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New York: Routledge & Kegan Paul, 1987 BEMELLIEROE CHEVRR@SA) - SICFIESR + Gott | By 2003 « SCPE CRB IURIS EURO EEL) + CieonmisesATE BH) CE) + Gb: TERR» 1997 - 43-65» Z (uu eames «Bees eRe « CR cet = ek + (STF RT IR TEA SE) PURE: ae AME + 1999 1-17 + 4 UCL, LMR TOR: LO REO RUER UNE - PaLeROI OH 81 TSUCEL BLS RE Rese : WSLS + WADE ZEE RP HTS ~ Bap A ESB Ho f a 8 ABLNSGRAAMERL RET T NSM £8, Cimage) 2G | (imagination) BEBLYEHEAD ARSE BiG + ROBIE I RNY CRATE, SRSUAU ECR NUaLER + Seep AUTOR fee, LAH , HUAI - aascEMES aE ERISA + NK BES» MERLIN » eS RAUL CHLATSARICRBGL) A, «MUSCLE DRE ~ Basi - fa SMR r Reem eMC SELLA OAC RRERNIBAL «CR - SURRLACA CESAR + (PS URC YC AANRNEL Abe» | WR BLE mE ERS «Ht $9587 Aa a A RAR 954904 amin B Situ sananceaneeiae 336-85 m+ 2006 4 109) - 81-122»82 Paha «35 AB HE 5H - 2006 47 10 77 Modernity and Taiwan Aboriginal Literature Hsinya Huang” Abstract This essay investigates the dialectics between modernity and Taiwan aboriginal imagery and imagination and, in so doing, envisions an alternative to continuing with modernity. Grounded in the aboriginal place and in their experience of everyday life, this ‘essay argues that the indigenous forms of place-based imagination, should be given serious consideration in the contemplation of modernity as a project. Keywords: modemity, Taiwan aboriginal literature, place-based imagination * professor and Chair, Department of Forcign Languages and Literature, National Sun Yat-sen University. 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