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Ennyman's Territory
SEEDS FROM A MIND FARM: JOURNAL NOTES AND OTHER LIFE OBSERVATIONS
E: Did you
anticipate that
it would take
this long? When
you first
conceived
JUST RELEASED
HyperLightness
ad absurdum,
how long did
you expect it
would take to
assemble?
MS: In the first few months I kept telling myself that it was almost
finished and then everyday a new twist, concept, symbol, experience,
image, idea sprung and after one year I fully understood it would take
me years to complete it. I also realized in that year of 2005 when the
whole work was drawn out and I was still in London that I needed to
split HyperLightness into three different outputs so things didn’t
become too heavy in one single work and thus I instead decided to
assemble three works that would complement each other – a book of
poems and symbols titled HyperLightness ad infinitum, the animation Follow by Email
called HyperLightness ad absurdum and a website as HyperLightness
ad aeternum. HyperLightness ad absurdum was completed September Email address... Submit
last year and the book and the website will be published later this
year.
Follow @ennyman3
TO BE CONTINUED
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ar·a·besque /ˌærə
ˈbɛsk/ [ar-uh-besk] –
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Ennyman's Territory
SEEDS FROM A MIND FARM: JOURNAL NOTES AND OTHER LIFE OBSERVATIONS
Ennyman: The
incantation
combined with
rotational
flashing iconic
imagery is indeed
hypnotic. In what
sense are
Kabbalistic and
other religious
and scientific
Click book covers to purchase.
understanding
woven into the visual force of this animation? AND ALSO...
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Scarlet Rivera,
Subscribe to: Post Comments (Atom) Dream-Weaving
Violinist from Dylan’s
Desire
In preparation for this
year’s Dylan Fest, the Armory Arts &
Music Center is presenting a concert
featuring famed violinist Scarlet
Rivera w...
de Chirico
While looking at a
very cool art blog, I
noticed there some
paintings by Giorgio
de Chirico, a highly influential artist
in the early mode...
Partilhar Denunciar abuso Blogue seguinte» Criar blogue Iniciar sessão
Ennyman's Territory
SEEDS FROM A MIND FARM: JOURNAL NOTES AND OTHER LIFE OBSERVATIONS
MS: HyperLightness
ad absurdum has actually been conceived in the aftermath of a period
of extensive site-specific work (mainly installations). From 1996 to
2004 most of the work that I produced was indeed site-specific and
therefore it was one of the main turning points in my pattern of work
to form an alternative which would be completely self-contained and
Click book covers to purchase.
self-contextualized. I felt that need because the “in site” dependency
of the several works was weighing too much on me and the feeling I AND ALSO...
had towards them was exactly the opposite… as soon as a piece was
(or is) completed I have an enormous sense of detachment from it, as
if it has a life of its own and it is simply no longer mine nor have I
anything else to do with it. For that reason I felt a deep need to
create a form of work that was perdurable and to some extent self-
reflexive without my constant supervision – that would always
preserve its meaning unchanged independently of its conceptual or
physical support or location. Consequently HyperLightness ad
absurdum may be exhibited everywhere in any digital or film
platform, from a computer screen to a cinema projection or a gallery
projection.
E: We all have many Unrembered Histories
life influences that
shape our art. Can FAVORITE STORIES
you identify a few
primary influences
that led specifically
to the conception
and development of
HyperLightness ad
absurdum? Did you
have an "Aha!"
moment when you saw in advance where you wanted it to go?
► February (29)
Posted by ENNYMAN at 6:05 AM ► January (32)