philippine architecture

1a
is an admixture of the Muslim, Malayan,
Chinese and Japanese, Euroean, Spanish
and American influences

1b
early period or pre-spanish era

2a
during this period Filipinos established
their villages near bodies of water
where mostly food were taken from the
sea, also from agricultural environment.
In both environment houses were not
built permanently and therefore light
and flexible materials were used
2b
nipa hut

3a
also known as "bahay kubo" supported by stilts
or posts, with walls made-up of nipa and
flooring made-up of sawali and stairs made-up
of polished bamboo ladder. Window sliding
sashes were made of sawali. Flooring made of
bamboo slats with spacing between. It is built
from 2.0 to 4.5 mts. above the ground. Located
in lowlands all parts of the country.
3b
ifugao house

4a
an enclosed structures resting on four
tree trunks as columns. Square in plan,
covered by four steeply pitched roof
made of thatch. A stair which can be
drawn and kept from the ground for
protection. The floor ht. is about 1.50 to
2.00 mts can be found in the mountains
of Cordillera 4b
maranao house

5a
or "datu house", a royal house used for
political and social ceremonies by the Datu,
also an ancestral house for the Datu and his
family. It is built from .30 to 2.20 mts. above
the ground. Most important feature is the
wood carving and the use of colors red,
yellow and blue. Located in the lakeshore
of Mindanao.
5b
ancient malay tagala house

6a
rectangular in plan, raised on wooden
post about 2.0 mts. above the ground
with an open roofless veranda
extended from the whole front of the
house. With low partitions, projected
window and bamboo slots for floorings
6b
indonesian house

7a
tree dwelling type of shelter, square in
plan supported by four wooden posts
and capped with a rounded, pyramidal,
thatch roof. It sunk 1.0 meter into the
ground

7b
badjao house

8a
built on stilts right above the water. Its
flooring is made of bamboo. One
important item found in the sala is the
mirror not to check the appearance but
to indicate the no. of children the family
has and to drive away evil spirits
8b
bulwagan

9a
living room or receiving area with a low
table called dulang (bahay kubo)

9b
silid

10a
sleeping area with "tampipi" instead of
closets (bahay kubo)

10b
gilir or paglutuan

11a
kitchen area (bahay kubo)

11b
dapogan or kalan

12a
cooking apparatus with a shoe shape
stove (bahay kubo)

12b
bangahan or banggera

13a
place where pots are kept (bahay kubo)

13b
batalan

14a
an exposed porch where child-size jars
are kept and washing, drinking and
bathing took place (bahay kubo)

14b
silong

15a
where farm and fishing tools, pestles,
pigs and cattles are kept (bahay kubo)

15b
kamalig

16a
a storage house detached from the
house where unhawled rice is kept
(bahay kubo)

16b
spanish period

17a
two considered important architecture
structure as colonial marks of this era:
bahay na bato and churches

17b
bahay na bato

18a
a permanent house made of stone for
ground floor and wood for 2nd floor. It
was patterned after the stone
constructed, huge antillan house. It is an
improved version of bahay kubo in
terms of materials and space
allocations
18b
zaguan

19a
where wine carriages and saint's floats
are usually kept (bahay na bato)

19b
cuadra

20a
horse table (bahay na bato)

20b
bodega

21a
 a storage room for keeping old
furniture and palay bins (bahay na bato)

21b
entresuelo

22a
a mezzanine elevated 1.0 mt. above the
ground usually located on the floor of
the masters bedroom right underneath
his bed (bahay na bato)

22b
patio

23a
an enclosed courtyard open to the sky
and adjacent to Zaguan

23b
ceremonial stairs

24a
1st 3 steps made of stone concrete then
succeeding steps made of wood

24b
caida

25a
an antesala, an all purpose room for
dining, sewing and dancing

25b
sala

26a
a living room

26b
comedor

27a
dining room

27b
cocina

28a
 kitchen which sometimes built
separately but connected to the house

28b
dispensa

29a
use as a food storage, adjacent to
kitchen

29b
bano or paliguan

30a
bathroom separately from the toilet

30b
cuarto

31a
sleeping area

31b
azotea

32a
open terrace open to the toilet, use for
laundry drying space

32b
balcon

33a
overhang balcony, over looking the
streets

33b
aljibe

34a
cistern storage of collected rainwater,
underneath azotea

34b
barasoain, bulacan

35a
early builders: augustinians (1859), then
restored by fr. Miguel de Vera (1894).
Combination of Romanesque and
Renaissance Arch.

35b
binondo church

36a
 early builders: Dominicans (1596)
supervision of the dome by: Domingo
Cruz y Gonzales (1781)

36b
las pinas church, rizal

37a
 original design by Fr. Diego Cerra
(1792) and restored Arch. Francisco
Manosa (1975)

37b
malate church

38a
 early builders Augustinians (1591)
rebuilding the church by: Columbian
Fathers (1950s)

38b
manila cathedral

39a
early builders Dominincan, then
converted into cathedral by: Fr.
Domingo Salazar. Today, it is known as
Basilica of Immaculate Concepcion

39b
quiapo, church

40a
 early builders : Franciscans, then
original plan designed by : Juan Nakpil (
1933).

40b
san agustin church, intramuros

41a
early builders : Augustinians, then by
1607 it was reconstructed by : Juan
Macias.

41b
san sebastian church

42a
the 1st " all iron church in the World"
(1991), early builders
by : Augustinian Recollects then Engr.
Don Genaro Palacios y Guerra
designed the present

42b
santa cruz church, manila

43a
 early builders : Jesuits, Fr. Agustin de
Mendoza reconstruct the church (1868).

43b
sto. domingo church

44a
1 church by : Bishop Domingo Salazar,
then redesigned by : Archt. Jose Ma.
Zaragosa.

44b
fort santiago

45a
Shrine of Freedom" by : Fr. Antonio
Sedeno & Engr. Diego Jordan. Also
known as Walled City of Manila.

45b
fort pillar, zamboanga

46a
Fr. Melchor de Vera

46b
fort of iligan

47a
Fr. Francisco Ducos.

47b
collegio de sto. tomas

48a
Fr. Roque Roano.

48b
san agustin college, iloilo

49a
Joaquin Diaz.

49b
san juan de letran college

50a
Fr. Miguel Narro.

50b
manila cathedral

51a
The seat of the Catholic Archdiocese of
Manila is presently the 6th cathedral to rise
on the site since 1581. Previous structures
were destroyed by typhoons, earthquakes,
fire, and the last war. It was rebuilt on the
second half of the 1950s through the efforts
of Architect Fernando Ocampo and
Archbishop Rufino J. Santos.
51b
san agustin church

52a
The oldest stone church in Metro
Manila dates back to 1571. An intricately
carved door opens to the church. Of
great interest are the Baroque pulpit,
molave choir stalls, and an 18th century
pipe organ.
52b
san sebastian church

53a
This small jewel-box church is the first
all-steel church in the Philippines and in
Asia; and the second in the world. Design
for the church was finished in 1883 and
was prefabricated in Belgium. The
completely knocked-down church was
shipped backed to the Philippines in 6
ships. 53b
our lady of peace and good voyage

54a
Antipolo is known to be the home of
Our Lady of Peace and Good Voyage.

54b
baclayon church

55a
 Located 6 km fr the city proper.The
church is the oldest stone church in the
country, built by the Jesuits in 1595.

55b
dauis church

56a
Located 3 kilometers from the city
proper. This is one of Bohol's beautiful
churches, which has retained its Spanish
architecture although it has a semi-
modern façade.

56b
loboc church

57a
Located 24 kilometers from Tagbilaran
City. The second oldest church in
Bohol, built in 1608, with a three-storey
convent.

57b
loon church

58a
Located 25 kilometers from the city
proper. The crowning glory of the
Recollect churches in bohol.

58b
paoay church

59a
This fortress-like church is probably the
most popular in this area

59b
baguio cathedral

60a
Rising above the city skyline are the
pinkish hues of the Baguio Cathedral. The
cathedral is but one of religious
landmarks which dot the city. There is the
Bell Temple, north of the city the
Maryhurst Seminary with its brilliant
gardens, and Lourdes Grotto with its 252
steps to heaven. 60b
shrine of the nuestra senora del
manaog

61a
The shrine of Nuestra Senora of "Apo
Baket" is situated atop the hill. The
shrine is known all over the Philippines.
Devotees frequent the church
especially on Saturdays and Sundays

61b
barasoain church

62a
The seat of the Revolutionary Congress
where the First Filipino Constitution was
drafted and ratified.

62b
daraga catholic church

63a
Built in 1773 by Franciscan missionaries.
This is highly prized by art enthusiasts
because of its rich baroque
architecture. Its very huge structure is
considered above-standard.

63b
american period in 1900

64a
the Americans came & had established
a School for Master Builders, "LICEO de
Manila" with 2 Classifications

64b
mo - p

65a
practical experience of 5 yrs.

65b
mo - a

66a
completion of academic training of the
Master builder's course. Then graduates
fr. Liceo de Mla. established school
"Escuela de Inginiera y Arqui-tectura.
Then other schools
that offered the course were
66b
1925

67a
date of architecture course in Mapua
Institute of Technology

67b
1930

68a
date of architecture course in University
of Sto. Tomas

68b
1931

69a
date of architecture course in Adamson
University

69b
carlos barreto

70a
First Filipino Archt. Under the American
Pd. w/ Academic title MO- A

70b
tomas mapua

71a
First Registered Archt.

71b
academia de arquitectura y
agrimensura de filipinas

72a
First Arch'l. Society in the Phil. (1902)

72b
academia de ingineria arquitectura y
agrimensura de pilipinas

73a
In 1903, it was amended to

73b
1933

74a
Juan Nakpil founded the Phil. Architect's
Society & become the President

74b
1945

75a
it was amended to Phil. Institute of
Archt's

75b
league of philippine architects

76a
LPA

76b
association of philippine government
architects

77a
APGA

77b
united architects of the philippines

78a
merge of LPA and APGA

78b
escuela practica y profeccional de
artes oficio de manila

79a
First Training school to train to be
Maestro De Obras is

79b
felix roxas y arroyo and diego herveas

80a
2 Filipino Archt's. brought to Europe to
study Mester Builder Course

80b
Antonio, Pablo Sebero

81a
FEU Admi, Science Bldg.7 Main Bldg.

81b
Antonio, Pablo Sebero

82a
Philippine National Bank

82b
Antonio, Pablo Sebero

83a
Manila Railroad Co.,

83b
Antonio, Pablo Sebero

84a
IDEAL Theater , Rizal Ave.

84b
Antonio, Pablo Sebero

85a
Bel Air Apartments , Roxas Blvd.

85b
Antonio, Pablo Sebero

86a
Manila Polo Club

86b
Antonio, Pablo Sebero

87a
Capt. Luis Gonzaga Bldg.,Rizal Ave., &
Carriedo

87b
Antonio, Pablo Sebero

88a
Galaxy Theater , Rizal Ave.,

88b
Araneta, Luis Maria Zaragosa

89a
Times Theater , Quezon Blvd.,Mla

89b
Araneta, Luis Maria Zaragosa

90a
Manila Doctor's Hospital , U.N. Ave.

90b
Araneta, Luis Maria Zaragosa

91a
Makati Medical Center

91b
Araneta, Luis Maria Zaragosa

92a
Santa Catalina College , Legarda , Mla.

92b
Arellano, Juan de Guzman

93a
Legislative Bldg.(Now Housing Senate &
Natl.Museum

93b
Arellano, Juan de Guzman

94a
Post Office Bldg.

94b
Arellano, Juan de Guzman

95a
Villamor Hall at the U.P. Taft Ave

95b
Arellano, Juan de Guzman

96a
Metropolitan Theater ( Restored by
Otilio Arellano)

96b
Arellano, Juan de Guzman

97a
Landscape of Padre Burgos Ave.

97b
Arellano, Juan de Guzman

98a
Landscape of Harrison Park

98b
Arellano, Juan de Guzman

99a
North and South Port Areas

99b
Arellano, Juan de Guzman

100a
Dewey Blbd. (Now roxas Blvd.)

100b
Arellano, Juan de Guzman

101a
Malacanang Grounds

101b
Arellano, Otillo

102a
NBI Nat'l. Bureau of Investigation , Taft
Ave.

102b
Arellano, Otillo

103a
Sining Kayumanggi at the Mehan
Gardens

103b
Arellano, Otillo

104a
Palacio del Governador , Intramuros

104b
Arellano, Otillo

105a
Restoration of Metropolitan Theater

105b
Arellano, Otillo

106a
PSBA , Aurora Blvd., Q.C.

106b
Arellano, Otillo

107a
RCBC Bldg., Buendia Ave., Makati

107b
Arellano, Otillo

108a
San Juan Municipal Ctr,N.Domingo St.,
San Juan

108b
Arguelles, Carlos

109a
Ateneo de Manila Campus, Loyola
Heights , Q.C.

109b
Arguelles, Carlos

110a
Philam Life Building , U.N. Ave.

110b
Arguelles, Carlos

111a
Manila Pavilion (former Mla.Hilton
)U.N.Ave., Mla.

111b
Arguelles, Carlos

112a
Holiday Inn , Roxas Blvd.

112b
Arguelles, Carlos

113a
Philippine Nat'l. Bank , Escolta Mla.

113b
Arguelles, Carlos

114a
Development Bank of the Phil. ,Makati

114b
Arguelles, Carlos

115a
Chronicle Broadcasting Network Studio
, Q.C.

115b
Arguelles, Carlos

116a
600 Units Philam Life Homes , Q.C.

116b
Locsin, Leandro Valencia

117a
Holy Sacrifice Chapel , U.P. Diliman
Campus

117b
Locsin, Leandro Valencia

118a
Cultural Cener of the Philippines 1969

118b
Locsin, Leandro Valencia

119a
Folk Arts Center 1974

119b
Locsin, Leandro Valencia

120a
PHILCITE 1976

120b
Locsin, Leandro Valencia

121a
PICC 1976

121b
Locsin, Leandro Valencia

122a
Phil. Plaza Hotel 1976

122b
Locsin, Leandro Valencia

123a
Hyatt Regency Hotel , Roxas Blvd.

123b
Burnham, Daniel Hudson

124a
Baguio City Planning

124b
Burnham, Daniel Hudson

125a
Burnham Park , Baguio City

125b
Burnham, Daniel Hudson

126a
Manila Hotel Landscapie

126b
Burnham, Daniel Hudson

127a
Army-Navy Club Landscapings

127b
Burnham, Daniel Hudson

128a
Phil. General Hospital Landscape

128b
Burnham, Daniel Hudson

129a
Post Office Landscape

129b
Calma, Lorenzo Licad

130a
Interior of Dev't. Bank of the Phils.,
Buendia

130b
Calma, Lorenzo Licad

131a
Interior of Phil. Nat'l. Bank , Escolta, Mla

131b
Calma, Lorenzo Licad

132a
Interior of Silahis Hotel , Roxas Blvd.

132b
Calma, Lorenzo Licad

133a
Intr. of Puerto Azul & Beach
Resort,Ternate, Cavite

133b
Calma, Lorenzo Licad

134a
Interior of Benguet Center ,
Mandaluyong City

134b
Calma, Lorenzo Licad

135a
Intr. of Mla.Midtown Ramada Hote ,
Pedro Gil Mla.

135b
Calma, Lorenzo Licad

136a
Int.of Dev't. Academy of the Phils.,
Tagaytay City

136b
Concio, Cesar Homero

137a
U.P. Diliman 's Palma & Melchor Halls

137b
Concio, Cesar Homero

138a
Protestant Chapel & Fellowship Center ,
U.P.

138b
Concio, Cesar Homero

139a
U.P College of Forestry Bldg. , Los
Banos

139b
Concio, Cesar Homero

140a
Insular Life ldg. , Makati

140b
Concio, Cesar Homero

141a
Childrens memorial Hospital , Q.c.

141b
Concio, Cesar Homero

142a
Mother of Perpetual Help , Baclaran

142b
Concio, Cesar Homero

143a
Union Church of Manila

143b
Coscolluella, Willian Vargas

144a
Robinsons commercial Complex , Pasig

144b
Coscolluella, Willian Vargas

145a
26 Storey Ayala Twin Towers , Makati

145b
Coscolluella, Willian Vargas

146a
32 Storey One Beverly Place in
Greenhills

146b
Coscolluella, Willian Vargas

147a
30 Storey Wackwack Twin Towers ,
Mandaluyong

147b
Coscolluella, Willian Vargas

148a
The Atrium , Makati

148b
Coscolluella, Willian Vargas

149a
Quezon City Sports Club , E. Rodriguez

149b
Coscolluella, Willian Vargas

150a
Centro Escolar Univ. Complex , Malolos
, Bulacan

150b
Coscolluella, Willian Vargas

151a
SM City , North Edsa & Sm in Cebu

151b
De Castro, Cresenciano Cruz

152a
Shoemart Bldgs. In Manila

152b
De Castro, Cresenciano Cruz

153a
Mindanao State University Bldg., Marawi
City

153b
De Castro, Cresenciano Cruz

154a
Central Luzon State University Bldgs,
Nueva Ecija

154b
De Castro, Cresenciano Cruz

155a
Nat'l. Science Dev't. Bldg. Complex ,
Taguig Mla.

