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By DAVID COHEN
women seldom crossed the thresholds of their own front door, ado-
lescent girls were lucky if they were allowed as far as the inner court-
yard since they had to stay where they could not be seen - well away
even from the male members of the family.'4 He admits, though, that
Aristophanes presents a very different picture of Athenian women,
but concludes that this must represent a change towards greater
freedom in the late fifth century - a rather desperate expedient since
we have almost no comparable evidence before the second half of that
century.s Gomme, on the other hand, recognized the problem, but
swung too far in the opposite direction, concluding that in regard to
women and sexuality, classical Athenian society was really no different
from Britain of his day.6 How is one to orient oneself between such
interpretations which represent polar opposites? A first step is to
recognize that such questions are not uniquely relevant to the study
of ancient Greece.
Similar interpretative problems have arisen, for example, in studies
of modern Mediterranean communities. As one social anthropologist,
in a study of a modern Greek village, puts it
When we began our field study at Methana it was soon evident that characterizations
of Greek women in some of the ethnographic accounts did not fit the women we were
encountering. While we had read about powerless, submissive females who considered
themselves morally inferior to men, we found physically and socially strong women
who had a great deal to say about what took place in the village. The social and
economic affairs of several households were actually dominated by older women,
including the house of village officials.7
commerce and politics, the marketplace, cafe, fields, and so on, the
women with the home. To put it in schematic terms which do not do
justice to the strategic fluidity of these categories, the man's role
requires him to be outside - men who stay at home during the day are
considered womanish - the woman's requires her to work at home. As
Bourdieu puts it, 'The opposition between the inside and the outside
... is concretely expressed in the clear-cut distinction between the
feminine area, the house and its garden, and the masculine area, the
place of assembly, the mosque, the cafe, etc. In the Kabyle village the
two areas are distinctly separate . . .16
The house is the domain of secrecy, of intimate life, and honour
requires that its sanctity be protected. Any violation of the house is an
attack on the honour of its men and the chastity of its women, even if
the intruder be only a thief. The separation of women from men and
the man's public sphere within this protected domain is the chief means
by which sexual purity is both guarded and demonstrated to the com-
munity.17
As is generally recognized, these dichotomies - public/private,
inside/outside - are applicable to classical Athens. Xenophon expounds
at length on how by their very natures men are suited for the outside,
women for the inside, adding that it is shameful for a man to remain
around the house.'8 Apart from Andromache's eloquent testimony to
the connection of honour and seclusion, husbands in Aristophanes are
angry finding that their wives have been out, and immediately suspect
sexual transgression (Thes. 414,519,783ff.). In Ecclesiazusae a wife,
regaled by her husband when she returns from assisting a friend in
childbirth, says, 'Do you think I've been to see my lover/moichos?'
(520 and cf. 1008). 18a Not only ought women to remain within, but
they must also guard themselves from contact with any men who pass
by or call for their husbands. Thus, in Theophrastus, insulting a woman
by saying she seizes passers-by out of the street, or that she answers the
door herself, or that she talks with men, are all roughly equivalent to
saying 'This house is simply a brothel', or 'They couple like dogs in the
street' (Characters, 28).19 Lysias, in a rhetorical variation on the fam-
iliar topos, emphasizes the honour of women who had led such orderly
lives that 'they are ashamed to be seen even by their kinsmen' (3, 6).
How is one to distinguish ideology and reality in these various de-
scriptions? Here comparative evidence can play a crucial role. To begin
with, there is a marked tendency to confuse separation and seclusion.
That is, it does not follow that because man's sphere is public/outside,
and woman's is private/inside, that women live their lives in total isola-
tion from all but their slaves and their family. Scholars too often assume
this to be the case, misled by the well-known, manifestly ideologically
NOTES
1. See, e.g., E. Cantarella, Pandora's Daughters (Baltimore, 1987), ch. 1-3,7; W. Schuller,
Frauen in der griechischen Geschichte (Konstanz, 1985), passim.
2. See, e.g., R. Padel in A. Cameron and A. Kuhrt eds., Images of Women in Antiquity
(Detroit, 1983), pp. 3-19; E. Keuls, The Reign of the Phallus (New York, 1985), pp. 82-112.
3. Tro. 645ff. See P. Vellacott, Ironic Drama (Cambridge, 1975), p. 89, but cf. p. 83.
4. R. Flaceli&re,Daily Life in Ancient Greece (London, 1965), p. 55.
5. Ibid., p. 69.
6. A. Gomme, in Essays on Greek History (New York, 1967), passinm.
7. M. Clark, Women's Studies (1983), 117-33, 122. See also E. Friedl, Anthropological
Quarterly (1967), 97-108.
8. See T. Whitehead and M. Conaway eds., Self, Sex, and Genderin Cross Cultural Fieldwork
(Urbana, 1986) for the most recent studies of this question.
9. The most penetrating analysis of the manipulation of such categories is P. Bourdieu's
classic study, Outline of a Theory of Practice (Cambridge, 1977), pp. 36-43, 58-71. See also M.
Herzfeld in J. Dubisch ed., Gender and Power in Rural Greece (Princeton, 1986), pp. 215-33.
10. Quoted by Vellacott, op. cit., p. 97. Of course, fragments of a play cannot be used to
validate a particular interpretation. Here they are simply used as a reflection of the variety of
ideological views of women which Euripides manipulated for his dramatic purposes. The
ideology of the portrayals of women in drama and myth has been the topic of much recent
scholarship, although these authors generally do not deal with issues concerning the social
reality of women's everyday lives. See, e.g., H. King in Cameron and Kuhrt (n. 2), pp. 109-27;
R. Just, Journal of the Anthropological Society of Oxford (1975), 153-70; N. Loraux, Arethusa
(1978), 43-87.
11. J. Pitt-Rivers, The Fate of Shechem (Cambridge, 1977), and see, e.g., J. Peristiany ed.,
Honour and Shame (Chicago, 1966) and J. Davis, People of the Mediterranean (London, 1977).
Of course, over-generalization in this area is a danger, as M. Herzfeld has pointed out (n. 9), pp.
215-7 and Man (1980), 339-51.
12. H. Levy in Pitt-Rivers ed., Mediterranean Countrymen (Paris, 1958), pp. 137-48; E.
Friedl and J. Baroja, both in the same collection, pp. 113-35 and 26-40 respectively. P. Walcot,
Greek Peasants, Ancient and Modern (Manchester, 1970). See also J. Schneider, Ethnology (1971),
1-24.
13. In the Introduction to Mediterranean Countrymen, p. 15.
14. Ibid., p. 10. This is, of course, one of the major themes in F. Braudel, The Mediterranean
and the Mediterranean World, 2 vols. (New York, 1972).
15. See, e.g., Bourdieu (n. 9), pp. 41ff.
16. P. Bourdieu in J. Peristiany (n. 11), pp. 193-241. In Outline of a Theory of Practice,
Bourdieu examines the way in which such categories operate in a fluid manner in the complex
pattern of social and political strategies, rhetoric, and action, pp. 41ff., 159ff. See also Herzfeld
(n. 9). On men who are ridiculed for staying around the house, see V. Maher, Women and
Property in Morocco (Cambridge, 1974), p. 112.