Jefferson, McFarland, 2019,
la narration, mais s'asservissent-ils aux récits ? 241 pages. [à paraître]
Sous quelles formes et jusqu'où s'étend
l'impact de la peinture sur le cinéma GREENE, Richard & Rachel ROBINSON-GREENE
hitchcockien ? L'auteur décrit les décors, les (eds.), Twin Peaks and Philosophy: That's
toiles de fond, les tableaux qui habitent et Damn Fine Philosophy, Chicago (IL), Open
structurent les images du réalisateur, tout en Court, 2018, xii, 258 pages.
faisant appel à la mémoire collective. I. I am one hundred percent sure that we're
not completely sure -- Dream investigations of
DEMING, Richard, Touch of Evil, London, BFI tree house operations -- Know thyself, Agent
Publishing, (BFI Film Classics), 2019, 104 Cooper! -- Laura Palmer - Madonna and whore
pages. -- Special epistemic agent Dale Cooper --
Albert among the chowder-head yokels and
DI MARINO, Stefano, Guida al cinema di blithering hayseeds II. My log does not judge --
spionaggio, Bologna, Odoya, (Odoya Libray), But what does it mean? -- The art of playing
2018, 512 pages. along with dancing little people -- I sure feel
uncomfortable being in this situation with you -
DUNCAN, Paul, Alfred Hitchcock: Filmogra- - III. It's like I'm having the most beautiful
phie complète, Taschen, 2018, 688 pages. dream and the most terrible nightmare at once
-- My dharma is the road that never ends --
EDWARDS, Cary, He Disagreed with The Miss Twin Peaks award goes to... -- The
Something that Ate Him: Reading The mother of all bombs -- It's not about BOB - it
Living Daylights and License to Kill, vol. 1, never was -- IV. The owls are not what they
(Cinephile Film Readers), Scotts Valley (CA) seem -- Reason and catharsis -- Diane, I am
CreateSpace Independent Publishing Platform, now upside down -- The evil in these woods --
2018, 108 pages. Doppelgängers, doubles, and tulpas -- Through
plastic our secrets seen -- V. I have no idea

where this will lead us, but I have a definite Reflections and Deflections: Karine Hildenbrand
feeling it will be a place both wonderful and 8 “Based On A True Story”: Public Enemies and
strange -- Repeating Twin Peaks -- A the Biographical Gangster Film: Stephen
pataphysical cherry pie. Gaunson
9 The Gangster in Hispanic American Cinema:
HANSEN TOFT, Kim, Steven PEACOCK & Sue Philip Swanson
TURNBULL (eds.), European Television 10 The Jamaican Gangster Film: Badman, Rude
Crime Drama and Beyond, New York, Bwoys, and Dons: Imruh Bakari
Palgrave Macmillan, 2018, 294 pages. Part II Europe 209
The chapters, all written by leading television 11 When Criticism Meets Gangster Films: The
and crime fiction scholars, provide readings of Spiv Cycle as Oppositional Aesthetics in
crime dramas such as the Swedish-Danish The Postwar Britain: Ana Rodríguez Granell
Bridge, the Welsh Hinterland, the 12 The Patriarchal Figure in the 1950s French
Spanish Under Suspicion, the Italian Gomorrah, Gangster Film: Legendary Men from a Recent
the German Tatort and the Turkish Cinayet. By Past :Thomas Pillard
examining both European texts and the 13 Mafia, Mobility, and Capitalism in Italy Circa
‘European-ness’ of various international 1960: Luca Peretti
dramas, this book ultimately demonstrates that 14 Gangsters in Turkish Cinema: Hülya Önal
transnationalism is at the very core of TV crime 15 Sun‐Drenched Corruption: Organized Crime,
drama in Europe and beyond. Global Capitalism, and the Mediterranean Coast
in Recent Spanish Cinema: Vicente Rodríguez
HYDER, Paul, Hitchcock's Vertigo: A Ortega
Personal Journey Through the Greatest 16 The Russia They Have Lost: The Russian
Film Ever, Scotts Valley (CA) CreateSpace Gangster as Nostalgic Hero: Lioudmila
Independent Publishing, 2018, 145 pages. Fedorova
17 A Hint of Lavender: The Gay Gangster in
IACHETTI, Stefano, La paura cammina con i British Crime Cinema: Paul Elliott
tacchi alti. Il giallo all'italiano racconto 18 The Modern British Gangster Film: Tom
dalle protagoniste e dai protagonisti del Ryall
cinema degli anni Settanta, Piombino, Ass. Part III Asia 353
culturale il Foglio, 2017, 290 pages. 19 Death and Duty: The On‐Screen Yakuza:
Elayne Chaplin
ISENBERG, Noah, We'll Always Have 20 Yakuza no Onnatachi: Women in Japanese
Casablanca : The Legend and Afterlife of Gangster Cinema: Laura Treglia
Hollywood's Most Beloved Film, New York, 21 Futile Liberation: Post‐Martial‐Law
W.W. Norton, 2018, 336 pages. Taiwanese Gangster Films: Dominique Liao
22 Ruling the Men’s Den: Crime, Outrage, and
LARKE-WALSH, George (ed.), A Companion Indian Women Gang Leaders : Sony Jalarajan
to the Gangster Film, Lanham MD, John Raj, Rohini Sreekumar, and Nithin Kalorth
Wiley & Sons, 2018, 552 pages. 23 Tsui Hark’s Film Workshop: Political Cues in
Introduction 1 the Gangster Film 1986–1989: James Fenwick
George S. Larke‐Walsh 24 The Godfather Legacy: Homage and Allusion
Part I The Americas 21 in Transnational Cinema: George S.
1 Mary Pickford Meets the Mafia: Amy E. Larke‐Walsh
Borden 25 Gangsta Gangsta: Hong Kong Triad Films,
2 Tough Talk: Early Sound and the 1986–2015: Valerie Soe
Development of American Gangster Film 26 Politics, Social Order, and Hierarchies in
Vernacular, 1928–1930: Ron Wilson Post‐Millennium Hong Kong Cinema:Kelvin Ke
3 How Good Boys Go Bad: The Changing Face Jinde
of the Gangster Film in America: John E. Petty 27 Jung Doo‐hong and the Gangster Body:
4 Making of a Mobster: From Myth to the Kkangpae in Contemporary South Korean
Crystallization of the Mafia Archetype in 1950s Cinema:Se Young Kim
and 1960s Italian and Italian American Film:
Ryan Calabretta‐Sajder LAW, John William, The Lost Hitchcock:
5 Moral Ambiguities: The Frenchness of New Uncovering the Lost Films of Alfred
Hollywood Gangster Families: Isolde Vanhee Hitchcock, San Francisco, Aplomb Publishing,
6 The Assassin’s Economics of Killing: Money, 2018, 280 pages.
Honor, and the Market of Murder: Fran Mason
7 The 1990s Hollywood Gangster: Generic

NAREMORE, James, Film noir: A Very Short
Marginalia est disponible Introduction, Oxford & New York, Oxford
University Press, 2019, 144 pages.
par courriel NEIBAUR, James L., The Charlie Chan Films,
Want to receive Marginalia (free) ? Albany (Georgia), BearManor Media, 2018, 310
Send e-mail adress to pages.
PADILLA, Mark, Classical Myth in Four Films
of Alfred Hitchcock, New York, Lexington
Books, 2018, 336 pages.
LEIGH, David, Cocktailement vôtre ! Les This book treats four representative films, each
recettes de cocktails et boissons préférées from a different decade of his early career. The
de James Bond 007, Paris, Dunod, (Hors first two movies were produced in London: The
Collection), 2018, 144 pages. Farmer’s Wife (1928) and The Man Who Knew
Too Much (1934); the second two in
LEPINGLE, Gaël, Agent X27, de Josef von Hollywood: Rebecca (1940) and Strangers on a
Sternberg: la fiction euphorique, Crisnée Train(1951). In close readings of these movies,
(Belgique), Yellow Now, (Côté Films, #37), Padilla discusses myths and literary texts such
2018, 107 page. as the Judgment of Paris, The Homeric Hymn
to Demeter, Aristophanes’s Frogs, Apuleius’s
LÖSCHNIGG, Martin & Marzena SOKOLOWSKA- tale “Cupid and Psyche,” Homer’s Odyssey,
PARYZ (eds.), The Enemy in Contemporary and The Homeric Hymn to Hermes.
Film, Berlin, De Gruyter, 2018, vii, 413 pages. Additionally, many Olympian deities and heroes
While filmic representations of 'enemies' are have archetypal resonances in the films in
legion, film studies have so far neglected the question.
way in which filmic mediations of enemy
images have contributed to shaping cultural PIOTROWSKA, Agnieszka, The Nasty Woman
memories. The present volume investigates the and the Neo Femme Fatale in Contem-
(de)(re)constructions of enemy images in porary Cinema, New York & London,
international film since the 1970s. The three Routledge, 2018, 136 pages.
parts deal with (re)configurations of the enemy Piotrowska presents ‘the nasty woman’ across
in contemporary global cinemas, analysing cultural and mythical landscape as a figure
films on the two world wars, on regional fighting against the entitlement of the
military conflicts, ethnic, racial and gender patriarchy. The writer argues that in films such
conflicts, socio-political conflicts and forms of as Zero Dark Thirty, Red Road, Stories We Tell,
terrorism. and even Gone Girl the ‘nastiness’ of female
characters creates a new space for reflection
MACCHI, Andrea, Sherlock Junior - une on contemporary society and its struggles
svolta nel cinema di Buster Keaton, against patriarchal systems. The nasty woman
lulu.com, 2018, 88 pages. or neo femme fatale is a figure who disrupts
stable situations and norms; she is pro-active
MARMO, Lorenzo, Roma e il cinema del and self-determining, and at times unafraid to
doppoguerra. Neorealismo, melodramma, use dubious means to achieve her goals. She is
noir, Roma, Bulzoni, (Impronte. Cinema, often single, but when married she subverts
19)2018, 230 pages. and undermines the fundamental principles of
this patriarchal institution.
McGIVERN, Carolyn, Claire Trevor: Queen of
the Bs and Hollywood Film noir, Indepen- SIPIÈRE, Dominique, Le Récit dans les
dently Published, 2018, 153 pages. séries policières - D'Hercule Poirot à
Mentalist, Paris, Armand Colin, (Cinéma/arts
MOORE, Sir Roger, The 007 Diaries: Filming visuels), 2018, 240 pages.
Live and Let Die, London, The History Press, Pour dégager les grandes tendances et
2018, 224 pages. évolutions du genre depuis les années 2000,
cet ouvrage remonte tout d’abord aux origines
MÜLLER, Janina, Musik im klassischen Film des récits policiers et à leurs prototypes
noir, Würzburg, Königshausen & Neumann, narratifs : Holmes, Poirot et le whodunnit,
2018, 250 pages.
les cop shows et la matière soap opera qui les

environne. Puis, s’appuyant sur plusieurs séries Introduction (Simon Bacon and Katarzyna
représentatives, de Mentalist aux Experts, en Bronk) 1
passant par Castle ou encore Inspecteur Section One: Children’s Media—Chronologies
Barnaby, il énonce et analyse leurs principaux and Mediums
motifs : l’esprit des lieux, le temps, la place Children of the Night: Mainstreaming Vampires
des femmes, l’importance des minorités, la Through Children’s Media (Andrew M. Boylan)
nature du Mal, les images ambivalentes de la An Invitation to a Beheading (and Another to a
science... Birthday Bash): Encountering Dracula in
Contemporary Gothic Metamorphoses Books
THIELLEMENT, Pascal, Trois essais sur Twin (Jen Baker)
Peaks: La main gauche de David Lynch, The Drawn Daughters of Dracula: Vampire
Éxégèse de la Black Lodge, La substance Girlhood in British Comics of the 1970s and
de ce monde, Paris, Presses Univrsaitaires de 1980s (Jack Fennell)
France, 2018, 208 pages. Section Two: Negotiating Femininity and
YOUNG, Caroline, Hitchcock's Heroines, San Jeepers Creepers: The American Vampirization
Rafael (CA), Insight Editions, 2018, 192 pages. of the Female Immigrant Teacher in Vampires
From his early days as a director in the 1920s Don’t Wear Polka Dots (Sharon Pajka)
to his heyday as the Master of Suspense in the Under Her Batwings: Jung’s Shadow Aspect as
1960s, Hitchcock had a complicated and Depicted in Monster High and My Little Pony
controversial relationship with his leading Vampires (Jacquelyn E. Bent)
ladies. He supervised their hair, their makeup, Metamorphosis of the Blood: Vampiric
their wardrobe, pushing them to create his Femininity in Contemporary Children’s Fiction
perfect vision onscreen. Yet these women were (Chloé Germaine Buckley)
also style icons in their own right, and the Problematic Parenting: Tweens and Vampire
clothes they wore imbued the films with Fiction (Leslie J. Ormandy)
contemporary glamour. From Kim Novak’s gray Section Three: Symbolism, Meanings and
suit in Vertigo to Janet Leigh’s thematically Interpretations
symbolic lingerie in Psycho,these actresses and Dick and Jane and Vampires: The Interstitial
their clothes broke barriers, made history, and Bridge Between Social Imaginary and
transfixed audiences around the world. Spirituality (Phil Fitzsimmons)
The Dhampir Gets His Fangs: Miscegenation
and Exogamy in the Hotel Transylvania Film
Franchise (Mark Chekares)
ÉCRITS SUR Food for Thought: Vegetarian Vampires in
Children’s Reading Diets (Jane M. Kubiesa)

L’IMAGINAIRE Every Generation Gets the Vampire It Needs:

What Can Vampire Narratives in Children’s
Films Tell Us About Childhood in the Twenty-
First Century? (Allison Moore)
Looking Back and Seeing the Future: Adult
Nostalgia and Negotiating the Future in
Children’s Books and Films Featuring Vampires
(Simon Bacon and Katarzyna Bronk)

BAGCHI, Nivedita, Human Nature and

SCIENCE-FICTION Politics in Utopian and Anti-Utopian
FANTASTIQUE & FANTASY Fiction, New York, Lexington Books, 2018,
100 pages.
This book examines two well-known utopias
and two anti-utopias to draw out their
conceptions of human nature and show that
LITTÉRATURE these conceptions are directly related to their
views on politics.

BACON, Simon & Katarzyna BRONK (eds.), BANERJEE, Anindita & Sonja FRITZSCHE (eds.),
Growing up with Vampires: Essays on the Science Fiction Circuits of the South and
Undead in Children's Media, Jefferson (NC), East, Oxford, Bern et al., Peter Lang, (World
McFarland, 2018, 221 pages. Science Fiction Sudies), 2018, x, 250 pages

Written by scholars from around the world, the representational strategies of the gothic mode
chapters address the «other» transatlantic of are ideally suited to an exploration of the dark
the Caribbean, Latin America, African America, side of neoliberal enterprise.
and the Soviet Union; the surprising multitude
of transnational networks behind the Iron BOHN, Thomas M. & Kirsten von HAGEN (dir.),
Curtain; and asymptotic and subterranean Mythos Vampir - Bissige Lektüren, Bonn,
discourses across Russia, India, and China. Romanistischer Verlag, 2018, 201 pages.