155b
De Castro, Cresenciano Cruz

156a
Atomic Research Center Complex ,Q.C

156b
De Castro, Cresenciano Cruz

157a
Asian Dev't.Bank ( Now Dep't.of Foreign
Affairs,P.C.)

157b
De Castro, Cresenciano Cruz

158a
Colgate Palmolive Phils. ,Inc.

158b
De Castro, Cresenciano Cruz

159a
Proj.in,Guam, Taipei,Taiwan Vietnam &
Saudi

159b
Perez, Dolly Quimbo

160a
Childrens Park in UP , Diliman

160b
Perez, Dolly Quimbo

161a
Taal Vista Lodge in Tagaytay

161b
Perez, Dolly Quimbo

162a
Meralco Compound , Pasig

162b
Perez, Dolly Quimbo

163a
Libingan ng mga bayani , Fort Bonifacio
, Mkti

163b
Perez, Dolly Quimbo

164a
Manila Polo Club , Mkti

164b
Perez, Dolly Quimbo

165a
Mirador Shrine , Baguio City

165b
Perez, Dolly Quimbo

166a
Gateway Business park , Cavite

166b
Alvar Aalto

167a
Auditorium

167b
Alvar Aalto

168a
Kunsten Meseum

168b
Antoni Gaudi

169a
La Sagrada Familia

169b
Antoni Gaudi

170a
Casa Batllo

170b
Frank Gehry

171a
Guggenheim Musseum (Spain)

171b
Frank Gehry

172a
Dancing House

172b
Frank Gehry

173a
Vitra Design Museum

173b
Frank Lloyd Wright

174a
Guggenheim Museum (New York)

174b
Frank Lloyd Wright

175a
Fallingwater

175b
I.M. Pei

176a
Louvre Pyramid

176b
I.M. Pei

177a
Bank of China Tower

177b
I.M. Pei

178a
Essensa Tower

178b
Jorn Utzon

179a
Sydney Opera House

179b
Jorn Utzon

180a
National Assembly Building

180b
Kenzo Tange

181a
St. Mary's Cathedral

181b
Kenzo Tange

182a
Peace Memorial Museum

182b
Le Corbusier

183a
Villa Savoye

183b
Le Corbusier

184a
Unite d'Habitation

184b
Le Corbusier

185a
Notre Dame du Haut

185b
Louis Sullivan

186a
Wainwright Building

186b
Louis Sullivan

187a
The Sullivan Center

187b
Ludwig Mies Van Der Rohe

188a
Seagram Building

188b
Ludwig Mies Van Der Rohe

189a
Farnsworth House

189b
Michael Graves

190a
Disney's Hotel

190b
Michael Graves

191a
Humana Building

191b
Norman Foster

192a
30 St. Mary Axe

192b
Norman Foster

193a
Hearst Tower

193b
Oscar Niemeyer

194a
Brasilia Cathedral

194b
Oscar Niemeyer

195a
Penang State Mosque

195b
Philip Johnson

196a
Glass House

196b
Philip Johnson

197a
Sony Tower

197b
Rem Koolhaas

198a
CCTV Headquarters

198b
Rem Koolhaas

199a
Seattle Central Library

199b
Renzo Piano

200a
Central Georges Pompidou

200b
Renzo Piano

201a
The Shard

201b
Richard Meier

202a
Jubilee Church

202b
Richard Meier

203a
The Getty Center

203b
Robert Venturi

204a
Vanna Venturi House

204b
Robert Venturi

205a
Allen Art Museum

205b
Santiago Calatrava

206a
Turning Torso

206b
Santiago Calatrava

207a
Auditorio de Tenerife

207b
Walter Gropius

208a
Bauhaus School and Faculty

208b
Walter Gropius

209a
Fagus Factory

209b
Frank Lloyd Wright

210a
An idea is salvation by imagination

210b
Ludwig Mies Van Der Rohe

211a
God is in the details

211b
Louis Sullivan

212a
But the building's identity resides in the
ornament

212b
Charles Eames

213a
Whoever said that pleasure wasn't
functional

213b
Philip Johnson

214a
Architecture is b the art of how to waste
space

214b
Frank Gehry

215a
Architecture should speak of its time
and place, but soul should yearn for
timeless

215b
Le Corbusier

216a
To create architecture is to put in order

216b
Louis Sullivan

217a
Form ever follows function

217b
Kenzo Tange

218a
Architecture today tend to depreciate
themselves, to regard themselves as no
more than just ordinary citizens without
the power to reform the future

218b
Ludwig Mies Van Der Rohe

219a
Architecture is the will of an epoch
translate into space

219b
Le Corbusier

220a
 A hundred times have I thought New
York is a catastrophe and 50 times: it is
a beautiful catastrophe

220b
Walter Gropius

221a
Architecture begins where engineering
ends

221b
Le Corbusier

222a
Architecture is the learned game,
correct and magnificent, of forms
assembled in the light

222b
Ludwig Mies Van Der Rohe

223a
Less is more

223b
Frank Lloyd Wright

224a
A doctor can bury his mistakes, but an
architect can only advise his clients to
plant vines

224b
 economic
defense and protection
worship and government
transportation
education and culture
housing
225a
6 functions of the city

225b
Hippodamus

226a
an ancient Greek architect, urban
planner, physician, mathematician,
meteorologist and philosopher and is
considered to be the "father" of urban
planning, the namesake of
Hippodamian plan of city layouts (grid
plan).
226b
agora

227a
center of the city by hippodamus,
market place

227b
Hippodamian plan

228a
city plan devised by Hippodamos of
Miletos ca 466 BC, in which a strict grid
was imposed on a site, regardless of the
terrain, so that all streets would meet at
right angles

228b
City Beautiful

229a
Movement in environmental design that drew directly from the beaux arts school.
Architects from this movement strove to impart order on hectic, industrial centers
by creating urban spaces that conveyed a sense of morality and civic pride, which
many feared was absent from the frenzied new industrial world.
229b
garden city

230a
Founded by Ebenezer Howard, it advocated the construction
of new towns separated from each other by open country that
would provide rec. areas, fresh air, and a sense of community.
230b
Letchworth

231a
was the first developed garden city, started in 1902 and designed by raymond unwin
and barry parker. the plan was a combination of landscaping; informal street
layouts, and a main axis focusing on a town center. it was built in an area of 4500
acres; 3000 for agricultural uses and 1500 for the city proper.

231b
Welwyn

232a
 the second garden city, built in 1920 was designed by loius de soisson. brought
formality and georgian taste to the town built in a smaller land area of 2400 acres.
the twon's focal point was a mile long mall with beautiful georgian houses and
shops facing it.
232b
New capitals

233a
planned capital cities

233b
Radburn

234a
A community in New Jersey, planned by Henry Wright and Clarence Stein, in which superblocks were surrounded by roads,
and all pedestrian paths bridged over or passed under the roads.
Clarence Stein. Superblocks surrounded by green space. tried to completely separate pedestrian and automobile traffic.
backs of houses faced the street, front faced a common green space. Failed. Pop. now of 3.1k
CUL-DE-SAC

234b
Brasilia

235a
Brazil's futuristic capital city that was created in the
barren interior in the 1960s by urban planners
235b
Chandigarh

236a
 Le Corbusier; India; Le Corbusier takes over an earlier plan and changes it to
create a large-scale hierarchical grid,axes, and a grouping of monumental buildings;
these are themes familiar from Le Corbusier's earlier urban plans
Albert Mayer-original
236b
Cul de sac

237a
a road with one outlet, usually ending in a circle

237b
broadacre city

238a
 Franklin Wright architecture; expensive and difficult to maintain; stone, natural
materials/elements, falling waters, flat roofs, many windows; self-sufficiency with no
connections to the central city, anti-urban; cars are very important; similar to
Norris, TVA
238b
The mile high tower

239a
he suggested that 10 or more of these
could possible replace all manhattan
buildings

239b
Neighborhood unit

240a
Clarence A. Perry Concepts

240b
Motopia

241a
EDGAR CHAMBLESS

241b
Science Cities

242a
Proposed by METABOLISM GROUP

242b
The floating city

243a
Proposed by kiyonori kikutake

243b
Concentric Zone Model

244a
 Model that describes urban environments as a series of rings of distinct lands using radiating out from a central core, or
central business district.
Burgess' concentric zone model is a description of the process of urban growth that views the city as a series of circular
areas or zones, each characterized by a different type of land use that developed from a central core. There are five
different zones: 1.Central Business District 2.Wholesale and Light Manufacturing 3.Low-Class Residential 4. Medium-Class
Residential 5. High-Class Residential. Example: Chicago

244b
Central Place Theory

245a
 A theory that explains the distribution of services, based on the fact that settlements serve as centers of
market areas for services; larger settlements are fewer and farther apart than smaller settlements and
provide services for a larger number of people who are willing to travel farther.
A theory formulated by Walter Christaller in the early 1900s that explains the size and distribution of cities
in terms of a competitive supply of goods and services to dispersed populations.
245b
Sector Model

246a
A model of the internal structure of cities in which social groups are arranged around a
series of sectors, or wedges, radiating out from the central business district (CBD).
theory developed by land economist Homer Hoyt in 1939, which explains that a city
develops in a series of sectors rather than rings

246b
Multiple Nuclei Model

247a
 model created by CD Harris and EL Ullman in 1945, which
explains that a city is a complex structure that includes more
than one center around which activities revolve
247b
Urban Realms

248a
 proposed by James E. Vance in 1964, that cities are made up of small
realms(self sufficient urban areas with ndependent focal points). These
realms are linked together to form a larger metro network.
248b
New Urbanism

249a
A movement in urban planning to promote mixed use
commercial and residential development and pedestrian
friendly, community orientated cities. New urbanism is a
reaction to the sprawling, automobile centered cities of
the mid twentieth century.
urban design originating in the US during the 1980s to
work against sprawl; characterized by organized urban
planning, suburban infill (filling in unused space), and are
designed to be walkable (Celebration, Florida)
249b
Suburban Sprawl

250a
unplanned development by many different entities,
often as part of urban outgrowth
250b
Louis Sullivan

251a
forms ever follow function

251b
Mies Van Der Rohe

252a
God is in the details

252b
Le Corbusier

253a
Architecture is the masterly, correct and
magnificent play of masses brought
together in light

253b
John Ruskin

254a
Architecture is an art for all to learn
because all is concerned with it

254b
Steen Eiler Rasmusen

255a
Architecture is produced by ordinary
people, for ordinary people; therefore
it should be easily comprehensible to
all

255b
Taste

256a
Critical judgement, discernment, or
appreciation, or appreciation of what is
fitting, harmonious, or beautiful
prevailing in a culture or personal to an
individual

256b
Art

257a
The conscientious use of skill, craft, and
creative imagination in the production
of what is beautiful, appealing or of
more than ordinary significance

257b
Beauty

258a
The aggregate of qualities in a person
or thing that gives intense pleasure to
the senses or deep satisfaction to the
mind or spirit, whether arising from
harmony of form or color, excellence
of craft, truthfulness, originality, or
other, often unspecifiable property
258b
Aesthetic

259a
The branch of philosophy that deals
with the nature of art, beauty, and taste,
with a view to establishing the meaning
and validity of critical judgments
concerning work of art

259b
Design

260a
The creation and organization of formal
elements in a work of art

260b
Sign

261a
A mark or figure having a conventional
meaning and used in place of a word or
phrase to express a complex notion

261b
Symbol

262a
Something that stands for or represents
something else by association,
resemblance, or convention deriving its
meaning chiefly from the structure in
which it appears

262b
Articulation

263a
A method or manner of jointing that
makes the united parts clear, distinct
and precise in relation to each other

263b
Form

264a
 the manner of arranging and
coordinating the parts of a composition
so as to produce a coherent image

264b
Design Principle

265a
 a fundamental and comprehensive
concept of visual perception for
structuring an aesthetic composition

265b
Structure

266a
the organization of elements or parts in
a complex system as dominated by the
general character of the whole

266b
Order

267a
a condition of logical, harmonious, or
comprehensible arrangement in which
each element of a group is properly
disposed with reference to other
elements and to its purpose

267b
Theory

268a
Abstract thought or speculation
resulting in a system of assumptions or
principles used in analyzing, explaining
or predicting phenomena and
proposed or followed as the basis of
action
268b
Principle

269a
a fundamental and comprehensive law,
truth or assumption governing action,
produce or arrangement

269b
Archetype

270a
an original model or pattern on which
all things of the same kind are coupled
or based

270b
Drawing

271a
 the art, process or technique of
representing an object, scene or idea
by means of lines of a surface

271b
Line

272a
a geometric element generated by a
moving point and having extension
without breadth or thickness

272b
Rationalism

273a
a design movement of the mid-19th
century that emphasized the decorative
use of materials and textures and the
development of ornament as an integral
part of a structure rather than as
applied adornment
273b
Contructivism

274a
A movement which originated in
Moscow after 1917, primarily in sculpture
but with broad application to
architecture. The expression of
construction was to be the basis for all
building design, with emphasis on
functional machine parts
274b
Deconstruction

275a
A philosophical and critical movement that started in the
1960s especially in the study of literature, questioning the
traditional assumption about the ability of language to
represent reality and emphasizing that a text has no
stable reference because words essentially refers only to
other words. A reader must therefore approach a text by
eliminating any abstract reasoning or ethnocentric
assumptions through an active role of defining meaning,
sometimes by a reliance on etymology and new word
construction
275b
Space

276a
The physical volume or built of a solid
body

276b
Focus

277a
A point of attraction, attention or
activity

277b
Repose

278a
A place of rest and tranquility

278b
false

279a
Air flows from a low pressure to a high
pressure area (TRUE or FALSE)

279b
Hippodamus

280a
The first noted urban planner who
introduced the grid system

280b
Linked spaces

281a
Two spaces joined or connected by a
third intervening space

281b
Sector Model

282a
A spatial model of urban growth
conceptualized by Homer Hoyt and
was developed under the premise of
how cities grow in the direction of
higher income

282b
New Urbanism

283a
A paradigm of urbanism that is utopian
and values overall coherence, legibility,
and human scale

283b
SE to SW and NE toNW

284a
Where is the dominant sun path

284b
Northeast

285a
The prevailing direction of Amihan is

285b
Conceptual

286a
Images, patterns, signs, symbols and
the design context are examples of
what "order" in of architecture

286b
At the front

287a
shape is the primary identifying
characteristic of a plane. It is determined
by the contour of the line forming the
edges of a plane. Our perception of
shape can be distorted by perspective
foreshortening. As such is the case, we
can we see the true shape of a plane
only we view it _____. 287b
Square

288a
What shape represents the pure and
the rational

288b
Vienna

289a
tagged as the first "university town"

289b
Overhang

290a
Frank Lloyd Wright's "Falling Water" is
an example of the use of

290b
Sampaloc

291a
Manila's version of the "University Town"
is exemplified by

291b
Metropolitan Cathedral of Brasilia

292a
(Which is not) RICHARD ROGERS
a. Metropolitan Cathedral of Brasilia
b. Centre Pompidou
c. Millenium Dome
d. Madrid Barajas Airport Terminal 4

292b
Vitra Fire Station

293a
(Which is not) RENZO PIANO
a. Centre Pompidou
b. Vitra Fire Station
c. Kansal International Airport
d. Tjbaou Cultural Center

293b
Malcolm Hall, UP Diliman

294a
(Which is not) CESAR CONCIO
a. Church of the Risen Lord, UP Diliman
b. Melchor Hall, UP Diliman
c. Malcolm Hall, UP Diliman
d. Baclaran Church

294b
Folk Arts Theater

295a
(Which is not) PABLO ANTONIO
a. Life Theater
b. Ideal Theater
c. Galaxy Theater
d. Folk Arts Theater

295b
Andres Luna De San Pedro

296a
Who is the architect of Crystal Palace

296b
Tadao Ando

297a
Who is the architect of Church on the Water

297b
Antonio Toledo

298a
Who is the architect of Manila City Hall

298b
Environment Design

299a
The ordering of the physical
environment

299b
Urban Design

300a
The aspect of planning that deals with
the design of urban structures and
spaces

300b
Urban Planning/City Planning

301a
The activity of determining the future
physical arrangement and condition of a
community. It involves an appraisal of the
current conditions, a forecast of future
requirements, a plan for the fulfillment of
these requirements, and the proposals
for the legal, financial and constructional
programs to implement the plan 301b
Catalhoyuk

302a
an early settlement of intricately
assembled complex without streets. It
was considered as the largest Neolithic
city during its settlement in Turkey of
7000 BC

302b
Skyscraper

303a
A building of exceptional height and
many stories, supported by a steel or
concrete framework from which the
walls are suspended

303b
False Front

304a
a facade falsifying the size or
importance of a building

304b
Stoop

305a
a raised platform approached by steps
and sometimes having a roof, at the
entrance of a house

305b
Harmony

306a
 the orderly, pleasing or congruent
arrangement of the elements or parts in
an artistic whole

306b
Order

307a
a condition of logical, harmonious or
comprehensible arrangement in which
is element of a group's property is
properly disposed with reference to
other elements and to its purpose

307b
Golden Section

308a
a proportion between the two
dimensions of a plane figure or the two
divisions of a line, in which the ratio of
the smaller to larger is the same as ratio
of the larger to the whole

308b
Inflection

309a
a bend, angle or similar change in the
shape of a configuration, by means of
which a change of relationship to some
context or condition is indicated

309b
Refine

310a
To improve or elaborate in order to
make more precise

310b
Modify

311a
To change the form, character or
qualities in order to give a new
orientation or to serve a new end

311b
Dimensional Transformation

312a
Le Corbusier's Unite d' Habitation is an
example of

312b
Centralized organization

313a
Giacomo Da Vignola's plan of Palazzo
Farnese utilized what type of spatial
organization

313b
Geomorphology

314a
When designing a place of property for
architectural usage, it is essential for the
architect to first confront the nature of
the site. Information such as the
landform's soil properties, drainage,
topography and slopes, and the degree
or consistency of soil erosion are
acquired under which science? 314b
15-20%

315a
 Which of the following slope
percentage pattern is considered
difficult to build?

