Académique Documents
Professionnel Documents
Culture Documents
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State Communism at 100
2 See www.afonru.ru/news/2015_09_10/4/.
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State Communism at 100
The only authentic Unity Day that they spoke of was 9 May.4 When in 2015
the tenth anniversary of 4 November was celebrated, there were – despite
authentic patriotism in the wake of the annexation of Crimea, despite state
investments in balloons and flags in the white, blue and red of the Russian
tricolor, which were waved in the entire country, despite state-controlled
media – still voices that said Unity Day “had not taken root. The majority of
people simply sees it as an additional day off from work during the
gloomy November season.”5
So much for the revolutionary holiday of 7 November. Let us now try and
map the wider memory landscape of communism and the revolution: What
will be the locus of 1917? Where is it likely to be situated in the commem-
orative topography of 2017 during the 100th anniversary? What does this tell
us about the fate of communism in the first state that made it a lived and
political reality?
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power, the media, specifically in order to hide its personal enrichment from
the population.6
The strong state as an intrinsic value is of course difficult to reconcile with
the destruction of the state in the two revolutions of 1917. Consequently
everything discontinuous – anything resembling a break or caesura – needs to
be downplayed and the formation of a new strong state, the Soviet state,
emphasized. That is why all gosudarstvenniki, the étatists, strive to shorten the
distance between 1917, the end of the tsarist empire, and 1922, the beginning
of the Soviet Union, as much as they can and emphasize the natural con-
tinuity between the two empires. In so doing, the communism of the world’s
first communist state also moves into the background.
It is in endowing the strong, continuous state with religious legitimacy that
the Russian Orthodox Church enters the picture. And here the Archimandrite
Tikhon plays a special role. Tikhon heads the Sretenskii Monastery in
Moscow and is rumored to be Putin’s confessor. What is known for certain
is that he has accompanied Putin on many of his foreign travels and is
considered a likely successor of Patriarch Kirill. The 1958-born Tikhon, or
Georgii Shevkunov by secular name, had just graduated from the Gerasimov
film school in Moscow when, in 1982, he claims to have experienced some
kind of epiphany. After this he got himself baptized and became a priest and
later a monk. The film school part in his career is significant because Tikhon
has developed into one of the leading propagandists of the Kremlin and the
church. In 2011 he published a bestseller Unholy Holies, which in 2012 sold
more than 1 million copies and even beat the Russian translation of Fifty
Shades of Grey.7 His popularity, however, is first and foremost founded on his
film Death of an Empire: The Byzantine Lesson of 2008, which deserves a closer
look.
This movie is a technically elaborate pastiche of documentary, computer
animations and reenacted, docudrama-type scenes. What the viewer sees is
first of all Tikhon himself in the role of raconteur-cum-flaneur, who is at one
point placed in his black frock in front of Istanbul’s Hagia Sophia; at another
he can be seen walking through a crowd of people on Venice’s San Marco
Square and a few cuts later he is montaged in a Venetian gondola. In between
there are 3D computer animations of Constantinople during its prime;
original black-and-white scenes of the victory against the Teutonic Knights
6 See Karen Dawisha, Putin’s Kleptocracy: Who Owns Russia? (New York: Simon &
Schuster, 2014); Mikhail Zygar, All the Kremlin’s Men: The Four Metamorphoses of
Vladimir Putin (New York: PublicAffairs, 2016).
7 Charles Clover, “Putin and the Monk,” Financial Times Magazine (25 Jan. 2013).
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State Communism at 100
on the ice of Lake Peipus from Sergei Eisenstein’s 1938 Alexander Nevsky;
collages of icons and artwork; scenes in which little plaster figurines reenact
drunken binges of late Byzantine decadence (at one point we see a torture
scene reenacted in the original location, the Turkish catacombs; at another
point a young boy of African descent in a Byzantine, but actually Roman,
toga, deeply immersed in a manuscript) – all in order to underscore the
peaceful multiethnicity and intellectual prowess of the empire.