(eds.), The Occult in Modernist Art, Starships and Sorcerers: The Secret
Literature and Cinema, Basingstoke, History of Science Fiction and Fantasy,
Palgrave Macmillan, 2018, xii, 275 pages. New York, Abrams Image, 2019,

BLACKFORD, Russell, Science Fiction and BROWN, Sherri L., Carol SENF & Ellen J.
the Moral Imagination: Vision, Minds, STOCKSTILL, A Research Guide to Gothic
Ethics, New York, Springer, 2017, xi, 204 Fiction in English: Print and Electronic,
pages. Lanham (MD), Rowman & Littlefield Publishers,
In this highly original book, Russell 2018, 252 pages.
Blackford discusses the intersection of science
fiction and humanity’s moral imagination. With BULFIN, Ailise, Gothic Invasions:
the rise of science and technology in the 19th Imperialism, War and Fin de siècle
century, and our continually improving Popular Fiction, Cardiff, University of Wales
understanding of the cosmos, writers and Press, 2018, 288 pages.
thinkers soon began to imagine futures greatly What do tales of stalking vampires, restless
different from the present. Science fiction was Egyptian mummies, foreign master criminals,
born out of the realization that future barbarian Eastern hordes and stomping
technoscientific advances could dramatically Prussian soldiers have in common? As Gothic
change the world. Along with Invasions explains, they may all be seen as
the developments described in modern science instances of invasion fiction, a paranoid fin-de-
fiction - space societies, conscious machines, siècle popular literary phenomenon that
and upgraded human bodies, to name but a responded to prevalent societal fears of the
few - come a new set of ethical challenges and invasion of Britain by an array of hostile foreign
new forms of ethics. forces in the period before the First World
BESSON, Anne (dir.) Dictionnaire de la
fantasy, Paris, Éditions Vendémiaire, 2018, CAMPOS, Elisabeth & Richard D. NOLANE,
441 pages. Vampires ! Une histoire sanglante,
En plus d'une centaine d'entrées, ce Bordeaux Les Moutons électriques, Hélios,
dictionnaire dévoile, pour la première fois, tous 2018, 283 pages.
les secrets de ce genre majeur de l'imaginaire, Né il y a très longtemps, le démon buveur de
en explorant les déclinaisons voisines sang n'a cessé de poursuivre son chemin dans
(fantastique, gothique, science-fiction, notre imaginaire. Sous le nom de vampire, il
steampunk...), les grands questionnements, est devenu un des personnages favoris du
tous très actuels (impératif écologique, rapport genre fantastique et présente le cas unique
à la violence et à l'ordre, visions du passé d'une superstition ayant acquis le statut de
collectif...), et les principaux auteurs (Robert mythe mondial par l'intermédiaire des arts
Howard, J.R.R. Tolkien, Lord Dunsany, T.H. populaires. Une superstition dont les racines,
White, Terry Pratchett ou George R.R. Martin). pas toujours bien connues, sont examinées ici
en détail. Enfin un ouvrage qui présente un
BLAKE, Linnie & Agnieszka SOLTYSIK MONNET panorama complet du vampirisme, sans se
(eds.), Neoliberal Gothic: International cantonner à ses seuls aspects légendaires,
Gothic in the Neoliberal Age, Manchester, artistique et historique. En effet, il aborde aussi
Manchester University Press, 2017, xiii, 219 ce que l'on peut appeler la "réalité vampirique",
pages. incarnée par des personnages convaincus
Through analysis of texts drawn from d'être d'authentiques vampires
literature, film, television, theatre and the
visual arts (from the Europe to South East Asia, CANAVAN, Gerry & Eric LINK, The Cambridge
Africa to North and South America) the History of Science Fiction, Cambridge,
collection examines the ways in which the Cambridge University Press, 2018, 784 pages.

CARD, Orson Scott, Comment écrire de la Article. Entre mythes et épées : la Fantasy
fantasy et de la science fiction, Paris, chevaleresque réactualisée dans les premiers
Éditions Bragelonne, 2018, 221 pages. jeux vidéo japonais (RPGs de 1986 à 2000),
de/by Marco Prost
COLLECTIF, Les Littératures maudites, no
2 : actes du salon 2017 dédié à Jacques COSTORPHINE, Kevin & Laura R. KREMMEL
Bergier, Paris, les éditions de l'Oeil du sphinx, (eds.), The Palgrave Handbook to Horror
( les études du Dr. Armitage), 2018, 184 Literature, New York, Palgrave Macmillan,
pages. 2018, 556 pages.
This handbook examines the use of horror in
COLLECTIF, Science Fantasy, dans Fantasy storytelling, from oral traditions through
Art and Studies, no 3, automne/autumn folklore and fairy tales to contemporary horror
2017. fiction. Divided into sections that explore the
[seuls les articles du sommaire ont été origins and evolution of horror fiction, the
retenus] recurrent themes that can be seen in horror,
Article. Defining Science Fantasy, de/by Viviane and ways of understanding horror through
Bergue literary and cultural theory, the text analyses
Article. A Future Droid in King Arthur’s Court: why horror is so compelling, and how we
When Science Fiction invites itself into Fantasy, should interpret its presence in literature.
de/by Justine Breton Chapters explore historical horror aspects
Article. La Science Fantasy au prisme du light including ancient mythology, medieval writing,
novel : pour un mélange des genres, de/by drama, chapbooks, the Gothic novel, and
Alexandra Aïn literary Modernism and trace themes such as
vampires, children and animals in horror, deep
COLLECTIF, Victorian Roots/Racines dark forests, labyrinths, disability, and
victoriennes, dans Fantasy Art and imperialism.
Studies, no 4, printemps/spring 2018.
[Seuls les articles du sommaire ont été DAVIES, Ann, Contemporary Spanish
retenus] Gothic, Edinburgh, Edinburgh University
Article. Le « Romance » au féminin de William Press,2016, 196 pages.
Morris : entre socialisme et victorianisme, Examining the works of writers and filmmakers
de/by Benjamin Bories like Carlos Ruiz Zafón, Arturo Pérez-Reverte,
Article. As Old as Time: Jane Eyre and the Pedro Almodóvar and Alejandro Amenábar, as
Power of the Gothic in Three Recent Fantasy well as the further reaches of Spanish Gothic
Novels, de/by Caroline Duvezin-Caubet influence in the Twilight film series, the book
Article. Anno Dracula ou La sténographe et le considers images and themes including the
vampire… (aux origines de la Dark Fantasy), mad surgeon and the vulnerable body, the role
de/by Isabelle-Rachel Casta of the haunted house and the heritage biopics
Article. A Female Victorian Scholar in the Fairy of Francisco de Goya.
Balkans: Albanian Dragons and Witcheries in
Lucy M. J. Garnett’s Wonder Tales, de/by DAVIES, William (ed.), Economic Science
Olimpia Gargano Fictions, London, Goldsmith Press, (PERC
Article. Viviane dans les transpositions Papers), 2018, 400 pages.
arthuriennes à l’époque victorienne, de/by From the libertarian economics of Ayn Rand to
Virginie Thomas Aldous Huxley's consumerist dystopias,
economics and science fiction have often
COLLECTIF, Made in Japan, dans Fantasy orbited each other. In Economic Science
Art and Studies, no 5, automne/autumn Fictions, editor William Davies has deliberately
2018. merged the two worlds, asking how we might
[seuls les articles du sommaire ont été harness the power of the utopian imagination
retenus] to revitalize economic thinking.
Article. Eco-animisme dans les fantasy anime
de Hayao Miyazaki, de/by Tomotoshi Katagi DAVIDSON, Carol Margaret & Monica GERMANA
Article. Broomsticks and Bathhouses: Modes of (eds.), Scottish Gothic: An Edinburgh
Connection in Hayao Miyazaki’s Kiki’s Delivery Companion, Edinburgh, Edinburgh University
Service and Spirited Away, de/by Hanna Press, 2018, 304 pages.
Greenblott 1. Borderlands of Identity and the Aesthetics of
Article. La Fantasy japonaise en quête de Disjuncture: An Introduction to Scottish Gothic,
nouveaux mondes, de/by Benjamin Norguet Carol Margaret Davison and Monica Germanà

2. ‘The Celtic Century’ and the Genesis of Generations of the Female Vampire: Colonial
Scottish Gothic, Nick Groom Gothic Hybridity in Florence Marryat’s The
3. The Politics and Poetics of the ‘Scottish Blood of the Vampire
Gothic’ from Ossian to Otranto and Beyond, Mary Kingsley and the Ghosts of West Africa
Carol Margaret Davison The African Stories of Margery Lawrence
4. Robert Burns and the Scottish Bawdy Politic, Colonial Gothic Framework: Haunted Houses in
Hamish Mathison the Anglo-Indian Ghost Stories of Bithia Mary
5. Scottish Gothic Drama, Barbara A. E. Bell Croker
6. Gothic Scottish Poetry, Alan Riach Animal Gothic in Alice Perrin’s East of Suez
7. Calvinist and Covenanter Gothic, Alison The Past Will Not Stay Buried: Female Bodies
Milbank and Colonial Crime in the Australian Ghost
8. Gothic Scott, Fiona Robertson Stories of Mary Fortune
9. Gothic Hogg, Scott Brewster Fear and Death in the Outback: Barbara
10. ‘The Singular Wrought Out into the Strange Baynton’s Bush Studies
and Mystical’: Blackwood’s Edinburgh Magazine Katherine Mansfield and the Troubled Homes of
and the Transformation of Terror Colonial New Zealand
Robert Morrison Conclusion: “Cicatrice of an Old Wound”
11. Gothic Stevenson, Roderick Watson
12. J. M. Barrie’s Gothic: Ghosts, Fairy Tales, ESSELBORN, Hans, Die Erfindung der
and Lost Children, Sarah Dunnigan Zukunft in der Literatur: vom technisch-
13. The ‘nouveau frisson’: Muriel Spark’s utopischen Zukunftsroman zur deutschen
Gothic Fiction, Gerard Carruthers Science Fiction, Würzburg, Königshausen &
14. Scottish Gothic and the Moving Image: A Neumann, 2018, 300 pages.
Tale of Two Traditions, Duncan Petrie
15. New Frankensteins FEIERSINGER, Luisa (dir.), Bildwelten des
or, the Body Politic, Timothy C. Baker Wissens: Scientific Fiction. Inszenierung
16. Queer Scottish Gothic, Kate Turner der Wissenschaft zwischen Film, Fakt und
17. Authorship, ‘Ghost-filled’ Islands, and the Fiktion, Berlin, De Gruyter, 2018, 136 pages.
Haunting Feminine: Contemporary Scottish
Female Gothic, Monica Germanà. FERNANDEZ, Manuel Lopez, Teologia ciencia
ficcion: reflexiones al hilo de la historia,
DI MINICO, Elisabetta, Il futuro in bilico: il Independently Published, 2018, 130 pages.
mondo contemporaneo tra controllo,
utopia e distopia, Milano, Meltemi, (Linee), FORNI, Kathleen, Beowulf's Popular After-
2018, 418 pages. life in Literature, Comic Book and Film,
New York, & London, Routledge, Taylor &
DO ROSARIO, Rebecca-Anne C., Fashion in Francis Group, 2018, 207 pages.
the Fairy Tale Tradition: What Cinderella
Wore, Cham, Palgrave Macmillan, 2018, xi, FÜRST, Saskia, Yvonne KAISINGER, Ralph
316 pages. Poole (eds.), US American Expressions of
Utopian and Dystopian Visions, Wien LIT
DUNCAN, Rebecca, South Afrian Gothic: Verlag, 2017m xiii, 197 pages.
Anxiety and Creative Dissent in the
Postapartheid Imagination and Beyond, GARFORTH, Lisa, Green Utopias: Environ-
Cardiff, University of Wales Press, 2018, 288 mental Hope Before and After Nature,
pages. Cambridge (UK), Polity Press, 2018, 208
EDMUNDSON, Melissa, Women's Colonial Green Utopias explores these ideas of
Gothic Writing, 1850-1930: Haunted environmental hope in the post-war period,
Empire, Cham, Palgrave Macmillan, 2018, 258 from the environmental crisis to the end of
pages. nature. Using a broad definition of Utopia as it
Introduction: Reclaiming Women’s Colonial exists in Western policy, theory and literature,
Gothic Writing : Edmundson, Melissa Lisa Garforth explains how its developing
Susanna Moodie, Colonial Exiles, and the entanglement with popular culture and
Frontier Canadian Gothic mainstream politics has shaped successive
Gothic Romance and Retribution in the Short green future visions and initiatives. In the face
Fiction of Isabella Valancy Crawford of apocalyptic, despairing or indifferent
responses to contemporary ecological