315b
Transition

316a
A basic principle in landscape design
that can be obtained by the
arrangement of objects with varying
texture, forms, or sizes in a logical
sequential order

316b
Repetition

317a
Which of the following basic landscape
design principle best goes hand in
hand with the concept of simplicity as
forms, or sizes in a logical sequential
order

317b
Jean Gottman

318a
Megalopolis is the term used in
planning and urban design to refer to
massive urban concentrations created
from strong physical linkage between
three or more large cities. Who coined
this term?
318b
Unite d' Habitation

319a
famous structure designed by Le
Corbusier in Marseilles, France with
rough-cast concrete as steel frame
proved too expensive in light of post-
war shortage

319b
Villa Savoye

320a
of Le Corbusier numerous projects, this
truly represents the "Five Points of
Architecture"

320b
Munsell System

321a
A system for specifying colors
arranged in three orderly scales of
uniform visual steps according to hue,
chroma and value

321b
Full

322a
 The color wheel represents the basic
colors of the visible spectrum. All these
hues are of what degree of intensity

322b
false

323a
TRUE or FALSE: The primary colors of
light are orange-red, green and blue.
When all three are added together,
they form black

323b
true

324a
tint is the color plus white

324b
false

325a
subtractive mixing of the primary
pigment colors produces white

325b
false

326a
shade is simply the color mixed with
grey

326b
stimulation

327a
what is the psychological significance
of color red

327b
Theory

328a
Abstract thought or speculation
resulting in a system of assumption or
principles used in analyzing, explaining,
or predicting phenomena, and
proposed or followed as a basis of
action.
328b
Descriptive
Prescriptive

329a
Types of Theory

329b
Descriptive Theory

330a
Explains events or phenomena

330b
Prescriptive Theory

331a
Prescribes guidelines

331b
Architecture

332a
The art and science of designing and
constructing buildings

332b
Art

333a
The conscious use of skill, craft and
creative imagination in the production
of what is beautiful, appealing, or of
more than ordinary significance

333b
Science

334a
A branch of knowledge dealing with a
body of facts or truths obtained by
direct observation, experimental
investigation, and methodical study,
systematically arranged and showing
the operation of general laws
334b
 Space
Structure
Enclosure

335a
Architectural systems

335b
 Initiation
Preparation
Synthesis
Evaluation
Action
Reevaluation
336a
Design phases

336b
Initiation

337a
Identifying a problem and its social,
economic and physical context

337b
Preparation

338a
 Collecting and analyzing relevant
information and establishing goals and
criteria for an acceptable solution

338b
Synthesis

339a
 Discovering constraints and
opportunities, and hypothesizing
possible alternative solutions

339b
Evaluation

340a
 Simulating, testing, and modifying
acceptable alternatives according to
specified goals and criteria

340b
Action

341a
Selecting and implementing the most
suitable solution

341b
Reevaluation

342a
Assessing how well an implemented
solution in use satisfies the specified
goals and criteria

342b
 Point
Line
Plane
Volume

343a
Primary Elements of Design

343b
Point

344a
It marks a position in space. No length,
width, or depth, and is therefore static,
centralized and directionless

344b
Point

345a
The prime element in the vocabulary of
form, a _____ can serve to mark

345b
Point

346a
What type of Primary Elements of design is Piazza
del Campidoglio?
346b
Point

347a
What type of Primary Elements of design is Torii, Ise
Shrine?
347b
Point

348a
What type of Primary Elements of design is The
National Mall?
348b
Line

349a
An extended point. Conceptually, a line
has length, but no width or depth.

349b
Line

350a
It is capable of visually expressing
direction, movement, and growth

350b
Line

351a
What type of Primary Elements of design is Menhir?

351b
Line

352a
What type of Primary Elements of design is Column
of Marcus Aurelius?
352b
Line

353a
What type of Primary Elements of design is Obelisk
of Luxor?
353b
Line

354a
What type of Primary Elements of design is Selim
Mosque?
354b
Line

355a
What type of Primary Elements of design is
Salginatobel Bridge
355b
Robert Maillart

356a
Salginatobel Bridge

356b
Line

357a
What type of Primary Elements of design is Caryatid
Porch, The Erechtheion?
357b
Line

358a
What type of Primary Elements of design is Katsura
Imperial Villa?
358b
Plane

359a
An extended line in a direction other
than its intrinsic direction.

359b
Plane

360a
Conceptually, a _____ has length and
width but no depth

360b
Shape

361a
_____is the preliminary identifying
characteristic of a plane

361b
Overhead Plane

362a
can be either the roof plane that
shelters the interior spaces of a building
from the climatic elements, or the
ceiling that forms the upper enclosing
surface of the room.

362b
Wall Plane

363a
Vital to the shaping and enclosure of
architectural space

363b
Base Plane

364a
can either be ground plane that serves
as the physical foundation and visual
base for building forms, or the floor
plane that forms the lower enclosing
surface of a room upon which we walk.

364b
Alessandro Specchi

365a
Scala de Spagna

365b
Senmut

366a
Mortuary Temple of Hatshepsut

366b
Leon Battista Alberti

367a
S. Maria Novella

367b
Overhead Plane
Wall Plane
Base Plane

368a
Planar Elements

368b
Frank Lloyd Wright

369a
Robie House

369b
Frank Lloyd Wright

370a
Fallingwater

370b
Frank Lloyd Wright

371a
Kaufmann House

371b
Volume

372a
A plane extended in a direction other
than its intrinsic direction.

372b
Volume

373a
 Coceptually, a _____ has three
dimensions: length, width, and depth

373b
Volume

374a
A measure of the size of a body or
region in three-dimensional space

374b
Form

375a
____ is the primary identifying
characteristic of a volume

375b
Le Corbusier

376a
Notre Dame du Haut

376b
Andrea Palladio

377a
Palazzo Thiene

377b
Form

378a
The formal structure of a work - the
manner of arranging and coordinating
the elements and parts of a
composition so as to produce a
coherent image

378b
Articulation

379a
A method or manner of jointing that
makes the united parts clear, distinct,
and precise in relation to each other

379b
Articulation

380a
The action or manner in which the parts
come together at a joint

380b
 Shape
Size
Texture
Color

381a
Visual Properties of Form

381b
Shape

382a
 The two-dimensional contour that
characterizes an object or area, in
contrast to three-dimensional form.

382b
Shape

383a
The characteristic ouline or surface
configuration of a particular form

383b
Le Corbusier

384a
Villa Garches

384b
Size

385a
The physical dimensions of length,
width and depth of a form.

385b
Texture

386a
The visual and especially tactile quality
given to a surface by the size, shape,
arrangement, and proportions of the
parts

386b
Texture

387a
 _____ also determines the degree to
which the surface of a form reflect or
absorb incident light

387b
Texture

388a
The feel, appearance, or consistency of
a surface, substance, or fabric.

388b
Color

389a
a phenomenon of light and visual
perception that may be described in
terms of an individual's perception of
hue, saturation, and tonal value

389b
Color

390a
Hue

390b
Color

391a
The property possessed by an object
of producing different sensations on
the eye as a result of the way it reflects
or emits light.

391b
Hue

392a
another word for color

392b
Value

393a
Darkness or lightness of a color

393b
Temperature

394a
relates to the feeling of warmth or
coolness the color evokes

394b
Intensity

395a
measure the range of a color from dull
to vivid

395b
Intenity

396a
also called chroma and saturation

396b
Warm Colors

397a
Colors that we associate with fire, they
include reds, yellows, and oranges.

397b
Cool Colors

398a
 Colors associated with plants, water,
and ice (ex: blues, purples, and greens).

398b
Complementary Colors

399a
Colors located directly opposite one
another on the color wheel

399b
Analogous Colors

400a
Colors that are next to each other on
the color wheel

400b
Triadic Colors

401a
involve three colors equally spaced on
the color wheel.

401b
Split Complementary Colors

402a
The use of a color plus the two colors
on either side of the complement

402b
Tetradic Colors

403a
Uses four colors together, in the form
of two sets of complementary colors

403b
Tint

404a
come from adding white to hues

404b
Shades

405a
Come from adding black to hues

405b
Tones

406a
Mixing the hue with grey

406b
Achromatic

407a
use no color, just shades of grey, black
and white

407b
Achromatic

408a
Also known as greyscale

408b
Position

409a
The location of a form relative to its
environment of the visual field within
which it is seen

409b
Orientation

410a
The direction of a form relative to the
ground plane, the compass points,
other forms, or to the person viewing
the form

410b
Visual inertia

411a
The degree of concentration and
stability of a form.

411b
Visual inertia

412a
the _____ of a form depends on its
geometry as well as its orientation
relative to the ground plane, the pull of
gravity, and our line of sight

412b
Visual inertia

413a
The degree of concentration and
stability of form

413b
Santiago Calatrava

414a
Milwaukee Art Museum

414b
Wang Shu

415a
Ningbo Museum, China

415b
Form articulation

416a
A form can be expressed by: change in
material, color, texture, or pattern;
developing corners as distinct linear
elements; removing corners; and
lighting the form

416b
Richard Meier

417a
Hoffman House

417b
Michelozzi

418a
Palazzo Medici-Ricardo

418b
Eero Saarinen

419a
John Deere and Company Building

419b
Eero Saarinen

420a
CBS Building

420b
Marcel Breuer

421a
IBM Research Center

421b
Louis Kahn

422a
First Unitarian Church

422b
I.M. Pei

423a
Everson Museum

423b
Eric Mendelsohn

424a
Einstein Tower

424b
Frank Lloyd Wright

425a
Laboratory Tower

425b
Richard Neutra

426a
Kaufmann Desert House

426b
Circulation

427a
The passage of persons or things from
one place to another or through an
area

427b
Circulation

428a
 Short-term, repetitive, or cyclical
movements that recur on a regular
basis.

428b
 Aproach
Entrance
Configuration of the Path
Path-space relationship

429a
Circulation Elements

429b
Approach

430a
The distant view

430b
Approach

431a
 Prior to actually passing into the
interior of a building, we access its
entrance along a path.

431b
Approach

432a
The first phase of the circulation system,
during which we are prepared to see,
experience, and use the spaces within a
building

432b
Frontal
Oblique
Spiral

433a
Kinds of approach

433b
Frontal

434a
Leads directly to the entrance of a
building along a straight, axial path. The
visual goal that terminates the
approach is clear

434b
Andrea Palladio

435a
Villa Barbaro

435b
Oblique

436a
Enhances the effect of perspective on
the front facade and form a building

436b
Philip Johnson

437a
Glass House

437b
Spiral

438a
Prolong the sequence of the approach
and emphasize the three-dimensional
form of the building as we move around
its perimeter

438b
Acropolis

439a
439b
Entrance

440a
From outside to inside

440b
Entrance

441a
Entering a building, a room within a
building, or a defined field of exterior
space, involves the act of penetrating a
vertical plane that distinguishes one
space from another and separates
"here" from "there"
441b
Flush Entrance

442a
 The Entrance that maintains the
continuity of the surface of a wall and
can be deliberately obscured

442b
Frank Lloyd Wright

443a
Morris Gift Shop

443b
Projected Entance

444a
The entrance that forms a transitional
space, announces its function to the
approach, and provides overhead
shelter

444b
Leon Battista Alberti

445a
Basilica di Sant' Andrea

445b
Recessed Entrance

446a
 Also provides shelter and receives a
portion of exterior space into the realm
of the building

446b
Le Corbusier

447a
Dr. Currutchet's House

447b
Philip Johnson

448a
JFK Memorial

448b
Robert Venturri

449a
Vanna Venturi House

449b
Piazza San Marco

450a
450b
Configuration of path

451a
The sequence of spaces

451b
Configuration of path

452a
All path of movement are linear in
nature. All paths have a starting point,
from which we all taken through a
sequence of spaces of our destination

452b
 Linear
Radial
Spiral
Grid
Network
Composite
453a
Kinds of Configuration of paths

453b
Linear

454a
All paths are linear. A straight path,
however, can be the primary organizing
element for a series of spaces. In
addition, it can be curvilinear or
segmented, intersect other paths, have
branches, or form a loop
454b
Toshogu Shrine

455a
455b
Radial

456a
 A radial configuration has linear paths
extending from terminating at a central,
common point

456b
John Haviland

457a
Eastern State Penitentiary

457b
Mario J. Ciampi and Associates

458a
University Art Museum

458b
Spiral

459a
A _____ configuration is a single,
continuous path that originates from a
central point, revolves around it, and
becomes increasingly distant from it

459b
Le Corbusier

460a
Museum of Western Art

460b
Borobudur

461a
Buddhist stupa monument in Java, Indonesia

461b
Frank Lloyd Wright

462a
Guggenheim Museum

462b
Grid

463a
A _____ configuration consists of two sets
of parallel paths that intersect at regular
intervals and create square or
rectangular fields of space

463b
Cuadricula

464a
a system of streets and blocks laid out
in gridiron form. This method was
efficient in maximizing space and in the
supervision of colonial subjects

464b
Network

465a
A _____ configuration consists of paths
that connect established points in
space

465b
Pierre L'Enfant

466a
Planned Washington, DC

466b
Composite

467a
 Configuration which employs
combination of preceding patterns

467b
Path-space relationships

468a
Edges, nodes, and terminations of the
path

468b
Pass by Spaces

469a
The integrity of each space is
maintained;
The configuration of the path is flexible;
The mediating spaces can be used to
link the path with the spaces

469b
Philip Johnson

470a
Bolssonas House

470b
Pass through spaces

471a
The path may pass through space
axially, obliquely, or along its edge;
In cutting through a space, the path
creates patterns of rest and movement
within it

471b
Terminate in a Space

472a
The location of the space establishes
the path;
This path-space relationship is used to
approach and enter functionally or
symbolically important spaces

472b
Alvar Aalto

473a
Neur Vahr Apartment

473b
Corridors
Halls
Galleries
Stairways
Rooms

474a
Form of the circulation space

474b
 Enclosed
Open on One Side
Open on Both Sides

475a
A circulation space may be:

475b
Enclosed

476a
 Forming a public galleria or private
corridor that relates to the spaces it
links through entrances in a wall plane

476b
Open on one side

477a
 forming a balcony or gallery that
provides visual anad spatial continuity
with the spaces it links

477b
Open on both sides

478a
forming a colonnaded passageway that
becomes a physical extension of the
space it passes through

478b
Design

479a
the creation and organization of formal
elements in a work of art

479b
Design Principle

480a
 a fundamental and comprehensive
concept of visual perception for
structuring and aesthetic composition

480b
Proportion and Scale
Contrast
Balance
Hierarchy
Rhythm

481a
Principle of design

481b
Proportion

482a
The proper harmonious relation of one
part to another or to the whole

482b
Golden Section

483a
The ______ can be defined as the ration
between two sections of a line, or the
two dimensions of a plane figure, in
which the lesser of the two is to the
greater as the greater is to the sum of
both
483b
Golden Section

484a
Established by the ancient Greeks,
relationship between to unequal parts
of a whole in which the ratio between
the smaller and greater is equal to the
ratio between the greater part and the
whole.
484b
Ictinus and Callicrates

485a
Parthenon

485b
Donato Bramante

486a
Tempietto, St. Pietro

486b
Regulating lines

487a
If the diagonals of two rectangles are
either parallel or perpendicular to each
other, they indicate that the two
rectangles have similar proportions.
These Diagonals, as well as lines that
indicate the common alignment of
elements, are called regulating lines
487b
Le Corbusier

488a
World Museum

488b
Palazzo Farnese

489a
489b
Andrea Palladio

490a
Villa Foscari

490b
6d

491a
Tuscan Height

491b
7d

492a
Doric Height

492b
8 1/3d

493a
Ionic Height

493b
8 1/3d

494a
Corinthian Height

494b
Pycnostyle

495a
1 1/2d intercolumniation

495b
Systyle

496a
2d intercolumniation

496b
Eustyle

497a
2 1/4d intercolumniation

497b
Diastyle

498a
3d intercolumniation

498b
Araeostyle

499a
4d intercolumniation

499b
Renaissance Theory

500a
The architects of the Renaissance,
believing that their buildings had to
belong to a higher order, returned to
the Greek mathematical system of
proportions

500b
Andrea Palladio

501a
The most influential architect of the
Italian Renaissance

501b
The Four Books on Architecture

502a
is an Italian treatise on architecture by
the architect Andrea Palladio (1508-
1580)

502b
Andrea Palladio

503a
Villa Capra

503b
Andrea Palladio

504a
Palazzo Chiericati

504b
Andrea Palladio

505a
Villa Thiene

505b
Modulor

506a
Developed by Le Corbusier and is loosely based on the golden section but
uses the human body as a starting point. The system begins by dividing the
height of a man (about 6 ft.) at the waistline or navel. Another proportion is
developed by the distance from the top of the head to the fingertips when
the arm is naturally raised above the head (the golden section). From these
dimensions and proportions, all the others are developed. The distance from
the floor to the navel is the same as the navel to the tip of the fingers. Le
Corbusier then developed two series (red and blue) based on these three
dimensions. Each of the series has 10 numbers. He believed these dimensions
could be used to maintain human scale and create diversity and unity. He
believed this system would also help avoid repetitive monotony of a
modular system with identical dimensions.

