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PHILIPPINE THEATER GROUPS – to maintain LOCAL PERFORMING GROUPS

standards of production and a vital cultural force


 non-professional theater
 Philippine Educational Theater Association  small groups of amateur
 contrast with other groups  school theater
 Innovative and modern perspective  ADMU: Dulaang Sibol
 Issue-based theater (social and political  UP: Dulaang UP
 1960s: Cecile Guidote  UST: Teatro Tomasno

 Tanghalang Pilipino FUTURE ORIGINAL PERFORMANCE


 Leading exponent
1. Rise in the number of original plays written
 CCP
and produced by Filipino Playwrights
 Cultural consciousness
2. The increasing interest for theater
 Original Filipino Play
3. The new trends featuring spectacles: never
 1987
before seen stage productions

 Repertory Philippines ROLES IN A THEATER PRODUCTION


 Chance to watch world class plays
 Les Miserables, Alice in, Miss Julie 1. Director
 Zenaida Amador and Baby Barredo  Key figure in theater production
 1967  Reproduce the playwright’s intentions
 Success or failure depends on
 New Voice Company  Morale of the people
 Political and Social concerns
 The Vagina Monologues (2001): About Sex 2. Stage Manager
Trafficking and Domestic Violence  Architect of the performing arts
 Male Voice: About Violence in Filipino Men  Structuring lights, coordination
 Monique Wilson  Marriage of all the elements
 Synchronization
 Trumpets
 Asia’s first professional gospel theater  Set Designer/Production Designer
group - Prepares the set
 Little Mermaid, Joseph the Dreamer - Furniture, sceneries, props
 The Blue Bird. About magical adventure of  Costume, mask, and accessories designer
two children - Costume: visual element, define
 For Emerging Filipino Talents character, believable
 Jaime Del Mundo and Rony Fortich (The  Makeup Artist
Blue Bird) - Accentuates normal features
PROGRAM OR DESIGN BRIEF
The production designer meets with the design team to
discuss the details

 Program or Design Brief – can be thought as ab


assignment containing broad objectives,
expectations and the purpose.
- Script of the play
- Style and tone
- The budget, props, work
- Time and place
- Movement and grouping of actors
- The budget in both time and money
- The workforce
- The inventory

ELEMENTS
1. Theme – central idea of the production
2. Plot – story line
3. Characters – actors interwoven with the plot of
the play
4. Script or Libretto – the story of any play is taken
forward by
5. Music or Sound –
o Natural Sounds – feeling of authenticity
o Music – a new dimension occurs
o Dialogue – music that will go with the
dialogue

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