Scribd Logo
Importer

Bienvenue sur Scribd !

  • I Gotta Crow Audition Cut in Key of F

    Transféré par

    Casey on the Keys
    629 vues3 pages
    This is "I Gotta Crow" from Peter Pan. Normally performed in Ab or G, my student needed it down in the key of F, but the transposed version she purchased online was done electronically, and was super messy with crazy ledger lines and unplayable. This is an audition cutting of the song in the key of F, cleaned up in Musescore to make it easier for an accompanist.

    Titre original

    I Gotta Crow audition cut in key of F

    Copyright

    © © All Rights Reserved

    Formats disponibles

    PDF, TXT ou lisez en ligne sur Scribd

    Avez-vous trouvé ce document utile ?

    Ce contenu est-il inapproprié ?

    Signaler ce document
    This is "I Gotta Crow" from Peter Pan. Normally performed in Ab or G, my student needed it down in the key of F, but the transposed version she purchased online was done electronically, and was super messy with crazy ledger lines and unplayable. This is an audition cutting of the song in the key of F, cleaned up in Musescore to make it easier for an accompanist.

    Droits d'auteur :

    © All Rights Reserved
    Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    629 vues3 pages

    I Gotta Crow Audition Cut in Key of F

    Transféré par

    Casey on the Keys
    This is "I Gotta Crow" from Peter Pan. Normally performed in Ab or G, my student needed it down in the key of F, but the transposed version she purchased online was done electronically, and was super messy with crazy ledger lines and unplayable. This is an audition cutting of the song in the key of F, cleaned up in Musescore to make it easier for an accompanist.

    Droits d'auteur :

    © All Rights Reserved
    Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd
    Signaler comme contenu inapproprié
    sur 3

    I Gotta Crow

    Carolyn Leigh Mark Charlap

    "Conceited"?
    3
      4             
     
    vamp
         
    Not me. it's just that I am what I am and I'm me.
    Vocal last time
    3       
      4        
     

        
     
               
        
      43                  
        
      
    9

     
       
             
    I got ta crow!
      
    I'm just the cle ver est fel la 'twas

                     


     
            
                   
                     
           

    17

            
         
          
    I taught
    e ver my for tune to know. a trick to my sha dow to

           
     

     

     

                
      
     
      
     
          
       
      
    

    25

                  
    stick to the tip of my toe. I got ta crow!

                       
     
                     

        
             

    1954
    33

                  
       
    If I were a ve ry or di na ry ev 'ry day

                                  
      
              
           
          
           

    41


                     
    thing, I'd ne ver be heard cock a doo doo ling 'round like a bird! "That's absurd!"

             
        
           
     

     
           
           
          

    50

           
              
    So na tur al ly, when i dis co ver the cle ver ness

               
     
          
        
     
     
          

    
    
    

    
    
     
     
           
        
       
    59

        
             

    of a re mark a ble me,
     I
     can hide it when deep down in
    how

         
     

     

     

                  
      
     
      
    
             

    2 1954
    67

           

           

    side it just tick les me so, that I got ta let go and

               


       
          
     
      
                
       
               
    
      
    76

           
    crow!

      
          
       
     
          
        
    

    1954 3

    Vous aimerez peut-être aussi