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W he n Y ou W e r e T r a i n e d
to B e D eep — and V i c e V e rs a
DEPTH
ORIENTED
HREF
THERAPY
1L
B ruce Laurel
E cker H ulley
Depth-Oriented
Brief Therapy
Depth-Oriented
Brief Therapy
How to Be Brief W hen
You W ere Trained to Be
Deep— and Vice Versa
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X P reface
1
2 I n tr o d u c tio n
O v e rv ie w o f th e C ontents
Chapter One provides an introductory guided tour of the method
ology and conceptual framework of DOBT, with several case exam
ples. C hapter Two then dem onstrates the approach in detail,
applying it to clients whose presenting symptoms are driven by
unresolved, lifelong emotional wounds. By the end of Chapter Two
we will have seen DOBT deal with agoraphobia, low self-esteem,
psychogenic pain, chronic depression, workaholism, and repeti
tion compulsion. Chapter Three completes the conceptual picture
sketched in C hapter O ne and points out im portant, supporting
developments in cognitive neuroscience. Chapter Four describes
the therapeutic stance for carrying out DOBT’s methodology of
discovery, radical inquiry, in preparation for Chapter Five’s detailed
survey of specific techniques of this methodology, including tech
niques for working with client resistance. C hapter Six likewise
details techniques for DOBT’s methodology of change, experiential
shift Chapters Five and Six continue the presentation of illustra
tive case material, including couple and family therapy.
Notes
P. 2, characterized systemic fam ily therapy from its inception: See, for example,
J. Bogdan (1988), “What’s All the Fuss?” Family Therapy Networker,
72(5), 51;J. S. Efran, R.J. Lukens, and M. D. Lukens (1988), “Con
structivism: What’s in It for You?” Family Therapy Netxuorker, 72(5),
26-35.
P. 2, eliminated emotions an d the unconscious as legitimate areas o f therapeutic
focus: See, for exam ple, P. Watzlawick, J. Beavin, and D. Jackson
(1967), Pragmatics of H um an Communication, New York: W. W. Nor
ton; J. Haley (1978), “Ideas Which Handicap Therapists,” in M. M.
Berger (Ed.), Beyond the Double Bind , New York: Brunner/Mazel; E.
Lipchik (1992), “A ‘Reflecting Interview’ with Eve L ip c h ik ,”Journal
o f Strategic a n d Systemic Therapies , 7 7, 59-74; I.-B. Krause (1993),
“Family Therapy and Anthropology: A Case for Emotions,” Journal
of Family Therapy, 15, 35-56.
P. 2, uFor all of them . . . the processes which take place inside in dividu als were
considered to be outside the remit o f observation an d study: ” I.-B. Krause,
op. cit. (p. 43).
P. 3, uonly recently has the term unconscious begun to be liberated from exclu
sively psychoanalytic con n otation s”: M . ] . Mahoney (1991), H u m an
Change Processes: The Scientific Foundations o f Psychotherapy (p. 107),
New York: Basic Books.
P. 5, M ichael J. Mahoney: M. J. Mahoney (1991), H um an Change Processes:
The Scientific F oundations o f Psychotherapy, New York: Basic Books;
M. J. Mahoney (1988), “Constructivist Metatheory: I. Basic Features
and Historical Foundations,” International Jou rnal o f Personal Con
struct Psychology, 1, 1-35; M.J. Mahoney (1988), “Constructivist
Metatheory: II. Implications for Psychotherapy,” International Jour
nal of Personal Construct Psychology, 1, 299-315.
P. 5, Robert A. Neimeyer: R. A. Neim eyer (1993), “An Appraisal o f Con
structivist Psychotherapies,”Jou rn al o f C onsulting an d C linical Psy
chology, 61( 2) , 221-234.
P. 5, William J. L yddon .W . Lyddon andj. McLaughlin (1992), “Construc
tivist Psychology: A Heuristic Framework,”Journal o f M ind and Behav
ior, 13, 89-107.
PP. 5-6, level of synapses and neural networks: H. von Foerster (1981), Observ
ing Systems, Salinas, CA: Intersystems; H. von Foerster (1984), “On
Constructing a Reality,” in P. Watzlawick (Ed.), The Invented Reality
(pp. 41-62), New York: W. W. Norton.
12 I n tr o d u c tio n
What Is an Effective
Therapy Session?
Sometimes we have to be reminded that we have capacities
weforgot we have.
V irginia S atir
Positions__________________________________________
A position is essentially a constructed version of reality plus a strat
egy for responding to that reality. A position consists of a linked
13
14 D epth-O rien ted B rief Therapy
The client has, as all people do, a fundam ental need to make
sense of all experience and so resorts to these consciously avail
able ways of construing the problem. In DOBT this set of views
and attitudes—the clients initial, conscious constructions in rela
tion to the presenting problem —is term ed the client’s conscious
anti-symptom position.
Radical Inquiry
Radical inquiry has several aspects that operate together. We will
briefly introduce some of these aspects here and illustrate them
with case material; Chapters Four and Five provide a more thor
ough discussion.
Radical inquiry is the therapist’s methodology for finding the
symptom’s emotional truth, which makes it lucidly clear how, and
why, the presenting symptom is actually more im portant to have
than not to have. This is a phenomenological-experiential process
of discovery, carried out entirely within the terms o f the client’s
subjective world of meaning. As such it involves no attem pt to get
the client to accept theoretical analyses or interpretations, does
not use psychiatric diagnostic categories, and is completely non-
pathologizing. Finding the emotional truth of the symptom also
involves no inventing or grafting of a “better narrative,” however
collaboratively constructed. The symptom’s emotional truth is com
pletely the client’s own already-existing but unrecognized con
struction of meaning, and it is through the recognition and further
evolution of that construction that change occurs in depth-oriented
brief therapy.
Radical inquiry, like the constructivist perspective it serves, is
not defined by any specific psychotherapeutic techniques or inter
ventions; a great many techniques may be applied, adapted, or
devised. The defining feature is this: Whatever techniques are uti
lized, any step of radical inquiry is crafted by the therapist in such
a way that responding to it inescapably brings the client into an
experience of the hidden, pro-symptom position, the hidden em o
tional truth of the problem.
W h at Is an E ffe c tiv e Therapy Session? 23
fights were now quickly fizzling out because “we’re now so aware
of what we’re really up to, and we just kind of look at each other.”
Now that they were out of their unconscious reactive pattern of dis
tancing, they were able to face and work fruitfully with their fears
of being controlled by allowing closeness.
From the initial, conscious position of both of them, the pre
senting symptom of fighting appeared to be a completely unde
sirable problem. From the unconscious, pro-symptom position, the
symptom was actually the very needed solution to a problem, an ini
tially unacknowledged problem, but a problem so important that
its solution—the symptom—was actually more important to have
than not to have, despite all the suffering it brought. As occurs in
many cases, the therapist here found the problem to which the
symptom was the clients’ solution.
Experiential Shift
Experiential shift, the methodology of change in depth-oriented
brief therapy, has two stages. The first stage is to usher the client
into consciously inhabiting and integrating the discovered pro
symptom position. This phase of the work we refer to simply as posi
tion work. Here there is no attem pt whatsoever to change the
pro-symptom position; position work is purely a matter of having
the client incorporate this previously unconscious position into
how he or she consciously experiences the problem.
In many cases position work resolves the problem . W hen it
does not, an additional phase of experiential shift is required, the
transformation of constructs, which involves revising or dissolving the
emotional reality in the pro-symptom position so that there is no
longer any version of reality in which the symptom seems needed.
The client’s pro-symptom position, being unconscious, may be
“comprised of a set of meanings that are felt to be incompatible
with, unacceptable to, and threatening to the system of meanings
constituted in consciousness,” as psychoanalyst Thomas O gden
describes. The client’s conscious, anti-symptom position acts as an
obstacle or barrier to discovering and owning the unconscious,
symptom-generating position. This process may require sensitive
therapeutic facilitation (as shown by two cases detailed in Chap
ter Two).
W h at Is an E ffe c tiv e Therapy Session? 25
takes the client’s anti-symptom position as the full story and there
fore never attempts merely to eliminate the symptom or to have
the client eliminate it without full clarification of the importance
of the symptom in the client’s world.
of having the symptom are lost, and are revealed through their loss,
when the client is without the symptom in circumstances where usu
ally it would be occurring. Often it is expedient to have the client
carry out viewing from a symptom-free position in imagination
rather than in vivo, making direct use of the client’s ability to con
struct an experiential reality and sample it.
Coached by the therapist, this client went through the experi
ence in imagination of finding out what would happen if she did
not start thinking her former therapist was nearby as she walked all
the way to the store, did her shopping, and then walked back home.
She readily experienced what would happen: she described
feeling a deep, old loneliness, a very painful feeling of being left
all alone. The therapist now understood her pro-symptom posi
tion, and therefore began to do position work in order to bring
the client into awareness of that position. The therapist’s first step
of position work was simply to say in response, “So if you d o n ’t
imagine she’s there, then you feel this painful feeling of being left
all alone.” This adds no new inform ation; it simply focuses the
client’s attention on what she loses by being without the symptom,
and as a result, she said, “O h,—and I don't feel all alone if she’s
there, too—if I think she’s there with me.”
Therapist and client had identified the problem for which the
symptom was the solution. From this little exercise it became clear
to the client that she imagined her therapist was there, watching
her, to avoid this old emotional wound of feeling alone and aban
doned. She experienced that that was her own emotional truth, and it
was deliberate on the part of the therapist for her to have just such
a direct encounter with what her symptom was doing for her.
It was now a small step to reach the client’s p ro /an ti synthesis.
T he therapist said, “Yes. And you kept im agining h er for this
im portant purpose, even though you think th at’s insanity and even
though that scares you so much. W hat do you make of that?” She
thought momentarily and answered, “I guess it’s more im portant
to me to not feel that feeling of being so alone.” This was an
explicit acknowledgment of her p ro /a n ti synthesis, the recogni
tion by the client that the symptom has had a value that has in fact
been worth its costs. Position work was now well established.
Consider the experiential shift already produced for the client:
In realizing that she visualizes h e r therapist in o rd er not to feel
W h at Is an E ffe c tiv e Therapy Session? 31
alone, her worry about insanity and pathology was already nearly
obsolete, as was her view of the symptom as involuntary. A power
ful reframe consisting of second- and higher-order changes has
occurred, a change of categories defining the very meaning of the
symptoms, even with no explicit com m ent on these points from
the therapist. This reframe was not an externally applied invention
of new meaning, but an internal discovery of unconscious mean
ing. We call this reframing to the emotional truth of the symptom, and it
is brought about through position work. The client apprehends
and feels the governing, personal significance of the symptom and
makes new sense of the symptom in relation to compelling em o
tional themes that had been unconscious. Quite often this is an
extraordinary experience for the client, a profoundly meaningful
and memorable m om ent of self-understanding. (The concept of
the emotional truth of the symptom is more fully and technically
defined in Chapter Three.)
The experiential nature of this work is crucial. The client is not
taking the therapist’s word for it. The therapist is not theorizing,
diagnosing, or interpreting but is bringing the client into a direct
encounter with her own psychological material, her own emotional
truth.
Until now, though, the woman’s conscious mind wasn’t in on
this arrangem ent for avoiding feeling alone and abandoned. The
only way her conscious mind had been able to carry out its need
to make sense of the symptom was by construing that to imagine
her therapist was present meant she was going crazy. As described
earlier, a therapy client’s conscious view of the symptom is often
no more than a grab at whatever ideas place the symptom in some
familiar category of sense, such as “insanity,” even if this category
is itself very disturbing.
There then was one further step of radical inquiry: The thera
pist, continuing to evoke the m om ents and the experience of
being on the street, said “As you continue to be there, let yourself
have this feeling, this deep, old feeling of being alone in this way.
And as you feel this alone feeling, there on the street, you can just
notice what, if anything, it means to you, or means about you, that
you feel alone. And what is it that you notice?” Here the therapist
is asking her to identify and reveal any presuppositions involved in
this state of feeling alone. She reflected with eyes closed for just a
32 D epth-O rien ted B rief Therapy
few seconds and said, “It means I’m unlovable.” This in itself
was a powerful part of the structure of the symptom—an ontolog
ical presupposition, a construction of meaning that strongly influ
ences the kind of being she “knows” herself to be. From her facial
expression and tone it was clearly new for her to be aware of mak
ing the all-alone feeling mean “I’m unlovable.” (Presuppositions,
a key com ponent of pro-symptom positions and an essential area
of discovery in radical inquiry, are discussed in Chapter Three.)
The session still had another ten minutes, but even if it had
ended right here, it would have been an effective one, because
(1) through radical inquiry the therapist gained major clarity into
the client’s pro-symptom position, that is, why the symptom is more
important to have than not to have, and (2) the process of radical
inquiry has produced three significant experiential shifts for the
client, each a bringing-to-awareness of an aspect of the uncon
scious, symptom-generating process: going into fear by imagining
her therapist, carrying out the protective action of imagining her ther
apist in order not to feel painfully and frighteningly alone (her acti
vated emotional wound), and assigning the meaning “I’m unlovable”
to the state of feeling all alone (her powerful presupposition), all
were brought experientially into the client’s awareness. All three
of the components that make up pro-symptom positions—protec
tive action, emotional wound, and presupposition—are apparent.
In this case, it was clear that direct resolution would be required—
that is, alleviation of the symptom through a transformation of her
pro-symptom position. In general, with sufficient clarity and
em pathic reach into the hidden sense and construction of the
symptom, entirely new possibilities emerge for how the client might
be able to transform her experience of the problem. The therapist
sees that if a certain presupposition or emotional wound in the pro
symptom construction were dissolved, the position as a whole
would dissolve or lose its power to create an experiential reality.
Each com ponent of the client’s pro-symptom position is a poten
tial avenue of resolution that is invisible until the position becomes
clear. The therapist then carries out methods of experiential shift
(using well-known techniques or inventing new ones) that seem
most promising for altering these particular elem ents and re n
dering the presenting problem obsolete. For this purpose, learn-
able steps are spelled out later in this book. In practice and with
W h at Is an E ffe c tiv e Therapy Session? 33
Sum m ary_________________________________________
Depth-oriented brief therapy is based on the clinical experience
that a therapy client’s conscious, an/i-symptom position in relation
to the presenting problem is always accom panied by an uncon
scious but emotionally governing pro-symptom position. For the
client to inhabit and experience that pro-symptom position is to
experience the emotional truth of the symptom—the construction
of reality in which the symptom is necessary to have. In working
with the pro-symptom position, client and therapist are working
directly with the emotional and unconscious meanings that struc
ture the very existence of the problem.
The essential methodology of depth-oriented brief therapy is
simple: empathize accurately and sensitively with the client’s anti
symptom position, knowing that a pro-symptom position awaits dis
covery; one-pointedly find that pro-symptom position; usher the
client into experiencing the emotional truth of that position; and
then, as necessary, assist the client experientially to transform that
position. The effectiveness of depth-oriented brief therapy results
from adhering closely and fully to this methodology.
Several case examples have dem onstrated how an effective
depth-oriented brief therapy session is one in which the therapist
(1) carries out radical inquiry for achieving clarity into the unknown,
pro-symptom constructs an d /o r (2) facilitates an experiential shift,
producing actual change in how those constructs are held by the
client. These are the categorical objectives in every session.
Radical inquiry by definition is experiential and not analytical
or interpretive. When radical inquiry is complete—when the emo
tional sense and necessity of the symptom in the client’s world are
lucidly clear—the therapist engages the client in experiential
shifts that integrate the pro-symptom em otional reality—the
process of position work—and that transform or dissolve con
structs in the positions involved in the problem. These changes
occur either in the pro-symptom position, so that the symptom is
no longer necessary and therefore ceases to occur (direct resolu
tion), or in the anti-symptom position, so that the client’s objec-
W h at Is an E ffe c tiv e Therapy Session? 39
tions to having the symptom dissolve and the symptom is retained
(reverse resolution).
From this overview of depth-oriented brief therapy, we turn
next to a closer look at the m oment-by-moment process of the
client-therapist interaction in the course of rapidly resolving long
standing emotional wounds.
Notes
P. 13, “Sometimes . . . forgot we h a ve”:V . Satir (1983, November), spoken
comment at clinical workshop, San Francisco.
P. 15, in the brief strategic therapy model o f the M ental Research Institute: R. Fisch,
J. Weakland, and L. Segal (1983), The Tactics o f Change: Doing Therapy
Briefly, San Francisco: Jossey-Bass.
P. 15, in some conceptual analyses o f n arra tive therapy: See, for example,
H.J.M. Hermans, H.J.G. Kempen, and R.J.P. van Loon (1992), “The
Dialogical Self,” American Psychologist, 47(1), 23-33.
P. 18, as it is in other brief approaches: See, for example, P. Watzlawick, J.
Weakland, and R. Fisch (1974), Change: Principles o f Problem Forma
tion an d Problem Resolution, New York: Norton; S. de Shazer (1985),
Keys to Solutions in Brief Therapy, New York: W. W. Norton; M. S. Wylie
(1990), “Brief Therapy on the Couch,” Family Therapy Networker,
14(2), 26-35, 66.
P. 19, the client's two-sided commitment to both change a n d stability: See, for
example, P. Papp (1983), The Process o f Change, New York: Guilford.
P. 23, “predeterm ined explanatory co n ten t”: B. Held (1990), “What’s in
a Name? Some Confusions and Concerns About Constructivism,
fo u m a l o f M arital an d Family Therapy, 16, 179-186.
P. 24, “comprised o f a set o f m eanings . . . in consciousness, ”: T. H. Ogden
(1994), Subjects o f Analysis (p. 16), Northvale, NJ: Aronson.
P. 34, a p o in t already well known to brief therapists since the 1960s: See, for
example, Watzlawick, Weakland, and Fisch, Change.
P. 34, Most therapy clients, we fin d, are not nearly as fragile as is assumed in psy
chodynamic approaches: See, for example, A. J. Horner (1994), Treat
ing the Neurotic Patient in Brief Psychotherapy, Northvale, NJ: Aronson
(original work published 1985).
C H A PTER 2
Resolving Emotional
Wounds
Our remedies oft in ourselves do lie.
W illiam S hakespeare, All's Well That Ends Well
41
42 D epth -O rien ted B rief Therapy
[In response to the client’s overt need for assurance, the therapist’s
first three responses have com m unicated his relaxed conviction
44 D epth-O rif.nted B rief Therapy
that profound change can certainly happen here in this deep, old
emotional wound. This conviction is a fundamental element of the
therapist’s stance in DOBT, and communicating it to the client,
w hether explicitly or implicitly, significantly fosters the client’s
capacity to work deeply and generate change.]
Client: All right. So, the way I got to it is realizing that I’ve
developed a pretty, um, coherent persona of being
competent and poised and intelligent and knowing
what I’m about and not being able to be rattled very
much. It works pretty well for me. And what I got in
touch with is, how come I needed to put this persona
in place? And what’s underneath it is—that I was—we
had moved when I was ten and then we moved again
when I was twelve. And from the time I was five to ten I
was sort of a real competent leader with younger kids. I
was the oldest one, and I was a leader of both boys and
kind of was a leader with girls in sewing. I sort of did
the gamut, and—and it was fun! I mean, I felt very self-
assured and had a lot of fun being the one who was in
charge of all these younger kids. And then the two
years after that not much happened, but then came
age twelve, and I remember this, this moment when I
went on the new school yard, and I still believed that I
could pull my weight with the boys, and I could sort of
be their equal or even be a little more than their equal.
And they like, “Go away!” You know, “Get out of our
territory!”Just absolutely a total brush-off. It was like a
real shock that I couldn’t do this num ber anymore.
And then, somewhere around there, puberty hap
pened, and my sense of me now as a woman was that I
was really ugly and didn’t know how to do anything to
hide that. And, um, even ugly enough to be repulsive. I
mean, you know, the word that came up when I got in
touch with it, that fit this, is that physically I’m a very
repulsive person. And, um— [Silence] Um—
Therapist: Is that the shard?
Client: T hat’s the shard. What just went blank is the thing
that locked it in—the shard. [Pause]
Rksoi.vinc; E m o tio n a l W ounds 45
twelve and possibly earlier, her self-concept, her social identity and
interaction, and her personality had formed around (1) the belief
that as a female she is utterly unacceptable to others and (2) the
strategy of using her competence and intelligence as a distracting
display in order to avoid humiliating exposure.]
Therapist: Yeah. Yeah. You know, listening to that story—I mean
it’s a very—it’s a powerful story.
Client: It is for me, still. I couldn’t believe they were saying it,
those boys: “I don’t want you.”
Therapist: Yes, those adolescent and preadolescent feelings of
self-consciousness and torm ent over how accepted or
unaccepted we are, are so intense. I mean, God
they’re passionate. And what strikes me in your
description of it all is that—how we do go through a
really awkward stage in development. I mean, I
looked so awful during that corresponding stage, it’s
just ridiculous how gawky and ugly—I mean, pimply,
and you d o n ’t know how to do your appearance, and
you can be ugly for a while. But you seem to have got
ten the idea that that’s the bottom truth about you.
Client: Yes, exactly.
Therapist: And it stuck.
Client: T hat’s right.
Therapist: And it never became apparent to you that it’s a phase
you pass—I mean, down in your feelings, where it
counts—that that’s a stage, a developmental stage you
passed through.
Client: Right.
Therapist: And came out of.
[The therapist has begun by empathizing with the intensity of the
client’s experience of the problem, especially her feeling “I’m for
ever ugly.” The therapist simultaneously noticed that his own, gen
uine view of the larger, developm ental context could serve as a
reframe that might weaken her construction of herself as forever
ugly, so he shared this idea in a natural way, combined with some
self-disclosure. This developm ental perspective challenged the
m eaning of her adolescent ugliness, shifting it from an eternal,
mythic truth that excludes her from humanity to an ordinary, tern-
R eso lv in g E m o tio n a l W ounds 47
porary stage that actually includes her in the hum an family. The
therapist saw this as only a first step in dispelling the apparent real
ity of her “I’m ugly” position. Several weeks later she commented
on how effective this shifted perspective was in immediately start
ing to loosen the hold of the old reality.]
Client: Right. It’s somehow that everything above it is defen
sive so that I won’t pay attention to that’s the reality.
Therapist: Let me see if I understand what that means: At the
point where you felt you were ugly—and might have
been, at that point, the way we get as teenagers—you
completely pitched your attention into creating a per
sona that was going to impress people, and you got
totally invested and involved in that, and it’s like you
never again reopened or reassessed the question of
how you actually look.
Client: Yes. When I look in the mirror it’s yuk!You know, the
old thing never—it never went away.
Therapist: What would be the bad thing, the dangerous thing,
the scary thing, the difficulty you’d have to face if
you—let go of that old view of yourself as ugly? If
you—let it in, that you moved through a developmen
tal phase and—now you’re a lovely, grown woman.
[The therapist was struck by the clien t’s words “it never went
away.” These words express a victim position of powerlessness (the
symptom has a life of its own and happens to her), but if symptoms
are always coherently and purposefully generated, then the fact
that her view of herself as ugly “never went away” points to some
important if unconscious purpose for actively holding on to this
view. So the therapist next invites her to contact the value this “I’m
ugly” construction has for her by evoking, through voice tone, a
contrasting experience of being without this construction—that
is, an experience of being an agreeable-looking woman. This is a
step of radical inquiry, an experiential discovery of what makes
the symptom im portant to have.]
Client: T hat’s really, I mean, how that ties together is, I was
married, and at the end of the first year I had an affair
with my boss, who was the boyfriend of my best friend.
The stupidest, most common, garden-variety kind of
affair. And when I was in the midst of it and trying to
decide what to do, my m other and I went for a walk to
talk about it, and we were walking by and we went into
a clothes shop or something, and she said to me, “You
know, I wouldn’t let your husband go by, because with
your kind of looks you’re not going to have a lot of
chances.” That was twenty-five years ago. So what it
meant—the message that I’ve been telling you hap
pened at twelve—well, there’s a whole earlier piece
around that, that I got somewhere, because that—I
mean, that was a very strange thing for her to say. That
wasn’t the issue. I was trying to decide what to do with
my life at that point.
[As often happens once the client connects with parts of the emo
tional truth of the symptom, other linked areas of emotional truth
begin to emerge.]
Therapist: So there’s this whole other area there, where if you get
it that you’re not ugly, there’s some old business with
mom that’s pretty intense.
Client: I don’t know. [Laughs]
Therapist: Sounds like it.
Client: Oh, yes. Because actually the first place that came
from was, she told me a man wasn’t going to like me
because I didn’t have enough to grab onto up here.
I mean I do have a lot of messages from her that I
wasn’t—
Therapist: Well, sounds like she needed you to be below her on
the ladder. Is that right?
Client: Well, I do n ’t know. What I’m thinking about—I mean,
that’s the amazing thing. The way I explain it to myself
is, she was very overweight for a big chunk of her ado
lescence and young adulthood and had very low self
esteem, and so in some ways she’s very identified with
me, and it was so im portant for me to have the perfect
52 D epth-O riented B rief T herapy
Therapist: Would you right now try out saying, “It’s very impor
tant to me to believe I’m ugly.”
Client: [Big, fast, loud sigh]
Therapist: lust try it out.
Client: OK. So—
Therapist: See how it feels. Without thinking about it. Just say it
and see how it feels.
Client: I’m trying—it’s very hard. Those words have—It’s very
im portant to me— [Long pause; visible squirming in
chair; eyes down]—to believe I’m ugly.
