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E18033009
Current Issues in International Relations (SBU1702)
Because country of action is an unnamed one, the movie focuses on Agu and his dehumanisation and
childhood loss, obliged to fight as a man for a cause he doesn’t know anything about, after everything
has been taken away from him. The film emphasizes the survival, the child solider, not the political
situation itself, but the struggle and atrocities that Agu has been through. At the end of the movie, Agu
is able to achieve an insight into what happened to him while he is speaking to a teacher, making it
obvious that he is fully aware of the things he did. All of the important scenes are shot in a brutal, explicit
manner in order to shock the public and make people feel the horror and hate that is present, aiming
for psychological portraiture and focusing on universal human dignity over political context.
The movie lacks specificity regarding the political situation. However, it is thought to portray the war
that happened in Liberia and Sierra Leone during the 1990s, a conflict that tore the subregion apart for
years and is still recovering. The director must have decided to refuse to turn this into a political
statement and focus on the psychological impact war has on soldiers, especially young boys.
As stated above, regarding the international issues directly addressed, Beasts of No Nation is that one
movie which is the most abstract. There are no hard facts about we know that happened in history,
everything is fictional. Thirteen Days and The Whistleblower are movies that tackle specific conflicts of
real events. The closing scene, the one where Agu runs swimming into the sea with the other boys,
leaves the audience unsure of the protagonist’s future or the aftermath of the events.