dilemmas, utopias and the utopian method Critique of Culture in Suzanne Collins' Hunger
seem more necessary than ever. Games Trilogy / Jane Beal -- Dystopia,
Competition and Reality Television Tropes in
GEHRTS, Heino, Die Welt des Märchens, The Bachman books: "The long walk" and "The
Hamburg, Igel Verlag, 2018, 335 pages. running man" / Alissa Burger -- Stranger than
fiction: locating the digital dystopia in
GÖRDEN, Michael (dir.), Das Science Fiction contemporary fiction / Robyn N. Rowley --
Jahr 2018, Berlin, Golkonda Verlag, 2018, 500 Disembodied heads and headless philosophies:
pages. C.S. Lewis' aesthetic rejoinder to dystopian
utility in That hideous strength / Matthew
GRIGG, Richard, Science Fiction and the Bardowell -- The creation of the future from
Imitation of the Sacred,London & New York, remnants of the past: order from disorder in
Bloomsbury Academic, 2018, viii, 151 pages. William Gibson's All tomorrow's parties and
This book examines science fiction's Neal Stephenson's Snow crash / Melanie A.
relationship to religion and the sacred through Marotta -- The future is white, the future is
the lens of significant books, films and undead: reframing the American vampire
television shows. It provides a clear account of dystopia in Guillermo del Toro and Chuck
the larger cultural and philosophical Hogan's The strain trilogy / Simon Bacon --
significance of science fiction, and explores its Here's looking at you, kids: the urgency of
potential sacrality in today's secular world by dystopian texts in the secondary classroom /
analyzing material such as Ray Bradbury's Michael A. Soares.
classic novel The Martian Chronicles, films The
Abyss and 2001: A Space Odyssey, and also HENDRIX, Grady, Paperbacks from Hell: A
the Star Trek universe. History of Horror Fiction from the 70s and
80s, Philadelphia (Penn.), Quirk Books, 2017,
GUÉDRON, Martial, Les Monstres: créatures 256 pages.
étranges et fantastiques, de la préhistoire
à la science-fiction, Beaux Arts Éditions, HOGAN, Sarah, Other Englands: Utopia,
2018, 223 pages. Capital, and Empire in an Age of
Transition, Stanford (CA), Stanford University
GUNN, James, Alternate Worlds: the Press, 2018, x, 236 pages.
Illustrated History of Science Fiction, Beginning with the paradigmatic popular
Jefferson (NC), McFarland, 2018, vii, 304 pages utopias of Thomas More and Francis Bacon but
[3e édition, avec une introduction d'Isaac attentive to non-canonical examples from the
Asimov] margins of the tradition, the study charts a
shifting and, by the time of the English
HAN, John J. C. Clark TRIPLETT & Ashley G. Revolution, self-critical effort to think
ANTHONY, Worlds Gone Awry: Essays on communities in dynamic socio-spatial forms.
Dystopian Fiction, Jefferson (NC), McFarland,
2018, vii, 252 pages. INFANTE, Elettra Dafne, Vapore, ingranaggi
Classical dystopian fiction. Feminine subterfuge e sogni meccanici. Lo steampunk e i nuovi
in Margaret Atwood's The heart goes last / vittoriani, Nero Press, 2018, 218 pages.
Megan E. Cannella -- "Forget sad things": Kurt
Vonnegut's dystopian short fiction as social IDEMA, Tom, Stages of Transmutations:
critique / Ashley G. Anthony -- "A secure but Science-Fiction, Biology, and Environ-
partly demented society": reconsidering human mental Posthumanism, New York,
depravity in William Golding's Lord of the flies / Routledge, 2019, 186 pages.
Natasha W. Vashisht -- Streets of spectrality: Stages of Transmutation: Science Fiction,
Kevin Barry's dystopian City of Bohane / Biology, and Environmental Posthuma-
Deirdre Flynn -- Interrogating utopia: on Colin nism develops the theoretical perspective of
Macinnes's Absolute beginners / Andrew environmental posthumanism through analyses
Hammond -- "What if I said that he's a god?": of acclaimed science fiction novels by Greg
messianism in Cormac Mccarthy's The road / Bear, Octavia Butler, Kim Stanley Robinson,
Wes Yeary -- "Maps and mazes": mapping as and Jeff VanderMeer, in which the human
metaphor in postsecular America / Harold K. species suddenly transforms in response to
Bush -- Popular dystopian fiction. Unmasking new or changing environments. Narrating
the deception: the hermeneutic of suspicion in dramatic ecological events of human-to-
Lois Lowry's The giver / C. Clark Triplett and nonhuman encounter, invasion, and
Jon J. Han -- Ending dystopia: The Feminist transmutation, these novels allow the reader to

understand the planet as an unstable stage for Le récit d’anticipation défini d’après ses
evolution and the human body as a home for modèles (1863-1935)
bacteria and viruses. Delphine Gleizes : « Ceci n’est point un titre
inventé à plaisir… »
INIGO FERNANDEZ, Luis E., Breve Historia Humbugs, canards et anticipation scientifique
de la ciencia ficcion, Madrid, Nowta & Mélodie Simard-Houde : Voyages dans l’espace
Nowtilus, (Breve historia), 2017, 368 pages. et avions électriques
L’imaginaire aéronautique comme figuration de
JONES, Darryl, Sleeping with the Lights On: l’écriture sous contraintes dans le roman en
The Unsettling Story of Horror, Oxford & fascicules
New York, Oxford University Press, 2018, xii, Science, fiction et actualité : l'anticipation dans
181 pages. la presse
1: Monsters; Vampires; Zombies; 2: The Occult Axel Hohnsbein : Du Magasin d’éducation et de
and the Supernatural; The Devil; Ghosts and récréation à La Science illustrée
Spirits; 3: Horror and the Body; Quelles stratégies éditoriales pour la fiction
Metamorphosis; Body Horror; 'Torture Porn'; 4: scientifique dans la presse de vulgarisation ?
Horror and the Mind; 'Madman!'; The Double; (1864-1905)
Psychos and Slashers: The Serial Killer; 5: Yoan Vérilhac : « Ah ! que nous allons rire ! » :
Science and Horror; Mad Science; l’anticipation dans la petite presse du XIXe
Technophobia 6: Afterword: Horror Since the siècle (1840-1860)
Millennium. Matthieu Letourneux : « Mettez 600F dans la
fente et vous recevrez les palmes académiques
JONES, Kelly, Benjamin POORE & Robert DEAN »
(eds.), Contemporary Gothic Drama: L’anticipation dans la petite presse (1880-
Attraction, Consummation and Consum- 1930) et les problèmes des généricités
ption on the Modern British Stage, London, anachroniques
Palgrave Macmillan, 2018, xix, 266 pages. L'anticipation en contexte : discours, réseaux,
KREUZER, Stefanie & Uwe DURST (dir.), Das Valérie Stiénon : Prévision et prévention. Le
Wunderbare. Dimensionen eines Phäno- roman d’anticipation dans les discours de
mens in Kunst und Kultur, Padeborn, Verlag l’hygiène
Wilhelm Fink, 2018, 318 pages. Maxime Prévost : « Rien ne blesse, ni mes
idées, ni mes sentiments là-dedans » : Pierre-
LANDRAGIN, Frédéric, Comment parler à un Jules Hetzel et le sociogramme du progrès chez
alien ? Langage et linguistique dans la Jules Verne
science-fiction, Saint-Mammèes, Bélial, Claire Barel-Moisan : Anticipation et
(Parallaxes), 2018, 280 pages. légitimation : le prix « Jules Verne »

LARUE, Ian, Libère-toi Cyborg ! Le pouvoir LOCKE, John, The Thing's Incredible ! The
transformateur de la science-fiction fémi- Secret Origins of Weird Tales, Off-Trail
niste, Paris, Cambourakis, 2018, 251 pages. Publications, 2018, 310 pages.
The Thing’s Incredible! is a sweeping revisionist
LEEUWEN, Richard van, Thousand and One history of the founding of Weird Tales, one of
Nights and Twentieth-Century Fiction: the most influential and entertaining pulp
Intertextual Readings, Leiden & Boston, magazines of them all. Its first two years
Brill, 2018, viii, 832 pages. (1923-24) was a period of tumult and
controversy unequaled in the pulps, before or
LETOURNEUX, Matthieu & Valérie STIÉNON since, an experience so painful to its creators
(dir.), L'Anticipation dans les discours that they immediately banished their memories
médiatiques et sociaux, dans COnTEXTES : to secrecy, their code of silence suppressing
revue de sociologie de la littérature, no 21, the story for almost a century. Here at last is
2018. the true saga, the unraveling of the many
Matthieu Letourneux et Valérie Stiénon twisted threads which have bound the creation
:L’anticipation dans les discours médiatiques et of Weird Tales in mystery.
sociaux : genres, supports, valeurs
Faire corpus : les généricités de l'anticipation LOTHIAN, Alexis, Old Futures: Speculative
Émilie Pézard : Le genre de Jules Verne ou de Fiction and Queer Possibility, New York,
Wells ? New York University Press, (Postmillenial Pop
Series), 2018, 331 pages.

Examining speculative texts from the 1890s to Rose-Anaïs Weeber, Crimson Peak: Guillermo
the 2010s, from Samuel R. Delany to Sense8, del Toro’s Visual Tribute to Gothic Literature
Lothian considers the ways in which early [115-126]
feminist utopias and dystopias, Afrofuturist Hybridizations & Mutations
fiction, and queer science fiction media have Laura Pavel, The Gothic-Absurd Hybrid and the
insisted that the future can and must deviate Limits of Representation [129-146]
from dominant narratives of global annihilation Lucian-Vasile Szabo & Marius-Mircea Crișan,
or highly restrictive hopes for redemption. Technological Modifications of the Human Body
in Neo-Gothic Literature: Prostheses,
LUDWIG, Christian, Envisioning Other Hybridization and Cyborgization in
Worlds: Science Fiction and Dystopias, Posthumanism [147-158]
Berlin, Cornelsen Verlag, 2018, 160 pages. Alessandra Squeo, Hybridizing Textual Bodies
and Neo-Gothic Identities: Frankenstein’s
LUSETTI, Olivier, Comment mieux écrire, Afterlife in Shelley Jackson’s Fiction [159-174]
raconter une histoire et réussir sa fantasy, Mihaela Ursa, Media Pride and Prejudices of
son drame..., Perpignan, Fantasy éditions, Transmedial Traffic: Enacting Jane Austen with
(Art & fantaisie), 2018, 610 pages. Zombies [175-189]
Doru Pop, A Replicant Walks into the Desert of
MACHIN, James, Weird Fiction in Britain, the Real and Tells Unfunny Jokes in the
1880-1939, New York, Palgrave Macmillan, Flickering Lights of Neon-Gothic Fantasy [190-
(Palgrave Gothic), 2018, 272 pages. 211]
This book is the first study of how ‘weird fiction’ Richard Kidder, Some Examples of the
emerged from Victorian supernatural literature, Ecogothic in Contemporary English Language
abandoning the more conventional Gothic Fiction [212-222]
horrors of the past for the contemporary weird Carmen Borbély, Post-Gothic Traces in Ian
tale. It investigates the careers and fiction of a McEwan’s Solar [223-233]
range of the British writers who inspired H. P. Peripheral Configurations of the Neo-Gothic
Lovecraft, such as Arthur Machen, M. P. Shiel, Gerry Turcotte, The Caribbean Gothic Down
and John Buchan, to shed light on the tensions Under: Caribbean Influences in Marianne de
between ‘literary’ and ‘genre’ fiction that Pierres’ Parrish Plessis Novels [237-243]
continue to this day. Ana-Maria Parasca, The Sense of Otherness in
Kate’s Morton Novels [244-256]
MAGLIOCCO, Giovanni (dir.), Neo-Gothic. Gisèle Vanhese, Néo-gothique et imaginaire
Hybridizations of the Imaginary, dans amérindien dans Le Mutilateur de Julian
Caietele Echinox, no 35, II, 2018. Publié par Mahikan [257-268]
Phantasma. The Center for Imagination Katarzyna Ancuta, Patterns of Shadows:
Studies, Babes-Blyai University, Cluj-Napoca, Japanese Crime Gothic as Neo-Gothic [269-
Romania. 287]
Summary Luisa Valmarin, La poesia di Arturo Graf tra
Giovanni Magliocco, Foreword tentazioni gotiche e reminiscenze emineschiane
Neo-Gothic between Theory and Imaginary [288-304]
Max Duperray, « NEO-GOTHIC » : frontières Catherine de Wrangel, Racconto d’autunno de
incertaines d’un concept littéraire [13-24] Tommaso Landolfi : du récit gothique à la
Florence Casulli, Macabre Short-Stories by réflexion philosophico-politique [305-322]
Edgar Allan Poe and Roald Dahl [25-47] Fabio Camilletti, Melissa, o la realtà dei
Valentina Sirangelo, Sulla natura lunare di fantasmi [323-333]
Shub-Niggurath: dalla mythopoeia di Howard Ruxandra Cesereanu, Leonid Dimov:
Phillips Lovecraft a The Moon-Lens di Ramsey Spectrality and the Neo-Gothic Atmosphere
Campbell [48-68] [334-346]
Patrycja Antoszek, Shirley Jackson’s Affective Corin Braga, Vintilă Ivănceanu: From Oneirism
Gothicism: The Discourse of Melancholia in The to the Neo-Gothic [347-356]
Bird’s Nest [69-86] Marius Popa, Les retours du néo-gothique dans
Barbara Miceli, Pathological Narcissism in a la littérature de Mircea Cărtărescu. Les artifices
(Neo)Gothic Setting: Joyce Carol Oates’s “Evil de l’imaginaire dans Solenoid [357-365]
Eye” [87-100] Giovanni Magliocco, L’errance post-mortem
Dana Percec, Gothic Revisitations of Hamlet: d’une identité fragmentée. Pudră de Dora Pavel
Ian McEwan’s Nutshell [101-114] entre Néo-Gothique et Postmoderne [366-398]

MANGUEL, Alberto, Voyage en utopies, God and the Gothic: Romance and Reality in
Tourcoing, Éditions Invenit, 2017, 100 pages. the English Literary Tradition provides a
L'idée d'utopie peut être considérée comme complete reimagining of the Gothic literary
une des grandes expressions de l'esprit canon to examine its engagement with
humain. L'histoire de cette idée s'enracine dans theological ideas, tracing its origins to the
l'Antiquité, chez Platon notamment ; mais elle apocalyptic critique of the Reformation female
trouve à l'orée du XVIe siècle sa forme la plus martyrs, and to the Dissolution of the
aboutie dans le texte de Thomas More, Utopia, monasteries, now seen as usurping
édité il y a tout juste cinq cents ans. authorities.
L'humaniste anglais, inventeur même du nom
d'utopie (u-topos, en aucun lieu), inaugure un MORELAND, Sean (Ed.), New Directions in
genre littéraire que cet ouvrage propose Supernatural Horror: The Critical
d'explorer à travers vingt grands textes depuis Influence of H. P. Lovecraft, New York,
le XVIe jusqu'au XXe siècle. [recueil de textes Palgrave Macmillan, 2018, xiii, 286 pages.
commentés] Introduction: The Critical (After)Life of
Supernatural Horror in Literature : Moreland,
MARSDEN, Simon, The Theological Turn in Sean
Contemporary Gothic Fiction: Holy Ghosts, The Birth of Cosmic Horror from the S(ub)lime
Cham, Palgrave Macmillan, 2018, viii, 210 of Lucretius : Moreland, Sean
pages. The Evolution of Horror: A Neo-Lovecraftian
Through readings of fiction by Gothic and Poetics : Clasen, Mathias
horror writers including Stephen King, Joyce Ansky’s The Dybbuk, Freud’s Future of an
Carol Oates, Peter Straub, William Peter Blatty Illusion, Watson’s “Little Albert,” and
and others, this book demonstrates that Supernatural Horror in Literature : Packer,
Christianity continues to haunt the Gothic Sharon
imagination and that the genre’s openness to Gazing Upon “The Daemons of Unplumbed
the mysterious, numinous and non-rational Space” with H. P. Lovecraft and Stephen King:
opens space in which to explore religious Theorizing Horror and Cosmic Terror: Burger,
beliefs and experiences less easily accessible to Alissa
more overtly realist forms of representation. “Lothly Thinges Thai Weren Alle”: Imagining
Horror in the Late Middle Ages: Marshall, Helen
MASKENS, Maïté & Ruy BLANES (eds.), Lovecraft’s Debt to Dandyism :Ralickas, Vivian
Utopian Encounters: Anthropologies of Lovecraft and the Titans: A Critical Legacy
Empirical Utopias, New York, Berlin, et al, Reception Claims in Supernatural Horror in
Peter Lang, 2018, 248 pages Literature and the Course of Weird Fiction
Glover, John
McKAY, Robert & John MILLER (eds.), Bizarre Epistemology, Bizarre Subject: A
Werewolves, Wolves and the Gothic, Definition of Weird Fiction : Cisco, Michael
Cardiff, University of Wales Press, 2017, 304 Speaking the Unspeakable: Women, Sex, and
pages. the Dismorphmythic in Lovecraft, Angela
This is the first volume that deals with the Carter, Caitlín R. Kiernan, and Beyond :
appearance of werewolves and wolves in Wisker, Gina
literary and cultural texts from the mid- Weird Cinema and the Aesthetics of Dread :
nineteenth century to the present. Drawing on Hauser, Brian R.
representations of werewolves and wolves in Paranoia, Panic, and the Queer Weird :
literature, film, television, and visual culture, Johnson, Brian.
the essays investigate the key texts of the
lycanthropic canon alongside lesser-known MULVEY-ROBERTS, Marie, Dangerous
works from the 1890s to the present. Bodies: Historicing the Gothic Corporeal,
Manchester Un. Press, 2018, 272 pages.
MICHAUD, Thomas, La Réalité virtuelle: de
la science-fiction à l'innovation, Paris, NEUHAUS, Wolfgang, Die Überschreibung
L"Harmattan, 2018, 242 pages. der Gegenwart: Science Fiction als
evolutionäre Spekulation, Berlin, Golkonda
MILBANK, Alison, God & The Gothic: Verlag, 2018, 360 pages.
Religion, Romance & Reality in the English
Literary Tradition, New York, Oxford
University Press, 2018, 368 pages.