Therapist: How does that feel?
Client: I don’t know. I didn’t—I can’t make it real.
Therapist: Would, would you look right at me—
Client: [Bursts into shrill laugh] No!
Therapist: —and, yeah, just look at me and—You know the thing
that just happened? What you just felt? That big “No”?
Try looking right at me and saying it more fully in
words: “Bruce, I refuse to let it in, that I’m not ugly.”
Client: [Under her breath] OK. All right.
Therapist: Look right at me—
Client: [Exhales a spasm of laughter]
Therapist: —and say, “Bruce, I refuse to let it in that I’m not
ugly.”
[The therapist is using the concreteness of the person-to-person
interaction in the room to produce actual integration of the
unconscious position. If the client said the sentence in an autistic
reverie while gazing at the floor, the material would remain split
off, but to express it to another person, a male person, face to face
necessitates that her usual conscious position participate in the
“knowing” of this emotional truth.]
Client: [Long pause; laughs; pause] It’s too direct. If I say it
direct with you, I have to let it in a little bit.
Therapist: Say it because it’s your true position. This thing that
happened, these are the words for that. And that’s
simply the truth of what you’re expressing, and I want
you to do it overtly in words. [Pause] Not trying to
change anything.
Client: Well, I know that. It’s just that—it’s almost physically
54 D epth -O rien ted B rief T herapy
Therapist: I see that. And you’ve just bravely put your protection
aside.
Client: Yes, and it’s really scary. T hat’s why it’s so hard to say
those words you asked me to say.
Therapist: Got it. I understand. You want a blanket before you
say it? I can get a blanket for you.
[The therapist keeps the focus on the task of saying those words.
From the client’s voice, facial expression, and overall manner, it is
clear that she has now willingly waded in and immersed herself in
the em otional waters that she earlier was describing from the
shore.]
Client: Yes. No. We do n ’t have time. OK. Um. So, I can barely
remember it, but I think what it is I’m supposed to say
is, Bruce, it’s really hard for me—
Therapist: “I’m unwilling—”
Client: Oh. I’m unwilling not to believe that I’m ugly.
Therapist: Good. OK, that’s very close to what I said. I want to say
it again to you—
Client: Yeah.
Therapist: —so you can try it out. “Bruce, I’m unwilling to let it
in that I’m not ugly.”
Client: [Pause; slowly] Bruce, I’m unwilling to let it in that
I’m not ugly. [Silence]
Therapist: How is it to acknowledge that to me?
Client: Well, it’s like I ’m fighting. It’s, it’s, it’s, it, it, it’s
actually—I have to [Laughs]—I’m fighting to keep
that other part [the “confident” persona that she
pushed aside] from com ing back in front of my
face. Because the other part is—OK, the first part is,
you know, this front that I’m really OK. T hen the
other thing th a t’s in there, that really we’re like not
even addressing, is that I feel ugly. N ot only do I
feel ugly, but I feel repulsive, repulsively ugly. So
then—we’re going to move that one a little bit that
way, because if th a t’s out there—See, I d id n ’t move
that one out of the way. T h at’s why I was still fight
ing it. OK?
Therapist: Mm-hm.
56 D epth-O riented B rief Therapy
Client: So, right. So there are two there. So if I move this one
out of the way, then there’s some way that I have to
take this one—this really stupid but very strong one
that I am repulsively ugly—and get that one out of the
way. And then I might be able to even say—as my head
shakes, which means I’m unprotected. It’s the first
time I ever held it open. God, this physical stuff is so
true!
Therapist: Yes. Yeah. Let yourself really register how this feels.
Client: I mean, because before I was closed to it and—so you
thought I—If I put one over here and one over here—
and I’m open.
Therapist: Right.
Client: Man!
Therapist: Yeah. Stay with it.
Client: [Long silence; quietly] This feels very strange.
Therapist: Unfamiliar?
Client: Yeah, it’s very strange. [Pause] So, now we’re at a
place where I can say it.
Therapist: OK.
Client: Bruce, I’m unwilling to let in the possibility that I
might not be ugly. [Pause] I am! T hat’s true! T hat’s
true!
Therapist: You are unwilling.
Client: T hat’s pretty stupid, isn’t it!
Therapist: Well, I think we’ve already seen what it’s about,
Resolving E motional W ounds 57
haven’t we. And it’s not about being stupid, is it. See
ing yourself as ugly has been doing some very impor
tant things for you, and to live without that would be a
big change, a big change in a num ber of im portant
ways. Change that seems scary.
Client: Now it seems really sad.
Therapist: Sad.
Client: In terms of not—if that really wasn’t true, suppose.
Therapist: Yes, yes.
Client: Then it would be really sad to realize that I felt so
awful all my life for nothing.
Therapist: Yes, I see. [Pause]
[The arising of this poignant feeling of sadness is a key indicator
that the client has owned and is integrating her pro-symptom posi
tion, largely de-potentizing it and clearing the way for a sudden,
fuller view of her life experience—a shift from the emotional real
ity of “I’m ugly” to the em otional reality of “How sad to have
thought of myself as ugly all my life, when I wasn’t.” Right now, for
the first time in over thirty years, the client is in a new position free
of the reality produced by the old pro-symptom construction. Rec
ognizing the significance of this m om ent, the th erap ist’s next
words are intended to further vivify and establish this new view of
herself and her life.]
Therapist: Just think how sad it would be to keep feeling you’re
ugly from now until the day you die, if it’s not true.
Client: [Silence] Well, you know what it does.
Therapist: W hat’s “it”?
Client: Keeping in place the belief that I’m repulsively ugly
and that if anybody got through my persona they
would know that, and it would be humiliating. [Pause]
To have someone go, “Yuk!” again would be unbear
able. So, in order to never—OK, that’s it, that’s it
exactly. If I hold onto that I never have the chance of
somebody ever saying, ‘Yuk!” to me again, because no
one is ever going to get close enough.
Therapist: Yes. So that’s—so you made a decision never to be vul
nerable to somebody going, ‘Yuk” again.
Client: Mm-hm.
58 D epth-O riented B rief T herapy
Therapist: And part of that decision was to never again trust that
you’re not ugly, because trusting that you’re not ugly
would mean you’d let somebody really see you.
Client: T hat’s right.
Therapist: And then they might go, “Yuk!”
Client: They would. [Laughs]
Therapist: And that was so painful—a big shard of glass in you. So
the pain of thinking you’re ugly is worth the safety it
gives you from any more shards.
Client: [With decisiveness] That’s right.
At the next group meeting, two weeks later, she made these
comments: “That was the most powerful piece of therapeutic work
I’ve ever experienced. The shard isn’t there any more. I feel dif
ferent. I’m really amazed. O ur work allowed me to reach a sense
of profound clarity and to make a palpable, internal shift.”
Then no oth er com m ents were exchanged about this work
until ten weeks after the session, when the therapist asked how the
results of that session were holding. H er response: “It’s holding
remarkably well, and I’m really pleased about that. I really do have
a different inner position about the issue of how I look. Sometimes
I have to work at it to think it through again, but I think I’m really
able to let go of the idea that I am both ugly and repulsive and
have always been that way. I really have been able to mostly keep
some perspective on that.
“One of the things I did was go back through photo albums for
years and years and years, just to take another look from a differ
ent perspective. That was helpful.
“The other, the major change is that I’m not—I d on’t have so
much negative chatter going on when I’m passing myself in the
mirror. T here’s quite a bit less negative chatter, and that’s really
nice. And I have been able, I think, to really drop a good chunk of
defensiveness that I have had between me and people, so that I
have less anxiety being around people, and I d o n ’t have as much
of a wall up. T hat’s a lot to say, but I—that’s the way I experience
it. It’s ju st easier to be with people, because I’m not guarding
against that unconscious belief that people are going somehow to
see, if I’m not very guarded. So, it’s wonderful, it’s really good! And,
I still am feeling very grateful and quite amazed.”
In another follow-up four months after the session, she reported
with great amusement that at an occasion with some friends who
60 D epth-O riented B rief T herapy
Commentary
This work illustrates the direct accessibility, through radical inquiry,
of the client’s unconscious, pro-symptom construction, leading to
rapid resolution of a raw, lifelong emotional wound in self-regard.
Since the presenting symptom was low self-esteem that physi
cally felt like a cutting shard of glass in her abdomen, it was clear
from the start that the problem involved an unresolved emotional
wound and therefore that direct resolution would be necessary.
That is, the symptom would indeed have to be eliminated (rather
than reconstrued and reclaimed as a strength), requiring a trans
form ation of the pro-symptom position in which the em otional
wound was a central element.
The therapist did nothing but carry out the two top priorities
of depth-oriented brief therapy, namely, (1) radical inquiry in
search of the emotional truth of the symptom (the subjective real
ity within the client’s pro-symptom position), followed by (2) expe
riential shift, here in the form of position work, which means
having the client experientially inhabit and consciously integrate
her previously unconscious, pro-symptom position.
The transference aspect of this session warrants com m ent.
Transference-minded readers may be biased toward interpreting
the session as a “transference cure” rather than as showing the
effectiveness of the methodology of DOBT. The argum ent pre
sumably would be that hearing the male therapist support a view
of her as lovely dispelled the client’s view of herself as ugly. How
ever, the client herself showed that this was not occurring when,
following the therapist’s final comment on her being lovely or not
ugly, she had an experience that she described by saying, “See, I
can’t really—I can’t take that in.” Whatever positive transference
may have been occurring clearly did not sweep away her still
unconscious attachm ent to her view of herself as ugly. It was the
subsequent position work that enabled her to release this view. A
positive transference would, of course, have inclined her to coop-
Resolving E motional W ounds 61
erate with this work, but it was not central to how resolution was
achieved. A lifelong, negative self-concept is virtually always accom
panied by a tenacious, core belief that receiving any positive regard
only means the other person has been successfully fooled.
Through radical inquiry and position work, therapist and client
discovered, and the client experienced, the emotional truth of the
symptom, namely that “I’m ugly” was all along serving to protect
her in various im portant ways. In the arena of gender attractive
ness she had received a cutting blow so deep and painful that she
would rather resign forever as a player than risk being slashed like
that again. She resigned by creating a construal of herself as a lost
cause, rationalizing her withdrawal from the field. Forming this
construal was a strategic protective action shielding the vulnera
bility of the emotional wound. In addition, “I’m ugly” protected
her from spiritual and marital ruin due to uncontrollable sexual
ity and from refuting her underm ining m other’s view of her and
possibly rupturing their relationship.
A governing or superordinate elem ent of h er pro-symptom
position was her purpose of maintaining safety from these dangers
through the strategic, protective construal, “I’m ugly.” Inviting her
to own and assert this purpose (in the form of a refusal to be with
out her strategic, protective device) was the pivotal position work
of the session. Asserting this superordinate purpose allowed her to
extract her identity from all of the other, subordinate elements of
her pro-symptom construction including the belief “I’m ugly.” She
experienced that it was the protective value of this belief, not the
truth value, to which she was clinging. Exposing what the symptom
is covertly achieving is the deconstruction of the symptom—not
merely a conceptual deconstruction, as in literary criticism and
political and clinical analysis, but an experiential deconstruction,
the client’s living encounter with her symptom’s unseen but cru
cial value to herself.
Already wounded in her view of herself by her m other’s mes
sages of inadequacy, it was with stunning finality that she heard the
teenage boy’s “Yuk!” as confirming the objective visibility of her
shameful insufficiency. She experienced his view of her as sharply
cutting. The im portant point, however, is this: In all subsequent
moments it was her own view of herself as ugly that kept cutting. It
was she herself who continued unconsciously to insist on applying
62 D epth-O riented B rief T herapy
the cutting shard of “I’m ugly” for its protective value. In other
words, her own solution to the problem of vulnerability was to hold
tight to the very construction that was a shard in her body.
Through the position work of overdy owning her covert use of “I’m
ugly” for self-protection, she rendered it useless for that purpose
and so became willing to relinquish it. In removing “I’m ugly” from
her view of reality, she also removed its kinesthetic aspect, the
shard, from her body.
The therapist did not conceptualize her view of herself as ugly
as a cognitive error requiring “correction.” There is no such con
ceptualization in depth-oriented brief therapy. Rather, the thera
pist “knew” from the start that her view of herself as ugly existed as
part of a coherent, if hidden, unconscious construction of mean
ing: her pro-symptom position. In the client’s world, whatever is,
is because some position of the client needs it to be that way.
The session is also useful to consider in terms of the orders
of change occurring. The therapist knew very well that his first-
order dem ur that she was not in fact ugly had very little thera
peutic power (even though he genuinely m eant it), because her
“I’m ugly” position had second-, third-, and fourth-order com
ponents that this first-order refutatio n would no t budge. A
second-order construction is the m eaning attributed to particular
perceptions and experiences. As a second-order process, the
th erap ist offered a developm ental perspective designed to
change the very m eaning of the client’s adolescent experience
of being ugly. The m eaning of her appearance at twelve shifted
from “assessment of perm anent, essential self” to “snapshot of
transient, developing self.”
Most of the session, however, was an execution of third-order
change. The third order of structure within a position is comprised,
by definition, of the constructs that determ ine which among all
possible second-order constructions of meaning will be applied to
particular perceptions or experiences. Specifically, the third order
is the domain of purposes served in selecting constructions of mean
ing. It emerged that this woman had three different unconscious,
protective purposes for harboring the strategic, second-order con
struction “I’m ugly”: prevent further trauma of slashing rejection,
prevent sexual sinning, prevent alienation from mother. When she
realized these purposes and relinquished them (a third-order
Resolving E motional W ounds 63
her work or personal life. She remained functional but would fre
quently lose momentum, begin “procrastinating,” and see herself
as incapable of succeeding at things she valued, such as her urban
planning projects at work or her relationships with men. She had
been m arried for three years in h er twenties and had ju st one
month earlier left a two-year relationship because of feeling hurt
and angry over the m an’s too-ambivalent feelings. However, she
and he were now tentatively resuming their involvement.
Despite previous episodes of psychotherapy in her life, she was
at a loss as to what was keeping her in a mood of unhappiness that
prevailed over all circumstances. These previous therapies were
open-ended and unfocused, and now she wanted brief, focused
work. H er ten sessions of depth-oriented brief therapy involve
addressing symptoms and pro-symptom positions of greater com
plexity than we have previously considered.
Session One
Given that the client was unaware of what in her view of reality war
ranted being depressed, the therapist in the first session made a
wide range of inquiries aimed at identifying a symptom-positive
context, a specific area of life experience in which her depression
was necessary and meaningful. Asked when she gets depressed, she
thought and said, “When I get excited and things are going well
and I feel successful and happy, a m om ent comes when I notice
that, and then immediately I get depressed.” To a therapist who
thinks in terms of DOBT, this last remark has a particularly strong
stamp of a hidden, pro-symptom position that is incompatible with
feeling successful and happy. In an attempt to invite more of that
pro-symptom emotional truth into awareness, the therapist gave
her as a between session task an index card on which she had writ
ten the sentence fragm ent, “If I let myself stay successful and
happy—” The client was to look at the card daily and notice what
occurred to her.
Sentence completion tasks are often useful for radical inquiry
because an unconscious position generally cannot resist the oppor
tunity to complete a sentence that is highly relevant to the posi
tio n ’s central them e. The person experiences the com pleting
words autonomously suggesting themselves, revealing the views,
Rksoi.vinc; Emotional W ounds 65
Session Two
At the start of the session the client reported that the only thing
that occurred to her in carrying out her task (completing the sen
tence fragment, “If I let myself stay successful and happy . . .”) was
66 D ep th -O rien ted B rief Therapy
basic em otional style to suit the o th e r’s needs are rem ote. The
result is a rew ounding rath er than a resolution.) A man who is
emotionally sensitive and loving from the start is simply the wrong
man, totally irrelevant to her unconscious plan and therefore not
an emotionally interesting figure. This was the reality within her
unconscious, pro-symptom position on relationships with men.
Recall that one of her presenting symptoms was a strong pat
tern of “always managing to see myself as bad.” It was clear at this
point that a classic construction of low self-esteem was operating.
Her unconscious com m itm ent to m aintaining h er fragile em o
tional bond with a rejecting father required construing herself as
bad, insufficient, unlovable. The only way she had for sharing an
emotional reality with him was to agree with him about herself—
that is, to regard as objectively true all the feelings of in h eren t
unlovableness she had when with him. To let go of this negative
construction of herself would also be to let go of her familiar sense
of connection to him. In her pro-symptom position it was impor
tant to preserve her negative self-sense in order to (1) stay in the
same experiential reality as her father and (2) keep pursuing her
plan to have him reverse her negative view of herself with his love.
If she were to unilaterally shift into regarding herself as worthy and
lovable, she would be letting go of her need for father without hav
ing the happy ending she seeks. In short, the classic construction
of low self-worth is m aintained for the purpose of protecting
against irreplaceable loss of the em otional bond in the primary
relationship in which the negative view of self was learned. The
symptom of low self-worth, which to the client’s conscious mind is
a problem, is actually her solution to still-higher-priority problems,
such as how to preserve emotional connection to a rejecting par
ent. Changing the client’s solution (symptom) is of course much
easier when the therapist knows what problem it is solving. (We
provide a review of the higher-priority problems “solved” by stay
ing in low self-esteem in Chapter Six. Readers versed in object rela
tions theory will recognize a similarity, though not an equivalence,
of these ideas with, for example, those of Fairbairn.)
Since being lovable is of the most fundamental importance to
each person, to construe oneself as inherently unlovable generates
a pervasive depression (whether consciously recognized or not) as
well as chronic fears of intimacy and rejection. These are the costs
68 D ep th -O rien ted B rief Therapy
Therapist: So how did you cope with always being afraid, that
danger of him exploding?
Client: I just became silent. If my parents were together and
either of them asked me anything about myself, I just
wouldn’t answer. I never felt dad listened to me any
way, so I just didn’t offer anything. . . . We just stopped
talking to each other at all. Later his hearing deterio
rated, and dad just receded, for me.
Therapist: Would you be willing to picture him, the way he
looked when you were younger, and say some things
to him?
Client: OK. [Closes eyes]
Therapist: Let me know when h e’s there. [Pause]
Client: Ready.
Therapist: As you look at him, try saying, “I’m really unhappy I
have a daddy I’m afraid of.”
Client: I’m really unhappy I have a daddy I ’m afraid of.
[Gets teary and sniffly] It’s also true that—I’m
really unhappy I have a father that d oesn’t u n d er
stand me. And actually [Now nearly crying] what
I’m really saying when I say that is, a father that
doesn’t care about me, because I always felt that if
Resolving E motional W ounds 73
it was som ething I had been coming to for a while—I mean, for
twenty years or thirty years or so—and it’s something that I’ve been
wanting to say—you know, that I was right, I could see that things
were wrong. And it’s been having a very real effect, because know
ing I’m right about how things were is actually giving me the con
fidence to make decisions and do things that I might not have the
confidence to do. Yeah. O ther therapy I’ve had d id n ’t make the
same kind of progress.”
Since the improvement was so marked in both her mood and
her confidence in making the decisions facing her, she brought up
the possibility of ending therapy within a few more sessions and
suggested meeting less often than weekly, to which the therapist
readily agreed.
The ultimate stage of separating from o n e ’s family’s view of
reality is to hold a different reality while in their presence. To this
end the therapist invited her to do a simple rehearsal of being with
her family while in the symptom-free position of knowing she’s
right. This exercise would foster any further experiential shift that
might be necessary for sustaining this degree of autonomy.
She then said she was in fact about to visit her family (on the
opposite coast). The therapist asked if, in light of the work she’d
done in these sessions, there was a specific goal she wanted to have
for this family visit. She said that “the hardest and most damaging
thing” about visiting her family was the depression she inevitably
goes into as a result of com paring her own life and the choices
she’s made with the affluence, career stability, and advanced levels
of achievement of her family and friends, and especially the fact
that her friends have children. She starts to feel “left out, and I
hate feeling left out and left behind. I start to feel that I’m not OK
and don’t belong.” The therapist asked if her choices in life, being
right for her (a deliberate invocation of her new clarity of know
ing she’s right in her assessments), have entailed both certain
losses and certain differences from her family and friends, which
she vividly sees during a visit. She agreed with this description.
The therapist then gave her a task of position work. She sug
gested she deliberately get depressed about these losses and dif
ferences ahead of time, before the visit. She explained that since
her choices, though right, have entailed some actual loss and sep
aration, sad feelings over the loss and separation are entirely fit
ting, but she could face and feel these feelings knowingly, before
arriving, rather than unknowingly have her mood deteriorate due
to half-conscious comparisons triggered during a visit.
The task of deliberately getting depressed before the visit may
appear to be a paradoxical intervention because it prescribes the
symptom, but it was not a strategic, “trick” type of paradox. Position
78 D epth-O riented B rief T herapy
work in DOBT is exactly the process of having the client own her
symptom-affirming position. The therapist was inviting this woman
to preestablish herself in sharp awareness of the emotional truth of
her situation, which is that she is a choice-making person who
accepts, with some sadness, the costs of her choices and is not a vic
tim of those costs. She said, “T hat sounds good—I mean, I’m
already feeling it that way—I think it comes from my dad and my
sister had a real tight relationship, and I was kind of left out. There’s
a long history of that feeling . . . . Can I have a blank card, to write
that down?” She said she would write, “My choices are right for me,
even if I’m sad about some of the consequences.”
She also wanted the therapist to know that she had ju st suc
cessfully finished a major project at work, but that “it was almost
too easy. I didn’t have a lot of struggle and agony over it, which I’m
so used to thinking is a part of the formula for som ething to be
worthwhile, that it’s got to be agonizing.” More on h er worka
holism now emerged. For all of her adult life she felt that “if work
isn’t an all-consuming, colossal effort, it can’t be very meaningful.”
She has always worked long hours, often until 10 p. m . She said,
“There’s a real high that you get” from that kind of strenuous, total
immersion in the effort. This portrait of a chronically depressed
person whose workaholism gives not just thorough distraction from
her personal life but an intense “high” corroborated the therapist’s
sense that this habit was her main protective action against feeling
that depression.
In session seven, three weeks later, she reported on her family
visit. She said, “At times it was pretty intense. . . . A couple of situ
ations happened that were identical to the ‘I ’m right about the
problems in the family even if you deny it.’ It was really uncanny,
actually.”
She described an incident in which she was with her parents.
All were in a fine mood (dad had already had his afternoon mar
tinis), and since her parents began discussing some of the emo
tional tensions between dad and her sister, she offered her view of
the problem, which included how dad, and not just sister, was con
tributing to the tension. This seemed to be going well, but at some
point dad told her she was crazy, and when in response she told
him not to do that, his mood abruptly changed and he was sud
denly right in her face, yelling at her and waving his finger. After
R eso lv in g E m o tio n a l W ounds 79
he stopped she was visibly shaken by his emotional assault, but for
the first time in her life, “I didn’t feel diminished by this, which is
the way I’d always felt. I didn’t feel small, physically small, or con
fused; I didn’t feel at all confused.” Dad, now very defensive, said,
“Basically what you’re saying is that you hate me.” She told him that
actually she loved him very much, and then said, “You know what,
dad? Something that I’ve wanted to say for a long time is that you
have never said that you loved me. And that’s felt like a real gap in
my life.” Dad responded, “Well you know, that’s true. You’re prob
ably right. I’m fairly certain that I haven’t. I thought that was just
something you said to your wife, and d id n ’t need to say to your
kids.” She said, “Well, it really does make a difference.” The sub
ject then changed and normal activities resumed. Several minutes
later, as they were about to go their separate ways, her father said,
“Just a m inute,” walked over to her, hugged her, and said, “I love
you.” She said this was “a surprise, and really nice. I did n ’t think
there would be any impact, or that he would’ve rem em bered.”
By transforming her unconscious position from “h e’s unloving
to me; I’m unlovable” to a conscious position of “h e ’s unloving to
me; that’s very wrong,” she could then relate to her father in a new
way that required him to answer to her legitimate grievance. This
in itself was the transformative and healing shift, quite aside from
any favorable response from her father. In fact, we pointedly tell
clients in such circumstances not to expect a favorable response,
and that the purpose of taking a self-validating, self-affirming posi
tion in relation to an abusive parent is to establish oneself as self-
affirming, regardless of response. It was a bonus that this woman’s
father responded, momentarily, with the loving behavior a dad
ought to express. No other such displays of feeling occurred.
The therapist asked if anything during the visit connected with
the central emotional truth that had emerged in a previous session
in the words, “My unhappiness over feeling unloved by my dad is
bigger than any happiness I’ve been able to have.”
She said, “Most of the time I felt a lot lighter than I’ve felt in
years, which comes from the awareness of that. I think that was a
real key thing for me to acknowledge. I was really aware o f how
much more buoyant I felt, just in general—how much easier it was
for me to be silly and to have fun and just to be positive. . . . Being
so much more able to have fun is to me a strong sign that despite
80 D epth-O riented B rief T herapy
the baggage I’ve been carrying around about my dad, I’m able to
get free of that now.”
While that central emotional truth was unconscious as a posi
tion of hopelessness, she was depressed. Having consciously
embraced, validated, and begun to grieve it, she had moved out of
it and now described herself as buoyant, positive, readily silly and
having fun—strong indications of depression dispelled and the
position of hopelessness dism antled. C urrent happinesses now
stood on their own ground. Her newfound appreciation of and
capacity for fun was a manifestation of her new position of know
ing she’s right and following her own (instead of dad’s) interests,
dissolving her old position of staying connected with dad by sub
ordinating her reality to his.
rung?’ And I thought, ‘This is what it would feel like!* And I real
ized that that was another thing that has come out of the sessions:
getting to where I expect to be taken seriously, and feel happy
about it happening instead of unhappy over not being important.
