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As Davidson and Coleman point out, the major implication of this is that our
habitual pattern of attention may be supposed, over time, to influence the content
of our mind and emotions and thence our behaviour and experience.(3) The concert
musician who, by repetitive, attentive practice, trains his or her fingers to play
a certain scale is, by this reinforcing of a particular, sequential pattern of
proprioceptive impulses, developing specific groups of neuronal synapses in areas
of the central nervous system such as the basal ganglia and cerebellum. Attention
thus changes the physical structure of the brain to create an engram or program of
activity which can initiate an extremely complex series of movements without the
need for conscious guidance via neuronal pathways from the motor cortex.(4)
Similarly, the person suffering from chronic ‘malattention’ may develop changes in
neural structure, measurable on an electroencephalogram, that correlate with poor
work performance and impaired social relationships.
One technique I have used is to get students to listen to a story while working at
multiplication. Afterwards the level of effective double attention is checked by
verifying whether the story can be retold correctly and that the mathematics is
accurate. Another practice involves rows of students behind each other with readers
at the end of each line. The readers recite different articles. The first stage in
training the attention is to listen to one person only. The second is to try and
listen to both at the same time. The third stage is to try and give an account of
the context of both articles. It is like having a dialogue with someone in a
restaurant , and later relating the conversation at the next table.