506b
Le Corbusier

507a
Unite d'Habitation

507b
Unite d'Habitation

508a
It uses 15 measures of the Modulor

508b
Ken

509a
Introduced in the latter half of Japan's
Middle Ages

509b
Ken

510a
Originally used simply to designate the
interval between two columns and
varied in size, the ken was soon
standardized for residential architecture

510b
Ken

511a
The _____ evolved into an aesthetic
module that ordered the structure,
materials, and space of Japanese
architecture

511b
Tokonoma

512a
is a shallow, slightly raised alcove for the display of a
kakemono or flower arrangement
512b
Ken

513a
1:2 modularity

513b
Anthropometry

514a
the measurement of the size and
proportions of the human body

514b
Ergonomics

515a
The study of workplace equipment
design or how to arrange and design
devices, machines, or work space so
that people and things interact safely
and most efficiently.

515b
Scale

516a
A proportion between two sets of
dimensions used in developing
accurate, larger or smaller prototypes,
or models of design ideas.

516b
Scale

517a
The size of something compared to a
reference standard or to the size of
something else

517b
Visual Scale
Human Scale

518a
Two Types of Scale

518b
Visual Scale

519a
 Refers to the bigness something
appears to have when measured against
other objects around it.

519b
Human Scale

520a
The size of a building element or space
relative to the dimensions and
proportion of human body.

520b
Reims Cathedral

521a
A French Cathedral; The coronation
church of the French kings and one of
the finest Gothic structures ever built;
adorned with sculptures from the 13th
and 14th cent., including the "Smiling
Angel of Reims"
521b
Contrast

522a
Opposition or juxtaposition of dissimilar
elements in a work of art to intensify
each element's properties and produce
a more dynamic expressiveness

522b
Balance

523a
A state of equilibrium between
contrasting, opposing, or interacting
elements. Also the pleasing or
Harmonious arrangement of proportion
of parts or elements in a design
composition
523b
Symmetry

524a
The correspondence in size, shape, and
relative position of parts on opposite
sides of a median line or about a
central axis. Also referred to as formal
balance.

524b
Bilateral
Radial

525a
Two Types of Symmetry

525b
Bilateral Symmetry

526a
 Body plan in which only a single,
imaginary line can divide the body into
two equal halves.

526b
Radial Symmetry

527a
Symmetry about a central axis.
body plan in which any number of
imaginary planes drawn through the
center of the body could divide it into
equal halves

527b
Thomas Jefferson

528a
Monticello

528b
Frank Lloyd Wright

529a
Unity Temple

529b
Hierarchy

530a
The articulation of the importance of
significance of a form or space by its
size, shape, or placement relative to the
other forms and spaces of the
organization

530b
James Oglethorpe

531a
Savannah

531b
Andrea Palladio

532a
Villa Trinssino

532b
Florence Cathedral

533a
The Cattedrale di Santa Maria del Fiore (English, "Cathedral of Saint Mary of the Flower") is the main church
of Florence, Italy. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style to the
design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo
Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green
and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris
533b
Le Corbusier

534a
Legislative Assemble Building

534b
Rhythm

535a
Movement characterized by a
patterned repetition or alternation of
formal elements or motifs in the same
or a modified form

535b
Repetition

536a
The act or process of repeating formal
elements or motifs in a design

536b
Distyle

537a
Having 2 columns on one or each front

537b
Prostyle

538a
A temple with a portico of columns in front

538b
Amphiprostyle

539a
 classical temple plan in which the columns are
placed across both the front and back, but not along
the sides

539b
Peripteral

540a
a single row of columns on all sides

540b
Dipteral

541a
In classical architecture, a double row of colonnades
all around the cella and its porches
541b
Pseudodipteral

542a
freestanding columns surround the building and
attached columns also surround the building
542b
Salisbury Cathedral

543a
 1220 England, ENGLISH GOTHIC, wide facade, sculpture everywhere,
subdued flying buttresses, TWO TRANSEPTS, square apse, situated in a
close, tall central SPIRE, long horizontal emphasis
543b
Kenzo Tange

544a
 Olympic Arena
"Architects today tend to depreciate themselves, to regard themselves as no
more than just ordinary citizens without the power to reform the future."
544b
Space

545a
is the three-dimensional field in which
objects and events occur and have
relative position and direction,
especially a portion of that field set
apart in a given instance or for a
particular purpose
545b
Space within a space

546a
in this type of spatial relationship, the
larger, enveloping space serves as a
three-dimensional field for the smaller
space contained within it

546b
Interlocking spaces

547a
an interlocking spatial relationship
results from the overlapping of two
spatial fields and the emergence of a
zone of shared space

547b
Adjacent spaces

548a
2 spaces abutting or contiguous with
each other, especially when having a
common boundary or boarder

548b
Space linked by a common space

549a
 two spaces that are separated by
distance can be linked or related to
each other by a third, intermediate,
space

549b
Centralized

550a
A _____ organization is a stable,
concentrated composition that consists
of a number of secondary spaces
grouped around a large, dominant,
central space

550b
Centralized

551a
What kind of spatial organization is Taj
Mahal?

551b
Centralized

552a
What kind of spatial organization is Villa
Farnese?

552b
Centralized

553a
What kind of spatial organization is
National Assembly Building?

553b
Louis Kahn

554a
National Assembly Building

554b
Giacomo da Vignola

555a
Villa Farnese

555b
Linear

556a
a _____ organization consists essentially
of a series of spaces. These spaces can
either be directly related to one
another or be linked through a separate
and distinct linear space

556b
Linear

557a
What kind of spatial organization is
Residential Expansion?

557b
Linear

558a
What kind of spatial organization is
Lloyd Lewis House?

558b
Frank Lloyd Wright

559a
Lloyd Lewis House

559b
Linear

560a
What kind of spatial organization is
Romano House?

560b
Radial

561a
A _____ organization of space combines
elements of both centralized and linear
organizations. It consists of a dominant
central space from which a number of
linear organizations extend in a radial
manner
561b
Radial

562a
 What kind of spatial organization is
Guggenheim Museum of Frank Gehry?

562b
Frank Gehry

563a
Guggenheim Museum

563b
Radial

564a
What kind of spatial organization is
Canberra

564b
Radial

565a
What kind of spatial organization is H.F.
Johnson House?

565b
Frank Lloyd Wright

566a
H.F. Johnson House

566b
Clustered

567a
A _____ organization relies on physical
proximity to relate its space to one
another. It often consists of repetitive,
cellular spaces that have similar
functions and share a common visual
trait such as shape or orientation
567b
Clustered

568a
What kind of spatial organization is
Yeni-Kaplica?

568b
Clustered

569a
What kind of spatial organization is
Palace of King Minos?

569b
Clustered

570a
What kind of spatial organization is
Rajarajeshwara Temple?

570b
Clustered

571a
What kind of spatial organization is St.
Carlo alle Quattro Fontane?

571b
Clustered

572a
What kind of spatial organization is
Gamble House?

572b
Grid

573a
A _____ organization consists of forms
and spaces whose positions in space
and relationships with one another are
regulated by a three-dimensional grid
pattern or field

573b
Grid

574a
What kind of spatial organization is
Shodhan House?

574b
Le Corbusier

575a
Shodhan House

575b
Grid

576a
What kind of spatial organization is Eric
Boissonas House I?

576b
Philip Johnson

577a
Eric Boissonas House I

577b
Proxemics

578a
the study of the symbolic and
communicative role of the spatial
separation individuals maintain in various
social and interpersonal situations, and
how the nature and degree of this spatial
arrangement relates to environmental
and cultural factors
578b
Personal Space

579a
The variable and subjective distance at
which one person feels comfortable
talking to another

579b
Intimate Distance

580a
0-18 inches

580b
Intimate Distance

581a
 Voluntary selected gap between
people who are drawn to each other.

581b
Intimate Distance

582a
Close range, vision is distorted and any
vocalization is a whisper, moan, or grunt

582b
Personal Distance

583a
18 inches to 4 feet

583b
Personal Distance

584a
The sense of body heat is lost

584b
Personal Distance

585a
Eyesight begins to focus, and
vocalization comes into play.

585b
Personal Distance

586a
The zone of space occupied with close
friends and relatives

586b
Social Distance

587a
4 to 10 feet

587b
Social Distance

588a
The zone of impersonal transaction.

588b
Social Distance

589a
Have to rely solely on what we can see
and hear

589b
Public Distance

590a
10 feet to infinity

590b
Public Distance

591a
The zone where we can no longer pick
up subtle nuances of meaning from the
face or tone of voice. The eye can take
in the whole body at a glance

591b
Sociopetal Space

592a
furniture arrangements, architectural
designs, or social factors that
encourage social interaction

592b
Sociopetal Space

593a
Spaces which tend to bring people
together

593b
Sociofugal Space

594a
Environmental settings that discourage
or prevent interaction among group
members

594b
Style

595a
 A Particular or distinctive form of
artistic expression characteristic of a
person, people, or period

595b
Moorish

596a
Prevent in Spain and Morocco;
influence were Mesopotamian brick and
stucco techniques;
frequent use of horseshoe arch, and
Roman columns and capitals

596b
Alhambra

597a
 Building the moors built that was too beautiful for the
Christians to destroy. It was built in proportions that show the
Moors intelligence.
597b
Classical

598a
Derived from the principle of Greek
and Roman architecture

598b
Colosseum

599a
a large amphitheater built in Rome around ad 70; site
of the contest and combats between people and
animals
599b
Romanesque

600a
emerged from Roman and Byzantine
elements;
characterized by massive articulated
wall structures, arches and powerful
vaults

600b
Romanesque

601a
a style of architecture developed in Italy
and western Europe between the
Roman and the Gothic styles after 1000
AD

601b
Piazza del Duomo

602a
602b
Gothic

603a
revolutionary style of construction;
emerged from Romanesque and Byzantine
forms;
characterized by delicate balanced of forces,
with thrusts directed throughout a rigid structural
lattice;
features were height and light, achieved through
a mixture of skeletal structures and ever
increasing windows
603b
Gothic

604a
relating to a style of church architecture
that developed in medieval Europe,
featuring ribbed vaults, stained glass
windows, flying buttresses, pointed
arches, and tall spires

604b
Charles Cathedral

605a
-Church schools set up to teach people to be priests

605b
Renaissance

606a
developed during the rebirth of
classical art and learning in europe;
characterized by the use of classical
orders, round arches, and symmetrical
proportions

606b
Renaissance

607a
A period of intense artistic and
intellectual activity, said to be a 'rebirth'
of Greco-Roman culture. Usually
divided into an Italian Renaissance, from
roughly the mid-fourteenth to mid-
fifteenth century, and a Northern
Renaissance 1400-1600.
607b
S. Maria Novella

608a
608b
Baroque

609a
Major Western artistic style from 1500s
to 1700s. Climactic, dramatic, dark vs.
usage, shocking/ gruesome

609b
Baroque

610a
more ornate than renaissance style;
deliberate in its attempt to impress, and
was lavish of all styles, both in its use of
materials and in the effects it achieves

610b
Miag-ao Church

611a
Church with its unusual Aztec like bas-
relief in the facade depicting St.
Christopher carrying the baby Jesus
through a tropical forest, located in Ilo-
ilo.

611b
Rococo

612a
Very elaborate and ornate (in
decorating or metaphorically, as in
speech and writing); relating to a highly
ornate style of art and architecture in
18th-century France

612b
Rococo

613a
Final phase of the Baroque;
characterized by a profuse, semi-
abstract ornamentation;
associated with lightness, swirling forms,
flowing lines, ornate stucco work, and
arabesque ornament
613b
Catherine Palace

614a
614b
Neoclassicism

615a
A style of art and architecture that
emerged in the later 18th century. Part
of a general revival of interest in
classical cultures, _____ was characterized
by the utilization of themes and styles
from ancient Greece and Rome.
615b
Neoclassicism

616a
Characterized by monumentality, strict
use of the orders, and sparing
application of ornament

616b
United States Capitol

617a
 (1) Meeting place of the United States Congress, (2) there are old marble bathtubs
in the basement that senators used to take baths in, (3) Thomas Jefferson insisted
that the building be called its name and not "Congress House," (4) there are 5 floors
in the building, (5) it opened in 1800
617b
Expressionism

618a
buildings were treated not only as
functional structures but also as
sculptural objects

618b
Einstein Tower

619a
Erick Mendleson. Ungainly spaceship. Sphinx. No
precedents. Free-hand play. Observation tower.
619b
Art Nouveau

620a
art movement of the late 19th century -
early 20th century that favored sinuous
lines, curves, and organic motifs, such
as plants and flowers

620b
Art Nouveau

621a
 Style of fine and applied art
characterized by fluid undulating
motifs, often derived from natural forms

621b
Sagrada Familia

622a
Barcelona, Spain; catholic church; unfinished;
Archetect= Gaudi-burried in building; gothic
622b
Art Deco

623a
Style Moderne;
Marked by geometric motifs,
streamlined and curvilinear forms,
sharply defined outlines, often bold
colors

623b
Art Deco

624a
Descended from Art Nouveau, this
movement of the 1920s and 1930s sought to
upgrade industrial design in competition
with "fine art" and to work new materials
into decorative patterns that could be
either machined or handcrafted.
Characterized by streamlined, elongated,
and symmetrical design.
624b
Art Deco

625a
What style is Metropolitan Theater?

625b
International style

626a
Functional architecture devoid of
regional characteristics;
Characterized by simple geometric
forms, large textured, often white
surface, large areas of glass and
general use of steel or reinforced
concrete construction
626b
International style

627a
A style of 20th-century architecture
associated with Le Corbusier, whose
elegance of design dame to influence
the look of modern office buildings and
skyscrapers.

627b
Barcelona Pavilion

628a
Mies van der Rohe

628b
Bauhaus

629a
The concept and ideas were
characterized chiefly by the synthesis of
technology, craft, and design aesthetics;
Emphasizes on functional design

629b
Bauhaus

630a
 A Weimar (German) architectural
school created by Walter Gropius
which combined the fine arts and
functionalism

630b
Bauhaus

631a
A German interdisciplinary school of fine and applied arts that
brought together many leading modern architects, designers,
and theatrical innovators.
631b
Brutalism

632a
Emphasizes the aesthetic use of basic
building processes, especially of cast-
in-place concrete, with no apparent
concern for visual amenity

632b
Brutalism

633a
An early 1950s style based on Le
Corbusier's crudely fabricated concrete
work in which structural and mechanical
elements were often featured.