And there’s also the event that happened when I was visiting my
parents, and we had done visualizations and it had happened, and
it struck me how powerful this work is, because it gets to the heart
of what’s important to me.”
To the therapist it was significant that she felt excitement over
a man who from the start was emotionally open and mutual. Since
the client once stated, “T h ere’s never been an attraction for me
with someone like that” (session two), this excitement indicated a
fundamental transform ation of her unconscious, pro-symptom
position from com m itm ent to getting a man like dad to bestow
love and make her lovable, to knowing she is inherently lovable
and being with a man who already appreciates that.
Her focus now returned to the previous session’s themes of
work and career. She reported that despite remembering what she
wanted to do—relax and enjoy her work, whatever it would be—
she had immediately consumed herself in planning an ambitious
project, knowing all along that “this had nothing to do with relax
ing at all.” However, after weeks of planning, she abruptly dropped
the project. Concerned about this bout of workaholism, with which
she coped by again abandoning serious work, she explained that
she wanted “to develop a pattern that allows me to accomplish
things in a scaled-back way, so that I d o n ’t have to have this big
push and long hours of work.”
She went on to say, “T h ere’s another thing th at’s going on ,”
and introduced som ething she suspected m ight be making her
reluctant or even fearful of getting fully reinvolved in work. It had
to do with a jo b she’d had for almost five years, ending two years
ago. “I think I have to face that my experience in Jack Sm ith’s
office [fictitious name] was really painful, and the idea of going
back into full-time work is very frightening to me, actually. I’m
afraid to go back to work for somebody because I’m afraid that I’ll
be a bad employee, basically—because things were so awful at
Jack’s, and it was never clear to me what I was doing wrong.
[Pause] I think I need to go over that [Beginning to cry] because
it’s still really painful.”
82 D epth-O riented B rief T herapy
and letting yourself say everything you need to say to him, every
thing that wants to come out?”
Speaking through tears to her image of her former boss, she
said, “The fact is, Jack, it was mostly your fault for being such an
awful manager. [Pause] 1 tried really hard to make you a better
manager and to make it easier on both of us. I sat down with you
and told you what the project needed, and how I needed your
help, and you’d sit and listen and agree, and then nothing ever
changed after that—it just went right back to the way it always was.
Finally I just gave up. But I was wrong to feel guilty for everything
getting out of control, because it was your responsibility. [Cries
harder; sobs] And you know, I’m really sorry we couldn’t end our
relationship better, with more respect and appreciation, and I tried
hard to do that, too, but I could see that you just wanted to build
up a sense of resentm ent and victimization, because in your eyes
somehow I let you down. But I ju st c o u ld n ’t provide what you
needed, and I d id n ’t deliberately let you down. [Cries]” To the
therapist she then said, “You know, I depended on Jack a lot for an
image of myself\ and in the end, when he accused me of being a
bad team member, I really questioned what I was doing and what
was really going on.”
That she had replayed with this boss the emotional patterns
experienced with her father was now even more strikingly clear to
her. She said she felt better from saying these things and that she
needed them to be a mantra that she keeps repeating. Asked what
the specific words of the mantra should be, she said, “It’s not my
responsibility that the projects were over budget and out of con
trol.” It was clear that these words were a reassertion of her earlier
breakthrough, “I’m right about the problems in the family.” The
therapist wrote the “m antra” on an index card and handed it to
her. Reading the card, she said, “It makes me feel really good just
to look at that.”
Session Ten
The next session occurred three weeks later. The client reported,
“I’ve actually been feeling a lot more relaxed about what’s going
on for me right now . . . I’ve been spending time figuring out what
I want to do with my time and what feels right for me, over the
84 D epth-O riented B rief T herapy
Therapist: Sounds like that part of you doesn’t give any value to
following your interest. Almost as though that part of
you says, “You should stay with what you’re doing,
whether you feel interested in it or not. T hat’s real
character. T hat’s a serious worker.”
Client: Yeah, yeah. It’s true.
Therapist: Stay in one place and build that career. T hat’s the only
measure of your character.
Client: Yeah. Completing the thing.
R eso lv in g E m o tio n a l W ounds 85
Time was now up. She said it still felt right not to schedule
another session, and that she would call if and when needed.
Commentary
The therapist was often at sea in the midst of the unfolding com
plexity of this client’s pro-symptom positions but had a compass, a
direction: radical inquiry into the emotional truth of the specific
symptom currently in consideration. Persistence in radical inquiry
R eso lv in g E m otional. W ounds 87
Sum m ary_________________________________________
We have studied exam ples o f rapidly resolving the presenting
symptoms of lifelong depression and low self-esteem as well as
the deep em otional wounds generating those symptoms. This
was accomplished by carrying out the two top priorities in depth-
oriented brief therapy: (1) radical inquiry to identify the hidden
emotional truths necessitating the symptom, and (2) experiential
shift to transform key constructions o f reality com prising the
c lie n t’s unconscious, pro-sym ptom position. These two key
processes alternate and interweave in the course of working with
a pro-symptom construction of some complexity. The therapist
freely pursues any part of the methodology of DOBT as needed,
in any sequence, and the process becomes a nonlinear one and
continues until all relevant pro-symptom positions are dispelled.
For dispelling low self-esteem, two types of experiential shift
are needed: (1) Through position work, the client directly feels
and knows his or h er (third-order) purposes served by m aintain
ing the negative construal of self and becomes aware of being
unwilling to harbor positive self-worth, for the sake of those vital
purposes. The realization of actually being the purposeful imple
m entor of the state of low self-worth dispels both the plausibil
ity of that construction and its seemingly involuntary nature. As
a result, the client for the first time allows (2) changes in
(fourth-order) knowledge of the nature of self, such that the self
is no longer construed as hopelessly deficient.
Resolving E motional. W ounds 91
Notes
P. 4, Our remedies oft in ourselves do lie: W. Shakespeare (1988), All's Well
That Ends Well (Act I, Scene 2), New York: Bantam.
P. 67, a sim ilarity , though not an equivalence , o f these ideas with , fo r example,
those o f Fairbairn: W. Fairbairn (1974), Psychoanalytic Studies o f the
Personality, New York: Routledge, Chapman 8c Hall. (Original work
published 1952.)
P. 91, Bateson's scheme o f the “logical types" or orders o f change: G. Bateson
(1972), Steps to an Ecology o f M in d (pp. 2 7 9 -3 0 8 ), New York:
Ballantine.
CHAPTER 3
93
94 D epth-O riented B rief T herapy
• Emotional wounds
T h e E m o tio n a l T r u th o f t h e Symptom 109
• Presuppositions
• Protective actions
orders of position along its horizontal span, and along its vertical
span are the two major levels of awareness exam ined earlier:
unconscious pro-symptom constructs and conscious anti-symptom
constructs.
The specific constructs of the client listed above are entered
into the chart. In any one box the therapist enters a verbal indica
tion of any and all constructs (emotional, cognitive, kinesthetic,
and behavioral; presuppositions, emotional wounds, and protec
tive actions) that are involved in the presenting symptom at the
order of position and level of awareness of that box. The entries in
the four boxes of the lower horizontal row then together make up
the client’s pro-symptom position (which, subjectively experienced,
is the emotional truth of the symptom). The specific constructs in
the pro-symptom position make clear what the symptom-positive
context(s) are. Similarly, the upper horizontal row makes up the
client’s conscious, anti-symptom position; symptom-negative con
texts are readily apparent.
The filled-in chart in Figure 3.1 is a static view or snapshot of
the therapist’s knowledge at the point in the work when radical
inquiry was complete enough to give the therapist the needed clar
ity into the emotional truth of the symptom. Such snapshots can
also be created for other points in the process of therapy, showing,
for example, the subsequent process of change and the final, res
olution position of the client. By filling in the chart session-by
session from the start of therapy, adding newly discovered con
structs, the therapist creates a comprehensive picture of the emerg
ing structure of the client’s constructions relevant to the presenting
problem. Thus the chart provides an efficient, convenient way to
make case presentations or to summarize therapy-in-progress when
conferring with a consultant or supervisor. Such a picture is espe
cially useful to the therapist in the process of learning depth-
oriented brief therapy. It helps the trainee to stay oriented in rela
tion to the body of information gained at any point (some degree
of disorientation in the emerging material is natural) and to iden
tify where in the four-level structure the therapist needs more clar
ity and should focus radical inquiry. We hasten to emphasize,
however, that d u r in g a therapy session , it is n o t theoretical considerations
such a s order o f p o sitio n th a t g u id e the th era p ist in p u r s u in g the tw o top
p rio ritie s , r a d ic a l in q u ir y a n d e x p e rie n tia l sh ift. (How the therapist
Figure 3.1. Sample Chart of Client’s Anti- and Pro-symptom Positions,
Showing Constructs at Various O rders of Position.
O R D E R S O F P O S IT IO N
FIRST ORDER SECOND ORDER THIRD ORDER FOURTH ORDER
Purpose enacted: Attribution Purpose to be Construal of ontology:
concrete thoughts/ of meaning served by nature of
feelings/behavior in concrete attributions of self/others/world
situations meaning
case, the source of the behavior is known before the action occurs.
If all our actions consisted o f only these kinds of events, there
would be nothing to explain. . . . \T ]h e normal person does not possess
a unitary conscious mechanism in which the conscious system is privy to the
sources o f all his or her actions. . . . [T]he normal brain is organized
into modules and . . . most of these modules are capable o f actions , moods,
and responses. A ll except one work in nonverbal xoays such that their
modes of expression are solely through overt behaviors or more
covert actions [italics added].
Sum mary_________________________________________
To conclude this chapter, we will use the position chart (Figure
3.1) as a teaching device to make some final points. First, the chart
makes it especially clear why DOBT’s utilization of emotional truth
tends to have the beneficial ontological effect mentioned earlier—
that is, restored sense of self-worth and core well-being, whatever
the presenting problem may be. In general, as our case examples
have shown, bringing a client into awareness and conscious own
ership of the emotional truth of the symptom includes awareness
of his or her purposes for producing and m aintaining the symp
tom—the third-order constructs in the pro-symptom position.
Becoming aware of these third-order purposes is a change whose
immediate ripple effect is the fourth-order realization by the client
that his or her own mind has been full of sense and coherent func
tioning in producing the symptom, something that seemed at first
to be evidence of defectiveness or pathology. This accompanying
fourth-order realization of having a mind whose deep nature is of
such intrinsic intelligence and coherence restores the sense of self-
worth and well-being. This effect occurs even if the fourth-order
realization remains entirely implicit and there is no explicit change
in fourth-order content (such as a change from “I am unlovable”
to “I am lovable”).
Second, the filled-in chart (shown in Figure 3.1) serves as a
map that gives visible form to a region of the client’s architecture
of reality that the therapist has induced the client to discover.
Mental constructs are, of course, created out of human imagina
tion, but once installed by the owner in his or h er experiential
reality, they operate as enduring, detectable, identifiable mental
objects with particular properties. In other words, a construct may
be said to be invented when it is first formed and installed by the
individual, but subsequently it is discovered by the owner to be pre
sent in his or her mental world. (The mental objects that we our
selves invent may be the only kinds of objects that we can know
directly enough to discover.) In depth-oriented brief therapy, rad
ical inquiry is a process of discovering, not inventing, the client’s
already-present network of constructs relevant to the presenting
symptom. Any com petent therapist should discover the same set
of constructs (allowing for superficial, stylistic differences in how
122 D ep th -O rien ted B rief Therapy
level, and so on. By extending this pattern, we can see that the sixth
order is a domain of discrimination that is prior to any separate-
self-construal but that gives birth to fifth-order purposes for con
struing a separate self. This sixth-order experiential reality involves
no sense of separate self, but it does involve a type of knowledge
that spawns purposes for construing separate existence.
Although some conceptual definition can be given to the fifth
and sixth levels, their unitive experiential nature is hardly imagin
able by conventional standards of reality. Actually, even through
out the first four orders of position relevant to psychotherapy, each
step up (or down) is a very big one, an exponential expansion (or
contraction) of the field of meaning—a kind of Richter scale of
reality.
Some clients describe significant change-prom oting effects
from numinous or transcendent experiences in dreams or waking
life, which may represent experiential contact with fifth- or sixth-
order constructs. Note that the unconscious constructs at any order
of position can, in the autonom ous m anner of such material, at
any time transiently and partially come into the awareness of the
conscious “I” as imagery a n d /o r as direct, lucid apprehension of
meaning.
Having considered the fuller meaning of the emotional truth
of the symptom as described in this chapter, the reader is ready to
explore the m ethodology of DOBT for discovering it: radical
inquiry.
Notes
P. 93, But such is the irresistahle nature o f truth . . T. Paine, “The Rights of
Man (Part 2 ),” in E. Foner (Ed.) (1995), The Collected W ritings of
Thomas Paine (p. 548), New York: Library of America.
P. 97, the social con stru ction ist m ovem ent: See, for exam ple, P. Berger
and T. Luckman (1966), The Social C on stru ction o f R eality, New
York: Doubleday; K. Gergen (1985), “The Social Construction
ist Movement in Modern Psychology,” Am erican Psychologist, 40,
266-275.
P. 97, the radical constructivist movement: See, for example, E. von Glasers-
feld (1984), “An Introduction to Radical Constructivism,” in P Wat-
zlawick (Ed.), The Invented Reality (pp. 17-40), New York: W. W.
Norton; E. von Glasersfeld (1987), The Construction of Knowledge, Sali
nas, CA: Intersystems.
124 D ep th -O rien ted B rief Therapy
127
128 D epth-O riented B rief T herapy
Powerlessness____________________________________
Paradoxically, the therapist’s base of effectiveness in DOBT lies in
knowing that he or she has zero power to make the client change.
It is the client who is the real agent of change, and for therapeu
tic efficacy the therapist is totally reliant on client motivation.
R adical. Inquiry: T he Stance 137
sense of how the symptom has been the client’s way of striving to
meet those important needs and themes, though at a cost that moti
vates him or her to finding a new way to do this. Throughout this
work, the therapist, knowing that it is the client’s own formidable
power to create, hold, and change positions that determ ines
whether the symptom is m aintained or changed, never views an
adult client as actually helpless, even when empathizing with the
client as feeling helpless.
We recognize one im portant exception to the stance ju st
described—the case in which the presenting symptom involves
overt harm done to another and an attitude consisting of malevo
lent intent, flagrant exploitation of a power differential, a n d /o r
absence of empathy for suffering inflicted. When these antisocial
positions are involved, we do hold a value judgm ent of them as fun
damentally unacceptable, although the degree and m anner of
expressing this to the client is decided on a case-by-case basis.
The concept of the symptom’s coherence within the operation
of the psyche is not a new idea in the history of psychotherapy. In
various forms it can be traced back to Freud. More recently, fam
ily therapist and systems theorist Paul Dell made the case that a
constructivist view of coherence should replace the conceptually
flawed and ad hoc concepts of homeostasis and resistance. What is
new in depth-oriented brief therapy is the very deliberate, perva
sive, persistent, and precise use we make of o u r assum ption of
coherence, in every session, for working in depth to find the ele
ments of meaning that are generating the presenting problem, and
for getting rapid results.
In practice, the central question for radical inquiry into a pro
symptom position ( What construction exists that makes the symptom more
important to have than not to have?) gets more specific and branches
into three guiding forms or variations:
A somewhat more subtle requirem ent than the need for expe
riential work, but an equally stringent one, is the requirem ent that
the work also be phenomenological. This means that the therapist
works entirely within the terms of the client’s own constructions of
meaning and does not subordinate the client’s constructions to
any that the therapist brings, including psychological theories and
diagnostic labels. DOBT’s conceptual scheme—a scheme only of
how the client’s construction is internally organized—has no exter
nal explanatory content claimed to be senior to anything the client
can experience as true for himself.
The therapist’s attention during a session is fully absorbed in
the client’s present experiencing and in the moment-to-moment
task of responding to the client in ways that bring about radical
inquiry (revelation of structures of meaning) or experiential shift
(transformation of structures of m eaning). The clarity into the
client’s constructions of reality that is gained by the therapist in
this absorbed mode of attention is not to be confused with the for
mulation of hypotheses from an “objective” theoretical standpoint.
Jealousy of a sibling would not, for example, be interpreted as a
competitive striving or as having a family-systemic function; instead,
it is worked with strictly in terms of the person’s actual feelings,
images, losses, gains, and other construed meanings in relation to
the sibling.
Of course, as we have said, there are moments in therapy when
it is supremely valuable to the client for the therapist to voice what
he or she understands of the client’s emotional truth. Whether this
is done for the simple purpose of verification or as a way of invit
ing the client to place awareness into particular constructs of mean
ing, this articulation is always presented (1) free of any references
to theoretical or diagnostic categories and labels and (2) in a way
that makes it clear that the th erapist is su b m ittin g th is v i m to the client
fo r his or her experiential verification o f accuracy. In depth-oriented brief
therapy, it is the client who is always the judge and jury regarding
emotional truth. The therapist never imposes his or her concept
of the client’s emotional truth. It is the c lie n t s governing construc
tion that the therapist is attempting to articulate, and so it is only
the client who can experientially recognize the accuracy of that
description and subjectively endorse it as “true.” Therefore, the
therapist checks with the client frequently regarding the accuracy
144 D ep th -O rien ted B rief Therapy
A nthropologist's V ie w ____________________________
In therapy, the client’s behavior—including verbal expression—
always contains hidden doorways that open quite directly onto the
unconscious, pro-symptom position (s) sought through radical
inquiry. However, these doorways are perceptible to the therapist
only if he or she is observing in the way an anthropologist does:
R a d ica l Inquiry: T h e S tan ce 145
with no assum ption of already knowing what anything means.
Maintaining the stance of anthropologist's view means that when you
first hear your client utter familiar-sounding words and phrases
such as “angry,” “happy,” “having a shared direction,” or “depres
sion” you do not assume that you know what these words mean to
your client, or that the m eaning is inferable. You are aware that
you must pursue more specific information about what your client
means by these familiar-sounding words. That is an anthropolo
gist’s view, and it is vitally im portant for radical inquiry. A simple
example will illustrate why.
In a session of couples therapy, a woman client describes her
husband’s behavior and then says, “When he talks to me like that,
it really hurts.” Suppose that as therapist, I then have a vivid sense
that how he talks to her would really hurt me, too. Now I am assum
ing I know what she means by “hurt,” and because I am assuming I
know what she means, right there my inquiry stops going deeper.
Actually, I am now just one question away from a breakthrough in
the problem , but I never ask that next question because I am
assuming I know what she means by “hurt.”
However, if I am m aintaining an anthropologist’s view, I am
aware that I do not yet know what she means by “hurt,” despite how
strongly / relate to that word in this situation. So I ask her what she
means. I say, for example, “What about the way he talks to you is
hurtful for you?” My aim in asking this question is this: Right
behind that familiar-sounding word are the specific cognitive, emo
tional, and somes the tic structures that comprise the state she calls
“hurt.” Suppose in unconscious, perceptual-emotional memory she
has a construction of reality in which a man talking to a woman
that way means he will then leave her. Suppose this emotional tem
plate is closely linked to unhealed, unconscious emotional wounds
in relation to her father, wounds that flare with pain and fear when
her husband talks to her that way.
All this being the case, this woman used h er word “h u rt” to
refer to exactly those hidden structures of meaning and feeling, as
if everyone has those particular constructs and as if everyone is
referring to those when they use the word “hurt” in this sort of sit
uation. As the therapist I do not yet know what constructs she is
implicitly indicating when she says “hurt,” but I do know that she
is referring to a private world of meaning in that utterance. And I
146 D ep th -O rien ted B rief Therapy
Freedom to C larify________________________________
As we begin describing each of the defining features of radical
inquiry, we are tempted to write, “It’s this one that is most impor
tant,” which must mean that each is indeed indispensable. Freedom
to clarify, however, is the most important, at least for therapists new
to DOBT, because if the therapist does not assume this element of
stance, none of the o th er aspects of radical inquiry will get a
chance to operate.
Freedom to clarify means simply that in doing radical inquiry,
you feel free to do nothing but seek the clarity you need—clarity
into the hidden emotional truth that will make lucid sense of how
and why the symptom or problem (1) makes complete psycholog
ical sense to have and (2) remains needed and therefore stuck.
Freedom to clarify means that as you persistently seek clarity,
you are unconcerned with changing the client, fixing the problem, or mak
ing the symptom stop happening. You are attempting none of that. You
are only going after the clarity you need into the hidden structure
generating the presenting symptom. You are getting the client to
lead you into his or her hidden architecture of meaning, and you
are not trying to change that architecture, only to know it. Attempt
ing to make the symptom stop happening before reaching clarity
into its emotional truth short-circuits both radical inquiry and the
achievement of experiential shift (a process that becomes a blind,
148 D epth-O riented B rief T herapy
Sum m ary_________________________________________
Without the assumption of immediate accessibility, the therapist would
not attem pt the rapid discovery of the client’s hidden, symptom
generating constructions.
Without active intentionality, the therapist would not in fact do
what it takes to meet the client in the emotional truth of the symp
tom time-effectively.
W ithout the stance of powerlessness, the therapist would
attem pt to provide motivation that must come from the client,
interfering with the client’s own relationship to change—a setup
Ramcai . Inqi ;i ry: T hk S i an<:k 155
Notes
P. 127, The inquiry of truth . . F. Bacon, Francis Bacon: The Essays or Coun
sels, C ivil an d Moral', o f Francis Ed. Verulam, Viscount St. Albans (p. 9),
White Plains, NY: Peter Pauper Press.
P. 131, other such lists previously published: See, for exam ple, M. F. Hoyt
(1985), “Therapist Resistances to Short-Term Dynamic Psy
chotherapy,” Jou rnal of the American Academy o f Psychoanalysts , 13,
93-112.
P. 134, focused training in experiential emotional process: Live training in the
basic techniques of Gestalt therapy is of inestimable value for expe
riential emotional work.
P. 135, before proceeding further toward the central emotional truth o f the abuse:
See R. Schwartz (1992), “Rescuing the Exiles,” Family Therapy Net-
worker, 16(3), 33-37, 75.
P 135, In a remarkably candid an d valuable self-expose, psychotherapist Richard
Schwartz . . .: See previous citation.
P. 139, coherence should replace the... concepts o f homeostasis a n d resistance:
156 D epth-O riented B rief Therapy
157
158 D epth-O riented B rief T herapy
feel depressed anymore, but at the same time, is there any way
there might be some new, unwelcome effects, or some difficult side
to it, when you no longer go into being depressed anymore?”
(Notice that the therapist said “when you no longer” rather than “if
you no longer,” because xvhen m ore effectively evokes imaginal
experiencing, while if tends to invite intellectual speculation.) The
client reflected and said, “Well, actually, now that you put it that
way, I guess I’ll have to do all kinds of hard things that now people
don’t expect me to do.” The question in this form allows her pro
symptom position to begin to emerge. The therapist would now
continue with radical inquiry to find out what about keeping oth
ers from expecting her to do “hard things” is so vital that it is worth
being depressed.
However, most of the techniques described throughout this
chapter are implicit ways to experientially evoke the answers to the
shortest-path questions above. The names of these techniques and
methods are:
• Creating collaboration
• Experiential questioning
• Serial accessing
• Imaginal interactive techniques
• Experiential dreamwork
• Sentence completion
• Viewing from a symptom-free position
• Inviting resistance
• Utilizing unexpected resistance
• Utilizing the client-therapist relationship
• Mind-body communication
• Focused examination of personal history
Creating C ollaboration____________________________
In order to gain a new client’s readiness and willingness to col
laborate in radical inquiry, the most effective first step the thera
pist can take is to attend sensitively to the clien t’s conscious,
anti-symptom position. To the client it is crucially important to feel
that the therapist precisely understands and empathizes with her
experience of the problem and the features of her anti-symptom
160 D kpth-O riented B rief T herapy
I once knew a person who owned a small business and very much
wanted to make the business grow successfully into a much larger
business, and yet, she [he] wasn’t doing that, and over time she
Radical Inquiry: T echniques 161
“You’ve said that the change you want from therapy is [X].
What is it that makes having [X] as im portant to you as it is?
What would having [X] mean about you, or about your life?”
Therapist: I can see what a painful quandary this is for you. What
I don’t yet understand as fully as I’d like to is this:
W h at m akes h a v in g a baby as im p o rta n t to y o u a s it is?
Client: I just feel very, very strongly that I want to be a mother.
My husband and I aren’t a real family by ourselves. It
doesn’t feel solid somehow; we’re just floating.
T here’s no center.
Therapist: So, what I’m starting to understand is that you’re
describing a certain problem , which is that you have
this feeling of unrealness and unsolidness, like you’re
floating in a way, in your marriage and in general.
And you’re also describing what you see as the so lu
tio n to that problem, which is to have a baby. But per
haps the problem itself is that you experience this
164 D epth-O riented B rief Therapy
T herapist: Yes, it’s felt necessary to hold back from being real in
order to be safe, even though the cost is this terrible
lack of realness in how it feels to be you.
[The therapist has just named the emotional truth of the symptom.]
C lient: [Cries] So how do I get back to feeling real?
T herapist: What are those tears telling you about that?