NEVINS, Jess, Horror Needs no Passport: 330 pages.
20th Century Horror Literature Outside En Espagne, le fantastique a fait l'objet d'un
the US and UK, Independently Published, rejet théorique fondé sur des motifs
2018, 241 pages. esthétiques, moraux et religieux. Il a malgré
tout été cultivé de manière détournée et au
NODIER, Charles, Du fantastique en moyen d'hybridations génériques. Le
littérature, Paris, BNF - Hachette Livre, 2018, fantastique, germe de l'ambiguité et de la
28 pages. Réédition d'un essai de Nodier sur le transgression, peut-il être le support d'un
fantastique publié en 1830. manège secret ? Le fantastique espagnol du
XIXe siècle est ici mis au jour et étudié.
PALARDY, Diana Q., The Dystopian
Imagination in Contemporary Literature PERSCHON, Mike, Steampunk FAQ : All
and Film, Cham, Palgrave Macmillan, 2018, That's Left to Know about the World og
xv, 235 pages. Goggles, Airships and Time Travel,
This close reading of texts and films by Ray Applause Theatre & Cinema Books, 2018, 352
Loriga, Elia Barceló, Ion de Sosa, José Ardillo, pages.
David Llorente, Eduardo Vaquerizo, and Ricardo FAQ). "What is steampunk?" Going beyond the
Menéndez Salmón offers insights into the standard default definitions of "Victorian
creative ways that these authors and directors science fiction," "yesterday's tomorrow today,"
use spatial constructions to capture the or some other equally vague or limited
dystopian imagination. description, Steampunk FAQ provides a
historical exploration of its literary and
PALMAS JAUZE, Daisy de, La Dragon cinematic origins. The journey begins with a
Fantasy: étude structurelle d'un sous- look at steampunk's genesis in the novels and
genre de la fantasy, Paris, Éditions du short stories of three Californians who hung out
Panthéon, 2018, 296 pages. a lot with Philip K. Dick, before moving on to
L’auteure, spécialiste des dragons dans la the inspirations and antecedents of steampunk.
littérature de tout temps, analyse les Contrary to what many articles and books say,
composants itératifs et les ingrédients du steampunk's direct inspiration is arguably far
succès contemporain d’un sous-genre de la more cinematic than literary, a likely reaction
Fantasy centré sur ces créatures légendaires to the many film adaptations, pastiches, and
qu’elle baptise la Dragon Fantasy. knockoffs of the scientific romances of Jules
Verne and H. G. Wells.
PARDOE, Rosemary, The Black Pilgrimage &
Other Explorations: Essays on Super- PREE, Christian & Timo KÜMMEL,
natural Fiction, Shadow Publishing, 2018, Bibliographie der deutschsprachigen
354 pages. Introduction de David Sutton. Science Fiction und Fantasy, Zürich, Atlantis
The celebrated writer M.R. James (1862-1936) Verlag, 2018, 548 pages.
is arguably the most significant author of ghost
stories in the world. His macabre work has RAMIREZ, Marco, ROZZOTO, David & Karem
terrified and fascinated readers for over a LANGER (eds.), Narrativas del Miedo:
hundred years. Now collected in one volume, Terror en obras literarias, cinematicas y
here are twenty-nine essays on his ghostly televisivas de Latinoamérica, New york,
tales and themes by editor and James scholar Frankfurt, et al. Peter Lang, 2018 [à paraître]
Rosemary Pardoe.
Plus eight further essays on other authors, ROBERTS, Adam, Publishing the Science
including Fiction Canon: The Case of the Scientific
Fritz Leiber, E.G. Swain and Manly Wade Romance, Cambridge, Cambridge University
Wellman, and a fascinating miscellany of nine Press, 2018, 75 pages.
additional pieces on a variety of topics. H. G. Wells, Jules Verne and other science
fiction writers embody in their art the advances
PAUTASSO, Guido Andrea, Vampiro in material culture that mobilize, reproduce and
futurista: i futuristi e l'esoterismo, distribute with new rapidity, determining the
Albissola Marina (SV), Vanilla edizioni, 2018, cultural logic of twentieth-century science
159 pages. Prefazione di Sara Tongiani. fiction in the process.

PÉDEFLOUS, Justine, La Littérature ROGERS, Brett M. & Benjamin Eldon STEVENS

fantastique espagnole du XIXe siècle, (eds.), Once and Future Antiquities in
Paris, Berlin, Frankfurt, et al. Peter Lang, 2018, Science Fiction and Fantasy, London,

Bloomsbury Academic, 2019, 248 pages. 3. “Powers of their own”: Evil and
In 15 all-new essays, this volume explores how Compromise in -Late-Victorian Urban Fantasies
science fiction and fantasy draw on materials Humanity, Evil and Religion at the End of the
from ancient Greece and Rome, 'displacing' Century
them from their original settings-in time and Intrusion and Compromise
space, in points of origins and genre-and The Strange Case of Dr. Jekyll and Mr. Hyde:
encouraging readers to consider similar “A profound duplicity”
'displacements' in the modern world. Modern Dracula: “Up-to-date with a vengeance”
examples from a wide range of media and 4. Supernatural Longing: The Beginnings of
genres-including Philip Pullman's His Dark Modern Fantasy
Materials and the novels of Helen Oyeyemi, Lewis Carroll: Growing Out of Enchantment
the Rocky Horror Picture Show and Hayao William Morris: A Sealed Enchantment 135
Miyazaki's Spirited Away, and the role-playing Epilogue: -Twenty-First-Century Enchantments
games Dungeons and
Dragons and Warhammer 40K-are brought SCHETSCHE, Michael & Andreas ANTON, Die
alongside episodes from ancient myth, Gesellschaft der Ausserirdischen: Einfüh-
important moments from history, and more. rung in die Exosoziologie, Berlin &
Heidelberg, Springer Verlag, 2018, 308 pages.
ROTTENSTEINER, Franz, Zukunftskrieg in
der Science Fiction: Kommentiere SCHÖNFELLNER, Sabine, Die Perfektion-
Beispiele aus den Jahren 1871-1918, barkeit des Menschen ? Posthumanische
Lünenburg, Dieter von Reeken Verlag, 2018, Entwürfe in Romanen von Juli Zeh, Kasper
159 pages. Colling Nielsen und Margaret Atwood,
Berlin, Weidler Buchverlag, 2018, 192 pages.
RUMPALA, Yannick, Hors des décombres du
monde: écologie, science-fiction et SCHUCK, Peter, Viele untote Körper: über
éthique du futur, Céyzérieu, Champ Vallon Zombies der Literatur und des Kinos,
éditions, (L'environnement a une histoire), Bielefeld, transcript Verlag, 2018, 650 pages.
2018, 263 pages. Zombies haben es der Moderne angetan. In
L’humanité doit-elle se préparer à vivre sur une William Seabrooks Reisebericht The Magic
planète de moins en moins habitable ? Island (1929), im Kino George A. Romeros oder
Comment adapter l’équipement intellectuel als Infizierte in Filmen und Serien jüngeren
collectif pour éviter cette situation ? Et Datums konfrontieren sie mit der Aporie des
pourquoi pas en recourant à la science-fiction Untodes. Die dadurch entstehenden Potenziale
et à son potentiel imaginaire ? Dans la masse diskutiert Peter Schuck an Zusammenhängen,
de récits et de représentations qu’elle offre, on die mit Begriffen wie Haiti, Geste, Apokalypse,
peut trouver des ouvertures inspirantes, aidant Infektion und Gemeinschaft verbunden sind.
à réfléchir, éthiquement et politiquement, sur
les manières pour une collectivité de prendre SHAPIRA, Yael, Inventing the Gothic
en charge les défis écologiques. Corpse: The Thrill of Human Remains in
the Eighteenth-Century Novel, Cham,
SANDERS, Elizabeth M., Genres of Doubt: Palgrave Macmillan, 2018, 265 pages.
Science Fiction, Fantasy and the Victorian Argues that before there was Gothic fiction
Crisis of Faith, Jefferson (NC), McFarland, there was ‘the Gothic corpse’
2017, vii, 177 pages. Uses the representation of the dead body as a
Introduction: The Secular and the Supernatural lens on roads taken and not taken by the
in Victorian Life and Fiction eighteenth-century novel Examines work from
1. The Problem with Creation: Narrating the a variety of writers, from Behn to Dacre
Break with God 21
SPAGNOLA, Nicola, GALLO, Claudio. & Giu-
Frankenstein: The Lonely Fall
seppe BONOMI (eds.), Sognare l'impos-
The Island of Dr. Moreau: The Animal and the
sibile. La fantascienza italiana tra
letteratura italiana et fumetti, tra scienza
2. Doubting Magic: Christian Fantasy During
e utopia, Roma, Comicout, 2018, 207 pages.
the Crisis
Phantastes: Doubt in the Hero
TANGUY, Julie Proust, Sorcières ! le sombre
The -Water-Babies: Doubt in the Reader
grimoire du féminin, Bordeaux, Les Moutons
The Princess and the Goblin: Doubt in the
Électriques (Hélios), 2018, 193 pages.
Flatland: Doubt in the World

-Sophie Beaulé (Université Saint Mary’s), Des
villes et des hommes : de quelques utopies et
No 136 histoires parallèles du Canada français (1916-
vol. 45, no 3, november 2018 1944).
-Renald Bérubé (Université du Québec à
Rimouski), La forge mythique et la fiction
d’anticipation : « Angoisse-de-Dieu », conte
d’Yves Thériault.
-Claude Janelle (Montréal), Le DaliAf : le connu
Edited by Brent Ryan Bellamy and Veronica
et l’inconnu ou son utilité et ses limites.
-Jean Levasseur (Université Bishop’s), Genèse
Brent Ryan Bellamy. Introduction.
d’un imaginaire : anticiper l’apocalypse dans le
Symposium on Science Fiction and the Climate
Saguenay du XIXe siècle.
-Jean-Louis Trudel (Université d’Ottawa),
DESIGN EARTH. Of Oil and Ice.
Harvey, Huot et Desrosiers : l’essor avorté de
Steve Asselin. A Climate of Competition:
la science-fiction au Canada francophone,
Climate Change as Political Economy in
Speculative Fiction, 1889-1915.
Partie II : Anticiper la science-fiction en France
Anindita Banerjee. Atoms, Aliens, and
-Patrizia d’Andrea (Université de Paris-
Compound Crises: Central Asia’s Nuclear
Sorbonne-Paris IV), Refaire le corps.
Anticipation du transhumanisme dans les
Michael Gaffney. The Ice Age and Us:
romans français : André Couvreur et Maurice
Imagining Geohistory in Kim Stanley
Robinson’s Shaman.
-Simon Bréan (Université de Paris-Sorbonne-
Rebecca Evans. Nomenclature, Narrative, and
Paris IV), « Toute l’horreur de l’inconnu » : la
Novum: “The Anthropocene” and/as Science
figure de l’Autre, entre fascination et rejet,
dans l’anticipation française (1908-1953).
Chris Pak. Terraforming and Geoengineering in
-Roger Bozzetto (Aix-Marseille Université), La
Luna: New Moon, 2312, and Aurora.
fin du monde humain.
Brent Ryan Bellamy and Sean O’Brien. Solar
-Daniel David (CNRS/Université de Technologie
Accumulation: The Worlds-Systems Theory of
Compiègne), Émile Driant en son temps : de la
The Expanse.
science-fiction pour la jeunesse à la prescience
Allison Mackey. Guilty Speculations: The
des nouvelles formes de guerre (1880-1916).
Affective Climate of Global Anthropocene
-Patrick Guay (Université du Québec à
Chicoutimi), Il était une fois : Jacques Spitz
Hua Li. “Are We, People from the Earth, so
Terrible?”: An Atmospheric Crisis in Zheng
-Paul Kawczak (Université du Québec à
Chicoutimi), Le roman d’imagination
Descendant of Mars.
scientifique dans ses rapports au roman
Guy Witzel. Abcanny Waters: Victor LaValle,
d’aventures littéraire de l’entre-deux-guerres.
John Langan, and the Weird Horror of Climate
Une même pulsion de mort ?
-Jean-Guillaume Lanuque (Nancy), « Malheur
suprême » : la perception du socialisme
Terry Harpold. “À la Hogarth”: Verne’s Robur
révolutionnaire dans la première science-fiction
the Conqueror.
française. Une stratigraphie du milieu du XIXe
siècle aux années 1920.
-François Ouellet (Université du Québec à
Chicoutimi), Être père « au conditionnel ». Le
Voyageur imprudent et Ravage de René
VAS-DEYRES, Natacha, BERGERON, Patrick & Barjavel.
Patrick Guay, C'était demain: anticiper la -Valérie Stiénon (Université Paris XIII), Des
science-fiction en France et au Québec années folles ? L’écriture de la catastrophe de
(1880-1950), dans Eidôlon, no 123, Presses Claude Farrère à Léon Groc.
Universitaires de Bordeaux, 2018, 398 pages. Partie III : Figures et genres de la conjecture
Danièle James-Raoul, Avertissement -Jean-Luc Boutel (Toulon), La littérature
Natacha Vas-Deyres et Patrick Bergeron, « d’imagination scientifique, genèse et continuité
Avant-propos. C’était demain : les origines de d’un genre.
la science-fiction en France et au Québec » -Jean-Loup Héraud (Université Claude Bernard-
Partie I : Initialiser la science-fiction au Québec Lyon 1), Trois configurations du « voyage dans

