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Dorian Mode – Patterns, Licks, and Chords

mattwarnockguitar.com/dorian

​May​ ​08​, ​2011

The second mode of the major scale, the Dorian mode is used to solo over minor family
chords, and built by playing the C major scale from the notes D to D.

Dorian is one of the most important modes in jazz and fusion, and is essential for any
modern guitarist to have under their fingers.

In this lesson you learn how to build the Dorian mode, apply it to your solos, study one and
two-octave fingerings, scale patterns, and licks in the style of Miles Davis.

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Dorian Mode Construction


The Dorian mode has seven notes and no accidentals when written in the key of D Dorian.

This means that if you play D Dorian on the piano, you play only the white keys on the
keyboard.

These seven notes can be written a number of ways such as intervals:

R-2-b3-4-5-6-b7

Or as specific intervals such as:

P1-M2-m3-P4-P5-M6-m7

In this case, the legend for each symbol would be:

P = Perfect Interval
M = Major Interval
m = Minor Interval

While these intervals are commonly used, you can think of the upper notes as extensions.

This means that you think of Dorian with this pattern:

R-9-b3-11-5-13-b7

I prefer this way, as you visualize the upper colors of the Dorian mode, creating the upper
chord extensions over any chord.

Here’s how the D Dorian mode looks on the fretboard, with both notes and intervals.

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You can use either system, 2-4-6 or 9-11-13, or a mixture of both, depending on the
musical situation.

Either way, Dorian has a natural 6th, which distinguishes it from the Aeolian and Phrygian
modes, both of which have b6 intervals.

When soloing over a m7 chord, highlighting the 6th brings out the Dorian mode sound,
which you hear in the licks below.

Dorian Mode Application


Now that you know how to build the Dorian mode, take a look at how you apply this scale to
a soloing situation.

The Dorian mode is used to solo over chords in the minor family.

Minor family chords include:

m7
m6
m9
m6/9
m11

These chords are built from notes in the Dorian mode, and therefore Dorian is used to solo
over these chords.

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Here’s an example of a Dorian fingering and three chords derived from that mode to see
how they relate on paper and on the fretboard.

Here’s a D Dorian backing track that you can use to practice any of the shapes, patterns, or
licks in this lesson.
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D Dorian Mode Backing Track D Dorian Mode Backing Track

Vm
D Dorian Mode Backing Track
00:00
R
P

Dorian Chords
To help you expand your harmony, here are 8 more Dorian chords that you can learn and
apply to your playing.

Each of these chord shapes is built from the Dorian mode, allowing them to be used in
situations where Dorian is applicable.

Learn each shape first, then add them to your rhythm guitar playing over progressions and
songs.

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You can now learn four Dorian chords on the 5th string.

Again, work these shapes on their own, then use them to comp over tunes and Dorian
progressions in your studies.

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Dorian Mode One Octave Fingerings
Here are 12 one-octave Dorian shapes that you can work on in your practice routine.

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These shapes come in handy when soloing over fast moving chords or at fast tempos.

Work these scales in 12 keys, as well as solo over minor-family chords, using these shapes
as the basis for your lines.

This ensures that you work Dorian modes from both a technical and improvisational
standpoint.

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You can also practice Dorian modes with your middle finger on the first note.

Once you have these four Dorian shapes down, move between the first four and these four
in your practice routine.

Lastly, here are four Dorian shapes that begin with your pinky finger.

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Work these shapes in 12 keys as well as solo over backing tracks with these scales in the
woodshed.

Once you have these shapes under your fingers, move between these modes in your
technical and improvisational practice routine.

Explore all 12 Dorian fingerings, but don’t feel that you have to have these Dorian shapes
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under your fingers at all times.

Over time you pick favorites and they work their way into your playing, while others you
might not use that much.

This is fine, and is part of the learning process as you work through technical items in your
studies.

Dorian Mode Two Octave Fingerings


You can now take these Dorian modes a step further by learning two-octave shapes on the
fretboard.

These shapes come in handy when you solo over longer chords in tunes like “So What”
and “Maiden Voyage.”

There are a number of ways that you can build two-octave Dorian scales, here are four of
my favorites to get you started.

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Learn these shapes one at a time, and then combine two or more inyour guitar practice
routine as you expand these important mode shapes.

With these Dorian shapes down, you’re ready to learn patterns as you use this scale to
build technique, fretboard knowledge, and improvisational confidence.

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Dorian Mode Patterns
You now check out patterns over the Dorian modes that you’ve learned up to this point in
the lesson.

To begin, here’s an ascending pattern that you can use to expand your technique.

The pattern is built by playing the scale in 4ths, in this case ascending.

This means that you play 1-4, 2-5, 3-6, etc. as you work your way up the scale.

Go slow with this pattern, work it through one and two-octave shapes and different keys as
you take this pattern around the fretboard.

Click to listen to dorian scales 1

Vm
minor-pent-audio-5 - Matthew warnock
00:00
R
P

You can also work this pattern descending, which you can see in the D Dorian fingering
below.

To create 4ths, you play every third note, creating the intervals 8-5, 7-4, 6-3, etc. as you
work your way down the Dorian mode.

Click to listen to dorian scales 2

Vm
minor-pent-audio-5 - Matthew warnock
00:00
R
P

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Once you have these patterns under your fingers, put on a minor backing track and add
4ths to your solos.

You don’t have to play them in every phrase, but adding 4ths here and there will spice up
your improvised lines.

3 Dorian Mode Licks


As well as learning practice patterns, you can study common jazz licks to expand your
vocabulary and build your understanding of Dorian in a soloing context.

This first lick is the opening line to Miles Davis’ solo on “So What,” and is one of the most
recognizable Dorian lines in jazz history.

Click to listen to dorian scales 3

Vm
minor-pent-audio-5 - Matthew warnock
00:00
R
P

The second lick is also from Miles’ solo on “So What,” and highlights the characteristic
6th of the Dorian scale in the final bar.

Click to listen to dorian scales 4

Vm
minor-pent-audio-5 - Matthew warnock
00:00
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R
P

Here’s a lick from Miles’ solo on “Milestones,” which uses different rhythms that you can
explore in your soloing practice routine.

Click to listen to dorian scales 5

Vm
minor-pent-audio-5 - Matthew warnock
00:00
R
P

Once you have these licks down, write out 3 Dorian licks of your own to build your
vocabulary with this important mode.

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