633b
Unite d'Habitation

634a
his first plan of high density living was in _ in marseilles; a super
building that contained 337 dwellings in only ten acres of land.
634b
Post-modernism

635a
Reaction against International style and
modernism;
Encourages use of elements from
historical vernacular styles and often
playful illusion, decoration, and
complexity
635b
Post-modernism

636a
A movement that came to the fore in the
1980's. Post-Modern Artists rejected
Modernism and in many cases returned
to depicting the figure (as opposed to
abstraction) and turned to appropriating
mass produced images and mining
popular culture for image sources.
636b
Organic Architecture

637a
Expression of personal freedom;
Harmony between structure and the
environment;
Integration of individual parts to the
whole concept;
All forms should express the natural use
of materials
637b
Organic Architecture

638a
Frank Lloyd Wright, used this type of
architecture. This style flowed in
harmony with its natural surroundings

638b
Deconstruction

639a
"Neo-modern" or "Post-structuralism";
questions traditional assumptions and
takes modernist abstraction to an
extreme and exaggerates already
known motifs

639b
Imperial War Museum North

640a
Daniel Libeskind, Earth Air Water as three fragments
of globe
640b
Evolutionary Architecture

641a
 Term given to the kind of architecture
that grows and develops according to
the context.

641b
Evolutionary Architecture

642a
Eugene Tsui, major proponent;
Design that grows and develops based
on climatic and ecological element, as
well as advances in technology;
Approached as a living organism as if
natural forces had shaped the structure
642b
Fish House

643a
Evolutionary Architecture; Berkeley,
California. Eugene Tsui

643b
Conceptual Architecture

644a
"Invisible" or "Imaginary" architecture;
Represents plans and drawings for
buildings and cities that have never
been constructed;
Pure research or speculation

644b
Grid

645a
a layout which is a product of the
farmer

645b
Circular

646a
a layout which is a product of the
herdsman

646b
Radiocentric

647a
a layout when circular settlements
enlarge

647b
Circular

648a
a layout which role is defensive

648b
radiocentric

649a
Fortress cities

649b
d

650a
It is a comparison showing differences,
the opposite of similarity.
a. rhythm
b. character
c. proportion
d. contrast
650b
d

651a
The most important kind of character in
architecture is that which result from the
purpose of the building or reason of
erection.
a. proportion
b. contrast
c. functional character
d. personal character
651b
a

652a
Most elementary means of organizing
forms and spaces in architecture.
a. balance
b. axis
c. scale
d. character
652b
c

653a
Characterized by an arrangement
where all the part radiate from a center
like the spikes in a wheel.
a. radial
b. formal
c. centralized
d. unsymmetrical
653b
d

654a
It means equality.
a. rhythm
b. contrast
c. formal
d. balance

654b
c

655a
It gives a feeling of grandeur, dignity
and monumentality.
a. centralized
b. radial
c. scale
d. balance
655b
b

656a
When lines, planes, and surface
treatments are repeated in a regular
sequence.
a. balance
b. rhythm
c. contrast
d. proportion
656b
a

657a
A kind of character that came from the
influence of ideas and impressions
related to or growing out of past
experience.
a. associated char.
b. personal char.
c. character
d. functional char. 657b
a

658a
It is evident by a comparison which the
eye makes between the size, shape and
tone of a various object or part of a
competition.
a. proportion
b. rhythm
c. scale
d. balance 658b
d

659a
Deals with the relationship between the
different parts of the whole to the
various parts.
a. relative proportion
b. absolute proportion
c. proportion
d. balance
659b
c

660a
It bears a certain relation to the same
attribute to the life of an individual.
a. functional char.
b. relative proportion
c. personal char.
d. balance
660b
d

661a
These systems are based on the
dimension and proportion of the human
body.
a. proportion
b. balance
c. anthropometric
d. anthropomorphic proportion
661b
a

662a
The size and proportion of an element
appear to have relative to other
elements of known or assumed size.
a. visual scale
b. mechanical scale
c. generic scale
d. human scale
662b
b

663a
Kind of rhythm where equally spaced
windows are introduced on the broken
wall, then regular repetition is presented.
a. accented rhythm
b. unaccented rhythm
c. rhythm of motion
d. rhythm
663b
c

664a
The size of a building element or space
relative to the dimensions and
proportion of human body.
a. generic scale
b. visual scale
c. human scale
d. mechanical scale
664b
a

665a
The art and science of building design
and construction.
a. architecture
b. theory
c. visual scale
d. rhythm
665b
d

666a
Who said that "The magnificent display
of volume put together in the light"
a. Adolf Hitler
b. Frank Gehry
c. Louis Kahn
d. Le Corbusier
666b
c

667a
That which the eye identifies, the mind
perceives and interprets.
a. shape
b. texture
c. form
d. orientation
667b
c

668a
With respect to an observer.
a. size
b. orientation
c. visual inertia
d. position

668b
b

669a
A series of form arranged in sequence
in a row.
a. clustered form
b. linear form
c. radial form
d. grid form
669b
c

670a
A set of modular forms related and
regulated by 3D grid.
a. linear form
b. radial form
c. grid form
d. cluster form
670b
a

671a
Subtracting a portion of a forms
volume to create another.
a. subtracting transformation
c. subtractive transformation
b. additive transformation
d. dimensional transformation
671b
a

672a
This refer to the manner in which the
surface of a form come together to
define its shape and volume.
a. articulation of form
b. form
c. clustered form
d. architecture
672b
a

673a
Who said "The will of the epoch
translated into space'
a. Adolf Hitler
b. Le Corbusier
c. Ching
d. Jamandri
673b
c

674a
A composition of linear forms
extending outward from a central form
in a radial manner.
a. linear form
b. clustered form
c. radial form
d. centralized form
674b
a

675a
Architecture is generally conceived,
designed and realized.
a. design process
b. articulation
c. form
d. theory
675b
b

676a
A number of secondary forms
clustered about a dominant, centra-
perceive form.
a. linear
b. clustered
c. centralized
d. grid form
676b
b

677a
One or more dimension are altered but
will retain its identity.
a. subtractive
b. dimensional trans.
c. additive trans.
d. NOTA
677b
a

678a
A collection of forms grouped
together by proximity or the sharing of
a common visual trait.
a. grid form
b. clustered form
c. radial form
d. linear form
678b
b

679a
Can be regular or irregular, primary
characteristic that identifies.
a. size
b. color
c. orientation
d. shape
679b
a

680a
Is the most famous for the eye catching
tower he constructed in Paris for the
exposition universally of 1889 work of
Eiffel tower.
a.Alexandre Gustav Eiffel
b. Alexander Gustav Eiffel
c. Alex Gustav Eiffel
680b
b

681a
One of the pioneers of the modern
movement in American architecture.
Work auditorium building, U.S.
a. Daniel Burnham
b. Louis Henry Sullivan
c. William Le Baron Jenney
681b
a. Yamasaki and Roth

682a
Arch of the famous Twin Tower World
Trade Center.
a. Yamasaki and Roth
b. I.M. Pei
c. Brunelleschi

682b
b. Palazzo Ducale

683a
One of the most sublime painters and
sculpture and one of the most
influential architect and draft man.
a. Michael Angelo
b. Palazzo Ducale
c. Richard Kipling
683b
b. Andrea di Pietro Della Gondola
c. Andrea Palladio

684a
The influential architect born in 1508 I
Padua. He designed the Palazzo
Chierecati, Vicencia, Italy. Known as the
grandest town residence.
a. Holland
b. Andrea di Pietro Della Gondola
c. Andrea Palladio
684b
a. Charles Mackintosh

685a
Scottish architect and designer who was
prominent in the arts and crafts
movement in Great Britain.
a. Charles Mackintosh
b. Robert Adam
c. Peter Behrens
d. Mies Van de Rohe
685b
b. Tomas Mapua

686a
Received the "Patnubay ng Sining at
Kalinanagan "award for the city of
manila, who is the architect?
a. Philip Recto
b. Tomas Mapua
c. Juan Nakpil
d. Antonio Toledo
686b
c. Frank Gehry

687a
53. In 1989 he received the prtzker prize commonly
referred to as "The Noble of
Architecture" the loftiest recognition. It is a lifetime
achievement award granted to
living architect whose body of work represents a
superlative contribution to the field.
a. Minoru Yamasaki
c. Frank Gehry
b. Renzo Piano
d. Kenzo Tange
687b
d. Erich Mendelsohn

688a
His first designs were drawings of
fantastic architectural visions in steel and
glass as
well as costume and poster design.
a. Norman Foster
c. Ieoh Ming Pei
b. Frank Gehry
d. Erich Mendelsohn 688b
a. Kahn, Louis

689a
Much of his works has been described as post
modern, since he rejected the excessive
abstractionism of architects such as Le
Corbusier and strove instead to incorporate the
valid elements of older style.
a. Kahn, Louis
c. Ieoh Ming Pei
b. Maxwell, Fry
d. Marcel Breuer
689b
b. Antonio Gaudi

690a
Spanish architects, one of the most creative
practitioners of his art in modern times.
His style is often described as a blend of
neo-gothic and art nouveau, but is also has
surrealist and cubist elements.
a. Marcel Breuer c. Adolf Loos
b. Antonio Gaudi d. Lucio Costa
690b
c. Buckminster Fuller

691a
One of the world's 1st futurist and global
thinkers. His 1927 decision to work always
and only for all humanity led him to
address the largest global problems of
poverty,
disease and homelessness.
a. Kenzo Tange c. Buckminster Fuller
b. Daniel Burnham d. Frank Gehry
691b
d. Francisco Manosa

692a
In his practice he explores the use of
indigenous materials infused with
current
technological trends to bring a new
dimension in designs.
a. Tomas Mapua c. Juan Nakpil
b. Leandro Locsin d. Francisco Manosa
692b
a. Gustave Eiffel

693a
Afterwards became deeply involved in the
design and building of French railways
and bridges. He worked on structures such
as bridge across the Garonne River, train
stations at Toulouse and again in France.
a. Gustave Eiffel c. Ieoh Ming Pei
b. Norman Foster d. Alvar Aalto
693b
b. Francisco Manosa

694a
He has actively promoted the use of
native architectural forms and indigenous
nationals such as bamboo and thatch, in
the creation of a distinctively Filipino
architecture.
a. Philip Recto c. Juan Nakpil
b. Francisco Manosa d. Antonio Toledo
694b
c. Lucio Costa

695a
French-born, Brazilian architect and
urban planner.
a. Daniel Burnham c. Lucio Costa
b. Oscar Niemeyer d. Eliel Saarinen

695b
d. Lucio Costa

696a
This famous axiom "Each one sees
whatever he wishes to see" belongs to,
a. Daniel Burnham c. Oscar Niemeyer
b. Peter Behrens d. Lucio Costa

696b
a. Peter Behrens

697a
This philosophy "When change needs,
asks a stranger" belongs to,
a. Peter Behrens c. Oscar Niemeyer
b. Marcel Breuer d. Robert Adams

697b
b. Buckminster Fuller

698a
He was the architect in his time that
receives his license as award at his 60's
or at the
age of 60 yrs. old.
a Louis Sullivan c. Antonio Gaudi
b. Buckminster Fuller d. Paul Rudolf
698b
c. Robert Adam

699a
An important Scottish architect who
was particularly known for his interiors
based on
classical decoration.
a. Mackintosh Charles c. Robert Adam
b. Marcel Breuer d. Mies van de Rohe
699b
d. Alvar Aalto

700a
To whom does this philosophy belongs to,
"Where the architects task is to restore a
correct order of values... it is still the architects
duty to attempt to humanize age of
machines. But this should not be done without
regard for form"
a. Peter Behrens c. Marcel Breuer
b. Oscar Niemeyer d. Alvar Aalto
700b
a. Alvar Aalto

701a
His insistence on the importance of design
and formal expression in our lives, and his
adept handling of materials, light and
space, explained why he is one of the great
architects of the 20th century.
a. Alvar Aalto c. Richard Meier
b. Robert Adam d. Renzo Piano
701b
b. Peter Behrens

702a
He was called "Masters master" where
his students are architects like Gropius,
Breuer
and Van de Rohe.
a. Eric Mendelsohn c. Frank Lloyd Wright
b. Peter Behrens d. Vitruvius
702b
c. Peter Behrens

703a
A German architect who uses more
representational styles which has been
called
"Scrapped Classicism"
a. Robert Adam c. Peter Behrens
b. Daniel Burnham d. Alvar Aalto
703b
d. Daniel Burnham

704a
Architect of the "Reliance Building" in
Chicago.
a. Eero Saarinen c. Eliel Saarinen
b. Oscar Niemeyer d. Daniel Burnham

704b
a. Lucio Costa

705a
This famous dictum, "I am neither a
capitalist nor a socialist, I am not a
religious or
an atheist" belongs to.
a. Lucio Costa c. Pier Luigi Nervi
b. Buckminster Fuller d. Oscar Niemeyer
705b
c. Francisco Manosa

706a
Architect who leads the development
of the 'Quezon Memorial Circle" in
Quezon City.
a. Juan Nakpil c. Francisco Manosa
b. Froilan Hong d. Philip Recto

706b
c. 984 ft.

707a
Eiffel tower I Paris stands.
a. 982 ft. c. 984 ft.
b. 983 ft. d. 985 ft.

707b
d. Buckminster Fuller

708a
 "Starting with holes" belongs to
architect
a. Mies van de Rohe c. Renzo Piano
b. Oscar Niemeyer d. Buckminster
Fuller

708b
a. Le Corbusier

709a
"A house is a machine to live in"
philosophy belongs to
a. Le Corbusier c. Frank Lloyd Wright
b. Peter Behrens d. Louis Sullivan

709b
b. Mies van de Rohe

710a
He paid great attention to the detailing
of the structure, which he attributed to
his
father's teachings about craftsmanship.
a. Robert Adams c. Antonio Gaudi
b. Mies van de Rohe d. Frank Gehry
710b
c. Richard Meier

711a
One of his stylish choice which are
circles and squares were used in his
design
solutions.
a. Buckminster Fuller c. Richard Meier
b. Oscar Niemeyer d. Pier Luigi Nervi
711b
a. Oscar Niemeyer

712a
His contributions where the advocacy
of the idea of planning rooms by
volume.
a. Oscar Niemeyer c. Marcel Breuer
b. Lucio Costa d. Adolf Loos

712b
a. Nervi, Pier Luigi

713a
His solutions to building problem were
always direct, transmitting to the
ground by
the shortest path the stresses
developed within the structures.
a. Nervi, Pier Luigi c. Alvar, Aalto
b. Candela, Felix d. Mackintosh, Charles
713b
b. Lucio Costa

714a
 Father of modern architectural
movement in Brazil.
a. Felix Candela c. Oscar Niemeyer
b. Lucio Costa d. Adolf Loos

714b
c. Kenzo Tange

715a
"A city is subjected to growth, delay and
rebuilt" belongs to,
a. Daniel Burnham c. Kenzo Tange
b. Renzo Piano d. Frank Gehry

715b
c. Sir Norman Foster

716a
An architect who is deeply concerned with
architectural details and the craftsmanship
that goes into them. Emphasis is often laid
on the repetition of industrialized
"modular units" in his work.
a. Renzo Piano c. Sir Norman Foster
b. Frank Gehry d. Michael Groves
716b
c. Norman Foster

717a
Architect of the "Reichstag" in Berlin (
Frankfort commerce bank building)
a. Buckminster Fuller c. Norman Foster
b. Ludwig van de Rohe d. Frank Gehry

717b
c. Frank Gehry

718a
Approach each building; as a sculptural
object, a spatial container, a space with
light
and air, a response to context and
appropriateness of feeling and spirit.
a. Louis Sullivan c. Frank Gehry
b. Norman Foster d. Frank Lloyd Wright
718b
c. Felino Palafox

719a
 Architect of the "Rockwell center"
a. Daniel Burnham c. Felino Palafox
b. Francisco Manosa d. Leandro Locsin

719b
c. Le Corbusier

720a
Whose famous dictum/ philosophy is
this "A house is a machine for living"
a. Alvar Aalto c. Le Corbusier
b. Frank Lloyd Wright d. Robert Venturi

720b
c. Renzo Piano

721a
Whose famous axiom is this, "Design as
if you were a child"
a. Alvar Aalto c. Renzo Piano
b. Kenzo Tange d. Antonio Gaudi

721b
c. Kenzo Tange

722a
Whose famous dictum is this, "Unity
disguised as chaos,complexity &
contradiction are
often what make works of art both
exciting and profound."
a. Renzo Piano c. Kenzo Tange
b. Norman Foster d. Louis Kahn
722b
c. Norman Foster

723a
Architect of the London's "Stansteed
airport" which seem like a celebration
of flight itself.
a. Renzo Piano c. Norman Foster
b. Lucio Costa d. Frank Gehry