The film’s message can easily be summarized. Byzantium was the
greatest empire that ever existed, Russia is its legitimate, natural successor –
this is of course the old theory of Moscow, the Third Rome. Byzantium
was destroyed by external enemies who copied its scientific and other
achievements and then used them against Byzantium itself. Rather than
continuing the religious, Eastern Orthodox tradition, they only utilized
Byzantine technology to accumulate superfluous material things; instead of
souls they possessed only coldness, and instead of multiethnic harmony
they were capable only of monoethnic hatred. Byzantium fell apart
because it failed to solve the problem of the successor, i.e. the problem of
preemstvennost’; this issue had become acute under Vladimir Putin and
Dmitrii Medvedev the year before the film appeared because of the restric-
tion to two elected terms of office for the president. All of Russia was
worried about Putin’s preemnik, or successor.
The film’s often-pseudohistorical Russian language, reminiscent of Church
Slavonic, is enriched by elements from the present. Thus we hear that Venice
is in the clutches of a “financial oligarchy” (an allusion to the post-Soviet
oligarchs); that the “eternal problem of all empires” is the “separatism in the
peripheries” (an allusion to Chechnya and Georgia); that the good Byzantine
tsar Basil II “unrelentingly built a vertical of power” (an allusion to Putin) and
bequeathed to his successor “a kind of stabilization fund” (an allusion to the
stabilization fund created on the model of Norway’s sovereign wealth fund
by Putin’s minister of finance Aleksei Kudrin). In sum, stability, a strong state,
a single religion, which others convert to, the great social symphony and a lot
of soul – these form “the Byzantine lesson.”
Martyrology
Tikhon is also the mastermind behind another project. There are plans to
build a new cathedral on the territory of his Sretenskii Monastery, and not
just any cathedral, but Moscow’s tallest. It will be even taller than the
cathedral in the vicinity of the Kremlin, the Cathedral of Christ the Savior,
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which Stalin had demolished in 1931 and which was rebuilt faithfully to the
original in 1995 and inaugurated in 2000. This new, tallest Moscow cathedral
on the premises of Sretenskii Monastery will be dedicated to the “Martyrs of
the Revolution.”8
Martyrology is another dominant framework in the church, both regard-
ing the memory of 1917 in particular and the entire Soviet period in general.
In it the revolution figures as an ill that came from outside and broke
into a healthy, Russian Orthodox-majority society. Closely connected with
martyrology are conspiracy theories – of the revolution as a Jewish con-
spiracy, a Masonic conspiracy, a Judeo-Masonic conspiracy, a conspiracy
of Wilhelmine Germany, a “Western” conspiracy of the allied British,
Americans and Japanese (see more below) and so on. In the martyrological
framework, the church was forced to go either underground or into exile,
and individual church representatives were murdered, tortured and killed
in the Gulag.
Importantly, this is not a victim narrative: The key feature of martyrdom is
that it is positively charged. This is encapsulated by the motto of the priests
and monks imprisoned on the Solovetsky Islands in the White Sea, the Ur-
Gulag, as early as under Lenin: “What do we need the charms of liberty, our
happiness lies also on the Solovki” (Chto nam prelesti svobody, shchast’e nam i v
Solovkakh).9 Paradoxically, this ended up legitimating the revolution and the
anti-religious policy of the Bolsheviks. Both were interpreted as a higher,
transcendental fate and had to be suffered rather than resisted. Ultimately this
created a religiously charged moral-historical entanglement between Russian
Orthodoxy and the apparatchik representatives of the Soviet state, also, in
a way, legitimating the former KGB agent Putin.
Some clergymen treat the connection between Putin and his confessor
Tikhon with humor: “In our confessions there is not very much specific
information. You just say ‘I stole’ or ‘I fornicated.’ Maybe you add a few
specific details like how much and how often. But you don’t need to be very
specific. If Father Tikhon is captured by some foreign intelligence service and
tortured, there would not be much he could tell them.”10 On a more serious
note, beyond martyrology there is of course another – second – connection
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State Communism at 100
that points to a much closer, direct personal relationship between the church
and the Soviet state. As is well known, many Russian priests who served in
Soviet times were KGB informants. It is proven that the post-Soviet Russian
Orthodox patriarchs – both Alexis II, who was elected in 1990 and his
successor, Kirill I, inaugurated in 2009 – were KGB agents. This is why
more liberal church circles do not hesitate to speak of the guilt that the
church burdened itself with. These circles claim real victim status for
the clergy members who were repressed in state violence as opposed to the
martyr narrative; they do not charge the suffering with metaphysical
meaning.