Client: [Pause] That I need to somehow be real whether or
not I have a baby with Dan [fictitious name]. [Cries]
T herapist: [Pause] Is th a t the difference you want our sessions to
make for you, so that you finally get some of that real
ness and solidness you want?
C lient: Yes, but it seems so big. It’s pretty overwhelming,
actually.
T herapist: Well, if that’s the difference you want from our ses
sions, then we’ll make sure that at every point the
steps we take are just the size that seem right to you.
Client: OK.
the emotional truth of the symptom was that not losing weight was
a vital success and expressed her “determination to preserve me.”
from her was like losing a kidney, and that her fath er’s love was
h er only rem aining kidney, her only rem aining life support.
Throughout childhood she was therefore desperate to be special
to him, so that she would not lose this vital connection. Her
unconscious, pro-symptom position was one of spotting an em o
tional replica of her father (male or female) and instantly, pow
erfully form ing an um bilical connection with that person,
enjoining the familiar struggle to be seen as special. Consciously,
she had been baffled over the compulsion to obsess, merge, and
lose herself in this way.
In the following transcript the therapist makes much use of
experiential questions that have her discover how she constructs
and skillfully carries out her method for symbiotically connecting
with a father replica, “Alex,” she recently met. (This was followed
by position work [see pp. 212-214] to complete her conscious own
ership of this protective action.) The main experiential questions
used in this session are, “How do you know exactly when, or with
whom, to start having the symptom happen?” and “Is there some
thing important that the symptom does for someone else?” Expe
riential questions are preceded by the symbol >.
Therapist: > If you can picture Alex when you first saw him, how
did you know that he was the kind of person who can
give you life support?
Client: I don’t know. I was sure it wouldn’t happen again, that
I wouldn’t become a heat-seeking missile again for
that kind of person.
Therapist: Let’s look at how this marvelously perceptive part of
you recognizes the target so well.
Client: Well, it can’t be ju st that h e ’s so attractive and bril
liant. It’s more than ju st that. It has som ething to do
with the way he talks. [Pause] I feel like I’m being
given the role of an audience, with him. It’s not a
balanced give-and-take, like with other friends that I
feel relaxed with.
Therapist: > How does that very quality make him the im portant
person who can be your kidney?
[This question appears merely cognitive on the written page, but
Radical Inquiry: T echniques 169
Serial Accessing___________________________________
As we described in C hapter T hree, the em otional truth of the
symptom—the client’s pro-symptom position—is in general a mul
ticomponent construction, a set of coherently linked, unconscious
constructs of meaning that we can describe as spanning various
orders of position. If the therapist guides the client into subjective
immersion in the experiential reality of any one of these compo
nent constructs, a process of serial accessing can readily unfold, in
which each construct in turn is experienced and serves as a station
Radical Inquiry: T echniques 171
tion from the identity of her sister. Throughout childhood she was
attem pting to prove to father that she was not Jeanne, all along
feeling as though in essence she was the same as Jeanne because
she was secretly depressed and could be found out and rejected at
any time. Note that what triggered this ontological (fourth-order)
shift was the unexpected, autonomous response of the visualized
image of her father.]
T herapist: Yes.
Client: What makes her, her, is not just that she’s depressed.
Therapist: Good, good. I’d like you to again now see the other
three men [with whom she had become obsessed and
dependent] and tell each of them, “I’m not Jeanne,
even if I’m depressed.”
C lient: Say that to each? All right. I’m not Jeanne, even if I’m
depressed. They kind of say, “Well, we know that.”
Which is sort of what dad says: ‘Yeah, you’re not.”
Therapist: Would you try saying to them, “I d o n ’t have to prove
to you that I’m not Jeanne, do I?”
C lient: I don’t have to prove to you that I’m not Jeanne, do I?
They say, “No, you do n ’t.”
Therapist: And how did it feel to you to say that?
C lient: Sort of liberating.
E xperiential D re am w o rk__________________________
T h e sam e principles used in im aginal interactive tech n iq u es form
th e basis o f e x p e r ie n tia l d ream w ork in DO BT. T h e te c h n iq u e
in volves ask in g th e c lie n t to r e en v isio n a sp e c ific sc e n e o f the
dream , n ot as a m em ory o f the dream but as a p resen t ex p erien ce
o f again b ein g in that sam e scen e. T h e therapist directs the client
to in h a b it an d e x p e r ie n c e b e in g a p articu lar fig u re or ob ject
involved in the scen e and, as that figure or object, to interact with
o th er figures or objects in th e sc en e, in c lu d in g th e figure o f the
client. T h e clien t is able to inhabit and access the experiential real
ity o f anyone or anything she im agines, from w aking life or from a
dream , because every such figure is actually the visual appearance
o f a construction in the clien t’s own m ind. Experiential dreamwork
can b e a very fru itfu l a ren a for radical inquiry, b e c a u se u n c o n
scious p osition s often appear in dream s in p erson ified or objecti
fied form . T h ere is far m ore accuracy an d far m o re th erap eu tic
power in the clien t’s own, direct, experiential discovery o f the e m o
tional truth (s) rep resen ted by th e dream than in speculatively or
th eoretically in terp retin g th e m ea n in g o f the dream with, or for,
the client.
Radical Inquiry: Techniques 179
Sentence C om pletion______________________________
S en ten ce c o m p letio n is an extrem ely sim p le and straightforward
technique that can be surprisingly effective at eliciting h idden posi
tions an d th eir c o m p o n e n t con stru cts. We will review an earlier
exam p le and add a new o n e.
In C h a p ter Two th e th era p ist ask ed th e w om an w h o was
“unhappy n o m atter what” to visualize her father alon g with all the
past b o y frien d s a n d lovers w h o tu rn ed o u t to b e a m b iv a len t or
em otionally unexpressive like her father. T h e therapist th en asked
her to speak directly to them by com p letin g this sen ten ce, w ithout
pre-thinking the ending: “If I know that I’m OK . . .” After several
rou n d s o f this, e a c h tim e with a s p o n ta n e o u s n ew e n d in g , o n e
arose that was the su rfacin g o f a crucially im p ortan t, third-order
purpose: “If I know that I’m OK, I w o n ’t n e e d to try to g et it from
you anym ore.” A ccom p an ied by an em otion al release o f tears, this
was a sign ificant breakthrough in to an awareness that sh e h erself
was actively m aintaining the “I’m not OK” position in order to pre
serve h er o ld role r ela tio n sh ip with h er fa th er an d carry o u t an
unconsciously h eld plan o f rap p roch em en t.
T h e fact that u n c o n sc io u s, h id d e n p o sitio n s readily su rface
through sen ten ce co m p letio n is a striking p h e n o m e n o n , and it is
one o f the m ost direct form s o f evid en ce su p p ortin g the view that
u n co n scio u s p o sitio n s and constructs have an in trin sic d esire or
n eed to b e c o m e co n scio u s. T h ey certain ly seem u n ab le to resist
the tem ptation to co m p lete a relevant sen te n c e fragm ent.
To set u p se n te n c e c o m p le tio n , th e th erap ist tells th e c lie n t
there is n o right or w rong resp on se, n o t to pre-think the e n d in g
o f th e s e n te n c e (r e p e a tin g th is p o in t as n e e d e d d u r in g th e
process), and just to say the fragm ent supplied, reach ing the blank
at the en d o f it and se e in g w hat e n d in g arises by itself. From the
b eg in n in g the therapist w elcom es every e n d in g that arises, never
indicating ju d gm en ts o f irrelevance or unsuitability. W hatever en d
ing the client first generates, the therapist says, “G ood. K eep going;
say it again and see what co m es up n e x t.” Usually several rounds
occur before unfamiliar, em otionally significant material begins to
em erge. As a rule we d o sen ten ce c o m p letio n with the sam e frag
m en t until n o new en d in gs arise, w hich differs from how the tech
nique has been described by som e other writers. It is this repetition
180 Depth-Oriented Brief Therapy
H ere a tw o-m inute p rocess o f view ing from a sym p tom -free p osi
tion, applied directly to th e clien t’s presen tin g sym ptom o f u n en d
ing misery over her daughter’s b ein g m olested, brought to light the
unconscious pro-sym ptom position m aintaining that misery, a posi
tion cen tered o n an em otion al w ou nd o f severe em otion al n eg lect
in childh ood. (T he therapist then engaged her in the position work
o f having h er k now in gly take h er stan ce o f “I n e e d to stay m iser
ab le in o r d e r to g e t so m e b o d y to finally take care o f m e. If I ’m
happy, n o b o d y ever w ill.” T h ese words w ere w ritten o n an in d e x
card given to h er as part o f a betw een-session task o f staying aware
o f trying to carry o u t this plan in h er daily life. In th e n ex t session
she reported that b ein g so aware o f how she was trying to “extract
m oth erin g from the universe” m ade her feel fed up with this strat
egy. “T his will never work,” sh e said. “I’ve g o t to start fin d in g ways
to really feel better.” S h e b egan u sin g therapy for real h e a lin g o f
her o ld w ou nd. H er pro-sym ptom p osition had dissolved an d she
was n ow w illin g to grieve fo r th e low lev el o f n u rtu ra n ce in h er
ch ild h o o d rather than covertly m aneuver for its reparation.)
V iew in g from a sym p tom -free p o sitio n is n o t to b e c o n fu se d
with th e “m iracle q u e stio n ” tech n iq u e that is central to solu tion -
o rien ted b rief therapy. A lth o u g h b oth tech n iq u es initially direct
the c lie n t’s a tten tio n to a sym p tom -free state, th e e n su in g thera
peutic processes and strategies are com p letely differen t.
N ow , w hat h a p p e n s if th e th e ra p ist in o n e way o r a n o th e r
invites an d prom pts th e c lie n t to view from a sym p tom -free posi
tion, and then the clien t goes blank, gets confused , intellectualizes,
or looks up and says, “S o m eth in g inside w o n ’t go alon g with this”?
In o th er words, what if th e c lie n t’s resp on se is resistance?
R esistance h ere turns o u t to be as useful a resp onse as c o o p e r
ation. An exam ple follows. First, consid er this: W hich o f the clien t’s
186 D epth -O riented B rief Therapy
positions is it that is unw illing to allow her to take a sym ptom -free
position and so resists? It is, o f course, her j!?re>-symptom position, in
w h ich th e sym p tom is vitally im p o rta n t to h a ve. T h at p o sitio n is
likely to protest or m anifest resistance w h en the clien t attem pts to
assume the symptom-free position. T he resistance, in whatever form
it takes, is a protective action b ein g execu ted in the m o m en t by the
a u ton om ou s pro-sym ptom position. M om ents w hen the resistance
is occurring are m om ents when the pro-symptom position is directly
asserting itself in the room and can therefore be en g a g ed and fur
ther elicited and drawn in to aw areness and exp ression . In effect,
the c lie n t’s pro-sym ptom p o sitio n is “ca u g h t” w h en it show s itself
through its resistance, as the follow ing case exam p le clearly shows.
T h e final result is the sam e as if the clien t had instead coop erated
and view ed from a sym ptom -free position: her pro-sym ptom posi
tion is fo u n d out.
Since resistance is as likely as co o p era tio n w h en th e therapist
is se ttin g o u t to have th e c lie n t view from a sym p tom -free p osi
tion, the nam e o f the tech n iq u e cou ld instead ju st as well be in v it
in g re sista n c e . T h e two n a m e s— v iew in g fro m a sy m p to m -free
p o s itio n a n d in v itin g r e sis ta n c e — d e n o t e th e two e n d s o f th e
sam e stick.
W hat follows is a transcript o f segm ents totaling twelve m inutes
from a sin gle session. Gaps in the transcript are in d icated by four
d ots. T h e c lie n t is a fifty-year-old w o m a n , a h istory te a c h e r in a
large urban h igh sc h o o l, p r e sen tin g a new p ro b lem for th e first
tim e to a therapist sh e had seen previou sly for o th e r m atters. All
o f the hidden, pro-sym ptom structure fou n d in this session was also
new to the therapist. T h e clien t first exp ressed h er anti-sym ptom
p osition , with w hich the therapist em p ath ized . As a way to pursue
radical inquiry into the em otion al truth o f the sym ptom — her pro
sym ptom p osition — the therapist cau gh t an op p ortu n ity to invite
h er to view from a sym ptom -free p osition , w hich h ere tu rn ed out
to be inviting resistance.
T herapist: So d oes the part that w ent, “N n-nn! G otta k eep this!”
fear a bland, b orin g ex isten ce if you give that up and
d isen gage from this boy?
Client: Yeah, because that also m ean s that I’m in con trol to
som e exten t, too, I think. You know, I have a part to
play in this adventure then? T h e o th er m ust m ean
m ore surren der and kind o f —m aybe m ore fem in in e
way o f lo o k in g at things. You know, this part o f m e
d o e sn ’t like that.
Therapist: Likes to jo in the battle— en gage the battle.
Client: [Laughs] Likes to be a warrior. I m ean , really likes to
go o u t there and fig h t.
Client: It’s kind o f scared o f it. N ot hating it, but kind of,
“T h at’s a really big person up there, tow ering over m e.”
Therapist: Scared o f it, but n o t h atin g it.
Client: N o, becau se I d o n ’t think the figh tin g en erg y is really
m alicious. It’s n ot a m alicious figh tin g energy, because
it w ould take on the o th er person as an equal foe, I
think, and— you know, the w h ole idea o f a warrior.
Therapist: So d oes that m ean it’s m ore o f a sporting energy?
Client: In the sen se that you were talking about, yeah, I think
it is. You know, it’s like g o in g to the jo u st, or so m e
thing? See if I can knock you o ff your horse, or you
knock m e off. . . .
Therapist: So listen, I w on d er if you cou ld d o an exp erim en t,
co m e M onday m orn in g. I w on d er if you cou ld go into
sch o o l d eliberately p o sitio n ed in the warrior part o f
you th at’s lo o k in g forward to today’s jou st. You walk
in to the room w here you know h e is, or h e walks into
the room w here you are, and your sen ses ju st are wide
o p e n , wide awake— you gotta watch every m ove your
o p p o n e n t m akes.
Client: [Laughs]
Therapist: You know, it’s an in ten se, high thing, right from that
point.
Client: [With a conspiratorial look and low ered voice] T hat
w ould be fine if n ob od y else was involved. T h a t’s the
problem, isn ’t it? T h a t’s exactly what I said earlier is, this
kid is consuming all my time.
[In saying that “this kid is consum ing all my tim e” she has suddenly
retu rn ed to h er origin al anti-sym p tom , victim p o sitio n , as if it is
this boy w ho co n su m es h er a tten tio n , rather than h er ow n great
attraction to the jou st. T h e therapist has to resp on d im m ediately
a n d c h a lle n g e this sw itch o f p o sitio n s, b e c a u se th e th era p eu tic
strategy at this p oint is to arrange for her to stay in her joust-loving
(pro-sym ptom ) position and n o lo n g er be u n co n scio u s o f it. T h e
therapist will therefore im m ediately ask her to switch back to her
warrior p o sitio n ’s view point.]
Therapist: I’d like you to again go in to your warrior part and find
ou t about this from that angle.
Radical Inquiry: T fx:hniques 193
o f her difficulty staying in the teacher role was by seein g this boy as
pulling her o u t o f it and seein g h erself as his victim.
(T he reader may recall that a request o f exactly this form was what
p rod u ced the breakthrough in C hapter Two with the w om an w ho
viewed h erself as repulsively ugly.) Since the therapist has already
ex p ressed c o m p le te a cc ep ta n c e o f th e d isso cia ted state that has
d e v e lo p e d , usually it is n o t to o hard to g e t th e c l i ent to o v e rtly
acknow ledge the unw illingness that covertly show ed up as dissocia
tion. Furtherm ore, in the trial sen ten ce tech n iq u e the therapist is
asking the clien t only to “try o n ” the sen ten ce to see “if” it fits.
H aving th e c lie n t try o u t saying, “I’m n o t w illin g to find o u t
what you were asking m e to think a b ou t” is p osition work because
it has the clien t actually shift in to that em otion ally true p osition .
T h e clien t says the sen ten ce, th en says it feels true, and what then
usually hap p en s is that as a result o f openly, overtly expressing the
unwillingness, the dissociated state im m ediately starts to disappear.
T he covert expression o f the unwillingness— the dissociated state—
is starting n ot to be n e e d e d at that point.
If the sen ten ce rings true for the client but the dissociated state
d o es n ot d issip a te, th e n e x t step is for th e th era p ist to ex p ress
acceptance o f th at by saying, for exam ple, “OK, I accept that you ’re
unw illing to find o u t what I was asking you about. We w o n ’t pur
sue what I was asking you since you ’re telling m e, ‘N o, n ot yet.’ But
tell m e, hoiu come that’s so m eth in g that’s im portant for you to stay
away from ?” T his is the sam e lin e o f inquiry reach ed through the
m ethod o f distant viewing, and this question usually gives the client
a gradual, acceptable way to contact the material that h e or she felt
the n eed to avoid.
M in d -B o d y C om m unication_______________________
It is also valuable in radical inquiry to focus on clients’ somatic symp
tom s, in c lu d in g p sych osom atic a ilm en ts, p sy ch o g en ic p ain , and
kinesthetic sensations. T h e latter two— som etim es in the form o f a
headache; sharp pains in the throat, chest, or stom ach; or a local
ized sen sa tion o f pressu re, co n tra ctio n , or en erg y — occasion ally
arise d u rin g a session in resp on se to th e exp erien tial work u nd er
way. T h e fo llo w in g te c h n iq u e o f b od y-m in d c o m m u n ic a tio n ,
adapted from Gestalt therapy m ethods, is in our exp erien ce reliably
effective for gaining access to the em otional truth o f such symptoms.
1. Have the clien t fully focu s a tten tion o n th e sen sation , with no
attem pt to ch an ge or stop it.
2. Still fully attending to the sensation, the client then visualizes the
three-dim ensional shape o f the bodily region o f the sensation.
3. Ask the clien t to describe this shape, in clu d in g the type o f sur
face it has (w ell-d efin ed or fuzzy), w h eth er it is stationary or
m oving and ch an gin g, and its coloration .
4. H ave the c lien t say to this visu alized form in th e body, eith er
o u t lo u d or in silen t in tern al d ia lo g u e (leavin g th e c h o ice to
the clien t), “I am very aware o f you there. You have g o tten my
attention. Is there som eth in g you are trying to tell m e?” Alm ost
w ithout excep tion , the client will exp erien ce an inner response
from the body region, eith er in clear words or in an attitudinal
or em o tion al m ea n in g that the clien t can p u t in to words.
5. If n o resp on se, invite th e clien t to say to the region , “Are you
q u iet because you d o n ’t trust m e to und erstand or care about
what you want to say?”
Radical Inquiry: Techniques 199
to you in this way that you now ex p ect others to do?” Subsequent
work on relevant past e x p e r ie n c e is then ex p erien tia l, with such
q u estion s as: “W ould you be w illing to im agin e b ein g seven, visu
alizin g your m other, an d se e in g if this fe e lin g is part o f how you
ex p erien ce her?” “W hat d o you want to say to him , that you never
said at the tim e?”
Sum m ary_________________________________________
Clarity into the c lie n t’s pro-sym ptom em otion al truth is what tech
n iq u es o f radical inquiry are d esig n ed to ach ieve rapidly for the
therapist. We have reviewed m any such techniques, in clu d in g both
lin gu istic and e x p erien tia l m eth o d s that have con stru ct-evok in g
impact, as well as techn iqu es for utilizing clien t resistance, dreams,
som atic sym ptom s, and the client-therapist relationship.
In k e e p in g with th e u n d erly in g stan ce o f radical inquiry, all
these tech n iq u es are experiential and phenomenological Likewise, all
operate as expressions o f the therapist’s active intentionality to m eet
the em o tio n a l truth o f the p rob lem and the th erap ist’s freedom to
clarify that e m o tio n a l tru th. T h e te c h n iq u e s are o n ly m ea n s by
w hich the therap ist m oves to en a ct the u n d erly in g stan ce. O n ce
the tec h n iq u es have b e c o m e fam iliar an d natural, th e therapist
d o es n o t think, “N ow w hich tech n iq u e sh ou ld I use here?” ju st as
h e or sh e d o e s n o t th in k , “N ow w h ich arm sh o u ld I u se to o p en
this d o o r ? ” If th e th era p ist is in h a b itin g th e sta n ce o f radical
inquiry— h old in g the conviction that a pro-sym ptom position exists
and can be significantly if n o t wholly accessed in this very session—
the tech n iq u e best suited to th e m o m en t sim ply com es to m ind or
can be in ven ted o n th e spot.
Radical inquiry is o n e o f the th erap ist’s two m ain operational
priorities for effectiveness in depth-oriented brief therapy. T he other
is experiential shift, the activity o f transforming constructions o f real
ity, and it is to these processes that we n ext turn our attention.
Notes
P. 157, In sooth I know not why I am so sad . . W. Shakespeare (1988), The
Merchant of Venice (Act I, Scene 1), New York: Bantam.
P. 162, reach directly into the hidden structure of the presenting problem: We want
to acknowledge Dr. Robert Shaw of the Family Institute of Berkeley,
Radical Inquiry: Techniques 201
Experiential Shift:
Changing Reality
People wish to be settled:
only as fa r as they are unsettled
is there any hope for them.
Ralph Waldo Emerson, Circles
203
204 D epth -O riented B rief T herapv
Position W o rk _____________________________________
In position work, the therapist ushers the clien t in to inhabiting the
pro-sym ptom p o sitio n , so that th e c lie n t is actually e x p e r ie n c in g
the e m o tio n a l an d co g n itiv e reality d e fin e d by it an d is, in ad d i
tion, integrating this reality— that is, accep tin g an d in clu d in g it as
an e m o tio n a l truth in th e c lie n t’s life. T h e in ten tio n is to perm a
nently ch a n ge the status o f the pro-sym ptom position from u n con
scious know ing to con sciou s know ing. T his in itself is a substantial
experiential shift, an d it is this shift that refram es the sym ptom to
its em o tio n al truth. In m any cases this refram e, this lu cid realiza
tion o f th e full em otion al m ea n in g or value o f th e sym ptom , itself
ach ieves reso lu tio n . T h is refram e arises from w ith in th e c lie n t’s
own w orld o f m ea n in g an d is th e re fo r e fu n d a m en ta lly d ifferen t
from th e extern ally a p p lied refram es u sed in certain o th e r b r ief
therapies.
R adical inquiry, in con trast, is an in itia l, m o re rapid pass
through this sam e construction . It ordinarily d o es n o t integrate or
ren d er stably c o n sc io u s th e pro-sym p tom reality, servin g o n ly to
reveal it to the therapist. T h e distinction betw een position work and
radical inquiry may at first se e m su b tle. If w e lik en th e c lie n t ’s
unconscious, pro-symptom position to an arrangem ent o f furniture
and o b jects in a very dark r o o m , radical in q u iry is lik e lo o k in g
around the dark room with a narrow-beam flashlight, m om entarily
illum inating o n e item at a tim e until the overall layout has b ecom e
clear to th e therapist. O n c e th e flash ligh t is withdrawn, th e room
again g o es dark for the client, even th ou gh each item was perfectly
clear w hile it was illu m in ated . Later in th e session , or in th e n ex t
session, the clien t may again be u n con sciou s o f th e very ex isten ce
206 Depth-Oriented Brief Therapy
em otional truth was that she d id want to fight with him as a “warrior.”
By consciously taking that position, she im m ediately becam e able to
change. She stopped reacting and d isen gaged from him .
Reality in the clien t’s pro-sym ptom position— includ ing the age
an d e x p e r ie n tia l id en tity o f th e self, th e im agin al physical envi
ron m en t or h om e, and so forth— is the sam e reality that was being
ex p erien ced at the historical tim e o f the original form ation o f the
em otion al w ound or trauma p resen t in the position. T h e reality in
the pro-sym ptom p osition d oes n o t con tain any representation o f
o th e r realities that th e c lie n t later d e v e lo p e d . In this se n se, the
clien t is unconsciously still living in the w ou n d in g or traum atizing
situation. T im e has n ot m oved on there. T h e version o f reality and
the in ten tio n s and strategies form ed by the c lie n t in th e original
w o u n d in g situ ation are still o p e r a tin g in th e pro-sym ptom p osi
tion; in d eed , they co n stitu te that p osition . T h e clien t may think o f
th e o r ig in a l w o u n d in g situ a tio n as b e in g in th e past, b u t it is
u n co n scio u sly a presen t reality in the psyche. T h e therapist n eed s
to be sensitively aware o f the em otion al realness o f what the client
ex p erien ces on in h ab itin g a pro-sym ptom p osition .
W hen a clien t b eco m es aware o f the version o f reality and the
purposes and strategies h e hold s in his pro-sym ptom p osition , he
can b e c o m e aware also o f his ow n creative act o f fo r m in g and
im p lem en tin g that p osition . T his occurs w h en the clien t accesses
an d co n scio u sly e x p e r ie n c e s th e very co n fig u r a tio n o f m ea n in g
and feelin g that was (and still is) the m otivating p o in t o f origin for
fo rm in g th e pro-sym ptom p o sitio n . T h is p o in t o f o rig in may or
m ay n o t b e a sso cia ted in m em o ry w ith a sp e c ific h istorical
m om ent; m ore primarily, it is a specific con figu ration o f m ean in g
and feelin g, and in b eco m in g conscious o f it the clien t rem em bers
crea tin g his pro-sym ptom p o sitio n an d why h e d id it. T h e clien t
co m es in to con sciou s possession o f his actual capacity to create or
un create that p osition , like fin d in g con trol o f a m en tal m uscle he
d id n ’t know existed.
