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School LAKANDULA NATIONAL HIGH SCHOOL Grades

GRADE 1-12 Teacher LEAH G. ASOTIGUE Learning Area


Daily Lesson Log
June 5-8,2017
Teaching Dates ( week 1) 1:00 - 2:00 Quarter
and Time

MONDAY TUESDAY WEDNESDAY THURSDAY


I. OBJECTIVES
Orientation

A. Content Standards
The Learner demonstrates The Learner demonstrates
The Learner demonstrates understanding of common understanding of common
understanding of common musical musical characteristics of the musical characteristics of the
characteristics of the region as well
as unique characteristics of a region as well as unique region as well as unique
particular southeast Asian country. characteristics of a particular characteristics of a particular
southeast Asian country. southeast Asian country.

B. Performance Standards
The learner performs Southeast The learner performs Southeast The learner performs Southeast
Asian songs with approppriate Asian songs with approppriate Asian songs with approppriate
pitch, ryhtm, expression and pitch, ryhtm, expression and
pitch, ryhtm, expression and style.
style. style.
MU8SE-Ia-h-1
C. Learning Competencies/Objectives MU8SE-Ia-h-1 MU8SE-Ia-h-1
MU8SE-Ic-h-5, MU8SE-Ic-h- MU8SE-Ic-h-2,
MU8SE-Ic-h-8 2, MU8SE-Ic-h-4
MU8SE-Ic-h-4
II. CONTENT
Southeast Asian Music Southeast Asian Music Southeast Asian Music

III. LEARNING RESOURCES

A. References
Music and Arts of Asia 8 Music and Arts of Asia 8 Music and Arts of Asia 8
1. Teacher’s Guide Pages
Music and Arts of Asia 8 Music and Arts of Asia 8 Music and Arts of Asia 8
pages 3-4 pages 7 -8 pages 20-25
2. Learner’s Materials pages
Music and Arts of Asia 8 Music and Arts of Asia 8 Music and Arts of Asia 8
pages 1-6 pages 13-23 pages 20-26
3. Text book pages
Music and Arts of Asia 8 Music and Arts of Asia 8 Music and Arts of Asia 8
pages 1-6 pages 13-123 pages 20-26
4. Additional Materials from Learning
Resources internet, laptop, pictures internet, laptop, pictures internet, laptop, pictures
B. Other Learning Resources

International folk Songs. http://www.indonesiafair.com/2012/08/download-poster.html


http://www.tranceroutes.com/a/wp-content/uploads/2016/thailand-
http:// aseanforum.asea/wp-c
(1997) Hal Leonard

IV. PROCEDURES
A. Reviewing previous lesson or Focus: Recap on Vocals/ Focus: Music of Indonesia and Focus: Music of Malaysia &
presenting the new lesson Instrumental Music Myanmar Music of Thailand
B. Establishing a purpose for the lesson Find out if the students Learn the historical background and Learn the historical background and
classsify the musical basic concepts of Southeast asian basic concepts of Southeast asian
instruments according to music- particularly Music of Indonesia music particularly Music of
Hornbostel- Sac classification and Music of Myanmar Malaysia and Thailand

C. Presenting Examples/instances of new Present to the class the Give samples of 5-tone and 7-tone
lesson different pictures of scales for the countries Let the students listen to sample
musical/vocal instruments of videos or music of vocal
Southeast Asian Countries instrumental ensembles in all the
Southeast Asian countries.

D. Discussing new concepts and practicing Let the students classify the
new skills #1 musical instruments according Start discussing each country with Start discussing each country with
to Hornbostel- Sacs background on their culture. background on their culture.
classification.
E. Discussing new concepts and Lecture on historical
practicing new skills #2 background and basic concepts
Lecture on historical background and of Malaysia and Thailand
Let the students answer " basic concepts of Indonesia most
Differences berween vocal particularly on two basic kinds of
music and instrumental music musical scale and Gamelan- the most
based on their schema. popular form of musical orchestra of
the country.

F. Developing mastery
Let the students express
Look at the pictures presented Let the students view certain personal opinions regarding the
and try to guess its country of video clip in class that talks about historical and basic concepts of
origin and identify how it is the samples of performances for their musics in relation to their
played. vocal and instrumentaal music. festivals, religious events, and
weddings

(Leads to Formative Assessment) 1. describe how the Japanese & Let the students view certain
Balese musicians play their video clip that talks about the
instruments. samples of performances for
Let the students classify the 2. How many instrument players vocal and instrumentaal music.
musical instruments according were needed form the ensemble?
to Hornbostel- Sacs 3. Are their instruments made
classification. of wood or metal?

G. Finding Practical applications of Relate Philippine instruments to Relate Philippine instruments to


Back in time! Identify the time other Asian instruments. other Asian instruments.
concepts and skills signature of Paru-parong Bukid.
Sing the song Paru-parong
Bukid.
H. Making generalizations and Indonesia has the Javanese and Malaysia have instrumental
abstractions about the lesson Vocal music is made specifically Balinese gamelans. However, the ensembles and vocal music.
for voices. It mabe performed Indonesian gamelans have siners While, Thailand has three
with or without instruments performing with them. primary instrumental
while instrumental music is ensembles that are similar to
made soley for instruments the other ensembles in
Southeast Asia
I. Evaluating Learning
Let the students view certain
After watching/ Listening to the video clip in class that talks
What do you think should you Javanese and Balenese gamelan, about the samples of
learn about Southeast Asian the students will write description performances in Malaysia and
music? of each musical ensemble in a Thailand. After watching the
sheet of paper. students will answer the guide
question

J. Additional activities for application or


remediation 1. Sing the song Paru-parong
bukid in a jagged,skip and leap
manner. 2.
Sing the song Paru-parung
bukid applying the different
Dynamics

V. REMARKS

VI. REFLECTION

A. No. of learners who earned 80% on the


formative assessment

B. No. of Learners who require additional


activities for remediation

C. Did the remedial lessons work? No. of


learners who have caught up with the
lesson.

D. No. of learners who continue to require


remediation
E. Which of my teaching strategies
worked well? Why did these work?

F. What difficulties did I encounter which


my principal or supervisor can help me
solve?

G. What innovation or localized materials


did I use/discover which I wish to share
with other teachers?

Prepared by:
LEAH G. ASOTIGUE Inspected by:
Teacher I CONCORDIO G. CUBELO
School Head
8
MAPEH- Music 8

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