Académique Documents
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OF
FILIPINO CHECKERS
(AKLAT NG DAMA)
OF
INTRODUCTION
ARCHIMEDES M. QUILET
Author
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
CHAPTER 1
THE EQUIPMENT
AND
RULES
IN PLAYING
FILIPINO CHECKERS
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Before anything else, you have to know the equipment and rules
in playing Filipino Checkers (Dama). Read and memorize the following:
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
made. If possible, the correct move must be made with the man
or king originally moved incorrectly.
8. A man or King may not jump over the same opposing man or king
more than once.
9. Captured checkers are not removed from the board until all
jumps made on the move are completed, and the hand is
removed from the capturing man or king.
10. Whenever a situation arises in which one player has three kings
and the other one king, no other checkers remaining on the
board, a count is begun of the moves made by the weaker side
(that is the lone King). If the lone king is not captured by the end
of its twelfth move, the game is a draw. (In general, a win is
possible only if the side with three kings has possession of the
diagonal line running from the lower right corner to the upper
left corner.) The players may also agree with each other for a
draw.
11. A player may resign.
12. Time limits (optional): Three minutes per move.
DIAGRAM 1
DAMA MATRIX
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 2
CHECKERBOARD AND DAMA NOTATION
A8 C8 E8 G8
B7 D7 F7 H7
A6 C6 E6 G6
B5 D5 F5 H5
A4 C4 E4 G4
B3 D3 F3 H3
A2 C2 E2 G2
B1 D1 F1 H1
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
the left and right side and there is a combination of letters and numbers
inside the white squares of the Checkerboard. This is the “Dama
Notation.” This is used in the recording of the moves of the Filipino
Checkers (Dama). Study this carefully because I will use this notation
throughout this book.
5) .5-.5 = draw
6) ! = good move
8) ? = bad move
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 3
STARTING POSITIONS
These are the starting positions. The opponents have twelve (12)
men each. Only the white squares will be used. White moves first and
they take turns thereafter. In this position, the men that white can
move are on squares b3, d3, f3 and h3. Black can move men on squares
a6, c6, e6 and g6. You cannot jump or capture your own checkers.
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 4
CORNER
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 5
THE MOVEMENT OF MAN
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 6
THE CAPTURE OF MAN
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 7
THE CAPTURING OF MANY PIECES
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
d3 and c2. You may stop in these squares even if you crossed the square
c2 during the first capture. The illegal move is to capture the same piece
twice.
DIAGRAM 8
THE PROMOTION
In Diagram 8.1, the squares that are marked are where a checker
or a man will be promoted to a “king.” These are squares b1, d1, f1, h1,
a8, c8, e8 and g8. If a hostile checker moves and stops into these
squares, that checker will be promoted to a “king” (diagram 8.2) that
has a greater movement and capturing capacity (look at diagram 10
“The Movement of a King”).
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 9
THE PROMOTION OF A MAN BY MEANS OF
JUMPING OR CAPTURING HOSTILE PIECES
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 10
THE MOVEMENT OF A KING
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Study and memorize these rules so that you can quickly learn
the succeeding lessons.
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
CHAPTER 2
THE
DIAGONAL LINES
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 11
THE “A LINE” DIAGONALS
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
your “A Line” give him something to capture to make him lose control
over it and even better if when you capture back your capturing piece
will be placed in your “A Line” diagonals. So always remember to
control your “A Line” diagonals.
DIAGRAM 12
THE “B LINE” DIAGONALS
In this diagram, the squares with lines are the “B Line” diagonals.
The “B Line” diagonals are weak diagonals. Because in this “B Line” your
weakest square is placed, the f3, that if when placed by your opponent
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
and you didn’t or cannot deal with it, defeat is certain. Oftentimes, it is
the usual way of a trap by your opponent that you must always find to
avoid.
DIAGRAM 13
THE “C LINE” DIAGONALS
In this diagram, the squares with lines are the “C Line” diagonals.
The “C Line” diagonals are stronger compared to the “B Line” because it
runs in the center so you must put your pieces into it. In this “C Line” is
a square that you should put your piece or pieces, the f5. In the
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
opening, try to put a piece on this square but make sure it is supported
by your pieces or your placement will be useless.
DIAGRAM 14
THE “D LINE” DIAGONAL
In this diagram, the squares with a line are the “D Line” diagonal.
The “D Line” diagonal is an important defense diagonal in the
“endgame.” But make sure to always defend this because it might be
the cause of your instant defeat because if you will notice this is the
only diagonal that is “dead-end” on both sides and you’ll have nowhere
to go if you are at either end. What I’m talking about are the squares a8
and h1. You will know this in the next lessons to come.
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Diagram 15
THE “E LINE” DIAGONALS
Diagram 16
THE “F LINE” DIAGONALS
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 17
THE “G LINE” DIAGONALS
The last diagonals are the “G Line’’ diagonals. This is the “A Line”
diagonals of your opponent. Do not permit your opponent to place his
pieces there. The best thing to do to prevent this is to place your pieces
in your “A Line” diagonals, especially in squares b1, c2, d3, e4 at f5, but,
you must support it with your other pieces. Like the “A Line” diagonals,
there are many good moves that you can do with these diagonals. You
will know these in the coming lessons.