la causalité » dans la science-fiction française
(1re moitié du XXe siècle).
-Fleur Hopkins (Université Paris I-Panthéon- SOLARIS
Sorbonne), Disséquer le merveilleux- L’anthologie permanente des littératures
scientifique : relecture d’une taxinomie de l’imaginaire
tentaculaire (1875-1930). no 208, automne 2018, 240 pages.
-Arnaud Huftier (Université de Valenciennes et
du Hainaut-Cambrésis), « Combattre les Des textes de fiction de Jonathan Brassard,
moulins de l’Éther » : H.-J. Proumen et la « Célia Chalfoun, Pierre Gévart, Oscar Källner,
haute comédie surhumaine ». Frédéric Parrot & Francine Pelletier
-Alexandre Marcinkowski (Nantes), « Un article de Mario Tessier: Les Échecs
L’incubation totalitariste dans la littérature féeriques, ou la rencontre des littératures de
d’anticipation française de l’entre-deux-guerres genre et du jeu d'échecs [les Carnets du
: le cas exemplaire de La fin d’Illa de José Futurible] + les rubriques habitu-
Moselli. elles (Littéranautes + Lectures)
-Samuel Minne (Dijon) et Aurélie Villers Avec des illustrations de Grégory Fromenteau
(Université de Beauvais/Picardie Jules Verne), (couverture), Laurine Spehner, Marc Pageau et
Les visions martiennes de Camille Flammarion. Suzanne Morel.
-Marie Palewska (Université Sorbonne
Nouvelle-Paris 3), Le scientifique merveilleux www. revue-solaris.com
chez Paul d’Ivoi : une vision optimiste de la
-Élisabeth Stojanov (Université Blaise Pascal
Clermont-Ferrand), C’était hier : la machine
WOLFSON, Lisa, Das Mysterium der Puppe:
temporelle de la fin du XIXe siècle jusqu’à la
Semantik und Funktion eines Zwischens-
Deuxième Guerre Mondiale.
wesens, Berlin, Frank & Timme, 2018, 396
-Natacha Vas-Deyres (Université Bordeaux
Montaigne) et Patrick Bergeron (Université du
Nouveau-Brunswick), Des fourmis et des
ZEVACO, Agnès, Voyage au centre de la
hommes : voyage entomologique au cœur de la
tech: science-fiction et innovation, Paris,
proto-science-fiction (1890-1950).
Diateino, 2018, 221 pages.
Partie IV : Journaux, revues et cinéma
Surveillance, big data, « new space »,
-Jean-Luc Buard (Université Paris XIII), La
intelligence artificielle, nano et biotechnologies
science-fiction invisible (1860-1950).
: la Tech est partout, la science-fiction aussi.
-Claire Barel-Moisan (CNRS/ENS de Lyon), La
Dans l’ère de la complexité où les fondements
science au futur antérieur : les romans
de notre monde sont plus fragiles que nous le
d’anticipation dans La Science illustrée (1887-
pensons, et où le virtuel est un paradigme
crucial de notre civilisation, l’imagination et la
-Patricia Crouan-Véron (IUT Sénart-
création sont au pouvoir. Les géants de la Tech
Fontainebleau/Université Paris Est-Créteil), «
ont ainsi investi l’espace avec des horizons
Aux origines des genres : la fiction de Georges
visionnaires de la science-fiction qui est devenu
Méliès (1861-1938) ou le cinématographe dans
un laboratoire des possibles. En interrogeant
tous ses états. Gros plan sur Le Voyage dans la
les liens qui unissent science-fiction et
innovation, ce livre est au carrefour de
l’actualité et constitue une importante clé de
VAORIN, Ulrich,Christian GOOS & Michael
lecture de la société contemporaine.
LANDGRAF, Science-Fiction im Religion-
sunterricht: Materialen zu Film und
Literatur für Klasse 9-13, Göttingen,
Vandenhoeck & Ruprecht, 2018, 64 pages. A PROPOS DES AUTEURS
WADE, John, The Golden Age of Science ALLARD, Nicolas, L'Univers impitoyable de
Fiction: A Journey into Space with 1950s Game of Thrones : des livres à la série,
Radio, TV, Films, Comics and Books, enquête et décryptage, Paris, Armand Colin,
Barnsley (UK), Pen & Sword History, 2019, 240 2018, 208 pages.
BABENHAUSERHEIDE, Melanie, Harry Potter
und die Widersprüche der Kulturindustrie,
Bielefeld, transcript Verlag, 2018, 530 pages.

BOUCAUD-VICTOIRE, Kévin, George Orwell: DERRICK, Stephanie, The Fame of C. S.
écrivain des gens ordinaires, Paris, Éditions Lewis: A Controversial Reception in Britain
Première partie, 2018, (Vraiment alternatifs), and America, Oxford, New York, Oxford
89 pages. University Press, 2018, 221 pages.

BUTTS, Leverett, H.P. Lovecraft: selected DI FRATTA, Gianluca, Lovecraft e il

Works, Critical Perspectives and Inter- Giappone. letteratura, cinema, manga,
views on His Influence, Jefferson (NC), anime, San Marco Evangeslia (CE), La Torre
McFarland, 2018, 306 pages. editrice, 2018, 208 pages.

CAMUS, Cyril, Mythe et fabulation dans la FALCONER, Daniel, La Terre du Milieu, des
fiction fantastique et merveilleuse de Neil romans à l'écran: construire le monde du
Gaiman, Rennes, Presses universitaires de Seigneur des Anneaux et du Hobbit, Paris,
Rennes, 2018, 249 pages. Huginn & Muninn, 2018, 512 pages.

CANNAVACCIUOLO, Margherita, FAVARO, Alice FELCE, Ian, William Morris and the
& Suzanna REGAZZONI (eds.), Jorge Luis Icelandic Sagas, Cambridge, D.S. Brewer,
Borges: viajes y tiempos de un escritor a 2018, 195 pages.
través de cultura y sistemas, Hildesheim, et
al., Georg Olms Verlag, 2018, 171 pages. FREY, Hans, James Tiptree Jr. - Zwischen
Entfremdung, Liebe und Tod, Belrin,
CASTELLI, Alfredo, Frankenstein illustrato, Golkonda Verlag, 2018, 360 pages.
Roma, AC Press Edizioni, 2018, 96 pages.
CHATEAURAYNAUD, Georges Olivier, Contre Edgar Allan Poe. Al cinema, in TV e
la perte et l'oubli de tout, Paris, Albin Michel, nell'immaginario, Roma, Profondo rosso
2018, 220 pages. edizioni, 2018, 258 pages.

CLASON, Christopher R., E.T.A. Hoffmann: GYMNICH, Marion, BIRK, Hanne, & Denise
Transgressive Romanticism, Liverpool, BURKHARD (eds.), Harry - yer a Wizard !
Liverpool University Press, 2018, xiv, 254 Exploring J. K. Rowling's Potter Universe,
pages. Baden-Baden, Tectum Verlag, 2017, 260
COLLECTIF, Wikipedia-Symposium Loves
Jules Verne 2018, Braunchweig, Bremer- HALDAS, Michael C., Echoes of Truth:
haven, Jules-Verne Club, 2018, 187 pages. Christianity in The Lord of the Rings,
Edinburgh, Luna Press, 2018, 174 pages.
CUTCHINGS, Dennis R., Adapting Franken-
stein: The Monster 's Eternal Lives in HARKUP, Kathryn, Making the Monster: The
Popular Culture, Manchester, Manchester Science Behind Mary Shelley's Franken-
University Press,2018, xvi, 343 pages. stein, London, New York, Bloomsbury Sigma,
2018, 304 pages.
DAY, David, The Dark Powers of Tolkien,
San Diego (CA), Printer's Row Publishing HUBBLE, Nick, MacCallum-Stewart, Esther &
Group, 2019, 256 pages. Joseph NORMAN (eds.), The Science Fiction
of Iain M. Banks, Canterbury (UK), Gylphi
DELLA ROCCA, Daniele, Frankenstein, You- Limited, 2018, 282 pages.
canprint, 2018, 704 pages.
JOSHI, S. T., Lovecraft Annual no 11, New
DELANY, Samuel R., In Search of Silence: York, Hippocampus Press, 2017, 200 pages.
The Journals of Samuel R. Delany (Kenneth
R. James editor), Middletown (CO), Wesleyan JOSHI, S. T. & David E. SCHULTZ (eds.),
University Press, 2017, 720 pages. Letters to C. L. Moore and Others, New
York, Hippocampus Press, 2017, 414 pages.
DEPPNER, Corinna, La paradoja coma forma
literaria de la innovacion: Jorge Luis JUNKERJÜRGEN, Ralf, Jules Verne,
Borges entre la tradicion judia y el Darmstadt, wbg Theiss, 2018, 261 pages.
hipertexto, Hildesheim, New York, et al.,
Georg Holms Verlag, 2018, 165 pages.

KUPIEC, Anne, Charles Nodier, le politique sommaire ici :https://resf.hypotheses.org/3455
masqué, Paris, Klincksieck, 2018, 132 pages.
LARSEN, Timothy, George Macdonald in the PINTERNAGEL, Stefan T., Kurt Vonnegut Jr,
Age of Miracles: Incarnation, Doubt, and und die Science Fiction, Berlin, Golkonda
Reenchantment, Westmont (IL), InterVarsity Verlag, 2018, 160 pages,
Pess, 2019, 142 pages.
RAGAZZI, Maurizio, Shining codex cabala.
LOISEAU, Andre Michel, Une analyse de La Analisi esoterica del capolavoro di
Maison à vapeur de Jules Verne: l'éléphant Kubrick, Vicenza, Abra Books, (Saggistica),
fantastique, Independently Published, 2018, 2018.
83 pages.
RANSOM, Amy J., I Am Legend as American
LOUINET, Patrick, Le Guide Howard, Myth: Race and Masculinity in the Novel
Chambéry, Éditions ActuSF, 2018, 246 pages. and Its Film Adaptations, Jefferson (NC),
McFarland, 2018, 231 pages.
MACHIN, James, FAUNUS: The decorative
Imagination of Arthur Machen, Cambridge, REEVE, Philip & Jeremy LEVETT, The
MIT Press, 2019, 224 pages. Illustrated World of Mortal Engines,
London, Scholastic UK, 2018, 224 pages.
MARQUETTE, Caroline & Tanya TROMBLE-
GIRAUD (dir.), Joyce Carol Oates, in REID, Conor, The Science Fiction of Edgar
Cahiers de l'Herne, no 119, Paris, Éditions de Rice Burroughs, Canterbury (UK), Gylphi,
l'Herne, 2017, 325 pages. 2018, 284 pages.

MOORE, John S., Bulwer-Lytton: Occult RIOS, Ruben Horacio, Borges y el anillo del
Personality - A Graphic Introduction, ser: un estudio sobre literatura y
Oxford (UK), Mandrake, 2018, v, 166 pages. metafisica, Madrid, Editorial Verbum, 2018,
369 page.
MÜNCH, Detlef, Kurt Lasswitz frühe Theorie
zur Ethik der Technik und Science Fiction, ROBERTSON, Benjamin J., None of this is
1877-1910, Dortmund, Synergen Verlag, Normal. The Fiction of Jeff VanderMeer,
2018, 306 pages. Minneapolis, University of Minnesota Press,
2018, 208 pages.
MURNANE, Ben, Ayn Rand and the
Posthuman:The Mind-Made Future, Cham, ROQUES, Sylvie, Jules Verne et l'invention
Palgrave Macmillan, 2018, ix, 197 pages. d'un théâtre-monde, Paris, Classiques
Garnier, 2018, 405 pages.
NAIMON, David, Ursula K. Le Guin :
Conversations on Writing, Portland (OR), Tin ROUSSELIER, Christophe, Graham Maste-
House Books, 2018, 138 pages. rton. Le faiseur d'histoires. L'Histoire en
mode thriller, Paris, L'Harmattan, 2018, 236
PALUMBO, Donald E., A Dune Companion, pages.
Jefferson (NC), MacFarland, (Critical
Explorations in Science Fiction and Fantasy), RYAN, David, George Orwell on Screen:
2018, 197 pages Adaptations, Documentaries and Docu-
dramas on Film and Television, Jefferson
PELOSATO, Alain, Lovecraft au cinéma et à (NC), McFarland, viii, 247 pages.
la télévision: du Monstre de Val Guest à
Stranger Things - Le cinéma lovecraftien SARANOVSKA, Inna, Pierre Gripari, un
de A à Z, Givors, sfm éditions, 2018, 250 passeur d'écriture, Paris, Honoré Champion
pages. éditeur, 2018, 441 pages. Préface de Claude
PELOSATO, Alain, Philip K. Dick: des écrits
et des films, Givors, sfm éditions, (Taxinomie SCHMITT, Hans-Jürgen, Julio Cortazar: der
cinématographique), 2018, 129 pages. phantastische Realist, München, édition
Text-Kritik, 2017, 203 pages.
PÉZARD, Émilie & Hugues CHABOT (dir.),
Maurice Renard, dans Res Futurae, no 11,

SEGALOFF, Nat, A Lit Fuse: The Provocative Creators on the Films That Shaped Them,
Life of Harlan Ellison, Framingham (MA), Black Vortex Cinema, 2018, 240 pages.
NESFA Press, 2017, 448 pages.
SELLARS, Simon, Applied Ballardianism: ADDEY, Dave, Typeset in the Future :
Memoir from a Parallell Universe, Falmouth Typography and Design in Science Fiction
(UK), Urbanomic, 2018, 400 pages. Movies, New York, Abrams, 2018, 256 pages.

SIMPSON, Philip L. & Patrick McALEER (eds.), AKNIN, Laurent, Ésotérisme et cinéma, Le
The Modern Stephen King Canon: Beyond Tremblay, Diffusion rosicrucienne, 2018, 228
Horror, N Y, Lexington Books, 2018, 272 p. pages.
Considérant l'ésotérisme comme une forme de
SOMMERS, Joseph Michael, The Artistry of langage dont la compréhension passe autant
Neil Gaiman: Finding Light in the par l'intellect que par la psyché humaine,
Shadows, Jackson, University Press of Laurent Aknin nous guide dans un parcours en
Mississippi, 2019, 300 pages. forme de spirale ou de jeu de l'oie : il nous fait
(re)découvrir des films - 2001 l'odyssée de
ST-GERMAIN, Philippe & Elaine DESPRÉS (dir.), l'espace, Le Seigneur des anneaux, Star Wars,
Dossier Frankenstein sous toutes ses Yeelen,...- qui, explicitement ou de manière
formes et à toutes les époques, dans plus subtile, abordent les rivages de
Spirale, Montréal, no 265, été 2018, , pp. 27- l'ésotérisme et des processus initiatiques qui y
50. sont rattachés. Il explore les sujets - l'hypnose,
la kabbale, la magie, le tarot, les symboles, les
SUDRET, Laurence, Jules Verne: nature et nombres, mais aussi l'initiation, l'alchimie
écriture, Saint-Denis, Édilivre,2017, 196 intérieure, la quête du Graal... - qui ont inspiré
pages. les cinéastes, de Fritz Lang à Stanley Kubrick,
en passant par Jean Cocteau, James Cameron,
TETRO, Michele, Robert E. Howard e gli eroi Alejandro Jodorowsky, Jean Epstein.
dalla Valle oscura, Bologna, Odoya, 2018,
426 pages. ALTMAN, Mark & Edward GROSS (eds.), So
Say We All: The Complete, Uncensored
WEHDEKIND, Volker, Michael Ende. Der Unauthorized Oral History of Battlestar
Fantasy-Autor und seine Filme, München, Galactica, New York, Tor Books, 2018, 714
Allitera Verlag, 2018, 172 pages. pages.

