Académique Documents
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Culture Documents
8 U.S.C. § 1367(a), in that the district courts shall have supplemental jurisdiction over all
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other claims that are so related to claims in the action within such original jurisdiction
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11 that they form part of the same case or controversy under Article III of the United States
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Constitution.
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14 2. This court has personal jurisdiction over each of the Defendants because
15 each of them resides in this state and transacts substantial business in this state and this
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district, and each of them has intentionally infringed Plaintiff’s copyrights in the State of
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18 California, including this district, causing harm that they knew would likely be suffered
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therein.
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21 3. Venue is proper in this court under 28 U.S.C. §§ 1391(b)(1) and 1391(b)(2)
15 Monica, California.
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9. KILLER TRACKS (“KILLER”) is a business entity of an unknown form
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18 which Plaintiff is informed and believes, and on that basis alleges, is a subsidiary of
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UMPG. KILLER has a principal place of business in Santa Monica, California.
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21 10. The true names and capacities, whether corporate, associated, or otherwise,
22 of Defendant DOES 1 through 20, inclusive, are presently unknown to Plaintiff, who,
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therefore, sues these Defendants by these fictitious names. Plaintiff will amend this
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25 Complaint to show their true names and capacities when they are ascertained. Plaintiff is
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28 COMPLAINT FOR COPYRIGHT INFRINGEMENT 3
Case 2:17-cv-07773 Document 1 Filed 10/24/17 Page 4 of 19 Page ID #:4
1 informed and believes, and on that basis alleges, that at all times mentioned herein, each
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Defendant, including each fictitiously-named Defendant, was responsible for Plaintiff’s
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4 damages as alleged hereinafter.
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FACTS COMMON TO ALL CAUSES OF ACTION
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7 11. Plaintiff is an award-winning composer and orchestrator with a Ph.D. in
8 Music from the Department of Music at UCLA. He composes music in a wide variety
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of styles, and many of his compositions have been used in television commercials,
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11 television programs, and motion picture trailers.
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12. Plaintiff composed and owns the copyright in twenty-two (22) compositions
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14 which are at issue in this case (“Compositions”). Since 1998, Plaintiff entered into a
22 to pay to Plaintiff a percentage share of the license fees (“License Fee Share”) which
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IMMEDIATE collected from said third parties.
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25 ///
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28 COMPLAINT FOR COPYRIGHT INFRINGEMENT 4
Case 2:17-cv-07773 Document 1 Filed 10/24/17 Page 5 of 19 Page ID #:5
1 13. The Agreements for most of the Compositions are on identical forms
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entitled “Agreement” and granted IMMEDIATE the Licensing Right non-exclusively,
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4 but for some of the Compositions (indicated with an asterisk in the Compositions Table
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in paragraph 16 below), the Licensing Right was granted exclusively using a slightly
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7 different template entitled “Music Publishing Administration Agreement.”
8 14. Plaintiff has obtained copyright registrations for all but one of the
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Compositions, and has applied for registration for that one (and once that registration is
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11 obtained, Plaintiff will seek leave of this Court to allege the registration number for that
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Composition.). The table in paragraph 16 below lists the Compositions by: (a) the title
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14 used by the parties in the corresponding Agreement; (b) the title under which the
15 Composition was registered (c) the corresponding copyright registration numbers for
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each Composition (other than the one Composition that is labeled “Application
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18 pending”); and (d) the date of the Agreement by which Plaintiff granted IMMEDIATE
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the Licensed Rights for the Composition(s) (“Compositions Table”).