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
CHAPTER 3
THE TACTICS
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
The next lessons will tackle about the tactics on how to ensure
your win in “Dama.” Study and memorize these lessons carefully. Your
victory depends on the use of one or combination/s of these tactics that
I will reveal to you.
Let’s start …
The first tactic in “Dama” that you should learn is the “Kick” or
“Sipa” in the Filipino language.
The “Sipa” is a tactic using the “forced capture” rule. You will
give a piece or pieces in exchange for a greater number of captures,
better position or a promotion. The examples of “Sipa” are in the
following pages.
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 18
FIRST EXAMPLE OF “SIPA”
In these diagrams you will see the first example of “Sipa.” You
will see in diagram 18.1 that white is in a kicking formation or “Panipa.”
“PANIPA” is the term used if two or more pieces of the same color are
formed to make an exchange which could result to damage of the
opponent. It could result in “de balde,” advantage in position, damage
to the position of the opponent or all of it. But it could also have a bad
effect on you so always “READ” what will happen before you make a
move. In diagram 18.1 white made an exchange (f3) to black in h5 and
because of that white captured four black checkers (diagram 18.2)
before stopping in c6. This process is called “Sipa.” This situation needs
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
three white checkers to kick properly. The white checkers in f3, g2 and
h1.
DIAGRAM 19
SECOND EXAMPLE OF “SIPA”
In these diagrams you will see the second example of “sipa.” You
will see in diagram 19.1 that white is in a kicking formation or “Panipa.”
In diagram 19.1 white made an exchange (b3) to black in d3 and
because of that white captured two black checkers (diagram 19.2) and it
is also promoted to a “KING” because it stopped in a8 that is a
promotional square. If the “Panipa” is on the sides, two pieces is
enough to execute the “sipa” unlike in the middle which needs three or
more pieces before it will be a “panipa.”
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 20
THIRD EXAMPLE OF “SIPA”
In these diagrams you will see the third example of “sipa.” You
will see in diagram 20.1 that white is in a kicking formation or “Panipa.”
In diagram 20.1 white made an exchange (f3) to black in h5 and because
of that white captured three black checkers (diagram 20.2) and it is also
promoted to a “KING” because it stopped in c8 that is a promotional
square. This situation needs three white checkers, the pieces in f3, e2
and d1 and the black checker in h3 to kick properly. Black checker in h3
acted as a blockage for his same color piece that is in f5 to capture
white to prevent the “sipa” and the promotion to king. So, you can use
not only your pieces to win, but also the pieces of your opponent.
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
The second tactic in “Dama” that you should learn is the “Going
in between” or “Pag-gitna” in the Filipino language.
DIAGRAM 21
THE “PAG-GITNA” OR GOING IN BETWEEN
In these diagrams you will see another tactic of Dama, the going
in between or “Pag-gitna.” In diagram 21.1 black moved to c6 to block
the advancing white in a4 and c4. But in doing so, white “goes in
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
between” two black pieces (diagram 21.2) in move d5. In this position,
black is sure to have a “de balde” whatever he moves.
The third tactic in “Dama” that you should learn is the “Pag-
sabay.”
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 22
THE “PAG-SABAY”
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
In the next pages are the diagrams on “Capture First the Greater
Number.”
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
The fourth tactic in “Dama” that you should learn is the “Capture
First the Greater Number.”
DIAGRAM 23
THE “CAPTURE FIRST THE GREATER NUMBER”
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
V. The “Real”
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
DIAGRAM 24
THE “REAL”
In diagram 24.2 you can see the white man in c6 guarding not
only two but three black pieces in a6, a8 and e8. These examples of
“Real” are just meant to show the positions of a “Real.” It will be more
effective it is supported by your other pieces.
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
In the next pages I will teach you the right and wrong moves
during a game. I will teach you what is in the mind of an expert player of
Dama or as we call it in the Philippines, “Damador.”
Happy Studying!
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
CHAPTER 4
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
I will teach you why a move is moved, that is often kept secret
by the expert players or the “Damadors”
Arrange the pieces following Diagram 3 and you will now study
what is INSIDE THE MIND OF A “DAMADOR.”
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Diagram 25
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Diagram 26
In this First Game, white used the tactic “Pag-sabay” to win the
game. But there are also support tactics used to set the tactic that made
him win. Like the positioning in f5 which is an important square and
deceiving black by a series of moves at the right side of the board.
Black’s attention is diverted in this area and didn’t notice the other side
of the board. White also used “timing” or moving at the right time
which is a combination of deceiving black and “pag-sabay” on his move.
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
In playing “Dama” you should use not only one, two, or three
tactics; you should use all the tactics that you know to win, particularly
if you are playing against a good player.
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Diagram 27
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Diagram 28
Diagram 29
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Diagram 30
g2-f3 c6-b5
f3-e4 (white moved this so that f7-e6
black could not dominate the
center)
b3-c4 b5-a4
h1-g2 a4-b3 (black made an
exchange here at the start of
its “kinging technique”)
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Diagram 31
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
Diagram 32
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Book of Filipino Checkers (Aklat ng Dama) of Archimedes Mendoza Quilet
I will distribute this book for free or without payment. If you like
to give donations to help me make another book like this one and to
further the Filipino Checkers just send it to Address: 1137 Primero De
Mayo, Tondo, Manila, Zip Code: 1013 in my name. My email address is
qarchimedes@yahoo.com.
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