Académique Documents
Professionnel Documents
Culture Documents
Contents
• 1. Introductions
• 2. Light and Color Science (Light
• Source, Object and Observer)
• 3. Light and Color Measurement
• 4. Visual and Instrumental Color
• Management
3
Light and Color
• What is Color?
ASTM E284
• color, n—(1) of an object, aspect of object appearance distinct from
form, shape, size, position, or gloss that depends upon the spectral
composition of the incident light, the spectral reflectance or
transmittance of the object, and the spectral response of the observer,
as well as the illuminating and viewing geometry.
• (2) perceived, attribute of visual perception that can be described by color
names such as white, gray, black, yellow, brown, vivid red, deep reddish
purple, or by combinations of such names.
4
Light Source
Visible Spectrum
5
Thank you!
6
LIGHT AND COLOR
7
Light and Color
• Color Perception
• 3 parts that can influence our
perception of color: Light Source Observer
1. Light source
2. Object
being
viewed
3. Observer
(person)
Object
Observer Situation
8
Light Source
• Light
• Light is a form of energy also
known as visible light. Light is a
small portion of the
electromagnetic spectrum which
covers an extremely broad
range, from electrical and radio
waves to microwaves and
gamma rays.
• Visible light represents a very
small portion of the
electromagnetic spectrum. The
relative insensitivity of the
human eye limits the visible
portion of the spectrum to a very
narrow band of wavelengths
between approximately 380nm
to 760nm.
9
Light Source
• Electromagnetic Spectrum
• Velocity of Light = (Wavelength) x (frequency in meters) x (cycles per second or Hertz)
» (3 x 108 m/sec)
10
LIGHT SOURCE
11
Light Source
• Light Energy
• White light is dispersed into its component colors by refraction.
• The angle of deviation varies with wavelength.
12
Light Source
13
Light Source
• Color Temperature
Blue Sky
10000K
14
Light Source
A Incandescent 2856K
B Noon Daylight 4874K
C Average Daylight 6770K
D50 Noon Sky Daylight 5003K
D65 Average North Sky Daylight 6504K
D75 North Sky Daylight 7504K
F2 Cool White Fluorescent 4230K
F11/TL84 Narrow Band Fluorescent 4000K
F12/U30 Narrow Band Fluorescent 3000K
15
Visual Color Management
16
Visual Color Management
Daylight Incandescent
17
Visual Color Management
• Metamerism
• Samples appear to match under daylight viewing conditions but do not match
under other lighting conditions.
18
Instrumental Color Management
19
Visual Color Management
20
Visual Color Management
• Viewing Geometry
21
Visual Color Management
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Visual Color Management
23
Light Source
• Color Models
• Additive Principals (Light)
blue green
red
24
Object
• Color Models
• Subtractive Principals (Dyes and Pigments)
Magenta
Yellow
Cyan
25
Object
26
Object
• Red Object
=
Red Object
Spectral Reflectance Curve
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Object
28
Object
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OBSERVER
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Light Source
red sample
31
Color Measurement
• Field of View
2o
1.7cm
50cm
10o
8.8cm
• At normal viewing distance of 50 cm (20 in.), the circle on the top represents
the 2° field on which the CIE 1931 standard observer is based. The figure at
the bottom is the 10° field on which the 1964 CIE supplementary standard
observer is based.
32
Observer
33
• LIGHT AND COLOR MANAGEMENT
34
Color Measurement
• Instrumentation
Colorimeter: Spectrophotometer:
Filter Based (3 or 4) Fixed Grating & Array
Fixed Illuminant (C/D65) Multiple Illuminant
Fixed Observer (2° or 10°) Choice of Observer
Tungsten Halogen Light Source Pulsed Xenon Light Source
No Metamerism Testing Metamerism Detection
Colorimetric Data (XYZ, L*a*b*) Spectral & Color Data
Quality Control Q.C., R&D, Formulation, etc.
35
Light Measurement
• 3-Filter Colorimeter
Receptor section
Microprocessor
Numerical Values
x(l )sensor X = 21.21 The tristimulus values
X, Y, Z are calculated
y(l )sensor Y = 13.37 by the microprocessor
z(l )sensor Z = 9.32 and can be converted
to other colour space
Three sensors
corresponding to
Light source
under test three types of cones
in human eye
36
Color Measurement
• Spectrophotometers
• Analyzes spectral distribution of reflected or transmitted light wavelength by
wavelength, across the visible spectrum.
• Measures the ratio of reflection or transmission by a specimen relative to a
reference standard.
CM-3700d
CM-3500d CM-2600d
37
Color Measurement
38
Color Measurement
39
Color Measurement
SCI: SCE:
• Includes all angles of illumination • Good correlation with visual
• Measurement independent of sample assessment
surface (gloss or texture) • Characterizes effects of sample
• Measurement of true color surface
• Sample must touch the sphere • Non-contact possible, for on-line
• Widely used for color matching applications
• Values similar to 0/45, depending on
gloss level
40
Color Measurement
41
Color Measurement
Face CM-512m3
42
Color Measurement
X = X/(X+Y+Z) u’ = 4X/(X+15Y+3Z)
y = Y/(X+Y+Z) V’ = 9Y/(X+15Y+3Z)
43
Color Measurement
black-white code
blue-yellow code
44
Color Measurement
• CIE L*a*b*
45
Color Measurement
46
Color Measurement
Trial Standard
Lighter
- = Redder
Less Yellow
47
Color Measurement
Calculation:
ΔE* = [ΔL*2 + Δa*2 + Δb*2]1/2
ΔE* = 3.68
48
Color Measurement
• Color Difference
49
Color Measurement
50
Color Measurement
51
Color Measurement
• CIE LCh
52
Color Measurement
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Color Measurement
54
• VISUAL AND INSTRUMENTAL COLOR MANAGEMENT
CR-10 CM-3600d
55
Visual Color Management
• Visual Assessments
• Establish a numeric and visual tolerance that everyone can achieve
• Remember your eyes see color non-uniformly.
• Avoid global color tolerances
• Acceptable not perceptible
• Avoid submitting a “Perfect” Sample
• Avoid “Concession Color”
56
Visual Color Management
• Color Communication
• Develop guidelines internally for consistent communication of color
assessments and directions.
• No % should be used in descriptions.
Example:
Hue descriptions - Red, Green,Yellow or Blue
Chroma descriptions - Bright or Dull
Value descriptions - Light or Dark
Adjectives - Very, Moderately or Slightly
57
Instrumental Color Management
• Physical Standards
• Represents the target color (Ideally, in the same medium on the same
substrate)
Advantages Disadvantages
• Allows for visual comparison • May change over time
• Decreases dependency on (deterioration, handling)
absolute agreement between color • May be difficult to produce or obtain
measuring systems several pieces that match
58
Visual and Instrumental Color
Management
Education and Training must be an integral part of each step within the program.
59
Instrumental Color Management
Questions?
60