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21 15. COMPOSITIONS TABLE:
1 4/20/11
Coraline* Coraline PAu3-573-495
2 9/1/12
Glass's Ass* Glass's Ass SRu 1-098-867
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8/1/01
4 Golden Opportunity Illumination From Below SRu 488-872
4/20/11
5 Hotel for Dogs* Hotel for Dogs PAu3-573-495
9/1/12
6 Impish v7* Impish SRu 1-098-867
4/20/11
7 Inkheart* Inkheart PAu3-573-495
12/1/99
8 Mrs. Cavendish Mrs. Cavendish SRu 431-898
9 Adventures Through Time 4/20/11
Planet51* 2014 SRu 1-166-207
10 12/25/98
Point of No Return Dark Waters SRu 400-443
11 4/20/11
Riding Hood Fears* Riding Hood Fears Forest PAu3-573-495
12 8/1/01
Solitary Time Alone SRu 488-872
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8/1/01
14 Storming the Gates Storm the City SRu 488-872
12/1/99
15 Summer Dream Summer Dream SRu 431-898
12/1/99
16 Tea for Three Tea for Three SRu 400-443
4/7/05
17 The Rising Empire March to Battle SRu 575-455
4/7/05
18 Timburton Hollow Choral 1 SRu551-790
19 4/20/11
Walking in Circles* Walking in Circles PAu3-573-495
20 pending (filed 4/20/11
Waterhorse* Waterhorse 3/2017)
21 10/1/09
22 You Can't Go Back Peace Prayer 1 SRu 660-318
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16. None of the Agreements granted IMMEDIATE the right to sub-license its
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25 Licensing Right for any Composition (“Sub-Licensing Right”) to some other third party
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28 COMPLAINT FOR COPYRIGHT INFRINGEMENT 6
Case 2:17-cv-07773 Document 1 Filed 10/24/17 Page 7 of 19 Page ID #:7
1 20. As owner of the copyrights in the Compositions, Plaintiff is the sole and
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exclusive owner, pursuant to 17 U.S.C. §106, of the right to reproduce, prepare
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4 derivative works based upon, distribute copies of, and publicly perform or display the
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Compositions, and to authorize others to do so (“Exclusive Rights”).
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7 21. Defendants have intentionally, knowingly, and wrongfully violated
15 conduct and infringement of Plaintiff’s Exclusive Rights under copyright in and to the
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Compositions, Plaintiff has sustained and will continue to sustain actual damages.
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18 Plaintiff is entitled to recover such actual damages from Defendants plus Defendants’
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actual profits from such infringement, as will be proven at trial. Alternatively, at
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21 Plaintiff’s election, Plaintiff is entitled to the maximum statutory damages for such
1 wrongful conduct, Plaintiff will suffer further irreparable harm, for which he has no
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adequate remedy at law. Accordingly, Plaintiff is entitled to an injunction against
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4 Defendants’ continuing to exercise any existing Sub-Licensing Rights and from entering
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into any agreements with new Sub-Licensees under 17 U.S.C. § 502.
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7 24. In addition, Plaintiff is entitled to his attorney’s fees and costs under 17
8 U.S.C. § 505.
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SECOND CLAIM FOR RELIEF
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(Direct Copyright Infringement Under 17 U.S.C. §501 Against Defendants UMPG,
11 UPPM, KILLER and DOES 11-15)
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13 25. Plaintiff repeats and incorporates by reference paragraphs 1 through 18, and
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20 through 24, inclusive, as though fully set forth herein.
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16 26. Because IMMEDIATE had no right to grant any Licensing Rights in the
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Compositions to any Sub-Licensee, the Sub-Licensee Defendants had no right to license
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any rights in the Compositions to third parties. Therefore, the Sub-Licensee Defendants
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20 have intentionally, knowingly, and wrongfully violated Plaintiff’s Exclusive Rights in
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the Compositions by wrongfully entering into illegal agreements with third parties for
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23 use of the Compositions.
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27. As a direct and proximate result of Sub-Licensee Defendants’
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aforementioned wrongful conduct and infringement of Plaintiff’s Exclusive Rights in
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28 COMPLAINT FOR COPYRIGHT INFRINGEMENT 9
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1 and to the Compositions, Plaintiff has sustained and will continue to sustain actual
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damages. Plaintiff is entitled to recover such actual damages from Defendants plus
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4 Defendants’ actual profits from such infringement, as will be proven at trial.
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Alternatively, at Plaintiff’s election, Plaintiff is entitled to the maximum statutory
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7 damages for such infringement as permitted by 17 U.S.C. § 504(c).
8 28. Sub-Licensee Defendants’ acts have caused and will continue to cause
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substantial irreparable harm to Plaintiff. Unless Sub-Licensee Defendants are enjoined
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11 from engaging in their wrongful conduct, Plaintiff will suffer further irreparable harm,
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for which he has no adequate remedy at law. Accordingly, Plaintiff is entitled to an
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14 injunction against Sub-Licensee Defendants’ continuing to license any rights in the
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23 30. Plaintiff repeats and incorporates by reference paragraphs 1 through 18, 20
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through 24, and 26 through 29, inclusive, as though fully set forth herein.
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31. Defendant GOREN was aware of Defendant IMMEDIATE’s infringement
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1 34. In addition, Plaintiff is entitled to ihis attorney’s fees and costs under 17
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U.S.C. § 505.