WEINER, Jesse, Benjamin Edlon STEVENS & ALEXIUS, Christian & Sarah BEICHT (dir.),
Brett M. ROGERS (eds.), Frankenstein and Fantastisches in Dunklen Sälen: Science
Its Classics: The Modern Prometheus from Fiction, Horror und Fantasy im jungen
Antiquity to Science Fiction, New York, deutschen Film, Marburg, Schüren Verlag,
Bloomsbury Academic,2018, 273 pages. 2018, 155 pages.

WESTFAHL, Gary, Arthur C. Clarke, ASTON, James, Hardcore Horror Cinema in

Champaign (IL), University of Illinois Press, the 21st Century: Production, Marketing
2018, 217 pages. and Consumption, Jefferson (NC), McFarland,
2018, vii, 232 pages.
WILLIAMS, Nathaniel, Gears and Gods:
Technocratic Fiction, Faith, and Empire in ASTORINO, Julien, A la découverte des
Mark Twain's America, Tuscaloosa, Épopées fantastiques, Lulu.com, 2018, 212
University of Alabama Press, 2018, 224 pages. pages.

ZAUS, Petra, E.T.A Hoffmann, Der Goldene ATANES, Carlos, Demos lo que sobre a los
Topf, Braunschweig, Schroedl Westermann, perros: y otras cavilaciones sobre cine,
2017, 127 pages medios, creatividad y ciencia ficcion,
CreateSpace Independent Pub., 2018, 160
AUGUSTIN, Yvonne, Clownsmasken im Film:
ACKERMAN, Christian (ed.), My Favorite wie Maskierungen kulturelle Ängste
Horror Movie: 48 Essays by Horror enthüllen, Bielefeld, transcript Verlag, 2018,
357 pages.

AVILA, Mike, The Art and Making of BORDONI, Carlo & Alessandro SCARSELLA,
Aquaman, London, Titan Books, 2018, 192 Guida al grottesco, Bologna, Odoyoa, 2017,
pages. 287 pages.

AXELLE, Carolyn, The Frightfest Guide to BRAMESCO, Charles & Litte White Lies,
Ghost Movies, Godalming (UK), FAB Press, Vampire Movies, New York, William Collins,
2018, 240 pages. 2018, 240 pages.

BARR, Tricia, Star Wars: le côté obscur, BROCK, Eike & Thorsten LERCHNER (eds.),
Paris, Hachette Heroes, 2018, 224 pages. Denken des Horrors, Horror des Denkens:
Erschrekendes, Monströses und Unheim-
BELANDO, Jérémy, Les slashers ou la liches in Philosophie, Psychologie und
pureté cinématographique, Roquebrune-Cap Literatur, Würzburg, Königshausen &
Martin, Éditions Ocrée, 2018, 142 pages. Neumann, 2018, 240 pages.

BERENSTEIN, Rhona, Attack of the Leading BROOKER, Charlie, Annabel JONES & Jason
Ladies: Gender, Sexuality, and Spectator- AMOPP, Inside Black Mirror, New York,
ship in Classic Horror Cinema, New York, Crown Archetype, 2018, 320 pages.
Columbia University Press, 2018, 274 pages. The first official companion to the Emmy-
winning Netflix cult-hit sci-fi television series
BERGSTROM, Signe, Les Archives de la that’s fascinated millions of fans worldwide,
magie: Les Animaux fantastiques: les with stunning visuals and never before seen
crimes de Grindenwald: dans les coulisses behind-the-scenes content
du film, Paris, HarperCollins, 2018, 164 pages. What becomes of humanity when it’s fed into
the jaws of a hungry new digital machine?
BERMAN A, S., Cube: Inside the Making of Discover the world of Black Mirror in this
a Cult Film, Albany (GA), BearManor Media, immersive, illustrated, oral history.
2018, 352 pages.
Welcome to the Experiment. Growing up BROWN, Simon, Creepshow, Leighton,
shooting short Super 8 movies in Toronto’s Auteur Publishing, 2019, 120 pages.
High Park, Vincenzo Natali and Andre Bijelic
exploded onto the international film scene with BROWN, Simon, Screening Stephen King:
1997’s Cube, a sci-fi /horror film about six Adaptation and the Horror Genre in Film
people trapped in a maze of death; its and Television, Austin, University of Texas
repercussions are still being felt cinematically Press, 2018, 240 pages.
BRYCE, Tom, Amicus - The Anthology Films
BIANCHI Nicole., Non dire viola. that Dropped Blood, Independently
Superstizioni, riti e amuleti del cinema, Published, 2018, 151 pages.
Roma. Istituto Luce Cinecitta, 2018, 248
pages. BRYCE, Tom, Hammer House of Horror -
The Television Years, Independently
BIRKETT, Danielle, Adapting The Wizard of Published, 2018, 149 pages.
Oz: Musical Versions from Baum to MGM
and Beyond, Oxford, Oxford University Press, CAMPBELL, Joel R. & Gigi GOKCEK, The Final
2019, 272 pages. Frontier: International Relations through
Star Trek and Star Wars, New York,
BLYTH, Michael, In The Mouth of Madness, Lexington Books, 2019, 246 pages.
Leighton, Auteur Publishing, 2018, 108 pages.
Somewhat overlooked upon its initial release in CAEN, Michel & Nicolas Stanzick (dir.), Midi-
1995, John Carpenter's In the Mouth of Minuit Fantastique (L'intégrale, vol. 3), Aix-
Madness has since developed a healthy cult en-Provence, Rouge Profond, (Raccords), 2018,
reputation. But far more than simply a fan 752 pages.
favorite, this closing installment of the
acclaimed director's self-described "apocalypse CARMAGNOLA, Fulvio & Telma PIEVANI, Pulp
trilogy" (following The Thing and Prince Of Times. Immagini del tempo nel cinema
Darkness) stands today as one of his most d'oggi, San Giovanni, Meltemi, 2018, 404
thematically complex and stylistically audacious pages.
pieces of work.

CLAYTON, Wickham (ed.), Style and Form in tudine fantastica elle arti dello spettacolo,
the Hollywood Slasher, New York, Palgrave Verona, Scripta, 2018, 248 pages.
Macmillan, 2018, 272 pages. (Réed.2015).
Style and Form in the Hollywood Slasher Film CURTI, Roberto, Italian Gothic Horror
fills a broad scholastic gap by analysing the Films, 1980-1989, Jefferson (NC), McFarland,
elements of narrative and stylistic construction 2019, 200 pages.
of films in the slasher subgenre of horror that
have been produced and/or distributed in the CURTI, Roberto, Riccardo Freda: The Life
Hollywood studio system from its initial boom and Works of a Born Filmmaker, Jefferson
in the late 1970s to the present. (NC), McFarland, 2017, 376 pages.

COLLECTIF, Star Wars: Créatures & Aliens, DAVIDOWICZ, Klaus S., Film as Midrasch:
Paris, Qilinn, 2018, 144 pages. der Golem, Dybbuks und andere kabba-
listische Elemente im populäre Kino,
COLLECTIF, Historia de la ciencia ficcion de Göttingen, V & R unipress Verlag, 2017. 155
James Cameron, Barcelona, Minotauro pages.
editorial, 2018, 224 pages.
DELAUNAY, Cédric, Games of Thrones : de
COLLECTIF, Alien, l'expérience interdite, l'histoire à la série, Paris, Nouveau Monde
Paris, Huginn & Muninn, 2018. (Histoire et cinéma), 2018, 288 pages.

COLLECTIF, La Saga Alien (Mad Movies DHUSIYA, Mithuraaj, Indian Horror Cinema:
Classic), Custom Publishing France, 2018, 100 (En)gendering the Monstrous, Routledge
pages. India, 2017, 322 pages.
This book studies the hitherto overlooked genre
COLLECTIF, Retour vers le futur (Mad of horror cinema in India. It uncovers some
Movie Classic), Custom Publishing France, unique and diverse themes that these films
2018, 100 pages. deal with, including the fear of the unknown,
the supernatural, occult practices,
COLLECTIF, Shining, (Mad Movies Classic), communication with spirits of the deceased,
Custom Publishing France, 2018, 100 pages. ghosts, reincarnation, figures of vampires,
zombies, witches and transmutations of human
CONTERIO, Martyn, Mad Max, Leighton, beings into non-human forms such as
Auteur Publishing, 2018, 120 pages. werewolves. It focusses on the construction of
feminine and masculine subjectivities in select
CORMAN, Roger, Comment j'ai fait 100 horror films across seven major languages –
films sans jamais perdre un centime, Hindi, Tamil, Telugu, Kannada, Bangla, Marathi
Nantes, Capricci éditions, 2018, 412 pages. and Malayalam.

COUÉ, Philippe, 2001 L'odyssée de DUNHAM, Brett (ed.), J. J. Abrams:

l'espace: entre science & fiction, Bèegles, Interviews, Jackson, University of Mississippi
L'Esprit du temps, (Question de société), 2018 Press, (Conversations with Filmmakers), 2018,
[à paraître] 287 pages.

COWAN, Douglas E., Magic, Monsters, and EDWARDS, Rick & Michael BROOKS (eds.),
Make-Believe Heroes: How Myth and Science (ish): The Peculiar Science Behind
Imagination Shape Fantasy, Oakland, (CA), the Movies, London, Atlantic Books, 272
Univrsity of California Press, 2019, 248 pages. pages.

CREMONINI, Laura, Hunger Games : saggio EGAN, James, 1000 Facts about Horror
critico, Independently Published, 2018, 79 Movies, Lulu.com, 2018, 176 pages.
ELJAIEK-RODRIGUEZ, Gabriel, The Migration
CREMONINI, Laura, 20 rappresentativi film and Politicsof Monsters in Latin American
del Cinema Horror Italiano, Independently Cinema, New York, Palgrave Macmillan, 2018,
Published, 2018, 176 pages. 240 pages.

CRISTINI, Monica PASQUALICCHIO, Nicola ERWIN, Elizabeth & Dawn KEETLEY (eds.),
(dirs.), La scena del perturbante. L'Inquie- The Politic of Race, Gender and Sexuality

in The Walking Dead: Essays on the GUGLIELMINO, Andrea, Star Wars: il mito
Television Series and Comics, Jefferson dai mille volti. Un saggio di antropo-
(NC), McFarland, 2018, 194 pages. cinema, Torino, Golem Libri, 2018, 156 pages.

FAHY, Thomas Richard, Dining with HEATON, John, Alien - The Movie Franchise,
Madmen: Fat, Foot, and the Environment Independently Published, 2018, 162 pages.
in 1980s Horror, Jackson, University Press of
Mississippi, 2019, 242 pages. HKUP, Hong, The Psychic Labyrith of
Friedrich Wilhelm Murnau, Hong Kong
FENWICK, James (ed.), Understanfing University Press, 2018, 64 pages.
Kubrick's 2001: A Space Odyssey:
Representations and Interpretation, Bristol HOLLAND, Samantha, SHAIL, Robert & Steven
(UK), Intellect, 2018, 260 pages. GERRARD (eds.), Gender and Contemporary
Horror Film, Cambridge, Emerald Publishing,
FOSTER, James, Horror Television Mad- (Emerald Studies in Popular Culture and
ness, Independently Published, 2018, 345 Gender), 2019, 320 pages.
HOWARTH, Troy, Human Beasts:The Films
FRASCH, Peter, Fantasie as Weg zur of Paul Naschy, Scotts Valley (CA),
Wirklichkeit ? Kulturhermeneutische Ana- CreateSpace Independent Publishing, 2018,
lyse christlicher Traditionsbestände im 344 pages.
moderne Fantasy Film vor der Hintergrund
religiöser Bildungsprozess, Berlin, LIT HUBNER, Laura, Fairytale and Gothic
Verlag, 2018, 400 pages. Horror: Uncanny Transformations in Film,
New York, et al, Palgrave Macmillan, 2018, 220
GINGOLD, Mike, The Frightfest Guide to pages.
Monster Movies, Goldaming (UK), FAB Press,
(Dark Heart of Cinema), 2017, 240 pages. HUMPHREYS, Justin, The Dr. Phibes Compa-
nion: The Morbidly Romantic History of the
GOMEZ, Angeles, Poyejali ! 50 peliculas Classic Vincent Price Horror Film Series,
esenciales sobre la exploracion del Albany (GA), BearManor Media, 2018, 274
espacia, Barcelona, Editorial UOC, 2018, 200 pages.
JAMESON, A. D., I Find Your Lack of Faith
GONZALEZ, George A., Star Trek and the Disturbing: Star Wars and the Triumph of
Politics of Globalism, Cham, Palgrave Geek Culture, New York, Farrar, Straus &
Macmillan, 2018, xiii, 148 pages. Giroux, 2018, 288 pages.
The argument in this volume is that the
broadcast iterations of Star Trek allow us to JONES, Alan & Buddy GIOVINAZZO, The
comprehend significant aspects of justice and Frightfest Guide to Exploitation Movies,
the politics of globalism – created through the Goldaming, FAB Press, 2016, 240 pages.
advent of science, technology, engineering,
etc. The creators of Star Trek hold that KLEMENSEN, Richard, Little Shoppe of
nationalism is a psychological pathology and Horrors: The Journal of Classic British
internationalism is rationality. Horror Films, Independently Published, 2018,
132 pages.
GOODNER, Kelly, Sceneclopedia: Horror -
Every Scene of 25 Horror Films, KERSWELL, J. A., The Teenage Slasher
Independently Published, 2018, 295 pages. Movie Book, Fox Chapel, 2018, 224 pages.

GOODFRIEND, Wind & Travis LANGLEY, LAMBIE, Ryan, The Geek's Guide to SF
Westworld Psychology : Violent Delights, Cinema: 30 Key Films that Revolutionised
New York, Sterling Publishing (Popular Culture the Genre, London, Robinson, 2018, 272
Psychology), 2018, 320 pages. pages.

GOSLIND, Sharon, Tomb Raider: The Making LANGLEY, Travis (ed.), Game of Thrones
of the Film, London, Titan Books, 2018, 176 Psychology: The Mind is Dark and Full of
pages. Terrors, New York, Sterling Publishing, 2016,
xvii, 286 pages.