Conspirology
With the rise of the internet, conspiracy theories have become more
popular than ever, and yet Russia’s konspirologiia likely occupies a leading
place in the world. It is the basis of state-historical narratives: America or
“Gayropa” – all evil comes from outside. This is just as true for Napoleon’s
Russian campaign of 1812 as it is for the collapse of the Soviet Union: In the
former case it was “the West” that invaded the Russian territory; in the
latter it was “the West” that incited the republics to secede from the Soviet
Union in order to then incorporate them into its own sphere of influence of
NATO and the EU.
At first glance, however, the October Revolution is not particularly well
suited for conspiracy theories since the responsible Bolsheviks created the
glorious Soviet empire and the KGB. And yet a lot of conspiracy interpreta-
tions feed into the official historical narratives, not to mention the unoffi-
cial ones. For one thing, the old thesis of the revolution (and hence the
introduction of a communist system) as a conspiracy of politicians from the
liberal parties and the Freemasons, with a lot of overlap between the two
groups, is being reactivated. These groups allegedly weakened the tsarist
empire from inside and ultimately also from the outside, since they were
allegedly connected with international Freemasonry. For instance, the
cultural institute Russkiy mir, a soft-power tool of cultural diplomacy,
which was founded in 2007 as an equivalent of the Goethe and Cervantes
Institutes, is instrumental in spreading this conspiracy theory.11 Sometimes
the liberals and Freemasons get mixed together with the Bolsheviks and the
11 Vera Tolz, “Modern Russian Memory of the Great War, 1914–1920,” in Eric Lohr et al.
(eds.), The Empire and Nationalism at War (Bloomington, IN: Slavica Publishers, 2014),
278–80.
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German Wilhelmine Empire, and later Britain and the USA, especially
when the Brest-Litovsk Peace Treaty and the Russian Civil War are con-
cerned: They allegedly cut vitally necessary body parts off the Great
Russian Empire, particularly by pushing it out of Eastern Europe. In this
variant of the conspiracy theory, the Russian liberals look more like
handmaidens of Anglo-American governments, ones who strove for
a unipolar world and ultimately global dominance.12 It is important to
remember that none of these historical narratives strictly adheres to
logic, stringency or purity. Putin, for instance, in summer of 2012 in front
of military officials mentioned the “the national betrayal by the Bolshevik
leadership” as a cause of Russia’s defeat in World War I – despite the great
esteem in which he holds the Soviet empire and its secret services.13
The conspiracy theories that get circulated on the Russian internet or in
popular books is another thing altogether, even if the boundary between
official and unofficial representations of history often gets blurred. In popular
literature, cyclical historical theories are rampant.14 For adherents of these
cyclical theories the parallels are all too obvious: In 1914 in the west of the
empire a short war began that first gave a boost to the tsar’s popularity; in
2014 in the south of the empire a short war began in Crimea that first gave
a great boost to the president’s popularity. Three years later the structural
problems of the tsarist and Putinist regimes had become so obvious that these
were swept away, and deservedly so. There is only one kind of interpretation
that official representations stay clear of in post-Soviet times: anti-Semitic
ones. Anti-Semitic interpretations of the revolution flourish on the web and
elsewhere, often by reactivating older texts, often from the revolutionary
epoch itself, such as the Protocols of the Elders of Zion.15
Color Revolutions
Today’s memory of the Russian Revolution is haunted by the possibility of
a revolution in contemporary Russia, a revolution by the Putin system and its
12 See Nataliia Narochnitskaia, Velikie voiny XX veka stoletiia. Reviziia i pravda istorii
(Moscow: Veche, 2010).