T h e goal o f position work is for the clien t to assert to the ther
apist a statem en t o f a p r o /a n ti syn th esis having th e follow in g form ,
as his or h er own direct kn ow led ge and em o tio n a l truth:
• In d ex card tasks
• Daily review tasks
• U sing the sym ptom as a signal to take the pro-sym ptom position
you, would you say it again now, as being com pletely your own
emotional truth?” Usually this brings the client quite fully into
experiencing the emotional position expressed by the sentence. It
is quite common for an important release of deep feelings to occur
at this moment. This occurred, for example, with the “unhappy no
matter what” client (described in Chapter Two) when the thera
pist gave her the sentence, “The truth is, up to now my unhappi
ness over feeling unloved by my father is bigger than any happiness
I’ve been able to have.” The im m ediate upwelling of deep,
poignant grief and sorrow that this woman experienced upon say
ing this sentence unlocked her chronic depression and restored
her connection to a deep region in h er own being that she had
sealed off.
Once the client has emotionally dropped fully into the posi
tion verbalized in the statement, additional elements of emotional
truth may very likely come into awareness spontaneously—the
process of serial accessing. Then either further radical inquiry or
further position work is pursued, as needed.
The following transcript illustrates position work carried out
using overt statements. This is a continuation of a session (see pp.
168-170) with a woman whose symptom was a repeating pattern
of compulsively becoming obsessive and emotionally dependent
upon a certain type of man (a problem of symbiotic attachment).
Radical inquiry had revealed how she knows to whom to attach
(someone charismatic with an emotional wound or hole needing
healing) and what her attachm ent does for that person (relieves
his wound) and for herself (“They’ll need me, and if they need me,
they’ll stay around” and be the one remaining “kidney” that keeps
her alive).
From the therapist’s point of view, each of the overt sentences
offered to the client is merely a handing back of an elem ent of
emotional truth that the client had already made known to the
therapist. The therapist chooses a wording, though, that is so
blunt and vivid that in reencountering her own truth in this form,
the client enjoys a small shock of new awareness of her own posi
tion. The transcript begins as the therapist is about to have her
openly declare her pro-symptom position directly to her image of
three men from her past with whom she enacted this unconscious
position:
212 Depth-Oriented Brief Therapy
why I need it. It’s like life or death. One way I feel
alive and the other way I feel dead.
Therapist: Like having no kidneys?
Client: Right.
Therapist: And what good is having your own power if you’re
dead?
Client: Right, exactly. T hat’s right.
Therapist: So why wouldn’t you go for that connection instantly,
whenever you see that right kind of person?
Client: Right. It’s like a drowning person seeing the surface of
the water from underneath. T here’s only one thing
you’re gonna try for.
[The client is now lucidly inhabiting her pro-symptom position, in
which spotting a willing attachee and symbiotically attaching is
nothing short of lifesaving.]
Therapist: Stay with that, and let it show you more about what
happened for you with your mother.
Client: [Pause] T here’s a way I couldn’t get air from my
mother, so these other people are like air sockets.
Therapist: So you feel that your m other stopped giving you
something vital, and without it you feel dead.
Client: Yes.
Therapist: And what is that vital something that she didn’t give
you?
Client: Love. Something like love.
Therapist: And this dead feeling—what’s the common word for
that state of feeling dead, lifeless?
Client: [Pause] Depressed.
Therapist: Yes.
Client: Right, right. Without it I feel depressed . . . I think
that’s true, that there’s this underlying depression
that’s there all the time. Sometimes it seems not to be.
[The idea of depression arose for the first time in a previous ses
sion but was too threatening and frightening for her to feel and
know as true about herself, so this is something of a breakthrough.]
Therapist: One way to look at that is to ask yourself, do you ever
not make that speed-of-light reach for the right kind of
214 D epth-O riented Brief T herapy
The position work recorded above enabled the client to voice the
p ro /a n ti synthesis, “Getting [someone like] dad to attach to me
and give me life by needing me and loving me is urgently impor
tant and is worth the obsessing and the em otional dependency,
because without that I’m dead.” Her depression became the next
focus of therapy, but after this session she never again lost herself
in a compulsion to attach symbiotically and soon became involved
with the “balanced” sort of person she had never found exciting.
Father: None of this stuff that has happened is the end of the
world. In a way, I’m actually rather pleased—that
you’re standing up for yourself with your friends.
‘Cause I knew a little boy one time who didn’t stand
up. Who couldn’t strike back. Who didn’t know how
to stop the taunting and the teasing. And I’m glad
that isn’t happening to you. Nobody—
Therapist: Who was that little boy?
Father: —messes with you.
[The son now rises from his chair, lets go of his parents’ hands, and
steps over to be in front of his father, facing him, as if to receive
226 D epth-O rientkd B rief Therapy
very directly the words that the therapist has asked father to say to
him.]
Father: Bobby, I wish I could have made as much trouble. I wish
I could have gotten into as much trouble.
[The son now leans down into a full hug with his father, who
responds warmly, rubbing the son’s back. The daughter fidgets
unhappily. After ten seconds, the son again stands and speaks to
father.]
Son: Sometimes I wish I could have not gotten into as
much trouble as you. Everybody wants to be like some
body else—
Daughter: Maybe we should just have them trade bodies.
Therapist: It sounds like that, doesn’t it?
Son: —and that somebody else usually wants to be that
everybody. [Pause] So everybody wants to be some
body; somebody wants to be everybody.
Therapist: It’s true, Bobby.
Father: Sometimes you know [at this m om ent the son looks at
the video camera and starts clowning for it] you
amaze me with how wise you are—and silly.
Son: Helloo, helloo.
Mother: They’re both at such a wonderful age.
Therapist: So Bobby, you seemed surprised to hear—it seemed
like a new thing for you to hear from dad that part of
him is glad you have the strength to hit other kids
[daughter now stands, puts hands on father’s shoul
ders, gently massaging them] and not let them mess
with you, and—
Son: —First time ever.
Therapist: Yeah, first time you’ve ever heard that he wishes, he
wishes he could have been like that himself. . . .
Mother: Bobby takes no responsibility for his actions; he just
acts. He doesn’t consider—
Son: —I used to.
Mother: You used to what? Consider?
Son: Consider what the heck would happen. But now I just
do it.
Expkrif.ntiai. S hift: C hanging Rkai.ity 227
Mother: Anyway.
Son: Even though I didn’t want to.
Father: I would really like to ask Bobby a question which at
least to me is important that I try and get an answer
about. I think we both agree this was a difficult week.
Can you tell me why this was a difficult week for you?
Not just, I mean, in the context of the troubles in the
yard but the troubles in the classroom as well.
Son: Well, you see, I think it was Tuesday that my teacher
told me I made a mistake and she didn’t like what I
did, and then from there on it kept happening. She
kept saying that, and I kept on getting angry, and then
the next day I’d do it again. I think it was like a chal
lenge to see how mad I could get her. How mad I
could get her?
Therapist: And Bobby, I’m wondering if you could say those same
words—if that would be true—to say the same words
to dad: “Sometimes I want to see how mad I can get
you.” Try saying it to him.
Son: Sure. How mad can I get you, dad? Soooo mad.
Father: Did you think I was mad at you this week?
Son: Yeah.
Therapist: So is it like this: sometimes dad says or does things
and you feel really mad at him, and you want to get him
mad back at you? Is it like that?
Son: Yup.
Therapist: Yup. And you know how to do it. What do you have to
do to get dad mad?
Son: I don’t really mean to make dad mad. I d o n ’t ever
want to make my parents mad, except when they make
me mad.
[Bobby, in describing his views and patterns of managing anger in
relation to his teacher and parents, has now revealed a key pro
symptom position he holds, a very purposeful and self-affirming
position of not being anyone’s powerless victim, which he carries
out by returning perceived provocation in equal measure.]
Therapist: So Jack, I think you’re doing very successfully—and
I’m not being facetious—at teaching your boy not to
228 Depth-Oriented Brief Therapy
I n i t i a l P u r p o s e s S e r v e d in C h ild h o o d by I n v e n t i n g a n d A d h e r in g
to S e lf-B la m e
1. Reenactment
2. Creating connection between positions
3. Construct substitution
Reenactment
The technique of reenactment is used widely by experiential ther
apists for fostering recovery from the sequelae of traumatic events
that occurred at any point in life, such as symptoms experienced
by adults abused as children and by victims of assault. The ther
apist orchestrates a revision of reality in the client’s pro-symptom
position by first evoking the client into accessing the original, sub
jective experiences during which he or she installed that reality
and then having the client vividly replay these pivotal experiences
in a new way (hence the other name for this type of work, revis
ing personal history). As described earlier, the reality that was
being experienced at the time of the original form ation of an
em otional w ound or traum a is the reality in the pro-symptom
position containing that wound or traum a. This means that in
doing position work—in drawing the client into experientially
inhabiting her pro-symptom position (such as, “I’m seven, and I
wish I would die in my sleep”)—the stage is automatically set for
the vivid replay and revision.
For successful reenactm ent it is essential for the therapist to
understand that an unresolved em otional traum a is an uncon
scious knowing that is largely kinesthetic and somesthetic—that is,
more neuromuscular in construction than verbal-cognitive. Major
emotional wounds and traumas are held as a specific pattern of
unconscious emotional-somatic tensions that continue for decades
to restimulate a state of fear and helplessness.
For reenactment, then, the client first does the position work
238 D epth-O riented Brief T herapy
Construct Substitution
A client can substitute a new construct for an old one—revising a
piece of reality—if the therapist sets up the conditions for this to
occur. The new construct or view of reality must be clearly and
compellingly inconsistent with the view of reality in the client’s
pro-symptom position. It can come in the form of a perception, a
new experience, a communication of information from someone,
an image, or an idea. The task of the therapist is to arrange for
the client to take in this new construct while inhabiting and vividly
experiencing the pro-symptom position, so that both the new and the
old constructs are vivified and experientially real to the client at
the same time. A previous example of this arose in Chapter Two,
in which the client, while accessing her cutting shard of believing
herself repulsively ugly, was guided by the therapist into simulta
neously experiencing the totally incom patible construct of her
third-order protective purpose for viewing herself as ugly. This
interaction of incompatible constructs dissolved the capacity of
the “I’m ugly” construct to define reality. Later in this chapter we
consider construct substitution in which the new, incompatible
construct comes from the client’s partner as a result of position
work during couples therapy.
240 D epth-O riented Brief Therapy
positions simply on the basis of how the two partners had structured
their pattern of relating. As always, in DOBT the therapist views the
presenting symptom as being exactly what some position of the
client wants or needs to be doing. The gist of a pro-symptom posi
tion often becomes apparent simply by noting what people actually
do, as distinct from how they think and feel about what they actu
ally do. Kate was genuinely suffering the costs of being with a closed-
down man, and so had an anti-symptom position that she presented
in therapy, but evidendy these costs were less important than what
ever made it im portant to be with such a partner. O f course, the
therapist’s early inferences about these pro-symptom positions
merely serve as an inidal guide for beginning the process of radical
inquiry, to be followed by position work and transformation.
Alan: Oh, OK. Well, my mom would get drunk and like tell
me her problems.
Therapist: So stay in that picture—and tell me, how old are you?
[The client may be regarding his picture as “the past,” but the ther
apist understands it to be a visual representation of a current con
struction of m eaning that is currently involved in generating
symptoms.]
Alan: Starting at about seven and until I was about twelve.
So she’d get drunk at night and come into my room,
and sometimes it was really late, so she’d wake me up
and start talking to me about all kinds of stuff that she
was miserable about—really personal stuff.
Therapist: So there you are at seven or eight, waked up by her
late at night, and she’s drunk and talking to you like
that, and I’ll bet you get whiffs of her breath—
Alan: Yeah, it’s horrible.
Therapist: —and see if you can feel what’s scary to you in what’s
happening.
Alan: The whole thing.
Therapist: Yes, the whole thing is scary. I imagine it’s scary in a
bunch of different ways all at once. See if you can put
your finger on some of the ways it’s scary.
Alan: [Puts hand on his stomach] Well—umm—it’s like I’m
supposed to fix it for her. I’m supposed to know how
to do whatever will make her feel better [bursts into
tears], but I don’t know how. [Cries] And that’s what’s
scary, because if I can’t fix it she’ll stay miserable and
it’ll be my fault and she’ll blame me. [Cries harder]
[Alan is now accessing the em otional wound in his normally
unconscious pro-symptom position; he is in the experiential real
ity of that wound.]
Therapist: Keep seeing that image of mom in the scene, and try
out saying these words to her: “I d o n ’t know how to
make you feel good.”
Alan: [Crying] I do n ’t know how to make you feel good—
and I’m really scared you’ll stop loving me.
248 Dkpth-Orikntkd BrikfTiikrapy
The session ended a few minutes later. The therapist gave her a
card with the words of her p ro /a n ti synthesis, “I needed to pre
tend being molested was my fault, even though this really cost me,
because otherwise it would have been too horrifying to know I was
with a monster.” She was to read this daily and at any time when
feelings of “tar” occurred (the position work technique of using
the symptom as a signal to take the pro-symptom position).
At the start of the third session, Kate reported, “Some people
at work pulled some really sneaky moves that felt really bad, and I
felt myself getting really anxious and guilty and feeling like it was
all because of me, but then I read the card and realized, no, it’s not
me, it’s what they're doing that’s rubbing off on me. It’s not me. It’s
not me!”
Most of the session was used to bring about a further transfor
mation of the core wound from the molestation through the tech
nique of reenactm ent: The therapist had Kate again imaginally
focus on the incident of the abuse and coached her through mak
ing new, powerful, self-protective responses to her uncle based on
knowing that he was the bad one. In this replay she awoke from
sleep just before he was about to begin touching her and screamed
at him, “You’re a monster! You’re trying to molest me!” She then
256 D epth -O riented B rief T herapy
got up, threw a chair at him, and ran out of the house screaming
for the police. At that point she saw Alan (also visualizing the scene
and imaginally participating in it) who now helped her in her
moment of need by bringing her to a neighbor’s house to phone
the police, who came and locked Henry up in a “jail car” and took
him away. All of this was emotionally vivid for her. When it was
over and their eyes were again open, the therapist said to her, “So
this time you knew Henry was being very, very bad to you, and you
stopped him, and Alan helped you. How does it feel?” She said, “It
feels like I’m finally waking up from a very long, very bad dream.”
Therapy ended with three more couple sessions at three-week
intervals, sessions that were used mainly to help them adjust to the
new internal and interpersonal realities. This included writing and
sending a letter to her father and m other revealing what father’s
now deceased brother, Henry, had done to her. In the last session,
Kate said, “Everything has changed. I came in wanting Alan to
open up to me, but then / wound up opening up to him about my
dark secret. It feels like we’re a lot closer now, like we’re really
friends and I can trust him to really know me.” Alan said the fog
and the knot were gone and that “it’s so clear now that she loves
me w hether or not she’s upset about som ething. It’s becoming
hard to remember what my problem with that was.”
Sum m ary_________________________________________
Change in depth-oriented brief therapy means creating an expe
riential shift in the client’s construction of reality, resolving the pre
senting problem. The therapy client has two fundamental abilities
to change emotional-cognitive reality: the ability to control the illu
mination of constructs and the ability to control the existence o f con
structs. We have described techniques by which the therapist
guides, coaches, and induces the client to use these native abilities
to bring about experiential shifts in his or her initially unconscious,
pro-symptom position.
In position work the client illuminates the pro-symptom position,
experientially inhabits it, apprehends the co h eren t em otional
meaning or value of having the symptom, and creates a pro/anti
synthesis by asserting the emotional truth that the meaning or value
of having the symptom warrants the costs. The client discovers that
Experiential Suin': Changing Realitv 257
Notes
P. 203, People wish to be settled . . R. W. Emerson (1990), “Circles,” in
R. D. Richardson, Jr. (Ed.), R alph Waldo Emerson: Selected Essays,
Lectures, and Poems (p. 199), New York: Bantam.
P. 204, We define psychotherapy . . . presenting problem: T h is definition of psy
chotherapy is similar to others previously formulated. For example,
Montalvo has defined psychotherapy as an “interpersonal agree
ment to abrogate the usual rules that structure reality, in order to
reshape reality” [B. Montalvo (1976), “Observations of Two Natural
Amnesias,” Family Process, 15, 333]. For us this approaches a suitable
definition, provided the “reality” twice mentioned is understood to
be specifically the “reality” inhabited by the client as an individual,
and the “rules” are understood to be the clien t’s conscious and
unconscious ways of making sense o f experience (of self, others,
events, and so on). Our definition emphasizes our view that in psy
chotherapy it is always the client who transforms his or her own
experiential world so as to become symptom-free, using native con
structivist abilities to do so, including the ability to arrange to inter
act with a therapist who prompts the effective use o f those abilities.
PP. 206-207, 11As long as I attend . . . keep change from occurring”: N. Shuler
(1985). “Trying to Change as Denial,” California Association fo r Coun
seling an d Development Journal, 6, 49-51.
P. 215, an apt phrase coined by psychotherapist Kenneth Rhea: K. Rhea (1993),
“Essential Considerations in the Practice o f Psychotherapy,” The
California Therapist, 5(5), 60-61.
P. 217, Traumatic Incident Reduction . . . developed by psychotherapists Frank
Gerbode an d Gerald French: F. Gerbode (1988), Beyond Psychology: An
Introduction to Metapsychology, Palo Alto, CA: IRM Press. Information
on TIR is available from the Institute for Research in Metapsychol
ogy, 431 Burgess Drive, Menlo Park, CA 94025. The Psychosocial
258 Depth-Oriented Brief Therapy
259
260 C o n c lu sio n
clients. This can at first feel very difficult, especially if an old, famil
iar construction of therapy is being shed at the same time. But
once familiarity with depth-oriented brief therapy develops, its
great simplicity becomes apparent, and the advanced trainee won
ders what made it seem difficult at first.
The therapeutic benefits of working with the emotional truth
of the symptom are numerous, as we have shown in these pages.
Some of the most salient are listed below.