723b
c. Renzo Piano

724a
Architect of the 'Centre Pompidou" in
Paris.
a. Richard Rogers c. Renzo Piano
b. Kenzo Tange d. Frank Gehry

724b
c. West Edmonton Mall

725a
The world's largest entertainment shopping
center at Alberta, Canada. Has 127 acre with a
floor area of 5.2 million sq. meters. It also ha
more than 800 stores and 11 major department
stores.
a. Megamall c. West Edmonton Mall
b. Shanghai Complex Mall d. Oklahoma New
Stare mall
725b
c. Froilan Hong

726a
Architect of the "PHIVOLCS" building in
C.P. Garcia Ave., Diliman, Quezon City
a. Willliam Coscolluela c. Froilan Hong
b. Francisco Manosa d. Felino Palafox

726b
c. Saarinen, Eliel

727a
Finnish architect, who by preserving a
rigor from Art Nouveau and never quite
succumbing
to the full sentiment, produced
extracting structures and restraint.
a. Candela, Felix c. Saarinen, Eliel
b. Costa. Lucio d. Maxwell, Fry
727b
c. Philip Recto

728a
 Architect at the " One San Miguel
Avenue"
a. Leandro Locsin c. Philip Recto
b. Francisco Manosa d. Froilan Hong

728b
c. Paul Rudolph

729a
Pre-occupied with the notion of an
industrialized "plug-in" city, he has devised
schemes in
which mobile residence pods are plugged into
a steel frame which connects to mechanical
and electrical services.
a. Daniel Burnham c. Paul Rudolph
b. Pier Luigi Nervi d. Oscar Niemeyer
729b
c. Oscar Niemeyer

730a
Brazil's best known and most important
modern architect. From 1956 to 1964 he
designed
the major buildings for Brasilia the
futuristic new capital of Brazil.
a. Richard Meier c. Oscar Niemeyer
b. Adolf Loos d. Pier Nervi Luigi
730b
c. Oscar Niemeyer

731a
Discovered new facilities in the interplay
of volumes, planes, levels and better
relationship of
the light and view which is one his style
in design.
a. Felix Candela c. Oscar Niemeyer
b. Adolf Loos d. Louis Sullivan
731b
c. Ieoh Ming Pei

732a
Frequently works on a large scale and is
renowned for his sharp, geometric
designs.
a. Renzo Piano c. Ieoh Ming Pei
b. Frank Gehry d. Paul Rudolph

732b
c. Pier Luigi Nervi

733a
Is renowned for his technical ingenuity
and dramatic sense of design,
especially to large span
structures built of reinforced concrete.
a. Renzo Piano c. Pier Luigi Nervi
b. Felix Candela d. Eliel Saarinen
733b
c. Pier Luigi Nervi

734a
Architect of the first sky scraper in Italy,
The Pirelli Building. (1955) in Milan, a
collaborative design.
a. Kenzo Tange c. Pier Luigi Nervi
b. Felix Candela d. Paul Rudolph

734b
c. Adolf Loos

735a
Architect who contributed the use of
reinforcement concrete flames and
large areas of
glazing (glass) where we applied today.
a. Fry Maxwell c. Adolf Loos
b. Norman Foster d. Felix Candela
735b
c. Mies van de Rohe

736a
 "Almost is nothing" philosophy of
architect?
a. Peter Behrens c. Mies van de Rohe
b. Adolf Loos d. Fry Maxwell

736b
c. Mies van de Rohe

737a
His work was with simple forms, the distillation
from history and the order of industrial
techniques, this designs of bold, pure, simple
forms offered both architectural integrity and
structural honesty.
a. Peter Behrens c. Mies van de Rohe
b. Adolf Loos d. Fry Maxwell
737b
c. Mackintosh Charles

738a
Architecture is decorated construction
not constructed decoration" is an
architect
philosophy named?
a. Fry Maxwell c. Mackintosh Charles
b. Adolf Loos d. Mies van de Rohe
738b
c. Tomas Mapua

739a
Architect of " De la Salle University
building" on Taft Avenue.
a. Antonio Toledo c. Tomas Mapua
b. Juan Villegas d. Phillip Recto

739b
c. Erich Mendelsohn

740a
"Architecture seizes upon space
encompasses space and is space itself'
belongs to,
a. Gustave Eiffel c. Erich Mendelsohn
b. Walter Gropius d. Robert Adam

740b
c. Louis Kahn

741a
Architect of " Salt Institute for Biological
Studies, in La Jolla, California
a. Robert Adam c. Louis Kahn
b. Peter Behrens d. Fry Maxwell

741b
c. Buckminster Fuller

742a
 "Design Science" is a philosophy of
architect?
a. Alvar Aalto c. Buckminster Fuller
b. Paul Rudolph d. Mies van de Rohe

742b
c. Francisco Manosa

743a
Architect of "Our Lady" at EDSA shrine
of the 1986 Filipino Revolution.
a. Philip Recto c. Francisco Manosa
b. William Coscolluela d. William
Parsons

743b
c. Francisco Manosa

744a
"Everything started with the Nipa Hut"
belongs to
a. Leandro Locsin c. Francisco Manosa
b. Remigio Esguerra d. Froilan Hong

744b
d. Robert Adam

745a
His ability to select and use motifs from the
classical antique in an original way led to his
success, and his interior designs are one of the
finest expressions of 18th century artistic
achievement.
a. Peter Behrens c. Alberti Lean Battista
b. Mies van de Rohe d. Robert Adam
745b
c. Bernini Giovanni Lorenzo

746a
transformed the renaissance tradition of the
universal artist-genius into the style which came
to be known as Baroque- a fusion of the arts of
archre, sculpture and painting to create new
forms which above all created a dramatic
impact and involved the spectator.
a. Borromini Fransesco c. Bernini Giovanni
Lorenzo
b. Bartning Otto d. Robert Adam
746b
b. Marcel Breuer

747a
The youngest of the pioneer
modernists, was instrumental in shifting
the bias of the
Bauhaus from the Arts and Crafts" to Art
and technology.
a. Peter Behrens c. Robert Adam
b. Marcel Breuer d. Alvar Aalto
747b
a. Brunelleschi Fillippo

748a
Architect, sculptor and engineer who was
the main initiator of stylistic changes in
Renaissance archre. The engineering feat
represented by the cupola of Florence
cathedral
staggered by his contemporaries.
a. Brunelleschi Fillippo c. Bernini Lorenzo
b. Borromini Fransesco d. Antonio Gaudi
748b
d. Marcel Breuer

749a
Architect of the UNESCO building in
Paris which the striking feature of this
complex is the
enormous "Y" shaped office and
conference room block.
a. Cass Gilbert c. Alvar Aalto
b. Robert Adam d. Marcel Breuer
749b
c. Bramante Donato

750a
Architect and painter, one of the personalities
of Italian renaissance archre. Already in his
early works he changed conventional archre
space by inserting illusionist features more
typical of painting and storage settings.
a. Brunelleschi Fillippo c. Bramante Donato
b. Leonardo da Vinci d. Bernini Lorenzo
750b
b. Felix Candela

751a
Nicknamed "The Shell builder" because of his
extensive exploration of the structural
possibilities of lightweight concrete roof
construction, often using complex curve forms
to
exploit the tensile strengths within this versatile
material.
a. Frank Lloyd Wright c. Pier Luigi Nervi
b. Felix Candela d. Eliel Saarinen
751b
a. Norman Foster

752a
Architect of the "Sainsbury Centre for
Visual Arts", Norwich.
a. Norman Foster c. Renzo Piano
b. Kenzo Tange d. Paul Rudolph

752b
d. Frank Gehry

753a
One of his strangest work is a fish-
shaped restaurant in Japan called
"Fishdance'
a. Fumihiko Maki c. Kenzo Tange
b. Minoru Yamasaki d. Frank Gehry

753b
c. Cass Gilbert

754a
American architect who designed one
of the first sky scrapers in New York and
the designer
of the Woolworth building which was
built in 1911-13.
a. Henry Louis Sullivan c. Cass Gilbert
b. Daniel Burnham d. Minoru Yamasaki
754b
b. Michael Graves

755a
His work evolved away from concern
with the roots of modernism towards a
wide ranging
borrowing from architectural history.
a. Le Corbusier c. Henry Sullivan
b. Michael Graves d. Richard Meier
755b
a. Gropius Walter

756a
 Founder of the Bauhaus
a. Gropius Walter c. Peter Behrens
b. Le Corbusier d. Adolf Meier

756b
d. Louis Kahn

757a
His architecture is notable for its simple, platonic
forms and compositions through the use
of bricks and poured concrete/ poured in place
concrete masonry. He developed a
contemporary archre of great power and
monumentality.
a. Henry Louis Sullivan c. Felix Candela
b. Mies van de Rohe d. Louis Kahn
757b
c. Le Corbusier

758a
Architect of the pilgrimage chapel of
Notre dame de Haut at Ronchamp.
a. Louis Sullivan c. Le Corbusier
b. Fry Maxwell d. Paul Rudolph

758b
b. Le Corbusier

759a
Maison Domino, basic building diagram,
a prototype for mass production with
free standing
pillars and rigid over sailing floors
belongs to?
a. Frank Lloyd Wright c. Lucio Costa
b. Le Corbusier d. Norman Foster
759b
a. Leonardo da Vinci

760a
Although he built little or nothing, he has many
architectural drawings reveal a new concern
with form that anticipates the high renaissance
style of Bramante in Rome and in particular
the designs for the New St. Peters.
a. Leonardo da Vinci c. Bramante Donato
b. Fillippo Brunelleschi d. Bernini Lorenzo
760b
d. Charles Mackintosh

761a
Outstanding Scottish architect, furniture
designer and painter, seen as a pioneer of the
Modern Movement and perhaps more
importantly, as the greatest flowering of the
British
Arts and Crafts movement.
a. Lucio Costa c. Robert Adam
b. Paul Rudolph d. Charles Mackintosh
761b
c. Erich Mendelsohn

762a
His manner of design working up an
architectural design/idea from an
expressionistic type
sketch as well as his personal philosophy of
"Dynamism" at a very early stage an attitude to
design that was both idiosyncratic and brilliant.
a. Charles Mackintosh c. Erich Mendelsohn
b. Richard Meier d. Paul Rudolph
762b
b. Mies van de Rohe

763a
Architect of the "Seagram building"
New York
a. Walter Gropius c. Louis Sullivan
b. Mies van de Rohe d. Cesar Pelli

763b
a. Frei Otto

764a
German architect who was responsible for
bringing the tent into the 20th century, it was
his
special gift to see minimal lightweight structure
as liberating and a bridge to natural or
organic structure.
a. Frei Otto c. Eero Saarinen
b. Fry Maxwell d. Michael Graves
764b
d. Cesar Pelli

765a
U.S. based architect, known best for his vast
shimmering towers used as corporate
headquarters. He describes himself as a
"pragmatist" who feels that there is strength and
energy flowing in everything including the
energy in his projects themselves/
a. Daniel Burnham c. Frank Gehry
b. Mies van de Rohe d. Cesar Pelli
765b
c. Renzo Piano

766a
Leading Italian architect and designer
concerned with technological
innovation and
environmentally balanced buildings.
a. Frank Gehry c. Renzo Piano
b. Norman Foster d. Kenzo Tange
766b
b. Aldo Rossi

767a
Influential Italian architect and urban
theorist who initiated the contemporary
school of
rational archre during the 1960's and
70's
a. Alvar Aalto c. Frei Otto
b. Aldo Rossi d. Fry Maxwell
767b
a. Paul Rudolph

768a
"Architecture is a personal effort"
remarked by.
a. Paul Rudolph c. Frei Otto
b. Adolf Loos d. Aldo Rossi

768b
d. S.O.M

769a
Architect of the "John Hancock Center,
Chicago"
a. H.O.K c. Norman Foster
b. Daniel Burnham d. S.O.M

769b
c. Kenzo Tange

770a
Architect of the "City Hall complex" in
Tokyo.
a. Minoru Yamasaki c. Kenzo Tange
b. Renzo Piano d. Fumihiko Maki

770b
b. Fumihiko Maki

771a
Japanese architect, like many of his
generation he experimented with
aspects of western
modernism. He was associated with the
start of metabolism in 1960.
a. Minoru Yamasaki c. Mario Bolta
b. Fumihiko Maki d. Kenzo Tange
771b
a.Minoru Yamasaki

772a
American architect of Japanese decent.
And with emery poth and sons he
designed the
Twin Towered World Trade Center.
a.Minoru Yamasaki c. Mario Bolta
b. Fumihiko Maki d. Kenzo Tange
772b
d. Peter Behrens

773a
"Buildings should not be for walls and
roof" belongs to,
a. Fry Maxwell c. Marcel Breuer
b. Paul Rudolph d. Peter Behrens

773b
c. Ieoh Ming Pei

774a
Architect of "Louvre, Pyramid" in Paris.
a. Fumihiko Maki c. Ieoh Ming Pei
b. Norman Foster d. Kenzo Tange

774b
b. balustrade

775a
 A series of balusters.
a. vestibule b. balustrade c. baluster

775b
c. chateau/chateaux

776a
A castle or imposing country residence
of nobility in old trance.
a. nymph b. nymphaeum c.
chateau/chateaux

776b
b. vestibule

777a
An ante-room to a larger apartment of
a building.
a. ambulatory b. vestibule c. salon

777b
a. cortile

778a
Italian name for the internal court
surrounded by an arcade.
a. cortile b. Venice c. vitruvius

778b
b. lantern

779a
A construction such as a tower at the
crossing of a church rising above roof
and glazed at
the sides.
a. pedestal b. lantern c. fenestration

779b
b. fenestration

780a
 The arrangement and design of
windows in a building.
a. shell b. fenestration c. curtain wall

780b
a. space frame

781a
 Arrangement of wood lamination.
a. space frame b. Bauhaus c. curtain wall

781b
c. gallery

782a
A communicating passage or wide
corridor for pictures an upper storey
for seats in a
church.
a. Palladian motif b. niche (shell) c.
gallery
782b
c. helm

783a
 Bulbous termination to the top of a
tower, found principally in central and
eastern Europe.
a. chancel b. loggia c. helm

783b
b. terra cotta

784a
Each baked (unglazed) or burnt in
moulds. For use in construction and
decoration, harder in
quality than brick.
a. oriel b. terra cotta c. stretcher

784b
b. piazza

785a
 A public open place, surrounded by
building; may vary in shape and in civic
purpose.
a. lantern b. piazza c. tabernacle

785b
a. pulpit

786a
 An elevation closed in a column in
church in which the preacher stands.
a. pulpit b. peristyle c. modillions

786b
a. patio

787a
An outdoor area adjoining or enclosed
by the walls or arcade of a house, often
paved and
shaped.
a. patio b. rococo c. wreath

787b
a. rococo

788a
A style architecture and decoration, primarily
French in origin, which represents the final
phase of the baroque around the middle of the
18th century, characterized by profuse, often
semiabstract orientation and lightness of colors
and weight.
a. rococo b. niche c. mansard
788b
c. shell

789a
A hollow structure in the form of a thin
curved slab or plate whose thickness is
small
compared with its other dimensions and
with its radii of curvature; any framework or
exterior structure which is regarded as not
completed pr filled in.
a. hybrid b. quoins c. shell
789b
b. palazzo

790a
In Italy, a palace or private residence
which is impressive.
a. cantoria b. palazzo c. casino

790b
b. vitruvius

791a
 Who treatise on architecture.
a. French b. vitruvius c. Martin Luther

791b
b. colossal order

792a
 An order more than one storey in
height.
a. gothic contours b. colossal order c.
chateau

792b
b. mansard

793a
 A roof having a double slope on all
four sides. The lower slope being much
steeper.
a. transom b. mansard c. flat roof

793b
b. dome

794a
A curved roof structure spanning an
area; often spherical in shape
a. escorial b. dome c. patio

794b
a. Moorish architecture

795a
 Same as horseshoes architecture.
a. Moorish architecture b. stucco c.
plateria

795b
b. quoins

796a
In masonry, a hardstone or bridge used
with similar ones, to reinforce in external
corner or
edge of a hall of the like.
a. stucco b. quoins c. niche

796b
c. transom

797a
An order more than one storey in
height.
a. pavilion b. castle c. transom

797b
a. pavilion

798a
In a garden or fairground, a temporary
structure or tent.
a. pavilion b. castle c. transom

798b
b. astylar

799a
A treatment façade without columns.
a. antiquarian b. astylar c. coupled
column

799b
Parmeniskos

800a
Sarapeum of alexandria

800b
Proportionality

801a
Characteristics of palladian style

801b
Froilan Hong

802a
11th UAP Awardee

802b
Meralco building

803a
Jose Zaragosa

803b
Handrel Architects

804a
New Philippine stock exchange

804b
Gould, Venturi, Cloepfil

805a
Seattle museum

805b
Texas Commerce Tower

806a
JPMorgan Chase Tower

806b
IM Pei

807a
Architect of Texas Commerce Tower

807b
Ryugyong Hotel

808a
Hotel of Doom

808b
Woolworth Building

809a
Cathedral of Commerce

809b
Cass Gilbert

810a
Architect of Cathedral of Commerce

810b
Raymond Hood

811a
NEW York daily news

811b
William Lamb

812a
Architect of Empire State Building

812b
Renzo Piano

813a
Ar. Of New York Times Buidling

813b
Renzo Piano

814a
Ar.of the Shard

814b
Le Corbusier

815a
Ar. Of Carpenter's center

815b
Renzo Piano

816a
Architect of Tjibao Cultural center

816b
Kisho Kurokawa

817a
Ar. Of Kuala Lumpur airport

817b
Viljo Revell

818a
New Toronto city hall

818b
Gunther Domenig

819a
Zentralsparkasse Bank

819b
Auguste Perret

820a
Notre Dame du Raincy

820b
Eero Saarinen

821a
Dulles airport

821b
Michael Graves

822a
...communicate with a building's
purpose

822b
Walter Gropius

823a
Our ultimate goal...