13 Tolz, “Modern Russian Memory,” 257.
14 See, e.g., voprosik.net/cikly-rossijskoj-istorii/. For a skeptical assessment of cyclical
theories of history, see Istoriia i antiistoriia. Kritika “novoi khronologii” Akademika
A. T. Fomenko. Analiz otveta A. T. Fomenko, 2nd edn. (Moscow: Yazyki russkoi kulʹtury,
2001).
15 See Marlène Laruelle, “Conspiracy and Alternate History in Russia: A Nationalist
Equation for Success?,” Russian Review 71, 4 (Oct. 2012), 565–80.
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16 See www.theguardian.com/world/2015/apr/03/british-student-laura-sumner-ordered-
leave-russia-media-speculate-spying.
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Since 2014, however, the internal and external political situation of Russia
has deteriorated further. Wars in eastern Ukraine and Syria, a serious conflict
with Turkey after a Russian fighter jet was shot down in November 2015 and
a massive economic crisis have created a situation in which, in early 2016,
an early end of the Putin regime is discussed more and more often.17
Sociopolitically, Russia has become even more polarized. Even if Putin’s
popularity reached an all-time high after the annexation of Crimea, mino-
rities are radicalizing, on both the left and the right – in early 2016 a group
formed under “the Donetsk People Republic’s” separatist leader Igor Strelkov
that calls itself “Committee of 25 January” based on its founding date. Many
of these radicals are counting on a revolution in 2017, a vision of the future
that is partly founded on the popular cyclical ideas about history. The key
question is whether these radicals will manage to mobilize larger segments of
society – this is not that far-fetched, especially if the general population’s
economic situation continues to worsen and at the same time new photo-
graphs of opulent palaces in Crimea or new luxury presidential airplanes with
white leather seats and the double eagle logo, their own onboard fitness
studios, and golden sinks and faucets continue to surface in the public
sphere.18
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State Communism at 100
19 On this, see the essays by David Brandenberger, Vladimir Solonari, Boris Mironov and
Elena Zubkova in the special issue “Ex Tempore: Toward a New Orthodoxy?
The Politics of History in Russia Today,” Kritika: Explorations in Russian and Eurasian
History 10, 4 (2009). The quotation about Stalin as “an effective manager” does not
figure in Filippov’s school textbook. On the genealogy and circulation of this canard,
see svpressa.ru/blogs/article/110256/.
20 See www.bbc.com/russian/russia/2009/05/090519_medvedev_history.shtml; rg.ru/
2009/05/20/komissia-dok.html.
21 See graniru.org/Politics/Russia/President/m.236312.html; rg.ru/2013/04/25/uchebnik-
anons.html; latitude.blogs.nytimes.com/2013/02/25/the-single-logic-of-continuous-rus
sian-history/.
22 See www.reuters.com/article/us-russia-history-idUSBRE9AH0JK20131118; http://poli
t.ru/article/2013/09/18/history/.
23 See www.spiegel.de/politik/ausland/russland-stuft-deutschen-historiker-stopper-als-
extremisten-ein-a-974971.html; www.zeit.de/2015/18/kriegsende-1945-gedenken-
russland/komplettansicht.
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24 See www.the-american-interest.com/2016/06/06/in-putins-russia-history-is-subversive/.
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and the negative meaning of both 1917 revolutions for the Russian Orthodox
Church. The government does not have to take into consideration nostalgic
revolutionary memory “from below,” since such revolutionary memory
lacks broad support in the population. Revolutionary nostalgia is restricted
to the KPRF and real, large-scale, popular memory initiatives, as those that
defend the memory of the Great Patriotic War are noticeably absent. There
are no signs, for instance, that Sergei Kurginian’s Soviet nostalgic organiza-
tion “Essence of Time” (Sut’ vremeni) has adopted the revolution as a cause,
even though it envisions a Russian Orthodox-cum-Communist “USSR 2.0”
with global messianic aspirations.