Sommaire détailé ici : MAYNARD, Andrew, Films from the Future:
http://libcat.dartmouth.edu/record=6893658 The Technology and Morality of Sci-Fi
Movies, Miami (FL), Mango, 2018, 256 pages.
LANZA, Joseph, The Texas Chainsaw
Massacre and its Terrifying Times: A McALLISTER, Robbie, Steampunk Film: A
Cultural History, New York, Skyhorse Critical Introduction, New York, Bloomsbury
Publishing, 2019, 304 pages. Academic, 2019, 272 pages.

LAVIGNE, Carlen, Post-Apocalyptic Patri- McGEE, Thomas, You Won't Believe Your
archy: American Television and Gendered Eyes ! A Front Row Look at the Science
Visions of Survival, Jefferson (NC), Fiction and Horror Films of the 1950s,
McFarland, 2018, viii, 186 pages. Albany (GA), BearManor Media, 2018, 354
Twenty-first century American television series pages.
such as Revolution, Falling Skies, The Last
Ship and The Walking Dead have depicted a MILLER, Cynthia J. & A. Bowdoin VAN RIPER
variety of doomsday scenarios—nuclear (eds.), Terrifying Texts: Essays on Books
cataclysm, rogue artificial intelligence, of Good and Evil in Horror Cinema,
pandemic, alien invasion or zombie uprising. Jefferson (NC), McFarland, 2018, viii, 260
LAZARO-REBOLL & Ian OLNEY (eds.), Films of Sommaire détaillé ici :
Jess Franco, Detroit, Wayne State University https://mcfarlandbooks.com/product/terrifying-
Press, ( Contemporary Approaches to Film and texts/
Media Series), 2018, 372 pages
MILLER, Cynthia J. & A. Bowdoin VAN RIPER
LEEDER, Murray (ed.), ReFocus: The Films (eds.), Elder Horror: Essays on Films
of William Castle, Edinburgh, Edinburgh Frightening Images of Aging, Jefferson
University Press, 2018, xi, 259 pages. (NC), McFarland, 2018,166 pages.

LEEDER, Murray, Horror Film: A Critical MODICA, Giovanni & Luigi COZZI, Dario
Introduction, New York, Bloomsbury Argento e le 4 mosche, Roma, Profondo
Academic, 2018, viii, 276 pages. Rosso, (Cinema horror), 2018, 344 pages.

LEHOUCQ, Roland, La Science fait son MODICA, Giovanni (dir.), Dario Argento. Le
cinéma, Saint Mammès, Bélial, 2018, 250 storia mai raccontate. Curiosita argentiane
pages. in ordine sparso, Piombino, Ass. Culturale Il
Défier les lois de la physique avec Ant-Man, et Foglio, 2018, 400 pages.
celles de l’anatomie avec Godzilla. S’aventurer
aux abords d’un trou noir… et y plonger MOGG, Richard (ed.), Analog Nightmares:
avec Interstellar. Communiquer avec les aliens The Shot on Video Horror Films of 1982-
comme dans Premier Contact. Se 1995, RickMoe Publishing, 2018, 508 pages.
retrouver seul sur Mars et tenter d’y survivre.
Étudier Prometheus et s’interroger sur l’origine MONGINI, Giovanni & Mario LUCA, Dietro le
et l’évolution des espèces extraterrestres… quinte del cinema de fantascienzia, Arese,
Edizioni della Vigna, 2018, 396 pages.
LEJEUNE, Vivien, Le Guide des séries de
science-fiction, Paris, Ynnis éditions, 2018, MOSCATI, Mario, Arancia meccanica.
256 pages. Quarantanni ma non li dimostra. Lo
straordinario caso di un film senza tempo,
MALLORY, Michael, Le Cinéma d'horreur: Ilmiolibro self publishing, 2018, 320 pages.
histoires de films cultes, Paris, Hoëbeke,
2018, 226 pages. NATHAN, Ian, Lumière, Caméra...la magie !
Le Making of Les Aniaux fantastiques: les
MARRIOTT, James & Kim NEWMAN, Horror: crimes de Grindelwald, Paris, HarpeCollins,
Films to Scare You to Death, London & 2018, 146 pages.
Glasgow, Carlton Books, 2018, 368 pages.
NAZZARO, Joe, Star Trek: The Art of John
MAXFORD, Howard, Hammer Complete: The Eaves, London, Titan, 2018, 208 pages.
Films, the Personnel, the Company A-Z,
Jefferson (NC), McFarland, 2018, 277 pages.

NEWTON, Michael, Rosemary's Baby, growing darkness made their way into the
London, BFI Publishing, 2019, 94 pages. deepest corners of our psyche.

OLIVERO, Gisella, I morti viventi. Finzione POWER, Aidan, Contemporary European

cinematografica o realta psichica ?, Roma, Science Fiction Cinemas, Cham, Palgrave
Aracne, 2018, 84 pages. Macmillan, 2018, xiii, 267 pages.

PAGLIARDINI, Fabio, Corpi fatti a pezzi" Lo RABITSCH, Stefan, Star Trek and the British
slasher negli Stati Uniti anni Ottanta, Age of Sail: The Maritime Influence
Ilmiolibri self publihing, 2018, 84 pages. throughout the Seris and Films, Jefferson
Du même auteur chez le même éditeur (NC), McFarland, 2018, 277 pages.
- Scrutare l'ignoto: il cinema dell'orrore di Star Trek is modeled on the world of the
Jacques Tourneur, 2018, 132 pages “British Golden Age of Sail” as it is commonly
- Il diavolo, i monstri e i serial killler. found in the genre of sea fiction. This book re-
Breve storia del cinema dell'orrore negli historicizes and remaps the origins of the
Stati Uniti degli anni Settanta, 2018, 84 franchise and subsequently the entirety of its
pages. fictional world—the Star Trekcontinuum—on an
as yet uncharted transatlantic bearing.
PEARSON, Lars & Lance PARKIN, A History:
An Unauthorized History of the Doctor RAY, Satyajit, Travails with the Alien: The
Who Universe, vol. 2, Des Moines (Iowa), Film that Was Never Made and Other
Mad Norwegian Press, 2018 482 pages. Adventures with Science Fiction,
HarperCollins India, 2018, 224 pages.
OSTERIED, Peter, Herschell Gordon Lewis -
Die Splatterfilme des Godfather of Gore, REDDELL, Trace, The Sound of Things to
Scotts Valley, CreateSpace Independent Come: An Audible History of the Science
Publishing, 2018, 154 pages Fiction Film, Minneapolis, University of
Minnesota Press, 2018, 448 pages.
PELOSATO, Alain, Aliens, mutants et autres Including original readings of classics like The
monstres: 998 films de série Z, B et Day the Earth Stood Still, 2001: A Space
mieux..., Givors, sfm éditions, (Taxonomie du Odyssey, Star Wars, and Blade Runner, The
cinéma fantastique), 2018, 435 pages. Sound of Things to Come delivers a
Du même auteur, chez le même éditeur: comprehensive history of sound in science
- Films gothiques, 265 pages fiction cinema. Approaching movies as sound
- Robots, I.A. & mondes virtuels dans le objects that combine cinematic apparatus and
cinéma fantastique, 144 pages consciousness, Trace Reddell presents a new
- Nature terrifiante et cinéma fantastique: theory of sonic innovation in the science fiction
relativité, monde quantique, génétique, film.
389 pages.
- Anges, démons et enfers dans le cinéma REUTER, Ingo, The Walking Dead : Über
fantastique, 220 pages. (-)leben in der schlechsten aller Möglicher
- Zombies et autres revenants, 472 pages. Welte.Interpretation einer Fernsehserie,
Würzburg, Königshausen & Neumann, 2018,
PENNER, Jonathan, Le Cinéma d'horreur, 147 pages.
Paris et al., Taschen, 2017, 633 pages.
REVENSON, Jody, Les Animaux fantas-
POOLE, W. Scott, Wasteland: The Great tiques le journal du tournage. Dans les
War and the origins of Modern Horror, coulisses du monde de la magie, Paris,
Berkeley (CA), Counterpoint Press, 2018, 304 HarperCollins, 2018, 96 pages.
From Nosferatu to Frankenstein’s monster and REYES, Xavier Aldana, Horror Film and
the Wolf Man, from Fritz Lang, F. W. Murnau, Affect, New York & Paris, Routledge, 2018,
and Albin Grau to Tod Browning and James 220 pages.
Whale, the touchstones of horror can all trace
their roots to the bloodshed of the First World RICKMANN, Gregg, Philip K. Dick on Film,
War. Historian W. Scott Poole chronicles these London, Arrow Books, 2018.
major figures and the many movements they
influenced. Wasteland reveals how bloody
battlefields, the fear of the corpse, and a

RINZLER, Jonathan, The Making of Planet of Features 1955-1974, Jefferson (NC),
the Apes, New York, Harper Design, 2018, McFarland, 2018, 317 pages.
304 pages.
SIBLEY, Brian, Harry Potter Film Wizardry,
RODRIGUEZ, Gabriel Eljaiek, Selva de New York, Harper Design, 2018, 172 pages.
fantasmas: el gotico en la literatura y el
cine latinoamericanos, Bogota, Pontificia SUTTON, Paul, Alraune to Alien: The Art of
Universidad Javeriana, 2017, 222 pages. the Horror Film, Scotts Valley, CreateSpace
Prólogo. Captar la benevolencia (o Independent Publishing, 2018, 166 pages.
malevolencia) del lector -- Introducción.
Postales de tierra caliente : el gótico y la STAGNI, Piercesare & Valentina VALENTE,
tropicalización de lo gótico -- Tren al sur : Suspiria e dintorni. Conversazione con
tropicalización del gótico en el Rio de la Plata: Luciano Tovoli, Dublin, Artdigiland, 2018,
Entre la selva y el cinematógrafo -- 148 pages.
Descendencia maldita -- Unos pocos buenos
amigos del gótico tropical en Colombia : "La STIGLEGGER, Marcus, Grenzüberschrei-
familia es una mierda" : Carne de tu carne -- tungen: Exkursionen in den Abgrund des
Sangre, sangre, Pura sangre -- "Si entras en Filmgeschicte. Der Horrorfilm, Berlin, Martin
esta casa, no salgas" : La mansión de Schmitz Verlag, 2018, 237 pages.
AraucaÍma -- Coda caleña -- Allá en el Rancho
Grande : Drácula y la tropicalización del gótico SZOSTAK, Phil, Tout l'art de Solo, a Star
en México : Vlad o el retorno de los vampiros -- Wars Story, Paris, Huginn & Muninn, 2018,
De santos y vampiros : gótico en el cine 249 pages.
mexicano -- El Santo contra los monstruos --
Vampiros de cuerda : La invención de Cronos -- SZPUNAR, John, Blood Sucking Freak: The
Conclusión. De cómo y por qué usar fantasmas, Life and Films of the Incredible Joel M.
monstruos y vampiros -- Estocada final : Reed, London, Headpress, 2018, 424 pages.
Música para leer la introducción -- Música para
leer el capítulo I -- Música para leer el capítulo THROWER, Stephen, Flowers of Perversion:
II -- Música para leer el capítulo III. The Delirious Cinema of Jesus Franco: 2,
London, Strange Attractor Press, 2018, 512
RODRIGUEZ-HERNANDEZ, Raul & Claudia pages.
SCHAEFER, The Supernatural Sublime: The
Wondrous Ineffability of the Everyday in THROWER, Stephen, Beyond Terror: The
Films from Mexico and Spain, Omaha, Films of Lucio Fulci, Goldaming, FAB Press,
University of Nebraska, 2019, 336 pages. 2018, 423 pages.

ROIG, Antoni, El despertar de las TRIOLLET, Christophe, et al., Video Nasties,

maquinas. 50 peliculas clave sobre La Madeleine, Lettmotif, 2018, 324 pages.
tecnologia, Barcelona, Editorial UOC,
(Filmografias esenciales), 2017, 250 pages. TURNOCK, Bryan, Studying Horror Cinema,
Leighton, Auteur Publishing, 2018, 256 pages.
SALAS, Angel, Just imagine. 50 titulos
esenciales del cine de ciencia ficcion, TURNER, Peter, Found Footage Horror
Barcelona, Editorial UOC, 2017, 196 pages. Films: A Cognitive Approach, New York &
London, Routledge, 2019, 240 pages.
SASSO, Riccardo, L'immagine mutante. Il Found Footage Horror Films explores the
cinema di David Cronenberg, Alessandria, subgenre's stylistic, historical and thematic
Falsopiano, 2018, 180 pages. development. It examines the diverse
prehistory beyond Man Bites Dog (1992) and
SCHWAIGER, Tobias M., Darstellungen des Cannibal Holocaust (1980), paying attention to
Unbeobachtbaren: Eckpunkte einer the safety films of the 1960s, the snuff-fictions
Medientheorie des Science Fiction Films, of the 1970s, and to television reality horror
Würzburg, Königshausen & Neumann, 2018, hoaxes and mockumentaries during the 1980s
250 pages. and 1990s in particular. It underscores the
importance of The Blair Witch Project (1999)
SENN, Bryan, Twice the Thrills ! Twice the and Paranormal Activity (2007), and considers
Chills ! Horror and Science Fiction Double YouTube's popular rise in sparking the
subgenre's recent renaissance.

UPJOHN Kristofer Todd, Jess Franco: The BRICE, Hella, Und über Nacht war ich
World's Most Dangerous Filmmaker, Winnetou, Bamberg, Radebeul, Karl-May
Eureka (CA), Stark House Press, 2018, 192 Verlag, 2018, 224 pages.
pages. BRUSCHINI, Antonio & Antonio Tentori, Per
un pugno di dollari. Guida agui oltre 530
VALENTINELLI, Monica, Firefly Encyclopedia, film western all'italiana, Roma, Profondo
London, Titan Books, 2018, 356 pages. Rosso, 2018, 336 pages.

VIGNA, Paul, Guts : The Anatomy of The CHÂTAIN, Michael, Vom Silbersee zum Tal
Walking Dead, New York, Dey Street Books, der Toten: das grosse neue Karl-May
2018, 336 pages. Filmbuch, Mainaschaff, Medien- Publikations-
und Werbegellschat Knorr Martens , 2017, 520
VOGL, Peter, Das grosse Buch des kleinen pages.
Horrors: eine Film-Enzyklopädia, Franken-
tahl, Mühlbeyer Fimbuchverlag, 2018. 453 CHIARIGLIONE, Giancarlo, Le forme informi
pages. della frontiera. Lo sguardo del cinema
western sulla storia americana, Pistoia,
WARD, Simon, Okja : The Art and the Petite Plaisance, 2018, 112 pages.
Making of the Film, London, Titan Books,
2018, 144 pages. CURTI, Roberto, Tonino Valerii: The Films,
Jefferson (NC), McFarland, 2016, 277 pages.
WEST, Alexandra, Aquaman: Arthur's Guide Foreword: Christopher Faryling. Afterword:
to Atlantis, New York, HarperCollins, 2018, Ernsto Gastaldi.
144 pages. Tonino Valerii is one of Italy’s best genre film
directors. Starting out as Sergio Leone’s
WOOD, Robin, Robin Wood on the Horror assistant on For a Few Dollars More (1965), he
Film: Collected Essays and Reviews, went on to direct spaghetti westerns that stand
Detroit, Wayne State University, 2018, 456 out among the most accomplished in their
pages. class—Day of Anger (1967), The Price of
Power (1969), A Reason to Live, a Reason to
Die! (1972) and My Name Is Nobody (1973).

