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English Language Arts 10-2, 20-2, 30-2 Visual Reflection

Scoring Categories and Criteria


IDEAS AND IMPRESSIONS PRESENTATION
FOCUS £ Make sure you can prove your ideas based on the £ Voice
details in the picture. £ I can’t hear you!
£ Make sure you prove your ideas. £ Think about your reader.
£ Make sure you have an idea to prove £ Don’t waffle
£ Do not merely list details or summarize what is in £ Use proper English; both slang and profanity are
the picture. “prohibited”
£ Chunk details. Ask yourself which details £ Be confident
“belong together”. £ No padding allowed; it doesn’t improve writing to
£ For every idea make sure you have details to simply add “fluff”
prove your interpretation. £ Keep the tone formal; add personality but not
£ Make sure your support/ideas prove your thesis. informality.
£ Have a thesis – a good one! £ Read your paper out loud to “hear errors”.
£ Make use of the “whole” picture £ Language Skills
£ Figure out symbols £ You need a beginning, a middle and an end
£ Make connections to “life”. £ Spell check AND check your spelling
£ Flesh it out more. £ Punctuate accurately
£ Add quantity. £ Capitalize properly
£ Add quality

Degree of difficulty is considered for this category.


Excellent The student’s perceptions are insightful and carefully The student’s voice is engaging and the tone is
considered. Support is precise, purposefully chosen, confident. Stylistic choices are precise and effective.
E/5 and strongly connected to the student’s ideas and
impressions. The response is skilfully developed.
The writing is skilfully developed, and the unifying
effect is confidently sustained.

Proficient The student’s perceptions are thoughtful and The student’s voice is distinct and the tone is well
considered. Support is relevant, detailed, and clearly considered. Stylistic choices are specific and
PF/4 connected to the student’s ideas and impressions. The
response is coherently developed.
frequently effective. The writing is coherently
developed, and the unifying effect is capably
sustained.

Satisfactory The student’s perceptions are appropriate but may be The student’s voice is matter-of-fact and the tone is
generalized. Support is adequate and generally appropriate. Stylistic choices are adequate and
S/3 connected to the student’s ideas and impressions. The
response is generally clearly developed.
occasionally effective. The writing is generally clearly
developed, and the unifying effect is appropriately
sustained.

Limited The student’s perceptions are superficial or The student’s voice is inconsistent and/or the tone is
ambiguous. Support is imprecise, unclear, and/or inappropriate. Stylistic choices are inappropriate,
L/2 vaguely connected to the student’s ideas and
impressions. The response is unclearly or
imprecise, and often ineffective. The writing is
unclearly or incoherently developed, and the unifying
ineffectively developed. effect is not sustained.

Poor The student’s perceptions are underdeveloped or The student’s voice is confused and/or there is no
incomprehensible. Support is lacking, inappropriate, discernible attempt to address the intended audience.
P/1 or unrelated to the student’s ideas and impressions.
The response is underdeveloped and/or incoherent.
Stylistic choices are ineffective and/or impede
communication. The writing is ineffectively
developed, and/or a unifying effect is absent.

Insufficient /20
INS
• The marker can discern no evidence of an attempt to fulfill the assignment OR
• The writing is so deficient in length that it is not possible to assess Ideas and Impressions

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