But it is clear that the centenary will not be forgotten, even if the state
chooses to practice “screaming silence.” Unresolved historical-symbolic pro-
blems, such as Lenin’s dead body in the country’s symbolic center on Red
Square, ensure in very concrete, physical fashion that the anniversary is kept
alive. Whether one likes it or not, 1917 is “marked,” and this markedness is
driven not least by a strong cyclical-historical subterranean current, instantiated
in cultural products, such as Olga Slavnikova’s novel 2017 from 2006, a love/
environmental disaster story set in the capitalist Riphean (read: Ural) Mountains
in which the city authorities, in honor of the centenary, stage a costumed fight
between members of the Red Cavalry and the White Guards that gets horribly
out of hand. Or the 2012 Russian-American dystopian science fiction film
Branded, known as Moscow 2017 in Russian – a title based on a scene in which
the main protagonist, a marketing executive, calls our present age the “era of
marketing” and credits Vladimir Lenin with starting it, pointing to Soviet
advertising and propaganda.25 This trend also moves another year into focus:
1937. The impending eightieth anniversary of the pinnacle of Stalinist violence is
always present in all emancipatory memory initiatives of 1917. Liberation – and
indeed Soviet-style communism – can end, two decades later, in a bloody
tsunami of terror. That too belongs to the legacy of communism.26
25 Further, see (in the field of the arts) e.g. Rosalind Brodsky’s time travel project at the
London Institute for Militronics and Advanced Time Interventionality (IMATI), in
which she travels from 2017 back to the Moscow of 1917: Suzanne Treister, “From
Fictional Videogame Stills to Time Travelling with Rosalind Brodsky, 1991–2005,” in
Andy Clarke and Grethe Mitchell (eds.), Videogames and Art (Bristol: Intellect Books,
2007), 138–41.
26 One of the fears of the Putin–Medvedev government seems to be that “genuine” civil
society will usurp the memory of 1937 and thus render this memory hard to channel and
control. Hence the – liberal, at first glance – condemnation of the repressions, encapsu-
lated in the cipher 1937, during summer 2015 are best understood as a controlled
étatization of the memory of Stalinism. See www.themoscowtimes.com/article.php?
id=528254 (19 Aug. 2015).
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Bibliographical Essay
The Russian Revolution was at the heart of Soviet and Western historical
research from the beginning of Soviet-style communism until its very end
on 31 December 1991. Writing about the revolution always meant taking an
ethical-political stance and situating oneself within the bipolar politics of
the Cold War. In the post-Soviet period the revolution became depoliti-
cized – and insignificant: The center of research gravity moved first to
Stalinism during the 1930s, then to the war years, later to the postwar
period, and more recently to the Khrushchev and Brezhnev periods. Only
as the centenary of the revolution came closer was there a spate of new
books and articles on the Russian Revolution with the crescendo likely
reaching its height in 2017 itself. The memory of 1917 – collective and group
memories, and the politics and symbols of memory, as well as speculative
forecasts about what these variegated practices of commemorating the
revolution might look like in 2017 – have yet to become the subject of
monographic research, although the first journalistic treatments have
appeared, most of them online.
With the approaching centenary, new surveys of the historiography of
the Russian Revolution and its legacy for communism have been pub-
lished. In a 2015 special issue of the journal Kritika, S. A. Smith provides
a state-of-the-art overview, forcefully arguing for a recovery of the central
category of class that typified all of the historical actors in 1917 and more so
than in any other revolution – this category had moved out of sight during
the new cultural history of the Russian Revolution: “The Historiography
of the Russian Revolution 100 Years on,” Kritika: Explorations in Russian and
Eurasian History 16, 4 (2015), 733–49. In the same issue Boris Kolonitsky,
arguably the most important Russophone author writing on the Russian
Revolution today, criticizes the preponderance of memoiristic accounts of
the revolution and thus the lapse into the main interpretations of the
historical actors and the political currents they embodied. He also
bemoans the emphasis on elites that comes with the rise of the memoir
genre in Russian post-Soviet history-writing of the revolution – less power-
ful, less literate people thus move out of focus: “On Studying the
1917 Revolution: Autobiographical Confessions and Historiographical
Predictions,” Kritika: Explorations in Russian and Eurasian History 16,
4 (2015), 751–68. Other influential surveys of the historiography written
from the perspective of cultural history (and after the end of the Soviet
Union) include Stephen Kotkin, “1991 and the Russian Revolution: Sources,
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