WESTERNS FARKIS, John, The Making of Tombstone:

Behind the Scenes of the Modern Classic
Western, Jefferson (NC), McFarland, 2018,
277 pages.
The day-by-day inside story of the making
BANN, Richard W., Lone Pine and the of Tombstone (1993) as told to the author by
Movies: The Lost John Wayne Film - The those who were there—actors, extras, crew
Oregon Trail, Scotts Valley, CreateSpace members, Buckaroos, historians and everyone
Independent Publishing, 2018, 128 pages. in between. Historical context that inspired
Kevin Jarre’s screenplay is included.
BOLLER, Reiner, Wilder Westen Made in
Germany, Frankensthal, Mühlbeyer Filmbuch- DE FORNARI, Oreste, Tout sur Sergio Leone
verlag, 2018, 524 pages. : les films, les dialogues, les souvenirs, les
critiques, la vie, les images, Paris, Editions
BONNAL, Nicolas, Les grands westerns de Grenelle, 2018, 320 pages.
américains: une approche traditionnelle et
rebelle, Independently Published, 2018, 446 FRAYLING, Christopher, Sergio Leone: quel-
pages. que chose à voir avec la mort, Arles, Actes
Sud (Institut Lumière), 2018, 752 pages.
BOTTAZZI, Giancarlo, Buongiorno Leone.
Tutti i film di Sergio Leone Ripercorsi uno FRAYLING, Christopher, Once Upon a Time
dopo l'altro alla scopera del valore in the West: Shooting a Masterpiece,
cuturale della sua opera, ilmiolibro self Lobdon, Reel Art Press, 2018, 336 pages.
publishing, 018, 356 pages.
FRAYLING, Christopher & Gian Luca FARINELLI,
La Révolution Sergio Leone, Paris, La Table
ronde, (Hors collection), 2018, 304 pages.

GABERSCEK, Carlo, Westerns in Arizona : 2, SANCHEZ, Adrian, Al oste del mito. 50
Pasian di Prato, Lithostampa, 2018, 616 pages. westerns basicos, Barcelona, Editorial UOC,
(Filmogra-fias esencials) 2016, 206 pages.
GARCIA CANTON, Juan, Los Espanoles del
Western, Almeria, Editorial Circulo Rojo, SCHMIEDT, Helmut, Die Winnetou-Trilogie -
(Cine), 2018, 450 pages. über Karl May berühmtesten Roman,
Bamberg Radebeul, Karl-May Verlag, 2018, 304
GIOBBO, Silvio & Marco MOROSINO, Matalo ! pages.
Dizionario dei film western italiani, Milan,
Bloodbuster, 2018, 384 pages. STRATTON, W. K., The Wild Bunch: Sam
Peckinpah, a Revolution in Hollywood, and
GRANT, Kavin & Clark HODGKISS, Renegade the Making of a Legendary Film, New York,
Westerns: Movies that Shot Down Bloomsbury Publishing, 2019, 352 pages.
Frontiers Myths, Goldaming, FAB Press,
2018, 376 pages. VAHDANI, Alizera, The Hero and the Grave:
The Theme of Death in the Films of John
GUARINO, Roberto & Matteo POLLONE, (dir.), Ford, Akira Kurosawa and Sergio Leone,
La Conquista del West. Storie, protagonisti Jefferson (NC), McFarland, 2018, viii, 167 p.
ed eroi del fumetto western italiano, The theme of death is an essential component
Torino, Allagalla, 2018, 600 pages. of film narrative, particularly in how it affects
the hero. Filmmakers from different cultures
HAMILTON, Emma & Alistair ROLLS (eds.), and backgrounds have developed distinct yet
Unbridling the Western Film: Contem- archetypal perspectives on death and the
porary, Transnational and Intertextual protagonist’s response. Focusing on Western
Explorations, Oxford et al., Peter Lang, 2018, and Japanese period genre films, the author
viii, 235 pages. examines the work of John Ford (1894–1973),
According to Jim Kitses (1969), the Western Akira Kurosawa (1910–1998) and Sergio Leone
originally offered American directors a rich (1929–1989) and finds similarities regarding
canvas to express a singular authorial vision of death’s impact on the hero’s sense of morality.
the American past and its significance. The
Western’s recognizable conventions and VALLET RODRIGO, Joaquin, Diccionario de
symbols, rich filmic heritage, and connections peliculas. El Western, T and B. Edicion,
to pulp fiction created a widely spoken (Movieguia), 2018, 362 pages.
«language» for self-expression and
supplemented each filmmaker’s power to WEBER, Reinhard, Die Karl May Filme,
express their vision of American society. This Weber, Reinhard, 2018, 300 pages.
volume seeks to re-examine the significance of
auteur theory for the Western by analysing the WONG, Aliza S., Spaghetti Westerns: A
auteur director «unbridled» by traditional Viewer's Guide, Lanham (MD), Rowmand &
definitions or national contexts. Littlefield, 2019, 266 pages.

HAUSER, Gregor & Peter L. STADLBAUR,

Präriebanditen: die packenede Welt der B-
Westerns, Berlin, Marheinecke Verlag, 2018, RÉCITS DE
252 pages.

LE MAY, John, Deadly Spaghetti: the

Goodest, the Baddest & The Ugliest Italian CINÉM A - LITTÉRATURE - TV - BD
Westerns Ever Made, Scotts, Valley,
Createspace Independent Publishing, 2018,
158 pages. BOWEN, Claire & Catherine HOFFMANN (eds.),
Representing Wars from 1860 to the
MITCHELL, Lee Clark, Late Westerns: The Present: Fields of Action, Fields of Vision,
Persistence of a Genre, Omaha, University of Leiden, Boston, Brill Rodopi, 2018, 234 pages.
Nebraska Press, 2018, 336 pages.
CEDERWELL, William, Reading London in
PETZEL, Michael, Karl-May Filmfotoromane, Wartime: Blitz, The People and Propa-
Bamberg Radebeul, Karl-May Verlag, 2017, 400 ganda in 1940s Literature, New York,
pages. London, Routledge, 2018, xii, 218 pages.

CAFFARENA, Fabio & Nancy MURZILLI (dir.), Strahlungen aus Ernst Jüngers privaten
In guerra con le parole. Il primo conflitto Tagebüchern (1939-1958), Frankfurt am
mondiale dalle testimonianze scritte alla Main, Vittorio Klostermann, 2018, 391 pages.
memoria multimediale, Trentino, Fondazione
Museo Storico del Trentino, 2018,789 pages. NAVARRO, Antonio Jose, Choque de titanes.
50 peliculas fundamentales sobre guerra
CONESA, Pierre, Hollywar: Hollywood, arme fria, Barcelona, Editorial UOC, 2017
de propagande massive, Paris, Robert (Filmografias Esenciales), 222. [50 films de la
Laffont, 2018, 215 pages. Guerre Froide]
Pour mener l'enquête, l'auteur a passé au
crible plus de trois mille films, le plus souvent NIVEN, Bill, Hitler and Film: The Führer's
des objets cinématographiques de Hidden Passion, Yale, Yales Uniersity Press,
consommation courante, ceux qui forgent 2018, 312 pages.
l'opinion publique bien plus que les chefs-
d'oeuvre. De manière implacable, il démontre NOLLEN, Scott Allen, Abbott and Costello on
comment Hollywood, en jouant de la confusion the Home Front: A Critical Study of the
entre fiction et réalité, cinéma et géopolitique, Wartime Films, Jefferson (NC), McFarland,
est devenu une arme de propagande massive, 2019, 222 pages.
capable de transformer les ennemis des États-
Unis en menaces planétaires. PEDREDO SANTOS, Juan A., Esto es la
guerra ! 50 peliculas esenciales del cine
DELAPORTE, Sophie, Pierre Schoendorffer belico, Barcelona, Editorial UOC, (Filografias
ou la guerre, Paris, Nouveau Monde Éditions, esenciales), 2018, 198 pages.
(Histoire et Cinéma), 2018, 190 pages. Préface
de Stéphane Audoin-Rouzeau. PROROKOVA, Tatiana, Docu-Fiction of War:
U.S. Interventionisme in Film and
DI LALLO, Georges, Marine, guerre et Literature, Ohama, University of Nebraska
cinéma, Riveneuve Éditions, 2018, 256 pages. Press, 2019, 354 pages.
Préface d'Alain Coldefy.
Un beau livre de films de guerre navale signé TETRO, Michele & Stefano DI MARINO, Guida
par un passionné Georges Di Lallo et préfacé al cinema bellico, Bologna, Odoya, 2017, 620
par l'amiral Coldefy, Président de l'Académie de pages.
Marine, avec plus de 120 films américains,
français, allemands, anglais et autres.

DAS, Santanu & Kate McLOUGHLIN (eds.), Faute d'espace, les études sur la bande
First World War: Literature, Culture, dessinée et le cinéma d'animation sont
Modernity, Oxford, Oxford University Press, reportées au prochain numéro.
2018, 268 pages.

HANUSCHECK, Sven, Wir Leben Noch: Ida

und Erich Kästner, Kurt Vonnegut und der
Feuersturm von Dresden: eine Zugfahrt,
Zürich, Atrium Verlag, 2018, 123 pages.

KERSHAW, Angela, Translating War:

Literature and Memory in France and
Britain from the 1940s to the 1960s,
Cham, Switzerland, Palgrave Macmillan, 2019, AMY DE LA BRÉTÈQUE, François,
xii, 293 pages. L'Imaginaire médiéval dans le cinéma
occidental, Paris, Champion, (Nouvelle
KREUZ, Christian Daniel, Das Konzept bibliothèque du Moyen Age), 2018, 1286
Schuld im Ersten Weltkrieg und in der pages. [ed. or., 2004]
Weimarer Republik: linguistische Unter- Inscrit dans le champ de l'histoire des
suchungen zu einem brisanten Thema, représentations, cet ouvrage prend pour objet
Bremen, Hempen Verlag, 2018, xii, 224 pages. tous les films qui ont véhiculé une image et
une idée du Moyen Âge, ceux qui sont issus des
LÖCHT, Joana van de, Aufzeichnungen aus uvres de fiction tout comme ceux qui
dem Malstrom: die Genese der prétendent représenter l'histoire. En les

croisant, on voit peu à peu se dessiner les Gardner, Richard Harris, Vanessa Redgrave,
bases d'une véritable iconographie du Moyen Sean Connery, Fabrice Luchini et les Monty
Âge imaginaire de notre temps. Python...

AUGOUSTAKIS, Antony & Stacie RAUCCI EDWARDS, Sam, Histories on Screen: The
(eds.), Epic Heroes on Screen, Edinburgh, Past and Present in Anglo-American
Edinburgh University Press, (Screenig Cinema and Television, New York,
Antiquity), 2018, 271 pages. Bloomsbury Academic, 2018, 338 pages.
[Sommaire détaillé sur le site de l'éditeur]
ERHARDT, Julia, Gendering History on
AURELL, Martin, La Légende du roi Arthur: Screen: Women Filmmakers and Historical
550-1250, Paris, Perrin, 2018, 920 pages. Films, London & New York, I. B. Tauris, 2018,
[Nouvelle édition] xvii, 213 pages.

BESSON, Florian et Justine BRETON (dir.), ELLINGHAUSEN, Laurie, Pirates, Traitors,

Kaamelott, un livre d'histoire, Paris, and Apostates: Renegade Identities in
Vendémiaire, 2018, 350 pages. Early Modern English Writing, Toronto,
University of Toronto Press, 2018, 182 pages.
CAPARROS LERA, Jose Maria, El pasado Examining tales of notorious figures in
como presente. 50 peliculas de genero Renaissance England, including the mercenary
historico, Barcelona, Editorila UOC, (Filmo- Thomas Stukeley, the Barbary corsair John
grafias esenciales), 2017, 194 pages. Ward, and the wandering adventurers the
Sherley brothers, Laurie Ellinghausen sheds
COLLECTIF, Aventures maritimes: le new light on the construction of the early
cinéma s'affiche, sous la direction d l'Institut modern renegade and its depiction in English
Jean Vigo et de la Cinématèque de Toulouse, prose, poetry, and drama during a period of
Arles, Arnaud Bizalion éditeur, 2018, 111 capitalist expansion.
FERNANDES, Ana Raquel (ed.), Narrative
DELAGE, Christian et Vincent GUIGUENO, Strategies in the Reconstruction of
L'Historien et le film, Paris, Gallimard, History, New Castle upon Tyne, Cambridge
(Folio), 2018, 432 pages. Scholars Publishing, 2018, 130 pages.
Qu’il se définisse, au cœur de l’Histoire, comme
œuvre ou document d’archives, du Jour le plus GALLAGHER, Catherine, Telling It like It
long (1962) à Dunkirk (2017), le film est Was'nt : The Counterfactual Imagination
assurément une mise en récit, au même titre in History and Fiction, Chicago, The
que le discours de l’historien. Mais il crée University of Chicago Press, 2018, 359 pages.
également des formes spécifiques de figuration
de l’histoire. GARBOWSKI, Christopher, Cinematic Echoes
of Covenants Past and Present: National
DE ESPANA, Rafael, De heroes y dioses. 50 Identity in the Historical Films of Steven
peliculas sobre la antiguëdad, Barcelona, Spielberg and Andrzej Wajda, Berlin, Bern,
Éditorial UOC, (Filomagrafias Esenciales), 2017, et al., Peter Lang, 2018, 275 pages.
193 pages.
HODKINSON, Owen, Classical Reception
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DUMONT, Hervé, Les Chevaliers de la Table HOUSSAIS, Yvon (dir.), Fictions médiévales
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Des produits tous publics comme des films hausen & Neumann, 2018, 455 pages.
d'auteur où apparaissent Robert Taylor, Ava

LA FOREST, Marie, Merci Angélique !,
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L'amour, la liberté, la nature, la cuisine,
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Present, London, Palgrave Macmillan, 2016,
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PEREZ NINOS, Tomas, Todo el cine sobre McGILLIVRAY, David, Doing Rude Things:
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Mémoires d'une actrice du X. Pendant des
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WILEY, John (ed.), The Scarlett Letters: The Katsuni, un objet de désirs et de fantasmes.
Making of the Film, Lanham (MD), The Lyons Mais son récit va bien au-delà de ce qui fut son
Press, 2018, 536 pages. travail.

That's All, Folks !

See You in 2019


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