823b
Marcel Breuer

824a
Maximum simplicity

824b
Caesar Concio

825a
The structure must be well oriented

825b
Mañosa Brothers

826a
San miguel building

826b
Modernismo

827a
Style of Antoni Gaudi

827b
Terrace

828a
Function of overhanging slab on the
Fallingwater

828b
For wide openings

829a
Us of long unbraced canopy by FLW

829b
Le Corbusier

830a
Reintroduced the concept of
proportion in modern times

830b
Auguste Perret

831a
Pioneered the use of beton brut

831b
Sir Norman Foater

832a
Chek Lap Kok Airport

832b
Eduardo Catalano

833a
Hyperbolic Parabolic

833b
Benjamin Morris

834a
Ar. Of Bank of New York

834b
Eugene Freyssinet

835a
Father of prestressed concrete

835b
Michael Graves

836a
One of the new york five

836b
Buckminster Fuller

837a
Geodetic Domes

837b
HSBC building

838a
Norman foster diagrid structural
concept in hong kong

838b
Francis Lee

839a
Unitarian Church

839b
San agustin church

840a
Built at all times

840b
Church of san pedro

841a
Loboc church, second oldest church in
bohol

841b
Nuestra Señora de la Luz

842a
Coral-stone Church of Loon

842b
Sto. Tomas de Villanueva

843a
Miag-ao (baroque church)

843b
Basilica Minore de San Sebastian

844a
National shrine of our lady of mt.
Carmel

844b
Lucio Costa

845a
The great king of curves

845b
Jurong Consultant

846a
Brasilia for the next 50 years

846b
International style

847a
Volume rather than mass

847b
Art moderne

848a
Emphasize on the horizontal

848b
Jacobean

849a
Combi of tudor and elizabethan style

849b
Cathedral of Augsburg

850a
Dedicated to virgin mary

850b
Trompe oeil

851a
Emphasis fine detail

851b
Faux painting

852a
Replicating materials

852b
Mannerism

853a
Distortion, exaggeration, unbalanced

853b
Perpendicular

854a
3rd phase of english

854b
Luis Sullivan

855a
Mentor of FLW

855b
Toshiba

856a
101 elevator

856b
37.7 mph

857a
Fastest Toshiba elevator speed

857b
Hitachi

858a
Fastest elevator

858b
44 mph

859a
Fastes hitachi elevator speed

859b
Guangzhou CTF Financial Centre

860a
In what building will the fastest
elevators be operated?

860b
Kohn Penderson

861a
Fastest elevators will installed by this
architect

861b
Byzantine

862a
Style emerged in Constantinopole

862b
Use of geometric shapes

863a
Similarity of tracery windows in eastern
churches to our modern churches

863b
Climate and geology

864a
Greatest effect on vernacular
architecture

864b
Gabaldon school

865a
Collective term for heritage
schoolhouses

865b
William Parson

866a
Architect of gabadon school

866b
Torogan

867a
House of upper class maranao

867b
Badjao

868a
Lives near seashore

868b
Tausug

869a
9 posts, 3 posts, 3 rows

869b
Binangiyan

870a
High steep hipped roof, elevated 1.50m

870b
Binangiyan

871a
Kankanay

871b
Bolada

872a
Covered corridor

872b
Formal symmetry

873a
Symmetry is evident in Villa Capra

873b
Rectangular center

874a
Focal point in Villa Capra

874b
Angkor wat

875a
Largest religious structure, beehive
shaped towers

875b
Tumulus

876a
Ancient burial mound

876b
Gopuram

877a
Hindu gateway

877b
Torana

878a
Indian gateway

878b
Torana

879a
Cambodian gateway

879b
Boudhanath Stupa, Tibet

880a
Biggest stuppa

880b
Votive stupa

881a
Commemorate visits

881b
Harmika

882a
On top of oval shaped stupa

882b
Medhi

883a
Elevated circular path

883b
Toran

884a
Gateway to the stupa

884b
Vedica

885a
Railing in stupa

885b
Chattri

886a
Vertical pole with a disk

886b
Wooden stilts

887a
Japanese pagoda is raised on

887b
Stone

888a
Chinese pagoda is raised on

888b
Order

889a
Influenced classical

889b
Process and economy

890a
Needs to be known in site planning

890b
Linear

891a
12 step process

891b
Edward Pullman

892a
Multiple Nuclei Theory

892b
Res wriggler worms

893a
Vermicultured

893b
Cyclopean

894a
Huge stone blocks laid without mortar

894b
Tierceron

895a
Intermediate ribs bet. main ribs

895b
Damper

896a
At fireplace throat to regulate draft

896b
Crocket

897a
A projecting block or spur

897b
Acropolis

898a
Citadel where Great architectural and
historical significance are located

898b
Grape ornament

899a
Inverted water drop shape

899b
Religious belief

900a
Why did the Egyptian shape their
columns to look like a lotus?

900b
Luxor

901a
East bank of Nile

901b
Luxor

902a
Center of the festival of opet

902b
Khakhaure senusret III

903a
Old kingdom canal to facilitate travel to
upper nubia

903b
Senusret I

904a
Erected the obelisk

904b
Red granite

905a
Material used in earliest known obelisk

905b
Cupola

906a
Serve as belfry, lantern, or belvedere

906b
Decorative pilaster

907a
How Romanesque wall are treated?

907b
Byzantine

908a
What style did dosseret blocks are
used?

908b
Lierne

909a
Spanning between two other ribs
instead of from a springer

909b
Politics or government

910a
Greatest influence for Chinese
architecture

910b
East roman

911a
Creation of cities and construction of
churches

911b
Grandeur

912a
Roman focused on _____

912b
Temples

913a
Greeks focused on ______

913b
Ernest Burgess

914a
Concentric

914b
Homer Hoyt

915a
Sector

915b
Urban Sustainable development

916a
A change in the quality of growth,
minimization of non-renewable
resources, consideration of the needs
of future generation,

916b
Urban decay

917a
State of dispair and decrepitude

917b
Gross density

918a
Unit per area density kasama ang mag
kalsada

918b
Net density

919a
Unit per area density, ung residential
area lang

919b
Urban heat island

920a
Warmer than its surrounding rural areas

920b
Solar radiation

921a
Contributes most to heat gain in
tropical countries

921b
Mixed use development

922a
Minimize movement of people

922b
People goes form rural to urban major
problem

923a
Housing

923b
650 mm

924a
Comfortable reach of 176 cm man

924b
605 mm

925a
Comfortable reach of woman

925b
Body breadth

926a
Determines minimum corridor width

926b
Buttock-leg length

927a
Determines cubicle area

927b
Vertical grip reach

928a
Determines minimum ceiling height

928b
Cooling system

929a
Provide for a room with high
temperature

929b
Concrete

930a
Most heat absorptive material

930b
Sunbreaker

931a
Omit on hilltop location

931b
Rainwater harvesting

932a
Reuse rainwater

932b
Commercial zone near transportation
terminal

933a
Best location of a commercial structure

933b
Bollard

934a
Meta or concrete rigid post close to
road

934b
Low fence or trimmed shrubs

935a
If you want to interact with neighbors

935b
Axis

936a
Prominent structures lies in a single axis

936b
Grid

937a
Plan from Law of indies that is still be
seen today

937b
Spaniards

938a
First to introduce planning that radiates

938b
Antonio di Pietro Averlino

939a
Star shaped radial city

939b
Antonio di Pietro Averlino

940a
Filarete

940b
Put canopy above the window

941a
Best way to minimize glares

941b
Natural ground line

942a
Reference line

942b
Reduccion

943a
Settlement policy employed by the
Spaniards, natives near the churches

943b
Shanty town

944a
Slum settlement

944b
Because there was no sanitary sewage
system

945a
Houses near places of work was
prohibited by law

945b
Zoning provisions

946a
What law during that time is still being
used today

946b
Topography

947a
Key factor in determining the utmost
benefits in good site planning

947b
850 mm

948a
Height of office table

948b
650 mm

949a
Sustainable height of keyboard

949b
750 mm

950a
Sustainable height of a computer desk

950b
750 mm

951a
Sustainable height of modular office
desk

951b
Yellow

952a
Add to orange to make it festive

952b
Brown

953a
Add to orange to make it promote
relaxation

953b
Ergonomics

954a
Peoples efficiency in their working
environment

954b
High ground

955a
Less predictable and turbulent wind

955b
Kaaba

956a
Cube flat roof in the center of great
mosque

956b
St mark's basilica

957a
Pillaged treasure of Haggai Sophia

957b
Norman Foster

958a
Architect of Hong Kong Shanghai Bank

958b
Loon Church

959a
Finest and Grandest church in Visayas

959b
Loon Church

960a
Biggest church in Bohol

960b
Logic church

961a
Destroyed by magnitude 7.2 earthquake

961b
Shireguban

962a
Middle in Paris, reflective glass structure

962b
Renaissance

963a
Architectural style originated in
Florence

963b
Modernism

964a
Si friction of form and elimination of
ornaments

964b
Santo Domingo Church

965a
Jose Maria Zaragoza

965b
Quiapo Church (Restoration)

966a
Jose Maria Zaragoza & Juan Nakpil
(dome and belfy)

966b
Santo Nino de Cebu

967a
Diego de Herrera

967b
De La Salle University

968a
Tomas Mapua

968b
Manila Hotel Highrise Tower Addition

969a
Leandro Locsin (Renovation)

969b
Philippine General Hospital

970a
William Parsons

970b
Post Office Building

971a
Juan Arellano & Tomas Mapua

971b
FEU Main Building

972a
Pablo Antonio

972b
Iglesia ni Cristo Cathedral

973a
Pablo Antonio

973b
Metropolitan Theater

974a
Juan Arellano

974b
Church of the Risen Lord, UP

975a
Cesar Concio

975b
Meralco Building (first highrise in
Ortigas)

976a
Jose Maria Zaragoza

976b
Philippine Heart Center

977a
Jorge Ramos

977b
Quiapo Mosque

978a
Jorge Ramos

978b
Robinsons Galleria

979a
William Coscolluela

979b
SM Megamall

980a
Antonio Sindiong

980b
Quezon Monument

981a
Federico Ilustre

981b
Asian Institute of Management

982a
Gabriel Formoso

982b
Philippine Stock Exchange

983a
Leandro Locsin

983b
PBCom Tower (tallest in Philippines)

984a
Gabriel Formoso & SOM

984b
Petron Mega Plaza, Makati

985a
Ove Arup and Partners HK Ltd

985b
GF International Tower

986a
GF and Partners

986b
LKG Tower

987a
Recio + Casas Architects

987b
Manila City Hall

988a
Antonio Toledo

988b
Insular Life, Makati

989a
Cesar Concio

989b
Cultural Center of the Philippines (CCP)

990a
Leandro Locsin

990b
San Miguel Building

991a
Mañosa Brothers

991b
Manila Hotel Original Building

992a
William Parsons

992b
Batasang Pambansa

993a
Felipe Mendoza

993b
Folk Arts Theater

994a
Leandro Locsin

994b
Coconut Palace

995a
Franciso Mañosa

995b
Amanpulo Resort

996a
Franciso Mañosa

996b
Became National Artist on 2014

997a
Jose Maria Zaragoz

997b
1st lady architect who became national
UAP President and chairperson of
ARCASIA

998a
Yolanda D Reyes

998b
1st Likha Awardee

999a
Leandro Locsin

999b
11th Likha Awardee

1000a
Froilan Hong

1000b
Philippine Arena

1001a
Populous

1001b
National Arts Center

1002a
Leandro Locsin

1002b
Philippine International Convention
Center

1003a
Leandro Locsin

1003b
Philippine Center for International
Trade and Exhibitions

1004a
Leandro Locsin

1004b
Manila Film Center

1005a
Froilan Hong

1005b
World Trade Exchange

1006a
Michael Graves

1006b
Essensa Towers

1007a
IM Pei

1007b
RCBC Plaza

1008a
SOM

1008b
One San Miguel Building

1009a
Philip Recto

1009b
Tektite Tower

1010a
Rogelio Villarosa

1010b
DLSU School of Fine Arts and Design

1011a
Eduardo Calma

1011b
Agriculture Building

1012a
Juan Arellano & Antonio Toledo

1012b
Legislative Building

1013a
Juan Arellano & Antonio Toledo

1013b
First Generation of Pensionados

1014a
Carlos Baretto, Antonio Toledo, Tomas
Mapua, Arcadio Arellano, Tomas
Arguelles, Juan Arellano

1014b
Mausoleum of the Veterans

1015a
Arcadio Arellano

1015b
Heacock's Building

1016a
Tomas Arguelles

1016b
UP Diliman Benitez Hall (Education)

1017a
Juan Arellano

1017b
UP Diliman Malcolm Hall (Law)

1018a
Juan Arellano

1018b
Crystal Arcade

1019a
Andres Luna de San Pedro

1019b
UST Central Seminary Building

1020a
Fernando Ocampo

1020b
UP Diliman Gonzales Hall (Main Library)

1021a
Juan Nakpil

1021b
UP Diliman Quezon Hall (Admin
Building)

1022a
Juan Nakpil

1022b
UP Diliman Palma Hall (Arts and
Sciences)

1023a
Cesar Concio

1023b
UP Diliman Melchor Hall (Engineering)

1024a
Cesar Concio

1024b
Ramon Magsaysay Center

1025a
Alfredo Luz

1025b
GSIS Manila

1026a
Federico Ilustre

1026b
Veterans Memorial Building

1027a
Feredico Ilustre

1027b
Church of St. Andrew

1028a
Leandro Locsin

1028b
Iglesia ni Cristo

1029a
Carlos Santos Viola

1029b
First government housing agency

1030a
People's Homesite Corporation (PHC)

1030b
Constructed Heroes Hill

1031a
National Housing Corporation (NHC

1031b
UST Roque Roano Building (with Brise
Soleil)

1032a
Julio Victor Rocha

1032b
Picache Building (first skyscraper in
Philippines)

1033a
Angel Nakpil

1033b
Sulo Hotel

1034a
Mañosa Brothers

1034b
Philippine Pavilion 1964

1035a
Otilio Arellano

1035b
Philippine Pavilion 1970

1036a
Leandro Locsin

1036b
Renaissance

1037a
AKA rebirth or revival

1037b
Renaissance

1038a
Reintroduction of 5 classical order

1038b
15th to 18th

1039a
Century of Renaissance

1039b
Rusticated

1040a
use of _____ masonry

1040b
baluster

1041a
parapet are usually with ____

1041b
Aix-la Cathedral

1042a
1042b
Aix-la Cathedral

1043a
built by emperor Charlemagne as his
royal tomb - house
Prototype of similar churches in
Germany
Place of coronation of the Holy Roman
Emperors
1043b
Worms Cathedral

1044a
best example of German Romanesque
Church with apse @ both East & West

1044b
Worms Cathedral

1045a
 remained the seat of Bishops,
Archbishops and electors for 1500
years

1045b
Worms Cathedral

1046a
1046b
Motte and Bailey

1047a
1047b
Motte and Bailey

1048a
A ____ ___ ____ castle is a fortification with a
wooden or stone keep situated on a
raised earthwork called a motte,
accompanied by an enclosed
courtyard, or _____, surrounded by a
protective ditch and palisade.
1048b
St. Peter Basilica

1049a
1049b
St. Peter Basilica

1050a
most important building in Italian
Renaissance. Largest church in the
world

1050b
Medici Chapel

1051a
by MichaelAngelo

1051b
Medici Chapel

1052a
1052b
St. Lorenzo

1053a
by Fillipo Brunneleschi

1053b
St. Maria della Cancelleria

1054a
by Donato Bramante

1054b
Basilica Vicenza

1055a
(Andrea Palladio) An early Renaissance
building in Venice, by Andrea Palladio
famous for its Palladian Motif arcades.