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4 FOURTH CLAIM FOR RELIEF
(Breach of Contract Against Defendant IMMEDIATE and DOES 1-10)
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7 35. Plaintiff repeats and incorporates by reference paragraphs 1 through 18, 20
8 through 24, 26 through 29, and 31 through 34, inclusive, as though fully set forth herein.
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36. The Agreements did not grant Defendant IMMEDIATE the right to convey
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11 the Licensing Rights to Sub-Licensees.
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37. Plaintiff has performed all of his obligations under the Agreements, except
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14 to the extent Defendant IMMEDIATE’s breaches thereof have excused said
15 performance.
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38. Defendant IMMEDIATE has committed numerous breaches of the
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18 Agreements, including but not limited to (a) conveying Licensing Rights in the
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Compositions to Sub-Licensees beyond the scope of the license which Plaintiff granted
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21 to Defendant pursuant to the Agreements;(b) paying Plaintiff his License Fee Shares
22 based on the net license fees IMMEDIATE received from Sub-Licensees rather than
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based on the gross license fees which said Sub-Licensees received from their
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28 COMPLAINT FOR COPYRIGHT INFRINGEMENT 12
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8 40. Plaintiff is entitled to his attorneys’ fees and costs under the Agreements.
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FIFTH CLAIM FOR RELIEF
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(Breach of the Implied Covenant of Good Faith and Fair Dealing Against
11 Defendant IMMEDIATE and DOES 1-10)
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13 41. Plaintiff repeats and incorporates by reference paragraphs 1 through18, 20
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through 24, 26 through 29, 31 through 34, and 36 through 40, inclusive, as though fully
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16 set forth herein.
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42. An implied covenant of good faith and fair dealing arose by operation of
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law in the Agreements which required Defendant IMMEDIATE to act with fairness and
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20 good faith toward Plaintiff, and required Defendant IMMEDIATE to not take any steps
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to prevent Plaintiff from reaping the benefits of the Agreements. The covenant further
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23 required Defendant IMMEDIATE to refrain from any needless injury or damage to
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Plaintiff.
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28 COMPLAINT FOR COPYRIGHT INFRINGEMENT 13
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1 into agreements granting synchronization licenses for the Compositions directly to third
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parties who would exploit the Compositions themselves by synching the Compositions
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4 with video productions, as authorized by said Agreements. Defendants further
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fraudulently misrepresented and concealed IMMEDIATE’s wrongful exercise of non-
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7 existent Sub-Licensing Rights and payment to Plaintiff of wrongfully reduced License
8 Fee Shares for such unauthorized sub-licenses by issuing Plaintiff accounting statements
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which misrepresented or purposefully obscured the source and nature of the license fees
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11 it was receiving from Sub-Licensees (collectively, “Material Misrepresentations and
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Concealments”).
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14 48. The Material Misrepresentations and Concealments were false. The true
15 facts were that Defendants always intended to sub-license Plaintiff’s Compositions and
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pay Plaintiff his License Fee Shares on the net license fees they received from
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18 unauthorized Sub-Licensees.
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49. When Defendants made the Material Misrepresentations and Concealments,
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21 they knew them to be false. Defendants made the Material Misrepresentations and
22 Concealments with the intent to defraud and deceive Plaintiff and induce him into
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entering into additional Agreements. At the time the Material Misrepresentations and
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25 Concealments were made by Defendants, Plaintiff did not know the Material
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8 until less than three years before the filing of this Complaint.
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51. As a proximate result of Defendants' fraud and deceit and the facts herein
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11 alleged, Plaintiff has been damaged in a sum to be proven at trial, plus interest at the
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maximum rate permissible by law.
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14 52. The wrongful conduct of Defendants hereinabove alleged constituted
15 despicable conduct that subjected Plaintiff to cruel and unjust hardship insofar as
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Defendants defrauded Plaintiff with the intent of enriching themselves at his expense.
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18 Defendants’ Material Misrepresentations and Concealments to Plaintiff deprived him of
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License Fee Shares and control over his copyrights in the Compositions, and otherwise
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21 caused injury to Plaintiff and his property in conscious disregard of Plaintiff’s rights, so
8 10. Such other and further relief as the court deems just and proper.
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DATED: October 24, 2017 LAW OFFICES OF MICHAEL R. BLAHA
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By: /s/ Michael R. Blaha
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MICHAEL R. BLAHA
13 Attorneys for Plaintiff
14 BURT GOLDSTEIN
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