263
264 References
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The Authors
271
272 Index
Autonomy, 27, 76; of imagery, 173, what, 63-90, 211; family with act
174, 177, 239; of unconscious posi ing-out child, 221-230; intellectu-
tions, 36, 98-99, 102, 105-106, alizing man with fear of failure,
123, 195, 206, 239, 250; problems 180-183; lawyer-sculptor conflict,
of, 16-17, 18, 23, 25, 96, 166-167 231-232; mother of molested
daughter, 184-185; procrastinat
B ing student, 17-18, 26-27, 103—
Bateson, Gregory, 7, 103; and ecology 104; symbiotic attachment and
of ideas, 103, 221; and hidden depression, 167-170, 172-173,
epistemology, xi; and logical types 175-178, 211-214; teacher’s impo
of change, xi, 90-91, 118 tent rage, 186-194, 208; under
Beavin, J., 1In achieving man, 215-216; woman
Beginner’s mind, 147 who wants a baby, 163-166;
Behaviorism, 106 woman with weight problem,
Berger, P., 12n 166-167
Between-session tasks, 209, 217, 218— Causality, 112
220; accessing emotional truth, Change: and stability, dialectic of,
77-78; experiential question, 71; 19; and therapist’s assumptions,
index card, 64, 70, 74-76, 78, 83, 3, 34, 43-44, 129, 135-136; basis
177-178, 185, 250, 255; letter writ of ability to, 204; beyond symp
ing, 256; using symptom as signal, tom relief ( see Resolution of
33-34, 255. See also Position work, problems: beyond symptom
between-session tasks of relief); client as source of, 9, 13,
Binge eating, 17, 135. See also Weight 136-137; conditions for rapid in-
problem depth, 2, 3, 36, 206, 207 (see also
Blame, 17, 42, 58, 230 Effectiveness, therapeutic); dis
Blocks, therapist’s, 131-137; list of, orientation accompanying, 217,
132-133 231-232; lack of, through
Bodywork, 109. See also Mind-body attempts to stop symptom, 147-
communication technique 149; methodology of (see Experi
Bogdan,Jeffrey, lln , 118 ential shift; Position work; Trans
Brain structure, 119-121 formation of constructs); of
Branden, N., 201 n pro-symptom position (see Pro
Brief therapy: training for, ix-x. See symptom position: transforma
also Training: and therapeutic tion of); terminology of, 118
focus of DOBT Change, first-order, 118; case exam
ples of, 9, 62, 89-90; definition
C of, 8
Cambien,Jan, 105 Change, fourth-order, x, 90-91, 118,
Case examples: agoraphobic woman, 121; case examples of, 75, 88-90,
28-37, 207; always attacked hus 177-178; in confronting with emo
band, 8-9, 14; always fighting tional truth, 217
again couple, 22-24, 25, 96; cou Change, ontological. See Ontological
ple abused as children, 240-256; change
cutting shard of M
I’m ugly,” 42-63, Change, orders of, x, 90-91; case
207, 239; depressed no matter examples of, 31, 62-63; resistance
Index 273
to higher, 117-118; greater scope assumption of coherence; Symp
of higher, 117-118; in therapeu toms: coherent nature of
tic strategy, 8-9; ripple effect Collaboration, 6; creating, 3, 159—
through, 89-90, 217. See also 161,219
Change, first-order; Change, sec Confronting parents, 175-176
ond-order; etc. Confronting with emotional truth,
Change, second-order, x, 118; case 82-83, 176, 216-217
examples of, 9, 63, 89-90; defini Congruence of positions, 26-28; defi
tion of, 8 nition of, 26; example of, 27
Change, third-order, x, 62, 90-91, Connection, emotional: preserving,
118; case examples of, 62-63, with abusive parents, 233-235
89-90; for low self-esteem, 68-70 Conscious “I,” 102-107, 113; and cog
(See also Low self-esteem) nitive neuroscience, 120; and
Character disorder, 132, 236. See also dialectic among positions, 106;
Multiglobal constructions: and as unnecessary for knowing, 102,
character disorder 103- 108; definition of, 103-
Chart, position. See Position chart 105; displacement of, 102-103,
Child abuse, danger of, 148 104- 105
Child, acting-out, 121-130 Conscious position. See Anti-symptom
Clarity seeking. See Radical inquiry position
Client: as architect of symptom, Construct, definition of, 6
33-34, 58, 61-62, 68-69, 90, 99, Construct substitution, 75, 239, 249,
139, 256-257, 260; as creator- 251-252; procedure of, 239-240,
preserver-dissolver of construc 249
tions of reality, 5-6, 10, 30, 97, Constructionism, social, x, 97
113, 139, 183, 204, 208, 236-239, Constructions of reality, uncon
249 scious: accessing (see Accessibility
Client-therapist relationship. See Rela of unconscious constructs: case
tionship, client-therapist examples of); and client resis
Cognitive neuroscience, 5, 119-121 tance, 194-195; as basis of prob
Cognitive science: 119; and modular lems (see Emotional truth of the
ity, 118-120 symptom: as unconscious con
Cognitive therapy, x, 106, 107, structs; Pro-symptom position: as
146-147, 236-237 emotionally governing position;
Coherence, xi, 47; as basis of client Symptoms: coherent nature of;
resistance, 194-195; as basis of ser symptoms: present-time basis of);
ial accessing, 171; as basis of short depicting the past, 7, 199; exam
est path of inquiry, 139-140, 158- ples of, 145-146; in position
159; historical background of, 139; chart, 116, 171-172; manifesting
in structure determinism, 156n; of as imagery, 174, 175-178; stem
self, 37, 121, 261; of symptom pro ming from trauma, 217; trans
duction, 6, 19-20, 97, 137-140, formation of (see Pro-symptom
231, 252; principle of, 137-140. See position: transformation of; Trans
also Pro-symptom position: orga formation of constructs). See also
nization of constructs within; Rad Reality, experiential
ical inquiry, defining features of: Constructivism, 5-11; and the basis of
274 Indkx
c h a n g e , 7, 2 0 4 ; a n d th e u n c o n C o n s tru c ts , h ie ra rc h y o f, 6 3 , 9 0 -9 1 ,
s c i o u s , x , 3 , 5 - 6 ( see a ls o C o n 1 1 3 -1 1 8 ; c a se e x a m p le s o f th e , 6 1 ,
s t r u c t i o n s o f r e a lity , u n c o n s c i o u s ; 8 9 - 9 0 ; flo w o f c h a n g e in , 8 8 - 9 0 ; in
U n c o n s c i o u s k n o w i n g s ) ; a n d v a l lo w s e l f - e s t e e m , 2 3 1 - 2 3 5 (s e e a ls o
u e s , 10; a s i n t e g r a tiv e o f t h e r a p e u L o w s e lf - e s te e m ) ; in p o s itio n c h a r t,
tic t e c h n i q u e s , 10; c r e a t i o n o f n e w 115; p a tte rn s tru c tu rin g th e , 1 2 2 -
m e a n i n g in , 7 , 9 - 1 0 ; e p is t e m o l o g y 1 2 3 . See a lso O r d e r s o f p o s i t i o n
o f, 6, 7, 1 0 5 -1 0 8 , 1 4 6 -1 4 7 ; e s s e n C o n s tru c ts , in c o m p a tib le , 1 1 7 -1 1 8 ;
t ia l c o n c e p t s o f , 5 - 6 , 9 - 1 0 , 1 0 0 , c o n ta c t b e tw e e n , 5 3 , 6 9 -7 0 , 2 3 6 -
2 0 4 - 2 0 5 ; h e r m e n e u t i c v ie w o f l a n 2 3 9 , 2 5 1 - 2 5 2 ; s e p a r a t i o n o f, 3 7 . See
g u a g e in , 1 4 6 -1 4 7 ; n o “c o r r e c t ” a ls o C o n s t r u c t s : c o m p a t i b i l i t y o f ,
r e a lity in , 6 ; p la s tic ity o f r e a lity in , w ith i n a p o s i t i o n
9 - 1 0 ; p o s tm o d e r n n a tu r e o f, 6 -7 ; C o n s t r u c t s , k i n e s t h e t i c . S ee K i n e s
ra d ic a l, 9 7 , 1 5 5 n -1 5 6 n ; th e r a p e u th e tic c o n s tru c ts
tic p o t e n t i a l o f , x ; t h e r a p e u t i c C o n s t r u c t s , l i n k a g e o f, 6 3 ; c a s e e x a m
s tr a te g y in , 8 - 9 p le s o f, 5 1 , 6 3 , 7 0 , 8 8 - 9 0 ; in s e r ia l
C o n s tru c tiv is t th e ra p ie s : c o n c e p t o f a c c e s s i n g , 1 7 0 - 1 7 3 (se e a ls o S e r ia l
r e s is ta n c e in , 1 94; d if f e r e n c e s a c c e s s in g )
am ong, 7 C o n s tru c ts , s e c o n d -o rd e r, 2 1 7 ; c a se
C o n s tru c ts : a n d c o n te x ts , 9 7 ; as e x a m p le s o f, 6 2 , 1 1 6 , 2 5 3 ; d e f in i
d e te c ta b le m e n ta l o b je c ts , 1 2 1 - t i o n o f, 6 2 , 1 1 4 ; in lo w s e lf - e s te e m ,
1 2 2 ; c o m p a tib ility o f, w ith in a p o s i 2 3 2 - 2 3 5 (se e a ls o L o w s e lf - e s te e m )
t i o n , 1 1 7 - 1 1 8 (se e a lso C o n s t r u c t s , C o n s t r u c t s , s i x t h - o r d e r : d e f i n i t i o n o f,
in c o m p a tib le ) ; c o n tr o l o f e x is 1 2 2 -1 2 3
te n c e o f, 3 7 , 2 0 4 ; c o n tr o l o f illu C o n s t r u c t s , s o m e s t h e t i c . S ee S o m e s -
m in a tio n o f, 2 0 4 ; d e f in itio n o f th e tic c o n s tru c ts
s u b o rd in a te , 117; d e fin itio n o f C o n s t r u c t s , s t r a t e g i c . S ee S t r a t e g i c
s u p e r o r d in a te , 117; d is s o lu tio n o f c o n s tru c ts
(see T r a n s f o r m a t i o n o f c o n s t r u c t s ) ; C o n s tr u c ts , t h i r d - o r d e r , 1 2 1 , 2 1 7 , 2 3 9 ;
e p i s t e m o l o g i c a l n a t u r e o f a ll, 6 , 7, c a se e x a m p le s o f, 6 2 - 6 3 , 9 0 , 1 1 6 ,
1 0 4 -1 0 8 , 2 0 4 ; im a g e ry , 1 0 8 , 2 5 1 ; 1 7 9 ; d e f i n i t i o n o f , 6 2 , 1 1 4 ; in lo w
i n v e n t e d v e r s u s d is c o v e r e d , 2 2 , 3 3 , s e lf - e s te e m , 2 3 2 - 2 3 5 (se e a ls o L o w
1 2 1 - 122; p r in c ip le o f d is s o lu tio n s e l f - e s t e e m ) . S ee a ls o P u r p o s e ,
o f, 3 7 u n c o n s c io u s
C o n s t r u c t s , e m o t i o n . See e m o t i o n C o n te x t: as in te r n a l c o n s tr u c tio n , 9 7
c o n s tru c ts C o n tro l o f e x is te n c e o f c o n s tru c ts ,
C o n s tru c ts , firs t-o rd e r, 2 1 7 ; c a se c l i e n t ’s, 2 0 4 , 2 0 5 , 2 3 6 , 2 5 6
e x a m p le o f, 11 6 ; d e f in itio n o f, C o n tro l o f illu m in a tio n o f c o n s tru c ts ,
1 2 2 - 123 c l i e n t ’s, 2 0 4 , 2 0 5 , 2 5 6
C o n s tru c ts , f o u rth -o rd e r: c a se e x a m C o r r e c tiv e e m o t i o n a l e x p e r i e n c e , 1 3 3
p le s o f, 6 3 , 8 8 - 9 0 , 1 1 6 , 1 7 3 , 1 7 7 , C o u n te rtra n s fe re n c e , 132, 155; a n d
2 5 1 ; d e f in itio n o f, 6 3 , 114, 122; e ffo rtfu ln e s s , 137; a n d p s e u d o
i m p l i c i t i n c o n f r o n t i n g w ith e m p a t h y , 1 4 6 . S ee a ls o R e l a t i o n
e m o t i o n a l t r u t h , 2 1 7 ; in lo w s e l f s h ip , c lie n t-th e ra p is t
e s t e e m , 2 3 4 (s e e a ls o L o w s e l f C o u p le s th e ra p y : c a se e x a m p le s o f,
e s te e m ); o f a b u s e d c h ild , 2 3 4 8 - 9 , 1 4 , 2 2 - 2 4 , 4 6 , 2 4 0 - 2 5 6 ; r a d i-
INDKX 275
c a l in q u ir y in , 8 - 9 , 2 2 - 2 4 , 2 4 1 - o f d is c o v e ry in , 2 0 - 2 2 , 1 2 7 -1 5 5 ;
2 4 7 , 2 5 2 -2 5 3 ; tra n s fo rm a tio n o f m e th o d o lo g y o f e x p e r ie n tia l s h ift
p ro -s y m p to m p o s itio n s in , 9, in , 2 0 , 2 4 , 2 0 5 -2 5 7 ; n o n p a th o lo -
2 3 - 2 5 , 2 4 0 - 2 5 6 . S ee a ls o C a s e g iz in g n a t u r e o f , 6 , 4 3 , 5 8 , 9 9 - 1 0 0 ,
e x a m p l e s ; E c o lo g y o f m e a n i n g 1 0 8 , 2 5 9 ; o r d e r s o f c h a n g e in
C r e a tin g c o n n e c tio n s b e tw e e n p o s i (see C h a n g e , o r d e r s o f ) ; o v e r a l l
tio n s , 2 3 8 - 2 3 9 m e t h o d o l o g y o f, 2 0 - 2 2 , 2 4 , 3 8 , 6 0 ,
C re a tio n -p re s e rv a tio n -d is s o lu tio n o f 25 9 ; p h e n o m e n o lo g ic a l n a tu re
r e a litie s : c l i e n t ’s c a p a c i t y fo r, 5 - 6 , o f, 3, 1 4 3 -1 4 4 , 2 3 9 ; re s o lu tio n
10, 3 0 , 9 7 , 1 1 3 , 1 3 9 , 1 8 3 , 2 0 4 , 2 0 8 , b e y o n d s y m p t o m r e l i e f in , 4 ,
2 3 6 -2 3 9 , 249 3 5 -3 6 , 3 7 -3 8 , 59, 70, 81, 8 7 -8 8 ,
C y c lin g in a n d o u t o f s y m p t o m - f r e e 8 9 , 121, 1 3 0 -1 3 1 , 2 5 9 , 2 6 1 ; s c ie n
p o s itio n , 2 1 4 -2 1 5 , 2 5 3 -2 5 4 tific r e s e a r c h c o r r o b o r a t i n g , 1 1 8 -
C r o n i n , V. E ., 1 2 n 122; tr a n s f e r e n c e in , 1 9 7 -1 9 8 ;
t r a n s p a r e n c y o f, 1 5 2 - 1 5 3 ; ty p e s o f
D s y m p to m s re s o lv e d by, 4; u n if ie d
D e ll, P a u l, 1 3 9 , 1 9 4 e p i s t e m o l o g y o f , 1 0 2 - 1 0 8 ; w ith
D e l u s io n , 2 9 , 3 3 , 9 5 , 9 8 , 2 0 7 c o u p le s a n d fa m ilie s , 1 0 0 -1 0 2 ,
D e p e n d e n c y , 4 , 1 6 7 , 2 1 1 . See a ls o 2 2 0 - 2 3 0 (se e a ls o C o u p l e s th e r a p y :
A u to n o m y : p r o b l e m s in c a s e e x a m p l e s o f ; F a m ily t h e r a p y
D e p re s s io n , 4, 21 , 9 8 ; as p ro te c tiv e in D O B T )
a c tio n , 17, 1 1 0 ; c a s e e x a m p le o f, D ia g n o s tic la b e ls , 2 2 , 2 9 , 3 1 , 1 0 0 , 1 3 5 ,
6 3 -9 0 , 177, 2 1 1 -2 1 4 ; u n c o n s c io u s 1 4 3 , 1 5 3 ; e f f e c t o n c l i e n t ’s t r u s t ,
th e m e s p ro d u c in g , 6 5 , 6 7 -6 8 , 7 2 - 135
74, 80, 8 9 -9 0 , 159, 173, 1 7 7 -1 7 8 , D i r e c t r e s o l u t i o n : c a s e e x a m p l e s o f,
2 1 1 ,2 1 3 -2 1 4 8 -9 , 2 3 -2 5 , 27, 2 8 -3 7 , 4 2 -9 1 ,
D e p t h : p r e s e r v a t i o n o f, in b r i e f p r a c 1 6 7 -1 7 0 , 1 7 2 -1 7 3 , 1 7 5 -1 7 8 , 2 1 1 -
tic e , i x - x , 1 - 4 , 4 1 , 2 5 9 - 2 6 0 214, 2 2 1 -2 2 9 , 2 4 0 -2 5 6 ; d e fin i
D e p th - o r ie n te d b r ie f th e ra p y : c o n t i o n o f , 2 6 , 3 8 - 3 9 , 6 0 , 2 0 3 . S ee
s tru c tiv is t g r o u n d o f, 5 -1 1 ; c o n a ls o R e s o l u t i o n o f p ro b le m s ;
t r a s t e d w ith o t h e r b r i e f t h e r a p i e s , R e v e rse re s o lu tio n
x , 1 ,3 , 4 , 15, 1 8 - 1 9 , 3 3 , 3 5 , 3 7 - 3 8 , D i s e n t i d e m e n t : o f s e lf, 2 3 3
62, 7 7 -7 8 , 1 0 0 -1 0 2 , 106, 139, D is lo y a lty , 2 3 3
1 4 6 -1 4 7 , 1 5 2 -1 5 3 , 185, 2 0 5 -2 0 6 , D is s o c ia tio n , 4, 14, 4 2 , 1 0 2 -1 0 3 ;
22 0 , 2 3 6 -2 3 7 ; d e fin in g su c c e ssfu l c a s e e x a m p l e o f, 2 4 5 - 2 4 6 ; s ig n s o f,
o u t c o m e i n , 1 8 - 1 9 , 2 6 (s e e a ls o 1 9 5 , 2 4 5 ; te c h n iq u e s o f u tiliz in g ,
O u t c o m e , s u c c e s s f u l) ; d i a l e c t i c o f 1 9 5 -1 9 7
c h a n g e v e r s u s s t a b ility in , 1 9 ; d is D i s s o l u t i o n o f c o n s t r u c t s . See C o n
tin c tiv e f e a tu r e s o f, 3, 4 , 7 - 8 , 15, s tr u c ts : d i s s o l u t i o n o f
17, 3 4 , 3 7 -3 8 , 1 0 5 -1 0 8 ; h e te r o D i s t a n t v ie w in g t e c h n i q u e s . See R e s is
g e n e ity o f re a lity in , 15, 9 4 - 9 7 , t a n c e : d i s t a n t v ie w in g t e c h n i q u e s
9 8 -9 9 , 1 0 5 -1 0 8 , 175; h ig h e r-o rd e r D o u b l e b i n d in D O B T , 3 3 - 3 4
c h a n g e in , x , 6 2 - 6 3 , 6 8 - 7 0 , 8 9 - 9 1 ,
1 1 3 -1 1 8 , 1 2 1 -1 2 3 , 1 7 7 - 1 7 8 ,2 1 7 , E
2 3 2 -2 3 5 , 2 6 0 ; in te g ra tiv e n a tu r e E c o lo g y o f m e a n i n g s , 1 0 1 - 1 0 2 , 2 2 1 ;
o f, x, 157, 1 7 3 -1 7 4 ; m e th o d o lo g y c a s e e x a m p le s o f, 2 2 1 -2 3 0 , 2 4 0 ,
276 Index
2 4 4 , 24 8 , 2 5 0 ; s u p e ro rd in a te fe a E m o t i o n c o n s tr u c ts : a s k n o w in g s , 1 0 4 ,
t u r e o f f a m ily ’s, 2 3 0 1 0 7 -1 0 8
E f f e c t i v e s e s s i o n : d e f i n i t i o n o f , in E m o tio n s c h e m e , 119
D O B T , 21, 28, 32, 38 E m o t i o n th e o r y , 1 1 9
E ffe c tiv e n e s s , th e r a p e u tic , 1 -2 , 3; E m o tio n a l tr u th o f th e s y m p to m , 13,
a n d a n t h r o p o l o g i s t ’s v ie w , 1 4 5 - 21, 22, 31, 9 3 -1 2 3 , 127, 154, 170,
1 4 7 ; a n d b e t w e e n - s e s s i o n ta s k s , 180, 186, 199, 203; accessed
2 1 8 ; a n d c h a n g e o f h ig h -o rd e r th ro u g h th e b o d y , 1 9 8 -1 9 9 ; a n d
c o n s tru c ts , 9 0 -9 1 ; a n d c lie n t m o ti d e fin in g su c c e ssfu l o u tc o m e , 1 8 -
v a tio n , 1 3 6 -1 3 7 ; a n d c o n s tru c ts 19; a n d i n n e r v o ic e s , 8 4 - 8 6 ; a n d
fro m c h ild h o o d a b u se , 2 3 2 -2 3 5 ; m u ltig lo b a l c o n s tru c tio n s , 2 3 2 ;
a n d le n g th o f th e ra p y , 2 3 5 -2 3 6 ; a n d r e s o lu tio n b e y o n d s y m p to m
a n d s c h e d u lin g o f s e s s io n s , 1 3 6 ; r e l i e f , 3 7 - 3 8 , 8 9 (s e e a ls o R e s o l u
a n d s ta y in g o n p u r p o s e , 16 0 ; a n d tio n o f p ro b le m s : b e y o n d sy m p
t h e r a p i s t ’s a s s u m p t i o n s , 3 , 3 4 , t o m r e l i e f ) ; a n d s y m p to m - p o s itiv e
4 3 - 4 4 , 1 2 9 , 1 3 5 - 1 3 6 ( s e e a ls o c o n t e x t , 9 6 - 9 7 ; a s a lr e a d y e x is tin g ,
S t a n c e , t h e r a p i s t ’s ) ; b a s is o f , in 22, 33, 1 2 1 -1 2 2 ; as m essag e o f
D O B T , ix , 2 1 , 1 2 9 ; f r o m w o r k i n g s y m p to m , 148; a s r e q u ir in g e x p e -
w it h e m o t i o n a l a n d u n c o n s c i o u s r i e n t a l d is c o v e r y , 1 4 0 - 1 4 2 ; a s
m e a n in g , 2 -4 , 1 8 -1 9 , 131, 134, s u p e r o r d i n a t e to t h e s y m p to m , 8 9 ;
1 4 0 , 2 6 0 - 2 6 1 (s e e a ls o E m o t i o n a l as u n c o n s c io u s c o n s tru c ts , 3, 9 8 ,
t r u t h o f t h e s y m p t o m ) ; i n f a m ily 2 4 6 - 2 4 7 ; b e n e f i t s o f w o r k i n g w ith
t h e r a p y , 2 2 0 - 2 2 1 ; lo s s o f, b y a v o id th e , 4 2 -4 3 , 140, 2 6 0 -2 6 1 ; case
i n g e m o t i o n , 1 3 1 , 1 3 4 (s e e a ls o e x a m p le s o f th e , 9, 14, 18, 2 6 -2 7 ,
E m o tio n : a n d th e r a p e u tic e ffe c 30, 33, 45, 49, 58, 61, 7 4 -7 5 , 77,
t i v e n e s s ) ; lo s s o f , b y f o c u s i n g o n 130, 1 6 6 -1 6 7 , 170, 1 7 2 -1 7 3 , 177,
a n ti-s y m p to m p o s itio n , 2 0 6 -2 0 7 ; 189, 2 0 7 -2 0 8 , 229, 232, 242, 246,
lo s s o f, b y p r e m a t u r e e f f o r t to d is 2 4 8 ; c l i e n t ’s d i f f i c u l t y e x p e r i e n c
p e l s y m p t o m s , 1 4 9 - 1 5 2 (s e e a ls o in g , 2 3 1 - 2 3 2 ; d e f i n i t i o n o f , 9 8 ; in