1055b
Basilica Vicenza

1056a
1056b
Vatical Palace

1057a
palace by donato bramante, largest
palace in italy

1057b
Palazzo Ricardi

1058a
1058b
Palazzo Ricardi

1059a
by Michelozzo Michelozzi

1059b
Palazzo Farmese

1060a
1060b
Palazzo Farmese

1061a
by sangallo - grandest palace of the
period
top storey added by Michaelangelo

1061b
Palazzo Pitti

1062a
1062b
Palazzo Pitti

1063a
by Fillipo Bruneleschi - 2nd largest
palace in Italy

1063b
Heidelberg Castle

1064a
One of the grandest palaces of the
Renaissance found in Germany; Its ruins
are among the most important
Renaissance Structures north of the
Alps

1064b
Loggia Waldstein Palace

1065a
by Antonio and Petro Spezza

1065b
Walhalla Temple

1066a
Resemblance to Greek Parthenon

1066b
Linderhof Guild house

1067a
built for Ludwig III of Bavaria

1067b
Granada Cathedral

1068a
1068b
Granada Cathedral

1069a
one of the grandest church in southern
Spain by Die de Sili Diego

1069b
Greenwich Hospital

1070a
1070b
Greenwich Hospital

1071a
Where was the RHS set up at first?

1071b
St. Paul's Cathedral

1072a
1072b
St. Basil Cathedral

1073a
1073b
St. Petersburg

1074a
1074b
Westminister abbey

1075a
What is a gotchic historical religious site
in London which have served as a place
for royal coronations, a burial place for
distinguished politicians, artists and
kings

1075b
Westminester Abbey

1076a
largest Benedictine monasteries; built
by several master mason and master
carpenter; Yevelve, Herland, James

1076b
Winchester cathedral

1077a
English cathedral where both King
Canute and Jane Austen are buried, also
the title of a famous 1966 song by The
New Vaudeville Band

1077b
Winchester Cathedral

1078a
has greatest total length (560 ft) than any Medieval
Cathedral
1078b
Abbey of St. Denis

1079a
Royal burial place

1079b
York Cathedral

1080a
largest in areaand width in any English
Medieval Cathedral

1080b
Salisbury Cathedral

1081a
It boast off central tower with the loftiest spire

1081b
Canterbury Cathedral

1082a
is one of the oldest and most famous
Christian structures in England and
forms part of a World Heritage Site. It is
the cathedral of the Archbishop of
Canterbury, leader of the Church of
England and symbolic leader of the
worldwide Anglican Communion.
1082b
Laon Cathedral

1083a
 Pointed arch walls, no spires, archivolts, huge central
rose window, converted Romanesque building, early
Gothic
1083b
The tower of london

1084a
built by Bishop Gundulf for William I, concentric
castle
1084b
Hampton Court palace

1085a
one of the most remarkable domestic building in
England
1085b
Guild Hall

1086a
1086b
Guild Hall

1087a
Most important hall erected by the
Guilds in the middle ages

1087b
Durnham cathedral

1088a
1088b
Durnham Cathedral

1089a
 the earliest great cathedral designed
initially and entirely with a rib-vaulting
system

1089b
Notre Dame

1090a
Cathedral which was designated a
"temple of reason"

1090b
Notre dame

1091a
one of the oldest French Gothic
Church. it was begun by Bishop
Maurice de Sally

1091b
Chartres Cathedral

1092a
famous for its 160 stained glass windows

1092b
Chartres Cathedral

1093a
1093b
Chartres Cathedral

1094a
A French Cathedral; A Latin Rite Catholic
cathedral; Has the most complete
collection of medieval stained glass in
the world, renowned for their vivid blue
color; with reputation to be the Stone
Age Bible, it was considered as the
Middle Ages expression
1094b
Amiens Cathedral

1095a
 A French Cathedral; Has slightly
projecting transepts and sweeping
chevet of 7 chapels

1095b
Rheims cathedral

1096a
known as the coronation church of the
French kings, this Gothic cathedral is
also famous for the 500 statues
exquisitely carved in the recessed door
of the western facade.

1096b
Amiens Cathedral

1097a
1097b
Beauvais Cathedral

1098a
1098b
Beauvais Cathedral

1099a
A French Cathedral; The most daring
achievement of Gothic architecture,
having the highest nave in Europe (48.5
m.); It has 3 tiers of flying buttresses

1099b
Beauvais Cathedral

1100a
though this cathedral was never completed
westward of the choir and transepts, it is
the loftiest in Europe with an extreme
height of 157' to the vault and about 3 1/2
times its span; the most daring achievement
in Gothic architecture and regarded as one
of the wonders of Medieval France.
1100b
Glouchester Cathedral

1101a
1101b
Milan Cathedral

1102a
High Gothic. ca.14C. reflects Northern
and Italian Gothic elements. pointed
arches, pinnacles, delicate tracery,
presence of transept. wider nave, planar
facade.

1102b
Milan Cathedral

1103a
1103b
Cologne Cathedral

1104a
1104b
Cologne Cathedral

1105a
 Largest Gothic church of Northern
Europe covering with approximately
area of 91,000 sq. m

1105b
St. Elizabeth Marburge

1106a
1106b
St. Elizabeth Marburge

1107a
characteristic of a "Hall Church"

1107b
Seville Cathedral

1108a
1108b
Seville Cathedral

1109a
largest medieval cathedral in Europe,
2nd largest cathedral in the world

1109b
Santiago de Compostela Cathedral

1110a
This cathedral city in Spain was the most
important center of pilgrimage in
medieval Europe outside of the Holy
Land.

1110b
Santiago de Compostela Cathedral

1111a
1111b
6%

1112a
 Simple Project (without interior
partitions); armories, bakery, hangar

1112b
7%

1113a
 Moderate Project (with interior
partitions); Art galleries, city hall,
libraries, banks, super market

1113b
8%

1114a
Exceptional Project (with consulatant);
atomic facilities, mortuary, aquarium,
medical facilities

1114b
10%

1115a
Residential (except condominium); 15m
above = highrise

1115b
12%

1116a
 Monumental Structure (requires
concept); expositions, mausoleums,
museums, gateways

1116b
...

1117a
Repetitive construction

1117b
...

1118a
Housing project

1118b
...

1119a
Extensive detailing

1119b
...

1120a
Alteration and Renovations

1120b
...

1121a
Consultant and Arbitration

1121b
Eridu

1122a
Oldest city (egypt)

1122b
Damascus City

1123a
Oldest continually inhabited city (Egypt)

1123b
Babylon

1124a
Largest city with 80,000 inhabitants
(Egypt)

1124b
Thebes and Memphis

1125a
Egyptian City

1125b
Indus valley civilization

1126a
1st to develop urban planning (Egypt)

1126b
Yellow valley

1127a
Precursor of linear city (Egypt)

1127b
Anyang

1128a
Largest city in Yellow River Valley
(Egypt)

1128b
Mesoamerica

1129a
Built in Aztecs, Mextecs and zapotecs
(Egypt)

1129b
Polis

1130a
City state (Greek)

1130b
Acropolis

1131a
 -most famous
-a religious
-defensive structure upon the hills
-no definite geometrical plan
(Greek)

1131b
Sparta and Athens

1132a
Largest city (Greek)

1132b
Neopolis

1133a
New city (Greek)

1133b
Paleopolis

1134a
Old city (Greek)

1134b
Miletus

1135a
First planned city (Greek)

1135b
3 sections of Miletus

1136a
 -artisan
-farmers
-military

1136b
Hippodamus

1137a
-1st noted urban planner
-grid system
-agora
-father of city planning
-designer of miletus

1137b
Monumental

1138a
Adopted Greek forms but different
scale

1138b
Roman forums

1139a
 Local point (Greek)
focal points of roman city planning
1139b
Conquerors

1140a
Built forum after forum (Greek)

1140b
Engineers

1141a
Built aqueducts, public baths, utility
systems, fountains, etc.

1141b
Basilica

1142a
 In Roman architecture, a civic building for legal and other civic proceedings,
rectangular in plan with an entrance usually on a long side. In Christian architecture,
a church somewhat resembling the Roman basilica, usually entered from one end
and with an apse at the other.
1142b
Curia

1143a
the capitol, local meeting hall

1143b
Domus

1144a
A Roman Private House; home of the
wealthy and the middle class; a
combination of the Etruscan atrium
house and the Greek peristyle house

1144b
Insulae

1145a
poorly constructed apartment blocks of about
six stories high that poor citizens resided in.
Important because it shows the division
between the rich and poor, and how the poor
Romans lived in horrible conditions. Also, these
buildings were prone to collapse and set on
fire, which was a constant problem in Rome.
3-6 storey
1145b
feudalism

1146a
church and castle main structures
A political system in which nobles are
granted the use of lands that legally
belong to their king, in exchange for
their loyalty, military service, and
protection of the people who live on
the land
1146b
Mercantilist Cities

1147a
2 Privileged Classes
-Nobles
-Clergy

1147b
Nobles

1148a
 Honest, generosity etc.
people from rich and powerful families

1148b
Clergy

1149a
 People such as priest
the body of all people ordained for
religious duties, especially in the
Christian Church.

1149b
Florence, Paris, Venice

1150a
Major Population (Medieval age)

1150b
Florence

1151a
Italy's leading cultural center during Renaissance;
important for trade and commerce;dominated by
Medici's
1151b
Venice

1152a
An Italian trading city on the Ariatic Sea, agreed to help the
Byzantines' effort to regain the lands in return for trading
privileges in Constantinople.
1152b
Vienna

1153a
First University Town

1153b
Geometric Forms

1154a
Proposed urban planning (renaissance
and baroque)

1154b
Arts and Architecture

1155a
Major element of town planning
(renaissance and baroque)

1155b
Major organic city

1156a
did not have any regular street form
(settlements in america)

1156b
Philidelphia

1157a
Designed by William Penn

1157b
William Penn

1158a
An English Quaker, founded
Pennsylvania in 1682, after receiving a
charter from King Charles II the year
before. He launched the colony as a
"holy experiment" based on religious
tolerance.
1158b
Philidelphia

1159a
Best example of the american
speculators town

1159b
Machine Age

1160a
The change from manpower to
assembly line

1160b
The Reform Movement
The Specialist

1161a
2 schools of thoughts

1161b
The reform movement

1162a
improves workers living conditions

1162b
the specialist

1163a
Problems of cities tackled one at a time;
Improvement of the health and sanitary
systems

1163b
Robert Owens

1164a
 Reform Movement;
Ideal City meant for 800-1200 persons
on at least 600 to 1800 ac;
Industrial village new;
New harmony

1164b
Tony Garnier

1165a
Hypothetical industrial

1165b
The Garden Cities

1166a
 Ebenezer Howard;
Surrounded by large greenbelts of
agricultural land;
1899 Garden City Association Est.

1166b
Ebenezer Howard

1167a
Author of Tomorrow A Peaceful Path to
Social Reform

1167b
Letchworth

1168a
1902;
1st Developed Garden City;
Plan is combination of landscaping,
informal street layouts;
Main axis focusing on a town center

1168b
Welwyn

1169a
1920;
2nd Garden City;
Louis de Soisson;
Georgian Taste to the town;
Towns focal point was a mile long mall
with beautiful Georgian houses
1169b
Hampstead Garden Suburbs

1170a
for housing but with variety of housing types;

is a suburb, north of Hampstead, west of Highgate and east of

Golders Green. It is an example of early twentieth-century
domestic architecture and town planning located in the
London Borough of Barnet in northwest London. The master
plan was prepared by Barry Parker and Sir Raymond Unwin.

Despite the founders' original intentions, Hampstead Garden

Suburb is now considered to be one of the wealthiest areas in
the country
1170b
The City Beautiful Movement

1171a
Daniel Burnham;

1171b
Daniel Burnham

1172a
"Make no little plans, they have no
magic to stir mens blood"

1172b
Daniel Burnham

1173a
Planned and designed Cleveland,
Manila and Baguio

1173b
Baron Hausmann

1174a
Reconstruction of Paris during the same
era;
Linear connection between place de
concord, arc de triome and eiffel tower;
Champs de Ellysee

1174b
Brasilia

1175a
 New capital of Brazil;
By: Lucio Costa - influenced
By: Le Corbusier - credited

1175b
Oscar Niemeyer

1176a
Architect designed buildings in Brasilia

1176b
Chandigarh

1177a
 New capital of Punjab, India;
Prediction for the rectilinear building or
monument

1177b
Albert Meyer

1178a
Master planner of Chandigarh

1178b
Le Corbusier

1179a
Took over in planning Chandigarh

1179b
Caberra

1180a
Australia Design Competition 1901

1180b
Walter Griffin

1181a
Winner of Australia Design Competition
in 1901

1181b
Walter Griffin

1182a
Descendant of Frank Lloyd Wright

1182b
 Daniel Burnham
Sir Leslie Patrick Abercrombie
Frederick Lawolmstead

1183a
other competitors in Caberra

1183b
 Court of Justice
Parliament House
Capitol Buildings

1184a
triangular formation of 3 important
buildings

1184b
The Neighborhood Unit

1185a
Conceptualized by Clarence Perry and
Stein

1185b
Sir Edward Lutyens

1186a
Master Planner of New Delhi, India

1186b
Radical Ideas

1187a
The linear cities - spanish engr. Soria Y.
Mata

1187b
Frank Lloyd Wright

1188a
 Broad Acres;
The Mile High Tower

1188b
Broad Acres

1189a
1 Acre or land/

1189b
The Mile High Tower

1190a
Manhattan Residents

1190b
Quiapo

1191a
 Illustrado Territory;
Rich and Powerful;
Manifestation of folk religiosity

1191b
Tondo

1192a
Coastal City

1192b
Binondo

1193a
Trading Fort Chinese and Arabs

1193b
Sta. Cruz

1194a
Main commercial district

1194b
San Nicolas

1195a
Commercial town built by spanish;
Specialized categories;
Our Lady of Loreto;
Saint Anthony of Padja

1195b
Ermita

1196a
Early Tourist Belt;
Redlight District

1196b
Paco

1197a
1st Town built around train station

1197b
Quezon City

1198a
Projected to be the capital of the
Philippines;
3 Main seats of the Government

1198b
Manila CBD

1199a
Center of Business and Commerce

1199b
Makati CBD

1200a
Business, financial, commercial etc.
begun by: Ayala 1948

1200b
Ortigas CBD

1201a
 Like Makati;
Begun by: Ortigas Conglomerate 1950s
and full developed by 1980s

1201b
Cubao CBD

1202a
Araneta Family by 1960s

1202b
Fort Bonifacio

1203a
Former Military Base

1203b
Concentric Zone Theory

1204a
by: EW Burgess 1900;
CBD;
Eventual OBD

1204b
Sector Model

1205a
 by: Homer Hoyt 1939;
CBD in specific direction

1205b
Multiple Nuclei Model

1206a
Develop by the Geographers Chaucy
Harris and Edward Pullman

1206b
Urban Realms

1207a
Developed by the sociologist James
Vance;
To identify with each of the 3 previous
conceptualizations rather than one
exclusively;
Best application of this concept is
metropolitan Los Angeles USA
1207b
Central Place Theory

1208a
by Walther Cristaller;
Village;
Town;
City;
Conurbation;
Boundary
1208b
Activity analysis

1209a
 Time and space;
systems into subsystems;
Firms into various classes

1209b
Advocacy Planning

1210a
Plural Planning

1210b
Amenity

1211a
 Idea of pleasantness;
Attractive open spaces, landscape
features, social and recreational
provisions

1211b
Avenue

1212a
 Wide, straight street lined;
Leads to a terminal building or
feature/landmark at its end

1212b
Biotechnic

1213a
Similar terms to paleotechnic,
neotechnic and eothechnic;
Coined by Patrick Geddes

1213b
Blight

1214a
Worsenment

1214b
Boulevard

1215a
Broad horizontal surface of the rampart
of a city wall

1215b
Built-up area

1216a
an area, mainly occupied by buildings

1216b
Bypass

1217a
A road which passes by a built-up area;
Form of a loop joined;
Avoiding congestion in a city

1217b
Caravansary

1218a
 Inn;
Large quadrangular building enclosing
a court to accomodate caravans

1218b
Cardo

1219a
2 main streets of a typical roman city;
Decumanus

1219b
Boug

1220a
Medieval military town

1220b
Fauboug

1221a
Citizens town

1221b
Medieval bastide

1222a
New town placed in previously
unsettled areas (medieval)

1222b
Laws of indies

1223a
King Philip

1223b
Pueblos

1224a
Civil

1224b
Presidio

1225a
Military

1225b
Mission

1226a
Religious

1226b
The specular city

1227a
Equality

1227b