F r e e d o m t o c l a r i f y ) ; lo s s o f , r e p r e s e n ta tio n s o f th e p a s t, 199;
t h r o u g h “s t o p t h e s y m p t o m ” m e s u s e d in d o u b l e b i n d , 3 3 - 3 4 ; v e r s u s
sag es, 34, 1 4 7 -1 4 9 ; m e th o d o lo g i e m o tio n a lity , 9 8 . See a ls o P r o - s y m p
c a l p r i o r i t i e s f o r , in D O B T , 2 0 - 2 2 , to m p o s itio n ; R e f r a m in g to th e
2 8 , 3 8 , 4 2 -4 3 , 2 0 0 ; o f im a g in a l e m o tio n a l tr u th o f th e s y m p to m
in te ra c tiv e te c h n iq u e s , 174; o f E m o tio n a l w o u n d s , 5, 108, 161, 175,
p o s itio n w o rk , 70, 77; th e ra p is ts ’ 195, 208, 211, 237, 257; as c o m p o
b lo c k s to , 1 3 1 - 1 3 4 n e n t o f p r o - s y m p to m p o s i t i o n , 3 2 ,
E f r a n .J . S ., l l n 4 2 ; a s s o c i a t i o n o f , w ith p r o t e c t i v e
E m o tio n : a n d th e r a p e u tic e ffe c tiv e a c tio n s , 17; c a se e x a m p le s o f, 17,
n ess, 2 -4 , 1 8 -1 9 , 131, 134, 140, 30, 32, 4 1 -9 1 , 95, 130, 185, 207,
2 6 0 - 2 6 1 (se e a ls o E m o t i o n a l t r u t h 2 1 1 -2 1 4 , 2 2 2 , 2 4 1 -2 4 9 , 2 5 2 -2 5 3 ;
o f t h e s y m p t o m ) ; a t t e n d i n g to , c o n s tru c ts c o m p ris in g , 109, 2 3 4 ,
1 3 4 - 1 3 5 , 1 4 1 - 1 4 2 ; d i s r e g a r d o f, in 2 4 9 ; d i r e c t s y m p to m s o f , 4 2 ; e x p e -
c e rta in th e ra p ie s , 2 -3 , 4, 102, 134; r ie n tia lly a c c e s s e d b y c lie n t, 3 0 ,
t h e r a p i s t ’s f e a r s o f , 1 3 2 , 1 3 3 - 1 3 4 . 7 2 -7 4 , 2 1 1 -2 1 4 , 2 4 1 -2 4 9 , 2 5 2 -
See a lso M o d e s o f k n o w in g : e m o t i o n 2 5 3 ; in c lu d e d v e rsu s e x c lu d e d ,
Index 277
3 5 - 3 6 ; n o n lin g u is tic n a t u r e o f, 1 0 9 , g u a g e : t h e r a p i s t ’s u s e o f ) ; u n i v e r
2 3 7 , 2 4 9 ; tim e - e f f e c tiv e r e s o l u t i o n s a l a p p l i c a b i l i t y o f, 1 4 4
o f, 4 1 - 9 1 ,1 3 5 - 1 3 6 ; tim e le s s n e s s o f,
4 1 ,2 0 8 (see a lso S y m p to m s : p r e s e n t- F
ti m e b a s is o f ) . See a lso T r a u m a F a i r b a i r n , W ., 6 7
E m p a th y , t h e r a p i s t ’s, x , 2 0 , 2 2 , 2 5 - 2 6 , F a m ilia r ity : lo s s o f , i n p o s i t i o n w o r k ,
38, 4 6 -4 7 , 96, 138, 139, 142, 146, 2 3 1 -2 3 2 ; s u p e ro rd in a c y o f p re
186, 206, 244; a n d a n th ro p o lo s e rv in g , 2 3 1 -2 3 2 , 2 5 4
g i s t ’s v ie w , 1 4 6 ; a n d e s t a b l i s h i n g F a m ily s y s te m s t h e r a p y , x , 2 , 1 0 6 ; d is
c o lla b o r a tio n , 1 5 9 -1 6 0 ; in s e r ia l re g a rd o f e m o tio n a n d th e u n c o n
a c c e s s i n g , 1 7 1 . S ee a ls o R e l a t i o n s c io u s in , 2 - 3 , 4 , 1 0 2 ; f u n c tio n o f
s h ip , c lie n t-th e ra p is t t h e s y m p t o m in , 1 0 0 - 1 0 1
E p i s t e m o l o g i c a l n a t u r e o f p s y c h o lo g F a m ily t h e r a p y i n D O B T : c a s e e x a m
ic a l a c tiv ity , 6 , 1 0 3 - 1 0 8 , 2 0 4 p l e o f, 2 2 2 - 2 3 0 ; c o n c e p t u a l i z a t i o n
E p is te m o lo g y , 1 1 3 ; a n d c o n s tr u c o f, 1 0 0 -1 0 2 , 2 2 1 , 2 3 0 ; s u p e r o r d i
tiv is m , 7 , 1 0 5 - 1 0 8 , 1 4 6 - 1 4 7 ; u n i n a t e c o n s t r u c t s in , 2 3 0
fie d , o f t h e p s y c h e , 9 4 F e ix a s , G ., 1 2 n
E r ic k s o n , M ilto n , x i F ir s t s e s s io n , 1 7 , 2 1 , 2 2 , 4 3 , 1 3 0 , 1 3 1 ,
E x p e rie n tia l d re a m w o rk , 174, 178 2 5 9 ; c a se e x a m p le s o f, 1 7 -1 8 ,
E x p e rie n tia l q u e s tio n in g , 1 6 1 -1 7 0 , 2 9 - 3 7 , 4 2 - 6 3 , 6 4 - 6 5 , 1 4 2 ,1 6 6 - 1 6 7
183 F i r s t - o r d e r c h a n g e . See C h a n g e , firs t-
E x p e rie n tia l q u e s tio n in g : e x a m p le s o rd e r
o f, 1 6 2 -1 7 0 , 2 4 4 -2 4 6 F is c h , R ., 1 2 n , 4 6 n
E x p e r ie n tia l s h ift, 2 1 , 2 4 - 2 6 , 143, F it, p s y c h o lo g ic a l, 3 3 , 1 4 3 - 1 4 4 , 2 6 0
173, 176, 193, 2 0 3 -2 5 7 ; a lte rn a F o d o r , J . A ., 1 2 6 n
t i o n o f, a n d r a d ic a l in q u ir y , 8 7 , 8 9 ; F o e r s te r , H . v o n , l l n
d e fin itio n o f, 2 0 -2 1 ; d is o r ie n ta F o llo w in g c lie n t a little b it a h e a d ,
t i o n i n , 2 3 0 - 2 3 1 ; f o r lo w s e l f 2 1 5 -2 1 6 , 2 4 3 -2 4 4 , 253
e s te e m , 5 7 -5 8 , 6 8 -7 0 , 9 0 , 2 4 4 , F o u r t h - o r d e r c h a n g e . See C h a n g e ,
2 5 0 - 2 5 6 (see a lso L o w s e l f - e s t e e m ) ; fo u rth -o rd e r
p o s itio n w o rk ( im p o s itio n w o rk ); F r e e d o m t o c la r if y , 1 4 7 - 1 5 4 , 1 5 5 ,
tr a n s f o r m a tio n o f p ro -s y m p to m 1 6 1 -1 6 2 , 200; a n d n o n p re o c c u p a
p o s i t i o n ( se e P r o - s y m p t o m p o s i tio n w ith c h a n g e , 1 4 7 -1 4 9 ; a n d
tio n : tr a n s f o r m a tio n o f; T ra n s fo r p r e m a tu r e e ffo rts a t c h a n g e ,
m a t i o n o f c o n s t r u c t s ) ; tw o s t a g e s 1 4 7 -1 4 9 ; c a se e x a m p le o f, 1 4 9 -
o f, 2 4 , 2 0 4 -2 0 5 , 2 5 6 -2 5 7 1 5 2 . See a ls o S t a n c e , t h e r a p i s t ’s
E x p e rie n tia l w o rk , 155, 198, 2 0 0 ; F re n c h , G e ra ld , 2 1 7
a c c e s s in g u n c o n s c io u s c o n s tr u c F r e u d , S ., 6 6 , 1 0 0 , 1 3 9
tio n s th r o u g h , 2 8 -3 0 , 6 0 , 6 8 -6 9 , F u g u e s ta te s , 1 0 3
7 2 -7 4 , 1 3 0 -1 3 1 , 1 4 0 -1 4 2 , 1 6 7 - F u n c t i o n o f t h e s y m p t o m : i n f a m ily
173, 189, 206, 207, 2 1 1 -2 1 4 , s y s te m s t h e o r y , 9 4 , 1 0 0 - 1 0 1 ; in
2 4 1 -2 4 3 , 2 4 4 -2 4 8 , 2 5 2 -2 5 4 ; e sse n D O B T , 1 0 0 -1 0 1
t ia l q u a l i t i e s a n d t e c h n i q u e o f ,
1 4 0 - 1 4 2 ; n e c e s s i t y o f , x i, 2 0 , 2 1 , G
3 1 ; t h e r a p i s t ’s p h r a s i n g i n , 1 4 2 , G a z z a n ig a , M ic h a e l, 1 1 9 - 1 2 1
1 5 8 - 1 5 9 , 2 1 1 , 2 1 5 (s e e a ls o L a n G e e r t z , C lif f o r d , 1 2 n
278 Index
G e rb o d e , F ra n k , 217 to m p o s itio n : im a g e r y c o m p r i s i n g ;
G e s t a l t t e c h n i q u e s , 1 7 3 , 1 9 8 , 2 3 9 . See V is u a liz a tio n
a ls o I m a g i n a l i n t e r a c t i v e t e c h Im a g in a l in te ra c tiv e te c h n iq u e s ,
n iq u e s ; M in d -b o d y c o m m u n ic a 1 7 3 - 1 7 7 ; a t t e n d i n g to t h e r e s p o n s e
tio n te c h n iq u e o f t h e im a g e , 1 7 3 , 1 7 5 - 1 7 7 ; a u t o n
G la s e r s f e ld , E . v o n , 1 2 3 n o m y o f im a g e r y in , 1 7 4 ; c a s e e x a m
G o o s e in a b o t t l e , 5 , 10 p le o f, 6 8 , 7 2 -7 3 , 7 5 , 7 6 , 8 2 -8 3 ,
G r e e n b e r g , L . S ., 1 2 4 n 130, 170, 173, 1 7 5 -1 7 7 , 191, 212,
G rie f: c a s e e x a m p le s o f, 1 3 0 - 1 3 1 , 1 8 5 , 216, 247, 252, 254, 2 5 5 -2 5 6 ; c o n
2 5 5 ; a n d re c o v e ry fro m a b u se , f r o n t i n g w ith e m o t i o n a l t r u t h in ,
2 3 3 -2 3 5 , 255 7 2 -7 3 , 75, 8 2 -8 3 , 173, 176, 191,
G u i d a n o , V. F., 1 2 5 n 2 1 6 , 2 5 5 -2 5 6 ; fo r c o n s c io u s -
G u i d e d v i s u a l i z a t i o n , 1 7 4 . S ee a ls o u n c o n s c io u s c o m m u n ic a tio n , 174,
Im a g in a l in te ra c tiv e te c h n iq u e s ; 1 7 7 . See a lso V is u a liz a tio n
V is u a liz a tio n I n d e x c a r d . See B e tw e e n - s e s s io n ta s k s
I n n e r c h ild w o rk , 174, 2 3 8 , 2 3 9
H I n n e r d i a l o g u e , 1 0 8 , 19
H a le y ,J a y , l l n I n s a n e : s y m p t o m v ie w e d a s , 2 8 , 2 9 ,
H a n n a h , B a rb a ra , 2 0 In 3 0 ,3 1 ,3 3 , 37
H e ld , B a rb a ra , 1 2 n , 23 In te g ra tio n : o f u n c o n s c io u s c o n
H e t e r o g e n e i t y o f e x p e r i e n t i a l re a lity , s tru c ts , 2 5 , 5 3 , 6 9 , 173, 2 1 6 -2 1 7 ;
15, 9 4 -9 7 , 9 8 -9 9 , 102, 175; a n d s t a b i l i t y o f , 2 1 8 . S ee a ls o P o s i t i o n
e p is te m o lo g y , 1 0 5 -1 0 8 ; s c ie n tific w o rk ; P o s itio n w o r k , t e c h n i q u e s o f
c o r r o b o r a t i o n o f, 1 1 8 - 1 2 1 In te lle c tu a liz in g , 4 2 , 180, 195
H i e r a r c h y o f c o n s t r u c t s . S ee C o n I n t e n t i o n a l i t y , a c t i v e . S ee A c tiv e
s tr u c ts , h i e r a r c h y o f in te n tio n a lity
H i n k l e , D . N ., 171 I n t e n t i o n a l i t y , t h e r a p i s t ’s, 4 3 . See a ls o
H is to ry , r e v is in g p e r s o n a l , 2 3 7 . See a lso A c tiv e i n t e n t i o n a l i t y
R e e n a c tm e n t I n t e r p r e t a t i o n : a v o i d a n c e o f , in
H is to r y ta k in g : c a s e e x a m p le s o f, D O B T , 20, 22, 31, 3 8 -3 9 , 58, 143,
4 4 -4 6 , 49, 72, 8 2 -8 3 , 2 4 2 -2 4 3 , 144, 167, 174, 178, 188, 2 16, 230,
2 4 6 -2 4 7 ; c o n tr o lle d by th e ra p is t, 231
2 8 , 4 5 , 1 9 9 ; p u r p o s e o f, in D O B T , I n v itin g r e s is ta n c e , 1 8 3 , 1 8 5 - 1 9 4 ; c a s e
4 5 , 1 9 9 - 2 0 0 . See a lso P a s t e x a m p l e o f, 1 8 6 - 1 9 4 . See a lso V ie w
H o f f m a n , L y n n , 101 in g f r o m a s y m p t o m - f r e e p o s i t i o n
H o m e o s ta s is , 1 3 9
H o p e le s s n e s s , 6 5 , 8 0 j
H y p n o tic in d u c tio n , 2 6 0 J a c k s o n , D ., 1 I n
J u n g , C a r l, xi
I J u n g i a n t e c h n i q u e s , 1 7 3 . See a ls o
“ 1,” c o n s c io u s . See C o n s c i o u s “ I ” Im a g in a l in te ra c tiv e te c h n iq u e s
Id e n tity : c h a n g e in , fro m p o s itio n
w o r k , 6 1 , 2 3 1 - 2 3 2 , 2 3 4 . See a ls o K
C o n s tru c ts , f o u rth -o rd e r; O n to K elly , G e o r g e , 7 , 1 2 n , 1 9 7
lo g ic a l c h a n g e K in e s th e tic c o n s tr u c ts , 198; as n o n
I m a g e r y , 1 3 , 1 2 3 . See a ls o P r o - s y m p v e rb a l p r e s u p p o s itio n s , 110; as
Index 279
k n o w in g s , 1 0 4 , 1 0 7 -1 0 8 ; c a s e fo r d is p e llin g , 6 7 -6 9 , 9 0 , 2 5 4 -2 5 5 ;
e x a m p le s o f, 5 4 , 5 6 , 6 2 ; c o m p r is u n c o n s c io u s p u rp o s e s m a in ta in
in g u n re s o lv e d tra u m a , 2 3 7 i n g , 2 3 2 - 2 5 3 (s e e a ls o S h r i n k i n g
K n o w in g : a n d c o n s c io u s “ I ,” 1 0 2 - 1 0 8 ; p a r e n t e f f e c t)
a s n a t u r e o f a ll p s y c h o l o g i c a l L u c k m a n , T ., 1 2 n
a c tiv ity , 1 0 3 - 1 0 8 ; p r e v e r b a l , 1 1 0 ; L u k e n s , M . D ., 1 I n
u n c o n s c i o u s (s e e U n c o n s c i o u s L u k e n s , R .J ., 1 I n
k n o w in g ) L y d d o n , W illia m J., 5 , l l n , 1 2 n
K n o w in g , m o d e s o f, 1 0 2 - 1 0 8 ; c o g n i
tiv e , 1 0 1 , 1 0 7 , 108; e m o t i o n a l , 1 0 1 , M
1 0 7 -1 0 8 ; k in e s th e tic , 1 0 7 -1 0 8 ; M a h o n e y , M ic h a e l J . , 3 , 5 , 1 I n , 1 0 3
p a rity o f a ffe c t a n d c o g n itio n as, M a n ic a c tiv ity , 4 , 1 7 , 1 3 0 - 1 3 1
119; s o m e s th e tic , 1 0 7 -1 0 8 M a tu ra n a , H u m b e r to , 103, 1 5 7 n
K r a u s e , I n g a - B r itt, 2 , 1 I n M e a n in g , 22 , 142, 147, 2 0 5 ; a n d
o rd e rs o f p o s itio n , 123; a n d
L p ro je c tio n , 1 9 7 -1 9 8 ; as fo rm in g
L a d d e r i n g , 171 e x p e r i e n t i a l r e a lity , 7 , 1 1 , 1 4 , 9 7 ;
L a in g , R . D ., x i, 101 fo rm e d d u rin g tra u m a , 7 -8 , 218;
L a n g u a g e : c l i e n t ’s u s e o f , 1 4 5 - 1 4 7 ; t h e n e e d to c o n s t r u c t , 16; g a in o f,
o v e re s tim a tio n o f ro le o f, 7 -8 , 2 6 1 ; id io s y n c ra tic n a tu r e o f,
1 0 6 - 1 0 8 ; t h e r a p i s t ’s u s e o f , 5 8 , 9 3 , 1 4 4 - 1 4 7 ; in p r o - s y m p to m p o s itio n ,
1 4 2 , 1 5 8 - 1 5 9 , 2 1 1 , 2 1 5 (s e e a ls o 2 4 , 3 1 , 3 8 , 1 2 9 -1 3 0 , 142; lin k e d
E x p e r i e n t i a l w o r k : t h e r a p i s t ’s e l e m e n t s o f , in p r o - s y m p to m p o s i
p h r a s i n g i n ) ; s e c o n d a r y r o l e o f, in tio n , 1 7 0 -1 7 2 ; m o d u la r o rg a n iz a
e m o tio n a l w o u n d s, 109, 2 3 7 , 249 tio n o f, 1 19; m u ltip le , 9 4 -9 7 ; n o t
L e n g t h o f th e r a p y , 4 2 - 4 3 , 2 3 2 - 2 3 6 b a s e d in l a n g u a g e , x , 7 - 8 , 1 0 6 -
L e t t e r w r itin g , 2 1 7 , 2 5 6 108, 109, 2 3 7 , 2 4 9 ; o f d re a m s , 178;
L e v e r a g e , t h e r a p e u t i c , 2 6 0 . S ee a ls o o f s y m p t o m s (s e e A n t i - s y m p t o m
E f f e c tiv e n e s s , t h e r a p e u t i c p o s itio n : m e a n i n g o f s y m p to m s in ;
L in k a g e o f c o n s t r u c t s . ^ C o n s t r u c t s , E m o tio n a l tr u th o f th e s y m p to m ;
lin k a g e o f; s e r ia l a c c e s s in g R e fra m in g to th e e m o tio n a l tr u th
L io tti, G ., 1 2 5 n o f th e s y m p to m ; P ro -s y m p to m
L ip c h ik , E ., I I n p o s itio n : m e a n in g o f s y m p to m s
L o g ic a l ty p e s o f c h a n g e . See B a te s o n , i n ) ; p r e s u p p o s i t i o n s o f (s e e P r e
G re g o ry : a n d lo g ic a l ty p e s o f s u p p o s i t i o n s ) ; s o u r c e o f, in D O B T ,
ch an g e; O rd e rs o f ch a n g e 13, 3 3 , 1 4 3 , 1 5 5 ; u n c o n s c i o u s c o n
L o ss: c a s e e x a m p l e s o f, 1 3 0 , 2 3 1 - 2 3 2 ; s t r u c t i o n s o f, 5 , 16, 2 4 , 9 4 , 9 5 , 9 6 ,
o f f a m ilia r r e a lity in p o s itio n w o rk , 1 4 5 - 1 4 6 , 2 2 1 . S ee a ls o E c o l o g y o f
2 1 7 ,2 3 1 -2 3 2 m e a n in g s
L o s t c a u s e : c o n s t r u a l o f, a s p r o t e c t i v e M e m o ry , 14, 1 99, 2 1 8 ; a c c e s s in g
a c t i o n , 61 u n c o n s c io u s tra u m a tic , 2 1 7 -2 1 8 ;
L ow s e ll-e s te e m , 4, 17, 4 5 -4 6 ; c a se e m o tio n a l, 110, 145; p e rc e p tu a l,
e x a m p le s o f, 4 2 -6 3 , 8 9 -9 0 , 1 8 3 - 109, 110, 145; p r o te c tiv e a c tio n s
184, 2 0 7 , 2 4 0 - 2 5 6 ; c o n s t r u c t s c o m a g a in s t, in a b u s e , 1 3 4 -1 3 5 ; s o m a tic ,
p ris in g , 6 1 , 6 7 -6 8 , 8 9 - 9 0 , 112, 42, 109, 110
2 3 2 -2 3 5 , 2 5 3 ; e x p e r ie n tia l s h ifts M e n ta l R e s e a r c h I n s t i t u t e , 15, 1 4 8
280 Index
M e th o d o lo g y : a lte r n a tio n o f ra d ic a l 3 7 , 1 2 1 , 2 1 7 . S ee a ls o C h a n g e ,
i n q u i r y a n d e x p e r i e n t i a l s h if t, 8 7 , f o u r th - o r d e r ; L o w s e lf-e s te e m :
9 0 ; a n d f a m ily th e r a p y , 1 0 2 ; o f d is c o n s t r u c t s c o m p r i s i n g ; S e lf - w o r th :
c o v e r y , 2 0 - 2 2 , 1 2 7 - 1 5 5 ( s e e a ls o enhancem ent of
R a d ic a l in q u ir y ) ; o f e x p e r ie n tia l O n t o l o g y , 1 1 2 . See a ls o C o n s t r u c t s ,
s h ift, 2 0 , 2 4 , 2 0 3 -2 5 7 ; o v e ra ll, f o u r th - o r d e r ; C o n s tr u c ts , fifth -
2 0 -2 2 , 24, 38, 60, 259 o rd e r; C o n s tru c ts , s ix th -o rd e r;
M in d -b o d y c o m m u n ic a tio n te c h O n to lo g ic a l c h a n g e
n iq u e , 1 9 8 -1 9 9 ; c a se e x a m p le o f, O r d e r s o f c h a n g e . See C h a n g e , o r d e r s
2 4 6 -2 4 7 ; p r o c e d u r e o f, 1 9 8 -1 9 9 of
M o d u la rity o f p s y c h o lo g ic a l p ro c e s s , O rd e rs o f p o s itio n , 1 1 4 -1 1 7 , 118,
1 1 9 -1 2 0 1 7 0 - 1 7 1 ; c a s e e x a m p l e o f, 8 9 ; p a t
M o le s te d c h ild , 2 5 0 t e r n s t r u c t u r i n g t h e , 1 2 2 . See a ls o
M o n ta lv o , B ., 2 5 7 C o n s tru c ts , h ie ra rc h y o f
M o re o f th e sa m e , 148, 2 06 O u tc o m e , s u c c e s s fu l: c h a n g e in
M o tiv a tio n , c lie n t, 13 9 , 154; a n d c l i e n t ’s c o n c e p t o f , 1 8 , 2 6 ; e t h i c s
m u ltig lo b a l c o n s tru c tio n s , 2 3 4 ; as o f d e f in in g , 19; in d ir e c t r e s o lu
d e f in in g s c o p e o f th e ra p y , 3 5 -3 6 ; t i o n , 2 6 ; in r e v e r s e r e s o l u t i o n , 2 6 ;
f o r c r e a t i n g t h e p r o - s y m p to m p o s i p r o c e s s o f d e f i n i n g , 1 8 - 1 9 . See a lso
t io n , 2 0 8 ; n e c e s s ity o f, 1 3 6 - 1 3 7 (see R e s o lu tio n o f p ro b le m s : b e y o n d
a lso P o w e r le s s n e s s , t h e r a p i s t ’s ) s y m p to m r e lie f
M u ltig lo b a l c o n s tr u c tio n s , 2 3 2 -2 3 6 ; O u t c o m e , v e r if ia b le , 1 8
a n d c h a r a c te r d is o rd e r, 2 3 6 ; a n d O v e rt s ta te m e n t o f p o s itio n , 52 , 5 6 ,
le n g th o f th e ra p y , 2 3 2 -2 3 6 2 1 0 -2 1 4 , 2 4 7 -2 4 8 , 2 5 4 -2 5 5
M u ltip le p e rs o n a lity d is o rd e r, 1 03
M u s k d e e r , 13 P
P a n i c a tta c k s , 4 . See a ls o A g o r a p h o b i a
N P a ra d o x ic a l in te r v e n tio n , 7 7
N a rra tiv e th e r a p ie s , x , 106; c o n c e p t P a ra lle l d is tr ib u te d p ro c e s s in g , 119
o f p o s i t i o n in , 1 5 P a ra n o ia , 29
N e im e y e r , R o b e r t A ., 5 , l l n , 1 4 6 P a s t: r o l e o f t h e , i n D O B T , 1 2 8 - 1 2 9 ,
N e is s e r , U ., 1 2 6 n 1 9 9 -2 0 0 ; a s e x is tin g in p r e s e n t
N e u ro -lin g u is tic p ro g r a m m in g , 167 c o n s tru c ts , 4 , 7, 14, 4 1 , 4 4 -4 5 , 4 7 ,
N e u r o m u s c u la r re le a s e , 2 3 7 -2 3 8 4 9 , 8 5 -8 6 , 1 0 9 ,1 2 8 -1 2 9 ,1 9 9 -2 0 0 ,
2 0 8 , 2 1 0 , 2 1 3 - 2 1 4 , 2 4 7 . S ee a ls o
O H is t o r y t a k i n g
O b j e c t r e l a t i o n s th e r a p y , x , 6 7 P e a r c e , W . B ., 1 2 n
O b je c tiv is t p e r s p e c t i v e , 1 0 0 ,1 4 3 ; a n d P e rc e p tio n , 14; a n d p re s u p p o s itio n s ,
c a u s e o f s y m p to m s , 7 , 1 2 8 -1 2 9 ; 9
l i m i t s o f , 1 7 2 ; “c o r r e c t ” v ie w o f P e r is , F r itz , x i, 2 0 1 n
r e a lity , 6 P e r s o n a l c o n s tr u c t p s y c h o lo g y , 1 9 8 .
O b s e s s in g , 14, 17, 2 9 , 4 2 , 1 67, 211 See a ls o K e lly , G e o r g e
O g d en , T hom as, 24 P h e n o m e n o lo g ic a l w o rk , 155, 1 6 1 -
O ’H a n l o n , W illia m , 1 4 4 , 2 3 5 162, 167, 2 0 0 , 2 3 9 ; c a se e x a m p le
O n t o l o g i c a l c h a n g e : c a s e e x a m p l e o f, o f, 1 6 7 -1 7 0 ; d e f in in g f e a tu r e s o f,
3 7 ,1 7 3 , 177; a n d e m o tio n a l tr u th . 22
Index 281
P ia g e t, J . , 1 2 6 n , 2 3 6 c lie n t re s is ta n c e , 1 9 5 -1 9 7 , 2 1 7 ;
P la n s , u n c o n s c i o u s , 6 7 , 6 9 , 7 0 - 7 1 , 8 8 , w ith p r o - s y m p to m p o s itio n f o r m e d
164, 179, 185 in t r a u m a , 2 1 7 - 2 1 8 . S ee a ls o
P o litic a l o p p r e s s i o n , 8 R e f r a m i n g to t h e e m o t i o n a l t r u t h
P o s itio n : c o n c e p t o f, in v a r io u s t h e r a o f th e s y m p to m
p ie s , 1 4 -1 5 ; d e f in itio n o f, 1 3 -1 4 ; P o s i t i o n w o r k , b e t w e e n - s e s s i o n ta s k s
e x a m p l e o f, 14. See a lso P o s itio n s o f, 2 0 9 , 2 1 7 , 2 1 8 -2 2 0 ; a c c e s s in g
P o s itio n c h a r t , 1 1 4 - 1 1 7 , 1 2 1 - 1 2 2 , 171 e m o t i o n a l t r u t h , 7 7 - 7 8 ; d a ily
P o s itio n w o r k , 2 5 , 1 9 3 , 2 0 5 - 2 3 2 , 2 3 6 , re v ie w , 2 1 9 ; i n d e x c a r d c a s e e x a m
2 4 1 ; a n d c h a n g e in s e l f - c o n c e p t , p le s , 7 0 , 7 4 - 7 6 , 7 8 , 8 3 , 1 8 5 , 2 5 0 ,
2 3 1 -2 3 2 ; a n d c lie n t as c r e a to r o f 2 5 5 ; in d e x c a rd p ro c e d u r e , 2 19;
s y m p to m , 3 3 - 3 4 , 5 8 , 6 1 - 6 2 , 6 7 - 6 9 , u s in g s y m p to m as s ig n a l c a se
9 0 , 9 9 , 2 5 6 - 2 5 7 , 2 6 0 ; a n d lo s s o f e x a m p le , 3 3 -3 4 , 2 5 5 ; u s in g sy m p
f a m ilia r re a lity , 2 3 1 - 2 3 2 ; a n d p r o b to m a s s ig n a l p r o c e d u r e , 2 1 9 - 2 2 0
le m r e s o lu tio n , 18, 2 5 , 2 0 5 ; a n d P o s itio n w o rk , te c h n iq u e s o f, 2 0 9 ;
r e e n a c t m e n t , 2 3 7 - 2 3 8 ; a s a c c e s s to c o n f r o n t i n g w ith e m o t i o n a l t r u t h ,
p r o - s y m p to m c o n s t r u c t s , 2 0 6 , 2 0 7 ; 8 2 - 8 3 , 2 1 6 - 2 1 7 ; c y c lin g in a n d o u t
as a n e x p e r ie n tia l s h ift, 2 0 5 , 2 0 9 , o f s y m p to m -fre e p o s itio n , 2 1 4 -
2 5 6 ; as r e f r a m in g to e m o tio n a l 2 1 5 , 2 5 3 - 2 5 4 ; f o llo w in g c l i e n t a lit
t r u t h o f t h e s y m p to m , 3 1 , 3 3 , 2 0 5 ; tle b it a h e a d , 2 1 5 - 2 1 6 , 2 4 3 - 2 4 4 ,
b e t w e e n - s e s s i o n ta s k s o f (se e P o s i 2 5 3 ; o v e rt s ta te m e n t o f p o s itio n ,
t i o n w o r k , b e t w e e n - s e s s i o n ta s k s 52, 56, 2 1 0 -2 1 4 , 2 4 7 -2 4 8 , 2 5 4 -
o f); c a se e x a m p le s o f, 3 0 -3 7 , 5 2 - 2 5 5 ; tra u m a tic in c id e n t r e d u c tio n ,
63, 56, 58, 61, 62, 6 8 -7 0 , 7 7 -7 8 , 2 1 7 - 2 1 8 ; tr ia l s e n t e n c e , 5 2 , 5 6 , 7 5 ,
90 , 110, 185, 1 8 9 -1 9 0 , 1 9 2 -1 9 4 , 231
2 0 7 -2 0 8 , 2 1 1 -2 1 4 , 2 1 5 -2 1 6 , 2 3 1 - P o s itio n s , 1 3 -2 0 ; c o m p o n e n ts o f,
2 3 2 , 2 4 3 -2 4 4 , 2 5 0 , 252; c o n tra s te d 1 0 8 - 1 1 3 ; c o n g r u e n c e o f (se e C o n
w ith r a d ic a l in q u ir y , 2 0 5 - 2 0 6 , 2 1 6 - g r u e n c e o f p o s itio n s ); d ia le c tic
2 1 7 ; d e fin itio n o f, 24, 2 0 4 -2 0 5 , a m o n g , 106; o rg a n iz a tio n o f c o n
2 5 6 ; d if f i c u l t y o f , f o r c l i e n t , 2 3 1 - s t r u c t s w ith in , 41 (see a lso P o s itio n ;
2 3 2 ; f o r lo w s e lf - e s te e m , 5 2 , 5 3 - 5 4 , P ro -s y m p to m p o s itio n : o r g a n iz a
5 5 -5 8 , 61, 6 8 -7 0 , 90, 2 1 5 -2 1 6 , ti o n o f c o n s t r u c t s w i t h i n )
2 5 0 , 2 5 3 - 2 5 4 (s e e a ls o L o w s e l f P o s n e r , M . I., 1 2 6 n
e s t e e m ) ; g o a l o f , 2 0 9 ; in c o u p l e P o s t-tra u m a tic s tre s s d is o rd e r,
a n d f a m ily t h e r a p y , 2 5 , 2 2 0 - 2 3 0 , 2 1 7 -2 1 8
2 4 3 - 2 4 4 ; in f i r s t s e s s i o n , 3 0 - 3 7 , P o v e rty , 8
5 2 -6 3 ; p o te n c y o f, 2 0 6 ; p r in c ip le P o w e r l e s s n e s s , t h e r a p i s t ’s, 1 3 6 - 1 3 7 ,
o f , 2 0 7 ; p r o / a n t i s y n t h e s i s in , 2 5 , 1 5 4 . S ee a ls o M o t i v a t i o n , c l i e n t ;
2 0 9 , 2 5 4 -2 5 5 ; re p e a tin g , 2 1 8 -2 1 9 ; S t a n c e , t h e r a p i s t ’s
s t a y i n g in e m o t i o n a l t r u t h w ith P re d e te r m in e d e x p la n a to ry c o n te n t,
c l i e n t in , 1 3 3 - 1 3 4 , 2 0 7 ; t e c h n i q u e s 23
o f, 2 0 8 - 2 2 0 ( see a lso P o s itio n w o r k , P r e s u p p o s itio n s , 1 3 , 1 4 , 1 0 9 , 1 1 0 - 1 1 3 ,
b e t w e e n - s e s s i o n ta s k s o f ; P o s i t i o n 161, 195, 196, 201, 257; a n d
w o rk , te c h n iq u e s o f); tra n s itio n a l p e r c e p t i o n , 9 , 1 4 6 ; a r e a s o f k n o w l
p e r io d in , 2 1 8 -2 1 9 ; u s in g c lie n t- e d g e s t r u c t u r e d by, 1 1 2 -1 1 3 ;
t h e r a p i s t r e l a t i o n s h i p , 5 3 ; w ith as c o m p o n e n t o f p ro -s y m p to m
282 Index
R a d i c a l in q u i r y , t e c h n i q u e s o f , 1 5 7 - p ro -s y m p to m p o s itio n s , 2 3 2 -2 3 5 ;
2 00; e x p e rie n tia l d re a m w o rk , 178; r e c e iv e d f r o m c u l t u r e , 6 , 9 7 ; s t r u c
e x p e rie n tia l q u e s tio n in g , 1 6 1 -1 7 0 , t u r e o f (s e e H i e r a r c h y o f c o n
2 4 4 -2 4 6 ; fo c u se d e x a m in a tio n o f s tru c ts ; p ro -s y m p to m p o s itio n :
p e r s o n a l h is to r y , 1 9 9 - 2 0 0 ; im a g i- o rg a n iz a tio n o f c o n s tru c ts w ith in )
n a l in te ra c tiv e te c h n iq u e s , 1 7 3 — . See a ls o C o n s t r u c t i o n s o f r e a lity ,
1 7 7 (s e e a ls o I m a g i n a l i n t e r a c t i v e u n c o n s c io u s
te c h n iq u e s ) ; in v itin g re s is ta n c e , R e e n a c t m e n t , 2 5 5 - 2 5 6 ; p r o c e d u r e o f,
1 8 3 , 1 8 5 - 1 9 4 ; m in d - b o d y c o m m u 2 3 7 -2 3 8
n ic a tio n , 1 9 8 -1 9 9 , 2 4 6 -2 4 7 ; s e n R e fra m in g : s o u r c e o f n e w m e a n in g
te n c e c o m p le tio n , 6 4 -6 6 , 6 8 , i n , 2 0 5 -2 0 6
1 7 9 - 1 8 6 , 1 9 6 , 2 4 2 (s e e a ls o S e n R e fra m in g to th e e m o tio n a l tr u th o f
te n c e c o m p le tio n ) ; s e ria l a c c e s s th e s y m p to m , 2 5 7 ; c a s e e x a m p le s
in g , 1 7 0 -1 7 3 , 1 7 5 , 1 7 7 , 2 1 1 , 2 1 6 o f, 3 1 , 3 3 -3 4 , 4 9 , 1 8 9 -1 9 0 ; d e fi
(see a lso S e r ia l a c c e s s in g ) ; s to r y f o r n itio n o f, 3 1 , 2 0 5 ; e ffe c tiv e n e s s
h ig h ly v u l n e r a b l e c l i e n t , 1 6 0 - 1 6 1 ; o f, 2 6 0 ; tra n s fo rm a tio n o f sy m p
t r ia l s e n t e n c e , 1 3 0 , 1 9 6 - 1 9 7 , 2 1 0 , t o m ’s m e a n i n g by , 4 9 ; v a l i d a t i o n
2 4 7 , 2 5 4 ; u tiliz in g c l i e n t r e s is ta n c e , b y , 1 3 8 - 1 3 9 . See a ls o P o s i t i o n
1 9 5 - 1 9 7 (se e a ls o R e s i s t a n c e ) ; u t i w o rk
liz in g c l i e n t - t h e r a p i s t r e l a t i o n s h i p , R e h e a rs a l: c a se e x a m p le o f, 7 6 ; o f
1 9 7 - 1 9 8 (s e e a ls o T r a n s f e r e n c e ) ; b e tw e e n - s e s s io n ta s k , 2 2 0
v ie w in g f r o m a s y m p to m - f r e e p o s i R e l a t i o n s h i p , c l i e n t - t h e r a p i s t , ix , 1;
tio n , 2 9 -3 0 , 6 5 , 6 6 , 6 9 -7 0 , 112, a n d s h a r e d t r a n c e , 1 7 1 ; a n d w e l
1 5 0 -1 5 2 , 1 8 3 -1 8 6 , 193, 214, c o m in g re s is ta n c e , 1 9 4 -1 9 7 ;
2 4 1 - 2 4 2 , 2 5 2 - 2 5 3 (see a lso V ie w in g b l a m e in , 2 3 0 ; c e n t r a l a g r e e m e n t
f r o m a s y m p to m - f r e e p o s i t i o n ) c o n s titu tin g , 20 4 ; c lie n t as a u th o r
R a g e , 8, 4 2 , 2 3 8 ; c a se e x a m p le o f, ity o n e m o t i o n a l t r u t h , 1 4 3 - 1 4 4 ,
142, 1 8 6 -1 9 4 , 208; c rite ria fo r 2 1 0 , 2 1 5 -2 1 6 ; e ffe c t o f p a th o lo -
b e in g a s y m p to m , 8 g iz in g o n , 1 3 5 -1 3 6 ; n e g a tiv e ly
R a ic h le , M . E ., 1 2 6 n c o n n o tin g b e h a v io r, 2 3 0 ; q u a lity
R ape, 8 o f, 2, 3, 2 0 , 2 1 , 2 2 , 3 2 -3 3 , 4 3 -4 4 ,
R e a lity , c o n s t r u c t i o n s o f . S ee C o n 96, 129, 1 3 1 -1 3 3 , 1 4 1 -1 4 3 , 146,
s t r u c t i o n s o f r e a lity 1 5 9 -1 6 0 , 172, 2 1 7 ; ra p id tru s t
R e a lity , e x p e r i e n t i a l : a n d u n c o n s c i o u s b u ild in g in , 1 3 1 , 1 3 5 -1 3 6 , 2 6 0 ;
c o n s tru c ts , 9, 14, 17, 9 7 ; c o n te x t h e r a p i s t ’s i m a g e i n , 1 5 2 - 1 5 3 ;
t u a l o r g a n i z a t i o n o f , 9 4 - 9 7 ; d if f i t h e r a p i s t ’s r e l a x a t i o n , 4 4 , 1 5 2 , 1 5 3
c u ltie s a c c o m p a n y in g c h a n g e o f, (se e a lso S t a n c e , t h e r a p i s t ’s: n o n e f -
2 3 1 -2 3 2 ; h e te r o g e n e ity o f, 9 4 -9 7 , f o r tf u l q u a lity o f; P o w e rle s s n e s s ,
1 0 2 , 1 1 8 -1 2 1 ; in p ro - s y m p to m t h e r a p i s t ’s ) ; t h e r a p i s t ’s s e lf - d is c lo
p o s i t i o n , 1 7 , 2 0 8 ; in d iv id u a l a s c r e s u r e , 4 6 , 4 7 ; t h e r a p i s t ’s s t a n c e in ,
a to r - p r e s e r v e r - d i s s o lv e r o f, 5 - 6 , 10, 6 - 7 (s e e a ls o S t a n c e , t h e r a p i s t ’s ) ;
30, 97, 113, 139, 183, 204, 208, u t i l i z a t i o n o f , 5 3 , 1 9 7 - 1 9 8 . See a lso
2 3 6 - 2 3 9 , 2 4 9 ; lim its o n f o r m in g , C o lla b o ra tio n , c re a tin g ; C o u n te r-
1 0 ; n a t u r e o f p a s t in ( s e e P a s t ) ; tr a n s f e r e n c e ; E m p a th y , t h e r a p i s t ’s;
p l a s t i c i t y o f , in c o n s t r u c t i v i s m , I n t e r p r e t a t i o n : a v o id a n c e o f, in
9 -1 0 ; p o r tio n o f, g o v e rn e d by D O B T ; T ra n sfe re n c e
Index 285
R e p e titio n c o m p u ls io n , 5; c a se e x a m o f , 9 0 , 1 3 0 - 1 3 1 , 1 7 7 - 1 7 8 . S ee a ls o
p le s o f, 6 6 - 6 7 , 8 1 , 8 3 , 8 8 ,1 6 7 - 1 7 0 , C o n s tru c ts , fo u r th - o r d e r
1 7 1 -1 7 3 , 2 1 1 -2 1 4 ; c o n s tru c tio n S e l f p s y c h o lo g y , x
o f, 6 6 -6 7 , 8 9 S e lf, t h e r a p i s t ’s u s e o f , 1 5 2 - 1 5 4
R e s is ta n c e , 5 , 1 3 9 , 1 5 8 , 1 9 7 , 2 1 7 , 2 6 0 ; S e lf-m u tila tio n , 1 3 4 -1 3 5
a c c e s s in g p ro -s y m p to m p o s itio n S e lf-w o rth : e n h a n c e m e n t o f, 4 , 3 5 , 3 7 ,
t h r o u g h its , 5 2 , 1 8 5 - 1 9 4 ; a n d 1 2 1 ,2 6 1
o rd e rs o f c h a n g e , 9, 1 1 7 -1 1 8 ; as S e n te n c e c o m p le tio n , 1 7 9 -1 8 6 ; u se d
e x p re s s io n o f p ro -s y m p to m p o s i in d i s t a n t v ie w in g t e c h n i q u e , 1 9 6 ;
tio n , 1 8 5 -1 8 6 ; c a se e x a m p le s o f, c a s e e x a m p le s o f, 6 4 -6 6 , 6 8 , IS O -
5 2 , 5 4 , 1 8 8 -1 8 9 ; c o n c e p tu a liz a tio n 1 8 3 , 2 4 2 ; lo g ic o f, 6 4 - 6 5 ; p r o c e
o f, in D O B T , 1 9 4 -1 9 5 ; c r e a te d by d u r e o f, 1 7 9 -1 8 0
a n ti- s y m p to m fo c u s , 2 1 - 2 2 ; d i s t a n t S e p a r a t i o n - i n d i v i d u a t i o n , 9 0 ; a n x ie ty
v ie w in g t e c h n i q u e s , 1 9 5 - 1 9 6 ; p o s i o v e r, 2 9 ; c a s e e x a m p le s o f, 3 5 , 7 7 ,
t i o n w o r k w ith , 1 9 6 - 1 9 7 ; u tiliz in g , 1 7 6 - 1 7 7 . See a ls o A u t o n o m y : p r o b
1 9 5 -1 9 7 le m s o f
R e s o lu tio n o f p ro b le m s , 2 5 , 2 6 -2 8 ; S e ria l a c c e s s in g , 1 7 0 -1 7 3 , 1 7 5 , 1 7 7 ,
b e y o n d s y m p to m re lie f, 4 , 3 5 -3 6 , 2 1 1 , 2 1 6 ; c a se e x a m p le o f, 1 7 2 -
3 7 - 38, 59, 70, 81, 8 7 -8 8 , 89, 121, 1 7 3 ; s ta te - s p e c if ic k n o w in g in , 1 7 2 ;
1 3 0 -1 3 1 , 2 5 9 , 2 6 1 ; b y p o s itio n s h a r e d t r a n c e in , 1 7 1 . See a lso C o n
w o r k , 1 8 , 2 5 , 2 0 5 ; p e r m a n e n c e o f, s t r u c t s , l i n k a g e o f; R a d ic a l in q u ir y ,
2 6 0 ; tw o ty p e s o f, in D O B T , 2 6 , 2 7 , t e c h n i q u e s o f: s e r ia l a c c e s s in g
3 8 - 3 9 , 2 0 3 - 2 0 4 . S ee a ls o D i r e c t S e x u a l a b u se , c h ild h o o d : case e x a m
r e s o lu tio n ; o u tc o m e , s u c c e s s fu l; p le o f, 2 4 0 -2 5 6
R ev e rse re s o lu tio n S e x u a l p r o b l e m s , 4 ; c a s e e x a m p l e s o f,
R e v e rse r e s o lu tio n , 2 0 3 -2 0 4 ; d e fin i 4 7 -5 1
tio n o f, 2 6 , 3 8 -3 9 ; c a s e e x a m p le s S h a m e , 4, 17, 20 6 , 2 22
o f, 1 7 -1 8 , 2 6 -2 7 , 1 8 9 -1 9 4 , 2 3 1 - S h a w , R o b e r t , x i, x ii, 1 2 8 , 2 0 0 n - 2 0 1 n
2 3 2 . See a lso D i r e c t r e s o l u t i o n S h o r t e s t p a t h f o r r a d ic a l in q u ir y , 1 3 8 ,
R h e a , K e n n e th , 2 1 5 1 3 9 -1 4 0 , 152, 1 5 8 -1 5 9
R ic e , L a u r a , 6 , 1 2 n S h r i n k i n g p a r e n t e f f e c t, 6 9 - 7 0 , 1 8 4
R ita lin , 2 2 2 , 2 2 9 S h u le r, N an cy , 2 0 7
S im k in , J a m e s , x i
S S lu z k i, C ., 1 2 n
S a f r a n ,J . D ., 1 2 4 n S o l u t i o n - o r i e n t e d b r i e f t h e r a p y , 1;
S a tir, V ir g in ia , x i, 2 3 1 m i r a c l e q u e s t i o n in , 1 8 5
S c h e d u l i n g o f s e s s io n s , 1 3 6 S o m e s th e tic c o n s tru c ts , 14; as k n o w
S c h iz o id c o n s t r u c t i o n , 1 8 0 in g s , 1 0 4 , 1 0 7 - 1 0 8 ; c a s e e x a m p l e s
S c h w a rtz , R ic h a r d , 1 2 4 n , 1 3 5 -1 3 6 , o f, 2 4 5 - 2 4 6 , 2 4 8 - 2 4 9 ; c o m p r i s i n g
155n u n r e s o lv e d tr a u m a , 2 3 7 ; in e m o
S c re e n c o g n itio n s , 4 2 tio n a l w o u n d s , 1 09, 2 4 5 -2 4 6
S c re e n e m o tio n s , 42 S p littin g , 104, 160
S e c o n d - o r d e r c h a n g e . S ee C h a n g e , S ta n c e , t h e r a p i s t ’s, 6 - 7 , 4 3 ; a s b a s is o f
sec o n d -o rd e r te c h n iq u e , 1 5 7 -1 5 8 , 2 0 0 ; c o n v ic
S e c o n d a ry g a in , 9 4 , 9 9 -1 0 0 tio n in c l i e n t ’s c a p a c ity f o r c h a n g e ,
S e lf , c o n s t r u c t i o n o f: c a s e e x a m p l e s 7, 4 3 -4 4 ; d e f in itio n o f, 1 2 7 ; f o r
286 Index
c o n n e c tio n s b e tw e e n p o s itio n s ; o g y o f, 2 3 6 ; p r i n c i p l e o f, 2 3 6 ; te c h
C y c l i n g in a n d o u t o f s y m p t o m - n i q u e s o f , 2 3 7 - 2 3 9 (s e e a ls o P r o
f r e e p o s i t i o n ; D i s t a n t v ie w in g ; s y m p to m p o s itio n , te c h n iq u e s o f
D o u b le b in d ; E x p e rie n tia l d re a m - tra n s f o r m a tio n o f)
w o rk ; E x p e rie n tia l q u e s tio n in g ; T ra n sp a re n c y , 1 5 2 -1 5 3
F o llo w in g c l i e n t a li t t l e b i t a h e a d ; T ra u m a , 4, 2 0 8 ; c o n s tru c ts c o m p ris
Im a g in a l in te ra c tiv e te c h n iq u e s ; in g , 1 0 9 , 2 3 7 ; m o d e ls o f, 7 -8 ;
I n d e x c a r d ta sk s; I n n e r c h ild w o rk ; r e e n a c tm e n t te c h n iq u e fo r tra n s
I n v itin g r e s is ta n c e ; L e t t e r w r itin g ; fo rm in g , 2 3 7 -2 3 8
M in d - b o d y c o m m u n i c a t i o n ; O v e r t T ra u m a tic in c id e n t r e d u c tio n (T IR )
s ta te m e n t o f p o s itio n ; R e e n a c t te c h n iq u e , 2 1 7 -2 1 8
m e n t; R e h e a rs a l; R e s is ta n c e : u ti T r e a tm e n t p la n s , 153
liz in g ; S e n t e n c e c o m p l e t i o n ; S e ria l T ria l s e n te n c e te c h n iq u e , 1 3 0 , 2 1 0 ,
a c c e s s in g ; T r a u m a tic in c id e n t 2 3 1 ; f o r w o r k i n g w ith c l i e n t r e s is
r e d u c t i o n ; T ria l s e n t e n c e ; V ie w in g ta n c e , 1 9 6 -1 9 7
fro m a s y m p to m -fre e p o s itio n ; T r u s t . S ee R e l a t i o n s h i p , c l i e n t -
V is u a liz a tio n ; V o ic e t o n e th e ra p is t
T e le o lo g y , 1 1 2
T h e r a p e u t i c e f f e c t i v e n e s s . See E f f e c U
tiv e n e s s , t h e r a p e u t i c U n c o n s c i o u s : a c c e s s i b i l i t y o f (s e e
T h e r a p is t: a n x ie ty fe lt by, 1 3 3 -1 3 4 , A c c e s s ib ility o f u n c o n s c i o u s c o n
1 3 6 , 1 5 3 (se e a ls o E m o t i o n : t h e r a s tr u c ts ) ; d e f in itio n o f, 3, 104; d is
p i s t ’s f e a r s o f c l i e n t ’s ) ; b l o c k s to r e g a r d o f , in v a r i o u s t h e r a p i e s , x ,
e f f e c tiv e n e s s o f, 1 3 1 - 1 3 7 ; e x i s t e n 2 - 3 , 4 , 19; n o n p a t h o l o g i z i n g v ie w
tia l u n c e r t a i n t y o f, 1 5 2 - 1 5 3 ; r e l a x o f , x i; p l a n s (s e e P l a n s , u n c o n
a tio n o f, 152, 153 s c i o u s ) ; p u r p o s e (see P u r p o s e ,
T h e r a p i s t - c l i e n t r e l a t i o n s h i p . See R e la u n c o n s c io u s )
tio n s h ip , c lie n t-th e ra p is t U n c o n s c i o u s c o n s t r u c t s : a c c e s s ib ility
T h i r d - o r d e r c h a n g e . S ee C h a n g e , o f (see A c c e s s ib ility o f u n c o n s c i o u s
th ird -o rd e r c o n s tr u c ts ) ; a n d p r o - s y m p to m p o s i
T r a in in g : a n d f r e e d o m to c la rify , 1 4 7 , tio n , 1 6 -1 9 ; a n d re s is ta n c e , 1 9 4 -
1 4 8 -1 5 2 ; a n d th e ra p e u tic fo c u s o f 1 9 7 ; a n d s e r ia l a c c e s s in g , 1 7 0 - 1 7 3 ;
D O B T , 2 1 -2 2 , 2 5 9 -2 6 0 ; case a u t o n o m y o f (s e e A u t o n o m y : o f
e x a m p le s o f, 1 4 8 -1 5 2 , 158; fo r u n c o n s c io u s p o s itio n s ); d ir e c tin g
e x p e r i e n t i a l w o r k , 1 4 1 - 1 4 2 ; in a t t e n t i o n to , 1 6 1 , 1 6 3 ; d is c o v e r y o f
b r i e f t h e r a p y , i x - x ; in e m o t i o n a l (se e R a d ic a l i n q u i r y ) ; i m p o r t a n c e
p ro c e ss, 134 o f, in d e f i n i n g s u c c e s s f u l o u t c o m e ,
T r a n c e , s h a r e d , 171 1 8 - 1 9 ; t r a n s f o r m a t i o n o f (se e P r o
T r a n s f e r e n c e , 1 3 3 ; r o l e o f , in D O B T , s y m p to m p o s itio n : t r a n s f o r m a t i o n
6 0 , 1 9 7 - 1 9 8 . See a lso R e l a t i o n s h i p , o f; T r a n s f o r m a t i o n o f c o n s t r u c t s )
c lie n t-th e ra p is t U n c o n s c i o u s k n o w in g , 1 0 2 - 1 0 8 , 2 0 4 ,
T ra n s fo rm a tio n o f c o n s tru c ts , 2 4 , 2 0 5 ; b o d ily a n d b e h a v io r a l e x p r e s
3 2 -3 3 , 3 7 , 5 7 , 79, 80 , 8 1 ,1 1 1 -1 1 2 , s i o n o f , 1 0 6 , 1 0 7 - 1 0 8 ; in u n r e
185, 205, 2 3 6 -2 5 6 , 257; case e x a m s o l v e d t r a u m a , 2 3 7 ; n o t b a s e d in
p le s o f, 5 7 , 7 9 , 8 0 , 8 1 , 1 8 5 , 2 4 1 , la n g u a g e , x, 109, 2 3 7 ; s o p h is tic a
249, 2 5 1 -2 5 2 , 2 5 5 -2 5 6 ; m e th o d o l t io n o f, 1 0 5 - 1 0 6
288 Index
U n c o n s c i o u s p o s i t i o n . See P r o - s y m p V io le n c e , d a n g e r o f, 148
to m p o s itio n V is u a liz a tio n , 1 7 3 -1 7 8 , 1 7 9 , 1 8 3 ,
U n c o n s c i o u s p r i o r i t i e s . See P r io r i t i e s , 196, 1 9 8 -1 9 9 , 239; a n d re e n a c t
u n c o n s c io u s m e n t, 2 3 2 ; c a se e x a m p le s o f, 23,
U s in g s y m p to m a s s ig n a l to ta k e p r o 2 9 -3 0 , 66, 68, 75, 8 2 -8 3 , 130,
s y m p to m p o s itio n : c a se e x a m p le s 1 7 5 -1 7 8 , 1 9 1 -1 9 2 , 2 5 2 -2 5 3 ,
o f, 3 3 - 3 4 , 2 5 5 2 5 5 - 2 5 6 . S ee a ls o I m a g i n a l i n t e r
a c tiv e t e c h n i q u e s
V V o ic e d i a l o g u e , 2 3 9
V a lu e s , 1 4 , 1 1 3 ; c l i e n t ’s, 2 3 1 ; in c o n V o ic e t o n e , t h e r a p i s t ’s u s e o f, 3 4 ; c a s e
s tr u c tiv is m , 10 ; t h e r a p i s t ’s, 2 3 0 e x a m p l e s o f, 4 7
V a r e la , F r a n c is c o , 1 5 6 n V o ic e s , i n n e r : f i n d i n g t h e e m o t i o n a l
V e n t u r a , M ic h a e l, 1 0 5 t r u t h o f, 8 4 - 8 6
V e rific a tio n o f c o n s tru c ts , e x p e r ie n
tia l, 1 4 3 - 1 4 4 , 1 9 0 W
V ic tim p o s i t i o n , 1 4 , 7 8 , 2 6 0 ; a n d n e u W a tz la w ic k , P., l l n , 1 2 n , 4 6 n
r o m u s c u l a r r e le a s e , 2 3 8 ; a s p a r t o f W e a k la n d , J ., 1 2 n , 4 6 n
a n ti- s y m p to m p o s itio n , 15, 4 7 , 1 9 2 ; W e i g h t p r o b l e m s , 2 7 , 1 6 6 - 1 6 7 . See
c a s e e x a m p l e s o f, 4 7 , 5 8 , 1 9 2 , 1 9 4 a ls o B in g e e a t i n g
V ie w in g f r o m a s y m p to m - f r e e p o s i W h ita k e r , C a r l, x i
tio n , 1 8 3 -1 8 6 , 193, 2 1 4 ; c a se W h i t e h e a d , A . N ., 1 1 8
e x a m p le s o f, 8 -9 , 2 3 , 2 9 -3 0 , 6 5 , W o r k a h o lis m , 4 , 1 7 , 6 3 , 7 1 - 7 2 , 7 8 , 8 0 ,
6 6 , 6 9 - 7 0 ,1 5 0 - 1 5 2 , 1 8 4 - 1 8 5 ,1 8 8 , 8 1 ,8 4 , 9 0 , 9 8
2 4 1 - 2 4 2 , 2 5 2 - 2 5 3 ; f o r d is s o lv in g
p re s u p p o s itio n s , 112; p ro c e d u re Z
o f, 1 8 3 -1 8 4 ; s tra te g y o f, 2 9 - 3 0 , Z a jo n c , R ., 1 2 4 n
1 8 3 . See a lso I n v i t i n g r e s i s t a n c e
In this groundb reaking b o o k , authors B ru ce E ck er and Laurel H ulley show
how to work d irectly and im m ed iately with the em otion al and u n con sciou s
m eanings that structure the very e x iste n c e o f th e p resen tin g p rob lem , m ak
ing in-depth therapy so effectiv e as to be brief, D epth -O rien ted B rie f
Therapy rep resen ts a new stage in b rief therap y and offers clinicians new
h o p e o f m aintaining p rofession al satisfaction in th e tim e-effectiv e p ractice
dem anded by to d ay’s m an aged -care en viron m en t.
“This b o o k offers creative exam p les o f liow con stru ctivism can be applied
in clin ical p ra ctice. T h e authors show how an ex p erien tia l approach to felt
m ean ings can h elp clien ts ex p lo re alternative p erson al realities. This is r e c
o m m en d ed rea d in g.”
ISBN 978-0-7879-0152-3